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ellauri038.html on line 224: Weber verkaufte die Protestantismus-Kapitalismus-These, das Prinzip der Werturteilsfreiheit, den Begriff Charisma, das Gewaltmonopol des Staates sowie die Unterscheidung von Gesinnungs- und Verantwortungsethik. Aus seiner Beschäftigung mit dem „Erlösungsmedium Kunst“ ging eine gelehrte Abhandlung zur Musiksoziologie hervor. Mit Webers Namen sind die Protestantismus-Kapitalismus-These, das Prinzip der Werturteilsfreiheit, der Begriff Charisma, das Gewaltmonopol des Staates sowie die bevorzugung der Verantwortungsethik über die Gesinnungs-dieselbe. Aus seiner Beschäftigung mit dem „Erlösungsmedium Kunst“ ging eine gelehrte Abhandlung zur Musiksoziologie hervor. (Oivallus ja nide. Tää kuulostaa jo lähes Hannu Mäkelältä.)
ellauri053.html on line 1174: He was very much fascinated by self-induced trance states, calculated symbolism, mediums, theosophy, crystal-gazing, folklore and hobgoblins. Golden apples, archers, black pigs and such paraphernalia abounded. Often the verse has an hypnotic charm: but you cannot take heaven by magic, especially if you are, like Mr. Yeats, a very sane person.
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ellauri071.html on line 123: Coward's most enduring work from the war years was the hugely successful black comedy Blithe Spirit (1941), about a novelist who researches the occult and hires a medium. A séance brings back the ghost of his first wife, causing havoc for the novelist and his second wife.
ellauri074.html on line 258: In 2016, he launched the Tony Robbins Podcast. The first season was primarily focused on ways for small to medium-sized businesses to gain an advantage over their market. He has since pivoted to not only talk about how to build a bigger business but also topics such as how to deepen your relationships, become more productive, and live in abundance. The Tony Robbins Podcast has thousands of 5-star reviews on Apple Podcasts and has been downloaded by millions of people worldwide.
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mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">FLOW IN A BLOW
Juonipaljastuxia
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ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri110.html on line 1081: A final thought is that although Dostoevsky himself did not write a blog, there is something blog-like in his Diary of a Writer, a self-published opinion piece that ranged freely over the most apparently disparate issues. To those who fear that blogging and other forms of information technology are inherently antagonistic to the values of great literature (I mean Dostoevsky and not myself, of course), I suggest that it is not a medium of which he would have been afraid. Perhaps even one he would have relished.
ellauri115.html on line 37: Izestä kirjoittaminen ja syntyvien textien lukeminen ovat näin medium, jossa ja jonka välityxellä Rousseau ("minä") voi uudestaan ja uudestaan palata tuntemuxiinsa ja mietteisiinsä izestään. Tai kuten JJ sanoo ize:
ellauri119.html on line 272: The most characteristic sign of the presence of the ruach ha-kodesh is the gift of prophecy. The use of the word "ruach" (Hebrew: "breath", or "wind") in the phrase ruach ha-kodesh seems to suggest that Judaic authorities believed the Holy Spirit was a kind of communication medium like breath, or wind. The spirit talks from both ends, sometimes 1wparacl
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