Syyrialasessa Thyroxessa se oli varkaiden suojelmus. Se lotras viinaa niiden kaa kaiket yöt, ja se piilotteli apelsiineja lämpimän vuoteensa syöpäläisisissä.
ellauri047.html on line 956: Rahantuloa ei voinut estää, kukaan historioizija Ruozissa (paizi Fryxell) ei pystynyt tienaamaan yhtä hurjasti. Carl rakensi omista otrajauhoista Drjursholmin rantapromenaadille Villa Sjövikin mahonkisine kirjahyllyineen, täynnä Carlin kirjasarjoja.
ellauri058.html on line 825: Pimpsten Fotrasp:
ellauri058.html on line 831: Pimpsten Fotrasp:
ellauri058.html on line 837: Pimpsten Fotrasp:
ellauri058.html on line 844: Pimpsten Fotrasp:
ellauri058.html on line 850: Pimpsten Fotrasp:
ellauri058.html on line 856: Pimpsten Fotrasp:
ellauri058.html on line 862: Pimpsten Fotrasp:
ellauri058.html on line 869: Pimpsten Fotrasp:
ellauri058.html on line 875: Pimpsten Fotrasp:
ellauri058.html on line 881: Pimpsten Fotrasp:
ellauri058.html on line 888: Pimpsten Fotrasp:
ellauri058.html on line 894: Pimpsten Fotrasp:
ellauri058.html on line 902: Pimpsten Fotrasp:
ellauri058.html on line 911: Pimpsten Fotrasp:
ellauri058.html on line 917: Pimpsten Fotrasp:
ellauri058.html on line 925: Pimpsten Fotrasp:
ellauri058.html on line 931: Pimpsten Fotrasp:
ellauri058.html on line 938: Pimpsten Fotrasp:
ellauri058.html on line 944: Pimpsten Fotrasp:
ellauri070.html on line 315: Skippy is an American comic strip written and drawn by Percy Crosby that was published from 1923 to 1945. A highly popular, acclaimed and influential feature about rambunctious fifth-grader Skippy Skinner, his friends and his enemies, it was adapted into movies, a novel and a radio show. It was commemorated on a 1997 U.S. Postal Service stamp and was the basis for a wide range of merchandising—although perhaps the most well-known product bearing the Skippy name, Skippy peanut butter, used the name without Crosby´s authorization, leading to a protracted trademark conflict.
ellauri080.html on line 813: Pimpsten Fotrasp:
ellauri080.html on line 818:

Pimpsten Fotrasp:
ellauri080.html on line 822:

Pimpsten Fotrasp:
ellauri082.html on line 312: I’ve chosen to blog this particular passage, which runs ten pages in lenght, for a few reasons, the most honest reason being its unrelenting frankly honest potrayal of a person in the midst of a serious marijuana dependancy. Erdedy’s chapter has him eagerly awaiting the delivery of 200 grams of high-resin weed, of which he will force himself to smoke in its entirety in one hazy fog-induced sitting. Wallace, writing in the 3rd person, manages to get close enough to Erdedy’s running internal monologue to present to us a deeply troubled young man’s addiction and the lenghts he is willing to go to–whislt also attempting to redeem himself through his numerous attempts in kicking the addiction–in order to satisfy his intense cravings.
ellauri083.html on line 457: Pimpsten Fotrasp, [28.02.21 21:21]

ellauri083.html on line 463: Pimpsten Fotrasp, [28.02.21 22:00]

ellauri083.html on line 466: Pimpsten Fotrasp, [28.02.21 22:03]

ellauri083.html on line 469: Pimpsten Fotrasp, [28.02.21 22:06]

ellauri083.html on line 472: Pimpsten Fotrasp, [28.02.21 22:34]

ellauri083.html on line 475: Pimpsten Fotrasp, [28.02.21 23:04]

ellauri083.html on line 478: Pimpsten Fotrasp, [01.03.21 05:31]

ellauri083.html on line 481: Pimpsten Fotrasp, [01.03.21 05:41]

ellauri083.html on line 484: Pimpsten Fotrasp, [01.03.21 05:41]

ellauri083.html on line 487: Pimpsten Fotrasp, [01.03.21 05:43]

ellauri083.html on line 490: Pimpsten Fotrasp, [01.03.21 05:47]

