ellauri140.html on line 52: Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. The Redcrosse Knight and his lady Una travel together as he fights the monster Errour, then separately after the wizard Archipelago tricks the Redcrosse Knight into thinking that Una is unchaste using a false dream. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgigolo. Meanwhile, Una overcomes peril, meets Arthur, and finally finds the Redcrosse Knight and rescues him from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archipelago one last time.
ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019.
ellauri389.html on line 69: Elia sees no inconsistency in the fact that porcelain can be both an exclusive luxury item found at "great houses" and an ordinary household accessory such as his teacup, affirming the empire's newly inclusive economy in which porcelain is inexpensive, and a clerk can live like a king; indeed, Elia foregrounds imperialism's integrative effects on porcelain by intimating that his teacup has become precisely the "cheap luxury" for which Bridget always longs. Indeed, the essay itself is replicated by the visual image on Elia's teacup: the cup's picture of "a young and courtly Mandarin, handing tea to a lady from two miles off' is a miniature, orientalized reflection of Elia's and Bridget's (qua Mary) incestuous tea-time smooching.
xxx/ellauri086.html on line 75: About Lindsfarne Gospels Bede explains how each of the four Evangelists was represented by their own symbol: Matthew was the man, representing the human Christ; Mark was the lion, symbolising the triumphant Christ of the Resurrection; Luke was the calf, symbolising the sacrificial victim of the Crucifixion; and John was the eagle, symbolising Christ's second coming. A collective term for the symbols of the four Evangelists is the Tetramorphs. Each of the four Evangelists is accompanied by their respective symbol in their miniature portraits in the manuscript. In these portraits, Matthew, Mark, and Luke are shown writing, while John looks straight ahead at the reader holding his scroll. The Evangelists also represent the dual nature of Christ. Mark and John are shown as young men, symbolising the divine nature of Christ, and Matthew and Luke appear older and bearded, representing Christ's mortal nature.
xxx/ellauri103.html on line 184: Let’s start with a tempest-in-a-teacup at Bowdoin College in Brunswick, Maine. Earlier this year, two students, both members of student government, threw a tequila-themed birthday party for a friend. The hosts provided attendees with miniature sombreros, which—the horror— numerous partygoers wore.
xxx/ellauri122.html on line 1023: A tiny miniature woman will stand in front of your little bro, also only about six inches tall standing up. Her long blonde hair accents her sparkling blue eyes and huge white smile. Her long plastic legs bend only slightly and her pointy breasts perk out of her hot pink tank top. She doesn’t look like anything a five year old would play with, but Barbie is obviously her favorite. How does a five year old relate to Barbie? She isn’t comforting to…show more content…
xxx/ellauri224.html on line 528: Fred and Barney must determine which group of aliens is there to protect the universe and which is there to destroy it. Both claim to be the protectors of the universe, stating that they were with Fred and Barney the previous night, which Fred and Barney still cannot remember, and ask for the Transfunctioner. The two men correctly choose the two men (of course) who answer their question about the previous night by stating they got a hole in one at the 18th hole at the arcade's miniature golf park and won a lifetime supply of pudding. At the last second, they deactivate the Transfunctioner, saving the universe.
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