ellauri088.html on line 69: Muutaman session jälkeen Max Weber käskee (nojoo, tietystikään Banx ei ole pomomies, vaan joku Max Weber) siirtyä todella tärkeisiin kysymyxiin, sensijaan että keskityttäisiin ala-asteen sanoihin kuten "EAT! FUCK! KILL!". Banx koittaa selittää että täytyy aloitta alkeista ja jatkaa siitä tärkeämpiin aiheisiin kuten "Mikä on teidän tarkoitus maan päällä?" Jumalahan teki kaikki muut elukat ja kasvit Aatamin ja Eevan syötävixi. Maistutteko te hyvältä paistettuna?
ellauri088.html on line 608: There is never a dull moment in the boat while girls are towing it.
ellauri093.html on line 727: Hilja lähtee Helenen kanssa ostelemaan viittä leipää ja kahta kalaa. Helene valittaa että hyvää apua ei saa, eikä Dick ja sen jutkusihteerikkö anna käyttää poikia. Veti on vettä sakeampaa tuumii Hilja. Se ei ole rasismia, se on näitä heimomeemejä.
ellauri093.html on line 734: Jälkimmäinen vaikutelma on että ei nää porukoina ole yhtään sen parempia tai huonompia kuin muutkaan, niillä vaan on izestä ja muista aivan väärä käsitys. Jos se ei ole rasismia, se on sitten tollasta heimomeemiä, tribal thing, kuten valkoinen vähemmistö sanoi Orange is new blackin kalpeanaamojen ruokalapöydässä, siinä ekassa osassa jossa päähenkilö vahingossa solvas keittäjää ja sai seuraavaxi ateriaxi tamponipurilaisia. Käytettyjä.
ellauri095.html on line 163: Robert Martin asserts that when Hopkins first met Dolben, on Dolben´s 17th birthday in Oxford in February 1865, it "was, quite simply, the most momentous emotional event of his undergraduate years, probably of his entire life." According to Robert Martin, "Hopkins was completely taken with Dolben, who was nearly four years his junior, and his private journal for confessions the following year proves how absorbed he was in imperfectly suppressed erotic thoughts of him." Martin also considers it "probable that Hopkins would have been deeply shocked at real sexual intimacy with another guy."
ellauri096.html on line 851:
Menstruaatiomeikkailu juontui homomensuuraopista
ellauri097.html on line 149: Mencken repeatedly identified mathematics with metaphysics and theology. According to Mencken, mathematics is necessarily infected with metaphysics because of the tendency of many mathematical people to engage in metaphysical speculation. In a review of Alfred North Whitehead's The Aims of Education, Mencken remarked that, while he agreed with Whitehead's thesis and admired his writing style, "now and then he falls into mathematical jargon and pollutes his discourse with equations," and "[t]here are moments when he seems to be following some of his mathematical colleagues into the gaudy metaphysics which now entertains them."[50] For Mencken, theology is characterized by the fact that it uses correct reasoning from false premises. Mencken also uses the term "theology" more generally, to refer to the use of logic in science or any other field of knowledge. In a review for both Arthur Eddington's The Nature of the Physical World and Joseph Needham's Man a Machine, Mencken ridiculed the use of reasoning to establish any fact in science, because theologians happen to be masters of "logic" and yet are mental defectives:
ellauri097.html on line 296: He became a literary icon, but White knew that people rarely actually read his work. He professed not to care what people thought, but he would sometimes check for copies of his novels in local libraries. He would search for dog-ears and stains, to gauge how far in the book they had read. Most people, he deduced, never finished. The Australian reading public never quite warmed to White, and nothing much has changed. My grandmother “couldn’t stand him.” I have seen my mother take up one of his novels—The Solid Mandala—and after a few moments quite literally toss it aside. White’s books are metaphysical, lyrical, high modernist, full of baroque descriptions of landscapes, and unsparing in his examination of the people who live in them. For a country besotted with kitchen-sink realism and plain-speaking larrikins, Patrick White was baffling.
ellauri097.html on line 808: Frost pyh-pyhitteli naisrunoilijoille ja peukutti jotain Wordsworthia. (No ei Viljo kyllä kovin miehekkäältä vaikuta.) Mitä homommax se tuli sitä maskuliinisemmin se koitti esiintyä. Kai se oli tollanen Mannling sitte, Tom of Finland tyyppiä. Välillä homofoobinen, välillä homofiilinen, aina homososiaalinen. Väänsi läppää siitä ja meni piiloon läpän taaxe. Mut paras kazoa ize noita runoja eikä luottaa sokeasti Kareniin, Karen vaikuttaa aika rekkafeministiltä.
ellauri098.html on line 737: The Manual has lots of very useful material, but it costs close to $100 (gasp!). Here are the latest figures based on a random sample using the Form M. 16,000 people were contacted. The forms of 3,009 people u with "best fit" as determined by the client, the results of this survey were not shown to the individuals to see if they indeed did fit. Nevertheless, the survey does give us a good cross section of results to work from. The sample is corrected for the demographics of the USA. (Did some Es not hand in their form because they were talking too much. Did some of the Is get so caught up in their inner world? Did the Ss get so obsessed with details they didn´t hand it in? Did the Ns get so caught up in the big picture? Did the Ts figure it was too airy-fairy people stuff? Did the Fs focus so much on how they felt that they didn't get theirs off? Maybe the Js didn't like the way it was organized? The Ps just may not have found the right moment to get down to doing the inventory.)
ellauri099.html on line 63: It is quite true I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow I have never loved a woman…. From the moment I met you, your personality had the most extraordinary influence over me…. I adored you madly, extravagantly, absurdly. I was jealous of everyone to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you.
ellauri099.html on line 67: From the moment I met you, your personality had the most extraordinary influence over me.
ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.
ellauri100.html on line 319: However, it was not momentous events but a bit of seemingly irrelevant analysis that administered the coup de grâce to my naïve “liberalism”. It happened in the early 1970s, when my boss asked me to concoct grand measures of effectiveness for the armed forces (i.e., summary measures of antisubmarine warfare capabilities, of tactical strike capabilities, and so on). I struggled with the problem, and made a good-faith effort to provide the measures. But in the end I had to report to my boss that he had given me “mission impossible”. Why? Because, no summary measure could capture the effects of the many factors that would determine the effectiveness of the armed forces: the enemy, the characteristics of his forces, the timing and geographic particulars of any engagement, and so on. (See “Hemibel Thinking” in this post for a précis of my argument.) That was the first time I got sacked. But I returned as soon as my boss got fired.
ellauri102.html on line 443: Il recharge son arme et se rend, à nouveau, à l'avant de la classe, tirant par intermittence dans toutes les directions. À ce moment, Maryse Leclair, blessée, demande de l'aide. Lépine avance vers elle et, après avoir dégainé son couteau de chasse, la poignarde à trois reprises, l'achevant. Il enlève alors sa casquette, entoure son arme de son manteau, et s'exclame : « Oh, shit! », avant de se suicider d'une balle dans la tête, une vingtaine de minutes après avoir commencé son massacre.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 450: During what Henry Luce deemed the American century—the century during which America rises to a position of dominance on the globe—the Americanethos paradoxically plummets, in large part due to the Vietnam War and the Watergate scandal, politically charged events to which Roth pays particular attention in the novel because he sees them as formative of the 1990s moment at which he writes.
ellauri108.html on line 434: However, God's miraculous intervention in a moment of crisis is not promised. If it were, believers would not need to exercise faith. The lesson here is that Shadrach, Meshach, and Abednego trusted God and were determined to be faithful without any guarantee of deliverance. They had no assurance they would survive the flames, but they stood firm anyway.
ellauri108.html on line 445: There are no angels, Benjy explains. just man. What about Jah, I ask. That's what's meant by I and I, he replies. Me and myself, us two together, in this flesh, at this moment. I'm the only angel I'll ever need. I sit at my right and left ears in mini size as superego and id, and whisper to myself.
ellauri110.html on line 1056: It’s like a mountain river traveling far, flowing fast, carrying all before it. It doesn’t turn back — not for a moment, a second, an instant — but runs, rolls, and flows on. In the same way, life as a human is like a mountain river. …
ellauri111.html on line 218: Fyodor Mikhailovich sat back and closed his eyes for a moment before looking at me almost apologetically.
ellauri111.html on line 267: “But I repeat,” he continued after a moment, raising his hands dramatically, “I am not demanding the maximum penalty of the law, not even for these torturers. I do not want them imprisoned, beaten, or executed, though I understand the outrage of people who do. Remember, when Ivan asked Alyosha what to do about the general who’d had the little boy torn to pieces by his dogs, even mild, sweet-tempered Alyosha said ‘Shoot him’. But that doesn’t help either. Just because I wrote a novel called Crime and Punishment, people imagine I’m obsessed with punishing. Not at all. All I want is that the guilty are not acquitted. That their guilt is clearly stated. And that they accept it—that’s the most important of all. Let them be found guilty—and let them go free.”
ellauri111.html on line 648: Down here we work for the Master, the Lord Jesus, and sow the seed (us men do, if you get what I mean), sharing his word. Those that hear and receive the word on good ground will be saved (people do not always get saved at the moment they first hear the truth--in time, however they may repent and believe). God sees the work that his people do, and he is a rewarder of them that diligently seek him. Psalm 126:6 He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves* with him. *Sheaves are bundles of wheat or other grain grasses that the harvesters have harvested and bundled. Some seeds fell on good bushes and prospered, some fell on porcelain and did not germinate.
ellauri112.html on line 153: Monet myöhemmät tutkijat ovat vieläkin enemmän vähentäneet olemassaolon taistelun merkitystä luonnossa. Niin esim. tunnettu ruhtinas Krapotkin eräässä teoksessa, jossa hän osoittaa, miten lukuisain eläinten pääpyrkimyksenä näyttää olevan välttää kilpailua. Luonnollinen valinta, sanoo hän, ei suinkaan vaikuta siten, että se synnyttäisi tungosta saman lajin yksilöiden kesken (kuten sen Darwinin mukaan täytyisi tehdä). Luonnollinen valinta suosii niitä eläin- ja ihmisryhmiä, jotka parhaiten osaavat välttää kilpailua. Esimerkkejä tarjoavat muuttolinnut, talvella nukkuvat imettäväiset, suunnattomia matkoja vaeltavat puhvelilaumat--kaikki koettavat, mikä milläkin tavoin, välttää ruuan vähyyttä ja siitä johtuvaa kilpailua; ja toiset ryhtyvät valtaviin ponnistuksiin saadakseen koko laumalle riittävän ravinnon. Krapotkinin mukaan luonnon antama opetus onkin: Välttäkää kilpailua, käykää liittoon keskenäiseksi avuksi! Sen on primitiivinen ihminen tehnyt. Ja se on syynä siihen, että ihminen on niin pitkällä kuin hän on. Myös uusimman biologisen tutkimuksen kesken ovat ne yksinkertaiset periaatteet, joiden kautta Darwin uskoi voivansa selittää kehityksen, siis ennen muuta »olemassaolon taistelu» paljon menettäneet tenhovoimastaan. Etevä englantilainen biologi prof. Bateson lausui Darwinin satavuotisjuhlan johdosta, että siitä huolimatta että olemme varmasti vakuutettuja kehitysopin totuudesta, täytyy lajien synnyn ja kehityksen syyt katsoa toistaiseksi tuntemattomiksi. Samaa mieltä ovat monet muut ensi luokan tutkijat, erityisesti tanskalainen prof. Johannsen, yksi uuden perinnöllisyystutkimuksen ensimäisistä auktoriteeteista. Tietysti ei »olemassaolon taistelun» tosiasiallisuutta voida kieltää. Mutta kehitykseen nähden rajoittunee sen merkitys pelkästään siihen, että se karsii pois elämänkyvyttömät oliot. Sen sijaan on siinä vaikea nähdä mitään suoranaisesti edistystä aikaansaavaa momenttia. Onhan sota hirvittävää voiman haaskausta, eihän tungos riittämättömästi varustetun elämän pöydän ympärillä voi aikaansaada muuta kuin tavatonta sen saman energian, sen positiivisen työn tuhlausta, joka toisessa tapauksessa, runsaan ravinnon ja ulkonaisen rauhan vallitessa, voitaisiin käyttää suvun edistymiseksi. Yllämainittu prof. Johannsen lausuukin: »Me löydämme suurimman määrän uusia elämäntyyppejä siellä, missä on parhaat mahdollisuudet levenemiseen ja runsaaseen ravintoon», toisin sanoin siellä, missä on pienin kilpailu. On siis kieltämätön tosiseikka, että uuden elämän-tieteen käsitys elävän luonnon tilasta ja varsinkin edistyksen edellytyksistä on tullut huomattavasti valoisammaksi. Niin epäselvää kuin kaikki vielä onkin, on Collin sitä mieltä, että saman sijan, minkä Darwin kehitysopillisessa teoriassaan antoi »olemassaolon taistelulle», tulee uudessa teoriassamme saamaan energian kasaaminen runsaan ravinnon vallitessa, jolloin jollakin meille toistaiseksi tuntemattomalla tavalla uudet edistyksensuuntaiset elimet syntyvät.
ellauri112.html on line 582: Maybe some new moms will see Tully and realize that they can and should ask for paid help, that they deserve it. They just have to happen to have the money.
ellauri112.html on line 617: It’s these little moments that Reitman captures so well. Like Ron Livingston’s detached husband, who routinely retreats to his room to hide under a video game headset.
ellauri112.html on line 627: Sin tener muy claro en ningún momento si quiere ser una comedia cáustica o un melodrama reivindicativo, el filme destila feminismo desde el primero hasta el último fotograma y no huye ni siquiera de los clichés más obvios, como ese marido incomprensivo e insolidario que es un patán de tomo y lomo.
ellauri112.html on line 629: There are some genuine laugh out loud moments, some sad moments, and some “huh?” moments (which for me, lie in the fact that Ron Livingston and Mark Duplass could be interchangeable as her brother and husband as they look so alike. SO CONFUSING.)
ellauri112.html on line 701: I appreciated the fact that a troubled mom did seek help, I’m just not sure the script needed the plot twist. I didn’t immediately warm to this flick. Actually, I often alternated between exasperation and captivation – and a key plot twist at the end left a sour taste in my mouth, though for petty reasons. Nonetheless, something about it didn’t feel quite right. It took one observation from a friend afterward to allow for the film’s brilliance to bloom in my mind.
ellauri112.html on line 705: The 26-year-old nanny’s name is Tully (played by Mackenzie Davis of “Halt and Catch Fire” fame), and she’s a free spirit, albeit one with a serious work ethic. Tully instantly takes over the house, manages Marlo’s baby effortlessly, and starts taking care of mom too. Not only does she give her the precious “alone time” she desperately needs and craves, but Tully ends up becoming a sort of therapist to her, along with a best friend, muse, and a regular shoulder to cry on.
ellauri112.html on line 717: Tully takes care of the baby with effortless technique, letting Marlo know she can also help with anything else around the house, even tips for re-starting Marlo and Drew’s sex life. She spouts hip, up to date trends and the kind of facts fresh college kids throw around. But it’s not a feel-good narrative. Through Tully Marlo is looking back at an earlier age, when life was simpler, breezier. We soon realize Tully isn’t teaching Marlo anything, she’s reminding her of the past. In one scene the two decide to sneak out to a bar, but the moment isn’t just fun, it’s also melancholic. Marlo warns Tully that your 20’s are great, but then “your 30’s come around the corner like a big dumpster truck.”
ellauri112.html on line 727: The film’s strength – for its first two thirds – is the relationship between the two women at the heart of the narrative. We learn through a clumsy coincidence at the beginning of the film that Marlo is bisexual; as her intimacy with Tully expands to fill the vacuum of her absentee marriage, it becomes a tender eroticism. This is mediated, always, through other bodies: as Tully cradles the baby who has just finished feeding, she talks about how the ‘molecules’ of the child still exist within the mother; later, in a bar toilet, she gently wets a paper towel and uses it to draw the milk out of Marlo’s swollen breasts. In a pivotal scene, Marlo sits behind Tully and instructs her on what to do to arouse her sleep-befuddled husband. This moment can be read as emblematic of the film’s mistreatment of the queer intimacy it establishes. Coming after a discussion of sexual history and sexual fantasy, Marlo reveals to Tully that she has a waitress’s uniform that she’s never used, bought to surprise her husband. As Tully puts the outfit on, which fits her pre-natal body in a way it wouldn’t Marlo, the moment of sexual possibility between the women is subsumed into heteronormative, ageist fantasy: Tully’s young, and therefore fantasy-appropriate, body is used as bait to ‘recharge’ the masculine battery.
ellauri117.html on line 191: still laughter, and our love was pertect tor a moment, more pertect than any love I have known since, for either man or woman. The very echo of David's lament for Jonathan in 2 Samuel 1: 26 ('thy to me was wonderful, passing the love of women.)
ellauri117.html on line 203: `You will?' A queer, smiling look tightened Gerald's face for a moment, as he said, `Well, I'd like it very much.'
ellauri117.html on line 241: `Now,' said Birkin, `I will show you what I learned, and what I remember. You let me take you so --' And his hands closed on the naked body of the other man. In another moment, he had Gerald swung over lightly and balanced against his knee, head downwards. Relaxed, Gerald sprang to his feet with eyes glittering.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri117.html on line 273: `For a moment,' said Birkin.
ellauri117.html on line 275: He still heard as if it were his own disembodied spirit hearing, standing at some distance behind him. It drew nearer however, his spirit. And the violent striking of blood in his chest was sinking quieter, allowing his mind to come back. He realised that he was leaning with all his weight on the soft body of the other man. It startled him, because he thought he had withdrawn. He recovered himself, and sat up. But he was still vague and unestablished. He put out his hand to steady himself. It touched the hand of Gerald, that was lying out on the floor. And Gerald's hand closed warm and sudden over Birkin's, they remained exhausted and breathless, the one hand clasped closely over the other. It was Birkin whose hand, in swift response, had closed in a strong, warm clasp over the hand of the other. Gerald´s clasp had been sudden and momentaneous.
ellauri117.html on line 338: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
ellauri117.html on line 362: Pertillä oli joitakin homokokemuxia. Joku sen kaveri sanoi jälkikäteen, et Pertti oli 15% hinaaja. Pera oli vähän naisellinen, se tykkäs puuhastella keittiössä essu päällä, kuoria perunoita tai jynssätä lattiaa kuin japsu mom mom&son videossa. Sen mielestä satunnainen sexi oli aivan kauheaa.
ellauri119.html on line 426: Modern authors have distinguished further varieties of love: unrequited love, empty love, companionate love, consummate love, infatuated love, self-love, and courtly love. Numerous cultures have also distinguished ren, yuanfen, mamihlapinatapai, cafuné, kama, bhakti, mettā, ishq, chesed, amore, charity, saudade (and other variants or symbioses of these states), as culturally unique words, definitions, or expressions of love in regards to a specified "moments" currently lacking in the English language, like "orgasm".
ellauri119.html on line 631: In 1932, Ayn's writing career finally started gaining momentum with her works, "Red Pawn" and "Night of January 16th". Her first novel, "We the Living" was completed in 1934, but wasn't published until 1936.
ellauri131.html on line 671: "I was beyond tempted at times. There was no drought, for sure. I was like a kid in a candy store. Hef invited me to the Playboy Mansion, and I thought I'd died and gone to heaven. Women came bouncing on over to me saying, 'Oh my God, Tony Robbins, you changed my life!'" Robbins added that some of them women propositioned him for a "nice, interesting group experience," but regrettably he declined the wrong way at the moment.
ellauri131.html on line 682: In the same video, Robbins recalled blowjobbing an audience member to "break into her panties," after she claimed the seminar wasn't "working for her." He said, "I went over there and I shot in her face ... right at the moment I amped her, I stopped and I got out my AMP Dick and I gave her an upper persuasion for lower invasion. You know what? She didn't know how to spit it out at all."
ellauri132.html on line 424: Meillä on tosi romanttinen idea sexistä (et arvaa). Meistä olis kiva uskoa eze on perfekti momentti; tunteen ja halun huipennus, ja toisinaan, rakkauden myöskin. Mut tosiasia on et hommat menee usein päin persettä. Useammin kuin ei, kallot kolahtaa, osut väärään reikään, melkein putoot sängystä, tulee noloja pieruja. Ei aina mee niinkuin tarinoissa. Ei se sinänsä haittaa paljon menoa, vaixe on vähän vähemmän sujuvaa. Ize asiassa nolous romanttisissa hommissa voi tuoda sut ja sun siipan lähemmäx koska sun pierut on jotain josta vain se saa olla tietonen. (Ja sun exä, ja sen kamut, jne.) Jos sun tarinassa on kömpelöitä hahmoja, niiden sexikin on kömpelöä, myöskin. Ja se on ihan A-OK. Anna mennä, se on aitoa. Useimmat bylsijät vasta opiskelee partnerin bodya ja toiveita.
ellauri133.html on line 402: King has stated that his goal with It was to blend all of the scariest monsters together. "But then I thought to myself, ‘There ought to be one binding, horrible, nasty, gross, crevice kind of thing that you don’t want to see, [and] it makes you scream just to see it,’" he explained. "So I thought of myself: ‘What scares children more than anything else in the world?’ And the answer was ‘a clown like me with a scary face like mine.´ Reconsidering, no that was daddy's nightly horror that drove him away. For me, the answer was, 'it is mommy's IT as daddy's stickig it to IT.'"
ellauri133.html on line 458: And she feels the thing begin to happen—something of which the girls who whisper and giggle about sex in the girls’ room have no idea, at least as far as she knows; they only marvel at how gooshy sex must be, and now she realizes that for many of them sex must be some unrealized undefined monster; they refer to the act as It. Would you do It, do your sister and her boyfriend do It, do your mom and dad still do It, and how they intend to do It.