ellauri083.html on line 493: Pimpsten Fotrasp, [01.03.21 05:48]

ellauri083.html on line 496: Pimpsten Fotrasp, [01.03.21 05:53]

ellauri083.html on line 499: Pimpsten Fotrasp, [01.03.21 05:53]

ellauri083.html on line 502: Pimpsten Fotrasp, [01.03.21 05:57]

ellauri083.html on line 505: Pimpsten Fotrasp, [01.03.21 06:00]

ellauri083.html on line 508: Pimpsten Fotrasp, [01.03.21 06:02]

ellauri083.html on line 511: Pimpsten Fotrasp, [01.03.21 06:10]

ellauri083.html on line 517: Pimpsten Fotrasp, [01.03.21 06:15]

ellauri089.html on line 299: Pimpsten Fotrasp, [12.03.21 10:51]

ellauri089.html on line 305: Pimpsten Fotrasp, [12.03.21 12:21]

ellauri089.html on line 308: Pimpsten Fotrasp, [12.03.21 12:22]

ellauri089.html on line 314: Pimpsten Fotrasp, [12.03.21 23:15]

ellauri089.html on line 320: Pimpsten Fotrasp, [12.03.21 23:16]

ellauri089.html on line 326: Pimpsten Fotrasp, [12.03.21 23:16]

ellauri089.html on line 332: Pimpsten Fotrasp, [12.03.21 23:23]

ellauri089.html on line 341: Pimpsten Fotrasp, [12.03.21 23:34]

ellauri131.html on line 1021: Pimpsten Fotrasp, [20.09.21 12:48]
ellauri131.html on line 1044: Pimpsten Fotrasp, [20.09.21 12:50]
ellauri135.html on line 435: Pimpsten Fotrasp, [23.09.21 15:41]

ellauri135.html on line 442: Pimpsten Fotrasp, [23.09.21 15:42]

ellauri135.html on line 447: Pimpsten Fotrasp, [23.09.21 15:42]

