ellauri033.html on line 1024: Montent, d’un vol égal, à l’immortalité ! nousee vaakalennossa tähtitaivaalle!
ellauri033.html on line 1058: Ne vous rend l’immortalité ! jaa teille iki-julkkixuutta!
ellauri039.html on line 347: Hatsipompponen’s installation/handmade paper works, such as houses of beings and Lucid Absurdity, have dealt with the correspondence between visual and textual languages, which is established upon the absurd conflicts among urges, necessities, and mortality. She draws her philosophy from Camus, Heidegger, Haiku poets, modern Japanese novelists, and ancient Chinese thinkers.
ellauri042.html on line 815: What had Sacks left to Weschler? What did his gift, his command, amount to beyond the dying wish of a magnificent and, by some accounts, paradoxically self-effacing and narcissistic doctor to have yet another book, beyond the 13 he himself had written (three more would come posthumously), to help ensure his immortality? Maybe this:
ellauri047.html on line 616: marmortalot, omat
ellauri048.html on line 1120: Tennyson said: "He would have been known, if he had lived, as a great man but not as a great poet; he was as near perfection as mortal man could be (except me).".
ellauri048.html on line 1134: Strong Son of God, immortal Love, Vahva jumalanpoika, kuolematon lempi,
ellauri048.html on line 1477: I leave this mortal ark behind, Mä jätän tän kuolleen arkin taaxeni,
ellauri049.html on line 929: Maigre immortalité noire et dorée, Laiha kullattu ja musta kuolemattomuuus
ellauri050.html on line 102: All things by immortal power Kaikki asiat kuolemattomalla voimalla
ellauri050.html on line 265: And its sweet teas were salt with mortal mine; Ja sen makeet kyynelet suolaantui mun kuolevaisista;
ellauri051.html on line 411: O, how the immortal phantoms crowd around me! Ooh miten kuolemattomat mustanaamiot tungexii mun ympärillä!
ellauri051.html on line 700: 137 I am the mate and companion of people, all just as immortal and fathomless as myself, Mä olen ihmisten kamu ja kumppani, kaikki yhtä kuolemattomia ja pohjattomia kuin mä ize,
ellauri051.html on line 701: 138 (They do not know how immortal, but I know.) (Ne ei tiedä kuolemattomuudesta, mut mä tiedän.)
ellauri051.html on line 1134: 543 Hands I have taken, face I have kiss'd, mortal I have ever touch'd, it shall be you. 543 kättä olen ottanut, kasvoja olen suudella, kuolevaista olen koskaan koskettanut, se olet sinä.
ellauri051.html on line 1905: 1289 And as to you Death, and you bitter hug of mortality, it is idle to try to alarm me. 1289 Ja mitä tulee sinuun Kuolemaan ja sinun katkeraan kuolevaisuuden halaukseen, on turha yrittää hälyttää minua.
ellauri053.html on line 1261: Though Walter Pater is no more with us, like Monty Python's proverbial parrot, he has still become immortal because of his writings.
ellauri053.html on line 1325: For every tatter in its mortal dress, Huda hudaa, kuolleen rievut niskassa,
ellauri063.html on line 229: AAA, también conocida como Alianza Apostólica Anticomunista, fue una organización terrorista tardofranquista, presuntamente vinculada a los aparatos represivos del Estado español, que actuó en el País Vasco y en el País Vasco francés entre 1977 y 1982, durante la transición española. Un informe de la Oficina de Víctimas del Terrorismo del Gobierno vasco de 2010 le atribuye 8 asesinatos de las 66 víctimas mortales del terrorismo parapolicial y de extrema derecha desarrollado entre 1975 y 1990.
ellauri066.html on line 697: A Swedish rapper has immortalised him in song and the epidemiologist has a Facebook fan club of 33,000 members.
ellauri066.html on line 742: Its mortality is five times greater than that in Denmark and around ten times more than in Norway and Finland.
ellauri066.html on line 892: In an e-mail exchange between Tegnell and the head of the Finnish public-health agency, on March 14th and 15th, Tegnell suggested that keeping the schools open could help the young and healthy develop immunity sooner. His Finnish colleagues noted that their models found that closing schools would decrease the mortality rate among the elderly by ten per cent. Tegnell responded, “Ten percent might be worth it?” WTF.
ellauri066.html on line 927: Other experts are skeptical of this argument. “I find no correlation between proportion of foreign-born and Covid death rate,” Heuveline wrote, in an e-mail. “Norway has a higher proportion of foreign-born than Denmark, which has about the same proportion as Italy (about 10%), but Covid-19 mortality is much higher in Italy than in Denmark, and higher in Denmark than in Norway.”
