ellauri007.html on line 1309: Once in a rabid mood

ellauri032.html on line 347: Musta vale ei ole mikään ongelma, ei toi kielen kuvateoria ole mikään teoria, kuviahan sanalliset kuvauxet tosiasiassa on, morfismin mielessä. Kuva jostain on joko osuva tai se valehtelee. Kuvasta tulee vale kun siinä on caption joka sanoo: ceci n´est pas une pipe. Eli tarvitaan toi indexi, jota vastaan kuva tulkitaan, plus tarvittaessa joku legenda, ellei kuva ole muuten ilmeinen. Plus moodi, josta näkee mihin tarkoituxeen kuvaa käytetään. That´s all.
ellauri035.html on line 36: Ennenkuin tälläiseen onnentilaan päästään, kirjoittava ihminen kokee kuitenkin paljon muita tunnelmia. On totuteltava kirjoittamisen käytäntöihin, opittavakin paljon. Pomoodoro-neuvo soveltuu myös kirjoittamiseen: hiljennä häiriötekijät (Seija), käynnistä ajastin (tomaatin muotoinen munakello) ja kirjoita kunnes se hälyyttää ja Seija huutaa: pidä tauko jätkä.
ellauri043.html on line 1999: Iskä ja poika on saman jumalan 2 moodia!
ellauri048.html on line 1684: My lighter moods are like to these,
ellauri048.html on line 1851: I envy not in any moods
ellauri050.html on line 258: Of mine own moods, or wailful or divine; mun omat tuulet, surkeat tai jumalaiset;
ellauri058.html on line 388: Rita Felski haluaa lisätä reseptiokeskusteluun positiivista estetiikkaa. Hän operoi neljällä eri tekstuaalisesti sitouttavalla moodilla (modes of textual engagement): tunnistaminen (recognition), lumoutuminen (enchantment), tieto (knowledge) ja järkytys (shock).
ellauri062.html on line 281: Serena tells Fred to stop worrying. Fred reassures her that he will be fine. Fred’s mood soon changes.
ellauri072.html on line 516: Any diagnoses seem as unilluminating as saying that the “reason” someone is short is because he is 5-foot‑1. About Wallace’s problems it seems worth noting simply that his A.A. attendance coincided with a long period of relative wellness, and that getting off the antidepressant Nardil, which he had taken most of his adult life, coincided with a serious crash in mood that ended in his suicide six months later.
ellauri080.html on line 266: Positivity is a trait characterized by gladness, happiness, and emotional stability. Those hig in this trait tend to be more stable and emotionally resilient. Individuals who are low in this trait tend to experience mood swings, anxiety, irritability, and sadness.
ellauri080.html on line 286:

Experiences dramatic shifts in mood

ellauri080.html on line 365: Self-directedness can be seen as the executive branch of a person’s system of mental self-government. People who are self-directed recognize that their attitudes, behaviors, and problems reflect their own choices. They tend to accept responsibility for their attitudes and behavior and they impress others as reliable and trustworthy persons. As a result, a person’s Self-directedness is an important indicator of reality testing, maturity, and vulnerability to mood disturbance....
ellauri080.html on line 413: Mood: Some children naturally have a happier mood, and other children may have a more serious mood. Mood refers to the overall tone of a person’s feelings, interactions and behaviors. Some people are dispositioned to have a happier overall mood, and they generally feel good about things. Others may have more of a negative mood. They may be referred to as more unpleasant, as they may not react in a strong, positive way with the world around them. Children who have a more naturally negative mood may appear to be more subdued than happy. They may have a demeanor that is more calm and may appear gloomy, sad or negative. They may not show their positive feelings externally, but may still feel positive things. I guess.
ellauri099.html on line 55: Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist impressed and infatuated by Dorian's beauty; he believes that Dorian's beauty is responsible for the new mood in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic world view: that beauty and sensual fulfilment are the only things worth pursuing in life.