ellauri143.html on line 226: Luku 12. Smpanotraste (keskivaihe) klo 111–120
ellauri144.html on line 770: a otra arboleda lejana. toiseen puskaan etäämmäx.
ellauri145.html on line 404: Roger Tichborne, heir to the noble and filthy rich Tichborne family´s title and fortunes, was presumed to have died in a shipwreck in 1854 at age 25. His mother clung to a belief that he might have survived, and after hearing rumours that he had made his way to Australia, she advertised extensively in Australian newspapers, offering a reward for information. In 1866, a Wagga Wagga butcher known as Thomas Castro came forward claiming to be Roger Tichborne. Although his manners and bearing were unrefined, he gathered support and travelled to England. He was instantly accepted by Lady Tichborne as her son, although other family members were dismissive and sought to expose him as an impostor. During protracted enquiries before the case went to court in 1871, details emerged suggesting that the claimant might be Arthur Orton, a butcher´s son from Wapping in London, who had gone to sea as a boy and had last been heard of in Australia. After a civil court had rejected the claimant´s case, he was charged with perjury; while awaiting trial he campaigned throughout the country to gain popular support. In 1874, a criminal court jury decided that he was not Roger Tichborne and declared him to be Arthur Orton. Before passing a sentence of 14 years, the judge condemned the behaviour of the claimant´s counsel, Edward Kenealy, who was subsequently disbarred because of his conduct.
ellauri152.html on line 71: The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?]
ellauri152.html on line 83: While the work was eventually shown to be a pseudotranslation by Louÿs , initially it has mislead a number of scholars, such as Jean Bertheroy
ellauri161.html on line 538: Ya sea la política que solo reacciona a las dificultades bajo la mayor presión posible, los medios que solo miran la cuota incluso frente al fin del mundo, o la gente común que está en contra de ella por principio, porque no tiene ganas. Prescindir de algo que tener que hacer, hay muchas reacciones que suenan familiares. Los hechos se reescriben o simplemente se ignoran. Los asteriscos de los medios aprovechan la oportunidad para escenificarse. El beneficio personal cuenta más que cualquier otra cosa en caso de duda, cuando la economía misma ve el fin del mundo como una oportunidad para su propio enriquecimiento.
ellauri162.html on line 477: Esimerkiksi vieno Vergilius - jonka koulumestarit ovat ristineet Mantovan jouzenexi varmaankin siksi, ettei hän ole syntynyt sinä kaupungissa - oli des Esseintesin mielestä yksi kammottavimmista tylsimyksistä ja turmiollisimmista kiusankappaleista mitä koko antiikki oli kuunaan tuottanut. Häntä pitkästyttivät Vergiliuksen valjut ja pikkusievät paimenet, jotka kumoavat kukin vuorollaan lukijan kurkkuun ruukullisen korskeita, puleerattuja säkeitä, hänen Orfeuksensa, jota verrataan kyynelehtivään satakieleen, Aristaioksensa joka vetistelee mehiläistensä puolesta, ja Aineiaansa - tämä sumea, lukijan sormien välistä solahtava sankari, joka kävelee kuin kiinalaisen varjonäytelmän hahmo ja sätkii kuin puu-ukko repsottavan ja huonosti öljytyn runotransparangin takana.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri172.html on line 175: Come scrive nell'autobiografia, era un bambino molto sensibile, a tratti vivace, solitario, insofferente alle regole, descritto dai biografi moderni come tendente alla nevrosi, una condizione che si protrarrà per tutta la vita, causandogli spesso anche disturbi psicosomatici. Soffrirà di frequenti disturbi gastrici per la sua intera esistenza.
ellauri183.html on line 216: Kuuluisassa taantumupuheessa 1931 "El filósofo volvía a pedir a los republicanos que no falsificaran la República. Es frecuente reseñar la frase ¡No es esto, no es esto!. La República es una cosa. El radicalismo es otra."
ellauri183.html on line 236: Para Ortega, la vida humana es la realidad radical, es decir, aquella en la que aparece y surge toda otra realidad, incluyendo cualquier sistema filosófico, real o posible. Para cada ser humano la vida toma una forma concreta.
ellauri194.html on line 529: Banerjee or Bandyopadhyay is a surname of Brahmins originating from the Bengal region of the Indian subcontinent. Banerjees are from the ancient Shandilya Gotra, which means all Banerjees are descended from Kannauj from the ancient sage Shandilya as per the Puranas. Together with Mukherjees, Chatterjees, Bhattacharjees and Gangulys, Banerjees form the Kulin Brahmins. Indian (Bengal) and Bangladeshi: Hindu (Brahman) name, the first element of which, Ban-, is taken from Bandyopadhyay. The final element -jee is derived from jha (greatly reduced form of Sanskrit upadhyaya ‘teacher’); thus, Banerjee ‘teacher who is head and only performs the main work aarti or,Vandana. A Sanskrit version of this name, Vandyopadhyaya, was coined from the elements vandya ‘venerable’ + upadhyaya ‘teacher’. "
ellauri194.html on line 587: Chatterjee or Chattopadhyay is a Bengali Hindu family name, used primarily by Pancha-Gauda Brahmins in India, and associated with the Bengali Brahmin caste. Chatterjee is an Anglicized variant of the Sanskritized Chattopadhyay. English language spellings include Chatterjee, Chatterjea, Chatarji, Chatterji, Chaterjee, Chattopadhyay, and Chattopadhyaya. Together with Banerjees, Mukherjees, Gangulys, Chatterjees form the Kulin Brahmins, the highest tier of the Bengali caste system. They belong to Rarhi clan and the Kashyapa gotra.