ellauri067.html on line 163: Von Braun justified the expenses for manned operations with the following argument: "I think somehow space flights for the first time give mankind a chance to become immortal. Once this earth will no longer be able to support life we can emigrate to other places which are better suited for our life."
ellauri077.html on line 255: Death system, a concept introduced by Robert Kastenbaum in 1977, is defined as "the interpersonal, sociocultural, and symbolic network through which an individual's relationship to mortality is mediated by his or her society" (Kastenbaum 2001, p. 66). Through this concept, Kastenbaum seeks to move death from a purely individual concern to a larger context, understanding the role of death and dying in the maintenance and change of the social order.
ellauri078.html on line 279: And Immortality. ja kuolemattomuus.
ellauri095.html on line 178: The aim of our research was never to spread more homophobia, but to demonstrate to an international audience how the life expectancy of gay and bisexual men can be estimated from limited vital statistics data. In our paper, we demonstrated that in a major Canadian centre, life expectancy at age 20 years for gay and bisexual men is 8 to 21 years less than for all men. If the same pattern of mortality continued, we estimated that nearly half of gay and bisexual men currently aged 20 years would not reach their 65th birthday. Under even the most liberal assumptions, gay and bisexual men in this urban centre were experiencing a life expectancy similar to that experienced by men in Canada in the year 1871. In contrast, if we were to repeat this analysis today the life expectancy of gay and bisexual men would be greatly improved. Deaths from HIV infection have declined dramatically in this population since 1996. As we have previously reported there has been a threefold decrease in mortality in Vancouver as well as in other parts of British Columbia.
ellauri096.html on line 108: Notice that the eliminativist is more radical than the skeptic. The skeptic thinks the concept of knowledge is fine. We just fall short of being knowers. The skeptic treats ‘No man is a knower’ like ‘No man is an immortal’. There is nothing wrong with the concept of immortality. Biology just winds up guaranteeing that every man falls short of being immortal.
ellauri096.html on line 110: Unlike the believer in ‘No man is an immortal’, the skeptic has trouble asserting ‘There is no knowledge’. For assertion expresses the belief that one knows. That is why Sextus Empiricus (Outlines of Pyrrhonism, I., 3, 226) condemns the assertion ‘There is no knowledge’ as dogmatic skepticism. Sextus prefers agnosticism about knowledge rather than skepticism (considered as “atheism” about knowledge). Yet it just as inconsistent to assert ‘No one can know whether anything is known’. For that conveys the belief that one knows that no one can know whether anything is known.
ellauri100.html on line 1231: Sense fail’d in the mortal strife:
ellauri108.html on line 106: During his life, Selassie described himself as a devout Christian. In a 1967 interview, Selassie was asked about the Rasta belief that he was the Second Coming of Jesus, to which he responded: "I have heard of this idea. I also met certain Rastafarians. I told them clearly that I am a man, that I am mortal, and that I will be replaced by the oncoming generation, and that they should never make a mistake in assuming or pretending that a human being is emanated from a deity." His grandson Ermias Sahle Selassie has said that there is "no doubt that Haile Selassie did not encourage the Rastafari movement". Critics of Rastafari have used this as evidence that Rasta theological beliefs are incorrect, although some Rastas take Selassie's denials as evidence that he was indeed the incarnation of God, based on their reading of the Gospel of Luke.
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri109.html on line 509: Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction.
ellauri109.html on line 836: Yemenites were housed in tents and had to endure heavy winters. There were child mortality rates of 50%, he points out.
ellauri110.html on line 1075: Welcome! ‘Conversations with Dostoevsky’ is a blog written to mark the 200th anniversary year of Dostoevsky’s birth. It takes the form of a series of conversations between a twenty-first century academic and the writer himself. The topics centre on ‘the big questions’, including God, immortality, faith, nationality, and the power of literature. Blogs will be published weekly, though readers may wish to save them up for a monthly visit.
ellauri111.html on line 609: 12 Let not sin therefore reign in your mortal body, that ye should obey it in the lusts thereof.
ellauri115.html on line 954: That Christ was literally dead in the grave for three days – as a proof of Christian mortalism, resurrection and the humanity of Christ.[6]
ellauri118.html on line 858: La Rochefoucauld had been embittered by disappointed ambition, ill health, and the loss of his favorite son; and his opinion of humanity in general and of women in particular was none too lofty, to say the least. Perhaps Mme. de La Fayette´s greatest service in this respect was in toning down the severity of the immortal Maxims.
ellauri135.html on line 399: Somnambula is an antagonist from Generation 1 My Little Pony. Like a good number of antagonists in that particular canon of MLP, she was a wicked, cunning and treacherous individual with a surprisingly dark backstory - being a false immortal who drained the youth of others, so as to keep herself both young in appearance and powerful in her dark arts. She was voiced by Jane Curtin.