ellauri102.html on line 571: "We have two sons, aged 10 and six, and they were bouncing off the walls of our apartment in Toronto. And our moods were really low and the future seemed quite uncertain for us, especially because I'm immune compromised from cancer treatments," she told Morning North CBC host Markus Schwabe.
ellauri107.html on line 200: Coverdale describes Hollingsworth's "dark complexion, his abundant beard, and the rude strength with which his features seemed to have been hammered out of iron, rather than chiselled or moulded from any finer or softer material." He adds that in Hollingsworth's "gentler moods, there was a tenderness in his voice, eyes, mouth, in his gesture, and in every indescribable manifestation, which few men could resist, and no woman."
ellauri110.html on line 310: Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".
ellauri115.html on line 1079: It was in the mid-1980s that he became aware of difficulties in his relationship with his fiancée, and that he had mood swings. In 1985 he sought help from a psychiatrist, who diagnosed him with narcissistic personality disorder (NPD). Vaknin did not accept the diagnosis at the time. From 1986 to 1987 he was the general manager of IPE Ltd. in London. He moved back to Israel, where he became director of an Israeli investment firm, Mikbatz Teshua. He was also president of the Israeli chapter of the Unification Church's Professors for World Peace Academy.
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri133.html on line 880: Details of contemporary small-town American life are embroidered upon a description of an annual ritual known as "the lottery". In a small village of about 300 residents (hmm, just the number of thankyou letters Shirley got, see above), the locals are in an excited yet nervous mood on June 27. Children gather stones, as the adult townsfolk assemble for their annual event, which in the local tradition is apparently practiced to ensure a good harvest (Old Man Warner quotes an old proverb: "Lottery in June, corn be heavy soon").
ellauri140.html on line 109: Despair M-, a distraught man in a cave, his name coming from his mood. Using just rhetoric, he nearly persuades Redcrosse Knight to commit suicide, before Una steps in.
ellauri140.html on line 940: Long after lay he musing at her mood, Tän perään nuppi lojui pitkään hereillä,
ellauri141.html on line 176: 7. Mood ilmaisee, että henkilö samaistuu johonkin, mitä toinen sanoo. Jos joku sanoo jotain, mikä koskettaa erityisen paljon itseä, voi sanoa: ”big mood”.
ellauri143.html on line 1038: The mighty council´s moods discern, nor fail in their discourse.
ellauri143.html on line 1270: Who to his wife submits, his strange, unmanly mood

ellauri143.html on line 1389: Then land will sulk, like wife in angry mood
ellauri153.html on line 260: Bustan is entirely in verse (epic metre). It consists of stories aptly illustrating the standard virtues recommended to Muslims (justice, liberality, modesty, contentment) and nostalgic reflections on the behavior of dervishes and their ecstatic practices. Gulistan is mainly in prose and contains stories and personal anecdotes. The text is interspersed with a variety of short poems which contain aphorisms, advice, and humorous reflections, demonstrating Saadi's profound awareness of the absurdity of human existence. The fate of those who depend on the changeable moods of kings like Atabak Abubakr is contrasted with the 4 degrees of freedom of the dervishes.
ellauri155.html on line 939: Wretched the mortal, pondering his mood, Surkea on kuolevainen, jota mielialat jäytävät,
ellauri158.html on line 93: Moodilla tarkoitan substanssin affektioita, eli sitä mikä on muissa, jonka läpi jotain käsitetään. (Jospa käsittäisimme sen roiston! kuten sanotaan Alexis Kivessä.) Oisko attribuutti vs. moodi sama kuin terminologiassa määritelmät vs. selitteet. Homous ja viisaus vs. höyhenettömyys ja kaxijalkaisuus. Tää on tosi keinotekoinen erottelu, siinä meni jo muinaiset kreikkalaiset pahan kerran mezään, Sokrates ja Plato etulittanenässä. Vittu että se ideaoppi oli monen pahan alkupää. Jotenkin noi kreikkalaiset oli vielä aika primitiivisiä, ne siirsi pään sisällyxet taivaalle ja kääntäen. Siitä tuli aivan loputtomasti sotkua. Varmaan koska ne oli narsisteja.