ellauri210.html on line 1346: Prassinos, heredera de los cuentos tradicionales de hadas contamina su imaginario con personajes desviados, transformándolos en “contes bizarres”. En un marco irreal, típico de los cuentos surrealistas juega con las metamorfosis: objetos que adquieren dimensión animal, humanos que se animalizan, animales que se transforman en humanos, o personas que se reapropian de otras, como muestran algunos de sus cuentos, como “la Psyché” donde la protagonista sufre por parte de otra mujer una apropiación de su voluntad, de su personalidad, llegando a ser su doble. Como en el estadio del espejo de Lacan, la protagonista reacciona al contemplar su imagen, no ante el espejo, sino ante la otra mujer: “Nous étions plus que jumelles et nous nous regardions subjuguées, chacune dans le miroir humain que lui tendait l’autre”.
ellauri210.html on line 1352: Supone una alteración y deformación de lo que uno es, sólo que en estos casos el extrañamiento no viene frente a la sociedad o frente a otros individuos, sino que los protagonistas son alienados por otra persona que deviene su propio “yo”, actuando a modo de espejo. Actuando como duplicados de uno mismo, solo que el “yo” inicial queda anulado por el segundo. Se aproxima a la escisión del “yo” entendida bajo los términos de Lacan. La alienación viene dada por su imagen en el espejo, en este caso en ese “otro” (algo ajeno a él). El “yo” está alienado porque se reconoce en algo que no es. Esta pérdida de identidad en Gisèle Prassinos también se ve reflejada en el juego de sexos, procede a despistar con los sexos como hace Mansour.
ellauri221.html on line 341: Halveksin ja inhoan teitä kaikkia vitun britit! Senkin siat! Arvottomat, laiskat, rappeutuneet typerykset, jotka piilexitte valkoisten kallioittenne takana, sillä aikaa kun toiset kansat taistelevat puolestanne. Olette liian heikkoja puolustamaan omia siirtomaitanne, joten teidän oli pakko vedota Amerikkaan hattu kädessä. Haisevat kerskailijat, jotka tekevät mitä tahansa rahasta. Hah! Hän huusi voitonriemuisesti. Tiesin, että tarvitsin vain rahaa ja herrasmiehen julkisivun. Herrasmiehen! Pfui Teufel! Nuo pöhköpäät siellä Poodlesissa. Raharikkaita pukkeja. Kuukausikaupalla minä nyhdin heiltä tuhansia puntia, petkutin heitä suoraan heidän nenänsä edessä, ennen kuin te tulitte paikalle ja sotkitte koko jutun. Minä olin Moskovassa! Moskovassa! Noniin, nyt saatiin ryssätkin mukaan geimeihin. Juu niin niiltähän saatiin tähän tarvittava ydinpommi, kun ei inselaffeilla ollut siihen omia otrajauhoja. Kalju pää ja isot viixet hämäisivät paholaisen isoäidinkin!
ellauri222.html on line 799: Stylistically, Bellow's fiction reflects some of the same tensions that his protagonists seek to balance. His concern with social and personal destruction has been traced to the common run of European writers such as Flaubert, Dostoevsky, Kafka, Sartre, and Camus. But Bellow's fiction also has many ties to the American literary tradition. His neotranscendentalism (what? Emersonian tomfoolery I guess), his identification with America, and the loose form of his most acclaimed novels link him most obviously to Emerson and Whitman.
ellauri262.html on line 314: The scholar of children's literature Zoë Jaques writes that Shelob is the "embodiment of monstrous maternity"; Sam's battle with Shelob could be interpreted as a "masculine rite of passage" where a smaller, weaker male penetrates and escapes the vast female body and her malicious intent. The feminist scholar Brenda Partridge described the hobbits' protracted struggle with Shelob as rife with sexual symbolism. She writes that Tolkien derived Shelob from multiple myths: Sigurd killing Fafnir the dragon; Theseus killing the Minotaur; Ariadne and the spider; and Milton's Sin in Paradise Lost. The result is to depict the woman as a threat, with implicit overtones of sexuality.
ellauri341.html on line 97: Markus Leikolalla ja Reijo Mäellä on paljon yhteistä, esim. näitä uskontotraumoja.
ellauri347.html on line 522: Kumpika on vanhuxelle mieluisampi loppukiri: transgumanismi vaiko gerotranssendenssi? Toinen aktivoi, toinen passivoi. Ontto olisi mieluiten ottanut panorobotin, jota se olisi voinut aktivoida päivittäin. Gerotranssendenssi on siis tota päivänpolttavista aiheista poiskääntymistä, virsikirjan lisälehtien lehteilyä ja vanhojen muistelua. Se monia vanhuxia ize asiassa vähän hävettää, niinkuin vanhusten ostoskärryt Seku Seijukkaa.
ellauri347.html on line 524: Ontolta on terveys- tuottavuus- ja kilpailukykyihanteet ihan hakusessa. Se haluaa syödä kermaa, voita ja suolaa ja juoda punaviiniä kunnes maxa sanoo pox. Ei sillä ole yhteyttä gerotranssendenttiseen maailmanhenkeen eikä energiavirtoihinkaan. Ilman somea sen loppumetri on tosi säälittävä. No sentään se liikkuu jumalassa kuin pyhä peeveli. Jotain mustakalloja tai vinosilmiä se ei rakasta eikä välitäkkään, tässä se on kuin Pentti Linkola. Rakastakoon Jeesus, sen isällä on vastaanottomajoitusta tarpeeksi.
ellauri353.html on line 235: Don Rafael Acosta embajador de Miranda, el matrimonio Thévenot, y Florence la hermana de Madame Thévenot, están invitados a cenar en casa del matrimonio Sénechal. Sin embargo, hay una confusión, y Monsieur Sénechal ha salido rumbo a otra cita. Como alternativa, se proponen ir a un restaurante cercano, pero al llegar se dan cuenta de que el dueño del establecimiento ha muerto. A partir de este momento, las reuniones entre este selecto grupo de burgueses se verán interrumpidas por una serie de eventos extraordinarios, algunos reales y otros producto de su imaginación. La alternancia entre lo real y lo onírico produce giros inesperados en la trama, en la que intervienen otros personajes como militares, un obispo, policías, guerrilleros y campesinos, todos causantes de interrupciones durante los frustrados intentos de los seis primeros por sentarse a comer y disfrutar del encanto de ser burgueses.
xxx/ellauri044.html on line 633: juo, lotraa, eiks sammu
xxx/ellauri059.html on line 592: Pimpsten Fotrasp, [16.03.21 20:30]