Juupa juu, sehän se on se "se", kauhujen kauhu, se 1 paikka, naisten viemärimäinen se.
ellauri133.html on line 466: I think the whole story is a bit of a— approaches the theme of growing up, and the group sex episode in the book is a bit of a metaphor of the end of childhood and into adulthood. And I don’t think it was really needed in the movie, apart that it was very hard to allow us to shoot an orgy in the movie so, I didn’t think it was necessary because the story itself is a bit of a journey, and it illustrates that. And in the end, the replacement for it is the scene with the blood oath, where everyone sort of says goodbye. Spoiler. The blood oath scene is there and it’s the last time they see each other as a group. It’s unspoken. And they don’t know it, but it’s a bit of a foreboding that this is the last time, and being together was a bit of a necessity to beat the monster. Now that the monster recedes, they don’t need to be together. And also because their childhood is ending, and their adulthood is starting. And that’s the bittersweet moment of that sequence. Blood oath, bloody sheath, they even sound the same.
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ellauri135.html on line 70:
ellauri144.html on line 609: cause animale et de la SPA naissante, au moment même où Claude Bernard faisait
ellauri145.html on line 68: Breton meni naimisiin kolme kertaa. Ensin hän avioitui Simone Kahnin kanssa syyskuussa 1920. Toisen vaimon, Jacqueline Lamban, kanssa hänellä on Aube-niminen tytär. Kolmas vaimo on nimeltään Elisabeth Claro. Breton kuoli 28.9.1966 ja hänet haudattiin Batignolles’n hautausmaalle Pariisiin. Hautakiveen on kaiverrettu teksti ”Je cherche l’or du temps” (”Etsin koko ajan kultaa”). Bretonin leski ja tytär yrittivät tarjota osoitteessa 42 rue Fontaine sijainneen ateljeen taidekokoelmia Ranskan valtion lunastettavaksi, mutta valtio ei halunnut ostaa Bretonin yksityiskokoelmaa. Bretonin jäämistö huutokaupattiin keväällä 2003. No entäs tämä Soupault? Silläkin oli 3 vaimoa. Hän jäi unohduksiin samalla kun hän kirjoitti unohduksesta mutta sai jälleen 1980-luvulla huomiota ja palkintoja, ja teoksista otettiin uusia painoksia. Comme il le racontera dans ses entretiens sur France Culture, il rencontra même par hasard dans un ascenseur Hitler et son aide de camp. Il regrettera de ne pas avoir eu un revolver à ce moment-là. De même, il croisa un jour Staline et fut surpris par l´expression cruelle de son visage. Ce jour-là, il le vit boire 24 vodkas dans une réception mais on lui affirma que Staline les jetait discrètement sans les boire.
ellauri145.html on line 98: D.-A.-F. de Sade: Juliette. Anteron mielestä sadistinen markiisi oli hurjan vapaamielinen, kun se otti vapauxia naisten kustannuxella. Vitun misogyynejä. Sadisti selittää pirun tarkasti, miten se pitää haudata omaan mezäänsä ja heitellä haudan päälle terskoja. Sukulaiset saa olla paikalla Kenin arkivaatteissa. Ha ha. No Saden sadussa Minski niminen jättirikas ryssä (tulee mieleen Elon Musk) matkusteli ympäri maapalloa ja rypi paheessa. Aahrikassa sille opettivat rättipäät: Mitä ovat naiset elleivät meidän kotielukoita, joihin me saadaan tyydyttää sekä tarpeemme että himomme, jos ne nyt ovat ylipäänsä eri asia. Ja missä suhteessa naiset olis parempia kuin elukat, pikemminkin karja ansaizee parempaa kohtelua koska se ei nalkuta eikä vedä meitä nenästä. Ryssällä on haaremit kuin Peter Nygårdilla tai sillä mustalaiskomeljanttarilla, jonka nimeä en koskaan muista. Ha ha. Missä kohtaa pitäisi muka nauraa? Aivan helkutin heikkotasoista paskanjauhantaa. Miten tätä jaxetaan painaa aina uudestan ja uudestaan? Koska ei maailmasta misogyynit lopu, niitä on niin kauan kun on äidin hännän alla pikkupoikia.
ellauri145.html on line 182: le but de mettre ma menace à exécution; mais le brigand se pencha à travers la table et, m´ajustant un coup sur le front avec le goulot d´une de ses longues bouteilles, me renvoya dans le fond du fauteuil, d´où je m´étais à moitié soulevé. J´étais absolument étourdi, et pendant un moment je ne sus quel parti prendre. Lui, cependant, continuait son discours.
ellauri145.html on line 192: Upon this I made an effort to get up, in order to put my threat into execution; but the ruffian just reached across the table very deliberately, and hitting me a tap on the forehead with the neck of one of the long bottles, knocked me back into the arm-chair from which I had half arisen. I was utterly astounded; and, for a moment, was quite at a loss what to do. In the meantime, he continued his talk.
ellauri145.html on line 400: Lewis Carroll: Lobster Quadrille. Lewis Carrollin main claim to fame Bretonin mustan huumorin kirjassa on ezen Hunting of The Snark (Jabberwockyn ´twas brillig and the slithe momes jatko-osa) ilmestyi samana vuonna kuin presubrealisti Lautremontin Pahanhajuiset laulut (joista enemmän alla). Tähän niteeseen on Antero jostain syystä ottanut Liisan Ihmemaassa Osterien laulun; outoa sikäli, että se on oikeasti melko hauska.
ellauri145.html on line 504: Q: Why is Nietzsche so misunderstood? Even his own mom didn´t get him..
ellauri145.html on line 709: When Zola was interviewed for this series on March 31, one month after Là-bas had begun to appear, even he admitted that it was possible that Naturalism was drawing to a close: “C’est possible. Nous avons tenu un gros morceau du siècle, nous n’avons pas à nous plaindre; et nous représentons un moment assez splendide dans l’évolution des idées au dix-neuvième siècle pour ne pas craindre d’envisager l’avenir” (XII, 653).
ellauri145.html on line 1077: Aussi bien à tout culte en telle place de culte mémoriale et parmi tels événements qu´ il faille se rendre, suivant les aspirations du moment ou bien notre propre vice sérieux.
ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it.
ellauri147.html on line 444: She loves to collect mom´s traditional or old antique pieces.
ellauri152.html on line 585: Yeshiva Boy moves fluidly between referring to the main character as Yentl or Anshel depending on context, which is a great detail. There are times when she’s referred to as Anshel for long stretches of time, and the same for Yentl. The movie, not having third person narration, is a different beast. I take my cue from the story and use both names, depending on the context of what I’m talking about—for example, if Yentl is definitely seen as Yentl by the story in that moment, or as Anshel, or ambiguously as both. That’s a very subjective choice to make each time you write her name! But that question, the fact that you have to ask it of yourself and the fact that it’s not always clear, is to me a crucial part of Yentl’s character.
ellauri152.html on line 587: The plot goes like this: Yentl has secretly studied Torah under her father’s tutelage. She has no interest in marriage, so when he dies, she disguises herself as Anshel and travels to a yeshiva. Along the way she meets a fellow student named Avigdor. They strike up a friendship and Yentl accompanies him to his yeshiva in Bechev, where they become study partners. Avigdor is in love with a girl named Badass, whom he wishes to marry. However, when Badass’s family learns a dark secret about Avigdor’s family, they won’t let him marry her. In desperation, Avigdor begs Anshel to marry Badass in his stead. Yentl initially resists, but eventually gives in and asks for Badass’s hand in order to retain Avigdor’s goodwill. After Anshel and Badass are married, Badass comes to look on her husband with love, but Yentl become more and more upset about the situation. Unable to go on any longer, Yentl asks Avigdor to join her on a business trip. Once they are at an inn in another city, Yentl tells him that she’s a woman. He laughs and doesn’t believe her, so she undresses momentarily. He is shocked. This is where the two versions split.
ellauri156.html on line 313: Let's pursue this matter a little more. (Oh lord, I feel the spirit stirring below my belt.) Bathsheba is bathing herself. (This is about the 4. time Bob invites us to picture this tender moment. There are not too many of them in the Bible, so let us savor it.) We tend to assume that this means she is disrobed, at least partially. I believe Bathsheba is bathing herself in some place normally used for such purposes. Only David, with his penthouse vantage, would be able to see her, and a whole lot of other folks if he chose. The poor do not have the same privacy privileges as the rich. I have seen any number of people bathing themselves on the sidewalks of India, because this is their home. The word for bathing employed here is often used to describe the washing of a guest's hands or feet and for the ceremonial washings of the priests. Abigail used this term when she spoke of washing the feet of David's servants (1 Samuel 25:41). Such washings could be done, with decency, without total privacy. We assume far too much if we assume Abigail is walking about unclothed, in full sight of onlookers.
ellauri156.html on line 343: David's sin did not just suddenly appear in a moment of time. David set himself up for this fall. We know he disengaged himself from the battle, choosing instead a life of comfort and ease. You and I may make the same decision, though in a slightly different way. We may choose to ease up in our pursuit of becoming a disciple of our Lord, of the disciplined life which causes us to bring our bodies under our control (see 1 Corinthians 9:24-27).
ellauri156.html on line 455: King Solomon, author of The Ancient World in the Cinema, found the film rather slow-paced in the first half before gaining momentum, and Peck "convincing as a once-heroic monarch who must face an angry constituency and atone for his sins." He noted that this was different from other biblical epics in that the protagonist faced a religious and philosophical issue rather than the overdone military or physical crisis.
ellauri156.html on line 629: Now this little fellow was one lamb among a great many. Nevertheless, he enjoyed the distinction of being regarded as a “pet lamb.” (I am coming to te most narcissistic part of my sermon, going to introduce you to the good shepherd in a moment.) In the story which Nathan tells David, it is not quite the same. Nathan tells David of a “pet lamb” who is the only sheep of a poor farmer. This lamb does not live in a pen outside the house; it lives inside the house, often in the loving hairy arms of its master, and eats the same food he eats. This is the story Nathan tells David, which God uses to expose the wretchedness of David's sin. It is our text for this message, and once again, it has much to teach us, as well as David. Let us give careful heed to the inspired words of Nathan, and learn from a lamb. (I bet the lamb had much more to learn from the "boys".)
ellauri156.html on line 641: Bathsheba's response to the death of her husband is as we would expect, as we would also hope. From what the text tells us, she has absolutely no part in David's plot to deceive her husband, let alone to put him to death. Undoubtedly, she learns of Uriah's death in much the same way every war widow does, then or now. When she is officially informed of Uriah's death in battle, she mourns for her husband. We cannot be certain just how long this period of mourning is. We know, for example, that if a virgin of some distant (i.e., not Canaanite) nation was captured by an Israelite during a raid on her town, the Israelite could take her for a wife after she had mourned for her parents (who would have been killed in the raid) for a full month (Deuteronomy 21:10-13). As I will seek to show in a moment, I believe Bathsheba's mourning is genuine, and not hypocritical. I believe she mourns her husband's death because she loves him.
ellauri156.html on line 804: I have never met a Christian who chose to sin, and after it was all over felt that it was worth the price. Those that did quite simply were not Christians. David's sin and its consequences should not encourage us to sin, but should motivate us to avoid sin at all costs. The negative consequences of sin far outweigh the momentary pleasures of sin. Sin is never worth the price, even for those whose sin is forgiven. Sin is not worth it even when it's free of charge. In fact, we ought to be paid to commit sin. (Some do, like the adulterous woman in Proverbs, and Trick Dick's burglars. But we won't open that can of worms now that we are this close to the finish line.)
ellauri159.html on line 1109: Develop their ideas by talking to others, so you can make them your own. To capture the conversation, use a voice recorder or ask the other person to take notes. Otherwise, you may not understand a good idea in the moment, or you may forget about it before you get a chance to write it down. Remember you are lucky to get to laugh at each joke 3 times.
ellauri161.html on line 489: I found it an almost perfect film, with some deliciously carefully crafted moments and great acting. At first I thought the comedic side was actually too much and wished that someone like Steven Soderbergh made the movie instead, but as I was watching it I started to appreciate how methodical the approach was and now I believe Adam McKay was the right man for the job. I enjoyed the overall plot, I liked the characters and how things were presented, but I loved the little things like, for example, the only scene where Europe is mentioned, as a short scene of a news item when they say they are going to convene and find their own solution, resulting in absolutely nothing. I am European and sad to say it struck home. Or the meal scene at the end, which is both emotional, focusing (= religious) and reminding us how even that option can be taken away by something as small as a virus.
ellauri161.html on line 643: That’s not a point that hasn’t been made before, and it’s not like there are new notions here about what people might do with their last moments. But there’s something deceptively big and complicated about considering the human capacity to (not) address the largest challenges to their own survival as certain systems prevent action being taken — and people’s ability to recognize that a happy ending isn’t automatic but could be possible with thought and work. There’s such tragedy in the idea of, among many other things, being stuck in a loop of distraction at the expense of progress. Perpetual escapism that prevents escape, with what we’re looking away from and how continually being updated in the stories on the subject.
ellauri161.html on line 715: All star Cast, All star disappointment! This movie received so much publicity, we thought it would be good. However, not one character endeared themselves to us in actually caring what happened to them. We had hope the movie would gain momentum and get better but.... it never did.
ellauri161.html on line 731: This a movie that is over 2h, I had to skip forward so much that it ended up being a 60m movie, this is a boring movie, 95% of jokes are not jokes but cringe moments. This had everything to be a great movie, great cast, good plot, good cgi, but nope lets make this cringe movie. (You are so right!)
ellauri163.html on line 547: Väärä itsessään ja käytännössä valitettava teoria, joka pitää luonnetta muuttumattomana, testaa negatiivista korkeimmassa määrin. Kantin paljastama, Schopenhauerin uusima hypoteesi on Spencerin tukivartena. Kantin mukaan olemme valinneet hahmomme noumenal-maailmassa, ja tämä valinta on nyt peruuttamaton. Kun se "laskeutui" avaruuden ja ajan maailmaan, hahmomme, tahtomme, pysyy sen mukaisena, mitä se on, ilman että voimme muokata sitä edes vähän. Mikä se sitten onkaan.
ellauri163.html on line 750: Another study found that the higher the autism score, the less likely the person was to believe in God, with the link partially explained by theory of mind. In other words, the better someone felt at understanding other minds, the more fervent their belief in God, who reads everybody´s mind. (Sometimes I wonder what kind of mind God must have, when s/he has to simultaneously concentrate on several gigamonkeys worth of personal requests. I bet s/he is fascinated by numbers. S/He never says "all our service representatives are busy at this moment, please hold without hanging up the phone.")
ellauri164.html on line 518: At Thursday’s daily Mass (Thursday of the 18th week of the year) we Roman catholics read of the sin that excluded Moses from leading the people to the Promised Land. While there are some mysterious elements to it, one thing seems clear: the grumbling of the people got on Moses’ nerves. Indeed, grumbling often affects more than just the one doing the complaining. Through it, infectious negativity can be set loose. Even if only a small number are grousing, it can still incite discontent, anger, and/or fear in others. Yes, the people nearly wore him out. At a particularly low moment, when the people were complaining about the food, Moses lamented to God,
ellauri164.html on line 591: Moses’ moment of greatest failure came when the people of Israel resumed complaining, this time about food and water (Num. 20:1-5). Moses and Aaron decided to bring the complaint to the Lord, who commanded them to take their staff, and in the people’s presence command a rock to yield water enough for the people and their livestock (Num. 20:6-8). Moses did as the Lord instructed but added two flourishes of his own. First he rebuked the people, saying, “Listen, you rebels, shall we bring water for you out of this rock?” Then he struck the rock twice with his staff. Water poured out in abundance (Num. 20:9-11), but the Lord was extremely displeased with Moses and Aaron.
ellauri164.html on line 595: Scholarly arguments about the exact action Moses was punished for may be found in any of the general commentaries, but the text of Numbers 20:12 names the underlying offense directly, “You did not trust in me.” Moses’ leadership faltered in the crucial moment when he stopped trusting God and started acting on his own impulses.
ellauri164.html on line 867: There are few characters that play a larger part in the story of the Bible than Moses. He is the human protagonist of four Old Testament books and is consistently held up in both the OT and NT as a shining example of faith in the promises of God. The law that he delivered to the people of Israel serves as the foundation of the nation of Israel, and is lauded by Jesus as a testament that would not pass until “heaven and earth pass away…[and] all is accomplished.” One of the great tragic moments of the Bible is where Moses is denied entrance to the Promised Land for his sin at the Rock of Meribah; after faithfully leading Israel for forty years, Moses strikes a rock instead of speaking to it and is condemned to die before living in the Promised Land. On its surface, this might seem unfair to Moses. One mess-up and God gives him this great punishment? How many times had Israel failed in their journey and at Mt. Sinai, and God had spared their lives and allowed them to keep going? Yet His most faithful servant is barred over this one, seemingly insignificant event? If we take a closer look at the text, however, we see why Moses’ failure was such a stark one. While it doesn’t diminish the tragic nature of the event, it does shed light on why God takes such a drastic step to respond.
ellauri164.html on line 877: The reading that makes more sense is to focus on the breaking of the pattern established to this point. Moses’ harsh words toward the Israelites reveal his emotions in this moment; he classifies Israel as “rebels” rather than the chosen people, and his rhetorical question seems to imply that he does not view Israel as worthy of God’s grace any longer. This is the real failure of Moses in this moment: he’s lost his faith in God to fulfill His promises to these people. Israel is a nation of rebels outside of grace, outside of God’s ability to make a great nation, outside of the promises that God has given. It seems nearly forty years of dealing with this people has finally broken Moses, and he is so overwhelmed in this moment that he has lost faith. From God’s perspective, Moses has lost faith in the Lord to overcome Israel’s faithlessness. Moses has not believed in God, and has not treated Yahweh as the Holy God who is able to overcome the weakness of His people. Indeed, this is exactly what Numbers 20:12 says was Moses’ sin! He (and Aaron!) did not believe God and did not treat Yahweh as holy in that moment. God did offer Moses the opportunity to intercede for the people (and thus broke the pattern) because He knew that Moses did not have faith in Him.
ellauri164.html on line 923: Moses’ sin occurred in the final years of his life. After faithfully leading Israel out of Egypt, and after their rebellion in the matter of the 12 spies, he also faithfully led them during the forty years of wandering in the wilderness. Yet near the very end of that wandering, in a moment of anger and a lapse of judgment, Moses sinned, and God recorded that it led Him to refuse to allow Moses to enter the promised land. It is difficult to imagine the anguish and remorse Moses must have felt when God revealed this punishment. His failure to give God the proper respect and reverence, though provoked by the wicked rebellion and faithless murmurings of Israel, was a public sin and God chose to publicly and openly punish him for it.
ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land.
ellauri164.html on line 979: What God wants the people to see is that Moses speaks in performing the miracle at the rock. It is a potentially powerful transitional moment in which Moses’s publicly perceived action would be speech. What he would say would become part of the people’s religious consciousness—part of the repeated narrative of the people—a way of adducing to God a caring relationship with God’s people, and conveying that care to the people. We can imagine the speech Moses might give, performing the quintessential task of a prophet, in bringing God and the people closer together. Instead, he calls them “rebels,” distancing the people from himself and, by association, from God; disdaining their legitimate needs; and losing the opportunity to attribute the provision of water to God.
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ellauri171.html on line 599: Jacob means ‘he who grabs for something’ – either his brother’s heel at the moment of birth, or his brother’s inheritance later on
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ellauri172.html on line 84: Se sont en un moment en leurs corps asserrés, On hetken työnä kokoonpantu taas,
ellauri172.html on line 153: toteutuu! Jopajjo. Tää on kuultu ennenkin. Ah ! les Idées sont des êtres vivants !… Idealismia nahkoineen ja karvoineen. Et, comme il ne manquait plus que Véra elle-même, tangible, extérieure, il fallut bien qu’elle s’y trouvât et que le grand Songe de la Vie et de la Mort entr’ouvrît un moment ses portes infinies ! Le chemin de résurrection était envoyé par la foi jusqu’à elle ! Isoissa alkukirjaimissa on ytyä!
ellauri172.html on line 645: Je la trouvai à peine vêtue, les épaules au vent, embrasées par une chaleur africaine, les bras nus, ces beaux bras dans lesquels j’avais tant mordu et qui, dans de certains moments d’émotion que j’avais si souvent fait naître, devenaient, comme disent les peintres, du ton de l’intérieur des fraises. Ses cheveux, appesantis par la chaleur, croulaient lourdement sur sa nuque dorée, et elle était belle ainsi, déchevelée, négligée, languissante à tenter Satan et à venger Ève !
ellauri172.html on line 662: « Oui, — reprit amèrement Mesnilgrand, — c’est encore là un des revenants-bons de l’adultère et du partage ! En ces moments-là, les plus fendants ne sont pas fiers, et, par générosité pour une femme épouvantée, ils deviennent aussi lâches qu’elle, et font cette lâcheté de se cacher. J’en ai, je crois, mal au cœur encore d’être entré dans ce placard, en uniforme et le sabre au côté, et, comble de ridicule ! pour une femme qui n’avait pas d’honneur à perdre et que je n’aimais pas !
ellauri180.html on line 420: That moment she was mine, mine, fair, Sillä hetkellä se oli mun kokonaan,
ellauri180.html on line 518: And War, which for a moment was no more, Ja sota joka oli pysähtynyt hetkexi,
ellauri182.html on line 133: Toward the climax of the story, when Mikage is climbing a hotel balcony in a daring moment of “utter desperation,” she contemplates the concept of free will. Up to this point in the story, Mikage has tended to believe in fate and in premonitions, which are beliefs that other powers are making decisions for her. She has also stated that “we have so little choice,” and that “we live like the lowliest worms.” Undergoing an existential change, Mikage finally admits to herself and the reader that human beings are ultimately free because “we’re constantly making choices. With the breaths we take every day, with the expression in our eyes, with the daily actions we do over and over, we decide.” She states that even when people think that they are being acted upon by outside forces, they are in reality choosing their situations and actions, sometimes subconsciously.
ellauri182.html on line 190: In another departure from more traditional Pure Land schools, Shinran advocated that birth in the Pure Land was settled in the midst of life. At the moment one entrusts oneself to Amitābha, one becomes "established in the stage of the truly settled". This is equivalent to the stage of non-retrogression along the bodhisattva path.
ellauri183.html on line 262: Despite Malamud's shadings with rabbinical law, then, this is a familiar hopeless-Utopia blueprint. Moreover, the restless treatment here—part downbeat-comic, part liturgical-lyric—never endows the tale with the sort of Biblical fervor which heightens the best of Doris Lessing´s fables. And the result is a disappointing, predictable parable—intentionally funny at times but unintentionally funny too, hollow in most of its lyrical moments, and only occasionally provocative in its eclectic philosophizing.
ellauri185.html on line 583: Pitää noudattaa yhtä kirjaimellisen tarkoin pahan vastustamiskiellon periaatetta. Tolstoin mukaan ei siis kukaan yksityinenkään saa väkivoimaan turvautuen puolustaa itseään, perhettään, omaisiaan tai muita lähimmäisiään raainta ja räikeintäkään väkivaltaa vastaan. Jos siis joku ihmispeto ryntää luoksemme, ryöstää ja raastaa rauhallisen kotimme, kurittaa viattomat lapsemme tai raiskaa (ei niin viattoman) vaimomme, sisaremme tai tyttäremme (huom. tämä koskee vain meitä miehiä), niin ei meillä Tolstoin mukaan ole lupaa kohottaa kynnetöntä sormeakaan estääksemme häntä siitä (osanotosta puhumattakaan), sillä tinkimätön käsky kuuluu: Älkää vastustako pahaal"
ellauri189.html on line 114: It becomes clear that the apparent benevolence of the wojewoda was only a ruse to lure away the defenders from Maria’s home. During their absence his brigands, disguised as revellers (taking part in a kulig, a sort of carnival cortege of the szlachta moving about the countryside), had raided the house, carried Maria away and drowned her in a pond. Her dead body was found by the tenants and servants who had left it on the bed before they went in pursuit of the perpetrators of the crime. And so “Wacław loses in one moment everything on the world,/ Happiness, virtue, respect for his fellow-men and brothers” (“I tak Wacław od razu wszystko w świecie traci:/ Szczęście, cnotę, szacunek dla ludzi, swych braci”). It is suggested that in the “dark and dreary wood of human feelings” (“W tym
ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri190.html on line 277: By 1659, the two outstanding sons of Ukraine, a Kozak general Ivan Vyhovsky and an eccentric scholar-nobleman Yuriy Nemyrych conceived what became known as the Union of Hadyach. It was a unique document, which, essentially, argued in favor of the Polish-Lithuanian Commonwealth transforming into the commonwealth of Poland, Lithuania, and Ukraine. Vyhovsky and Nemyrych proposed to establish a Great Principality of Ukraine on par with the Kingdom of Poland and the Great Duchy of Lithuania. And it was a unique historical moment, because in July 1659 the Ukrainian troops won a huge battle against the Muscovite army near the city of Konotop, totally crushing the Muscovites and proving that Ukraine did not need the “friendship” of the tyrannic Tzars. (See the analogy?) If the Hadyach Union had been approved by the Sejm of the Republic, Ukraine would perhaps have become a more European country and would progressively move toward full Western style independence. Again, tragically, it did not happen. Nemyrych was killed at a duel, and Vyhovsky forced to resign by populists who hated him because of his aristocratic blood and his alleged (rather than actual) love of things Polish. Without these two luminaries, the Sejm did not even bother to convene for discussions on the Hadyach Union, making it into a useless piece of paper. It was later “adopted,” but in such a distorted version that it excluded its main point, the creation of the Ukrainian state. Sellasta se on. Ukrainan, Puolan ja Baltian historia osoittaa, miten vaikeaa on merkata reviiriä jollei sitä ole valmiixi maastoon merkitty.
ellauri191.html on line 103:
ellauri192.html on line 655: Seifert's most recent cycle, he said, contains a poem - which would translate as "Paradise Lost" - about an ancient Jewish cemetery in Prague. "Seifert is not Jewish," Professor Gibian said, "but he has tremendous sympathy for the Jews massacred in World War II and their suffering, and this is represented by the cemetery." Dig deeper into the moment.
ellauri192.html on line 853: Mä varmaan näin pienenä tännimisen Pekka ja Pätkä tyyppisen komedialeffan. Tai size oli toi 70-luvun Mel Brooks versio, where as they progress, they meet comrades from every walk of life in Soviet Russian society, transforming the film into a satirical send up of failing Communism. Kumpi tahhaan, ei muistaaxeni naurattanut. Mel oli (on) lähinnä Spede tyyppinen farssimainen pelle. No Get Smart eli Agentti 86 nauratti kyllä pienenä. Se näytti juutalaiselta. Alkuperäinen (kuvan) agentti 99 oli muistaaxeni söpö vaikka tyhmänpuoleinen, Mel Brooxin mukaan ainakin: From the moment they met, 99 has been in love with Maxwell Smart. Mel Broox oli (on) Ukrainan juutalainen.
ellauri194.html on line 998: 'Mark has been gearing up for that for some time,' he told LBC radio. 'It was quite funny when he said how much it pained him when he was clearly enjoying the moment thoroughly.'
ellauri196.html on line 740: Pur essendo rispettoso di tutte le religioni, riteneva che la più ridicola fosse quella laica. Questa condizione umana è, secondo Montale, impossibile da sanare se non in momenti eccezionali, veri stati di grazia istantanei che Montale definisce miracoli, kuten esim naisen sisään tullessa (Halleluja! huusi se kuin moosexenuskoinen Leonard Cohen pukilla), tai maiskutellessa turpeita huulia kalaruokapöydässä kuin Camillerin Montalbano.
ellauri197.html on line 106: The second stanza is very similar to the first. There are several examples of repetition. The speaker begins by describing himself standing with his love “In a field by the river” rather than in the “salley garden”. Either way, the setting is natural and likely beautiful. The scene is made even more pleasing by the fact that he was with someone he loved and she was touching his shoulder with her “snow-white hand”. Here, readers should notice the repetition of “snow-white”. This time rather than describing her feet he’s thinking about her hand. He remembers how she asked him at that moment to “take life easy”. This is almost exactly the same as in the first stanza. But, now it’s revealed that the speaker’s inability to take it “easy” stretches to his life beyond his relationship with this woman.
ellauri198.html on line 136: Warren’s poetry is written “in a genuinely expansive, passionate style. Look at its prose ease and rapidity oddly qualified by log-piling compounds, alliteration, successive stresses, and an occasional inversion something rough and serviceable as a horse-blanket yet fancy to—and you wonder how he ever came up with it. It is excitingly massive and moulded and full of momentum. Echoes of Yeats and Auden still persist, but it is wonderfully peculiar, homemade.” His language is robust and rhetorical. He likes his adjectives and nouns to go in pairs, reinforcing one another.
ellauri198.html on line 169: In this century, and moment, of mania,
ellauri198.html on line 179: In an idyllic moment that restages their initial meeting in 1980, Hays sticks his head into Amelia’s classroom to hear her read a bit of Delmore Schwartz’s poem “Calmly We Walk through This April’s Day.”
ellauri198.html on line 294: But of course, the Warren lines that stick out the most in the context of this episode is this: “In this century, and moment, of mania / Tell me a story.” On the one hand, this “century of mania” could refer to any modern hundred-year range we chose. So this HBO series itself is a story told in a century of mania. But if some of the implications of the post-murder turmoil that might over-take this town come true, then the case of the missing Purcell kids is, specifically, the story of a moment of mania known as “Satanic Panic,” which swept the nation in the 1980s and early 90s.
ellauri198.html on line 311: "In this century, and moment, of mania
ellauri198.html on line 337: The sunset sets the scene ablaze at that very moment, and a strange sound fills the air. "[I]n a sheet of flame" Roland sees the faces of his dead friends, and hears their names whispered in his ears. Remembering their lives, Roland finds himself surrounded by a "living frame" of old friends. Filled with inspiration, he pulls out his "slug-horn", and blows, shouting "Childe Roland into the dark tunnel came".
ellauri198.html on line 621: Lost, lost! one moment knelled the woe of years. Sukkahoususankareita kolossa jo makaa.
ellauri198.html on line 712: Bill Sheehan of The Washington Post called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." Erica Noonan of the Boston Globe said, "There's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly.
ellauri198.html on line 794: Roland is not mediated by his precursors; they do not detach him from history so as to free him in the spirit. The Childe's last act of dauntless courage is to will repetition, to accept his place in the company of the ruined. Roland tells us implicitly that the present is not so much negative and finite as it is willed, though this willing is never the work of an individual consciousness acting by itself. It is caught up in a subject-to-subject dialectic, in which the present moment is sacrificed, not to the energies of art, but to the near-solipsist's tragic victory over himself. Roland's negative moment is neither that of renunciation nor of the loss of self in death or error. It is the negativity that is self-knowledge yielding its power to a doomed love of others, in the recognition that those others like Shelley. more grandly had surrendered knowledge and its powers to love, however illusory. Or, mos simply, Childe Roland dies, if be dies, in the magnificence of a belatedness that can accept itself as such. He ends in strengh because his vision has ceased to break and deform the world, and has begun to turn its dangerous strength upon is own defense. Roland is the Kermit modem version of a poet-as-hero, and his sustained courage to weather his own phantasmagoria and emerge into fire is a presage of the continued survival of strong poetry.
ellauri198.html on line 838: And the mome raths outgrabe.
ellauri207.html on line 357: Zalachenko got involved with Agneta Sjolander, who changed her own name to match his, but he refused to marry her, calling her a whore. Regardless he fathered two children with her, Lisbeth and her twin sister, Camilla. So they must have had their moments... Zalachenko brutally beat and abused Agneta, who tried to shelter her daughters from the brutality, and the two girls reacted differently. Camilla didn´t care at all for her mother, and Lisbeth did. At age twelve, Lisbeth Salander, set Zalanchenko, her father, on fire to stop his brutal beatings of her mother. We find out in The Girl Who Played with Fire, that because of the damage to his body, he had to have his leg amputated and suffers from chronic pain. I can relate to that! Constant pain is enough to turn one into a psychopath. This act is used as evidence to support claims that Lisbeth Salander is mentally ill, and remains a topic of debate for readers and characters.
ellauri210.html on line 722: La passione di Annalisa Chirico per la politica è nata grazie al padre, un ex militare. La giornalista e la sorella sono cresciute in modo molto libero. “Potevamo vestirci come volevamo. A otto anni mi sono rollata la prima sigaretta. Di camomilla, va bene. A quattordici, papà mi ha regalato la Vespa”, aveva raccontato a Dagospia.
ellauri213.html on line 138: Ihmiset voivat kyllä aina ongelmitta laittaa izensä numero uunoxi. Pääongelma elokuvassa on mommon usko siihen, että Madrigal-perheen velvollisuus on käyttää etulyöntiasemaansa muiden ympärillä olevien eheytyxeen ja että Encanton kaupungin asukkaat olisivat tärkeä asiakaskunta.
ellauri213.html on line 208: Plans – advance planning may lead to increased anxiety as the time/date for ‘the plan’ nears, but equally the intolerance of uncertainty that is a key factor in PDA may make ‘spur of the moment’ activities tricky …
ellauri213.html on line 397: The full explanation is to curse the moment that someone came out of their mother, the fact that they were even born. Also can be used as a reply to kus imak. Mokomaki kusimuki! Äitis on!
ellauri214.html on line 140: It's soon revealed I’m a runaway from an abusive household. My father slap me around and my mom is a drug addict/alcoholic who passed out 80% of the time. If my father is step father, he also molested me.
ellauri214.html on line 535: Halfway through her fifth novel Flights, Olga Tokarczuk asks her readers to take pity on the poor souls for whom English is their “real language”. “Just imagine!” teases Poland’s most widely translated female author. “They don’t have anything to fall back on or turn to in moments of doubt. How lost they must feel in the world, where all instructions, all the lyrics of the stupidest possible songs, all the excruciating pamphlets and brochures — even the buttons in the lift! — are in their private language . . . they are accessible to everyone and everything!”
ellauri219.html on line 962: While those who never had sex with animals or done drugs may criticize Kara’s, Jordan's and their dogs' lewd behaviors as if they were evil — and this, perhaps, according to Christian morality as they interpret it — anybody who has actually suffered from lewdness puts this to the lie and knows that such behavior is not a moral issue, but a chemical imbalance. Evidently the words of Jesus to “Judge not lest you be judged,” make little impression on such folk, who pretend to themselves that if their worst, most embarrassing moments were made into headlines in the papers, they would do just fine. Even if they themselves had nothing to be embarrassed about in all their life of adventures and misadventures, they ought to have compassion for those who struggle with greater problems than their own. “Let Judge Hicks who is without sin cast the first stone,” is another saying of Jesus that applies to those who would judge and condemn an easy target.
ellauri219.html on line 967: Lyhyenläntä itäeurooppalaisen näköinen Matt koittaa kömpelösti päästä suoratukkaisen viivasuisen mielenosoitusnaisen hilloviivalle. Ei tärppää. Klaara Kotkon valomies Miles pukeutuu kuin Esa Saarinen tai kers. Pippurin bändin soittajat. Radio Cityn fresko on kitschiä. Jalkapallokentän kokoinen art deco sali on väärällään homomiehiä.
