ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri053.html on line 908: By appealing to some friends four pupils were obtained from Calcutta. I myself brought the number up to five. We were all clothed in long yellow robes as befitting Brahmacharis. On the day of the opening ceremony, however, we were given red silk dhotis and chaddars and it made us feel very proud and im- portant to stand in a row in the Mandir, the cynosure of all eyes.
ellauri053.html on line 912: Father had composed some new songs for the opening ceremony, one of which, Mora satyer pare man (We dedicate ourselves to truth) remained as the school song for many years until it was replaced by Amader Santiniketan (Our own Santiniketan).
ellauri053.html on line 938: At the same time Satish Roy’s voice rang out with the opening stanza of Barsha-Shes, the well-known poem of my father on a stormy ‘Year End’ :
ellauri061.html on line 778: In the interview, Barak was asked whether he is a lobbyist that earns a living from "opening doors." The interviewer stated "You have arrived recently at the Kazakhstan despot Nazarbayev and the president of Ghana. You are received immediately." Barak confirmed that he has been received by these heads of state but denied earning money from opening doors for international business deals for Israeli and foreign corporations, and said he does not see any ethical or moral problems in his business activities. He further said there is no logic to demand of him, after "the natural process in democracy has ended" to not utilize the tools he accumulated in his career to secure his financial future. When asked if his financial worth is $10–15 million, Barak said "I'm not far from there."
ellauri069.html on line 139: Balaclava helmet: A balaclava, also known as a balaclava helmet or Bally or ski mask, is a form of cloth headgear designed to expose only part of the face, usually the eyes and mouth. Depending on style and how it is worn, only the eyes, mouth and nose, or just the front of the face are unprotected. Versions with a full face opening may be rolled into a hat to cover the crown of the head or folded down as a collar around the neck. Sellanen ällöttävä roistomyssy.
ellauri074.html on line 163: The Perdue Farms company was founded in 1920 by Arthur Perdue and his wife, Pearl Perdue, who had been keeping a small flock of chickens. The company started out selling eggs, then in 1925, Perdue built the company's first hatchery, and began selling layer chicks to farmers instead of only eggs for human consumption. His son Frank Perdue joined the company in 1939 at age 19 after dropping out of college. The company was incorporated as A.W. Perdue & Son and Frank Perdue assumed leadership in the 1950s. The company also began contracting with local farmers to raise its birds and supplying chickens for processing as well as opening a second hatchery in North Carolina during this period. Perdue entered the grain and oilseed business by building grain receiving and storage facilities and Maryland's first soybean processing plant. In 1968, the company began operating its first poultry processing plant in Salisbury. This move had two effects: it gave Perdue Farms full vertical integration and quality control over every step from egg and feed to market, as well as increasing profits which were being squeezed by processors. This move enabled the company to differentiate its product, rather than selling a commodity. In 2013, Perdue was reportedly the third-largest American producer of broilers (chickens for eating) and was estimated as having 7% of the US chicken production market, behind Pilgrim's Pride and Tyson Foods. Perdue antoi kanalle nimen tuotteistamalla sen. Poules Perdues.
ellauri094.html on line 229: The exilic period was a rich one for Hebrew literature. Biblical depictions of the exile include Book of Jeremiah 39–43 (which saw the exile as a lost opportunity); the final section of 2 Kings (which portrays it as the temporary end of history); 2 Chronicles (in which the exile is the "Sabbath of the land"); and the opening chapters of Ezra, which records its end. Other works from or about the exile include the stories in Daniel 1–6, Susanna, Bel and the Dragon, the "Story of the Three Youths" (1 Esdras 3:1–5:6), and the books of Tobit and Book of Judith. The Book of Lamentations arose from the Babylonian captivity. The final redaction of the Pentateuch took place in the Persian period following the exile,:310and the Priestly source, one of its main sources, is primarily a product of the post-exilic period when the former Kingdom of Judah had become the Persian province of Yehud.
ellauri095.html on line 147: The image of the poet´s estrangement from God figures in "I wake and feel the fell of dark, not day", in which he describes lying awake before dawn, likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2: "He hath led me, and brought me into darkness, but not into light." "No Wurst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".