ellauri140.html on line 117: Maritim M+-, "the knight of the sea"; son of a water nymph, he avoided all love because his mother had learnt that a maiden was destined to do him harm; this prophecy was fulfilled when he was stricken down in battle by Britomart, though he was not mortally wounded.
ellauri140.html on line 140: Though it praises her in some ways, The Faerie Queene questions Elizabeth's ability to rule so effectively because of her gender, and also inscribes the "shortcomings" of her rule. There is a character named Britomart who represents married chastity. This character is told that her destiny is to be an "immortal womb" – to have children. Here, Spenser is referring to Elizabeth's unmarried state and is touching on anxieties of the 1590s about what would happen after her death since the kingdom had no heir. No vittu ei ole maailma mixkään muuttunut, just samanlaista tuubaa kirjoitti Suomenmaa just Sanna Marinista.
ellauri140.html on line 464: Pointed with mortall sting. Of her there bred° Ja hännän päässä piikki pistävä.
ellauri145.html on line 303: Et la mortalité sur les faubourgs brumeux. Ja kuolleisuutta lähiöihin talvisiin.
ellauri145.html on line 339: Prend les proportions de l’immortalité. Ottaa kuolemattomuuden mittasuhteet.
ellauri155.html on line 913: Atoms of light and tears for mortal things. Valon atomeja ja kuolevaisten elimien kyyneleitä.
ellauri155.html on line 935: Wretched the mortal, pondering his mood, Surkea on kuolevainen, jota mielialat jäytävät,
ellauri155.html on line 941: The perfectly ideal incumbent for the Harvard Fellowship appears in Bertie Russell, old and almost penniless, but still brimming with undimmed genius and suppressed immortal work’s!
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri162.html on line 565: Jos hän olisi ollut taipuvaisempi, hän olisi voinut poiketa hetkeksi esimerkiksi Henokin näkyjen luonteeseen, mutta hän siirtyy jäykästi Nooaan. Nooan komea kokko (2.382) velvoittaa Victorin esittämään hänet paitsi ainoana miehenä, jota Jumala piti tulvan pelastamisen arvoisena, myös toisena Aatamina, jolla on toinen maailma (2.398-399: ut, cum iusta mali luerint, tunc dignius a te / incipiat mortale gen summumque parentem ja 528, dominus [sc. Noah], mundi sortitus regna secundi). Ihmiskunta saa toisen mahdollisuuden, ja Nooa näyttää esimerkkiä (2.528-3.98) perustamalla viinamäen.
ellauri163.html on line 893: But now comes something rather suspect: There are no gospels which are immortal, but neither is there any reason for believing that humanity is incapable of inventing new ones (1954, pp. 475-476).
ellauri180.html on line 55: Elena has received mainly positive reviews. Steve West of the Cinema Blend compared the story of The Young Adult Vampire Diaries and the character of Elena to the 10 years older popular vampire franchise, Twilight, and its protagonist Bella Swan. West said "Clearly Elena is way hotter than Bella, she has two immortal young adult vampires fighting over her". (Täähän on jo moneen kertaan nähty: chick litissä tytöllä pitää ollä väh. 2 kosijaa, ei se muuten ole mistään kotoisin.) After the vampire episodes, Elena established her own medical practice, specialising in blood diseases.
ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,
ellauri183.html on line 180: When Abraham raises his knife over Isaac's body, this symbolises the fact that every human relationship is haunted by the prospect of death. Love always ends in loss, at least within this life. One response to this existential fact – perhaps the most common response – is to avoid the issue of mortality as much as possible. An alternative response is to face up to the inevitable pain of loss and to relinquish the beloved in advance, so to speak, by giving up hope of enjoying a happy relationship within this lifetime. (This "movement of resignation" is described as "monastic", although it does not literally entail becoming a recluse. It is an internal movement, an adjustment of expectations.) In Kierkegaard's view, this is more noble than the first option, but it is very far from the courage of Abraham, who continues to love Isaac and enjoy his relationship to him in full awareness of the suffering that his death would bring. This aspect of the interpretation of Abraham offered in Fear and Trembling suggesz that, far from being an individualist, Kierkegaard regards human relationships as essential to life.
ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri194.html on line 319: Queer is noun and verb, and relational not binary. It is strange, queer in fact. Sedgwick said when appalled conservative commentators rejected her queer reading of literary greats: "Read any Sonnets lately? You dip into the Phaedrus often? To invoke the utopian bedroom scene of Chuck Berry's immortal aubade: Roll over, Beethoven, and tell Tchaikovsky the news."
ellauri197.html on line 472: To immortality. Mä herään tollasena.
ellauri197.html on line 678: I cannot be immortal, nor taste all. O lord! where does this tend—these straggling aims!1
ellauri198.html on line 833: From these sessions Yeats formulated theories about life and history. He believed that certain patterns existed, the most important being what he called gyres, interpenetrating cones representing mixtures of opposites of both a personal and historical nature. He contended that gyres were initiated by the divine impregnation of a mortal woman—first, the rape of Leda by Zeus; later, the conception of Mary by the same immaculate swan. As Lewis Carroll had prophecied:
ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri210.html on line 1228: KHEIRON (Chiron) was eldest and wisest of the Kentauroi (Centaurs), a Thessalian tribe of half-horse men. Unlike his brethren Kheiron was an immortal son of the Titan Kronos (Cronus) and a half-brother of Zeus. When Kronos' "tryst" (more correctly, thrust) with the nymphe Philyra was interrupted by Rhea, he transformed himself into a horse halfway out to escape notice and the result was this two-formed son.
ellauri210.html on line 1234: The old Kentauros was accidentally wounded by Herakles when the hero was battling other members of the tribe. The wound, poisoned with Hydra-venom, was incurable, and suffering unbearable pain Kheiron voluntarily relinquished his immortality.
ellauri214.html on line 83: But if fans are expecting a Harry Potter-like book, they’re in for a shock: The Casual Vacancy features some similar Harry Potter themes, such as morality and mortality, but that is where the comparisons end. The adjectives, for example, are of a different sort.
ellauri214.html on line 243: It was during the reign of Myrina that the Amazons encountered another race of female warriors known as the Gorgons. The Amazons and their defeated neighbors, the Atlanteans, were at peace with each other, but Atlantis was raided repeatedly by the Gorgons, who lived nearby. In Greek myth, the Gorgons were monsters with snakes instead of hair and faces so fearsome that looking directly at them could turn a mortal into stone. Diodorus scoffed at these stories of monsters and claimed that, like the Amazons, the Gorgons were nothing more than fierce tribal women who were skilled in warfare. Myrina’s large army went to the aid of Atlantis and defeated the Gorgons, capturing more than 3,000 Gorgon warriors. The captive Gorgons began a rebellion but were put down by the Amazons, who killed every remaining prisoner.
ellauri219.html on line 459: Immortalized in the 1962 film Lawrence Of Arabia, in which he was played by Peter O’Toole, TE Lawrence was a British archaeologist and military officer who became a liaison to the Arab forces during the Arab Revolt of 1916 to 1918. His 1922 book, Seven Pillars Of Wisdom, recounted his experiences during the war and laid the foundations for much of his legend.
ellauri219.html on line 758: Some of the schools of India say that the psychic nature is, as it were, a looking-glass, eli narsismihan siinä taas on kyseessä. Eli the purpose of life, taas kerran, is the "the undressing of the immortal man; the birth of the spiritual from the psychical, whereby we enter our divine inheritance and come to inhabit Eternity. This is, indeed, salvation, the purpose of all true religion, in all times."
ellauri223.html on line 100: Anyways, the inhabitants of the City of the Sun do not fear death, because they all believe that the soul is immortal, and that when it has left the body it is associated with other spirits, wicked or good, according to the merits of this present life.
ellauri223.html on line 166: I remember I have read in one of your European books, of an holy hermit amongst you that desired to see the Spirit of Fornication; and there appeared to him a little foul ugly Aethiop. Fuckin niggah. But if he had desired to see the Spirit of Chastity of Bensalem, it would have appeared to him in the likeness of a fair (paleface) beautiful Cherubim. For there is nothing amongst mortal men more fair and admirable, than the chaste minds of this people. Know therefore, that with them there are no chicken stews, frozen or otherwise, no dissolute houses, no courtesans, nor anything of that kind.
ellauri241.html on line 184: Pale grew her immortality, for woe Kalpeaxi jäi hänen kuolemattomuutensa,
ellauri241.html on line 208: Their pleasures in a long immortal dream. Heidän ilonsa pitkässä kuolemattomassa unessa.
ellauri241.html on line 225: Nor grew they pale, as mortal lovers do. He eivät myöskään kalvenneet, kuten kuolevaiset rakastavat.
ellauri241.html on line 300: And once, while among mortals dreaming thus, Ja kerran, kun kuolevaisten joukossa näin unelmoi,
ellauri241.html on line 364: Empty of immortality and bliss! Tyhjänä kuolemattomuudesta ja autuudesta!
