ellauri008.html on line 745: Marvellous, he repeated, looking up at me. Look! the beauty! but that is nothing - look at the accuracy, the harmony. And so fragile! And so strong! And so exact! This is nature - the balance of colossal forces. Every star is so - and every blade of grass stands so - and the mighty kosmos in perfect equilibrium produces - this. This wonder; this masterpiece of nature - the great artist.
ellauri008.html on line 749: Man is amazing, but not a masterpiece, he said, keeping his eyes fixed on the glass case. Perhaps the artist was a little mad. Eh? What do you think? Sometimes it seems to me that man is come where he is not wanted, where there is no place for him; for if not, why should he want all the place? Why should he run about here and there making great noise about himself, talking about stars, disturbing the blades of grass? ...
ellauri020.html on line 364: Palm Beach had been Ivana Trump’s idea. Long ago, Donald had screamed at her, “I want nothing social that you aspire to. If that is what makes you happy, get another husband!” But she had no intention of doing that, for Ivana, like Donald, was living out a fantasy. She had seen that in the Trump life everything and everybody appeared to come with a price, or a marker for future use. Ivana had learned to look through Donald with glazed eyes when he said to close friends, as he had in the early years of their marriage, “I would never buy Ivana any decent jewels or pictures. Why give her negotiable assets?” She had gotten out of Eastern Europe by being tough and highly disciplined, and she had compounded her skills through her husband, the master manipulator. She had learned the lingua franca in a world where everyone seemed to be using everyone else in a relentless drive for power. How was she to know that there was another way to live? Besides, she often told her friends, however cruel Donald could be, she was very much in love with him.
ellauri020.html on line 641: He began belittling her: “That dress is terrible.” “You’re showing too much cleavage.” “You never spend enough time with the children.” “Who would touch those plastic breasts?” Ivana told her friends that Donald had stopped sleeping with her. She blamed herself. “I think it was Donald’s master plan to get rid of Ivana in Atlantic City,” one of her assistants told me. “By then, Marla Maples was in a suite at the Trump Regency. Atlantic City was to be their playground.”
ellauri023.html on line 865: Kiltit on jedejä, joiden grand master Joda pani sanat väärään järjestyxeen,

ellauri035.html on line 425: Call not the master painters from all the world,
ellauri039.html on line 770:

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by many to be Forster´s masterpiece. The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.
ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri043.html on line 7036: pyöreät kuin leilit, litteät kuin laudat, hammasteräiset kuin sahat, lähestyvät vetäen izeään hiekassa.
ellauri045.html on line 333: We are captains of our soul and masters of our destiny. And we contain any divine fire that there is, divine fire that is fine and great. Tää kuulostaa ihan Saroyanilta tai Esa Saariselta.
ellauri046.html on line 351: His master-work Either/Or is odd. It uses a selection of pseudonyms to present and contrast what are supposed to be the papers of a sensual or 'aesthetic' young man called 'A' and a sternly ethical and religious judge 'B', reflecting on the meaning and value of existence, boredom, drama, luck, fate, choice and Mozart. It is considered to be the foundation of the 'Existential' way of thinking - with its concentration on the absolute necessity of choosing and inventing one's self - and was highly influential on writers like WH Auden, Jorge Luis Borges, JD Salinger and John Updike as well as, famously, the philosophers John-Paul Sartre and Friedrich Nietzsche.
ellauri048.html on line 1677: Where lies the master newly dead;
ellauri051.html on line 1150: 559 The mocking taunt, See then whether you shall be master! 559 Pilkkaava pilkka, katso sitten tuletko mestariksi!
ellauri051.html on line 1511: 909 The master-at-arms loosing the prisoners confined in the after-hold to give them a chance for themselves. 909 Asepäällikkö päästää vangit, jotka on suljettu jälkivangittiin antaakseen heille mahdollisuuden itselleen.
ellauri051.html on line 1583: 977 Is he waiting for civilization, or past it and mastering it? 977 Odottaako hän sivilisaatiota vai ohittaako se ja hallitsee sen?
