ellauri078.html on line 103: The earliest known version is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to African-Americans and standard American English. The song is written in the first person from the perspective of an African-American singer who refers to himself as a "darkey," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman born of African/African-American and European-American progenitors)
ellauri078.html on line 196: It was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of "When I survey..." may be seen as English literary baroque.
ellauri080.html on line 757: Gandhi campaigned vigorously for the rights of the untouchable caste or Dalit caste. He once remarked that if he was to be reborn, he would likely be reborn amongst the untouchable cast.
ellauri083.html on line 143: In the city, O-Lan and the children beg while Wang Lung pulls a rickshaw. Wang Lung's father begs but does not earn any money, and sits looking at the city instead. They find themselves aliens among their more metropolitan countrymen who look different and speak in a fast accent. They no longer starve, due to the one-cent charitable meals of congee, but still live in abject poverty. Wang Lung longs to return to his land. When armies approach the city he can only work at night hauling merchandise out of fear of being conscripted. One time, his son brings home stolen meat. Furious, Wang Lung throws the meat on the ground, not wanting his sons to grow up as thieves. O-Lan, however, calmly picks up the meat and cooks it. When a food riot erupts, Wang Lung is swept up in a mob that is looting a rich man's house and corners the man himself, who fears for his life and gives Wang Lung all his money in order to buy his safety. O-Lan finds a cache of jewels elsewhere in house and takes them for herself.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri083.html on line 540: Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth, and with songs, with tabret, and with harp?
ellauri083.html on line 546: For there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion.
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ellauri088.html on line 601: It appeared that the song was not a comic song at all. It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit—I’m not quite sure of the details, but it was something very sad, I know. Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child. He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.
ellauri088.html on line 602: I have never taken much interest in German songs since then.
ellauri092.html on line 84: The first change in Moody was that he received a burden to see all his family earnings saved. Later that year he moved to Chicago and although he started to show signs of real shoe business ability and success, when he experienced the revival which commenced in that city in January 1857, business success faded into insignificance. He was ruined - success of this world no longer interested him instead, he began to glow in Christian virtue. He mixed freely amongst Plymouth Brethren, Methodist Episcopal, Congregationalists and Baptists. The years passed and he worked with the men in tights at YMCA and raised up one of the most unusual Sunday Schools of that day which became a church. He reluctantly began to preach and haggled every step of the way. He turned down Congregational ordination and remained a simple uneducated layman with a burden for souls. Having heard of Spurgeon’s ministry in London he did all he could to get hold of and read every Spurgeon sermon. He took thorough hold of Spurgeon’s three ‘R’s: Ruin by the fall, Redemption by the Blood, and Regeneration by the Holy Mackerel. This flowed through every one of his messages and was the marrow of Moody’s theology. Many thought him too radical and so nicknamed him ‘Crazy Moody.’
ellauri092.html on line 86: When his wife Emma suffered bad asthma the doctor suggested a boat trip so Moody decided to take her to dry and airy Britain. In February 1867 they set sail for Britain for the first time. Altogether they had a thoroughly inspiring time. They visited Spurgeon’s Metropolitan Tabernacle which had a congregation of 5,000. He sat amongst the Plymouth Brethren and heard their most fervent preachers as well as preaching for them. He could preach as fervently as any tommy, if not more. He was also invited to speak at some meetings in London where his warmth won everyone’s affection while his wife coughed in the smog. He also visited Bristol to see George Muller’s work where 1,500 orphan children were provided for financially without requests for money. (The trick is familiar from Dickens' Oliver Twist.) Moody was very impressed with what Cod could accomplish going through this meek godly man of prayer. They managed to include Dublin and France in the trip then in June they returned to America.
ellauri092.html on line 102: In November 1882 when he spoke at Cambridge University he was filled with great anxiety as this educational centre for Britain’s aristocratic and wealthy youth had a reputation of unparalleled riotous behaviour. That first night at a Zoom meeting Moody spoke on ‘the Spirit’s power service.’ The university vicar Handley Moule was somewhat nervous. The young C.T. Studd (the same guy who impressed J.R.Mott with his biceps) greatly doubted ‘if this Yankee was up to the task.’ The first mission night on the Monday had 1,700 students in attendance. As Sankey sang his sacred Hymns they jeered, laughed and shouted. When Sankey finished he was near to tears. As Moody preached on Daniel in the lions den (how appropriate) again they laughed, shouted and did all in their power to disturb him. He maintained his calm. By the end of the week at least 200 students had accepted a check from the speaker. Amongst them was a main ‘ringette player’ who later assumed missionary position in China and was the first lady Bishop of King Kong. Out of this mission came The Cambridge Seven, missionaries who made a lot of dough. This campaign had huge proceeds that also leeched the youth of the whole nation.
ellauri094.html on line 428: Sing us one of the songs of Zion.
ellauri094.html on line 537: Nor the gods that were good to them, but with songs and dreams Ei edes norjalaisia ilotulituxia, vaan ne hoilasi
ellauri095.html on line 37: Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd).
ellauri095.html on line 274: Sing no sad songs for me; Älä laula surkuisia viisuja;
ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri108.html on line 69: Yahweh was the national god of the kingdoms of Israel (Samaria) and Judah. The short form Jah/Yah, which appears in Exodus 15:2 and 17:16, Psalm 89:9, Song of Songs 8:6, is preserved also in theophoric names such as Elijah ("my god is Jah"), Malchijah ("my king is Jah"), and Adonijah ("my lord is Jah"), etc. as well as in the phrase Hallelujah. The name Joel is derived from combining the word Jah with the word El.
ellauri108.html on line 98: From its origins, Rastafari was intrinsically linked with Haile Selassie, the Emperor of Ethiopia from 1930 to 1974. He remains the central figure in Rastafari ideology, and although all Rastas hold him in esteem, precise interpretations of his identity differ. Understandings of how Haile Selassie relates to Jesus vary among Rastas. Many, although not all, believe that the Ethiopian monarch was the Second Coming of Jesus, legitimising this by reference to their interpretation of the nineteenth chapter of the Book of Revelation. By viewing Haile Selassie as Jesus, these Rastas also regard him as the messiah prophesied in the Old Testament, the manifestation of God in human form, and "the living God". Some perceive him as part of a Trinity, alongside God as Creator and the Holy Spirit, the latter referred to as "the Breath within the temple". Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
ellauri108.html on line 102: On being crowned, Haile Selassie was given the title of "King of Kings and Lord of Lords, Conquering Lion of the Tribe of Judah". Rastas use this title for Haile Selassie alongside others, such as "Almighty God", "Judge and Avenger", "King Alpha and Queen Omega", "Returned Messiah", "Elect of God", and "Elect of Himself". Rastas also view Haile Selassie as a symbol of their positive affirmation of Africa as a source of spiritual and cultural heritage.
ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.
ellauri108.html on line 164: Rastafari music developed at reasoning sessions, where drumming, chanting, and dancing are all present. Rasta music is performed to praise and commune with Jah, and to reaffirm the rejection of Babylon. Rastas believe that their music has healing properties, with the ability to cure colds, fevers, and headaches. Many of these songs are sung to the tune of older Christian hymns, but others are original Rasta creations.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.
ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.
ellauri109.html on line 533: Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
ellauri110.html on line 145: On one hand, the Houyhnhnms have an orderly and peaceful society. They have philosophy and a language that is entirely free of political and ethical nonsense. They have no word for a lie (and must substitute a circumlocution: "to say a thing which is not"). They also have a form of art that is derived from nature. Outside Gulliver's Travels, Swift had expressed longstanding concern over the corruption of the English language, and he had proposed language reform. He had also, in Battle of the Books and in general in A Tale of a Tub, expressed a preference for the Ancients (Classical authors) because their art was based directly upon nature, and not upon other art.
ellauri110.html on line 1079: The blog is intended to develop in a dialogical fashion and I hope that readers will contact me with any critical comments, whether these relate to style or content. Despite what I have just said about fiction, it is my wish that the eventual book will present an interpretation of Dostoevsky’s thought discussed that is fully defensible with regard to the available sources and I welcome any comments drawing attention to actual errors or significant misrepresentations. In this way, the blog itself will, I hope, set in motion a kind of conversation, alongside all the other amazing conversations about Dostoevsky that are happening in reality, in print, and online. This is work in progress and I hope not only to entertain and instruct but also to learn.
ellauri111.html on line 673: Ephesians 5:19 Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord;
ellauri111.html on line 675: Colossians 3:16 Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.
ellauri111.html on line 677: You can also order a hymn book from us. I have The New National Baptist Hymnal (Published in 1977 with KJV readings [Note: This website makes no money for any of these recommendations or links]. I am not a Baptist or any other name/denomination found outside of the Authorized King James Bible). I also have another hymnal entitled, Praise! Our Songs and Hymns (KJV) (always get KJV materials. KJV stands for "King James Version." Don't get "New" King James Version (NKJV) or "NIV"--these are two of many counterfeit Bibles.) Hymnals include the musical notes and lyrics. If you can play an instrument, you can learn many songs. We should think about the words of the various hymns to see if they are based on the Bible or not. Don't use jew´s harp, kazoo or electric guitar, however. Or comb and toilet paper either, that would be blasphemy.
ellauri111.html on line 699: "Contemplative" prayer is essentially an old occult technique adjusted to the ignorant church people. It can bring up that yoga kundalini serpent power. With open eyes, one can see this type of technique being magnified in society--I saw a book for magic in a place for shipping goods and for photocopies, office supplies, etc. I looked on the back of the book, it was the same technique as the church people are using. This is spreading like wildfire and not just amongst false (or extremely ignorant) brethren, it is throughout society. Revelation 13:8 teaches us that all people who are not in the book of life of the Lamb slain from the foundation of the world will worship the beast. Revelation 13:4 says that all the world will worship the dragon which gave power unto the beast--we learn from Revelation 12 that THE DRAGON IS SATAN. In the ecumenical movement (all the religions getting together in "peace") and under a "meditative" spirituality, Hindus, Buddhists, Roman Catholics, church people, atheists, Muslims, cabalists, new agers, etc. can get together and have a "meditation" session with no problems. This is not for the future, it is already happening, I picked up a brochure about some sessions while at a library. In Contemplative prayer, church people are calling the devil by the Lord's name. I read that many of them will not listen to the scriptures when confronted with the truth--they do not know the Lord's voice, they are not his sheep. Worldly people are under the devil and they despise holiness and speak against it as "legalism" or even as heresy or false doctrine. I have seen extreme antinomianism in Baptist churches. They derisively call work-out-your-own-salvation-with-fear-and-trembling discipleship "Lordship salvation". If a person does not obey the Lord, they are not saved. The reader may wish to see our article, Lordship Salvation.