ellauri241.html on line 547: What mortal hath a prize, that other men Millä kuolevaisella on palkinto, että muut ihmiset
ellauri241.html on line 577: Not mortal, but of heavenly progeny, Kuolevaisena, vaan taivaallisen jälkeläisenä,
ellauri241.html on line 578: As still I do. Hast any mortal name, kuten edelleenkin. Onko sulla kuolevaista nimeä,
ellauri241.html on line 895: Thou wast not born for death, immortal Bird! Et ole syntynyt kuolemaan, kuolematon lintu!
ellauri241.html on line 1104: Men's being mortal, immortal; to shake
ellauri241.html on line 1150: With immortality, who fears to follow
ellauri241.html on line 1221: Yet still I feel immortal! This is great!
ellauri241.html on line 1285: No, it's because you're a measly mortal guy
ellauri241.html on line 1291: Of human words! roughness of mortal speech! I mean:
ellauri241.html on line 1581: The immortals all shook hands and fins with the duck:
ellauri241.html on line 1586: Escap'd from dull mortality's harsh net?
ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri241.html on line 1643: Endymion shows penile growth in Book 4 in the sense that he understands that there is value and beauty in mortal love but he has not truly learned how to live a blissful existence without the love of a beautiful (wo)man. Endymion, Adonis, Alpheus, and Glaucus are subject to a life of isolation and impotence without the presence of their beloved. Never mind, much worse is impotence in their presence!
ellauri247.html on line 435: No mortal as yet Ei kukaan kuolevainen
ellauri247.html on line 522: Cette "bataille" a été immortalisée par Horace Vernet en 1843. Le tableau est lattraction principale des salles d´Afrique créées par Louis-Philippe au musée de l´histoire de France à Versailles. Il a été interprété à la gravure sur acier par Augustin Burdet. Une plaque « rue Taguin, 1843 » existe encore, en 2014, à Dijon, sur une voie non publique. Taistelun nimi on riipustettu ranskalaisten sotalippuihin. Taisi olla sammakoiden ihan laitimmmaisia sotamenestyxiä.
ellauri262.html on line 508: About our comrades in pain, other animals, Lewis allows that some higher form animals (like apes and elephants) might have a rudimentary individual self but says that their suffering might not be suffering in any real sense and humans might be projecting themselves onto the beasts. So no heaven for them, but then again, no hell. If one wants to make room for animal immortality, although the scriptures are silent, then "a heaven for mosquitoes and a hell for men could very conveniently be combined". A very good point! Oh, is it? Well, that is all sorted then?
ellauri276.html on line 859: This is the scholar whose immortal pen Tämä on tutkija, jonka kuolematon kynä
ellauri299.html on line 341: Yippiesin "sissiteatteri" onnistui jälleen kerran, kun vuoden 1968 demokraattisen kansalliskokouksen aikana Kansainvälinen nuorisopuolue nimitti oman ehdokkaansa presidenttiehdokkaaksi. Ehdokas oli Pigasus the Immortal, 145-naulainen (66 kg) sika, joka heidän mielestään oli sopiva vaihtoehto Richard Nixonille, varapresidentti Hubert Humphreylle ja Alabaman kuvernöörille George Wallacelle. Pigasuksen ensimmäisen lehdistötilaisuuden virallisissa esittelyissä Rubin, pitäen ehdokasta sylissään, vaati hänelle salaisen palvelun suojaa ja Valkoiseen taloon ulkopoliittista tiedotustilaisuutta. Hän lupasi myös Pigasuksen puolesta reilun vaalikampanjan ja jos Pigasus voittaisi vaalit, hänet syödään. Tämä, Rubin väitti, kääntäisi tavanomaisen demokraattisen prosessin, jossa sika valitaan "ja syö kansansa".
ellauri300.html on line 454: Can music save your mortal soul?
ellauri386.html on line 347: A mortal foe and enemy to rest,
ellauri386.html on line 402: In comparison to the author's other works, this poem shares a similar preoccupation with mortality and the transience of human life. However, it departs from some of his more introspective and personal poems by adopting a more detached and philosophical tone.
ellauri389.html on line 165: BUT: This article has multiple issues. The neutrality of this article is disputed. It is a blatant case of whataboutism. How many were killed by the British Empire? While the precise number of deaths is sensitive to the assumptions we make about baseline mortality, it is estimated that somewhere in the vicinity of 100 million people died prematurely at the height of British colonialism. This is among the largest policy-induced mortality crises in human history.
xxx/ellauri013.html on line 1121: >>> a fellow teammate and does it *mortally so ?*
xxx/ellauri068.html on line 557: Berlin died in 1989 at the age of 101. Composer Douglas Moore sets Berlin apart from all other contemporary songwriters, and includes him instead with Stephen Foster, Walt Whitman, and Carl Sandburg, as a "great American minstrel"—someone who has "caught and immortalized in his songs what we say, what we think about, and what we believe." Composer George Gershwin called him "the greatest songwriter that has ever lived" and composer Jerome Kern concluded that "Irving Berlin has no place in American music—he is American music."