ellauri052.html on line 387: "O say na sae, my master deir,
ellauri052.html on line 392: And I feir, I feir, my master deir,
ellauri053.html on line 1259: Influential: The writing style of Pater is so masterly, that critics have even found its influence on Virginia Woolf, James Joyce etc.
ellauri053.html on line 1285: So mastered by the brute blood of the air, En myt säjer at det blev tvåäggiga tvillingar av äggen.
ellauri053.html on line 1336: And be the singing-masters of my soul. Pyöräyttäkää rukkia, ja ruvetkaa lauluopexi!
ellauri055.html on line 372: My garden is my most beautiful masterpiece
ellauri069.html on line 170: Dr. Mabuse is a fictional character created by Norbert Jacques in the German novel Dr. Mabuse, der Spieler ("Dr. Mabuse, the Gambler"), and made famous by three films about the character directed by Fritz Lang: Dr. Mabuse the Gambler (silent, 1922) The Testament of Dr. Mabuse (1933) and the much later The Thousand Eyes of Dr. Mabuse (1960). Dr. Mabuse is a master of disguise and telepathic hypnosis known to employ body transference, most often through demonic possession, but sometimes utilizing object technologies such as television or phonograph machines, to build a "society of crime". One "Dr. Mabuse" may be defeated and sent to an asylum, jail or the grave, only for a new "Dr. Mabuse" to later appear, as depicted in The Testament of Dr. Mabuse. The replacement invariably has the same methods, the same powers of hypnosis and the same criminal genius. There are even suggestions in some installments of the series that the "real" Mabuse is some sort of spirit that possesses a series of hosts.
ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri069.html on line 783: Other putative allegorical devices of the book include the Wicked Witch of the West as a figure for the actual American West; if this is true, then the Winged Monkeys could represent another western danger: Indigenous peoples of the Americas. The King of the Winged Monkeys tells Dorothy, "Once we were a free people, living happily in the great forest, flying from tree to tree, eating nuts and fruit and doing just as we pleased without calling anybody master. ... This was many years ago, long before Oz came out of the clouds to rule over this land."
ellauri069.html on line 785: In fact, Baum proposed in two editorials he wrote in December 1890 for his newspaper, the Saturday Pioneer, the total genocidal slaughter of all remaining indigenous peoples. "The Whites," Baum wrote, "by law of conquest, by justice of civilization, are masters of the American continent, and the best safety of the frontier settlements will be secured by the total annihilation of the few remaining Indians. Why not annihilation?"
ellauri073.html on line 510: After receiving her master’s degree from the University of Illinois, Mrs. Wallace was an English professor at Parkland College for 35 years. Her passion for learning was paired with a passion to help others learn — she was an enthusiastic, rigorous and above all compassionate instructor who made sure every student she had knew how much their voice mattered. Even after retiring, she taught in correctional facilities around Illinois and volunteered as a companion for Illinois CASA. In 2012, she and her husband, Jim, decided to move from their beloved city of Urbana to Florence, Ariz., to be closer to their family. There, they volunteered with Arizona CASA, hosted family dinners every Sunday, and adopted a much-loved terrier mix named Angus.
ellauri074.html on line 196: Year of the Whisper-Quiet Maytag Dishmaster 2006
ellauri074.html on line 260: As of 2021, Tony Robbins has a net worth of 500 million dollars. He lives in a $25 million mansion in Manalapan, Florida which has a lakeside dock, an infinity pool, and a beautiful master bedroom overlooking the ocean.
ellauri074.html on line 482: Sidney Gottlieb (August 3, 1918 – March 7, 1999) was an American chemist and spymaster best known for his involvement with the Central Intelligence Agency's 1950s and 1960s assassination attempts and mind-control program, known as Project MKUltra. The CIA MKUltra project was a continuation of the work begun in WWII-era Japanese facilities and Nazi concentration camps on subduing and controlling human minds.