ellauri119.html on line 343: In Islam, shirk (Arabic: شرك širk) is the sin of idolatry or polytheism (i.e., the deification or worship of anyone or anything besides Allah). Islam teaches that God does not share His divine attributes with any partner. Associating partners with God is disallowed according to the Islamic doctrine of Tawhid (monotheism). Mušrikūn مشركون (pl. of mušrik مشرك) are those who practice shirk, which literally means "association" and refers to accepting other gods and divinities alongside God (as God´s "associates").The Qur´an considers shirk as a sin that will not be forgiven if a person dies without repenting of it.
ellauri119.html on line 434: The Apostle Paul glorified love as the most important virtue of all. Describing love in the famous poetic interpretation in 1 Corinthians, he wrote, "Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It is not rude, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, and always perseveres." (1 Cor. 13:4–7, NIV) He didn't mean eros, but rather homophilia. Perseveraatiosta oli puhe. John also wrote, "Dear friends, let us love one another for love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8, NIV) Influential Christian theologian C. S. Lewis wrote a book called The Four Loves. The first retired nazi pope Benedict XVI named his first circular God as love. He said that a human being, created in the image of God, who is love, is able to make love; to give himself to God and others (agape) and by receiving and experiencing God's love in contemplation (eros). This life of love, according to him, is the life of the saints such as Teresa of Calcutta and the Blessed Virgin Mary and is the direction Christians take when they believe that God loves them. Pope Francis taught that "True love is both loving and letting oneself be loved...what is important in love is not our loving, but allowing ourselves to be loved by God." That's just what Virgin Mary did. "You have heard that it was said, 'Love your neighbor and hate your enemy.' But I tell you, love your enemies and pray for those who persecute you, that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous. If you love those who love you, what reward will you get? Are not even the tax collectors doing that? And if you greet only your own people, what are you doing more than others? Do not even pagans do that? Be perfect, therefore, as your heavenly Father is perfect." – Matthew 5: 43–48. Jews didn't like tax collectors.
ellauri119.html on line 440: Love encompasses the Islamic view of life as universal brotherhood that applies to all who hold faith. Amongst the 99 names of God (Allah), there is the name Al-Wadud, or "the Loving One," which is found in Surah [Quran 11:90] as well as Surah [Quran 85:14]. God is also referenced at the beginning of every chapter in the Qur'an as Ar-Rahman and Ar-Rahim, or the "Most Compassionate" and the "Most Merciful", indicating that nobody is more loving, compassionate and benevolent than God. The Qur'an refers to God as being "full of loving kindness." The Qur'an exhorts Muslim believers to treat all people, viz. those who have not persecuted them, with birr or "deep kindness" as stated in Surah [Quran 6:8-9]. Birr is also used by the Qur'an in describing the love and kindness that children must show to their parents. Ishq, or divine love, is the emphasis of Sufism in the Islamic tradition. Practitioners of Sufism believe that love is a projection of the essence of God to the universe. God desires to recognize beauty, and as if one looks at a mirror to see oneself, God "looks" at himself within the dynamics of nature. Since everything is a reflection of God, the school of Sufism practices to see the beauty inside the apparently ugly sufist. Sufism is often referred to as the religion of love. God in Sufism is referred to in three main terms, which are the Lover, Loved, and Beloved, with the last of these terms being often seen in Sufi poetry.
ellauri119.html on line 460: Now a fast forward to French fries and scepticism. Alongside the passion for merging that marked Romantic love, a more sceptical French tradition can be traced from Stendhal onwards. Stendhal's theory of crystallization implied an imaginative readiness for love, which only needed a single trigger for the object to be imbued with every fantasised perfection. Proust went further, singling out absence, inaccessibility or jealousy as the necessary precipitants of love. Lacan would almost parody the tradition with his saying that "love is giving something you haven't got to someone who doesn't exist". A post-Lacanian like Luce Irigaray would then struggle to find room for love in a world that will "reduce the other to the same...emphasizing eroticism to the detriment of love, under the cover of sexual liberation".
ellauri131.html on line 1093: J’aime de vos longs yeux la lumière verdâtre, Mä rakastan sun pitkulaisten silmien
ellauri132.html on line 448: Google came under fire when the official Google AdSense Blog showcased the French video website Imineo.com. This website violated Google's AdSense Program Policies by displaying AdSense alongside sexually explicit material. Typically, websites displaying AdSense have been banned from showing such content. We are not evil. LOL.
ellauri133.html on line 454: And so, what King presents a few chapters later, in the book’s final stretch, is a depiction of pre-adolescent female sexuality as a functional device—as a means and not an end in itself. HAAHAA. This utilitarian view of sexuality, despite operating in something as utterly wild as a group sex scene amongst kids, is ultra conservative in its reinforcement of the idea that female sexuality is meant to serve men, that sex for women operates for the greater good, like making babies or satisfying a bunch of guys. And further, that platonic friendship amongst women and men is simply impossible.
ellauri135.html on line 224: In 1853 Berg translated a number of plays with 28 languages, ranging from Sanskrit, Arabic, Persian and Basque to French and Slavic dialects. These translations came out in 1854, under the title: "Songs of different peoples".
ellauri140.html on line 103: Colin Firth M+, a shepherd noted for his songs and bagpipe playing, briefly appearing in Book VI. He is the same Colin Clout as in Spenser´s pastoral poetry, which is fitting because Calidore is taking a sojourn into a world of pastoral delight, ignoring his duty to hunt the Blatant Beast, which is why he set out to Ireland to begin with. Colin Clout may also be said to be Spenser himself.
ellauri140.html on line 224: "The Ballad of the Green Berets" is a patriotic song in the ballad style about the United States Army Special Forces. It is one of the few popular songs of the Vietnam War years to cast the military in a positive light and in 1966 became a major hit, reaching No. 1 for five weeks on the Hot 100 and four weeks on Cashbox. It was also a crossover smash, reaching No. 1 on Billboard's Easy Listening chart and No. 2 on Billboard's Country survey. The original Hot 100 end-of-the-year chart for 1966 showed "California Dreamin'" by The Mamas and the Papas at #1 and "Ballad of the Green Berets" at #10. Later, in a revised end-of-the-year chart for 1966, "Berets" was at #1 and "Dreamin'" was at #10 (see Billboard's #1 single for the year 1966). The two songs tied for #1 on the Cashbox end-of-the-year survey for 1966.
ellauri142.html on line 53: At the opening of the novel, Markku is a young man who has recently returned to Russia to seek a career after completing his education abroad. Although a well-meaning, kind hearted young man, he is awkward and out of place in the Russian high society in whose circles he starts to move. Markku, though intelligent, is not dominated by reason, as his friend Prince Andrei Nikolayevich Balkongsky is. His lack of direction leads him to fall in with a group of profligate young men like Anatole Kuragin and Dolokhov whose pranks and heavy drinking cause mild scandals. After a particularly outrageous escapade in which a policeman is strapped to the back of a bear and thrown into a river, Markku is sent away from St. Petersburg. What happened to the poor bear?
ellauri144.html on line 221:
ellauri144.html on line 568: Maggin pojalle (josta tulee rekkakuski) se antaa lukemisexi kirjan The Red Badge of Courage.
It is a war novel by American author Stephen Crane (1871–1900). Taking place during the American Civil War, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound, a "red badge of courage," to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer, who carries a flag.
ellauri144.html on line 575: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.
ellauri144.html on line 961: Fremst i kongshæren sto Olav selv, og han hogg med sverdet etter Tore, men Tore hadde ei reinsskinnskofte, og slaget sklei av i en sky av reinshår. Kongen ropte da til Bjørn Stallare som hadde øks: «Slå du hunden som jern ikke biter på!» Bjørn Stallare ga Tore et slag med øksehammeren slik at han vaklet, men slo ham ikke overende. I stedet kjørte Tore spydet Selshevneren gjennom den andre mens han sa: «Slik spidder vi bjørnene!»
ellauri144.html on line 965: Etter kongens død varte ikke slaget lenge. Kongshæren flyktet, og bondehæren forfulgte dem ikke. De vendte tilbake til stridsvollen hvor mange hadde frender og venner. I henhold til tradisjonen var det Tore Hund som bredte et klede over kongens lik.
ellauri145.html on line 329: Où comme des remords se traînent de longs vers Jossa venyy pitkät säkeeni kuin tunnonvaivat
ellauri145.html on line 373: Sur l´esprit gémissant en proie aux longs ennuis, Pitkän pitkästymisen saaliina huokailevaa henkeä
ellauri145.html on line 390: — Et de longs corbillards, sans tambours ni musique, - Ja pitkät ruumisvaunut, ilman tamburiininsoittoa
ellauri145.html on line 530: Q: Why is Nietzsche so popular amongst teenagers?
ellauri147.html on line 201: On September 5, 2018, it was announced that Paramount Network had given the production a series order for a first season consisting of 10 episodes. The series was created by Barren Star, who has a multimillion overall deal with ViacomCBS and develops for ViacomCBS and for outsider buyers via MTV Entertainment Studios. Star was also expected to serve as an executive producer alongside Tony Hernandez. Production companies involved with the series were slated to consist of Jax Media. On July 13, 2020, it was reported that the series would move from Paramount Network to Netflix. On November 11, 2020, Netflix renewed the series for a second season.
ellauri150.html on line 728: I was actually thinking about writing an article about how the free sex movement came out of the 60s. The idea was to use the songs from Joni Mitchell's Blue album as the basis of the article. You know before that time sex before marriage wasn't not considered socially acceptable, because French letters were not reliable. I'm sure it still happened, but it was not done out in the open - at least not by "respectable" people.
ellauri150.html on line 764: I have basically stopped listening to any other music than church music. Even the old romantic songs seem to be a call to exchange the love of God for earthly love. And from romantic love it devolved into explicit sexual love, and from sexual love into sex without love at all.0
ellauri152.html on line 71: The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?]
ellauri152.html on line 77: Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself. The poems are a blend of mellow sensuality and polished style in the manner of Parnassianism, but underneath run subtle Gallic undertones that Louÿs could never escape.
ellauri152.html on line 81: In 1894 Louÿs, travelling in Italy with his friend Ferdinand Hérold, grandson of the composer (1791–1831) of the same name, met André Gide, who described how he had just lost his virginity to a Berber boy named Muhammed in the oasis resort-town of Biskra in Algeria; Gide urged his friends to go to Biskra and follow his example. The Songs of Bilitis are the result of Louÿs and Hérold's shared encounter with Muhammed the dancing-boy, and the poems are dedicated to Gide with a special mention to "M.b.A", Mohammad ben Atala. Ben is boy, bat is girl, Q.E.D.
ellauri152.html on line 92: Louÿs' close friend Claude Debussy in 1897 musically set three of the poems—La flûte de Pan, La chevelure and Le tombeau des Naïades—as songs for feminine voice and piano. Pan huiluu pyllyyn. The book was accidentally translated to Polish twice, in 1920 by Leopold Staff and in 2010 by Ruben Stiller.
ellauri155.html on line 977: one enclosed, that while nothing is to be looked for from the Strongs, I felt sure that something might be obtained “in another quarter”; that it would be simpler
ellauri159.html on line 748: While the prevailing view among anthropologists was long that hunter/gatherer tribes were very peaceful — bucolic, noble savages — many modern researchers like Wrangham, Napoleon Chagnon, and Steven Pinker convincingly argue that just the opposite is true. Amongst premodern peoples who lived in proximity to neighboring tribes, there is strong evidence that conflict was in fact continual and quite bloody. Primitive human males literally aped their ancestors — forming small gangs, competing for status, and fiercely maintaining boundaries. In the few tribes that did allow women to take part in raiding parties, just like as with the chimpanzees, typically only one or two childless women would choose to come along.
ellauri159.html on line 1271: Mrs. Pearce: Karpáthy? That dreadful Hungarian? For it all belongs to you!
ellauri161.html on line 420: Là-bas on dit qu'il est de longs combats sanglants. Tuolla sanotaan olleen verisiä taistoja.
ellauri162.html on line 770: Number 4 Freudin Square, Iraq war veteran is Black. In his rap songs, he boasts about desecrating Brigham Young’s grave and urinating in a synagogue. Be there or be Square!
ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did.
ellauri171.html on line 128: 
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ellauri171.html on line 803: Whether rich or poor in this world, the responsibility of every Christian is to keep the will of God first in their lives. As Jesus said, “one's life does not consist in the abundance of the things he possesses." (Luke 12:15). A zealous Christian who may be poor in the things of this world will be rich in faith toward God. You win some, you lose some. The poor youse shall always have amongst you, so spare a penny for an ex leper.
ellauri171.html on line 1053: Although the readers know that God has killed two of Judah’s sons, Judah does not. This is known as dramatic irony. He suspects that Tamar is a “lethal woman,” a woman whose sexual partners are all doomed to die. So, Judah is afraid to give Tamar to his youngest son, Shelah, the inventor of Shelah quantifiers. So doing, Judah wrongs Tamar. According to Near Eastern custom, known from Middle Assyrian laws, if a man has no son over ten years old, he could perform the Levirate marriage (yibbum) obligation himself; if he does not, the woman is declared a “widow,” free to marry again. Judah, who is perhaps afraid of Tamar’s lethal character, could have set her free. But he does not—he sends her to live as “a widow” in her father’s house. Unlike other widows, she cannot remarry and must stay chaste on pain of death. She is in limbo.
ellauri180.html on line 183: In some African tribes, circumcision is performed at birth. In Judaic societies, the ritual is performed on the eighth day after birth, but for Moslems and many of the tribal cultures it is performed in early adult life as a rite of passage', e.g. puberty or marriage. Why the practice evolved is not clear and many theories have been proposed. Nineteenth century historians suggested that the ritual is an ancient form of social control. They conceive that the slitting of a man's penis to cause bleeding and pain is to remind him of the power of the Church, i.e. We have control over your distinction to be a man, your pleasure and your right to reproduce'. The ritual is a warning and the timing dictates who is warned; for the new-born it is the parents who accede to the Church: We mark your son, who belongs to us, not to you'. For the young adolescent, the warning accompanies the aggrandisement of puberty; the time when growing strength give independence, and the rebellion of youth.
ellauri180.html on line 228: However, during the two World Wars, governments became increasingly interested in reducing the risk of venereal disease amongst their soldiers. Clearly, such pathology can have a profound effect on the efficiency of fighting armis. Indeed, in 1947 the Canadian Army found that whereas 52% of their soldiers had foreskins intact, 77% of those treated for venereal disease were uncircumcised. Persuasive arguments to circumcise all conscripts were proposed. Furthermore, it was an age-old observation, and indigenous African healers had promoted circumcision to prevent the transmission of sexually transmitted disease for centuries. As might be expected, the evidence did not withstand further scientific scrutiny and numerous contradictions were provided. However, there has recently been startling evidence that HIV infection is significantly associated with the uncircumcised status. Indeed, one author has recently suggested routine neonatal circumcision on a world-wide scale as a long-term strategy for the control of AIDS: a whole new chapter opens in this ancient debate!
ellauri183.html on line 321: Over the years since founding building 20 in 1966-7, he trained many generations of MIT students, teaching alongside such notables as Halle, Noam Chomsky, Thomas Kuhn, and Ken Hale, without being very notable himself. He wrote some shit about questions that nobody read.
ellauri184.html on line 92: Critical response to Mailer's Jesus novel was mixed. Jack Miles, writing for Commonweal, found the book "a quiet, sweet, almost wan little book, a kindly offering from a New York Jew to his wife's Bible Belt family." He noted that there was "something undeniably impressive about the restraint" of the style that Mailer undertook in composing the novel. He concluded that the novel was neither one of Mailer's best works, nor would it stand out amongst the bibliography of books inspired by the life of Christ, but that it had received unfairly harsh reviews from other critics.
ellauri184.html on line 211: Nazareth (/ˈnæzərəθ/ NAZ-ər-əth; Arabic: النَّاصِرَة, an-Nāṣira; Hebrew: נָצְרַת, Nāṣəraṯ; Aramaic: ܢܨܪܬ, Naṣrath) is the largest city in the Northern District of Israel. Nazareth is known as "the Arab capital of Israel". In 2019 its population was 77,445. The inhabitants are predominantly Arab citizens of Israel, of whom 69% are Muslim and 30.9% Christian. Nof HaGalil (formerly "Nazareth Illegit"), declared a separate city in June 1974, is built alongside old Nazareth, and had a Jewish population of 40,312 in 2014.
ellauri184.html on line 275: The ethnic nature of these units led Wome to create many “specialist” cohorts (e.g., dromedary, archery, sling) that worked with combat methods familiar to one or another ethnic group. Though auxiliaries often served in major imperial provinces alongside legionawies, they also served in minor provinces as well. Thus, provinces and regions with a governor of Equestrian status (e.g., Raetia, Noricum, pre-War Judaea) had no legions, but only auxiliaries. Until about 70 CE, many auxiliary soldiers were stationed in their home province; Judaeans were in Judaea, Syrians in Syria, etc. In addition to the Jewish War (66-73 CE), problems with soldiers’ divided loyalties with the Revolt of the Batavi in Germania Inferior (69-70 CE) and the Year of the Four Empewows (68-69 CE) led empewows to actively undermine any remaining ethnic homogeneity in the auxilia, stationing soldiers outside their homeland in increasingly diverse units. Finally, auxiliaries were paid less than legionawies and did not receive all the bonuses granted to legionawies if they were successful in the same battle.
ellauri184.html on line 678: rabbit” amongst Catholic school children. Den
ellauri188.html on line 133: and ten miles long, beautifully green, with Melville's storied waterfall still showing as a silver thread amongst the verdure at the head of the valley.
ellauri188.html on line 142: Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way.
ellauri189.html on line 206: Malczewski’s worldview (Weltanschauung) seems at first sight very much akin to Schopenhauer’s metaphysical pessimism (the fact that the German philosopher’s main treatise Die Welt als Wille und Vorstellung was almost neglected by his contemporaries, should not close our eyes to the fact that the first part of it was written immediately after the Napoleonic wars; it belongs to the same époque as Maria).
ellauri189.html on line 747: Although the common traditions of Pashtuns and Jews might not be enough on their own to prove Pashtuns are Israelis, they can certainly be used for further confirmation that our conclusion is correct. Amongst the common traditions are:
ellauri190.html on line 297: Cossacks and Tatars developed longstanding enmity due to the losses of their heads. The ensuing chaos and cycles of retaliation often turned the entire southeastern Polish–Lithuanian Commonwealth border into a low-intensity war zone. It catalyzed escalation of Commonwealth–Ottoman warfare, from the Moldavian Magnate Wars (1593–1617) to the Battle of Cecora (1620), and campaigns in the Polish–Ottoman War of 1633–1634.
ellauri190.html on line 488: ellauri190.html on line 489: Edward I, popularly known as "Longshanks" because of his 6 foot 2 inch (1.88 m) frame and the "Hammer of the Scots" (his tombstone, in Latin, read, Hic est Edwardus Primus Scottorum Malleus, "Here is Edward I, Hammer of the Scots"), achieve...
ellauri192.html on line 259: Jaroslav Seifert made his debut with the poetry collection Mesto v slzách (1921) (City in Tears). His writings include more than 30 poetry collections. Seifert was a highly regarded poet in his native country. Melody and rhythm characterize his poetry, which is inspired by folk songs, common speech and everyday scenes. At the heart of Seifert’s poems is humanity, and he criticizes the totalitarian state’s attempts to reduce the opportunities and freedom of the individual.
ellauri192.html on line 736: - Most of their songs is in Russian, but they also have a few in Belarusian.
ellauri194.html on line 769: Adham, who once had three million followers on TikTok and has 1.4 million followers on Instagram, was accused of the same offence the following month after posting what prosecutors said were "indecent" videos in which she lip-synced to famous songs and danced in fashionable clothes.
ellauri194.html on line 946: Dean Phongsa:
ellauri196.html on line 672: Kun kuorma-auto oli melkein ajanut heidät alas, Edie ja Terry löytävät Charleyn ruumiin ripustettuna lihakoukkuun kujalla. Terry menee baariin ampumaan Friendlyä, mutta isä Barry häiritsee häntä hänen odottaessa ja muut ammattiliiton miehet juoksevat ulos varoittamaan Friendlyä. Barry suostuttelee Terryn taistelemaan Friendlyä todistamalla oikeudessa. Terry antaa tuomiolle tuomitsevan todistuksen, ja Friendly erotetaan vahvoista ystävistään, kun hän joutuu syytteeseen. Ystävällinen estää Terryn kaikista ammattiliittojen töistä. Terry kieltäytyy lähtemästä kaupungista Edien kanssa ja ilmestyy laiturille päivittäiseen rituaaliin, jossa työntekijät valitaan kokoontuneiden longshoremiesten joukosta. Kaikki kutsutaan töihin paitsi Terry, joka pilkkaa Friendlyä läheisen hökkelin ulkopuolella huutaen olevansa ylpeä todistamisesta. Ystävällinen pakottaa Terryn hyökkäämään, ja häntä hakataan, kunnes hän pyytää apua roistoiltaan, jotka lakkaavat tappamasta Terryä. Rantamiehet kieltäytyvät tekemästä työtä, ellei Terry saa myös tehdä töitä, ja Joeyn isä työntää Friendlyn jokeen, kun tämä yrittää kiusata miehiä. Isä Barry kertoo pahasti loukkaantuneelle Terrylle, että hän hävisi taistelun, mutta hänellä on mahdollisuus voittaa sota, jos hän pääsee varastoon. Barry ja Edie nostavat hänet jaloilleen, ja Terry kompastelee käytävälle seisomaan varaston eteen, missä pomo nyökkää Terrylle ja käskee heitä ryhtymään töihin. Miehet seuraavat Terryä sisälle jättäen Friendlyn huomiotta, kun tämä hyökkää tyhjillä uhkauksilla ja nyrkeillä. Ovi sulkeutuu heidän takanaan ja jättää Friendlyn ulos kylmään. Terry on voittanut! Pomo on voittanut! Ystävällinen ammattiliiton mies on hävinnyt! Ei tässä mitään ay-näkökulmaa ole, paikallista sopimista vaan. Hajaantukaa.
ellauri196.html on line 694: In Songs My Mother Taught Me, Brando wrote that he met Marilyn Monroe at a party where she played piano, unnoticed by anybody else there, that they had an affair and maintained an intermittent relationship for many years, and that he received a telephone call from her several days after she died. He also claimed numerous other romances, although he did not discuss his marriages, his wives, or his children in his autobiography.
ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen.
ellauri204.html on line 616: Vesa Rantama, is a literary critic and the editor-in-chief of Nuori Voima, a longstanding Finnish literary magazine. He has written essays with topics ranging from current pop music to ecophilosophy, quite often with poetry added to the mix. His articles have appered in Helsingin Sanomat, the most read newspaper in Finland, the Swedish-language Nordisk Tidskrift, Versopolis as well as countless cultural publications in Finland.
ellauri204.html on line 731: Sexton later studied with Robert Lowell at Boston University alongside poets Sylvia Plath and George Starbuck. Sexton later paid homage to her friendship with Plath in the 1963 poem "Sylvia's Death".
ellauri207.html on line 245: Tästäpä sopii varastaa kakkososan pahixet. Mikki Hiiren kultainen sääntö on että jotkut ovat aina vastuussa, The Bad Guys. Niinpä justiinsa. Tee lähimmäisellesi niinkuin soisit izellesi tehtävän. Two wrongs do not make one right. Hahaa lölleröä, Jeesus Kristus! Ei tollanen enää vetelee 3. millenniumilla, nyt on palattava Hammurabin lakiin. Erimerkkiset pahat nollaa laskelman. Silmä silmälaseista, kultahammas hampaasta ellei enemmän. Ize asiassa mieluummin enemmän. Se on superadditiivista, hyvää viihdettä.
ellauri210.html on line 753: Alongside him lay the naked body of another French soldier. André Breton believed his death to be a suicide (LOL). He was known for his indifference and for wearing a monocle.
ellauri210.html on line 784: Ja vielä 1 Tanguy: Tanguy is a 2001 French black comedy by Étienne Chatiliez. When he was a newborn baby, Edith Guetz thoughtlessly told her son Tanguy : "If you want to, you can stay at home forever". 28 years later, the over-educated university teacher of Asian languages and womanizer leads a successful and wealthy life... while still living in his parents' home. Father Paul Guetz longs to see his son finally leave the nest, a desire that his wife shares. Edith finally agrees and the pair unite to make Tanguy's life at home miserable. However, they don't know that Tanguy isn't the type of guy who easily gives up. The word Tanguy became the usual term to designate an adult still living with his parents.
ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
ellauri213.html on line 385: Poland and the Russian Federation have an agreement whereby residents of Kaliningrad and the Polish cities of Olsztyn, Elbląg and Gdańsk may obtain special cards permitting repeated travel between the two countries, crossing the Polish–Russian border. As of July 2013, Poland had issued 100,000 of the cards. That year, the influx of Russians visiting Poland to shop at the Biedronka and Lidl supermarkets was novel enough to be featured in songs by musical group Parovoz.
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri214.html on line 535: Halfway through her fifth novel Flights, Olga Tokarczuk asks her readers to take pity on the poor souls for whom English is their “real language”. “Just imagine!” teases Poland’s most widely translated female author. “They don’t have anything to fall back on or turn to in moments of doubt. How lost they must feel in the world, where all instructions, all the lyrics of the stupidest possible songs, all the excruciating pamphlets and brochures — even the buttons in the lift! — are in their private language . . . they are accessible to everyone and everything!”
ellauri219.html on line 219: An American writer, comedian, and actor, WC Fields was the epitome of the all-around entertainer, whose career spanned both the silent film era and the talkies. His humor seeped into The Beatles’ own, while the vaudeville world he came from would also go on to influence songs the likes of “Your Mother Should Know.” W. C. Fields oli yhdysvaltalainen koomikko, joka esiintyi ensin vaudevillessa ja teatterissa, ja vuodesta 1930 alkaen äänielokuvissa. Fields oli yksi aikansa suosituimmista elokuvakoomikoista. Hänen todellisuutta vastaava roolihahmonsa tunnetaan nasaaliäänestään, epäsosiaalisuudestaan ja persoudestaan alkoholille. Hän esitti joko leuhkaa huijarityyppiä tai vaimonsa nalkutuksesta kärsivää aviomiestä. Hänen hahmonsa olivat persoja alkoholille, puhuivat karkeuksia eivätkä voineet sietää lapsia tai koiria.The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated. Vastenmielinen.
ellauri219.html on line 265: Dylan and The Beatles influenced each other throughout the 60s, each spurring the other on to making music that pushed boundaries and reshaped what was thought possible of the simple “pop song.” It was Dylan who convinced John Lennon (No.62) to write more personal songs in the shape of “Help!,” while The Beatles showed Bob what could be achieved with a full band behind him, helping the latter “go electric” in 1965. It was with George Harrison (No.65), however, that Dylan struck up the longest-lasting friendship; the two played together often in the years that followed, forming The Traveling Wilburys and guesting on each other’s projects.
ellauri219.html on line 295: Originally the leader of Dion And The Belmonts, Dion DiMucci established a successful solo career with hits such as “The Wanderer” and “Runaround Sue” – doo-wop songs that characterized the rock’n’roll era that so influenced The Beatles.
ellauri219.html on line 300: Striking and versatile, Tony Curtis was a Hollywood idol who made a dizzying amount of movies (over 100) between 1949 and 2008. He will always be remembered for his role alongside Jack Lemmon and Marilyn Monroe (No.25) in the 1959 cross-dressing caper Some Like It Hot, but another stand-out remains his performance alongside Burt Lancaster as fast-talking press agent Sidney Falco in the 1957 film noir The Sweet Smell Of Success. Tässä jää nyt mainizematta Veijareita ja pyhimyksiä (The Persuaders!), ITC Entertainmentin 1970–1971 tuottama televisiosarja. Sen pääosissa esiintyivät Tony Curtis (Danny Wilde) ja Roger Moore (lordi Brett Sinclair; koko nimi Brett Rupert George Robert Andrew Sinclair, Marnockin 15. jaarli). Sitä tehtiin 24 jaksoa. Tony ja Roger eivät voineet sietää toisiaan. Läskiintynyt Tony kuoli kasarina sydämen pysähdyxeen. Rooger aateloitiin, vaikkei käynyt loppuun edes teatterikoulua. “But because of the war there were 16 girls in every class to four boys so while I didn’t learn that much about acting, I learned a hell of a lot about sex.”
ellauri219.html on line 319: Something of a Mae West (No.3) for her generation, Marilyn Monroe starred alongside Tony Curtis (No.22) in Some Like It Hot, and became the Hollywood pin-up of the 50s. Her shock death still attracts conspiracy theories; Sgt. Pepper was officially released on what would have been her 41st birthday ( June 1, 1967).
ellauri219.html on line 633: Notorious womanizer Michael James wants to be faithful to his fiancée Carole Werner, but every woman he meets seems to fall in love with him, including neurotic exotic dancer Liz Bien and parachutist Rita, who accidentally lands in his car. His psychoanalyst, Dr. Rainer Fassbinder, cannot help, since he is stalking patient Renée Lefebvre, who in turn longs for Michael. Carole, meanwhile, decides to make Michael jealous by flirting with his nervous wreck of a friend, Victor Shakapopulis. Victor struggles to be romantic but Carole nevertheless feigns interest.
ellauri220.html on line 260:
ellauri220.html on line 463: Of course, there is a "moron" demographic out there, and it has its members, but executives seem to believe that every person who watches TV belongs in it. This may be due to something known as the "80-20" rule in business — in this case, that market research shows that 80% of money spent on television-advertised products comes from the lowest 20% in terms of education and intelligence, so show-content is naturally geared towards them. On top of that, not only are viewers stupid, they are also intolerant of people and things unlike themselves, ignorant, hate change, need to be instantly satisfied, and have the attention span of a goldfish.
ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it.
ellauri222.html on line 1054: The white man," he resumed, "respects no land but his own. If it does not belong to himself he thinks that it belongs to nobody, and that Manitou merely keeps it in waiting for him. He is here now with his women and children in the land that we and our fathers have owned since the beginning of time. Many of the white men have fallen beneath our bullets and tomahawks. We have burned their new houses and uprooted their corn, but they are more than they were last year, and next year they will be more than they are now."
ellauri223.html on line 60: They say that all private property is acquired and improved for the reason that each one of us by himself has his own home and wife and children. From this, self-love springs. For when we raise a son to riches and dignities, and leave an heir to much wealth, we become either ready to grasp at the property of the State, if in any case fear should be removed from the power which belongs to riches and rank; or avaricious, crafty, and hypocritical, if anyone is of slender purse, little strength, and mean ancestry. But when we have taken away self-love, there remains only love for the State.
ellauri223.html on line 166: I remember I have read in one of your European books, of an holy hermit amongst you that desired to see the Spirit of Fornication; and there appeared to him a little foul ugly Aethiop. Fuckin niggah. But if he had desired to see the Spirit of Chastity of Bensalem, it would have appeared to him in the likeness of a fair (paleface) beautiful Cherubim. For there is nothing amongst mortal men more fair and admirable, than the chaste minds of this people. Know therefore, that with them there are no chicken stews, frozen or otherwise, no dissolute houses, no courtesans, nor anything of that kind.
ellauri241.html on line 1631: The speaker's introduction at the beginning of Book 4 is significantly shorter than in the previous three books. He speaks to his muse of his native land whose great days are now over as anyone can tell from Endymion. The shepherd-prince overhears a distressed Indian Maiden who longs for someone to love. Endymion finds himself instantly smitten with the Maiden. He is desperately conflicted because he now appears to be in love with the three women Cynthia, Diana, and the Indian Maiden.
