ellauri021.html on line 691: But on this nixy moonlight night
ellauri035.html on line 314: Caught yellow moonlight. The purple flame of fire
ellauri095.html on line 533: His religious consciousness increased dramatically when he entered Oxford, the city of spires. From April of 1863, when he first arrived with some of his journals, drawings, and early Keatsian poems in hand, until June of 1867 when he graduated, Hopkins felt the charm of Oxford, “steeped in sentiment as she lies,” as Matthew Arnold had said, “spreading her gardens to the moonlight and whispering from her towers the last enchantments of the Middle Ages.” Here he became more fully aware of the religious implications of the medievalism of Ruskin, Dixon, and the Pre-Raphaelites. Inspired also by Christina Rossetti, the Catholic doctrine of the Real Presence of God in the Eucharist, and by the Victorian preoccupation with the fifteenth-century Italian religious reformer Girolamo Savonarola, he soon embraced Ruskin’s definition of “Medievalism” as a “confession of Christ” opposed to both “Classicalism” (“Pagan Faith”) and “Modernism” (the “denial of Christ”).
ellauri100.html on line 846: How she met them in the moonlight,
ellauri118.html on line 355: Comes, thro´ the moonlight, dreamy pale. Tulee, kuunvalon läpitte, unenomainen kalpea.
ellauri196.html on line 760: Her beauty and the moonlight overthrew you
xxx/ellauri076.html on line 144: Add a little bit of moonlight Lisää pikkasen kuunvaloa
xxx/ellauri139.html on line 440: Buttress’d from moonlight, stands he, and implores Se seisoo oven takana ja rukoilee pyhimyxiä
xxx/ellauri139.html on line 483: He found him in a little moonlight room, Huone johka tultiin oli valoton,
xxx/ellauri139.html on line 693: The lustrous salvers in the moonlight gleam; Vaik Porfyyri koittaa käyttää papua,
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