ellauri074.html on line 669: A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. William Wotton wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom Jonathan´s contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. The overarching parody is of enthusiasm, pride, and credulity. It was widely misunderstood, especially by Queen Anne herself who purposely mistook its purpose for profanity. It effectively disbarred its author from proper preferment in the Church of England, but is considered one of Swift´s best allegories, even by himself.
ellauri078.html on line 263: Viikinkikansojen yhteistuotanto Silta jahtaa mastermind rikollista anglosaxisesti. Hämmästyttävää miten pitkälle Tanska ja Ruozi on päässeet jenkkien apinoinnissa. Eikä ihme niiden yhteiskunnat on jo melkein samanlaisia epätasa-arvoisia valkoinen kermaperse/märkäselkä mamu pyramiideja. Poliisiautot ja ambulanssit ulvoo kaduilla, siirannäköiset rynnäkköpoliisit räimii märkäselkiä jotka lajittelee sekaisessa kaupassa syötäväxi kelpaamattomia vihannexia.
ellauri079.html on line 37: Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. This book was taught in Wallace's Tennis Academy. It's actually quite boring if you ask me. Be there or be square.
ellauri079.html on line 290: Schoolmaster of the Great City (Book).James M. Wallace - 1997 - Educational Studies 28 (2):99-110.
ellauri082.html on line 143: It’s too late because someone got there first and took the anti-Entertainment cartridge (126) embedded in JOI’s head (31). Whoever took it is presumably the person who’s made and mailed the extant copies. It couldn’t be the A.F.R. or O.U.S. or they wouldn’t still be searching for it. It probably wasn’t the F.L.Q. because they didn’t know how to read master cartridges—they just thought they were blank tapes in their displays were blank. (483n205) It couldn’t be Avril acting alone; she has problems but she’s not that kind of cold-blooded killer. It had to have been Orin.1
ellauri095.html on line 55: Hopkins did live such a life, but the windhover reminded him of Jesus’ great achievements after Nazareth. The windhover “stirred” his desire to become a great knight of faith, one of those who imitate not only the constraint but also the “achieve of, the mastery of” this great chevalier. The “ecstasy” of the windhover recalls Hopkins’s initial desire in “Il Mystico” to be lifted up on “Spirit’s wings” so “that I may drink that ecstasy/Which to pure souls alone may be.” Ultimately, Hopkins became aware that he had been hiding from the emotional risks of total commitment to becoming a “pure” soul. The phrase “hiding” thus suggests not only hiding from the world or from worldly ambition but also hiding from God.
ellauri095.html on line 74: Stirred for a bird, – the achieve of, the mastery of the thing! hätkähti lintua - olipas se aika liito-orava!
ellauri095.html on line 499: Hopkins had been attracted to asceticism since childhood. At Highgate, for instance, he argued that nearly everyone consumed more liquids than the body needed, and, to prove it, he wagered that he could go without liquids for at least a week. He persisted until his tongue was black and he collapsed at drill. He won not only his wager but also the undying enmity of the headmaster Dr. John Bradley Dyne. On another occasion, he abstained from salt for a week. His continuing insistence on extremes of self-denial later in life struck some of his fellow Jesuits as more appropriate to a Victorian Puritan than to a Catholic.
ellauri097.html on line 103: Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention. A master of English, he was given to bombast and once disdained the lowly hot dog bun's descent into "the soggy rolls prevailing today, of ground acorns, plaster of Paris, flecks of bath sponge and atmospheric air all compact."