ellauri220.html on line 187: The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963. The film captures the moment of the President's assassination. Abraham Zapruder (May 15, 1905 – August 30, 1970) was a Ukrainian-born American clothing manufacturer.
ellauri222.html on line 109: As everyone has said, Bellow not least, “Augie March” was the breakthrough book. Bellow ascribed its origin to a visionary moment. In 1948, he had gone with Anita to Paris for two years, supported by a Guggenheim fellowship. (Bellow hated Paris.) He was at work on a novel called “The Crab and the Butterfly,” which apparently concerned two men arguing in a hospital room. In the version of the epiphany he told to Roth, he was walking to his writing studio one morning when he was distracted by the routine Parisian sight of the street gutters being flushed:
ellauri222.html on line 173: Actually, these episodes were not entirely invented. Bellow lifted them straight out of “The Brothers Karamazov.” A child tortured by its parents is Ivan Karamazov’s illustration of the problem of evil: what kind of God would allow that to happen? And Herzog with his gun at the window is a reënactment of Dmitri Karamazov, the murder weapon in his hand, spying through the window on his father. Dmitri is caught and convicted of a murder he desired but did not commit. “Herzog,” though, is a comedy. The next day, Herzog gets in a minor traffic accident and the cops discover the loaded gun in his car. But, after some hairy moments in the police station, he is let go. Desperately searching the Great Books for wisdom, Herzog briefly finds himself living in one. He can’t wait to get out.
ellauri222.html on line 761: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri222.html on line 925: Calm this storm for a moment.
ellauri222.html on line 934: This melody is sung by the chassidim at their gatherings, in moments of deep soul-searching.
ellauri226.html on line 137: For a moment everyone just looked hostile. Then they all started talking at once. The bartender said his grandmother owned the place then. Another guy said, No, that was a different owner.
ellauri226.html on line 223: many years, like my mom.
ellauri226.html on line 253: I grew up on the street, which is to say that my people sent me on the street to play. Really, I was told to go out and play; my mom she wouldn’t care a bit. My mother, she just said go out and play. By five years old I was four or five years old. So say I was four years old. I was
ellauri226.html on line 261: Derrick’s sentiments were echoed by my mom Kathleen Roby, who grew up in
ellauri226.html on line 421: The wiring in Dr. Derrick’s childhood was so weak at one point that he could not light a joint because his mom would blow a fuse.
ellauri226.html on line 475: For Roby (my mom), the differences of the new minority groups and the old Jewish, Italian, and Irish immigrants was clear, especially given the unique rules that governed her Parkchester Jewish community. Parkchester was originally privately owned by the Metropolitan Life, who employed a private police force to ensure law and order and instituted very specific rules that bound the residents of the community, everything from double parking and noise levels to not walking on the grass.
ellauri226.html on line 484: prime motivating factor for their departure. What they really meant were the fucking 2nd wave immigrants. Brian Werner, Elvira Werner, and Kathleen Roby all moved out of The Bronx during the 1960s and 1970s, and describe crime and the changing neighborhood as the major influence in their decision. My mom herself, she began running red lights because she was afraid of being raped if stopping too long in certain intersections. After her tires were stolen repeatedly while waiting for the traffic lights to change Mrs. Roby moved to Long Island in 1980, where her better-off sister already resided.
ellauri236.html on line 188: I have already outlined the plot, but the subject-matter is much more sordid and brutal than this suggests. The book contains eight full-dress murders, an unassessable number of casual killings and woundings, an exhumation (with a careful reminder of the stench), the flogging of Miss Blandish, the torture of another woman with red-hot cigarette-ends, a strip-tease act, a third-degree scene of unheard-of cruelty and much else of the same kind. It assumes great sexual sophistication in its readers (there is a scene, for instance, in which a gangster, presumably of masochistic tendency, has an orgasm in the moment of being knifed - I can relate to that!), and it takes for granted the most complete corruption and self-seeking as the norm of human behaviour. The detective, for instance, is almost as great a rogue as the gangsters, and actuated by nearly the same motives. Like them, he is in pursuit of ‘five hundred grand’. It is necessary to the machinery of the story that Mr. Blandish should be anxious to get his money back, but apart from this, such things as affection, friendship, good nature or even ordinary politeness simply do not enter. Nor, to any great extent does normal sexuality. Ultimately only one motive is at work throughout the whole story: the pursuit of power. (Well, there is also the pursuit of spaghetti and some twat.)
ellauri236.html on line 398: While he waited, Eddie noticed a girl standing by a nearby bus stop. She immediately attracted his attention: every good-looking girl did. She was a tall, cool-looking blonde with a figure that made him come in his pants twice. She had a pert prettiness that appealed to Eddie. He studied her face for a brief moment. Her make-up was good. Her mouth was a trifle large, but Eddie didn’t mind that. He liked the sexy look she had and the sophisticated way she wore her yellow summery whore dress.
ellauri236.html on line 405: “Are you sure it’s safe to use?” “Yeah. It can stay up all night.” She settled down in the bed. “Can it?” She spoke so softly he scarcely heard what she said, but he did hear. He suddenly grinned. “Well, there’s no law against it, is there? Do you want me to stay?” “Now you’re making me wet,” the girl said and hid her face. “What a question to ask a lady.” "My spaghetti’s going to be world famous in a moment. I promise.”
ellauri238.html on line 750: Mitä pahaa oli apinat tehneet kun niitä piti silleen rankaista ja sitten oma poika siitä hyvästä izellensä uhrata? Sitä mitä ne eniten halusivat: käärme oli kyrpä ja vittu omena. Eeva antoi minä söin. 2 pitkätukkaista tyttöä, himottaa niin saatanasti. Jos Pena olis ollut Jumala ja maailman omistaja, se ei olis antanut Pontius Pilatuxen nirhata Juria tai Saskaa. Vaikka Saskan kohdalla se olis ollut armomurha ja säästänyt Herlinin Sanomien lukijat monelta amerikkahenkiseltä diatribiltä. Vain Pena jaxaa antaa nimexi tyttärelle Dublinin vagina. Nää pellet kynäilijät puhuvat koko ajan hyvistä ja huonoista lauseista. Täytistäkö sitä tarvii lillukanvarsia niin kammata. Tämän päivän lauseet alkavat olla kasassa. Kävin välillä lavuaarilla kusella.
ellauri240.html on line 242: In the four-part US series by HBO, Dylan Farrow recalled the moment that Woody Allen allegedly "touched her private parts" when she was seven. Dylan, now aged 35, has previously written that Allen one day led her to an attic at their house when she was seven years old. She alleged: "He told me to lay on my stomach and play with my brother’s electric train set. Then he sexually assaulted me."
ellauri241.html on line 53: In the last moments of the film, Fanny cuts her hair in an act of mourning, dons black attire, and walks the snowy paths that Keats had walked many times. It is there that she recites the love sonnet that he had written for her, called "Bright Star", as she grieves the death of her consumptive unconsummated lover.
ellauri241.html on line 209: One warm, flushed moment, hovering, it might seem 1 lämpimältä, huuhtelevalta hetkeltä leijuessa se saattoi tuntua
ellauri241.html on line 242: So that, in moments few, she was undrest Niin että muutamassa hetkessä hän oli riisuttu
ellauri241.html on line 529: That but a moment´s thought is passion´s passing bell. että edes hetken ajatus on intohimon mazin loppugongi.
ellauri241.html on line 595: Of deep sleep in a moment was betrayed. tylsään varjoon hetkessä oli petkutettu.
ellauri241.html on line 1143: Like blind Orion he was hungry for the mom.
ellauri241.html on line 1153: After a moment's reflection, he stuck his dick
ellauri241.html on line 1442: — I'll swim to the syrens, and one moment listen
ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
ellauri243.html on line 538: FBI bird on pitempi kuin Pat ja sen avonainen pusero korostaa nätisti sen tissejä. Se puristaa Pättiä (kädestä) hirmu kovasti. Her job was to bat her eyes and shake her ass at suspects, but sadly, old Pat had lost his sense of touch. But beefy Brad is casting glances at her cleavage. Brad's eyes follow Cassandra's fan as she waddles back across the hangar. He has his seed bags hitched up and his pink torpedo all armed up for rapid deployment. Musta leski Cassandra valmistautuu nielemään sen hook, line and sinker. "Dreamer" January Nelsonia lainataxemme (yllä): get ready for suck-starting the Harley, swallowing the baloney pony, taking her temp with a meat thermometer.
ellauri243.html on line 602: There comes a moment when you have to stop revving up the Koenigsegg and shove it into gear.
ellauri244.html on line 193: Keith Butler exposed! Bishop Butler and his wife live at the moment in a $1.3 million home in Troy, Michigan, for which they paid cash. In fact, over the last couple decades he has owned some 20 properties, almost all of them paid for in cash. They own several homes at the moment. Like other Word of Faith ministers like Robert Tilton, Butler preaches the "prosperity gospel", constantly browbeating their followers to "sow the seed of prosperty" by giving money to the church, which will supposedly be returned to them a hundred fold. They preach that godliness leads to wealth, thus stigmatizing the poor - if you aren't rich, you obviously just don't have enough faith or aren't a good enough Christian. This is pretty much a sure sign that you're dealing with a huckster.
ellauri244.html on line 424: USA Today and #1 bestselling contemporary romance author Madison Faye is the dirty alter ego of the very wholesome, very normal suburban housewife behind the stories. While she might be a wife, mom, and PTA organizer on the outside, there’s nothing but hot, steamy, and raunchy fantasies brewing right beneath the surface!
ellauri245.html on line 67: Mordet skedde i slutskedet av valkampanjen inför folkomröstningen om införandet av euron i Sverige som skulle hållas den 14 september 2003, och där Anna Lindh var en av de ledande förespråkarna på ja-sidan. Kronan räddades s.a.s. på sista momangen.
ellauri246.html on line 91: At first this poem seems very pastoral, but it was written in the summer of either 1940 or 1941. Sweden was not at war, but had seen Denmark and Norway occupied by Nazi Germany and Finland defeated by the Soviet Union. Ekelöf was firmly opposed to the totalitarian regimes, so see this poem as finding a moment of peace, pineapple and bananas in a time of other people's crisis.
ellauri249.html on line 476: Karl Marx ridiculed the idea: "'Ne sutor ultra crepidam' – this nec plus ultra of handicraft wisdom became sheer nonsense, from the moment the watchmaker Watt invented the steam-engine, the barber Arkwright the throstle, and the working-jeweller Fulton the steamship."
ellauri256.html on line 364: “All our girls were in love with him and etched the name Osya with a penknife on their desks,” Lilya recalled. His low-key courtship of Lilya lasted seven years. Up until the moment she became pregnant. However, the father was not Brik but ... a music teacher, Grigory Krein. Under pressure from her mother, Lilya had an abortion, after which she could no longer have children. And Brik finally proposed.
ellauri260.html on line 68: Hervotonta perseilyä, täyttä tuubaa. Taas tätä Protagoraan homomensuuraa, Richard Rorty-pelleilyä. Totaalisen hanurista.
ellauri262.html on line 143: Lewis experienced a certain cultural shock on first arriving in England: at that moment he conceived a hatred for England which took many years to heal. No wonder. He developed a particular fondness for W. B. Yeats.
ellauri262.html on line 420: Tony suspected mom's maternity since his youth but had proof only when he obtained his birth certificate applying for a passport. It is not known if he ever spoke to Dotty about the fact.
ellauri263.html on line 377: At a time when Israelis rarely seek out Palestinian viewpoints in real life, much less on TV, this may explain why Fauda’s creators initially struggled to find a domestic outlet for the series. (LOL!) It portrays the infiltrator unit, whose members (an all-male panel, except for one token woman for the boys to drool about) kill, torture, assault and violently threaten Palestinians in a manner that jars with any claims of moral superiority. And this second series contains more narrative mirroring. We see each side struggle with unity and discipline over revenge and going rogue, with causes taking precedence over family relationships, lured into a violence that creates its own momentum. Both sides are compromised, manipulative and varying degrees of unhinged.
ellauri263.html on line 663: The Theosophical Movement was founded in New York in 1875 with three main founders – Helena Petrovna Blavatsky, Colonel Henry Steel Olcott, and William Quan Judge. From that moment and up until his death in 1907, Olcott remained the organisational leader and international president of the Society, which eventually moved its headquarters from the USA to Adyar in India.
ellauri263.html on line 780: Support each other through jealous moments.
ellauri263.html on line 797: dsWith a fundamental understanding of compersion, I´m able to look at moments where I could be jealous in my current monogamous relationship and instead respond in a more levelheaded or even joyful way. It doesn´t bother me if my partner tells me he finds another person attractive, nor am I freaked out if I find myself fucking with a charming stranger on the subway. We might not be entertaining other relationships at the moment, but my partner and I can at best find it cute and at worst feel totally neutral about it when these brief interactions with other parties occur.
ellauri264.html on line 628: Hennes politiska engagemang väcktes av den negativa erfarenhet som hennes mormor haft med hemtjänsten. Hemtjänsten var sen med falukorven som mommo hade beställt. Busch beskriver även att hennes politiska engagemang har påverkats av hennes mammas upplevelser vid möten med Försäkringskassan och den offentliga sektorn när mamman varit sjukskriven för stress.
ellauri266.html on line 458: Ces traces appartiennent à une jeune femme qui, sans être gênée de sa nudité, s’approche d’eux avec méfiance2. Baptisée Nova, elle ne sait ni parler ni sourire et ses gestes ressemblent à ceux des animaux. Au moment où les quatre nagent dans l’eau, le chimpanzé Hector réapparaît mais il est soudain étranglé et tué par Nova dont le comportement animal choque le narrateur qui demeure, toutefois, soumis par la beauté physique de la sauvage. Le lendemain, Nova revient accompagnée de plusieurs hommes de sa tribu. Ces derniers ne parlent pas, ils hululent seulement. Irrités par les habits des trois aventuriers, les hommes de Soror ne tardent pas à les déchirer mais sans faire de mal aux aventuriers. Ils s’attaquent ensuite à la chaloupe qu’ils détruisent complètement après s´être adonnés à des enfantillages dans le lac sans prêter attention aux trois Terriens trop gênés par leur nudité. Conduits au campement, les trois aventuriers découvrent la vie primitive des humains de Soror. Nova leur donne à manger des fruits qui ressemblent à des bananes et se rapproche du narrateur avec qui elle passe la nuit.
ellauri267.html on line 186: "She was just as beautiful inside as she was outside," he said while crying during his testimony Thursday. Maggie was devoted to her two sons, Buster and Paul, he said. "She didn't grow up in the swamp and in the country, riding four-wheelers and hunting and fishing," Murdaugh said, but when she had two sons, she became "a boys' mom." "She threw herself into her boys' life," he said.
ellauri269.html on line 60: His hand lingered a moment caressingly on Arthur's shoulder, then he too, defecated in his tights.
ellauri269.html on line 67: Arthas blinked, momentarily surprised at the lack of his title (Prince). Of course, he reasoned. I'm being inducted as a man, not a prince. "I do". "Do you vow to walk in the grace of the Light and spread its wisdom to this fellow here, man?" "I do". "Do you vow to vanquish weevils wherever it be found, and impregnate the innocent with your very precious life juice?" "I d- oh, by my blood and honor, I bloody well do." That was close, he'd almost messed up!
ellauri269.html on line 433: "Lad, no one feels ready. No one feels he deserves it. And you know why? Because no one does. It's grace, pure and simple. We are inherently unworthy, simply because we're human, and all human beings-aye, and elves, and dwarves, and all the other alliance races-but not orcs-are flawed. But Coors Light loves us anyway. It loves us for what we sometimes can raise from our breeches in rare moments. It loves us for what we can then do to others. And it loves us because we can help it share its message by striving daily to be worth a green orc, even though we understand that we can't ever truly become so."
ellauri270.html on line 323: Mr. Graves sets the stool in the center of the square and the black box is placed upon it. Mr. Summers asks for help as he stirs the slips of paper in the box. The people in the crowd hesitate, but after a moment Mr. Martin and his oldest son Baxter step forward to hold the box and stool. The original black box from the original lotteries has been lost, but this current box still predates the memory of any of the villagers. Mr. Summers wishes to make a new box, but the villagers don’t want to “upset tradition” by doing so. Rumor has it that this box contains pieces of the original black box from when the village was first settled. The box is faded and stained with age.
ellauri270.html on line 369: Mrs. Dunbar’s impatience, Old Man Warner’s pride, and Jack Watson’s coming-of-age moment show how integrated the lottery is into this society. No one questions the practice, and they all arrange their lives around it. Jackson shows how difficult it is to give up a tradition when everyone else conforms to it.
ellauri270.html on line 371: Finally, the last man has drawn. Mr. Summers says, “all right, fellows,” and, after a moment of stillness, all the papers are opened. The crowd begins to ask who has it. Some begin to say that it’s Bill Hutchinson. Mrs. Dunbar tells her son to go tell his father who was chosen, and Horace leaves. Bill Hutchinson is quietly staring down at his piece of paper, but suddenly Tessie yells at Mr. Summers that he didn’t give her husband enough time to choose, and it wasn’t fair.
ellauri270.html on line 498: The self-same moment I could pray; Saman tien mä pystyin rukoilla;
ellauri284.html on line 602: On Monday, India’s Prime Minister Narendra Modi will be at the White House to meet with President Trump. It will be exactly the sort of moment that makes ethics experts, worried about the conflation of Trump’s business abroad with his oversight of U.S. foreign policy, especially alarmed.
ellauri285.html on line 137: Maria pushaa ilmeisesti perspectivismiä, erästä idealismin fleivöriä. Se on oikea alternatiivisten totuuxien filosofia, Protagoraan homomensuura. Perspektivismin varhaiset muodot on tunnistettu Protagorasin (sic), Michel de Montaignen ja Gottfried Leibnizin filosofioissa. José Ortega y Gasset ja Karl Jaspers käsittelivät perspektivismiä erikseen 1900-luvulla.
ellauri297.html on line 547: Melkein kaikki kirjallisuus julkaistaan englanniksi. Tunnetuimpia runoilijoita ovat Frank Chipasula ja Steve Chimombo. Legson Kayira on kirjoittanut puoliomaelämäkerrallisia teoksia matkoista Afrikassa jo 1970-luvulla. Nykyisin Yhdysvalloissa työskentelevä Paul Tiyambe Zeleza on kirjoittanut parikymmentä tietokirjaa ja kolme kaunokirjallista teosta.
ellauri300.html on line 886: 10 At that moment she fell down at his feet and died. Then the young men came in and, finding her dead, carried her out and buried her beside her husband. 11 Great fear seized the whole church and all who heard about these events.
ellauri302.html on line 192: HINDEL enters. Halts for a moment upon the top stair and looks down at Shlayme, She is wrapped in a thin shawl, coquettishly dressed in a skirt much too short for her cunt. Descends into the basement, stepping noisily so as to wake Shloyme.
ellauri302.html on line 201: Rlfkele Approaches the curtain of Manke' s room and listens with passionate intentness, looking around every other moment with palpitant apprehension.
