ellauri028.html on line 198: Apparently man is a selfish prick that can't think for himself and relies on "outside influences". He is a chameleon. He is nothing but a mere machine. Well, at least according to Twain. Man is a fraud and only lives for himself. He is really driving home this point that everyone is selfish and acts out of selfish needs (big surprise?), even if viewed (publicly and personally) as a self-sacrificing person. My question is; who cares? If the end result is the same, what does the actions matter. Let's say, saving a woman from a burning house. Twain says you do this out of making yourself feel good and avoiding the pain of not saving the woman, nothing else; the woman comes second to your own need of feeling good. But regardless of how it makes you feel, you still saved the woman in the end. The good is still done, even though you did it for yourself. Forget how the action was achieved. What does it matter if we refer to this as "self sacrificing" or "selfishness". Answer me this question, Twain! THE ACTION REMAINS THE SAME!!!.... I feel this must have been written during a time when everyone was going around smugly proclaiming to be self-sacrificing do-gooders and self-proclaimed religious nuts while really being shitty people; which had to be the most annoying thing ever. I guess it feels a bit outdated and I think people who naively go around claiming that they are "self-sacrificing do-gooders" are simply laughed at in our post modern times as smug assholes who need to get off their high horse (high horse? who owns a fucking horse nowadays, anyways?). I feel it is pretty accepted now that those who do good are doing them for their own selfish gains and the view of acceptance by others, at least I think this is the case. I don't know cause I don't know do-gooders, everyone I know (including myself) are dicks and more concerned with their celluar phones and creating social dating websites on the internet in vain attempts to pick up chicks only to drink alone and desperately spend several hours harassing women on social dating sites until one, out of pity, decides to respond to your 50 private messages, which then they foolishly decides to set up a date with you; only for you to be disappointed and stood up; which results in more drinking and paying a "dancer" to give you a hand job behind the goodwill on a Saturday night....
ellauri119.html on line 115: Oleo is a term that was a lot more common in 1966 than it is today. When margarine was first invented in France in the 1860s, the creator, Hippolyte Mège-Mouriès, originally dubbed the artificial butter substitute "oleomargarine." Although it was most commonly sold as simply "margarine," the "oleomargarine" name was used enough that "oleo" became slang for margarine. It's very outdated slang today, with the existence of the word mostly being confined to crossword puzzles. It is a very common crossword puzzle answer because of its shortness and because three out of its four letters are vowels.
ellauri119.html on line 123: When you realize that Robin is referencing a telecommunications company that was founded as International Telephone & Telegraph in this season two episode, you know the reference is an outdated one. IT&T got out of the telecommunications game in 1986. It has been reformed a number of times into its current state, ITT Corporation. Amusingly, at the time Robin made the reference, IT&T and ABC (which aired "Batman") nearly merged with each other.
ellauri147.html on line 255: Some critics appeared ambivalent, such as Jo Ellison writing for the Financial Times. On one hand she expresses admiration for the way Darren Star manages to depict "a version of womanhood in which promiscuity, bossiness and shopaholicism are depicted as qualities to be celebrated"; on the other "the major plot lines might have been written in the 1940s and the Frenchies are routinely cast as vain, preening and parochial." She concludes "Cliché-ridden and completely outdated: Darren Star´s ´Sex and the Cité´ will no doubt be monstrously successful."
ellauri214.html on line 560: Tokarczuk dismisses the global rise of nationalist movements as “the death throes of an outdated ideology. These old ideas of the state are completely disappearing,” she laughs. “People are migrating, travelling. Economics and the internet do not respect borders. We travel between different network providers! Welcome to EE!” She taps her phone with glee. (EE on joko Euroopan siipikarjayhdistys tai UK:n rahakkain operaattori.) “You could read Flights as an elegy for the old Europe.”
ellauri264.html on line 227: society that throws away useable items because they are a few years old and maybe outdated by new
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
xxx/ellauri215.html on line 487: Maybe, but this argument is outdated and completely irrelevant! Jehovan käsky on jo täytetty, maa vilisee jo pikku kärppiä. Mixi Grace valkkasi noin tätimäiset housut esitelmäasuxi? Eikös aiheeseen olis sopineet reikäiset farkut jotka kaivautuvat pillurakoon? Noihan raidalliset lökäpöxyt on yhtä sexikkäät kuin Lealla.
xxx/ellauri218.html on line 467: On Feb. 1, two African-American sanitation workers, Echol Cole and Robert Walker, had been crushed to death in one of the city’s outdated trucks. Memphis had no facilities for Black workers to wash up, change clothes or get out of the rain. Cole and Walker were sheltering from the rain inside the truck’s barrel when the compacting mechanism malfunctioned. The truck hadn’t been repaired because the city wouldn’t spend money for safety for these workers.
xxx/ellauri234.html on line 522: The Russkies have a brand new missile they call Sarmat (for us Satan-2) that can carry no less than 10 nuclear warheads all the way to us. Which our outdated Patriots cannot stop. So there is hope for us who are down and out as yet.
xxx/ellauri410.html on line 178: In spite of or because of Eliot’s detractors, numerous scholars have begun reevaluating Eliot’s reputation as an elitist, racist, anti-Semite, sexist, misogynist, in the wake of the alt-right white supremacist wave. Since then, many of the diatribes against Eliot’s socio-political conservatism and bigotry seem outdated and narrow. By modern standards, Eliot's verses are pretty lame.
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