ellauri158.html on line 218: Kaikki mikä on, on jumalassa, eikä mikään voi olla eikä tulla tajutuxi ilman ko. heppua. Me ollaan kaikki herran kellon rattaita. Mutta ollaanko me moodeja? No ei Pentti tässä kohtaa sano sitä.
ellauri158.html on line 413: Minkä tahansa attribuutin moodeilla, sikäli vaan kun niitä kazotaan sen attribuutin alla, jonka moodeja ne ovat, on syynä jumala.
ellauri158.html on line 415: Olis kiva ymmärtää mitä nää Pentin attribuutit ja moodit ovat oikeesti. Ne määriteltiin edellä defin. 4 ja 5, muttei siitä juuri hullua hurskaammaxi tullut. Pitäisin kyllä kiinni käännöxistä 'tuntomerkki' ja 'tapa'. Kr. proson ja tropos. Ajattele vaikka Pentti Linkolan lintuja. Tuntomerkeistä tietää mikä laji on, ja tapoja voi seurata kiikarilla puskasta.
ellauri158.html on line 499: Kaikki moodit, joilla joku korpus vaikuttuu toisesta, seuraavat niiden luonnosta; notta sama ruumis liikkuu eri lailla eri ruumiiden työnnöstä, ja kääntäen sama ruumis vetää eri ruumiita eri teholla.
ellauri159.html on line 1221: You have a keen insight into the nature of things. Your prose often conveys startling images of mood or atmosphere rather than objects. Maybe you should consider poetry, or rap. You enjoy complexity and can patiently unravel dense material like a terrier. You are able to see many sides of an argument and so may have difficulty reaching a conclusion, or even reaching a period, like Pynchon. During the writing process, you may often pause to consider alternatives or to seek seeming connections between obviously disparate things. That´s a paranoid feature, so you may be an asthenic person. Consult Krezmer´s typology.
ellauri159.html on line 1407: The moral philosopher postulates a unified system, 185. Origin of moral judgments, 185. Goods and ills are created by judgment?, 189. Obligations are created by demands, 192. The conflict of ideals, 198. Its solution, 205. Impossibility of an abstract system of Ethics, 208. The easy-going and the strenuous mood, 211. Connection between Ethics and Religion, 212.
ellauri163.html on line 765: Some of the primary symptoms of Alzheimer´s disease are: memory problems, mood swings, emotional outbursts, brain stem damage which impairs function in the heart, lungs plus causes disruption of various other bodily processes. In irreligious/nonreligious regions, there is a significant amount of Alzheimer´s disease (see: Irreligious/nonreligious geographic regions and Alzheimer´s disease). Irreligion/nonreligious regions have populations with significant problems when it comes to engaging in sedentary behavior (see: Irreligion/nonreligious regions and sedentary behavior). Thing is, gods, like dogs, require more exercise, even genuflection to pick up the turds.
ellauri164.html on line 628: Moses was in no mood to deal with this today. Why couldn’t these people let him mourn his sister in peace? Why had God brought them to a dry thirsty land with no water again? Why did these people always blame him? Why didn’t these people bring their problems to God in prayer instead of always complaining to him? Why were there always so many demands on him? Why was it always “Moses, Moses, Moses”?
ellauri189.html on line 83: It has often been stressed that the particular fascination that imparts itself to the reader of Maria is intimately connected with the mood of the Ukrainian
ellauri189.html on line 112: Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened.