xxx/ellauri059.html on line 598: Pimpsten Fotrasp, [16.03.21 20:31]

xxx/ellauri059.html on line 605: Pimpsten Fotrasp, [16.03.21 20:34]

xxx/ellauri059.html on line 611: Pimpsten Fotrasp, [16.03.21 20:35]

xxx/ellauri081.html on line 440: Pimpsten Fotrasp, [14.02.21 20:14]
xxx/ellauri081.html on line 455: Pimpsten Fotrasp, [14.02.21 21:11]
xxx/ellauri081.html on line 461: Pimpsten Fotrasp, [14.02.21 21:46]
xxx/ellauri081.html on line 479: Pimpsten Fotrasp, [14.02.21 23:46]
xxx/ellauri081.html on line 482: Pimpsten Fotrasp, [15.02.21 08:13]
xxx/ellauri084.html on line 696: Pimpsten Fotrasp, [25.02.21 10:59]

xxx/ellauri084.html on line 702: Pimpsten Fotrasp, [25.02.21 11:06]

xxx/ellauri084.html on line 708: Pimpsten Fotrasp, [25.02.21 11:13]

xxx/ellauri084.html on line 714: Pimpsten Fotrasp, [25.02.21 11:18]

xxx/ellauri084.html on line 720: Pimpsten Fotrasp, [25.02.21 12:50]

xxx/ellauri084.html on line 726: Pimpsten Fotrasp, [25.02.21 13:08]

xxx/ellauri084.html on line 732: Pimpsten Fotrasp, [25.02.21 13:13]

xxx/ellauri084.html on line 738: Pimpsten Fotrasp, [25.02.21 13:16]

xxx/ellauri086.html on line 33: Pimpsten Fotrasp, [02.03.21 01:46]
xxx/ellauri086.html on line 36: Pimpsten Fotrasp, [02.03.21 01:47]
xxx/ellauri086.html on line 43: Pimpsten Fotrasp, [02.03.21 08:29]
xxx/ellauri086.html on line 47: Pimpsten Fotrasp, [02.03.21 08:33]
xxx/ellauri091.html on line 876: Pimpsten Fotrasp, [01.04.21 16:20]

xxx/ellauri091.html on line 885: Pimpsten Fotrasp, [01.04.21 16:23]

xxx/ellauri091.html on line 888: Pimpsten Fotrasp, [01.04.21 16:24]

xxx/ellauri091.html on line 894: Pimpsten Fotrasp, [01.04.21 16:25]

xxx/ellauri091.html on line 900: Pimpsten Fotrasp, [01.04.21 16:29]

xxx/ellauri091.html on line 903: Pimpsten Fotrasp, [01.04.21 16:33]

xxx/ellauri091.html on line 909: Pimpsten Fotrasp, [01.04.21 16:39]

xxx/ellauri091.html on line 912: Pimpsten Fotrasp, [01.04.21 16:39]

xxx/ellauri091.html on line 918: Pimpsten Fotrasp, [01.04.21 16:41]

xxx/ellauri091.html on line 924: Pimpsten Fotrasp, [01.04.21 16:42]