ellauri096.html on line 597: Several of the parts begin with opening chapters in which the narrator directly addresses the reader, taunts the reader, or simply recounts the work thus far. For example, an early passage warns the reader not to continue:
ellauri106.html on line 531: Confident from its victory over Fascism and emboldened by the subsequent economic boom, America jelled behind what social theorist Jeffrey Alexander has called modernization or romantic liberalism. As has been the case throughout much of Roth’s career, the socio-political touchstone of his American Trilogy is the “patriotic war years” and the consensus culture that blossomed immediately afterward. “Everything was in motion,” Zuckerman says in the opening pages of American Pastoral. “The lid was off. Americans were to start over again, en masse, everyone in it together”. Reagan-propagandaa.
ellauri115.html on line 389: In the year 1766 Rousseau had just cause to fear for his life. For more than three years he had been a refugee, forced to move on several times. His radical tract, The Social Contract, with its famous opening salvo, "Man is born free, but everywhere he is in chains", had been violently condemned. Even more threatening to the French Catholic church was Émile, in which Rousseau advocated denying the clergy a role in the education of the young. An arrest warrant was issued in Paris and his books were publicly burned. "A cry of unparalleled fury" went up across Europe. "I was an infidel, an atheist, a lunatic, a madman, a wild beast, a wolf ..."
ellauri119.html on line 442: In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.
ellauri133.html on line 63: The most important sentence of your novel is the first one. The most important paragraph is the first one. The most important page... well, you get the idea. Without a great opening, no-one will read your book. Fuck you! If your readers are so wimpy fuck them too!
ellauri133.html on line 64: Your opening has to do a lot of different things. It has to establish the setting. Think of this as the camera planing over the outside of the spaceship, or across the crowded ballroom. Fuck I will! That's for idiots who cannot read but want to watch ABC TV. You know where you can stick that camera of yours and take inside belfies.
ellauri133.html on line 65: It has to introduce your main character. You don't have to go into details, but you need enough to show if the MC is male or female, old or young, and ideally, give an idea of their personality. The opening has to show, or at least hint at, the inciting incident, the problem that starts the story for the MC. Most important, your opening has to grab the reader. Very few people have the patience to wade through pages of description before the action starts. Work on the first paragraph, and particularly the first line, until no-one can resist reading on. So, a few ways to get it wrong. Fuck the main character! This too is just for narcissist nincompoops who can't read about anything but themselves.
ellauri133.html on line 66: Weather. There is a reason “It was a dark and stormy night” is considered the worst opening line ever. There is no good reason. Lytton may be a crappy writer but it's not because of the first sentence, but the rest.
ellauri133.html on line 77: Alarm clock. Possibly the worst opening of all: “I groaned as the alarm went off. Oh no, I’m late, I thought to myself. I got up, and put on my blue denims, and my cute pink top...” Never miss an opportunity for random misogyny! Anyway, look at the beginnings of world lit classics. You would have ended up mutilating most of them, turning them to more episodes of Paw Patrol.
ellauri133.html on line 83: Have you ever watched American Idol or X factor at the audition stage? Then you'll know the way you can usually tell within five notes if the singer is actually able to sing and is likely to go through. It's the same with writing. Any writer who can't manage a decent opening is not likely to get much better a hundred pages on. Whining for a second chance because "I sing a lot better in the second verse" (or "The second chapter is really good") doesn't fool anyone. What an idiot. There are lots of books that start out slow but grow on you. But fuck you, you're just such an idiot that hardly has the patience to spell laboriously through the title. Right into the garbage can from the Amazon box if the cover does not please. Your kind had better just watch Netflix or HBO, or reruns of American Idiots and X Position.
ellauri141.html on line 388: Heus puer, digitos ex anu. St Jerome modelled an uncompromising response to the pagan Horace, observing: "What harmony can there be between Christ and the Devil? What has Horace to do with the Psalter?" The first English translator Thomas Drant placed translations of Jeremiah and Horace side by side in Medicinable Morall, 1566. The Scot George Buchanan paraphrased the Psalms in a Horatian setting. John Keats echoed the opening of Horace's Epodes 14 in the opening lines of Ode to a Nightingale. Byron's famous lines from Childe Harold (Canto iv, 77) hit it on the nail:
ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg. What happened to the poor bear?