ellauri189.html on line 129: landscape. Communing with the monotonous plain that extends as far as the horizon, where it melts into the heaven, the author discovers that “mood” (Heidegger’s Gestimmtsein) is the fundamental human mode of being-in-the-world. The level plain and the hemisphere (earth and heaven) constitute a spatial totality that is self-enclosed: Being combines flatness with the curve of the hemisphere, the linear with the cyclical perspective (from an empirical point of view only half of its orbit is visible to man though he can of course turn around to see the rest of it):
ellauri189.html on line 142: naively, like a mood, into an abstract scheme, we realize that space is often a
ellauri198.html on line 555: Makes a thing and then mars it, till his mood olis tehnyt huvixeen muraa rapaista,
ellauri198.html on line 853: He faced death with a courage that was founded partly on his vague hope for reincarnation. In his proud moods he could speak in the stern voice of his famous epitaph, written within six months of his death, which concludes his poem “Under Ben Bulben”: “Cast a cold eye / On life, on death. / Horseman, pass by!” But the bold sureness of those lines is complicated by the terror-stricken cry that “distracts my thought” at the end of another late poem, “The Man and the Echo,” and also by the poignantly frivolous lust for life in the last lines of “Politics,” the poem that he wanted to close Last Poems: “But O that I were young again / And held them in my arms.”
ellauri198.html on line 855: Yeats deplored the tremendous enthusiasm among younger poets for Eliot’s The Waste Land, published in 1922. Disdaining Eliot’s flat rhythms and cold, dry mood, Yeats wanted all art to be full of energy and sex.
ellauri213.html on line 182: often be ineffective. Inconsistency and change of mood,
ellauri213.html on line 184: include sudden mood changes e.g. being affectionate to
ellauri216.html on line 877: The term nepsis comes from the New Testament's First Epistle of Peter (5:8, νήψατε, γρηγορήσατε. ὁ ἀντίδικος ὑμῶν διάβολος ὡς λέων ὠρυόμενος περιπατεῖ ζητῶν τινα καταπιεῖν — NIV: Be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour). There nepsis appears in a verb form, in the imperative mood, as an urgent command to vigilance and awakeness: "be alert and awake".
ellauri222.html on line 759: Bellow's first two novels, Dangling Man and The Victim, are brief and disciplined works, darker in mood and less intellectually complex than the later fiction but featuring protagonists who anticipate later Bellovian heroes both in their introspection and in their resistance to urban apathy. In Paris, Saul realized he need not copycat Flaubert and that instead he could write as he spoke. The result was Augie.
ellauri241.html on line 1400: In ponderous stone, developing the mood

ellauri247.html on line 266: Smollett was very peevish. A sardonic, satirical, and indeed decidedly gloomy mood or temper had become habitual in him. His was certainly a nervous, irritable, and rather censorious temper. He died of tuberculosis.
ellauri260.html on line 85: Immanuel Kantin episteeminen dualismi, joka korosti sekä subjektin että objektin merkitystä tiedossa, avasi oven sekä personalismin idealistiselle moodille että fenomenologialle ja eksistentialismille, joista tuli niin vitun tärkeitä kahdennenkymmenennen vuosisadan personalismille. Joo elastaanilegginseissä kukkoileva Kant oli kyllä erittäinkin tohelo.
ellauri270.html on line 361: The men’s nervousness foreshadows the lottery’s grim outcome. Tessie acts at odds with the pervasive mood, drawing laughs from the crowd. Tessie does not question the lottery at this point, and treats the proceedings lightheartedly—from a position of safety.
ellauri275.html on line 453: Chavchavadze's influence over Georgian literature was immense. He moved the Georgian poetic language closer to the vernacular, combining the elements of the formal wealth and somewhat artificial antiquated "high" style inherited from the 18th-century Georgian Renaissance literature, melody of Persian lyrical poetry, particularly Hafiz and Saadi, bohemian language of the streets of Tiflis and the moods and themes of European Romanticism. The subject of his works varied from purely anacreontic in his early period to deeply philosophic in his maturity.
ellauri276.html on line 1005: Hyvin tunnettu laulu, laulettu sadonkorjuukodeissa ja muissa juhlissa. Patiencen sävelmä poikkeaa hieman tavallisesta, ja Lucy Broadwood huomautti, että siinä oli "jälkiä Dorian-moodista".