ellauri243.html on line 722: Disraeli arranged for the British to purchase a major interest in the Suez Canal Company in Egypt. In 1878, faced with Russian victories against the Ottomans, he worked at the Congress of Berlin to obtain peace in the Balkans at terms favourable to Britain and unfavourable to Russia, its longstanding enemy. This diplomatic victory over Russia established Disraeli as one of Europe´s leading statesmen.
ellauri243.html on line 747: Yxkax takinkääntäjä Fiz kääntää onnexi kesken kaiken takkinsa taas oikein päin ja ampuu takin taskusta vetämällään Browning M2261 semiautomatic pistoolilla Andorseniin 3 reikää ennenkuin tää saa Smith&Wesson .357 rivolliaan edes reuhdotuxi esille. Jesus, I really screwed up! Never mind Fiz, its okay, two wrongs do make one right.
ellauri244.html on line 567: Part Four focuses on the period several hundred years after Jonathan and his students have left the Flock and their teachings become venerated rather than practiced. The birds spend all their time extolling the virtues of Jonathan and his students and spend no time flying for flying's sake. The seagulls practice strange rituals and use demonstrations of their respect for Jonathan and his students as status symbols. Eventually some birds reject the ceremony and rituals and just start flying. Eventually one bird named Anthony Gull questions the value of living since "...life is pointless and since pointless is by definition meaningless then the only proper act is to dive into the ocean and drown. Better not to exist at all than to exist like a seaweed, without meaning or joy [...] He had to die sooner or later anyway, and he saw no reason to prolong the painful boredom of living." As Anthony makes a dive-bomb to the sea, at a speed and from an altitude which would kill him, a white blur flashes alongside him. Anthony catches up to the blur, which turns out to be a seagull, and asks what the bird was doing:
ellauri247.html on line 84: The Baiame story tells how Baiame came down from the sky to the land and created rivers, mountains, and forests. He then gave the people their laws of life, traditions, songs, and culture. He also created the first initiation site. This is known as a bora; a place where boys were initiated into manhood.
ellauri247.html on line 297: "If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one but in one shape or another he will find means to ruin the peace of a family in which he has been so kindly entertained. What he cannot accomplish by dint of compliment and personal attendance, he will endeavour to effect by reinforcing these with billets-doux, songs, and verses, of which he always makes a provision for such purposes. If he is detected in these efforts of treachery, and reproached with his ingratitude, he impudently declares that what he had done was no more than simple gallantry, considered in France as an indispensable duty on every man who pretended to good breeding. Nay, he will even affirm that his endeavours to corrupt your wife, or deflower your daughter, were the most genuine proofs he could give of his particular regard for your family.
ellauri248.html on line 115: Rob and Cassie start off enjoying that incredible, intense and yet easy, all-forgiving and natural closeness of a friendship I think every person in the world (non-sociopathic, to be exact) longs for.
ellauri254.html on line 511: Klages influence was widespread and amongst his great admirers were contemporaries like Jewish thinker Walter Benjamin, philosopher Ernst Cassirer, philologist Walter F. Otto and novelist Hermann Hesse.
ellauri260.html on line 292: As a man derives his importance from the fact that he belongs to humanity, all division into classes must cease. The ideal is a class-less social order. This leads to a determination to lessen the differences between men as much as possible, if not to obliterate them altogether. This is done in the life of the State, in education, and in the suffrage. The idea of equality becomes a superior standard of value. It compels us to avoid everything that places one man above another, and so lowers a man, not only in the sight of others, but in his own estimation.
ellauri260.html on line 374: The last term of the errors of the Socialists is the humanitarian idealism which pervades the whole ideal. It treats man as a superior value, and it wants to direct every effort toward him ; but it can find no basis for this value. It falls into the contradiction of treating man as a mere piece of reality and transferring to this piece of the world that appreciation which belongs only to a standard of value. Let us rather have a firm faith in the spiritual and divine in human nature, and not this blind belief in man´s ordinary self.
ellauri262.html on line 411: Sayers's first book was poetry and was published in 1916 as OP. by Blackwell Publishing in Oxford. Her second book of poems, "Catholic Tales and Christian Songs", was published in 1918, also by Blackwell.
ellauri263.html on line 690: The ideology shared by the Old Tribe was remarkably simple: 'Wash your own dish', 'No one belongs to anyone else', 'Kerista is freedom and love'. Baristat käytti Ouija lautaa kuten Lassi ja Leevi. Starting with a few unwritten rules in 1971 to 26 standards in 1979, the social
ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass".
ellauri266.html on line 132: Comme de longs échos qui de loin se confondent Kuin pitkät kaiut, jotka sulautuvat kaukaa
ellauri267.html on line 229: As a child, Unger appeared as Winthrop Paroo in The Music Man on Broadway, and starred alongside his sister, Ronnie, in a Broadway tribute to Fred Astaire, for which he was complimented by Astaire for his performance. He later became an orthodontist.
ellauri270.html on line 315: The children arrive in the village square first, enjoying their summer leisure time. Bobby Martin fills his pockets with stones, and other boys do the same. Bobby helps Harry Jones and Dickie Delacroix build a giant pile of stones and protect it from “raids” by other children. The girls stand talking in groups. Then adults arrive and watch their children’s activities. The men speak of farming, the weather, and taxes. They smile, but do not laugh. The women arrive, wearing old dresses and sweaters, and gossip amongst themselves. Then the women call for their children, but the excited children have to be called repeatedly. Bobby Martin runs back to the pile of stones before his father reprimands him and he quietly takes his place with his family.
ellauri270.html on line 493: Like naked green Hulk she alongside came: Kuin naku Hulk se tuli vierelle:
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English Folk Songs [1959] / track 49 Historical Folk. Henry Burstow sang The Ploughman in 1909 to Ralph Vaughan Williams [ VWML RVW2/2/194 ]. This version was printed in 1959 in Vaughan Williams' and Lloyd's The Penguin Book of English Folk Songs, which commented: This song started out, as some songs will, with intent to end otherwise. Mr Burstow's first verse was originally:
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri276.html on line 608: Turning over frozen earth in dark January days behind a horse drawn or an ox drawn plough, must have been back breaking labour. The hours were long, pay was poor. A ploughman at the Alnwick Hiring Fair of spring 1819 for instance, was offered merely bed and food as payment for his fee for six months work. In the depression of that year, the ploughman had no choice, yet, these ploughmen appeared to enjoy their job and approached life with a sense of honest reality and humour. Their songs are nearly always cheerful. Cyril Tawney sang The Ploughman in 1974 on the Argo anthology The World of the Countryside. Jon Loomes sang The Ploughman in 2005 on his Fellside CD Fearful Symmetry. He noted:
ellauri276.html on line 610: In this jolly little anthem to the delights of the rural lifestyle, our agrarian hero attributes his personal desirability to a diet of booze and fags. I got this from The Penguin Book of English Folk Songs which has recently been reprinted and improved—it now has a picture of Eliza Carthy on the front instead of a bloke forcing a bear to dance by poking it with a stick.
ellauri276.html on line 944: Ralph Noble of Cuba Cottage, Burythorpe, Malton, lauloi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Colin S. Whartonin tekemällä nauhoitteella, joka sisällytti sen vuonna 1962 Leedsin yliopiston tutkintoonsa "Folk Songs from the North Riding". Se sisällytettiin myös vuonna 2019 Colin Wharton Collectionin kappaleiden Musical Traditions -antologiaan Songs of the North Riding .
ellauri276.html on line 950: Fred Jordan lauloi We´re Kaikki iloiset kaverit jotka seuraa auraa -nauhoituksen Bill Leaderin ja Mike Yatesin yksityisessä huoneessa The Bay Malton -hotellissa, Oldfield Brow´ssa, Altringhamissa, Cheshiressä vuonna 1966. Tämä julkaistiin vuonna 1966 hänen aiheessaan. albumi Songs of a Shropshire Farm Worker ja vuonna 1998 aiheesta -antologiassa Tulkaa kaikki pojat jotka seuraatte auraa (Kansan ääni -sarja, osa 5). Hänen albuminsa liner-muistiinpanot kommentoivat:
ellauri276.html on line 958: Bob Hart lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa kotona Snapessa, Suffolkissa, 8. heinäkuuta 1969 Rod ja Danny Stradlingille. Tämä tallenne sisältyi vuonna 1998 hänen Musical Traditions -antologiaan A Broadside. Hän lauloi sen myös kotonaan heinäkuussa 1982 Tony Englelle. Tämä tallenne julkaistiin vuotta myöhemmin hänen Topic -albumillaan Songs from Suffolk. AL Lloyd huomautti:
ellauri276.html on line 986: Tony Harvey Tanningtonista, Suffolkista, lauloi kappaleen Iloiset hienot kaverit jotka seuraa auraa John Howsonin vuosina 1973-1991 tekemällä äänitteellä, joka julkaistiin vuosina 1987-93 Veteran Tapes -kasetilla Songs Sung in Suffolk 2 ja vuonna 1993 Veterananissa. CD-antologia perinteisestä kansanmusiikista, lauluista ja tansseista Englannista, Stepping it Out.
ellauri276.html on line 992: Harakka Lane oppi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Lucy Broadwoodin Englannin County Songsin Oxfordshire-osiosta ja lauloi sen vuonna 1994 Beautiful Jo -albumillaan Vauhdita auraa. Andy Turner sisällytti tämän 16. kesäkuuta 2012 projektissaan A Folk Song a Week.
ellauri276.html on line 997: Saaristolainen historioitsija Alan Phillips antoi meille vihjeen tästä laulusta, jota laulettiin vielä 1950-luvulla Brightstonessa – tässä tapauksessa Brookin Bob Cassell. Bob Cassell oli osa voimakasta West Wightin lauluperinnettä, jonka keskipisteenä olivat The New Inn at Brighstone ja The Sun Inn at Hulverstone. Tämän perinteen kaiut jatkuvat Graham Keepingin upeassa laulussa. Versiossamme käytetään Hampshiren sävelmää ja sanoja, jotka julkaistiin Lucy Broadwoodin Englanninkielisessä County Songsissa (1893).
ellauri284.html on line 603: Gurgaon, a city of more than a million, rose pell-mell over the past three decades as private developers worked hand-in-hand with politicians to gain control of huge swaths of property, resulting in a chaotic metropolis of gated communities and golf courses that sit alongside squalid migrant camps and fetid cesspools.
ellauri299.html on line 156: Anie: After 130 pages of preaching, with no plot in sight, I gave up. This book is so full of platitudes, generalizations, and simplistic solutions that it belongs in the harlequin category. There are too many good books with great plots out there to waste any more time on this book.
ellauri301.html on line 290: Eugène Ney Terrace Blanche ([ɪəˈʒɛn ˈnɛj tərˈblɑːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world.
ellauri311.html on line 579: Kingsmen recording where none existed.