xxx/ellauri075.html on line 168: Despite his weakening condition Shestov continued to write at a quick pace, and finally completed his magnum opus, Athens and Jerusalem. This work examines the dichotomy between freedom and reason, and argues that reason be rejected in the discipline of philosophy. Furthermore, it adumbrates the means by which the scientific method has made philosophy and science irreconcilable, since science concerns itself with empirical observation, whereas (so Shestov argues) philosophy must be concerned with freedom, God and immortality, issues that cannot be solved by science.
xxx/ellauri081.html on line 123: What immortal hand or eye, Mi kuolematon räjähtänyt
xxx/ellauri081.html on line 148: What immortal hand or eye, Mi kuolematon käsipää
xxx/ellauri084.html on line 349: Zeus and many mortal women and nymphs (see Zeus)
xxx/ellauri086.html on line 75: About Lindsfarne Gospels Bede explains how each of the four Evangelists was represented by their own symbol: Matthew was the man, representing the human Christ; Mark was the lion, symbolising the triumphant Christ of the Resurrection; Luke was the calf, symbolising the sacrificial victim of the Crucifixion; and John was the eagle, symbolising Christ's second coming. A collective term for the symbols of the four Evangelists is the Tetramorphs. Each of the four Evangelists is accompanied by their respective symbol in their miniature portraits in the manuscript. In these portraits, Matthew, Mark, and Luke are shown writing, while John looks straight ahead at the reader holding his scroll. The Evangelists also represent the dual nature of Christ. Mark and John are shown as young men, symbolising the divine nature of Christ, and Matthew and Luke appear older and bearded, representing Christ's mortal nature.
xxx/ellauri086.html on line 802: Doubting, dreaming dreams no mortal ever dared to dream before; Kuvittelin kaikenlaista taivaallista sekä maista,
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri125.html on line 527: hand is worth two in the bush." The immortal Franklin has said,
xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
xxx/ellauri127.html on line 636: The mortal sense of morals is the duty "we" have to pay on mortal sense of beauty.
xxx/ellauri127.html on line 709: Endymion tarkottanee puolisukeltajaa. Kuuhullu astronomi tai sit paimen vaan. Astronomi mainitaan merenneitopätkässsä. Octopussy's garden in the waves. The 4th century Babylonian god of the sea was known as Oannes who was portrayed as a man with a fish tail in place of legs. Oannes would appear out of the ocean every day as a fish-human creature to share his wisdom with the people along the Persian Gulf, then return to the sea at night. There was also Atargatis, a Syrian moon and sea goddess, her story tells us that after causing the death of her mortal lover she fled to the sea and took the form of a woman above the waist and a fish below, for this reason she became known as a mermaid goddess. During medieval times mermaids were considered as matter-of-factly alongside other aquatic animals, such as whales and dolphins. The goddess Venus is sometimes depicted as a mermaid, being born from a giant clam shell.
xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
xxx/ellauri127.html on line 723: Anyway, Endymion falls in love with a beautiful Indian maiden. Both ride winged black steeds to Mount Olympus where Cynthia awaits, only for Endymion to forsake the goddess for his new, mortal, love. Endymion and the Indian girl return to earth, the latter saying she cannot be his love. He is miserable, 'til quite suddenly he comes upon the Indian maiden again and she reveals that she is in fact Cynthia. She then tells him of how she tried to forget him, to move on, but that in the end, "'There is not one,/ No, no, not one/ But thee.'"
xxx/ellauri127.html on line 732: line ("A thing of beauty is a joy for ever") is quoted by Mary Poppins in the 1964 Disney movie, while she pulls out a potted plant from her bag. It is also referenced by Willy Wanka in the film Willy Wanka & the Chocolate Factory upon introducing the Wankamobile. mortal_in_myth_and_legend">https://en.m.wikipedia.org/wiki/List_of_people_claimed_to_be_immortal_in_myth_and_legend xxx/ellauri139.html on line 620: She knelt, so pure a thing, so free from mortal taint. Porfyrolla, kun Madeline sille pyllisti.
xxx/ellauri139.html on line 727: “Those looks immortal, those complainings dear! "Ootpa Porfyro sä kauheen kalvakka!
xxx/ellauri139.html on line 732: Beyond a mortal man impassion’d far Hyvin Porfyro näihin aneluihin vastas,
xxx/ellauri149.html on line 421: In the related trope called Foe Yay, even rivals or mortal enemies can get this treatment by fans and writers alike, especially if they have a more friendly past together, or one is inordinately obsessed with the other. In Fan Fic, this is the direct cause of many a Slash Fic.