ellauri302.html on line 282: Manke: Wait, Rifkele, I'm coming right out to you. (Jumps down from the chair and runs up the stairs.) I 'm coming out to you. Just a moment and I'm with you. (She leaves. Rifkele disappears from the window.)
ellauri302.html on line 318: Manke Wait, Rifkele, wait a second. (Reflects for a moment.) Do you want to go away from here with me? We'll be together days and nights at a time. Your father won't be there, nor your mother... Nobody 'll scold you... or beat you...
ellauri302.html on line 376: Sarah: So you want to go back to the basement? — Into the basement, then! Much I care! (Resumes her packing.) He wants to ruin us completely. What has come over the man? (For a moment she is absorbed in reflection.) If you're going to stand there like a lunatic, I'll get busy myself! (Takes off her diamond ear-rings.) I'll go over to Shloyme's and give him my diamond ear-rings. (From her bundle she draws out a golden chain.) And if he holds back, I'll add a hundred rouble note. (She searches YeheVs trousers pocket for his pockethook. He offers no resistance.) Within fifteen minutes (Throwing a shawl over her shoulders.) Rifkele will be here. (As she leaves.) Shloyme will do that for me. (Slams the door behind her.)
ellauri311.html on line 42: relationship do you have with your female genitalia? Take a moment to
ellauri322.html on line 358: The view of this wild coast, as we sailed along it, afforded me a continual subject for meditation. I anticipated the future improvement of the world, and observed how much man has still to do to obtain of the earth all it could yield. I even carried my speculations so far as to advance a million or two of years (!) to the moment when the earth would perhaps be so perfectly cultivated, and so completely peopled, as to render it necessary to inhabit every spot, yes, even these bleak shores. Imagination went still farther, and pictured the state of man when the earth could no longer support him. Whither was he to flee from universal famine ? Sitten se kezu söi ize izensä ja sixi ei enää ole kezuja.
ellauri323.html on line 151: The Duke turned on his heel, and strode to the other end of the room. There he stood for some moments, his back to Zuleika.
ellauri324.html on line 68: At around 9:30 am. I gave the order to Secdef to execute the war plan for Operation Iraqi Freedom. In spite of the fact that I had decided a few months ago to use force, if need be, to liberate Iraq and rid the country of Weapons of Mass Destruction (money and oil), the decision was an emotional one. I know I have taken the right action and do pray few will lose life. Iraq will be free, the world will be safer. The emotion of the moment has passed and now I wait word on the covert action that is taking place.
ellauri330.html on line 243: Neljäs lähestymistapa, joka tunnetaan nimellä ennustava prosessointi (4), on epäsuorempi, ja sitä käytetään ensisijaisesti rakentamaan selittäviä siltoja tietoisuuden näkökohtien ja niiden taustalla olevien hermomekanismien välille. Tästä lähestymistavasta on useita esimerkkejä, aina niistä, jotka yhdistävät tietoisuuden ylhäältä alas -signalointiin aivoissa, omaan "petokone" -teoriaani . Näiden teorioiden ajatuksena on, että ottamalla asteittain huomioon tietoisuuden eri näkökohdat, ne voivat lopulta siirtyä tietoisuustieteen teorioista itse tietoisuuden teorioiksi. Petokone teorian kexijä on joku hindu Anil Seth. Neurotieteilijä Anil Seth Vartija-lehdessä: "Uskomme, ettemme ymmärrä elämän keskeistä mysteeriä".
ellauri331.html on line 486: Vuodesta 2011 lähtien virastosta on tullut epäsuosittu Turkmenistanissa. Turkmenistanin ulkoministeriön jakamassa raportissa Turkmenistanin diplomaatit ilmaisivat toistuvasti vastenmielisyytensä virastoa kohtaan väittäen, että se levittää järjestelmällisesti epätarkkoja ja puolueellisia tietoja heidän maastaan. Joulukuussa 2016 Valko-Venäjällä pidätettiin kolme REGNUM-toimittajaa, joita syytettiin "valko-Venäjän ja Venäjän kansojen välisen vihamielisyyden lietsomisesta", ääriliikkeistä ja kielteisistä arvioista Aleksanteri Lukašenkon hallituksen harjoittaman Valko-Venäjän politiikan suhteen. Valko-Venäjän kansalaiset Dmitri Alimkin, Juri Pavlovets ja Sergei Shiptenko viettivät 14 kuukautta tutkintavankeudessa nro 1. Helmikuussa 2018 heidät tuomittiin pykälän 3 momentin nojalla viideksi vuodeksi vankeuteen. Valko-Venäjän rikoslain 130 pykälä, "ekstremismi" kolmen vuoden rangaistuksella ja kiellolla lähteä Valko-Venäjältä. No ei nyt Valko-Venäjä, tshort vazmi!
ellauri331.html on line 561: Kiseljov, jota on kuvattu tällaisen LGBTQ- vastaisen propagandan "kyrvänkärjexi" verkossa, on esittänyt useita provokatiivisia kommentteja Venäjän LGBTQ-yhteisöstä. Hän on todennut, että homoseksuaalin henkilön elimet eivät ole kelvollisia siirrettäväksi heteroseksuaalille, koska ne ovat liian tylsyneitä, ja että homomiehiä tulisi kieltää luovuttamasta verta tai siittiöitä äiti synnyinmaan puolesta. Kiseljov on myös kutsunut venäläistä LGBTQ-yhteisöä "aggressiiviseksi vähemmistöksi", joka vastustaa "vanhempia, jotka taistelevat antaakseen lapsilleen terveen kasvatuksen" ja väittää väärentämällä tilastoja, että "40 prosentilla homoseksuaalien kasvattamista lapsista on sukupuolitauti."
ellauri331.html on line 623: Vuoden 2015 lopulla ukrainalainen kirjailija ja poliittinen aktivisti Anton Shekhovtsov, joka tutkii äärioikeistoa Venäjällä, väitti, että Bausman oli hakenut rahoitusta venäläiseltä oligarkilta Konstantin Malofejevilta, jonka kerrotaan olevan lähellä Kremliä, vedoten Anonymous Internationalin vuotamiin sähköposteihin, joissa Aleksei Komov toimi välittäjänä. Kuten sanoi Inkeri Vehmas-Lehto viisaasti: pervyj blim vsegda komom. Haaretzin artikkelissa tammikuussa 2018 Shekhovtsov kirjoitti, että verkkosivusto "alun perin käynnistettiin hyökätäkseen Ukrainaa vastaan sen jälkeen, kun sen entinen presidentti Viktor Janukovitš syrjäytettiin ja pakeni Venäjälle, syyttäen Ukrainan uusia viranomaisia fasismista ja antisemitismistä." Vaikka mikäs syytös se Bausmanista olisi?
ellauri336.html on line 392: It SHOULD be the responsibility of adult males to BE able to control themselves but alas it seems popular in Jewish Life to make excuses pertaining to their weaknesses and inability to control themselves. I guess it shows it angers me. There are such double standards it causes me growl moments 😔
ellauri336.html on line 436: What I don’t understand about the women that DO shave their hair off, I mean so they just stay bald hidden under a wrap all the time? Wouldn’t their husbands want to see their hair at intimate moments? How would having no hair be attractive to their husbands?
ellauri339.html on line 312: Allumons notre grande forge ! Sytytetään mahtava takomomme!
ellauri346.html on line 175: This is what happened. He said “Sweden and the EU are united behind Israel’s right to genoc… self-defense”, as if he caught himself at the last moment. LOL
ellauri346.html on line 250: Former Ukrainian MP Illya Kyva has been assassinated in Russia by Ukraine's SBU security service, law enforcement sources have told BBC Ukraine. - "How can I negotiate with a murderer like Putin? Setting aside that for a moment, how can I negotiate with the Russians? How can I debate about the people who reside in cities and villages that are occupied? We can't dictate where a person should live, what language they should speak, or which flag they should respect. Who are we to decide these things?" - Zelenskyy pointedly questioned.
ellauri348.html on line 739: Oletetut alkuperäiset runot oli muka käännetty runoproosaksi lyhyin ja yksinkertaisin lausein. Tunnelma on eeppinen, mutta yhtenäistä juonta ei ole, vaikka samat hahmot ilmestyvät uudelleen. Päähenkilöt ovat itse Ossian, joka kertoo tarinoita vanhana ja sokeana kuin pikku Heidin vuohikenraali Pekan mommo, hänen isänsä Fingal (hyvin löyhästi irlantilaisen sankarin Fionn mac Cumhaillin perusteella), hänen kuollut poikansa Oscar (myös irlantilaisen vastineen kanssa ) ja Oscarin rakastaja Malvina (kuten Shrekin Fiona, Macphersonin keksimä nimi), joka huolehtii Ossianista vanhuudessaan. Vaikka tarinat "ovat loputtomista taisteluista ja onnettomista rakkaudesta", vihollisia ja riidan syitä ei selitetä ja kontekstia ei ole juurikaan.
ellauri349.html on line 452: Eski bylsi Lapin lantalaista Pipsaa vaaran laella Sokrates-paarman pörrätessä ympärillä ja puraistessa kriittisellä momentilla pakaraan. Eskillä löpsähti, Pipsa eeku hohotti. Ei käynyt niinkuin Hegelille jolla paloi pohjaan piian kanssa. Eskin pehmeä rakotekniikka on Hyvinkään peruja.
ellauri351.html on line 352: Kardemommeloven: Man skal ikke plage andre, man skal være grej og snill,
ellauri353.html on line 235: Don Rafael Acosta embajador de Miranda, el matrimonio Thévenot, y Florence la hermana de Madame Thévenot, están invitados a cenar en casa del matrimonio Sénechal. Sin embargo, hay una confusión, y Monsieur Sénechal ha salido rumbo a otra cita. Como alternativa, se proponen ir a un restaurante cercano, pero al llegar se dan cuenta de que el dueño del establecimiento ha muerto. A partir de este momento, las reuniones entre este selecto grupo de burgueses se verán interrumpidas por una serie de eventos extraordinarios, algunos reales y otros producto de su imaginación. La alternancia entre lo real y lo onírico produce giros inesperados en la trama, en la que intervienen otros personajes como militares, un obispo, policías, guerrilleros y campesinos, todos causantes de interrupciones durante los frustrados intentos de los seis primeros por sentarse a comer y disfrutar del encanto de ser burgueses.
ellauri353.html on line 281: Mrs. FRIEDMAN attended Reed College and studied economics at the University of Chicago. She was on the staff of the National Research and the bureau. A few. Home Economics. She next joined the staff of the Federal Deposit Insurance Corporation where she worked until she married Milton and moved to New York. Since then she has continued home economic research on her own publishing. Individually and coauthoring the three works referred to a few moments ago. She was mostly a producer of the P.B.S. T.V. series free to choose. And in one thousand nine hundred six she received an honorary doctorate from Pepperdine University. The Milton. And Rose de Friedman Foundation which the Freedman's us. Promotes parental choice. Of the schools. Attend. As I mentioned the title of their most recent book is Two lucky people. I'm being told by my parents. That the harder you work the luckier you get. It is no wonder the Friedan consider themselves lucky. They have worked long hard to make the contributions they have made to each other and to our society. We the members and listen. Well are the lucky ones today. To have them share themselves and their insights with us once again. We welcome. (Milton claps his hands to them.)
ellauri362.html on line 332: Heinäkuussa 2011 The Guardianissa julkaistu Sedariin essee "Kanan varpaankynsiä, kukaan?" keräsi jonkin verran kritiikkiä siitä, että se oli epäherkkä Kiinaa ja kiinalaista kulttuuria kohtaan. Vuonna 2014 hän osallistui TV-äänenä "Kuulostanko hintiltä?" David Thorpen dokumenttielokuvaan ajan homomiesten puhemallien stereotypioista. Vuonna 2022 hän pohti suhdettaan äskettäin kuolleeseen isäänsä.
ellauri364.html on line 429: Homomiehillä on varmasti tavallista miestä vähemmän miehekäs sielu ja sydän, vaikka mela voi olla mahtava. He ovat nirsoja ylikultivoituja esteettejä, kulturpersoneja. Heidän kulttuurinsa on kuitenkin enemmän tollasta vastaanottavaa. Keräävät krimskramsia ja mitälie kitschiä. Homonaiset ovat karkeita miesmäisiä rekkalesboja. Käyttävät miesten vaatteita ja johtajan otteita. Harrastavat razastusta ja miekkailua tai ovat älyllisiä kuin Virginia Woolf. Sairasta!
ellauri365.html on line 80: Mykkyinä, uppoutunein silmin, hetkestä hetkeen Muettes, l’œil noyé, de moment en moment
ellauri365.html on line 171: toivon yllättävän heikkouden hetken! Que l’espoir de surprendre un moment de faiblesse !
ellauri365.html on line 584: Back North, the self-centered man forgot his despondency by merging himself into the larger soul of his estate. To those familiar with his membership of the committee, it came as no surprise that in 1916 Heidenstam was awarded the Nobel Prize for Literature. He is perhaps most like Browning. Above all things he abhors uninspired naturalism; "gray-weather moods," he calls it. Strindberg merely "let the cellar air escape through the house.", he said. He repudiates pessimism no less than sentimentalism. He wrestled with August for the deeper meaning of life. The imagery is often daring, as when a negro's lips are compared to the crimson gash on a foreskin. Heidenstam, though one of the most daringly earnest of poets, is sufficiently an artist to relieve his style by such touches of humor and of the deeper sort of romance. But atonement was repugnant to his manhood. He longs to be worthy of his heritage, to give his life for some damn cause. He believes it is only in moments of great exaltation that we really live. The best bit is where Verner dissuades his poor countrymen from whacking the filthy rich. Without his saying so, we feel in him the quality of St. Paul affirming: "I have fought the good fight, I have kept the faith."
ellauri370.html on line 112: In addition, contrary to claims that he was an environmentalist, Jackson was almost as much a "whore for logging companies" as for Boeing, according Carsten Lien's book Olympic Battleground. After his death, critics pointed to Jackson's support for Japanese American internment camps during World War II as a reason to protest the placement of his bust at the University of Washington.[25] Jackson was both an enthusiastic defender of the evacuation and a staunch proponent of the campaign to keep the Japanese-Americans from returning to the Pacific Coast after the war. Jackson died at 71. Jackson's death was greatly mourned. Jackson was proof of the old belief in the Judaic tradition that at any moment in history goodness in the world (olam) is preserved (tikkum) by the deeds of 36 just men who do not know that this is the role the Lord has given them. Scoop Jackson was one of those men.
ellauri370.html on line 384:
ellauri370.html on line 483: January 1927, Hitler, along with several highly ranked members of the Nazi Party, attended Chamberlain´s funeral. In 1909, some months before his 17th birthday, Rosenberg went with an aunt to visit his guardian where several other relatives were gathered. Bored, he went to a book shelf, picked up a copy of Chamberlain´s The Foundations and wrote of the moment: "I felt electrified; I wrote down the title and went straight to the bookshop." In 1930 Rosenberg published The Myth of the Twentieth Century, a homage to and continuation of Chamberlain´s work. Hitler told the ailing Chamberlain that he´d write a sequel to it. The French Germanic scholar Edmond Vermeil considered Chamberlain´s ideas "essentially shoddy".
ellauri373.html on line 59: Vuosi 2024 on 7E8 heksadesimaaleissa. Pirun vuosi 666 oli 1638, 80-vuotisen sodan 70. ja 30-vuotisen sodan 20. vuosi. Spanjuunat ja hollannikkaat kävi Kallon meritaistelun ja köydenvetoa Jolon saaresta. Jolon saarella oli 2 homomiestä sissien vankeina. Suomalaiset Seppo Fränti ja Risto Vahanen olivat 140 päivää panttivankeina Jolon saarella Filippiineillä 24 vuotta sitten. Risto liukeni vähin äänin valokeilasta. Sulttaani Who Wasit put up a stiff resistance.
ellauri373.html on line 512: kutsui toista sionismin "poliittiseksi liitoksi" (nazionalizm-sozializm) tai "Hertzlis'mom", senkin *e«^g5?-. Hän kutsui omaa sionismiaan
ellauri375.html on line 167: Write a brief email to my parents, expressing my deep love for them and gratitude for the moments we've shared
ellauri375.html on line 174: I hope this email finds you both well. I wanted to take a moment to express my deepest love and gratitude to you both.
ellauri375.html on line 176: Throughout my life, you have been my pillars of strength and support, guiding me through every step with love and wisdom. The moments we've shared, from the simple joys to the big milestones, are cherished memories that I hold dear to my heart.
ellauri375.html on line 185: Write another brief email to my parents, expressing my deep love for them and gratitude for the moments we've shared, taking into account that they are dead and that I hate oceans.
ellauri375.html on line 193: Though you're no longer with us, I carry your love and guidance in my heart every day. I want to take a moment to express my deep love and gratitude for all the moments we shared.
ellauri375.html on line 292: So you are a subjective idealist? Some kind of suum quique type? A Protagorean homomensura guy?
ellauri375.html on line 523: The future being better than the past is a hope that many people hold onto, despite the challenges we face. Whether it's through personal growth, societal progress, or spiritual transformation, many believe in the possibility of a brighter future. However, it's also okay to acknowledge the difficulties and uncertainties that come with life and to find meaning in the present moment, regardless of what the future holds.
ellauri378.html on line 134: IMHO happiness is a fleeting term. It exists only in moments of its sharp increase, like if you survive a kidney stone operation.
ellauri378.html on line 138: Rich people are hard working and smart. Smart people know how to find those moments more often than others. They usually accomplish it by diversifying themselves. They travel. They spend lots of time visiting family. They explore nature and their inner self. They are social creatures that seek positive conversations with their peers and inferiors. They choose meaningful career paths that provide them the ability to accomplish all the other aspects of their life that I mentioned above.
ellauri383.html on line 428: For this light momentary affliction is preparing for us an eternal weight of glory beyond all comparison,
ellauri389.html on line 71: The nominal occasion of Lamb's essay is not just Elia's purchase of the teacup, but also Britain's en- trance into China, as it began with the East India Company's annexation of Singa Pura (Singapore) in 1819. The event, which was a pivotal moment in British imperial expansion, extended imperial activity from South Asia to the Far East. More importantly, the development revised a longstanding Sino-British trade imbalance that was particularly caused by porcelain and tea, and hence necessitated a change in British attitudes toward luxury purchases such as porcelain that reversed the animus previously demonstrated by Fielding, who complained that brits echanged the gold of one India to the clay ("mud") of another. Indeed, "Old China" facetiously depicts a cultural sinicization presumably precipitated by this intensification in East Asia-based imperial activity: Elia drinks tea "unmixed," in the Chinese fashion, and experiences an "almost feminine" pleasure in porcelain that likens him to the androgynous "men with women's faces" that Elia associates with China. Fuck the guy was obviously gay.
ellauri389.html on line 228: “Far better to have a go at following my own direction than stagnate. It might not work out, but at least I’ll be able to say I had a go. It feels exciting at the moment, and I wanted to see if it is possible to live as a writer and podcaster. I’ve always found lot of academic philosophy rather dry, but I love philosophy at its best. Through Philosophy Bites I’ve met some of the top living philosophers, and I’ve been inspired by them.
ellauri389.html on line 281:
- Central Message:
- Experiences in nature are long lasting and can provide inspiration in difficult moments.