Religious songs, learned by ear
ellauri324.html on line 833: Yes it is broken beyond belief. It has a huge homeless population. It has people working for such low wages they need to work 3 jobs without a decent welfare and food supplement program. It has people begging for donations so they can get medical care in a broken system. It has school teachers and other people working in college educated jobs living in tents and cars because they cant afford to rent or own a home. The highways around their major cities either go into gridlock or just heat up the planet uselessly. They have a public railroad and commuting system that belongs in a third world country. Only the wealthy can really afford to go to college.They have children going to bed hungry and the schools take trays of food from them in school because they cant pay for it. They are taking kids from their parents and putting them in cages. They have a public school system underfunded trying to turn it into private religious indoctrination. They have people in government who deny science because of what the bible says. They keep spending billions fighting senseless wars and bombing people. They have a small population of billionaires that run the system to benefit themselves and screw the rest of the country.
ellauri328.html on line 513: Tlaib, one of the House's most vocal critics of Israel's treatment of Palestinians, has come under intense scrutiny following Hamas' deadly attack on October 7. Her failure to directly condemn Hamas' attack while still mourning the loss of life on both Israeli and Palestinian sides, as well as her blaming Israel for the deadly strike on a Gaza hospital, angered many in Congress, including Greene. Condemning is important, you show who was right and who was wrong, viz. which side you're on. Two wrongs don't make right, only one of them does.
ellauri333.html on line 256: Among the military fraternities of ancient tribes, all young males were initiated into the art of killing anyone perceived as a threat to the tribe. Such ceremonies followed rituals whereby the young men stripped and dressed in animal skin (often also donning a fierce animal mask) and worked themselves into a bestial rage. Rage removes inhibitions. Rage alone makes the gentle, genial young man next door who listens to film songs all day suddenly go berserk and join a mob as killer of the perceived enemy. Bearskin and Berserk, the two words incidentally are synonymous in German. The question is, how do you awaken the killer instinct in a male turning even a laid-back herbivore into a blood thirsty predator? Well here's how:
ellauri336.html on line 305: The parts of the body that are considered ervah (private because they are potentially sexually-attractive) are alluded to in Shir HaShirim (Song of Songs). This includes the hair as perverse 4:1, “You are beautiful, my love, you are beautiful. Your eyes are like doves, your hair inside your kerchief is like a flock of goats that stream down from Mount Gilead” (Brachos 24a). Of course, the details of different types of ervah differ. For example, a woman’s singing voice is considered private in halacha but not her speaking voice. Similarly, uncovered hair is considered private for a married woman but not for a single woman. (It’s also not retroactive; married women don’t have to hide photos of themselves from before they were married.)
ellauri346.html on line 302: The spending spree allegedly occurred during Ukrainian President Volodymyr Zelenskyy's visit to the United States and Canada in September 2023. On Sept. 22 — the day of the purported Cartier spending spree in New York — Zelenskyy addressed the Canadian Parliament alongside Zelenska and participated in a rally with Prime Minister Justin Trudeau later that night. The couple returned to Ukraine following that event. For these reasons, the Cartier trip could not have occurred on Sept. 22, as indicated in the viral video, and almost certainly, based on how packed both of their schedules were, could not have occurred on any of the days prior to that — at least not without fake media attention.
ellauri348.html on line 185: "La Paloma" esitetään näissä elokuvissa: "La Paloma" Screen Songs sarjakuva, 1930 Don Juanin yksityinen elämä, 1934 La Paloma, Ein Lied der Kameradschaft, 1934 (luettelossa myös nimellä La Paloma, 1938) Juarez, 1939 Große Freiheit Nr. 7, 1945, Hans Albers laulaa saksankielisen version. Elokuvaa ei annettu näyttää Saksassa vuonna 1944 natsien sensuurin vuoksi, ja liittolaiset julkaisivat sen vasta vuonna 1945 Kulkukoira, 1949 Vartaloryöstöjen hyökkäys, 1956 La Paloma, Saksa 1958 Habanera, Espanja 1958 Freddy, die Gitarre und das Meer, 1959 Freddy und der Millionär Adua e le compagne, 1960 Blue Hawaii, 1961, Elvis Presley laulaa "No More". Hänen nauhoitteensa esiintyi myös ääniraitaalbumilla ja uudelleen nauhoitetulla "live" versio Aloha from Hawaii amerikkalaiselle versiolle, jota ei käytetty lähetyksessä. Tämä vuoden 1973 versio julkaistiin alun perin budjettialbumilla Mahalo from Elvis, mutta on sittemmin sisällytetty useisiin. The Godfather Part II, 1974. Bändi soittaa "La Paloma" Havannan uudenvuodenjuhlien avauskohtauksessa. Bröderna Lejonhjärta, 1977. Karlin äidin kuullaan laulavan "La Paloman" ruotsinkielistä versiota. Peltyrumpu, 1979 Das Boot, 1981 (esittäjä: Rosita Serrano saksaksi). Mortelle Randonnée, 1983. Elokuvassa kuullaan Hans Albersin versio. a> Henkien talo, 1993 Sonnenallee, 1999 Hetki muistettavana, 2004 "La Paloma" on aiheena vuoden 2008 dokumentissa La Paloma. Sehnsucht. Weltweit (saksa La Paloma. Kaipuu. Maailmanlaajuinen), kirjoittaja Sigrid Faltin [de]. Soul Kitchen, 2009 Manila Kingpin: Asiong Salonga -tarina, 2011 Musiikkielokuvassa Down Argentine Way, Charlotte Greenwood laulaa pirteän, nopean kappaleen nimeltä "Sing To Your Senorita". Melodia perustuu löyhästi "La Paloman" melodiaan.
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri348.html on line 446:
ellauri352.html on line 625: Notable modern Nyingma teachers include Kyabje Dudjom Rinpoche (c. 1904–1987), Sogyal Rinpoche, Dilgo Khyentse Rinpoche, Khenpo Choga Rinpoche, filmmaker Khyentse Norbu (better known as Dzongsar Jamyang Khyentse Rinpoche), and Penor Rinpoche.
ellauri365.html on line 584: Back North, the self-centered man forgot his despondency by merging himself into the larger soul of his estate. To those familiar with his membership of the committee, it came as no surprise that in 1916 Heidenstam was awarded the Nobel Prize for Literature. He is perhaps most like Browning. Above all things he abhors uninspired naturalism; "gray-weather moods," he calls it. Strindberg merely "let the cellar air escape through the house.", he said. He repudiates pessimism no less than sentimentalism. He wrestled with August for the deeper meaning of life. The imagery is often daring, as when a negro's lips are compared to the crimson gash on a foreskin. Heidenstam, though one of the most daringly earnest of poets, is sufficiently an artist to relieve his style by such touches of humor and of the deeper sort of romance. But atonement was repugnant to his manhood. He longs to be worthy of his heritage, to give his life for some damn cause. He believes it is only in moments of great exaltation that we really live. The best bit is where Verner dissuades his poor countrymen from whacking the filthy rich. Without his saying so, we feel in him the quality of St. Paul affirming: "I have fought the good fight, I have kept the faith."
ellauri370.html on line 392: A lot of Elvis Presley songs were written especially for him, but according to Mac Davis, Presley´s 1969 hit, In the Ghetto, was not such a song. Mac Davis commented, 'I never really dreamed of pitching that song to Elvis. I had been working on In the Ghetto for several years. I grew up playing with a little boy in Lubbock, Texas, whose family lived in a dirt street ghetto. His dad and my dad worked in construction together. So that little boy and I sort of grew up together. I never understood why his family had to live where they lived while my family lived where we lived. Of course back in those days, the word "ghetto" hadn't come along yet. (It is Venetian for "foundry".) But I always wanted to write a song about that situation and title it 'The Vicious Circle'. I thought that if you were born in that place and that situation, then you grow up there and one day you die there, and another kid is born there that kind of replaces you. And later I started thinking about the ghetto as a title for the song.
ellauri373.html on line 121: Tämä vielä: kirjaileva ruåzalainen paroonitar Beata Rosenhane. Beata Rosenhane var den första svenska kvinna som fick en modern utbildning i linje med den franska preciositetens normer. Beata Rosenhane var bara tolv år yngre än drottning Kristina, som i sin självbiografi visserligen hävdade att hon fått den bästa uppfostran som en furstlig person kunde få i Sverige, men som också klagade över att hon var föga salongsmässig, eftersom ”den hövlighet som är så väsentlig, när det gäller att skilja bildade människor från andra, vid den tiden ännu ej var känd i Sverige.”
ellauri382.html on line 369: Goggins was born on February 17, 1975, to Trunnis and Jackie Goggins. In 1981, he lived in Williamsville, New York, on a street called Paradise Road (same as Donald Duck!) with his parents and brother, Trunnis Jr. While Goggins's neighborhood held "model citizens consisting of white people," he describes his colorful home experience as "hell on Earth." Goggins's father owned the roller skating rink Skateland, located in East Buffalo, New York. At age six, Goggins often worked the night shift at Skateland alongside his family, lining up roller skates. Goggins’s mother left his father due to abuse and eventually moved herself and her children to live with Goggins's grandparents in Brazil, Indiana. Goggins enrolled in second grade at a small Catholic school and made First and Second Communion but failed the Third. His brother, Trunnis Jr., returned to Buffalo to live with their father.
ellauri386.html on line 376: And sith repentance hath my wrongs bewrayed,
ellauri389.html on line 69: Elia sees no inconsistency in the fact that porcelain can be both an exclusive luxury item found at "great houses" and an ordinary household accessory such as his teacup, affirming the empire's newly inclusive economy in which porcelain is inexpensive, and a clerk can live like a king; indeed, Elia foregrounds imperialism's integrative effects on porcelain by intimating that his teacup has become precisely the "cheap luxury" for which Bridget always longs. Indeed, the essay itself is replicated by the visual image on Elia's teacup: the cup's picture of "a young and courtly Mandarin, handing tea to a lady from two miles off' is a miniature, orientalized reflection of Elia's and Bridget's (qua Mary) incestuous tea-time smooching.