ellauri294.html on line 89: Fryygit ei olleet hyviä juuri muussa kuin musakornerissa. Fryygialainen skaala on c duurin kolmas moodi missä perussävelenä on cm sijasta e, josta on vain puoli sävelaskelta äffään. Se on molliskaala jossa toinen sävel on alennettu ja se kuulostaa muista kuin puukorvista sen tautta synkältä ja uhkaavalta. Platonin mielestä se oli subversiivinen ja sixi kielletty ihannevaltiosta. Kaikki kreikkalaiset moodit saadaan joonialaisesta c-duurista siirtämällä toonikaa. Oikeestaan ei ole mitään keinoa tietää mikä on toonika kuin siitä että siihen aina palataan, etenkin värsyjen lopussa. Se on kuin ihmisen perustaajuus, formantti 0 mihin puhemelodia puheen lopussa laskeutuu.
ellauri294.html on line 91: Mun mielikappale Seikiloxen epitafista oli ilmeisesti fryygiläisessä moodissa. Hoson zees fa-aai-nuu, meeden holo-oo-s sy lyy-y-puu....
ellauri302.html on line 220: Time to close shop, says Yekel. Reizel! To bed! Basha! Time to go to sleep! (From without are heard girls' voices: Soon. Right away!) Yekel, calling into the entry. Reizel! Basha! Enter two girls, running. Rain is dripping from their wet, filmy dresses and from their unbraided hair. They are in a merry mood and speak with laughter. Yekel leaves, slamming the door behind him.)
ellauri302.html on line 259: Reizel, to Manke, in a merry mood: Come, Manke, let's go out into the street. It's raining. The drops are like pearls... The first May shower. Who's coming out with me for a rain bath?
ellauri302.html on line 497: Reb Ali, in a cheerful mood. Well, and where is the bride's father? (Looking about for Yekel.)
ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
ellauri322.html on line 244: Mary Wollstonecraft left Lisbon for England late in December, 1785. When she came back she found Fanny's poor parents anxious to go back to Ireland ; and as she had been often told that she could earn by writing, she wrote a pamphlet of 162 small pages" Thoughts on the Education of Daughters " and got ten pounds for it. This she gave to hel- friend's parents to enable them to go back to their kindred. In all she did there is clear evidence of an ardent, generous, impulsive nature. One day her friend Fanny Blood had repined at the unhappy surroundings in the home she was maintaining for her father and mother, and longed for a little home of her own to do her work in. Her friend quietly found rooms, got furniture together, and told her that her little home was ready ; she had only to walk into it. Then it seemed strange to Mary Wollstonecraft that Fanny Blood was withheld by thoughts that had not been uppermost in the mood of complaint. She thought her friend irresolute, where she had herself been generously rash. Her end would have been happier had she been helped, as many are, by that calm influence of home in which some knowledge of the world passes from father and mother to son and daughter, without visible teaching and preaching, in easiest companionship of young and old from day to day.
ellauri335.html on line 70: Maalaisromanttinen ja skandinaavinen minimalismi ovat tehneet itselleen nimeä, mutta kun katsot sosiaalista mediaa tai suunnittelijoiden mood boardeja, huomaat, että vuosisadan puoliväli näkyy kaikkialla. Trendi johon ei kyllästytä, vaan se näyttää vain kasvavan vuosien saatossa. 70-luvun nostalgia näkyy vuonna 2023. Suosikkitapamme vangita tämä tyyli on nojata lujasti vuosisadan puoliväliin. Harjaantunut silmä yhdessä ja kaipuu kestävämpiin valintoihin on johtanut kapinaan massatuotantoa vastaan. Paljon näkee myös, että alakaappien ovet korvataan kokonaan esimerkiksi kauniilla pellavaverhoilla.
ellauri360.html on line 499: Worldview and metaphysics (a term you can dynamically translate with the question, “What else is real?”) are crucial. General observations about philosophical issues are dangerous, but it is fair to observe that Christians in the Global South see the world around them as manifesting a vivid interaction between what we may call a spiritual (nonmaterial) realm and a material (concretely physical) realm. Westerners typically hold that a mastery over the material realm (perhaps through science) alters or even negates the need for the spiritual realm. Tiede on ihmeitä ihmeellisempää ja toimii luotettavammin. A thing has either a natural or a supernatural cause. Which one it is, makes no more sense to ask than whether you take the bus or your lunch to school. In such a muted theism called deism, God is offstage and barely makes appearances; demons, spirits, and angels are downplayed. For most Western believers, only a modest market exists for the spiritual. For the Global South, the physical and spiritual worlds interact. In such a world, demons or spirits may influence a person’s mood or well-being. Both the spiritual and material realms are firmly in mind. They enter the text of Scripture with less hindrance. They just supplement one magic with another.