ellauri143.html on line 142: "It's like opening a delicious pizza box," he says. He grabs one of women's feet and sticks her big toes in his mouth. "Mmm, foot lollipop," a second woman says, while she and the third woman rub ...
ellauri147.html on line 230: Emily calls Mathieu Cadault to arrange a meeting so she can ask him about the dress donation. They agree to meet at an art opening at Camille´s gallery. Sylvie and Luc also arrive at the opening to meet Camille. At the AFL auction, Grey Space, which consists of two avant-garde fashion designers, show up and bid for Pierre´s dress. As Emily irons the dress back stage, Grey Space shoots her with cum as a publicity stunt which shocks the audience. The next day, the stunt is featured in all the newspapers and online. Pierre is despondent and takes Emily to his bed. They have really uninspired sex. Pierre won´t even cum though Mr. Collins does his best.
ellauri147.html on line 234: Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.
ellauri150.html on line 604: Then we see the opening credits.
ellauri150.html on line 715: I could go on, but I think it is best to leave it here. I've covered only the opening parts of this encyclical. There is so much more in this document about the various freedoms that we take for granted like freedom of religion, speech and the press. In discussing this encyclical I hope I've given you an appreciation for the writings of Pope Leo XIII. (You can find all of his encyclicals here.)
ellauri156.html on line 445: Zanuck opted to use stars already under contract to 20th Century-Fox. The production of the film started on November 24, 1950 and was completed in January 1951 (with some additional material shot in February 1951). The film premiered in New York City August 14, and opened in Los Angeles August 30, before opening widely in September 1951. It was shot entirely in Nogales, Arizona, which has a lot of the looks of the promised land, including the indians, who were made up to look like Palestinians.
ellauri159.html on line 1083: No need to develop a unifying theme. To orient the reader, it is enough to include a thesis statement or some other statement of purpose in the opening.
ellauri159.html on line 1167: It´s OK to postpone starting a project if the topic doesn’t grab you. When at a deadline, use your prolific imagination to find an angle that interests you. Free-write or cluster to generate ideas. Look to newspapers, magazines, or the internet for inspiration. Write a strong opening paragraph to get your creativity flowing.
ellauri164.html on line 485: We first encounter Moses in the opening chapters of the book of Exodus. In chapter 1, we learn that, after the patriarch Joseph rescued his family from the great famine and situated them in the land of Goshen (in Egypt), the descendants of Abraham lived in peace for several generations until there rose to power in Egypt a pharaoh who “did not know Joseph” (Exodus 1:8). This pharaoh subjugated the Hebrew people and used them as slaves for his massive building projects. Because God blessed the Hebrew people with rapid numeric growth, the Egyptians began to fear the increasing number of Jews living in their land. So, Pharaoh ordered the death of all male children born to Hebrew women (Exodus 1:22).
ellauri194.html on line 510: The opening paragraph of a biographical article should neutrally describe the person, provide context, establish notability and explain why the person is notable, and reflect the balance of reliable sources.
ellauri194.html on line 514: The noteworthy position(s) or role(s) the person held should usually be stated in the opening paragraph. However, avoid overloading the lead paragraph with various and sundry roles; instead, emphasize what made the person notable. Incidental and non-noteworthy roles (i.e. activities that are not integral to the person's notability) should usually not be mentioned in the lead paragraph.
ellauri196.html on line 242: While someone else is eating or opening a window or just walking dully along; kun joku toinen syö, avaa ikkunan tai kävelee muuten vaan;
ellauri204.html on line 393: If you thought that a visit to the brothel district was going to be fun and sexy, the “Circe” episode’s opening stage directions quickly dispel you of that notion by establishing the unseemly setting of Joyce’s Nighttown. The tracks are “skeleton,” the signals warn of “danger,” the houses are “grimy,” the men are “stunted,” and the women “squabble” about price. Indeed, Encyclopaedia Britannica in 1885 labeled this part of Dublin “the worst slum in Europe”. Located in east Dublin between Montgomery Street and Tyrone (né Mecklenburgh) Street, Nighttown is an ugly place filled with unsavory people. Moly (ei Molly) yrtti oli luultavasti valkosipuli. Bloomin mielixeen kengittämän hoidon hampaat haisi valkosipulilta.
ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
ellauri216.html on line 198: The Didache (Greek: Διδαχή, translit. Didakhé, lit. "Teaching"), also known as The Lord's Teaching Through the Twelve Apostles to the Nations (Διδαχὴ Κυρίου διὰ τῶν δώδεκα ἀποστόλων τοῖς ἔθνεσιν), is a brief anonymous early Christian treatise written in Koine Greek, dated by modern scholars to the first or (less commonly) second century AD. The first line of this treatise is "The teaching of the Lord to the Gentiles (or Nations) by the twelve apostles". The text, parts of which constitute the oldest extant written catechism, has three main sections dealing with Christian ethics, rituals such as baptism and Eucharist, and Church organization. The opening chapters describe the virtuous Way of Life and the wicked Way of Death. The Lord's Prayer is included in full. Baptism is by immersion, or by affusion if immersion is not practical. Fasting is ordered for Wednesdays and Fridays. Two primitive Eucharistic prayers are given. Church organization was at an early stage of development. Itinerant apostles and prophets are important, serving as "chief priests" and possibly celebrating the Eucharist. Meanwhile, local bishops and deacons also have authority and seem to be taking the place of the itinerant ministry.
ellauri222.html on line 623: Renée is the young, beautiful, blond mistress of Simon. Simon spends his days with Renée, but goes home each night to Charlotte. Renée becomes angry and jealous because Simon never intends to leave his wife. When Charlotte finds out about the affair and demands a stop to it, Renée attempts suicide by swallowing pills (apparently an attention-getting gesture), and claims (falsely) that she is pregnant with Simon’s baby. She causes a scandal, opening a lawsuit against Simon. Charlotte and Simon have to go to court to fend her off.
ellauri226.html on line 512: For many white residents of The Bronx, Co-op City offered a solution to their problems. It provided private ownership and was a protected enclave within The Bronx. The opening of Co-op City prompted thousands of white families
ellauri226.html on line 521: and an opening of many more shades of shady minorities to move in as
ellauri238.html on line 893: Through many openings. Monista rakosista.
ellauri241.html on line 903: Charm'd magic casements, opening on the foam Viehättävät taikakotelot korvilla, aukot vaahtomuovin päällä
ellauri241.html on line 1046: opening his eyelids with a healthier brain. I feel great again!
ellauri245.html on line 261: First devised and created in the Belgian Congo by King Leopold, son of Queen Victoria. A smooth metallic ball, slightly smaller than a tennis ball in circumference with tiny apertures along its contours. Made of gold, GAL-TAN, and steel, the ball is a minor feat of engineering. An additional small opening reveals a looped wire. The ball is placed in the victim´s mouth. When the wire is pulled, 24 tiny termite monkey antennae jut out from the ball, causing it to lodge itself in the mouth. At this point, though not overly painful, the victim cannot remove the ball, nor can another extract it for them. With a second pull of the wire, 24 needles erupt outwards from the extended antennae in 24 directions, causing severe damage to throat, cheek, tongue, palate, nasal cavity, etc....the victim will usually bleed out slowly in excruciating pain. How was this used for torture? It usually involved 2 victims. One who who was forced to swallow the ball, and the second who was forced to watch the effects. That second person would usually begin talking quickly about other things. Naah, too sophisticated. A waste on the Congolese niggahs. Cutting hands and feet worked just as well.
ellauri247.html on line 388: Tweedle Dee & Tweedle Dum" is the opening song on Bob Dylan's 2001 album Love and Theft. Bob is famous for tweedling his dums and quite particularly his "D." Mom said don't but he did. (Tweedle twē′dl, v.t. to handle lightly: ( obs.) to wheedle.— v.i. to wriggle.)