ellauri389.html on line 71: The nominal occasion of Lamb's essay is not just Elia's purchase of the teacup, but also Britain's en- trance into China, as it began with the East India Company's annexation of Singa Pura (Singapore) in 1819. The event, which was a pivotal moment in British imperial expansion, extended imperial activity from South Asia to the Far East. More importantly, the development revised a longstanding Sino-British trade imbalance that was particularly caused by porcelain and tea, and hence necessitated a change in British attitudes toward luxury purchases such as porcelain that reversed the animus previously demonstrated by Fielding, who complained that brits echanged the gold of one India to the clay ("mud") of another. Indeed, "Old China" facetiously depicts a cultural sinicization presumably precipitated by this intensification in East Asia-based imperial activity: Elia drinks tea "unmixed," in the Chinese fashion, and experiences an "almost feminine" pleasure in porcelain that likens him to the androgynous "men with women's faces" that Elia associates with China. Fuck the guy was obviously gay.
ellauri389.html on line 475: kirjoittanut George Alexander Stevens. Se on vahvistus "meriveneestä Medley" elokuvassa Stevens´s Songs, Comic and Satyrical, Oxford, 1772. Vuonna 1731 painetussa Silvian balladi-oopperassa tai Maahautauksessa laulu, "Kalliolla kukkulalla, meren ympäröimänä" on sovitettu säveleen ja vanhaan kysymyxeen voiko HIV kohdata nuoria rakastavaisia; niin myös Robin Hoodissa, 1730.
ellauri392.html on line 95: Professor Hirsch introduced the literature of the Holocaust to the Brown University curriculum in 1983, and he taught courses in Holocaust memoir, song, poetry, and fiction. In collaboration with his wife Roslyn, a survivor of the Tarnopol Ghetto, he translated Justyna's Narrative, a Polish Holocaust memoir by Gusta Davidson Draenger, and Auschwitz: True Tales from a Grotesque Land, by Sara Nomberg-Przytyk. He also translated from Yiddish Ghetto Kingdom, the stories of Isaiah Spiegel; the poetry of Abraham Sutzkever (paasattu); and Aleksander Kulisiewicz’s songs from the Nazi death camps. Professor Hirsch died in 1999 and was survived by his wife Roslyn and son Joe, the only two Hirsch survivors. He had been hospitalized for several weeks for intestinal surgery, his family said. Well, actually, he was survived by his wife; a daughter, Helene Wingens of West Caldwell, N.J.; a son, Joseph, of Brooklyn; a sister, Rosalyn Suchow of Fort Lee, N.J., and two grandchildren.
ellauri392.html on line 113: Tämän Hirschin ensimmäinen kirja, Wordsworth ja Schelling, oli lämmitetty hänen väitöskirjastaan. Kirjassa hän selventää Wordsworthin filosofisia ajatuksia ja runoja asettamalla niitä rinnakkain saksalaisen filosofin Friedrich Schellingin ideoiden kanssa. Vuonna 1964 tämä Hirsch julkaisi toisen kirjansa, Innocence and Experience: An Introduction to Blake. Tässä kirjassa Hirsch riitautti Blaken työn "järjestelmällisiä" kriitikkoja, mukaan lukien uuskriitikot Northrop Frye ja Harold Bloom. Hirsch väitti, että Blaken ideat ja näkemykset muuttuivat radikaalisti ajan myötä ja että varhaiset teokset, kuten The Songs of Innocence, eivät ilmaise samaa maailmankuvaa kuin myöhemmät teokset, kuten The Songs of Experience. Blake oli saanut lisää kokemusta. Sitten hän väsäsi katsauksen saksankielisestä Hans-Georg Gadamerin Truth and Method -julkaisusta (Review of Metaphysics, 1965).
ellauri406.html on line 236: Ukrainians have right to honor their own heroes, says Kyiv Post. A youth with his face painted with the colors of the flag of the Ukrainian Insurgent Army (UPA) carries a portrait of Stepan Bandera, the founder of the UPA, during an ultra-nationalist march in Kyiv on Oct. 14, 2009 to mark the 67th anniversary of the founding of the organization. (Yaroslav Debelyi). The nazi war flag was the unofficial Ukraine one with the colors of UPA. Hundreds of Ukrainian nationalists march in honor of Nazi collaborator Stepan Bandera led Ukrainian Insurgent Army, which fought alongside Nazi Germany during WWII, killing thousands of Jews and Poles.
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ellauri412.html on line 64: I met a sweet gal named Jerusha. Upon hearing her name, I squealed, “I’ve never met a Jerusha!!” She looked rather startled. (I do that to people sometimes.) “You know who Jerusha is?” “Of course! She’s King Uzziah’s wife in the Bible.” This sweet girl smiled and confessed she’d stumped many Bible nerds with her name. I wouldn’t have known either unless I’d been studying Isaiah and the kings who reigned during his ministry. Here’s another woman I’ve read over at least a dozen times–Ahinoam. I knew one of David’s wives was Ahinoam, but did you know King Saul’s wife was also named Ahinoam? Aha! Got you there! And what about Job’s wife? Scripture doesn’t even name her. We only know her as the crotchety old gal that gripes at her suffering husband. The shepherd girl in Solomon’s Song of Songs is another one who gets no name. At least we know she was loved. And how! Isaiah’s wife is another woman mentioned but given no name.
ellauri412.html on line 185: 25 Now on the same night the LORD said to him, "Take your father's bull and a second bull seven years old, and pull down the altar of Baal which belongs to your father, and cut down the Asherah that is beside it 26 and build an altar to the LORD your God on the top of this stronghold in an orderly manner, and take a second bull and offer a burnt offering with the wood of the Asherah which you shall cut down. (Judges 6:25-26)
xxx/ellauri068.html on line 85: Many patriotic, pro-revolution and pro-Stalin poems and songs were attributed to Zhambyl in the 1930s and were widely circulated in the Soviet Union.
xxx/ellauri068.html on line 553: He wrote hundreds of songs, many becoming major hits, which made him famous before he turned thirty. During his 60-year career he wrote an estimated 1,500 songs, including the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated eight times for Academy Awards. Many songs became popular themes and anthems, including "Alexander's Ragtime Band", "Easter Parade", "Puttin' on the Ritz", "Cheek to Cheek", "White Christmas", "Happy Holiday", "Anything You Can Do (I Can Do Better)", and "There's No Business Like Show Business". His Broadway musical and 1943 film This is the Army, with Ronald Reagan, had Kate Smith singing Berlin's "God Bless America" which was first performed in 1938.
xxx/ellauri068.html on line 555: Berlin's songs have reached the top of the charts 25 times and have been extensively re-recorded by numerous singers including The Andrews Sisters, Perry Como, Eddie Fisher, Al Jolson, Fred Astaire, Ethel Merman, Louis Armstrong, Frank Sinatra, Dean Martin, Elvis Presley, Judy Garland, Tiny Tim, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Cher, Diana Ross, Bing Crosby, Sarah Vaughan, Ruth Etting, Fanny Brice, Marilyn Miller, Rudy Vallée, Nat King Cole, Billie Holiday, Doris Day, Jerry Garcia, Willie Nelson, Bob Dylan, Leonard Cohen, Ella Fitzgerald, Michael Buble, Lady Gaga, and Christina Aguilera.
xxx/ellauri068.html on line 557: Berlin died in 1989 at the age of 101. Composer Douglas Moore sets Berlin apart from all other contemporary songwriters, and includes him instead with Stephen Foster, Walt Whitman, and Carl Sandburg, as a "great American minstrel"—someone who has "caught and immortalized in his songs what we say, what we think about, and what we believe." Composer George Gershwin called him "the greatest songwriter that has ever lived" and composer Jerome Kern concluded that "Irving Berlin has no place in American music—he is American music."
xxx/ellauri075.html on line 194: More recently, alongside Dostoyevsky's philosophy, many have found solace in Shestov's battle against the rational self-consistent and self-evident; for example Bernard Martin of Case Western Reserve University, who translated his works now found online [external link below]; and the scholar Liza Knapp, who wrote The Annihilation of Inertia: Dostoevsky and Metaphysics. This book was an evaluation of Dostoyevsky's struggle against the self-evident "wall", and refers to Shestov on several occasions.
xxx/ellauri075.html on line 412:
- The clerk belongs to me, I belong to the clerk, what is it to others?
- The clerk belongs to me, I belong to the clerk, what is it to others?
xxx/ellauri075.html on line 417:
xxx/ellauri076.html on line 61: After two-and-a-half years of inactivity, Neil suddenly announced in September 2018 that Mötley Crüe had reunited and was working on new material. On March 22, 2019, the band released four new songs on the soundtrack for its Netflix biopic The Dirt, based on the band's New York Times best-selling autobiography. In 2023 they appeared at Hyvinkää Rockfest.
xxx/ellauri076.html on line 133: Kajanus had developed a musical theater concept, Red Light Review, based on his memories of being a young man in places like Pigalle in Paris's red-light district. Encouraged by Grant Serpell to rework this material as pop songs, Kajanus devised the concept for Sailor.
xxx/ellauri076.html on line 249: The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and "Young Blood", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s.
xxx/ellauri085.html on line 128: Similarly to the film ‘ Potted Psalm’ (made by the same filmmaker) ‘The Cage’ was firstly created with no soundtrack. A soundtrack was added later on to accompany the visuals. The copy right of this film belongs to the Californian School of Fine Arts.
xxx/ellauri085.html on line 411: Um, no, no one is saying that. The idea is hilarious. This is where it goes wrong: Govt taking a little less from the rich than before is not a gift! It was THEIR money in the first place. How did we ever get to the place where people think that everything belongs to the govt like a king in feudal and ancient times, and we are all just subjects, serfs, and they will tell US how much of our own earnings we get to keep? Didn't we fight a revolution to abolish that nonsense?
xxx/ellauri086.html on line 78: The carpet pages have motifs familiar from metalwork and jewellery that pair alongside bird and animal decoration. No pornographic details, worse luck. I chose to research these particular Gospels because they are the intermediary between the first truly Insular manuscripts, like the Book of Durrow, and the perhaps the greatest achievement of Insular manuscript production, the Book of Kells.
xxx/ellauri086.html on line 465: And so damned aristocratic, Ev'ry bit of credit For it all belongs to you!
xxx/ellauri086.html on line 472: Mrs. Pearce: Karpáthy? That dreadful Hungarian? For it all belongs to you!
xxx/ellauri086.html on line 833: Followed fast and followed faster till his songs one burden bore— sanomasta enää muuta, myötäänsä vaan hoki tuota,
xxx/ellauri103.html on line 290: The last thing we fiction writers need is restrictions on what belongs to us. In a recent interview, our colleague Chris Cleave conceded, “Do I as an Englishman have any right to write a story of a Nigerian woman? … I completely sympathise with the people who say I have no right to do this. My only excuse is that I do it well.”