ellauri362.html on line 420: Tarkastellessaan joukkokuvitelmien asemaa eri mielisairauksissa Canetti päätyy varsin kiehtoviin tuloksiin: skitsofreenikko koettaa kuvitellun joukon avulla vapautua käskymoodista; kasvuhaluiset joukot ovat paralyytikon puolella; juoppohullun harhat ovat joukoittaisia; paranooikkoa väijyvät vihamieliset joukkueet. Paranoia on leimallisesti vallan sairaus, ja kirja päättyy laajaan analyysiin leipzigilaisen tuomarin Daniel Schreberin muistelmista. Canetti asettaa rinnatuksin Daniel Schreberin ja Adolf Hitlerin: joukoilla oli sekä Schreberille että Hitlerille tärkeä poliittinen ja psyykkinen merkitys. Molemmat oli aika koppikunnossa, tosin Aatu joutui bunkkeriin vasta viime tingassa.
ellauri365.html on line 567: By the time of the unfaithful third wife Greta, Heidenstam opened perspectives to an inner life. The time of hymns to voluptuousness is past; gravity, misogyny and sadness are now persistent moods. Sentiment and duty are appreciated at their just value and what is firmly rooted in the depths of the human personality finds itself intuitively explained. What is characteristic in this conception of life, born of noble and unhappy experiences, is a proud and tolerant virility which constitutes the very essence of the suffering, the hope, and the intoxication of the poet, and a newly acquired capacity to reach the spiritual world by mutual masturbation.
ellauri365.html on line 584: Back North, the self-centered man forgot his despondency by merging himself into the larger soul of his estate. To those familiar with his membership of the committee, it came as no surprise that in 1916 Heidenstam was awarded the Nobel Prize for Literature. He is perhaps most like Browning. Above all things he abhors uninspired naturalism; "gray-weather moods," he calls it. Strindberg merely "let the cellar air escape through the house.", he said. He repudiates pessimism no less than sentimentalism. He wrestled with August for the deeper meaning of life. The imagery is often daring, as when a negro's lips are compared to the crimson gash on a foreskin. Heidenstam, though one of the most daringly earnest of poets, is sufficiently an artist to relieve his style by such touches of humor and of the deeper sort of romance. But atonement was repugnant to his manhood. He longs to be worthy of his heritage, to give his life for some damn cause. He believes it is only in moments of great exaltation that we really live. The best bit is where Verner dissuades his poor countrymen from whacking the filthy rich. Without his saying so, we feel in him the quality of St. Paul affirming: "I have fought the good fight, I have kept the faith."
ellauri386.html on line 67: When not in a good mood he often looked at everything through dark glasses, became vexed, forgot good manners, and sometimes was carried away to the point of abusiveness and loss of self-awareness.
ellauri389.html on line 351: Monotony's blank mood!
xxx/ellauri010.html on line 905: Childe Harold provided the first example of the Byronic hero. The hero must have a rather high level of intelligence and perception as well as be able to easily adapt to new situations and use cunning to his own gain. It is clear from this description that this hero is well-educated and by extension is rather sophisticated in his style. Aside from the obvious charm and attractiveness that this automatically creates, he struggles with his integrity, being prone to mood swings.