ellauri260.html on line 341: This is done in two ways : by the construction of a personality superior to and embracing the world and by the opening of a kingdom of God which essentially transcends the entire political and social order. In order to buy any of this, a man has to be content with figures of speech and suggestions, and the heart needs a heroism that confidentlv sustains its affirmation in spite of all contradiction.
ellauri263.html on line 369: Israel’s biggest TV hit series returns to our screens this week, opening with Israel’s biggest nightmare. The second series of Fauda, the political thriller about an Israeli army undercover unit, begins with a bomb explosion at a bus stop. But it gets worse, as it turns out the attack wasn’t ordered by Hamas, but by a new menace – a returnee from Syria who has been training with Islamic State.
ellauri263.html on line 383: Fauda’s creators have said they want to show that everyone living in a war zone pays a price, but such portrayals of an equality of suffering are ripe for criticism in the midst of an asymmetric conflict, in which one side is under occupation. This is more acutely obvious at a time when international media has focused on Israel opening fire on unarmed protesters near the Gaza border earlier this month, killing 58 Palestinians, including children, and wounding over 1,000 in a single day.
ellauri270.html on line 351: A hush falls over the crowd as Mr. Summers states that he’ll read the names aloud and the heads of families should come forward and draw a slip of paper from the box. Everyone should hold his paper without opening it until all the slips have been drawn. The crowd is familiar with the ritual, and only half-listens to these directions. Mr. Summers first calls “Adams,” and Steve Adams approaches, draws his slip of paper, and returns to his family, standing a little apart and not looking down at the paper.
ellauri311.html on line 66: gradually in drops, as sweat, through pores or small openings; ooze out.”
ellauri322.html on line 121: It is, I think, also certain, that the above confederated powers, together with that of the United States of America, can propose with effect, to Spain, the independence of South America, and the opening those countries of immense extent and wealth to the general commerce of the world, as North America now is.
ellauri322.html on line 123: The opening of South America would produce an immense field of commerce, and a ready money market for manufactures, which the eastern world does not. The East is already a country full of manufactures, the importation of which is not only an injury to the manufactures of England, but a drain upon its specie. The balance against England by this trade is regularly upwards of half a million annually sent out in the East-India ships in silver; and this is the reason, together with German intrigue, and German subsidies, that there is so little silver in England.
ellauri324.html on line 240: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]
ellauri332.html on line 513: 
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ellauri332.html on line 634: Chinless George Lucas was born and raised in modest circumstances in Modesto, California, the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Swiss-German, English, Scottish, and distant Dutch and French descent. His family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about the park, Goofy in particular. Lucas's father owned a stationery store, and had wanted George to work for him when he turned 18. Sama lähtökohta siis kuin Paavo Havikolla.
ellauri378.html on line 661: Compared to the much anticipated opening of Harry Potter and the Deathly Hallows – Part 1, the game earned more than twice as much as the film, earning $360 million.
ellauri399.html on line 76: It wasn't at all romantic. I didn't have a romantic dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it, especially the chanting and opening the little doors. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:
ellauri408.html on line 277: So much for the Bible being “inerrant” and “infallible.” As we will see, the book of Acts turned the Angels into false prophets, with a cartoonish prophecy. As we also will see, Jehovah’s first prophecy, in the opening chapters of Genesis, proved to be false. The Bible even turned Jesus into a false prophet, multiple times, when devious authors of the New Testament put false and foolish words in his mouth. Here’s a quick example with more to follow:
ellauri419.html on line 178: opening a window or just walking dully along; avatessa ikkunan tai vain kävellessä tylsästi eteenpäin.
xxx/ellauri010.html on line 627: You have one day after opening my message, I put the special tracking pixel in it, so when you will open it I will see.If ya want me to share proofs with ya, reply on this letter and I will send my creation to five contacts that I've got from ur contacts.
xxx/ellauri081.html on line 341: Orangutan reacts by opening mouth and falling backwards in hysterics.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri087.html on line 469: The same line appears in full in the opening minutes of Michael Powell and Emeric Pressburger's A Matter of Life and Death (1946), spoken by the protagonist, pilot and poet Peter Carter: 'But at my back I always hear / Time's wingéd chariot hurrying near; And yonder all before us lie / Deserts of vast eternity. Andy Marvell, What a marvel'.