xxx/ellauri091.html on line 927: Pimpsten Fotrasp, [01.04.21 16:44]

xxx/ellauri091.html on line 936: Pimpsten Fotrasp, [01.04.21 16:54]

xxx/ellauri091.html on line 942: Pimpsten Fotrasp, [04.04.21 14:13]

xxx/ellauri091.html on line 948: Pimpsten Fotrasp, [05.04.21 12:17]

xxx/ellauri091.html on line 951: Pimpsten Fotrasp, [05.04.21 12:18]

xxx/ellauri091.html on line 957: Pimpsten Fotrasp, [05.04.21 18:52]

xxx/ellauri091.html on line 963: Pimpsten Fotrasp, [05.04.21 18:55]

xxx/ellauri104.html on line 249: Your medical society knows such "symptoms" of a schizophrenia but knows no causes and thus only gives a label to it. Do your research and you will realise that nobody knows the causes of schizophrenia except that the effect of having this label is to have different levels of neurotransmitters in the brain and the symptoms are too varied and unrelated to each other to be even considered related to the same label! Is this even logical?
xxx/ellauri104.html on line 251: In fact, the "symptoms" are not at all related to the causes of having a different level of neurotransmitter. You might as well call anyone who has the so-called symptoms of schizophrenia the unknown medical problem rather than grouping them into one label, just for the sake of it!
xxx/ellauri104.html on line 253: Funny thing is, nobody knows why neurotransmitters are of a different level for people with "schizophrenia" and blame it on this label. Those with such illnesses were not always measured for levels of neurotransmitters, they were only assumed to have such levels of neurotransmitters by the psychiatrist who has no real medical background like that of a surgeon. To worsen it, Earthling's medical science has yet to be able to measure these levels accurately and safely! Isn't this shocking?
xxx/ellauri104.html on line 255: The truth is this: Neurotransmitters are always regulated for optimal performance due to a process called Homeostasis. This is the body's naturally intelligent way of regulating itself by creating a optimal condition using whatever resources is available to the body to make it as healthy as possible. Therefore there is no such thing as too much or too little of neurotransmitters, unless you have a state of malnourishment.
xxx/ellauri104.html on line 257: When the body is in a certain state, be it in sleep, at rest, after a meal, after an emotional state etc, Neurotransmitter levels differ all the time. Measuring them at various states is the right way to do such scientific quantification. But even then, your body is responding to a stimuli and even then, your body is given a set of nutrients to work with to produce the optimal level of Homeostasis of the neurotransmitters. Therefore, understanding Homeostasis and how it works will lead you to understand that the levels of neurotransmitters is not a factor of schizophrenia at all.
xxx/ellauri104.html on line 259: In other words, the levels of neurotransmitters in a person with and without schizophrenia or other types of psychiatric issues are… Same!
xxx/ellauri104.html on line 261: This is easily proven if you can conduct human trials the correct way. This requires a deep understanding of how the body works first… including how neurotransmitters work in an overall POV, which includes knowledge of the brain, the body, the nervous system, the neurons and finally why Homeostasis is always correct. The way your education system works limits your view because you only study within your specialization. You need to become a overall learner across various disciplines to find Truths. Because the Creator is someone who knows literally EVERYTHING!
xxx/ellauri129.html on line 248: otras_fuentes_bzv2knh-kh4C--656x820@LaVanguardia-Web.jpg" height="200px" />
xxx/ellauri129.html on line 629: [Hae sivustossa frases-para-fotos.com] Frases y citas célebres de Vizconde D'Yzarn-Freissinet. Creer en la felicidad hasta el punto de preocuparse por perseguirla: en ello se encierra toda la felicidad, porque otra no existe. El talento solamente nos sirve para enojarnos con los que no lo poseen.En un baile hay siempre un cuarto de hora en que la mujer más enamorada prefiere un traje a su prometido. Mujeres - D' Yzarn-Freissinet. El arte es el sentimiento de las cosas humanas unido al presentimiento de las cosas divinas. Tää pelle on niin unohdettu että siitä on enää nenänkärki pinnalla. Suvun vaakunassa on linnoja ja mäyräkoiria.