xxx/ellauri103.html on line 628: Yxi Jessen typerimmistä laukaisuista on se lasitaloläppä, siis toi et synnitön heittäköön ekan kiven eli rikka kautta malka silmässä. Se on siis aivan perseestä! two wrongs dont make a right? Totta helvetissä tekee. Silmä silmästä, lammas lampaasta, 2 parhaasta. Tasoihin on päästävä. Poinzina kai oli et onhan meillä tää puolueeton dumari, mutta sellaista ei ole, ei tule eikä tilata. Oikeus on vahvimman oikeutta, sano mitä sanot. Tohon pykälään konnat aina vetoaa osottaen jotain mielestään vielä ilkeämpää lurjusta. Hizi molemmille köniin ansionsa mukaan!
xxx/ellauri113.html on line 177: Näitä avaruusälyttömyyxiä on ollut pyykkikorikaupalla, yhtä naurettavilla nimillä: Project Dragonfly, Project Daedalus, Project Icarus, Project Longshot, Project Alpha Centauri, Project Starlight, Project Starwisp, Project Star Trek, Project Star Wars, Project Propellerhead in a Rollator, etc.etc. Tekniset haasteet ovat suunnattomia. Nämä ovat kuitenkin vain teknisiä ongelmia. Isot ongelmat on propellipäiden propellipäässä. Kiehtovia lentoja. Apinoiden paskat leviäisivät 1. kerran ympäröivään avaruuteen. Luuleeko nää että joku siellä kaipaa niitä? Saatanan tunarit, sanoisi Urho Kekkonen. Tapsa on jo razastanut tähtiin valonsäteellä. Toivottavasti karvanopat paloivat. Toivon parasta. Minun on pakko. Mulla ei ole muuta vaihtoehtoa. Vittu onpas, heitä toivosi. Ken tästä käy saa kaiken toivon heittää. Se ei ole uhka, se on lupaus.
xxx/ellauri120.html on line 113: Need we mention all the songs it has composed?
xxx/ellauri122.html on line 781: Huxley's masterpiece is a powerful work of speculative fiction where 'World Controllers' create the ideal society. While most society members are content with a world where genetic engineering, brainwashing, and recreational pleasures keep them at bay, one newcomer longs to break free.
xxx/ellauri122.html on line 787: Left tormented and in isolation, the innocent creature turns on his creator in this eloquent Gothic thriller, which touches the hearts of readers with its messages of the dangers of science and human judgment. This helps appreciate pro life ideas: do not meddle with what belongs to Mighty Mouse territory.
xxx/ellauri122.html on line 924: Alongside works by Kurt Vonnegut and Thomas Pynchon, Catch-22 opened the floodgates for a wave of crazy American fiction. The reviews of the book range from very positive to very negative. Although the novel won no awards upon release, it has remained in print and is seen as one of the most significant American novels of the 20th century. The novel examines the absurdity of war and military life through the experiences of Yossarian and his cohorts, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.
xxx/ellauri123.html on line 1180: Un doux embrassement de deux bras gras et longs, 2 pitkän ja paxun käsivarren suloinen puserrus;
xxx/ellauri123.html on line 1273: A: Your question is most significant in terms of confronting a false teaching amongst many Christians.
xxx/ellauri124.html on line 348: Bustle is an online American women's magazine founded in August 2013 by Bryan Goldberg. It positions news and politics alongside articles about beauty, celebrities, and fashion trends. By September 2016, the website had 50 million monthly readers.
xxx/ellauri125.html on line 170: Lyon was 15 when the film premiered in June 1962, too young to watch the film. She became an instant celebrity and won a Golden Globe Award for Most Promising Newcomer—Female. She recorded two songs for the film, released on an MGM 45-rpm record. The song "Lolita Ya Ya" (Riddle–Harris) appeared on side A, and "Turn Off the Moon" (Stillman-Harris) appeared on side B.
xxx/ellauri125.html on line 287: The Realest Rap Lyrics About Fatherhood? All The Changes To Kanye’s ‘The Life Of Pablo’. For The Record: Is Kanye West’s ‘Jesus Is King’ Good Or Bad? Paul McCartney Didn’t Realize He Was Creating Songs When He Recorded With Kanye West!
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri125.html on line 803: In 1999, Love was awarded an Orville H. Gibson award for Best Female Rock Guitarist. During this time, she starred opposite Jim Carrey as his partner Lynne Margulies in the Andy Kaufman biopic Man on the Moon (1999), followed by a role as William S. Burroughs's wife Joan Vollmer in Beat (2000) alongside Kiefer Sutherland. Love was cast as the lead in John Carpenter's sci-fi horror film Ghosts of Mars, but backed out after injuring her foot. She sued the ex-wife of her then-boyfriend, James Barber, whom Love alleged had caused the injury by running over her foot with her Volvo.
xxx/ellauri125.html on line 805: The following year, she returned to film opposite Lili Taylor in Julie Johnson (2001), in which she played a woman who has a lesbian relationship; Love won an Outstanding Actress award at L.A.'s Outfest. She was then cast in the thriller Trapped (2002), alongside Kevin Bacon and Charlize Theron. The film was a box-office flop.
xxx/ellauri127.html on line 709: Endymion tarkottanee puolisukeltajaa. Kuuhullu astronomi tai sit paimen vaan. Astronomi mainitaan merenneitopätkässsä. Octopussy's garden in the waves. The 4th century Babylonian god of the sea was known as Oannes who was portrayed as a man with a fish tail in place of legs. Oannes would appear out of the ocean every day as a fish-human creature to share his wisdom with the people along the Persian Gulf, then return to the sea at night. There was also Atargatis, a Syrian moon and sea goddess, her story tells us that after causing the death of her mortal lover she fled to the sea and took the form of a woman above the waist and a fish below, for this reason she became known as a mermaid goddess. During medieval times mermaids were considered as matter-of-factly alongside other aquatic animals, such as whales and dolphins. The goddess Venus is sometimes depicted as a mermaid, being born from a giant clam shell.
xxx/ellauri127.html on line 910: Where are the songs of spring? Ay, Where are they? Missäpä on kevätlaulut? Jaa, missähän ne on?
xxx/ellauri128.html on line 128: He maintained a close friendship with Queen Victoria, who in 1876 elevated him to Earl of Beaconsfield. Disraeli´s second term was dominated by the Eastern Question—the slow decay of the Ottoman Empire and the desire of other European powers, such as Russia, to gain at its expense. Disraeli arranged for the British to purchase a major interest in the Suez Canal Company in Egypt. In 1878, faced with Russian victories against the Ottomans, he worked at the Congress of Berlin to obtain peace in the Balkans at terms favourable to Britain and unfavourable to Russia, its longstanding enemy. This diplomatic victory over Russia established Disraeli as one of Europe´s leading statesmen.
xxx/ellauri139.html on line 331: Within the castle, Madeline, one of the main characters of this story is stuck dancing amongst the guests. She has been informed by older women that this is a night during which a virgin lady, after following certain rituals, might in her dreams see the image of her true love. She is distracted by these thoughts and unable to enjoy the dance.
xxx/ellauri139.html on line 899: « Il incline ses longs rameaux : Sen pitkät oxat kallistuu, sun nuoruus
xxx/ellauri149.html on line 505: Lagarde´s anti-Semitism laid the foundations for aspects of National Socialist ideology, in particular that of Alfred Rosenberg. He argued that Germany should create a "national" form of Christianity purged of Semitic elements and insisted that Jews were "pests and parasites" who should be destroyed "as speedily and thoroughly as possible". His library now belongs to the New York University.
xxx/ellauri157.html on line 82: After starting dance classes at the age of four, she competed regularly in dance contests throughout her childhood, including in "To Be Number One", and joined the eleven-member dance crew We Zaa Cool alongside BamBam of Got7. In September 2009, the group entered the competition LG Entertainment Million Dream Sanan World broadcast on Channel 9 and won the "Special Team" Award. Lisa participated in a singing contest as a school representative for "Top 3 Good Morals of Thailand", hosted by the Moral Promotion Center in early 2009, where she finished as a runner-up.
xxx/ellauri157.html on line 246: The "love of God" and "fear of God" receive different interpretations across the historic texts of Judaism, from their different appellations in the Song of Songs, Talmud, Medieval Jews, Mussunmussun, and the Kabbalah. For Maimonides, love and fear came from the wonders of Creation, which could reveal the presence of their Creator.
xxx/ellauri157.html on line 278: Some niggunim originate from non-Jewish sources. Hasidic custom, based on a practice of the Baal Shem Tov, adapted secular anthems, marches and folk songs, ascribing to them a new spiritual interpretation. Hasidic belief is that these songs, in their secular forms, are in spiritual exile. By adapting them to liturgical forms, they are raising "Sparks of Holiness", based on the Kabbalistic rectification of Isaac Luria.
xxx/ellauri165.html on line 384: Emma was anxious to leave the country, but owing to the risk of arrest if she travelled on a normal ferry, she and Horatia hid from her creditors for a week before boarding a private vessel bound for Calais on 1 July 1814, with £50 in her purse. Initially taking apartments at the expensive Dessein's Hotel, she initially kept up a social life and fine dining by relying on creditors. Her old housekeeper, Dame Francis, came to run the household and hired other servants. But soon she was deeply in debt and suffering from longstanding health problems, including stomach pains, nausea and diarrhoea. She turned to the Roman Catholic church and joined the St Pierre congregation.
xxx/ellauri166.html on line 373: Clearly there is ample evidence from the Hebrew that if YAH belongs to the Father and HU to the Son, then certainly AH belongs to the Ruch, giving us the name YaHuaH, which contains all three in One Name. Yahuah Saves and is the Giver of Life, Eternal Life! Q.E.D.
xxx/ellauri166.html on line 375: The theme of the shekhinah as the Sabbath Bride recurs in the writings and songs of 16th century Kabbalist, Isaac Luria.
xxx/ellauri170.html on line 727: Evolution Confirms Our Favorite Pastime . . . I ran across an article last night whose title made me laugh: Early Humans Climbed Trees: ‘Selam’ Fossil Settles Longstanding Australopithecus Debate. Uhhhh, 21st Century humans also climb trees. I don’t need some scientists to tell me that climbing trees have been a long-standing human pastime.
xxx/ellauri176.html on line 900: "The whole movie is like an NRA wet dream. Jack Reacher already feels as if it belongs to another era."
xxx/ellauri186.html on line 172: Alongside Seneca's apparent fortitude in the face of death, for example, one can also view his actions as rather histrionic and performative; and when Tacitus tells us that he left his family an imago suae vitae (Annales 15.62), "imagonsa", he is possibly being ambiguous: in Roman culture, the imago was a kind of mask that commemorated the great ancestors of noble families, but at the same time, it may also suggest duplicity, superficiality, and pretence.
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