xxx/ellauri165.html on line 491: Relative to similar concepts of such beings, Azrael holds a rather benevolent role as God´s angel of death; he acts as a psychopomp, responsible for transporting the souls of the deceased after their death. Both in Islam and in Judaism, he is said to hold a scroll concerning the fate of mortals, recording and erasing their names at their birth and death, respectively.
xxx/ellauri165.html on line 668: Annihilationism is directly related to the doctrine of Christian conditionalism, the idea that a human soul is not immortal unless it is given eternal life. The belief in annihilationism has appeared throughout Christian history and was defended by several Church Fathers, but it has often been in the minority. The Church of England´s Doctrine Commission reported in 1995 that Hell may be a state of "total non-being", not eternal torment.
xxx/ellauri165.html on line 670: Milton in Paradise Lost refers to death as "sleep" and the dead as being "raised from sleep". The difference is difficult to identify in practice. Christian mortalism has been taught by several theologians and church organizations throughout history while also facing opposition from aspects of Christian organized religion. The Catholic Church condemned such thinking in the Fifth Council of the Lateran as "erroneous assertions". Supporters include the sixteenth-century religious figure Martin Luther and the eighteenth-century religious figure Henry Layton, among many others.
xxx/ellauri165.html on line 681: Immortality
xxx/ellauri170.html on line 72: Ode: Intimations of Immortality Oodi: Kuolemattomuuden vinkkejä palleroiältä
xxx/ellauri170.html on line 211: Thou, over whom thy Immortality Sinä, jota sun kuolemattomuus
xxx/ellauri170.html on line 242: High instincts before which our mortal Nature Paremmista vaistoista joiden edessä kuolevainen luontomme
xxx/ellauri170.html on line 260: Our Souls have sight of that immortal sea Meidän sielut näkee ton meren kuolemattoman,
xxx/ellauri170.html on line 299: That hath kept watch o'er man's mortality; Joka on tajunnut miehen kuolevaisuuden,
xxx/ellauri170.html on line 326: The title is taken from a line in Wordsworth's 'Ode to Immortality': "High instincts, before which our mortal nature, Did tremble like a guilty thing surprised."
xxx/ellauri170.html on line 386: Quote is from Ode on Intimations of Immortality from Recollections of Early Childhood by William Wordsworth
xxx/ellauri170.html on line 657: It’s so good to follow and copy something that works, to follow someone who’s been through it and done it, and to find that modern empirical scientific research is confirming our experiences. And it’s good to be able to describe the process in dictionary definable words and post scientific empirical neurological and genetic research that both confirms actualism and buckets the spiritual belief in an immortal Godly soul. Ah, serendipity abounds … Peter, The Actual Freedom Trust Mailing List.
xxx/ellauri186.html on line 713: Within the Quran, Jesus’ miraculous virgin birth is recounted with Mary having astonishment. How could she become pregnant when no mortal man has touched her? The angel she is having a criminal conversation with discourages her incredulousness with an affirmation of the power and might of Allah’s definitive decree. The virgin birth lacks the majesty of the Christian doctrine because it is not an announcement of God coming into her. Jesus would be like others before him, a prophet who announces God’s truth. The angel goes on to describe just what Jesus would do. Within the description, the author narrates an account of a miracle that Jesus performed as “clear proof” that he was a prophet of Allah. The miracle is repeated later in Surah 5.
xxx/ellauri193.html on line 206: Era marito di prime nozze di Francesca da Polenta, immortalata nei versi di Dante (Inferno, Canto V). Si racconta che la sua morte sarebbe avvenuta nel castello di Scorticata (odierna Torriana) per mano del nipote Uberto, figlio del fratello Paolo, che egli aveva ucciso, insieme alla propria consorte Francesca, che era divenuta l'amante del cognato. Tuttavia nel 1304 Gianciotto era stato nuovamente designato podestà di Pesaro, ragion per cui si ritiene che morì in questa città. Gianciotto sposò in seconde nozze Zambrasina dei Zambrasi di Faenza, dalla quale ebbe cinque figli. Eli ihan kivasti meni sitten Zoppolla vaikka klenkaten. Mutta entäs loppupeleissä? Kostonhimoinen Francesca sanoo siipasta et Kainin orsilla tavataan: « Caïne attend celui qui nous meurtrit ». Dante situe la Caïne dans la première zone du lac du Cocyte, au plus profond du neuvième cercle de l'Enfer. Là sont punis, pris dans la glace jusqu'au cou, les traîtres à leurs proches. Il donne à ce lieu le nom de Caïn qui tua son frère Abel après l'avoir trahi.