xxx/ellauri237.html on line 728: Para mi corazón basta tu pecho, para tu libertad bastan mis alas. Si consideras largo y loco el viento de banderas que pasa por mi vida y te decides a dejarme a la orilla del corazón en que tengo raíces, piensa que en ese día, a esa hora levantaré los brazos y saldrán mis raíces a buscar otra tierra. Ahora bien, si poco a poco dejas de quererme dejaré de quererte poco a poco. Si de pronto me olvidas no me busques, que ya te habré olvidado.
xxx/ellauri237.html on line 765: De una manera u otra es el resultado de
xxx/ellauri237.html on line 843: Neruda construyó una casa en Santiago llamada «La Chascona» (que en argot chileno significa 'despeinada', kampaamaton) en honor a Urrutia, que sirvió como refugio amoroso para ambos —puesto que la noticia de que Neruda tenía un amorío no hubiera sido bien recibida en el público chileno—. En esta casa existe una pintura, hecha por el artista mexicano Diego Rivera, que presenta a Matilde con dos caras y su famoso y largo pelo rojo. Se dice que en la pintura una de las caras representa a la Urrutia cantante que todos conocían y la otra, a la amante de Neruda. En su pelo se esconde la pértiga de Neruda, representando su relación secreta.
xxx/ellauri237.html on line 845: Después de la muerte de Neruda, Urrutia publicó las memorias de Pablo, Confieso que he vivido. Esto y otras actividades la llevó a entrar en conflicto con la dictadura de Augusto Pinochet, que intentaba suprimir la memoria de Neruda, abierto militante comunista, del inconsciente colectivo.​ Falleció de cáncer en Santiago de Chile el 5 de enero de 1985. Sus propias memorias, Mi vida bajo el Pablo, fueron publicadas de manera póstuma en 1986.
xxx/ellauri237.html on line 859: La psicología humanista es, sin duda, una de las corrientes de pensamiento más importantes de la psicología. Pero para saber de qué trata, es necesario conocer el trabajo de otra gran figura de esta escuela. Es difícil entender el humanismo sin Rogers y Maslow. Por eso, antes de profundizar en las propuestas teóricas de Maslow, vamos a adentrarnos en la teoría de Carl Rogers.
xxx/ellauri237.html on line 882: Maslow añade a la teoría de Rogers su concepto de las necesidades. La teoría de este psicólogo gira en torno a dos aspectos fundamentales: nuestras necesidades y nuestras experiencias. En otras palabras, lo que nos motiva y lo que buscamos a lo largo de la vida y lo que nos va ocurriendo en este camino, lo que vamos viviendo. Es aquí donde se forma nuestra personalidad. De hecho, Maslow es considerado uno de los grandes teóricos de la motivación.
xxx/ellauri237.html on line 987: El desarrollo personal (autoengaño con la lucrativa ayuda de un psicólogo) es el motor vital de las personas altamente funcionales. Se vive como un proceso de cambio constante, en el que nunca se alcanza una meta final definitiva sino que se va pasando de una etapa a otra.
xxx/ellauri268.html on line 76: Norma 15 No precipites una relación sexual, y otras normas
xxx/ellauri268.html on line 89: Norma 27 Acentúa lo positivo, y otras armas para los anuncios por palabras
xxx/ellauri268.html on line 95: Norma 24 Introducele poco a poco en tu familia, y otras normas para mujeres con hijos
xxx/ellauri268.html on line 103: Norma 28 Sé inteligente y otras norma para salir en el instituto
xxx/ellauri268.html on line 105: Norma 29 Cuida de ti misma y otras normas para salir en la
xxx/ellauri268.html on line 108: Norma 30 El siguiente y otras normas para hacer frente al
xxx/ellauri281.html on line 781: No en. Linssiluteile vaan ihan omine otrajauhoinesi, brittiplärä.
xxx/ellauri379.html on line 168: Äänestin taannoin Toni Halmetta koska hän oli rehellisesti rasisti eikä vaan "racist in a weak sense" kuten Conrad. Siinä vaiheessa kun runosuoni kuivahtaa alkaa kynäilijä paasata tällä lailla kirjoista sun muusta taiteesta. Vai että tälläistä kuravelliä tuokin izerakas surkimus lotraa päänsä sisällä päivät pitkät. Välillä surettaa kun tämäkin välttämättä luetaan vizixi, vaikka Jaakko Parantainen on topi tosissaan. Twilightin sarvi sammuu. Tämä täytyy lukea niäpnirääv kuin Jönsin askarteluvihkonen.
151