ellauri002.html on line 2138: Näiden surullisten säveleiden jälkeen iloisempi takautuma vuoden 79 kesään on paikallaan. Piristyin masiksesta, kun dona Carita tuli USAan kesäksi. Vielä samana kesänä tehtiin Nikun ja sen isän kanssa USAn kiertomatka, ajettiin syvään etelään aina Georgiaan, sieltä Teksasiin. Niku ja isä jäivät Teksasiin, me ostettiin liput junaan Meksikoon. Houstonissa kysyttiin kumpi ranta on näpeämpi, Meksikon lahti vaiko Atlantti. Molemmat, sanoi höveli meksikaano, varsin valehteli. Don Jaime muisti el Zorron numeron Ei kuolemaa Tampicoon, siis sinne! Hölmö valinta. Ekassa Meksikon puolen pikkukaupungissa tehtiin alottelijan virhe, syötiin jotain salaattia raakana. Siitä lähin don Jaimen input sekä output Meksikossa oli juoksevaa. Bussi Tampicoon hiljensi vaan kun vastaantulijat näytti ristin merkkiä. Välillä oli hätäpysähdyksiä, miehet toiselle puolelle bussia, naiset toiselle. (Ikävä kyllä ei ollut iso-hätäpysähdyksiä.) Seuraavana aamuna liikuttavassa rantahotellissa Meksikon lahdella öljytankkerien lomassa don Carita sanoi: hyi kun täällä haisee öljy. don Jaime tulee vessasta: se olen minä.
ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.
ellauri106.html on line 177: Roth was far more prolific than either of the novelists he was frequently lumped with—29 full length novels and a dazzling debut novella over nearly 50 years. His output was also more diverse in style and topic than either of the other while reaping critical praise, armloads of awards, and commercial success. Yet at the core of his varied output were common threads—a Jewish identity with which he was not always comfortable but could not deny, a sense of being profoundly American— “if I am not American what am I”—a, a sex drive that was often creepily compulsive, and the world observed by fictional doppelgangers for the author, or sometimes the author himself as a fictional character.
ellauri118.html on line 386: His output was thirty-six books and 1,500 poems. [I got more than 2000 by now! Well most of mine are prose, to be honest.] His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". He was popular enough that, by 1900, he told the Louisville Courier-Journal that his income from publishing poetry in magazines amounted to about $100 a month.
ellauri192.html on line 75: The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle reflexive irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Russians have absolutely no sense of humor. Exhibiting traits of a Slavic national mysticism, Kruchenykh aimed at recovering the primeval Slavic mother-tongue in particular.
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ellauri336.html on line 614: Tämä "uutinen" on vuodelta 2019, ennen pandemiaa. The state – which leads the way as US output of oil and gas is forecast to rise 25% in the next decade – is intensifying its production pipeline by pipeline. In the same month that Greta Thunberg addressed a UN summit and millions of people took part in a global climate strike, lawmakers in America’s leading oil- and gas-producing state of Texas made a statement of their own.
ellauri336.html on line 624: The scale of new production is “staggering”, according to an analysis by Global Witness, a campaign group, with Texas leading the way as US output of oil and gas is forecast to rise by 25% over the next decade. This makes it a “looming carbon timebomb”, the group believes, in a period when global oil and gas production needs to drop by 40% to mitigate the worst impacts of the climate crisis.
ellauri336.html on line 630: In March, the Permian overtook Saudi Arabia’s Ghawar to become the world’s most productive oilfield. While Saudi Arabia’s overall production remains far higher, predictions are that the Permian’s output will continue to grow at a similar rate – doubling by 2023 as pipeline capacity expands and major oil companies increase their presence – the only thing in the way are alarming environmentalists like Greta.
xxx/ellauri075.html on line 307: Central to Klages' thought is a linguistic opposition to logocentrism, a term introduced by Klages to diagnose a fixation on language or words to the detriment of the things to which they refer. (Put that in your pipe and smoke, Benjamin!) His formulation of this concept came to be of significant importance to semiotic studies of Western science and philosophy, namely within Derridean deconstruction. Klages is similarly seen as a buggybear to critical theory, deep ecology, and existential phenomenology. Historically little of his odious literary output has been available in English, being too thick and long-winded to translate.
xxx/ellauri195.html on line 278: Short Story: Norman Mailer THE GREATEST THING IN THE WORLD Nov/Dec 1941 STORY MAGAZINE. MAILER'S FIRST PUBLICATION IN A NATIONALLY-CIRCULATED MAGAZINE, AT 18 YEARS OLD WHILE AN ENGINEERING STUDENT AT HARVARD. Other contributions by Eli Cantor, Morton Fineman and Padraic Fallon, etc. Two corners lightly bumped, spine a bit faded, overall in great shape.

At Harvard, he majored in engineering sciences, but took the majority of his electives as writing courses. He published his first story, "The Greatest Thing in the World," at the age of 18, winning Story magazine's college contest in 1941.

Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records.

xxx/ellauri229.html on line 748: His fairly sizeable output of verse on political subjects is largely forgotten in the West. One exception is a short poem which has become something of a popular maxim in Russia:
xxx/ellauri229.html on line 757: In Russia, Tyutchev is one of the most memorized and quoted Russian poets. Occasional pieces, translations and political poems constitute about a half of his overall poetical output.
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