xxx/ellauri091.html on line 823: He has never been a politician, he has never taken an active part in organized peace work. But he has always been a living force, a tireless fighter in the service of Christ, opening young minds to the light which he thinks can lead the world to peace and bring men together in understanding and goodwill. His work has always been chiefly among youth, for in them lies the key to the future. They are the leaders of tomorrow.
xxx/ellauri103.html on line 264: Now I proceed to the topic "The left’s embrace of gotcha hypersensitivity inevitably invites backlash." Why, it’s largely in order to keep from losing my fictional mojo that I stay off Facebook and Twitter, which could surely install an instinctive self-censorship out of fear of attack. Ten years ago, I gave the opening address of this same festival, in which I maintained that fiction writers have a vested interest in protecting everyone’s right to offend others – because if hurting someone else’s feelings even inadvertently is sufficient justification for muzzling, there will always be someone out there who is miffed by what you say, and freedom of speech is dead. Why, freedom of speech is just about miffing! What's the use of the freedom if you are not allowed to miff! With the rise of identity politics, which privileges a subjective sense of injury as actionable basis for prosecution, that is a battle that in the decade since I last spoke in Brisbane we’ve been losing.
xxx/ellauri103.html on line 307: I have never walked out of a speech. Or I hadn’t, until last night’s opening keynote for the Brisbane writers festival, delivered by the American author Lionel Shriver, best known for her novel, We need to talk about Kevin.
xxx/ellauri103.html on line 351: The fact Shriver was given such a prominent platform from which to spew such vitriol shows that we as a society still value this type of rhetoric enough to deem it worthy of a keynote address. The opening of a city’s writers festival could have been graced by any of the brilliant writers and thinkers who challenge us to be more. To be uncomfortable. To progress.
xxx/ellauri120.html on line 35: Novelist Bulwer-Lytton was a friend and contemporary of Charles Dickens and was one of the pioneers of the historical novel, exemplified by his most popular work, The Last Days of Pompeii. He is best remembered today for the opening line to the novel Paul Clifford, which begins "It was a dark and stormy night..." and is considered by some to be the worst opening sentence in the English language. However, Bulwer-Lytton is also responsible for well-known sayings such as "The penis mightier than the sword" from his play Richelieu. Despite being a very popular author with 19th-century readers, few people today are even aware of his prodigious body of literature spanning many genres. In the 21st century he is known best as the namesake for the Bulwer-Lytton Fiction Contest (BLFC), sponsored annually by the English Department at San Jose State University, which challenges entrants "to compose the opening sentence to the worst of all possible novels", and the township of Lytton, or Camchin until the British nosey parkers came, saw and beat the copper-colored nlaka'pamuxes. Now their village got burned to ashes thanx to the industrial revolution.
xxx/ellauri123.html on line 767: But as Lance Olsen writes: "The first 13 chapters of the text, culminating with the oft-cited scene of Lo unwittingly stretching her legs across Humbert's excited lap ... are the only chapters suggestive of the erotic." Nabokov himself observes in the novel´s afterword that a few readers were "misled by the opening of the book ... into assuming this was going to be a lewd book ... expecting the rising succession of erotic scenes; when these stopped, the readers stopped, too, and felt bored." Preee-cisely!
xxx/ellauri148.html on line 124: Yom Kippur was actually a bad choice of day by Sadat, for Arabs were still weak after Ramadan, while Israeli women were staying home and men were in synagogues, so the roads were free and reserves were quickly rounded up from the yeshivas. Prior to the war, Kissinger and Nixon consistently warned Meir that she must not be responsible for initiating a Middle East war. On October 6, 1973, the war opening date, Kissinger told Israel not to go for a preemptive strike, and Meir grumblingly confirmed to him that Israel would not.
