ellauri024.html on line 690: Tragedia ja romanssi on kaikille enempi samoja, koska ne vatvoo yx yhteen Darwinin perusarvoja. Nigerialais-gambialaisen romanttinen komedian Potato potahton unelmatalo oli kuin Charlotten muovinen nukketalo pikku muovijänixille. Kaikki oli ilmeitä ja eleitä myöten kopioitu Karashianeilta. Rikkaat valkaistut ja suoratukkaiset ökyniggerit skizoili avioerosta, köyhä apuväki yritti ryöstöä mut ampu vaan omaan pyllyynsä. Kanitalo oli ympäröity paxulilla muureilla. Kaikki haluis samaa jo olis varaa. Nigeria pilkisti vähän miesten asuista ja kukosta, joka kiekui vahingossa muurin takana. Siitä joku saisi herkullisen aterian.
ellauri034.html on line 543: In 1975 the Nigerian writer Chinua Achebe published an essay, "An Image of Africa: Racism in Conrad´s ´Heart of Darkness´", which provoked controversy by calling Conrad a "thoroughgoing racist". Achebe´s view was that Heart of Darkness cannot be considered a great work of art because it is "a novel which celebrates... dehumanisation, which depersonalises a portion of the human race." Referring to Conrad as a "talented, tormented man", Achebe notes that Conrad (via the protagonist, Charles Marlow) reduces and degrades Africans to "limbs", "ankles", "glistening white eyeballs", etc., while simultaneously (and fearfully) suspecting a common kinship between himself and these natives—leading Marlow to sneer the word "ugly." Achebe also cited Conrad´s description of an encounter with an African: "A certain enormous buck nigger encountered in Haiti fixed my conception of blind, furious, unreasoning rage, as manifested in the human animal to the end of my days." Achebe´s essay, a landmark in postcolonial discourse, provoked debate, and the questions it raised have been addressed in most subsequent literary criticism of Conrad.
ellauri042.html on line 657: An anecdote in "A Letter from Mr. Cibber, to Mr. Pope", published in 1742, recounts their trip to a brothel organised by Pope's own patron, who apparently intended to stage a cruel joke at the expense of the poet. Since Pope was only about 4' tall, with a hunchback, due to a childhood tubercular infection of the spine, and the prostitute specially chosen as Pope's 'treat' was the fattest and largest on the premises, the tone of the event is fairly self-apparent. Cibber describes his 'heroic' role in snatching Pope off of the prostitute's body, where he was precariously perched like a tom-tit, while Pope's patron looked on, sniggering, thereby saving English poetry. While Cibber's elevation to laureateship in 1730 had further inflamed Pope against him, there is little speculation involved in suggesting that Cibber's anecdote, with particular reference to Pope´s "little-tiny manhood", motivated the revision of hero.
ellauri052.html on line 971: The rap against Bellow is that he maligned four of his five wives, especially in his fiction. This is true, and Leader is savvy enough not to take Bellow’s word about them. Wife No. 1, Anita, is shown as the underappreciated mainstay she obviously was. As for wife No. 2, Sondra Tschacbasov Bellow (Bellow called her Sasha), the model for the evil Madeleine, Leader has a scoop: an unpublished memoir shared with him after Bellow’s death. By her own account, Sasha was a vulnerable child-woman lacking basic life skills. From childhood and into her teens, she says, she was the victim of incest committed by her father. When Bellow took up with her, he was 37 and she was 21, a Bennington graduate and a secretary at the Partisan Review. His friends treated her with a sniggering sexism unfortunately unremarkable in the 1950s. At a party Bellow took her to, the critic R. W. B. Lewis, her former professor, drunkenly demanded to
ellauri058.html on line 109: John oli nyt melkein pakokauhun vallassa pelosta että joku ympärillä istuvista kuulisi, millainen nigger lover minä olin. Ja se on pahin nimitys mitä etelässä ylipäänsä voi saada. Nykyään kävis myös alien lover. Tai mixei tree lover. Ne ei kyllä vie meitin töitä eikä raiskaa naisia.
ellauri058.html on line 111: Ei kukaan joka ei ole syntynyt etelässä saata käsittää, että niggers, darkies, coons, Sambos, pickaninnies eivät oikeastaan ole muuta kuin kokoelma villieläimiä jotka hiljan on päässeet ulos viidakoista. Musiikki: Billie Holiday ja Bitter crop.
ellauri078.html on line 246: In America now, free-speech partisans find themselves defending mainly racists shouting “nigger” or Nazis carrying swastikas or—most often—men looking at pictures of naked women with their legs spread open. (Ilmeisesti Dworkin tahmasi vaan Playboyn centerfoldeja. Ei ainakaan muuta tunnusta.)
ellauri107.html on line 114: Rojack vomits over the balcony at a party and considers suicide. Rojack has sex with Ruta in her room. Later Rojack sees Cherry again. He is drawn to her. She and Rojack flirt and kiss. They have sex, and after emptying the load Rojack realizes he has fallen in love with her. Rojack goes back to Cherry and they make love. Cherry tells her life story viz her finally having a vaginal orgasm with Rojack. Rojack and nigger Shago fight. He returns to Cherry's only to find out from Roberts she has been killed. No more vaginal orgasms from her. Rojack travels to Las Vegas where he wins big at the tables, paying off all his debts. He imagines speaking with Cherry in Heaven before he heads south to Guatemala and the Yucatán. Y asi finaliza esta historia.
ellauri107.html on line 396: And yet he is no Pilate (what?) or Iago (a nigger hater), merely a sad old jew with a hard-on (now there's fiction for you), raping against the dying of the light.