- Orientation to the present moment, including one’s present experience of oneself;
- Clearer reflection, including a meta-level perception of one’s own thought processes and the realization of the connection of one’s thinking to various outcomes in life;
- The actual implementation of a better life
xxx/ellauri068.html on line 223: And then I talked a little about what interests me most about Borges: his imagination, his problematic but in the end (or in his best moments) rebellious relationship with power and violence, what he still has to say about reading, tradition, the way in which we create (or he created for us) images of the world, models, ideologies.
xxx/ellauri076.html on line 172: And sentimental for that certain moment ja dundeellisesti oota otollista hetkeä
xxx/ellauri076.html on line 192: And sentimental for that certain moment ja dundeellisesti oota otollista hetkeä
xxx/ellauri081.html on line 335: Toi hirvee sapiens hahatus on moment-orangutan-rolls-hysterics-watching-disappearing-trick.html">päälleäänitys, oikeesti ei siinä ääneen naura kuin taikuri ja naishoitaja. On se surkeeta. Vankilaviihdettä. Ilo pintaan vaik syän märkänis.
xxx/ellauri085.html on line 224: Needless to say, that was my f*ck it moment, and decided to find something I actually enjoy doing.
xxx/ellauri086.html on line 463: Never was there a momentary lull "Her blood", he said, "is bluer than the Danube is or ever was
xxx/ellauri086.html on line 619: The ability to produce the letter at a moment's notice is almost as important as actual possession of the letter. Therefore, he must have the letter close at hand.
xxx/ellauri086.html on line 812: Let my heart be still a moment and this mystery explore;— kestäös vaan sydämmeni, joskus huonomminkin sulla meni!
xxx/ellauri103.html on line 314: I turned to face the crowd, lifted up my chin and walked down the main aisle, my pace deliberate. “Look back into the audience,” a friend had texted me moments earlier, “and let them see your face.”
xxx/ellauri114.html on line 122: What more than anything is missing in recent films, and shines splendidly in Maxwell’s films, is the sense of glory, the feeling that some have lived on an elevated plane according to the dictates of the highest sense of duty and honor. It’s an unfashionable feeling today, and mocked by those who conspicuously lack it, who love weakly, who think solely in quotidian, political terms. It cannot be understood by those without religious faith, for Heaven is a City of Glory and glory is the special attribute of a God who, if hidden, nevertheless offers us a glimpse of the special virtue of his glory in the lives of those who in moments of danger are willing to sacrifice themselves for a cause they think greater than themselves; and that, above the messiness of political squabbles, is the message behind Maxwell’s films. (The American Spectator 2015)
xxx/ellauri114.html on line 450: Kansanedustajavuosinaan Toivolasta tuli myös yksin isä, pientä tyttövauvaa puolixi hoitava puolixi musta homomies. Taas Toivola oli poikkeava, nyt erilaisena yksinhuoltajana.
xxx/ellauri120.html on line 103: until hate gets its own momentum going.
xxx/ellauri122.html on line 1053: mom Ma Roberts (computer specialist, what else)
xxx/ellauri123.html on line 273: Seuraava on tiivistelmä oidipaalisesta mom_seduces_son_to_fuck">videosta jossa "äiti" houkuttaa suihkunraikkaan "poikansa" muhinoimaan kanssansa. Äiti vetää röböä odotellessaan poikaa suihkusta. Tää on vintagea, mikä näkyy myös haalistuneista ruskeista väreistä, huonosta leikkauxesta ja todentuntuisesta 80-luvun miljööstä. Mukana on tavanomaisia paritteluvaiheita. Mukava piirre tässä videossa on että "äiskä" on koko ajan ohjaxissa ja pitää lujasti "pojan" suizista. Poika on lopulta niin innostunut äidistä että pyytää siltä vielä toista varvia. Äiti taitaa mennä tupakalle välillä.
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xxx/ellauri123.html on line 292: - More please mom! - No no, ei makeaa mahan täydeltä poju! Äiti vetää väliin syöpäkääryleen! Kazotaan sen jälkeen... ehkä slippaan johkin mukavampaan asuun... Noniin poju, näyttääkö äitin puo ihanalta tässä? Näyttääpä näyttävän...
xxx/ellauri123.html on line 603: Life is but a series of fleeting moments, one forever chasing the next. The only place where you can live, act, and make a difference is the present. Today. Well it´s also a series of hours, days, months and years, come to think of it. You can plan ahead, nincompoop.
xxx/ellauri123.html on line 675: hooked and start the payments just now. Take your time but keep in mind, life is just a series of fleeting moments, no time like the present.
xxx/ellauri123.html on line 1045: Many a true word is spoken in jest, especially about the kinship between eros and thanatos. FUCK! KILL! Puuttuu enää EAT! The two closest glimpses Humbert gives us of his own self-hatred are not without their death wish—made explicit in the closing paragraphs—and their excremental aspects: "I am lanky, big-boned, wooly-chested Humbert Humbert, with thick black eyebrows and a queer accent, and a cesspoolful of rotting monsters behind his slow boyish smile." Two hundred pages later: "The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice." And then there's the offhand aside "Since (as the psychotherapist, as well as the rapist, will tell you) the limits and rules of such girlish games are fluid …" in which it takes a moment to notice that "therapist" and "the rapist" are in direct apposition.
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xxx/ellauri127.html on line 116: There are currently five scholarly journals devoted to Nabokov studies. His allusive style and trilingual (English, French, Russian) wordplay are catnip for academics, who endlessly parse challenging texts like “Pale Fire” — a novel in verse, followed by obscurantist commentary — finding new apercus tailor-made for small-journal publication. Nabokov’s apotheosis in academe is quite ironical, because he and his close friend, the literary critic Edmund Wilson, shared an icy disdain for the ivory tower. They viewed universities as ATMs, handy because there were so many of them, and because they were flush with cash. Nabokov, who arrived in the United States penniless in 1940, had to rely on teaching assignments at Wellesley and Cornell to feed his family for 15 years. The moment “Lolita” made him financially independent, he fled Cornell for Switzerland and never set foot in a classroom again.
xxx/ellauri127.html on line 134: Nabokov’s attacks on his fellow Russian novelist Boris Pasternak were anything but amusing. The moment that Pasternak won the Nobel Prize for “Doctor Zhivago” in 1958, Nabokov waged a bitter, personal campaign against Pasternak, a nonstop stream of vitriol.
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xxx/ellauri127.html on line 566: A mighty fountain momently was forced: Valtava lähde aika ajoin luiskahti,
xxx/ellauri127.html on line 571: It flung up momently the sacred river. täyttää hetkisexi pyhää jokea.
xxx/ellauri127.html on line 622: On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock, and detained by him above an hour, and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purport of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away like the images on the surface of a stream into which a stone has been cast, but, alas! without the after restoration of the latter!
xxx/ellauri127.html on line 657: My name is Georgia Tarrant, and I am a clinical psychologist. In everyday life, my professional obligations seem to predominate over my personal life. It's as if work takes up more and more of the time I'd love to devote to my love life, our family, or even a moment of leisure.
xxx/ellauri127.html on line 738: At eighteen, Fanny Brawne “was small, her eyes were blue and often enhanced by blue ribbons in her brown hair; her mouth expressed determination and a sense of humour and her smile was disarming. She was not conventionally beautiful: her nose was a little too aquiline, her face too pale and thin (some called it sallow). But she knew the value of elegance; velvet hats and muslin bonnets, crêpe hats with argus feathers, straw hats embellished with grapes and tartan ribbons: Fanny noticed them all as they came from Paris. She could answer, at a moment’s notice, any question on historical costume. ... Fanny enjoyed music. ... She was an eager politician, fiery in discussion; she was a voluminous reader. ... Indeed, books were her favourite topic of conversation”.
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xxx/ellauri128.html on line 105: Vaakku ilmeisesti piti vastustelevista runotytöistä. Sama predilektio näkyy mom and son videoissa: "mami" pyristelee vastaan alussa, mutta panee vastaan tarmokkaasti loppupeleissä. Haista-paska kappalainen Capellanus näyttää olleen Vaakun lemppareita. Ruma Honoré de Balzac oli kanssa kova panomies, tosin se sai työntää vasta maxettuaan runsaasti. Paul Bourget oli varsinainen pahis, kuten jo tiedetään. Näissä hanuissa on hurjasti narsisteja. Chardonne eli puteli-Jaakko oli Vaakun poliittinen virkaveli. Cicero oli tyhmä snobi kikhernekauppias. Disraeli Tears oli poikkeuxellisesti hölmö jutku. Dosto komppaa Catullusta Karamazoveissa tän suositun vihaava rakkaus-aiheen suhteen. Duclos näyttää olleen paskiainen miehexeen. Hemmetin paljon on näitä koiraan lisääntymisstrategia-aiheita, missä rakkautta piisaa just niin kauan että pääsee luukulle, ja sitten alkaa jo huooh ikävystyttää. Vaakulla on vitun vähän ylipäänsä naisia muutakuin puheenaiheena. Joubert on nyysinyt ton "ei 2x samaa" penseen ihailemaltaan Rochefoucauldilta (tai vastoin päin). Vaakulla ja Tommilla on samojakin töräyxiä respektiivisissä kokoelmissa. Nietschen penseet naimisesta on niin heikkoja ettei viizi edes mainita. Sen kokemuxet siitä oli aika rajallisia. Mitä jää viivan alle kun Shawin supistus on tehty? Minielefantin kärsä. Tosta tottumuxen osuudesta rakkaudessa näyttää M/F töräyttäjät ottavan ihan vastakkaisia kantoja. Koiraiden kannalta on toi uutuudenviehätys tietty tärkeä. Jokainen uusi reikä on uusi tilaisuus. Riippumahainen Ball-sack ei kyllä tiennytkään mitään häveliäisyydestä. Sen Contes drolatiques on pitkästyttävä. Disdraeli saa lisää haukkuja albumissa 243.
xxx/ellauri129.html on line 488:Lapsi ei ajattele äitiään naisena (paizi mom and son videoissa). James Barrie M FUCK!
xxx/ellauri129.html on line 673: Étienne Jodelle est un poète et dramaturge français, né en 1532 et mort en juillet de 1573 à Paris. Membre de la Pléiade, il s´efforcera de revitaliser les principes du théâtre antique à la Renaissance. Il est le premier à introduire l´alexandrin dans la tragédie à son époque, notamment avec Cléopâtre captive, la première tragédie à l´antique, ainsi que L´Eugène dans la comédie, reconnu comme un précurseur du théâtre qui naît dans la seconde moitié du XVIe siècle, une période convulsive qui verra ses incertitudes incarnées dans son œuvre L´Eugène est une comédie humaniste d´Étienne Jodelle, représentée pour la première fois en 1553, à l´Hôtel de Reims, en même temps que Cléopâtre captive. C´est la première comédie à l´antique en langue française, même si certains de ses éléments sont encore proches de la farce : en cela, elle constitua un moment fort dans l´histoire de la Pléiade. Jodelle on piipunrassin näköinen.
xxx/ellauri130.html on line 168: Pannaas verraten Vaakun ja Tarmon kirjaamia näkemyxiä pomosta. Näissä penseissä on järjestään äänessä vain pomomiehiä. All-male paneeli. Mitäs näistä töräyxistä voi sanoa noin kootusti? No ainaskin sen että uskon koska se on absurdia. Tästä kai on ollutkin jo puhetta, ei Tertullianus ihan noin sanonut.
xxx/ellauri134.html on line 215: Tää on joku ikävä pomomies tai mixei ylihoitaja, kaulimella varustettu Justiina. Pirkko oli ja Seija on molemmat näitä hahmoja.
xxx/ellauri134.html on line 243: Desire: to live in the moment with full enjoyment
xxx/ellauri136.html on line 510: My name is not Ted but Brené Brown [don't miss the self-important accent aigu on the e]. I'm a tense social science worker lady mom who also wants to be a scientist. I'm here to give a motivational talk to you other tense American World I well-to-do lady moms.
xxx/ellauri136.html on line 539: I can tell you as a parent, that's excruciatingly difficult -- to practice gratitude and joy in those moments of terror, when we're wondering, "Can I love you this much? Can I believe in this this passionately? Can I be this fierce about this? Can I make her pass the midterm tennis test? Can I really be such a helicopter mom, a really cringy curling one?
xxx/ellauri137.html on line 319: I know how to call forth those moments so dear,
xxx/ellauri137.html on line 323: I know how to call forth those moments so dear.
xxx/ellauri137.html on line 401: At moments I can feel myself between your thighs.
xxx/ellauri137.html on line 479: I know the art of evoking happy moments,
xxx/ellauri137.html on line 483: I know the art of evoking happy moments.
xxx/ellauri137.html on line 519: The resurrection of glad moments is an art
xxx/ellauri137.html on line 523: The resurrection of glad moments is an art.
xxx/ellauri137.html on line 767: I got to the point where I found myself gritting my teeth as I tried to read the book and finally just decided I can´t make my way through it anymore. Instead I flipped to the ending out of curiosity just to see how it turns out, and of course, of course, at the crucial moment the CM steps in and Saves the Day.
xxx/ellauri138.html on line 192: Masentavaa hyveellisyyshöpötystä, amer. säädyllisyyttä jota Pete Mencken piti sinisilmäisenä, Philip Wylie (kekä?) mamismina (momism), Reagan ydinarvoina ja eurooppalaiset historian tajuttomasti puritanismismina, omanarvontuntona, entisenä lojaalisuutena tai tunteikkaana juutalaisamerikkalaisena
xxx/ellauri138.html on line 268: Literary history is full of moments of betrayal, when trusted confidants defied the wishes of the authors. Max Brod ignored Franz Kafka's order to burn his unpublished manus and diaries. Vladimir Nabokov and Philip Larkin's instructions to destroy the unpublished manus were rescinded by the heirs and executors, who not only retained but published them. Bailey did not publish Roths samizdats.
xxx/ellauri138.html on line 330: Delfiiniavataarissa Peppu pääsee turvallisesti vittuilemaan pehmomiehille.
xxx/ellauri139.html on line 184:moma.org/media/W1siZiIsIjQ3NzIxMyJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=5781e3be575ea954" width="50%" />
xxx/ellauri139.html on line 218: (3) He had a really awful nightmare about being attacked by a horrible Kafkaesque scorpion-monster thing in his bedroom. In the dream, his mom called in his actually-dead dog to kill this reptilian thing, and it bites the dog while the dog is biting it.
xxx/ellauri139.html on line 334: When Madeline finally enters the room, undresses, and falls to sleep, Porphyro is watching her. When he decides that she has fallen completely asleep he makes his approach and wakes her with the playing of a flute. She is ripped from a dream in which she was with a heavenly, more beautiful version of Porphyro and is aghast when she sees the real one. She believes for a moment that he is close to death.
xxx/ellauri139.html on line 436: So, purposing each moment to retire, Joka hetki meinaa neiti alkaa koisata,
xxx/ellauri139.html on line 442: But for one moment in the tedious hours, Eze vois nähdä ja kenties kokeillakkin salaa,
xxx/ellauri139.html on line 530: “Or I will, even in a moment’s space, Jos niin mä hotaisen sua tällä kangella,
xxx/ellauri139.html on line 1030: En 1775 paraît sa première pièce majeure Le Dix-huitième siècle. C’est une satire en vers qui donne la caricature de son temps ; la philosophie y est le principe de la « chute des arts », de la « perte des mœurs ». Tout y est matière à charge : la bourgeoisie, la noblesse, le clergé libertin ; la littérature du moment y est passée au peigne fin. Des généralités sociales, on passe bientôt aux attaques ad hominem ; à la fin de la satire, du reste, le nom honni paraît enfin : Voltaire. Le Dix-huitième siècle est véritablement à sa parution, et pour reprendre le mot de Huysmans, « un météore dans le champ littéraire » de l’époque. Il n'est pas de bon ton, La critique se dechaine.
xxx/ellauri139.html on line 1083: La redingote bleue qu'il porte au moment de la décapitation sera achetée par des connoisseurs. Un courant de sympathie monte dans l'opinion autour de cet assassin atypique.
xxx/ellauri139.html on line 1146: Manfred est un drame en vers de George Gordon Byron, dit Lord Byron, publié en 1817. Bourrelé de remords après avoir tué celle qu'il aimait, Manfred vit seul comme un maudit au cœur des Alpes. Il invoque les esprits de l'univers, et ceux-ci lui offrent tout, excepté la seule chose qu'il désire, l'oubli. Il essaie alors, mais en vain, de se jeter du haut d'un pic élevé. Il visite ensuite la demeure d'Ahriam, mais refuse de se soumettre aux esprits du mal, leur enjoignant d'évoquer les morts. Enfin lui apparaît Astarté, la femme qu'il a aimée puis tuée par son étreinte (« My embrace was fatal... I loved her and destroy'd her »). Répondant à son invocation, Astarté lui annonce sa mort pour le lendemain. Au moment prédit apparaissent des démons pour s'emparer de lui, mais Manfred leur dénie tout pouvoir sur sa personne. Pourtant, à peine sont-ils apparus qu'il meurt. La situation de Manfred deviendra l'un des poncifs favoris composant le portrait de l'homme fatal du romantisme. Cette pièce s'inspire, pense-t-on[Qui ?], dans son plan, du Faust de Goethe et selon certains, contiendrait une allusion du poète à sa demi-sœur Augusta Leigh. Sitäkin se dodennäköisesti bylsähti.
xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
xxx/ellauri149.html on line 410: Those moments of plot, dialogue, acting, etc., that fans delight in interpreting as homoerotic.
xxx/ellauri149.html on line 427: Naturally, this varies between productions, and some lean into the brotherly angle of their bond instead. But there are a few stand-out moments in the lyrics and structure of the story themselves that encourage this interpretation:
xxx/ellauri149.html on line 434: Arguably the strongest moment: when he is at absolute rock bottom, right before his suicide, Judas breaks into a reprise of Mary's "I Don't Know How to Love Him." When Mary sings it, it's implicitly about romantic love. And while Judas's version stops before "And I've had so many men before," it concludes with the anguished cry, "Does he love me, too? Does he care for me?"
xxx/ellauri149.html on line 436: The 1973 film has an emotionally charged moment during Everything's Alright, with Jesus gently lifting Judas' chin, the two gripping each other's shoulders, and their arms slowly slipping away from each other, until they clasp hands and have several seconds of intense eye contact.
xxx/ellauri149.html on line 463: Narm is a moment that is supposed to be serious, but due to either over-sappiness, poor execution, excessive Melodrama, unneeded use of foul language, or the sheer absurdity of the situation, the drama is lost to the point of surpassing "cheesy" and becoming unintentionally funny. Sometimes also known as "Cringe": evoking dissatisfaction or even disgust from the poor execution, but said poor execution also evokes a kind of humour to make fun of.