xxx/ellauri148.html on line 470: According to the Quebecois, "PHYLOTHERAPY", the term is no longer appropriate today because of the definition of the word "therapy" itself. The latter implies means "to cure or relieve illnesses". However, philosophical consultation does not aim at such an such an objective. Moreover, in some countries, the use of the term "THERAPY" is regulated and often reserved for the medical field. Finally, the term "PHILOTHERAPY" was initially used to draw attention to the fact that attention to the fact that philosophers were now offering consultations and opening specialized practices for this purpose specialized practices open to all. It was a good marketing move since the term has the attention of the media and the public. Today, the term "PHILOTHERAPY"has been abandoned in favor of "PHILOSOPHY CONSULTATION" offered by "PHILOSOPHES CONULTANTS". "CONULTANT" has even more traction now.
xxx/ellauri170.html on line 437: This long-awaited public announcement, uploaded wirelessly to the World Wide Web via a solar-powered notebook from the navigable head of a remote river system in a far-flung wilderness area, ushers in a brand new era in human experience and history, in the opening weeks of the year 2010, the consequences of which will have far-reaching implications and ramifications for anyone vitally interested in both an actual and a virtual freedom from the human condition.
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri179.html on line 408: He hesitated. “You are a reporter?” Papa shook his head slowly, opening his eyes wider. “Used to be.” The light above the table flickered. Juice asked if everything was all right.
xxx/ellauri179.html on line 646: Book II comprises a sort of mid-book idyll. The author offers it to us by way of contrast to the Paris scenes that went before. In this novel, Pamplona will serve as a kind of anti-Paris, semi-rural and organic where the City of Light is urban and decadent. The woods outside Burguete where Kake and Bill fish for trout are even more different from Paris, and the sense of tranquility that the fishing trip creates in them and us could not be more different from the freneticism of the novel's opening chapters.
xxx/ellauri187.html on line 129: The first strut of biographical art to buckle under such an avenging mission is language. "Death emasculates," Freedman reports dishearteningly. He describes one doubly unlucky fellow as being "fatally electrocuted." We find Rilke seeking the "panacea of a cure." Women almost never give birth--they just "birth." Clara, Rilke's wife, "was the messenger but also the transparent glass and reflecting mirror of Rilke's depression." And what a shame that a sentence like this should appear in a book about a poet's life: "Like garden flowers opening their petals early only to wither quickly, Italy's current art avoided the hard surface required for effective poetry." It's as if, somewhere in the deeper regions of his writing self, Freedman knows that Rilke wasn't any of the bad things his biographer says he was.
xxx/ellauri218.html on line 489: Klaara Kotko kazoo tositeeveetä missä epämiellyttävät vulgäärit rollarit nuuskii huumeita USAn kiertueella 1972. A stink bomb was placed in the ventilation on opening night to discourage attendance, but the film was shown anyway. Sittemmin hyllytetty kaikexi onnexi.
xxx/ellauri250.html on line 433: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
xxx/ellauri295.html on line 574: Eli Eli Lama Sabachthani? refers to the opening words of Psalm 22 in Aramaic, translated as "My God, my God, why hast thou forsaken me" in the King James Version, which was one of the Jesus memes that went viral. It was actually borrowed from Simon and Garfunkel's beatificatory hit Blessed. Is it really likely that the locals did not recognize the line?
xxx/ellauri394.html on line 156: Kalākaua arrived in California aboard the USS Charleston on November 25, 1890. There was uncertainty as to the purpose of the king's trip. Minister of Foreign Affairs John Adams Cummins reported that the trip was solely for the king's health and would not extend beyond California, while local newspapers and the British commissioner James Hay Wodehouse speculated that the king might go further east to Washington, D.C., to negotiate a treaty to extend the existing exclusive US access rights to Pearl Harbor, or the annexation of the kingdom. The McKinley Tariff Act had crippled the Hawaiian sugar industry by removing the duties on sugar imports from other countries into the US, eliminating the previous Hawaiian duty-free advantage under the Reciprocity Treaty of 1875. After failing to persuade the king to stay, Liliʻuokalani wrote that he and Hawaiian ambassador to the United States Henry A. P. Carter planned to discuss the tariff situation in Washington. In his absence, Liliʻuokalani was left in charge as regent for the second time. In her memoir, she wrote that "Nothing worthy of record transpired during the closing days of 1890, and the opening weeks of 1891."
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