xxx/ellauri075.html on line 462: When asked in an interview in 2002 whether he was gay, Ellis explained that he did not identify as gay or straight but was comfortable being thought of as homosexual, bisexual or heterosexual and enjoyed playing with his persona, identifying variously as gay, straight and bisexual to different people over the years. In a 1999 interview, Ellis suggested that his reluctance to definitively label his sexuality was for "artistic reasons", "if people knew that I was straight, they'd read [my books] in a different way. If they knew I was gay, 'Psycho' would be read as a different book." In an interview with Robert F. Coleman, Ellis said he had an "indeterminate sexuality", that "any other interviewer out there will get a different answer and it just depends on the mood I am in". Mod tai ei, aikaa myöden Bretistä paljaatui ihan tavallinen hintti. Siinä se muistuttaa toista pahan apostolia Herman Melvilleä, joita Pippa Fitz-Aamobi päätti vertailla ylioppilasaineessa.
xxx/ellauri084.html on line 775: Woody Allen's film Annie Hall (1977) references The Sorrow and the Pity as a plot device. Film critic Donald Liebenson explains: "In one of the film's signature scenes, Alvy Singer (Allen) suggests he and Annie (Diane Keaton) go see the film. 'I'm not in the mood to see a four-hour documentary on Nazis,' Annie protests. In the film's poignant conclusion, Alvy runs into Annie as she is taking a date to see the film, which Alvy counts as 'a personal triumph.'
xxx/ellauri087.html on line 467: B. F. Skinner quotes "But at my back I always hear / Time's wingèd chariot hurrying near", through his character Professor Burris in Walden Two, who is in a confused mood of desperation, lack of orientation, irresolution and indecision. (Prentice Hall 1976, Chapter 31, p. 266). This line is also quoted in Ernest Hemingway's novel A Farewell to Arms, as in Arthur C. Clarke's short story, The Ultimate Melody.
xxx/ellauri104.html on line 130: The hallmark BPD is a pervasive pattern instability in relationships, self-image, and moods. To be diagnosed with borderline personality disorder, you must have at least five of the following symptoms:
xxx/ellauri104.html on line 134: A distorted and insecure concept of yourself that affects everything in your life, from relationships to goals to moods and opinions.
xxx/ellauri104.html on line 146: Powerful, changeable emotions and moods that may last from a few hours to a few days.
xxx/ellauri104.html on line 567: mood)" title="Depression (mood)">Depression
xxx/ellauri234.html on line 489: One word for the wise and depressed men described in this thread: VASECTOMY. Get it! I got it. Too late tho. Highly unlikely that creating another being entirely dependent on you for 18 years is going to do much to change your mood. Don’t have kids unless parenthood is your top priority and ambition in life. Kurt Cobain was right: it’s a setup!. Plant a house. Build a tree! Take a beer! Have a cow! Watch some TV! Join Depressive Quora!
xxx/ellauri239.html on line 334: Onko pelaamisen lopettaminen tai vähentäminen on aiheuttanut sinussa levottomuutta, ahdistusta tai ärtyneisyyttä? Voiko se suorastaan ottaa kipeää, kuten sanoo Anne Holt? Sellaista ei löydy muista lähteistä. Mental health issues such as anxiety and depression or mood swings, okay.
xxx/ellauri261.html on line 468: Cricket Howard Taubman wrote: Hello, Dolly! ... has qualities of freshness and imagination that are rare in the run of our machine-made musicals. It transmutes the broadly stylized mood of a mettlesome farce into the gusto and colors of the musical stage. Making the necessary reservations for the unnecessary vulgar and frenzied touches, one is glad to welcome Hello, Dolly! for its warmth, color and high spirits.
xxx/ellauri304.html on line 517: Sometimes though they might do a little more. They won’t steal the real action but they set the mood, they add humor, they make the setting more believable. You can do this by making placeholders eccentric or obsessive. I read analysis once of an old flick called Beverly Hills Cop. It featured a clerk in an art gallery. He was effeminate. By itself, that’s not unusual. But he had a Jewish accent, and that was unusual because Jews weren’t generally treated as queens in Hollywood — it teems with them (although today H’wood can say anything it wants about Jews, even Christians. You can tell this was an old movie.) What that character did however in the film was to help make Detroit cop Eddie Murphy, the negro comedian, feel even more alien in L.A. than he otherwise would have.
81