xxx/ellauri149.html on line 471: Christmas means many things to many people. To some, Christmas means glittering lights, gaily wrapped gifts. That's right, sounds of laughter and good cheer. To the folks at Preparation H– hahahahaha– it means a time to pause for a few– hahaha– a few moments to– HAHAHA– to give thanks to their friends, who've been so... [collapses into helpless laughter] …kind and generous!"
xxx/ellauri149.html on line 501: Germany is the totality of all German-feeling, German-thinking, German-willing Germans: In this sense, every one of us is a traitor if he does not consider himself personally accountable in every moment of his life for the existence, fortune and future of the fatherland, and each is a hero and liberator if he does.
xxx/ellauri157.html on line 60: It isn't for the moment you are struck that you need courage, but for that long uphill climb back to sanity and faith and financial security. Only in growth, reform, and change, paradoxically enough, is true financial security to be found.
xxx/ellauri157.html on line 64: If you surrender completely to the moments as they pass, you live more richly those moments.
xxx/ellauri157.html on line 239: The Lithuanian rabbis (like Itchele's mom's folks) feared that Hasidism demoted the traditional importance on Torah study, from its pre-eminent status in Jewish life. Some Hasidic interpretations saw mystical prayer as the highest activity, but their practitioners thought that through this, all their Jewish study and worship would become easier. By the mid-19th Century, the schism between the two interpretations of Eastern European Judaism had mostly healed, as Hasidism revealed its dedication to bookwormship, and the Lithuanian World saw advantages in the Hasidic shared fun.
xxx/ellauri157.html on line 254: Likewise a story is told of how in moments of mystical rapture, Schneur Zalman of Liadi would be seen rolling on the floor, exclaiming to his housekeeper: "God, I don't want your Garden of Eden (Heavenly World), I don't want your World-to-Come (Messianic days), I just want You!".
xxx/ellauri157.html on line 449: Rabbi Nachman of Breslau (1772–1810) reminds us, in the same way that breaking is an inevitability, fixing is also an inevitability. We know the former is true; we don’t always believe the latter.Rabbi Nachman knew a thing or two about brokenness. His Hasidic tales often circle around characters who face their darkest moments and search profoundly for redemption. He authored a quote that became a famous Jewish song: “The entire world is a very narrow bridge. The key in crossing is not to be afraid. Only someone who has seen fear and overcome it could write these words.
xxx/ellauri157.html on line 624: This movement began in the 18th century by Rabbi Israel ben Eliezer, later known as Baal Shem Tov, the Master of the Good Name. Hasidic Judaism sets aside the earlier emphasis on studying the Torah from an academic perspective, and instead exalts the experience of it at all moments. Within the movement there are a number of sects, including the Satmar, Belz, Ger, Sanz, Puppa, Spinka, and Lubavitch. Mazel tov!
xxx/ellauri167.html on line 592: To his advantage, however, was the fact that he had microphone access whenever he wanted it. But at a key moment, he pointedly chose not to take the mic. When Ribicoff made his crack about “Gestapo tactics in the streets of Chicago” from the dais, Daley stood up and shouted from the floor “Fuck you, you Jew son of a bitch, you lousy motherfucker, go home!” The forceful exclamation, shown on live TV, was later deciphered by lip readers. Friends said Daley called Ribicoff not a “fucker,” but a “faker.” Enemies suggested he had called him not a “Jew” but a “kike.” The CBS newsman who was closest simply reported that Daley had gone bright red with anger.
xxx/ellauri168.html on line 100: Following the rise of Boris Yeltsin eclipsing Gorbachev and the election victory of Clinton over Bush, the term "new world order" fell from common usage. It is a republican logo after all like law and order and MAGA. It was replaced by competing similar concepts about how the post-Cold War order would develop. Prominent among these were the ideas of the "era of globalization", the "unipolar moment", the "end of history" and the "Clash of Civilizations".
xxx/ellauri168.html on line 268: Physical entities such as subatomic particles possess abstract relational properties, such as mass, spin, momentum and charge. But there is nothing about these properties, or in the way particles are arranged in a brain, in terms of which one could deduce what the warmth of fire, the redness of an apple or the bitterness of disappointment feel like. This is known as the hard problem of consciousness. (Again, what's the problem? Kittling brain cells produce feelings. Good things feel good and bad things bad, what else is there to explain? Self consciousness? Nothing but feed7back.)
xxx/ellauri170.html on line 250: Our noisy years seem moments in the being Tekemään ruuhkavuosista hetkiä
xxx/ellauri170.html on line 262: Can in a moment travel thither, Ne voi matkustaa sekunnissa sinne,
xxx/ellauri170.html on line 723: The answer to ‘How am I experiencing this moment of being alive?’ (Also )
xxx/ellauri170.html on line 1022: Tuolloin Jeesus seisoi opiskelijoiden kanssa valtameren rannalla ja yllytti tähän rukoukseen sanoen: "Kuule minua, Isääni, kaiken isyyden isää, rajaton Valo: aeēiouō iaō aōi ōia psinōther thernōps nōpsither zagourē pagourē nethmomaōth nepsiomaōth marachachtha thōbarrabau tharnachachan zorokothora ieou [= Yew] sabaōth (tai jotain sinnepäin)."
xxx/ellauri173.html on line 173: Il nous eût été si agréable de posséder quelques bonnes épreuves photographiques, (prises au moment même du phénomène,) de Josué arrêtant le soleil, par exemple, ou ramassant la colline des 40K prepuces? ― de quelques Vues du Paradis terrestre prises de l’Entrée aux épées flamboyantes ; de l’Arbre de la Science ; du Serpent ; etc. : ― de quelques vues du Déluge, prises du sommet de l’Ararat (l’industrieux Japhet, aurait, je le parierais, emporté un objectif dans l’arche s’il eût connu ce merveilleux instrument). Plus tard, on eût cliché les Sept Plaies d’Égypte, le Buisson ardent, le Passage de la mer Rouge en video, avant, pendant, et après l’épisode, le Mané, Thécel, Pharès, du festin de Balthazar ; le bûcher d’Assur-banipal, le Labarum, la Tête de Méduse, le Minotaure, etc., ― et nous jouirions, aujourd’hui, des portraits-cartes de Prométhée, des Stymphalides, des Sybilles, des Danaïdes, des Furies, etc., etc.
xxx/ellauri173.html on line 292: Dans le moment même où l’être humain tente d’échapper à sa spécificité, celle par laquelle il tormente l’animal a son gré en s’en différenciant comme une espèce vis-à-vis de son genre, il ne fait que réaffirmer cette spécificité.
xxx/ellauri174.html on line 479: Ja kuinka epäröisit pitää parempana ajan säästönä ihailtavia sanatiivisteitä (töräyxiä eli aforismeja), joiden muodostavat ne, joilla on puhetaito, ajattelutapa ja jotka voivat ilmaista yksinään koko ihmiskunnan tuntemuksia! Nämä maailmanmiehet ovat analysoineet intohimoiden hienovaraisimmat vivahteet. Se on olemus, jonka he yksin ovat säilyttäneet, jonka he ilmaisevat tiivistämällä tuhansia niteitä yhdelle sivulle. He olemme me, keitä tahansa olemme. He ovat Proteuksen jumalan inkarnaatioita, joka valvoo sydämiämme. Kaikki ajatuksemme, sanamme, tunteemme, karaatin painottuna, ovat heidän mielessään merkittyjä kaukaisimpiin seurauksiinsa, joihin emme uskalla mennä, uskaltakaa! He tietävät etukäteen ja parhaansa mukaan kaiken, mitä intohimomme voivat ehdottaa meille voimakkuutta, taikuutta ja ihanteita. Emme pysty parempaan, vakuutan teille: - enkä ymmärrä miksi meidän pitäisi vaivautua puhumaan huonommin, koska haluamme luottaa epäpätevyyteemme, sillä verukkeella, että se on ainakin henkilökohtaista - sitten se tämä, näet, on edelleen vain illuusio.
xxx/ellauri176.html on line 152: The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monsignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax. Well not really. It is more like a horrible anticlimax.
xxx/ellauri176.html on line 751: 71. Mikä on kiihottavampaa kuin komea närkästynyt mies ilman rihmankiertämää. Michael hypistelee Reiskan pikkuisia rintoja. Reiska kuvitteli izensä transuxi. Reiska halusi gigolon joka reikään. Lilluitko sinä kylvyssä lukuisien homomiesten kanssa? Michael teki käsieleen aikalisän merkixi. Urheiluklischeitä. Jock strappeja. Hardy boys on poikakirjasarjan kovat kollit. Benjy eli kusilaari on heterotyttö lesbojengissä. Kyltässä niteessä on hälyttävän paljon quirky juttuja. Sujauta suorastaan mässäilee niillä. Ei savua ilman tulta!
xxx/ellauri177.html on line 82: Vähän apupapin taustoja, Zola naturistina tietää kuinka tärkeitä ne on elämä-ja-teos näkökulmasta. Syyläisenä nuorukaisena pappiparka veti käteen salaa Neizyt Maarialla. Ei sitä napanneet homomiehen veripipit eikä partapozo pilven reunalla. Fair enough. Sitten tuli vaikeampaa teologista stalkkausta: taivaallisen sulhasen avoliitto, missä Pyhä Henki "sinetöi valinnan maljakon", mystisesti tulppasi Neitsytäidin sisääntuloaukon, antautumaan loukkaamattoman puhtoisena ihmisten palveluxeen; selvitäxeen neizytvoittajana kaikista vastaisista harhalaukauxista, kuvanpalvojien kumiluodeista ja runkkutahroista. Aivan saatanan leppymätön vihollinen, uusi Eeva joka oli murskaava käärmeen pään, ahdas armon portti, josta vapauttajan genomi oli ensimmäisen kerran mennyt sisään, josta hän putkahti, ja josta hän epäilemättä astuisi jälleen viimeisenä päivänä!
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri186.html on line 290: Lowell was a conscientious objector during World War II and served several months at the federal prison in Danbury, Connecticut. He explained his decision not to serve in World War II in a letter addressed to President Franklin Roosevelt on September 7, 1943, stating, "Dear Mr President: I very much regret that I must refuse the opportunity you offer me in your communication of August 6, 1943 for service in the Armed Force." He explained that after the bombing at Pearl Harbor, he was prepared to fight in the war until he read about the American terms of unconditional surrender that he feared would lead to the "permanent destruction of Germany and Japan." Well as it turned out it wasn't as bad as that, but countless beautiful places were bombed beyond recognition. Lowell kept his Tolstoyan stance consistently in the subsequent wars as well. Even evil people have exceptional sane moments. Lowell thought he was Hart Crane reincarnate.
xxx/ellauri187.html on line 107: Rilke spent his life wandering. From an art colony in Germany he migrated to a position as Rodin's secretary in Paris; the sculptor eventually claimed that the poet was answering letters without his permission and summarily dismissed him, as much to Rilke's relief as to his chagrin. From Berlin he made two pilgrimages to Russia to meet Tolstoy, on one trip going nearly unacknowledged because of a titanic quarrel between the count and the countess. He traveled from Italy to Vienna to Spain to Tunisia to Cairo. His restless peregrinations had their origins in his epoch, and in a temperament forced painfully to choose perfection of the life or of the work. Rilke's academic sponsor and friend was Georg Simmel, the celebrated German sociologist and philosopher of modernity. In "The Adventurer," one of his most famous essays, Simmel argued that only the experience of art or adventure could invest time with the significance once lent it by religious ritual. The work of both art and adventure had a beginning and an end; they were each an "island in life" that briefly imparted a transcendent wholeness to experience. And of all possible modern adventures, Simmel concluded, the one that most completely combined the profoundest elements of life with a momentary apprehension of what lay beyond life was the love affair.
xxx/ellauri187.html on line 123: At moments Rilke's awareness of his self-interest amid modern anxieties appears uncannily precocious: "The pressures even in the preschooler's life were often suffocating. He longed for change." How does Freedman know that? I presume he got it from one of the mature Rilke's self-dramatizing letters, letters that Freedman paraphrases tendentiously throughout the book. That approach has the effect of turning Rilke's harsh and vain self-explorations into evidence of the "traumas" that Rilke spent a life riddled with "failure" denying. Indeed, Freedman writes enigmatically about "Rilke's pattern of living through failure as part of a process that turns denial into poetic art." I'm not sure what that means, but it sounds like success to me.
xxx/ellauri195.html on line 216: If we have been told that, we may miss the mark. I have taken you, in the chapter which I have just read, to Christianity at its source; and there we have seen, “The greatest of these is love.” It is not an oversight. Paul was speaking of faith just a moment before. He says, “If I have all faith, so that I can remove mountains, and have not love, I am nothing. “So far from forgetting, he deliberately contrasts them, “Now abideth Faith, Hope, Love,” and without a moment’s hesitation, the decision falls, “The greatest of these is Love.”And it is not prejudice. A man is apt to recommend to others his own strong love, but he should imitate Paul´s tiny one instead.
xxx/ellauri199.html on line 992: Lynn Cowell is an author and speaker with Proverbs 31 Ministries, whose passion is helping moms become wise women who raise wiser daughters. For the past 10 years, Lynn has taught women and teens to discover the radical love of Jesus and build an inner confidence that leads to smart choices. Her ministry and His Revolutionary Love book have helped hundreds of teen girls and their moms discover that only Jesus has big enough a spotted dick to fill the love gap in their "hearts". Read less.
xxx/ellauri200.html on line 314: enjoying every moment. The bride laughed when I
xxx/ellauri200.html on line 582: where destined atoms are each moment slain. Määräatomeita joka hetki lytäten.
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xxx/ellauri212.html on line 190: Kakeru in this context means to shower or pour. The word bukkake is often used in Japanese to describe pouring out a liquid with sufficient momentum to cause splashing or spilling. Indeed, bukkake is used in Japan to describe a type of dish where hot broth is poured over noodles, as in bukkake udon and bukkake soba.
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xxx/ellauri215.html on line 165: Tätä nää jutkukynäilijät on (oli), pelkää ja ihailee gangstereita kuin Surku Yniäinen susia. Marxin veljexet. Big time Jews. Toisiaan ne ei sietäneet alkuunkaan, hirvee skaba parrasvaloista. Kolme koukkunokkaa: kimmomainen pömppömaha, käkättävä luipero ja pahansuopa leuaton kuikelo.
xxx/ellauri215.html on line 376: This is not a world where the big can rule over the small. What the world needs to see is a game rules-based international order where all of us can at least believe that we stick to the rules, the U.S. rules which Russia is not sticking to at the moment.
xxx/ellauri218.html on line 172: Lollo (tai sen ruipelompi ystävä) diggasi Al Hibblerin Unchained Melodya joka oli UK listakärki 1955. Se on aika pitkäveteinen ja laahaava. Homompi Righteous Brotherseista kimitti sen coverina 1964. A.Hitlerin Horst Wessel Lied 1931 oli vetävämpi. Horst Wessel kirjoitti runonsa kommunistisen runoilijan Willi Bredelin taistelulaulun pohjalta, jonka tämä oli kirjoittanut 1800-luvulta peräisin olevan posetiivilaulelman sävelmään. Al H. oli lakupetteri. Hibbler was born in Tyro, Mississippi, United States, and was blind from birth. Limaisen Lillon olis paree pukeutua kokovartalokondomiin. Älä rakasta ilman satulaa.
xxx/ellauri218.html on line 306: Juuri kun pääsin kiittämästä Löllöä realismin striikistä, se lankee taas samanlaiseen optimismi-humanismi-idealismi-liipalaapaan josta kirjan aloitti. Voihan helkutti. Homomensuuraa taas peleihin. Me ollaan maailmankaikkeuden tärkeimpiä mittoja. Se on kuule paskapuhetta, Löllö hölmöpää!
xxx/ellauri218.html on line 469: Only recently, after almost 50 years, did their families receive their pension benefits. Many U.S. unions held a national moment of silence this Feb. 1 to honor Cole and Walker.
xxx/ellauri224.html on line 365: Eliot was in love three times (not counting the catamites), and each of those loves became events in his artistic and spiritual lives – and two of the women involved were massively the worse for it. Vivien Eliot was a difficult woman, yet Eliot – who had connived at her affair with Bertrand Russell – treated her, with the agreement of his spiritual advisers, with a coldness that helped break her spirit, perhaps her mind. Emily Hale was the woman he deserted for Vivien; she spent her life at his encouragement waiting for Vivien to die, and it was in her presence that he had some of his deepest moments of spiritual intensity – yet she was eventually dismissed from his life with equal coldness. They were both central to his greatest works: Vivien to The Waste Land and Emily to much of The Four Quartets.
xxx/ellauri224.html on line 499: A man with an apparent 48-year grudge has been going each morning to urinate on the grave of his ex, much to the horror of her furious kids, who realized something was wrong when they discovered bags of poop left at their mom’s final resting place. “I felt like getting out and killing him,” said Michael Andrew Murphy, 43, told The Post of what it was like to catch the man he says has been desecrating the burial site of his mom, Linda Torello. Then my sis could have gone and peed, crapped and menstruated on his.
xxx/ellauri224.html on line 506: Murphy said the video and pictures he and his sister got indicated that the man drove to the cemetery almost every morning between 6:14 a.m. and 6:18 a.m. with his current wife, got out of the car, walked to Torello’s grave and peed on it. (How could one video possibly indicate as much as that?) “I can’t get my wife to go out to dinner but this guy gets his wife to go along with him to desecrate my mom’s remains every morning!” Murphy fumed.
xxx/ellauri225.html on line 44: The general gist is that humans originally spread throughout the galaxy from a planet called Hain. The Hainish colonies (including Earth) all eventually lost contact with and then memory of each other; each book or story then shows a planet at or shortly after the moment when contact is re-established. It’s a useful way to frame the classic sociological sci-fi writing that Le Guin is known for—an Envoy or Observer from the slowly burgeoning coalition of planets can arrive at a completely new human society, which Le Guin can then use to dissect and explore some facet of real life through speculative worldbuilding. And the best part of it is that unless Darwin got his hairy foot into it, all the Hainians got fully interlocking genitals! One of the biggest obstacles to enjoyable alien sex is overcome.
xxx/ellauri225.html on line 372: About Shakespeare, however, Bloom is nothing short of reverential: “My religion is the appreciation of high literature. Shakespeare is the summit. Revelation for me is Shakespearean or nothing.” He admits that much about the Bard still bewilders him. In a moment of rare vulnerability, Bloom admits he longs for more life. Bloom explains his theory of “self-otherseeing,” which allows one to glimpse parts of one’s self that are hidden from conscious view. “Self-otherseeing” also describes “the double-consciousness of observing our own actions and offerings as though they belong to others and not to ourselves.” Bloom insists that Shakespeare’s characterizations of Hamlet, Iago, Cleopatra and Falstaff use “self-othering,” and by watching them we inadvertently learn to think more seriously about ourselves. But he doesn’t show us how this has applied to him, only the declaration that it does so. We are left mystified and dubious.
xxx/ellauri225.html on line 374: Recently, chanting Walt Whitman to himself at night—he describes Whitman as “our repressed voice,” a loosener and liberator whose fearlessness embraces every living moment—Bloom brought forth an almost feverish recollection from over 70 years ago. There was a young lady of 17 with lustrous long red hair. They were students at Cornell and took long walks together, picking apples that she would transform into a delicious applejack. And then, as with his mother, Bloom stops. We learn nothing else about the girl, what transpired, did he score, or what this memory meant to him on this restless night. He has already moved on, to his infatuation with Proust’s “privileged moments” and “sudden ecstasies of revelation,” which bring back to Bloom his dead parents whom he misses dearly.
xxx/ellauri225.html on line 376: For the briefest of moments, a veil lifts, and he speaks about wanting more time, not wanting to die. He shyly admits that he needs more time to make peace with the difficult reality that he is merely “a reader and a teacher, and not a creator.” It is a tragic confession. How excruciating it must be to revel in creative genius yet not possess the gift to create.
xxx/ellauri225.html on line 378: Ultimately Bloom cannot change into anything other than who he has always been—masterful and monstrous. He seems to sense he has moved out of favor in many circles but chooses not to dwell upon why. Instead, he continues as he always has: writing and teaching his handpicked “elite” students at Yale—part of the unique arrangement he has made with the university. He has led a long, cloistered, and entitled life. The aloneness he described as a child seems to have shrouded his adult life as well. I wonder if he questions this aloneness in his darkest moments. I would guess that he does not dwell too deeply upon it, perhaps afraid of answers he doesn’t wish to confront.
