ellauri011.html on line 43: With naught of hope left, but with less of gloom;

ellauri050.html on line 196: Lest, having Him, I must have naught beside.) että jos mä otan sen, mullei saa olla ketään muuta.)
ellauri050.html on line 286: “Lo! naught contents thee, who content’st not Me.” "Kato! ei mikään kelpaa sulle mikä ei kelpaa mulle."
ellauri050.html on line 341: Seeing none but I makes much of naught” (He said), Ei kukaan muu kuin mä oo paskan veroinen" (se sanoi),
ellauri053.html on line 1009: "What a naughty child!"
ellauri062.html on line 639: Redemisti Crucem passus: Kristus, kuolemasi tähden Maxoit velat ristillä. Calvary's outlook naught availed thee;
ellauri171.html on line 597:
ellauri244.html on line 425: Tired of keeping them hidden inside or only having them come out in the bedroom, they’re all here in the form of some wickedly hot stories. Single-minded alpha hero, sinfully taboo relationships, and wildly over-the-top scenarios. If you love it extra dirty, extra hot, and extra naughty, this is the place for you! (Just don’t tell the other PTA members you saw her here…)
ellauri408.html on line 410: Jesus said it was all for naught:
ellauri434.html on line 195: I am myself among the readers who found in Bulgakov a gateway drug to a country obsessed with literature, a place where fiction became true, and truth was somewhat fictional. The Master and Margarita, recommended by my dad, was responsible for my decision to move to Moscow rather than St Petersburg in the mid-90s. One more stately, seedy European city could hardly compete with the home of the naughty apartment and the caviar-eating black cat riding the tram without a ticket. Barely literate, with my collection of metro and phone tokens and up to date knowledge of how to avoid using them, I met book-obsessed friends at the real Patriarch’s Ponds. Later I joined a crowd of teenagers and their high school literature teacher as they walked for hours around Moscow reciting whole paragraphs from The Master and Margarita from memory, in front of the real – and also fictional – places from the novel.
xxx/ellauri087.html on line 568: “I am ready to leave my loved ones,” he said. “My wealth, my fame will amount to naught. My grudges, frustrations, resentments and jealousies will finally disappear.” That hope, which Knievel took to his grave, was dashed by the FBI this week.
xxx/ellauri148.html on line 136: So no use trying to pool the monkeys into two races, nice and naughty. They all the same, just like the little girl in the rhyme: When she was good, she was very very good, but when she was bad, she was atrocious. Tää Hessu Hopon eli Longfellowin loru mulla on jo albumissa 48, Kirsi Kunnaan kääntämänä. Joku tämänpäivän poppoo on tehnyt siitä laulun ja väittää että sanat ovat "traditional". Pah. Melkein voisin muuten lyödä vetoa et Henry oli pedofiili.
xxx/ellauri179.html on line 952: ‘If you’ve ’eard the East a-callin’, you won’t never ’eed naught else.’ Kun olet upottanut melaa Kauko-Idässä, et kuule juuri muuta halua.
xxx/ellauri261.html on line 304: COT. Provoking! to leave my shop all day for the sake of calling on this old Wealthington!—that I should be required to call on him!—not but he is a rich relation, and I have great expectations from him; and my foreman, Bolt, and apprentice Mizzle, are quite fit persons with whom to entrust my shop. Egad, to make all the naughty apprentices look on those two young men would be as good a lesson as going to see George Barnwell on a boxing night!
xxx/ellauri380.html on line 500: naughty-adventure-in-eg?hl=fi&cat=29&pos=44">
xxx/ellauri410.html on line 144: The Bolovian verses carry much critical baggage. To Conrad Aiken, they are “hilariously naughty parerga” or “admirable stanzas” (March 22). Ezra Pound calls them “chançons ithyphallique” (IMH xvi). Bonamy Dobrèe claims, “They are part of an elaborated joke, nurtured through years. It is about some primitive people called the Bolovians, who wore bowler hats, and had square wheels to their chariots” (Tate 73). Subsequent descriptions are equally diverse, ranging from “pornographic doggerel” (Thorpe) to “scabrous exuberances” (Ricks xvi). One critic says they have “a surprising racial, even racist, focus” (Cooper 66). Another claims “these poems comically and obscenely portray the history of early European expansion as an orgy of uncontrollable desire and deviant sexuality” (McIntire 283). Pornoa mikä pornoa. Eliot borrows generously from common bawdy songs and joins a long list of classical writers who indulge in sexual, obscene, erotic, bawdy, scatological, and otherwise blue verse.
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