ellauri131.html on line 680: He rerevels in saying The "n" word. "'As long as someone calls you a nigger and gets that kind of response from you I've seen right now, where you're ready to explode, then what you've done is given that person absolute control of you. You have no control in your life. You are still a goddam nigger and a slave. Now go get me a smoothie boy."
ellauri197.html on line 496: The term hypergyny is used to describe the overall practice of women marrying up, since the men would be marrying down. The term misogyny is used of men who hate high-heeled big-assed busty gold diggers almost as much as them niggers.
ellauri220.html on line 371:

(International) a black person. From the word negro, which means the color black in numerous languages. Diminutive appellations include Nigg and Nigz. Over time, the terms nigga and niggaz (plural) have come to be frequently used between some African or black diaspora without the negative associations of nigger. Considered very offensive and typically censored as "the n-word" even in reference to its use. The terms niggress, negress, and nigette are feminized formulations of the term.

ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
ellauri247.html on line 125: The motherfuckers just couldn't be bothered to check the facts from the niggers. Niinkun ei Willard Van Orman Quinekaan muka tiennyt mitä Gavagai oikeasti tarkoitti. Vittu mikä idealisti sekin oli. Silja Huttusen vastaväittäjä oli Karlgrenin poika Jussi jolla oli 1 miehen firma nimeltä Gavagai.
ellauri254.html on line 798: Lunz ja Fedin käyvät nokkapokkaa ryssän kirjallisuuden tulevaisuudesta. Lunz termentää että on otettava juoni länkkäreiltä, ei tästä muuten mitään tule. Olkoon tunnuxemme Länteen! Tervetuloa länteen Andrei toivottivat Leville Sterne, Dumas, Stevenson ja Doyle. Länkkärisarjoissa kuten Capitani vituttaa että hyvixet on vaan pienempiä pahixia ja usein varakkaampia kuin suuremmat ja köyhemmät. Luxemburgilaiset huoratalot pitää kunniassa perittyjä arvoja eikä myy huumeita katukaupassa kuten niggerit maahanmuuttajat. Hymytön ex-poliisi ei juuri ole Pekkaa parempi.
ellauri310.html on line 589: V. 1967 Valituissa Paloissa Rauhixen huussissa erään neekerin väsäämässä puheenvuorossa "Neekerin amerikkalainen unelma" esiintyy nyttemmin tabu n-sana useammin kuin tässä, tai Wolfen kirjassa, jossa "niggers talk gruffly to the horses in the stall" (p. 30). Tomi kynäilee kyllä melko mehukkaasti. Pidän tälläsestä Sterne-tyyppisestä selittävästä kerronnasta, ällöön tota Teppo Kurkon "show not tell" tyyppistä leffaimitointia. Tomin kuvauxessa afroamerikkalaisen lynkkauxesta s. 35 on paljon verta ja kosolti n-sanoja. Vähän Tomi on kuin jenkkien Volter Kilpi. Tai Celine, toinen mehukkassti lynäilevä töräpää.
ellauri321.html on line 318: Lola Odusoga is the token nigger of the outfit.
ellauri323.html on line 176: Filistealaisten Jom Kippurin 50-vuotisjuhla-atakki oli "brazen", koska siinä kuoli 200 moosexenuskoista. Kostopommituxissa on kuollut tähän mennessä 232 santanekrua. Biden on antanut univocal supporttia Israelille. "Israel has the right to defend itself and its people, full stop.” "Israel ‘will act in any way necessary’ to protect citizens," ambassador tells UN Security Council. Like turn off power from Gaza. Nighty night carpet pilots! Diaper heads! Camel cowboys! Dune niggers! (Lähde)
ellauri382.html on line 371: When Goggins enrolled in the third grade, he was diagnosed with a learning disability due to the lack of schooling. He also found it difficult to learn as he was suffering from toxic stress because of the child abuse that he suffered during his early years in Buffalo, New York. Because of the stress, he developed a stutter. Goggins explains h-ho-how he was c-co-constantly in a f-fight-or-flight response with social anxiety because of his s-st-stuttering. In school, Goggins was subjected to racism and the K-Ku-Klux Klan held a local presence at the time in Brazil and Indiana. Goggins recalls he once found "Niger [sic] we're gonna kill you" on his Spanish notebook. At 16, a better informed student spray painted "nigger" on the door of Goggins's car.
xxx/ellauri176.html on line 880: Jordan was the faeces of the National Socialist Movement, which was later rebranded as the British Movement. The group campaigned to repatriate all immigrants of colour and for Jews to be shipped off to Israel. Jordan claimed that it was his group that invented the much publicised "If you want a nigger for a neighbour, vote Tory Liberal or Labour" slogan. Jordan was reportedly fined for stealing three pairs of red knickers from Tesco in 1975. Magistrates fined him £50 for the offence.
xxx/ellauri179.html on line 874: The wife of a nigger at Mhow; Neekerin vaimon Mhowista;
xxx/ellauri304.html on line 515: There is a hierarchy of character. Minor characters, you let vanish. Usually you bring them alive for a moment by using stereotypes. Stereotypes are not necessarily evil or bad; they are boring characters who are typical members of a group and your readers know the group… Cabbie, cop, waitress, nigger, telephone operator, prostitute, lawyer, doctor, politician, drunken Irishman (What? Are there still some of those?), Italian who talks with his hands. We might not like stereotypes of groups to which we belong but as writers they work. These are place-holding characters; they do their job and disappear into the night. Writers of pulp fiction, say.
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