xxx/ellauri208.html on line 1032: Due to the linguistic dissimilarities of the name "Idris" with the aforementioned figures, several historians have proposed that this Quranic figure is derived from "Andreas", the immortality-achieving cook from the Syriac Alexander romance.
xxx/ellauri208.html on line 1036: Alexander was hungry and told his cook Andreas to prepare a meal. Andreas took water from this spring to wash some salt fish, and at the touch of the water the fish came to life again and slipped away through his fingers. Here, Alexander´s cook, named Andreas, washes dried fish in water from a spring: the fish comes to life. The cook also drinks the water. Envying his immortality, Alexander laments that 'it was not fated for me to drink from the spring of immortality which gives life to what is dead'. The cook is thrown into the sea with a millstone round his neck.
xxx/ellauri215.html on line 143: In 1961 Roth visited Bernard Malamud in Oregon. Roth was still in his twenties and had just published his first book of stories, Goodbye, Columbus. Malamud was almost 50 and one of the most famous writers in America. This meeting was immortalised in one of Roth’s greatest books, The Ghost Writer. In this 1979 work, a young writer, Nathan Zuckerman, visits EI Lonoff, a first-generation immigrant modelled on Malamud, who found a new voice for Jewish-American literature. He had found a voice but, more importantly, he had a subject: “life-hunger, life-bargains, and life-terror”—a Jewish experience rooted in the traumas of east Europe and Russia.
xxx/ellauri228.html on line 356: in the making-of documentary Directed by Andrei Tarkovsky, in a particularly poignant scene, writer/director Michal Leszczylowski follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. Shouldn´t have smoked so much bad-tasting Belomore. In his last diary entry (15 December 1986), Andrei wrote: "But now I have no strength left—that is the problem". Eli vuoden ehti nauttia lännen vapaudesta.
xxx/ellauri228.html on line 392: Everyone´s immortal. Everything is too. Jokainen on kuolematon. Kaikki myös.
xxx/ellauri228.html on line 398: When a shoal of immortality swims by. Kun kuolemattomuuden parvi ui ohize.
xxx/ellauri229.html on line 67:
JONATHAN M. VAJDA
xxx/ellauri235.html on line 573: Like other poets of the Archaic Age, he reveals a deep sense of the vicissitudes of life and yet, unlike them, he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in his conclusion to one of his Victory Odes: Creatures of a day! What is a man? What is he not? A dream of a shadow Is our mortal being. But when there comes to men A gleam of splendour given of heaven, Then rests on them a light of glory And blessed are their days.
xxx/ellauri235.html on line 685: Thine too these golden keys, immortal boy! Sinunkin nämä kultaiset killuttimet, kuolematon poika!
xxx/ellauri250.html on line 99: There has been a dramatic slowdown in life expectancy and diverging trends in infant mortality in the UK as a whole and England and Wales, respectively.
xxx/ellauri251.html on line 813: Immortal honour is on them, having past
xxx/ellauri251.html on line 2292: Red from spilt blood, a mortal flower to men,
xxx/ellauri312.html on line 650: There is a place where we are always alone with our own mortality, where we must simply have something greater than ourselves to hold onto—God or history or politics or literature or a belief in the healing power of love, or even righteous anger. Sometimes I think they are all the same. A reason to believe, a way to take the world by the throat and insist that there is more to this life than we have ever imagined (Allison 1994, p. 181; PSH, p. 161)
xxx/ellauri354.html on line 382: Human mortality xxx/ellauri354.html on line 406: lïèo agg. e s. m. [dal lat. Lyaeus, gr. Λυαῖος (propr. «liberatore»), der. di λύω «sciogliere»]. – Nella mitologia greca, epiteto di Dioniso perché, col dono della vite, avrebbe liberato i mortali dagli affanni. Per metonimia, nell’uso poet. (come s. m.), il vino: d’almo lieo [cioè: di generoso vino] Coronando il cratere, a tutti in giro Ne porsero i donzelli (V. Monti).
xxx/ellauri385.html on line 346: A mortal foe and enemy to rest,
xxx/ellauri385.html on line 401: In comparison to the author's other works, this poem shares a similar preoccupation with mortality and the transience of human life. However, it departs from some of his more introspective and personal poems by adopting a more detached and philosophical tone.
xxx/ellauri385.html on line 565: On Man; who, trusting in his mortal strength, Miehiä; jotka luottaen kuolevaisiin voimiinsa,
xxx/ellauri385.html on line 583: That life immortal shall become an Art; kuolemattomuudesta tulee tiedettä;
xxx/ellauri385.html on line 604: Withering their mortal faculties, & breaking Kuihduttaa niden kuolevaiset kyvyt, & rusentaa
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