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xxx/ellauri228.html on line 479: The Holy Supper consists of family thrashing, playful anticipation for the Afterbirth of Christ, and a fast meal on twelve dishes. These are the essential components of the evening gathering. The details can be adjusted to fit your family’s situation. Dad's belt and the tongues of mom's thigh length boots will do fine for a meal. Enjoy your time together as you prepare for the coming of our Lord into the House of Loaves.
xxx/ellauri228.html on line 596:Notable moments
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xxx/ellauri230.html on line 586: While the vagina will most commonly expand during periods of arousal, it is possible that the penis can't fit properly inside, which can make woman feel much pain and discomfort. This could be due to exceptionally large penis size, thrusting too hard or the women is not sufficiently aroused (meaning the cervix and uterus have not been pushed up to let the vagina expand). So wait a minute jap, not so fast, there will more than enough space for your half-foot in a few moments!
xxx/ellauri230.html on line 613: Ruozin nazihallituxen uusi bisexuaaliministeri julistaa: feministisen ulkopolitiikan aika on nyt ohi. Amerikoissa naiset jättävät johtotehtäviä kiihtyvällä vauhdilla. Sillä nyt on tullut jälleen edgarhooverilaisen homomiespolitiikan aika!
xxx/ellauri233.html on line 124: Det var förvirrat och imponerande och roligt på en och samma gång. Det var ett långt hallelujamoment från ett maniskt, eventuellt bipolärt, snille som inte kan sova om nätterna för att idéerna sprutar ur hans rastlösa hjärna.
xxx/ellauri234.html on line 198: Suomella on myös irridentansa ja se on tämä (Karjala). Se on vieraan vallan alaisuudesta pelastettava heimomaa ei yksin voisi ilmestyä Varangin tienoille, jok'ainoa suomalainen itäpuolella
xxx/ellauri234.html on line 469: I experience joie de vivre every time I develop software. Not to mention the great moments when I begat my son.
xxx/ellauri234.html on line 499: Thank you for this response, I am a female, 55 years old, without my 2 children who went in a car accident. All of my life I had to deal with women complaining about being single moms. It is really only me who is genuinely single. Plus, my own mother is toxic. I wish I wasn’t born, but I still see the beauty in this earth for software developers.
xxx/ellauri234.html on line 504: An unlucky mom:
xxx/ellauri234.html on line 520: Good for you! My son has had been through various phases of medication (serotonine re-uptake inhibitors?) but at the moment he is self-medicating with grass. I do think that he is trying to do as well as he can, though. Sometimes he gives me a doobie from his stash, I give him beer and we watch some TV together.
xxx/ellauri235.html on line 481: Roald Dahl's children's books are full of barely submerged misogyny, lust and violence. Roald Dahl was an unpleasant man who wrote macabre books – and yet children around the world adore them. Perhaps this shouldn’t surprise us, writes Hephzibah (Hetty) Anderson. Kids can be so cruel. Oh can we? Thanx mom! .... Oow! Oow!
xxx/ellauri235.html on line 767: If you'll step in one moment, dear, you shall behold yourself." Astuppa sisään hetkexi, niin näet koko izesi!
xxx/ellauri237.html on line 771: Recuerda que cualquier momento es
xxx/ellauri237.html on line 971: Esta característica tiene que ver con la tendencia a asumir que es uno mismo quien ha de otorgar sentido a las experiencias que se viven en cada momento, a través de un proceso de creación de significado. De este modo, se deja que el modo de vivir el día a día sea espontáneo, creativo, sin intentar que todo lo que se percibe encaje a la fuerza en esquemas preconcebidos. El estilo de vida asociado a este tipo de personalidad, para Roger Rabbit, se caracteriza por evitar la tendencia a prejuzgar. No se analiza el presente como algo que debe ser explicado totalmente por las vivencias
xxx/ellauri237.html on line 1071: On monia tutkimuksia, jotka ovat osoittaneet, että mindfulnessia harjoittavat ihmiset nauttivat paremmasta hyvinvoinnista. Tämä johtuu siitä, että he elävät nykyhetkessä ja heillä ei ole tuomitsevaa asennetta. Ihmiset, joilla on falski optimismi, elävät irrationaalisilla odotuksilla, kaukana "tietoisesta" mentaliteetista. Voit oppia lisää nykyhetkessä elämisestä edullisesta artikkelistamme: momento-presente">Kuinka elää nykyhetkessä, 7 psykologisessa avaimessa.
xxx/ellauri239.html on line 157: Let’s step back a moment and look at that assumption. Did Jesus say anything about abortion? Did he really believe that abortion was okay?
xxx/ellauri250.html on line 465: Kuosmanen has crafted a drama within a clearly defined moment in recent history, only to refuse to be tied to it. This approach to period storytelling proves far more intriguing than the romantic drama within this setting.
xxx/ellauri250.html on line 599: But was he a cynic? Was he an efficient epicure like Viennese Australian Singer? Was his mother Israel a Jew? Did he hate his mom?
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xxx/ellauri255.html on line 149: That matter of internal lines proved incredibly important, especially when it came to the crucial moments. There were times when the Bolsheviks themselves thought that they’d lost the civil war, and were almost preparing to abandon Moscow.
xxx/ellauri255.html on line 152: Denikin’s advance initially went well, and there were moments when Trotsky and others in the Red camp really thought that they were facing defeat. But, because the Red Army no longer had to worry about Kolchak’s troops to the east, they were able to reinforce their troops facing Denikin. October 1919 saw a complete turnaround – the final turning point, if you like, in the war.
xxx/ellauri255.html on line 154: Churchill, then British secretary of state for war, couldn’t believe what had happened. He was sending signals to General Holman, commander of the British military mission, saying: “I can’t believe this. The Reds were in full retreat, and now suddenly they seem to be beating the Whites on every front. What’s happened?” He’d failed to understand that it was purely because the Bolsheviks had reinforced that eastern front at a crucial moment, then – with the advantage of their just cause – been able to bring troops back very rapidly to transform the whole situation.
xxx/ellauri255.html on line 158: Antony Pyp Pipo: The Russian Civil War was really the moment when Ukraine started to become a separate entity from Russia, all thanks to Lenin. There wasn't much of malorussian culture in the countryside, mostly some boring poetry and balalaika music. But at this time they finally had a chance to get rid of the Turks and Poles, and to take Ukraine back to the fold of the great east slavonic commonwealth, by joining the USSR and their Big Brother– and they’d been given the opportunity. But they botched it completely when the USSR collapsed. That is when they went back to fraternize with the West and develop a more modern nazism with Nato.
xxx/ellauri255.html on line 362: Nekrasov's film The Magnitsky Act – Behind the Scenes, produced in Norway by Piraya Film, supported by a number of European film funds and the public Franco-German TV network Arte TV and completed in 2016, caused a major controversy. The film alleges that western politicians and media were "misled" by Bill Browder, a U.S. born investor and campaigner, into believing that the Russian tax consultant Sergei Magnitsky had been persecuted and killed for exposing corruption. Bill Browder's version of Magnitsky's life and death has been widely accepted across the world, and became the basis for legislations and sanctions in a number of countries, first of all the U.S. The premiere of Nekrasov's film at the European Parliament, scheduled for April 26, 2016, was stopped by Heidi Hautala at the last moment. A TV broadcast in Germany and France and film's public screenings were cancelled due to Browder's legal challenges.
xxx/ellauri261.html on line 244: Thornton Wilder´s older brother, Amos Niven Wilder, was Hollis Professor of Divinity at the Harvard Divinity School, a noted poet, and foundational to the development of the field theopoetics. Amos was also a nationally ranked tennis player who competed at the Wimbledon tennis championships in 1922. Thornton cared little for the rough-and-tumble of sports-crazy adolescents, and his classmates teased him for being “artistic” and overly-intellectual; he was known as a “freak.” A former classmate recalled: "We left him alone, just left him alone." Guess which son was father´s favourite and which mommy´s boy.
xxx/ellauri261.html on line 469: Cricket Richard Watts, Jr., wrote: The fact that Hello, Dolly! seems to me short on charm, warmth, and the intangible quality of distinction in no way alters my conviction that it will be an enormous popular success. Herman has composed a score that is always pleasant and agreeably tuneful, although the only number that comes to mind at the moment is the lively title song. His lyrics could be called serviceable.
xxx/ellauri261.html on line 583: To what extent God may properly be understood as "dead" is highly debated among death of God theologians. In its strongest forms, God is said to have literally died, often as incarnated on the cross or at the moment of creation. Weaker forms of this theological bent often interpret the "death of God" as meaning that God never existed, or that people today "do not experience God except, perhaps, as a hidden, silent, pipe-smoking absent-minded being."
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xxx/ellauri295.html on line 467: Epäilemättä romanttisen kirjallisuuden lajityypissä ennalta-arvattavuus ja tietty naiivius on enemmän vahvuus kuin heikkous. Siinä mielessä Joenpolven romaani varmaan täyttää tarkoituksensa. Silti olisin kaivannut kaavamaisesti kulkevaan kirjaan edes jonkinlaista yllätysmomenttia. Hahmogalleriastakaan ei sellaista löydy: Liinasta olisi voinut kirjoittaa vaikka kuinka monitahoisen hahmon, mutta elämässään eksynyt nainen pohtii lähinnä sitä, onko hän kiinnostunut jostakusta tai onko joku kiinnostunut hänestä. Seksi ilman sen suurempia tunteita on pahaa ja aiheuttaa naisessa suuria omantunnontuskia.
xxx/ellauri298.html on line 681: näiden myyttien kanssa hän kuitenkin havaitsi huolestuttavan "vasemman käden polun" olemassaolon varsinkin feministeillä ja naismaisilla homomiehillä.
xxx/ellauri304.html on line 515: There is a hierarchy of character. Minor characters, you let vanish. Usually you bring them alive for a moment by using stereotypes. Stereotypes are not necessarily evil or bad; they are boring characters who are typical members of a group and your readers know the group… Cabbie, cop, waitress, nigger, telephone operator, prostitute, lawyer, doctor, politician, drunken Irishman (What? Are there still some of those?), Italian who talks with his hands. We might not like stereotypes of groups to which we belong but as writers they work. These are place-holding characters; they do their job and disappear into the night. Writers of pulp fiction, say.
xxx/ellauri304.html on line 601: Finally, a large percentage of novels today are written in restricted third person viewpoint. In other words, in each individual scene, the author works through only one person’s head. Anybody else in the scene, except the major player at that moment, is made to live by his actions and his words, but not by you — as author — getting into his head and telling us what he’s thinking. (Obviously, by the way, private eye novels are in some way illustrative of this rule because most PI’s are written first person since it’s impossible to get into another character’s thoughts and feelings except by showing him cavorting on your literary stage.)
xxx/ellauri312.html on line 80: En tredje central faktor är att räntan efter finanskrisen låg på noll eller minus i åratal. Dels höjde det värdet på sådana aktier vars vinstlöfte ligger långt i framtiden, däribland nystartade techbolag. Dels har det trissat upp priserna på en viss tillgång framom andra: bostäder.
xxx/ellauri312.html on line 519: Rorty torjui "pitkään vallinneen" ajatuksen, että ulkomaailman esineiden oikeat sisäiset esitykset ovat tiedon välttämätön edellytys. Rorty väitti sen sijaan, että tieto on sisäinen ja kielellinen asia; tieto koskee vain omaa kieltämme. Tää nyt on kerta kaikkiaan hanurista, vanhaa kunnon homomensuuraa. Beliefs and words evolved, just as opposable thumbs and extralarge cocks, to help human beings “cope with the environment” and “enable them to enjoy more pleasure and less pain.”
xxx/ellauri320.html on line 198: From the moment Dickie fixed his eyes on her, spoke to her in that deep, amazingly attractive voice - she was his.
xxx/ellauri376.html on line 510: Et pour un moment dans ma veine
xxx/ellauri379.html on line 144: Miksi tolvanointi on niin helppoa ja rikkaaksi tuleminen on niin vaikeaa? Kuka on (tai oli) kaikkein älyttömin koskaan elänyt ihminen? Miten niin hyvälaatuisia kuvia voitiin ottaa kuussa Apollo-lennoilla, kun mielestäni valokuvaustekniikka oli niin huonoa tuolloin? Mihin maahan Venäjä haluaa hyökätä seuraavaksi? Miksi erittäin älykkäät ihmiset ovat unohtelevia ja joskus tietämättömiä? Olen jo vuosia kiristänyt pyörien pultit laittamalla ristikkoavaimen jatkeeksi yli metrisen putken vääntömomenttia antamaan. Koskaan en ole tarvinnut jälkikiristystä. Pystyykö pultit katkaisemaan käyttämällä sellaista jatkovartta? Miksi espanja ja suomi ovat sisarkieliä? Miksi älykkäät ihmiset harvoin pitävät urheilusta? Miksi länsimaat ovat kiinnostuneet tykistöammusten tuotannon lisäämisestä, kun tykistön merkitys ei enää nykyisessä sodankäynnissä ole mitenkään keskeinen? Miksi ammutaan miljoonia ammuksia alueelle, joka kohta on tarkoitus ottaa omaan käyttöön? Pysyisikö narsisti suhteessa, jos kohde olisi halukas antamaan ehdotonta kiintymystä ja rakkautta, ja pitämään narsistin egoa kehuttuna ja ihailtuna? Toisin sanoen, mitä hän tarvitsee emotionaalisesti? Kuinka korkea älykkyysosamääräsi on ja miten siitä on ollut hyötyä tai haittaa? Mikä on kivuttomin tapa kuolla?
xxx/ellauri385.html on line 206: Kolmas saari saarvatus, jobbon Freud ylts, oti toteamus othd tape yukapun, johon kuuluu myös hanen olamansa isom emom ja rampon välisest suhteesta (»Odipakomplekні». Томуцинат хуя! )
xxx/ellauri385.html on line 222: Anaalisosiologi koettaa analysoida yhteisöä ja yhteiskuntaa aivan kuin yksittäistä arsea, tarkastelee kulttuurin kehitystä ja sukupuolista tyydyttymistä toistensa ehdottomina vastakohtina, käsittää destruktivit, tuhoavat vintit fontaifikfi biologien coimikfi, jotka kukistumattomina hallitsevat ihmuten kohtaloita, kielii äidinvallan olleen voimassa ihmiskunnan varhasimpina aikoina ja päätyi lopulta lamauttavaan epäilyyn koska itsekin kavahti omien käsitystensä mukaisia päätelmiä. Se on jo kauan suhtautunut vihamielisesti kaikkiin pyrkimyksiin tehdä ne päätelmät. joihin sen omat opit johtavat, eivätkä sen edustajat tuollaisia pyrkimysiä vastaan taistellessaan suinkaan ole osoittautuneet epäjohdonmukaisiksi. Mutta kaikesta tästä huolimatta tulemme tarmomme takaa puolustamaan Freudin mullistavia näkemyksiä kaikkia hyökkäyksiä vastaan, tulivatpa ne sitten miltä taholta hyvänsä!
xxx/ellauri388.html on line 511: Muistan, kuinka kipeätä minulle teki, kun kerran, lopetettaessa fysioloogista luentoa himoista, eräs nuori mies huudahti epätoivoisella äänellä: 'Mitäs meidän nuorten sitten on tekeminen! Me tahdomme elää hyvin, mutta meidän himomme ovat väkevät? te lääkärit ette sano meille, mitä meidän on tekeminen!?' Luennolla oli saapuvilla lääkäreitä, mutta ei kukaan sanonut sanaakaan tukeakseen nuorta miestä kieltäymyksen tiellä.
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ellauri389.html on line 297: Just as the Christian God determines what is right and wrong for many if not all monkeys around the world, Nature serves this purpose for the narrator. He is, in this tender moment, directing his monologue not to her but to his sister, Dorothy. They are extraordinarily close and he wishes to share with her his adoration for Nature. He is searching for a way to make his sister understand that placing your heart within the hands of Nature is without risk. She should feel the “mountain-winds” on her skin and not resist them.
ellauri390.html on line 446: Happiness is a warm gun, momma (bang, bang, shoot, shoot)
ellauri390.html on line 453: Well, don´t you know that happiness is a warm gun momma?
ellauri390.html on line 518: Esi-isille on hyvä varata jääkaappiin tai kaakeliuunin taaxe kakkua. Jack the Beanstalk sanoo high five to life, Hanhi sanoo take five, älä hyperventiloi äläkä halua elämältä mitä et voi saada; Jack sanoo tee mitä haluat äläkä mitä pitää. Lännen ja idän ratkaisut vapaan tahdon ongelmaan. Je me calme, je relâche. Je souris, je suis libre. Olen lâche kalju hiirulainen, olen vapaa. There´s always an answer: let it be. Moment merveilleux, moment présent.
ellauri390.html on line 588: John is a #1 Bestselling author, inspirational speaker, and adventure traveler. His purpose is to create museum day moments for himself and hoodwink all others. Jackin mieliturauxia ovat
xxx/ellauri013.html on line 1063: Brown was a latter-day buccaneer, sorry enough, like his more celebrated prototypes...They never failed to let you know, too, that he was supposed to be a son of a baronet. The others were merrely vulgar and greedy brutes, but he seemed by some more complex intention. He would rob a man as if only to demonstrate his poor opinion of the creature...Later on he ran off - it was reported - with the wife of a missionary, a very young girl from Clapham way, who had married the mild, flat-footed fellow in a moment of enthusiasm, and suddenly transplanted to Melanesia, lost her bearings somehow. It was a dark story. She was ill at the time he carried her off, and died on board his ship. It is said - as the most wonderful part of the tale - that over her body he gave way to an outburst of sombre and violent grief...till at last, he sails into Jim's history, a blind accomplice of the dark powers.
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