ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love.
ellauri099.html on line 215: The Lyceum was clearly the intellectual projection of Macedonian political and military hegemony. In 323 B.C.E., when news of Alexander the Great’s death in Babylon at the age of 32 reached Athens, simmering anti-Macedonian sentiment spilled over, and the popular Athenian leader Demosthenes was recalled. Aristotle left the city for the last time, in fear of his life, after a little more than a decade in charge of the Lyceum. Seeing himself justly or unjustly in the mirror of Socrates and fearing charges of impiety, Aristotle reportedly said, “I will not allow the Athenians to sin twice against philosophy.” Aristotle withdrew to his late mother’s estate at Chalcis on the island of Euboea and died there shortly after of an unspecified illness, at age 63.
ellauri117.html on line 672: John’s Education details are not available at this time. Please check back soon for updates. John Locke’s mother’s name is unknown at this time and his father’s name is under review. We will continue to update information on John Locke’s parents. Associated with: Dario Sztajnszrajber, Philosopher. Camilo Prieto, Philosopher. Helio Couto, Philosopher.
ellauri147.html on line 107: Tyynni received several literary awards between 1943 and 1982. Morever, she won the gold medal in 1948 for her poem ‘Hellaan laakeri’ (‘Let's put a bearing into the stove') at a time when literary composition was still a part of the non-professional Olympic games. A Pro Finlandia medal holder, Academician of the Arts and Honorary doctor, Aake Tyynni died in 1997 at the age of 84. Her daughter Riitta Seppälä and son Mikko-Olavi Seppälä have written their mother’s biography, Aake Tyynni – Hymyily, kyynel, laulu. (‘Aake Tyynni. A smile, a tear, a song’, WSOY, 2013)
ellauri147.html on line 381: Whether it be her mother’s birthday, her sack of wet pennies, or any other typical day, Lily never fails to douche before and after seeing her mother.
ellauri159.html on line 1079: Have a large mental database of facts to draw on. These MAY include sense memories, such as the taste of grandmother’s spoon cookies or the smell of oil in their grandfather’s hair. In a creative project, you can draw on these memories to personalize your writing and bring it to life. Yes, it´s OK, go ahead! Don´t be so stuck up!
ellauri222.html on line 609: Molly Simms is a mulatto woman of about thirty-five, whom Simon hires to do their mother’s housework. Simon later sleeps with Molly and then fires her.
ellauri270.html on line 393: The inhumanity of the villagers, which has been developed by repeated exposure to the lottery and the power of adhering to tradition, still has some arbitrary limits—they are at least relieved that a young child isn’t the one chosen. They show no remorse for Tessie, however, no matter how well-liked she might be. Even Tessie’s own children are happy to have been spared, and relieved despite their mother’s fate. Jackson builds the sense of looming horror as the story approaches its close. WTF, Tessie is clearly the odd one out, so the outcome of the lottery was fortunate!
ellauri277.html on line 219: Similarly, Gibran later portrayed his life in Lebanon as idyllic, stressing his precocious artistic and literary talents and his mother’s efforts to educate him; some of these stories were obviously tall tales meant to impress his American patrons.
ellauri382.html on line 756: Serhii Plokhy käy moneen otteeseen läpi Putinin ideologiaan vaikuttaneita venäläisiä ajattelijoita. Heihin kuuluu Venäjän kansalaissodassa valkoisten joukkojen kenraali Anton Denikin, jonka muistelmista Putin vakuuttui. Anton Denikinin toilailuista on paasauxissa paljon mazkua. Suomalaisittain on yllättävää, että Plokhy listaa Putinin vaikuttajiin myös kirjallisuuden nobelistin Alexander Solzhenitsynin. Tämän hän mainitsee ize asiassa useimmin. Eikös Sanjan pitänyt olla länkkärien taskussa? Hän viittaa Solzhenitsynin vuonna 1990 ilmestyneeseen kirjoitukseen, jossa tämä vaati ”Venäjän unionin perustamista”. Siihen kuuluisivat Venäjä, Ukraina, Valko-Venäjä ja Kazakstanin pohjoisosa. Ei-slaavilaisia Neuvostoliiton osia Solzhenitsyn ei kaivannut. Plokhii on ukrainaxi huono. Zekixi Plochy tarkoittaa samaa kuin hepreaxi sharon, eli tasanko. “Serhii Plokhy’s Putin is an unprecedented retelling of a familiar disaster. It is a horror story – of political cynicism and scientific ignorance – from which the world will be saved, if at all, only by heroism and luck.“ He has his mother’s laugh.
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …


xxx/ellauri103.html on line 311: My mother’s eyes bore into me, urging me to remain calm, to follow social convention. I shook my head, as if to shake off my lingering doubts.
xxx/ellauri154.html on line 218: Given the scarcity of texts, and the fact that Salome seems not to know what to ask her uncle for until instructed by her mother, it is unclear if Salome is truly the evil temptress she is supposed to embody, or just an unwitting instrument in her evil mother’s hands. Har har, vitutonpa hyvinkin.
xxx/ellauri251.html on line 1362: All couched about one mother’s loosening knees,
xxx/ellauri251.html on line 1980: Queen, thy twain brethren and thy mother’s sons.
xxx/ellauri251.html on line 2359: A new-made mother’s new-born love, that grows
xxx/ellauri251.html on line 3237: Sons of my mother’s sister; and all farewell
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