ellauri097.html on line 149: Mencken repeatedly identified mathematics with metaphysics and theology. According to Mencken, mathematics is necessarily infected with metaphysics because of the tendency of many mathematical people to engage in metaphysical speculation. In a review of Alfred North Whitehead's The Aims of Education, Mencken remarked that, while he agreed with Whitehead's thesis and admired his writing style, "now and then he falls into mathematical jargon and pollutes his discourse with equations," and "[t]here are moments when he seems to be following some of his mathematical colleagues into the gaudy metaphysics which now entertains them."[50] For Mencken, theology is characterized by the fact that it uses correct reasoning from false premises. Mencken also uses the term "theology" more generally, to refer to the use of logic in science or any other field of knowledge. In a review for both Arthur Eddington's The Nature of the Physical World and Joseph Needham's Man a Machine, Mencken ridiculed the use of reasoning to establish any fact in science, because theologians happen to be masters of "logic" and yet are mental defectives:
ellauri097.html on line 151: Is there anything in the general thinking of theologians which makes their opinion on the point of any interest or value? What have they ever done in other fields to match the fact-finding of the biologists? I can find nothing in the record. Their processes of thought, taking one day with another, are so defective as to be preposterous. True enough, they are masters of logic, but they always start out from palpably false premises.
ellauri097.html on line 292: Patrick White (1912–1990) was raised in Sydney’s well-to-do Rushcutter’s Bay, and was sent to England at 13. He attended boarding school, then Cambridge, and during the war was stationed in North Africa. It was there, in 1941, that White met Manoly Lascaris, the Greek officer who he would love for the rest of his life. By the time White and Lascaris returned to Australia. in 1947 White had written three tepidly received novels, and a play. It took coming home to Sydney to transform his writing and elevate it to the level of genius. White produced The Tree of Man, in 1955, his first novel to be written in Sydney. He went on to write a string of masterpieces in quick succession: Voss, Riders in the Chariot, The Vivisector. He received the Nobel Prize for Literature in 1973. The Nobel committee credited White “for an epic and psychological narrative art which has introduced a new continent into literature.”
ellauri099.html on line 188: It is said that Aristotle was a difficult character — somewhat arrogant, thinking he was cleverer than everyone else (quite possibly true) and even criticizing his headmaster of many years, Plato. (Who was quite a butthead in comparison.) He was a perhaps a bit of a dyskolos, a grouch, cantankerous, a curmudgeon.
ellauri100.html on line 262: Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader.
ellauri101.html on line 155: Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance. With poetry and humor, Campbell recounts his own quest and conveys the excitement of his lifelong exploration of our mythic traditions, what he called “the one great story of mankind.” Hemmetti nää sen sankarit on lähes yhtä tuntemattomia kuin se ize.
ellauri101.html on line 536: Krauter = Chef eines Handwerkbetriebes (master artisan)
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri109.html on line 745: Auden referred to him as "the master of the middle class". Alexander Pope was heavily influenced by Dryden and often borrowed from him.
ellauri110.html on line 126: The Houyhnhnms are rational equine beings and are masters of the land, contrasting strongly with the Yahoos, savage humanoid creatures who are no better than beasts of burden, or livestock. Whereas the Yahoos represent all that is bad about humans, Houyhnhnms have a settled, calm, reliable and rational society. Gulliver much prefers the Houyhnhnms' company to the Yahoos', even though the latter are biologically closer to him.
ellauri110.html on line 139: The Houyhnhnms' lack of passion surfaces during the scheduled visit of "a friend and his family" to the home of Gulliver's master "upon some affair of importance". On the day of the visit, the mistress of his friend and her children arrive very late. She made no excuses "first for her husband" who had died just that morning and she had to remain to make the proper arrangements for a "convenient place where his body should be laid". Gulliver remarked that "she behaved herself at our house as cheerfully as the rest".
ellauri112.html on line 657: What is great but something of a letdown is that the story never tries to turn the two women against each other. Like old vs young, fat vs skinny, a dish vs disgusting, master and slave, rich vs poor, two women and Drew the only man in town. None of that shit. That Hollywood cliché might have helped launch a thriller, but it has no place here. This film is far more boring, feminist and humanist. Yawn.
ellauri115.html on line 431: Voltaire issued an invitation to Rousseau to come and reside with him, commenting that: "I shall always love the author of the 'Vicaire savoyard' whatever he has done, and whatever he may do...Let him come here [to Ferney]! He must come! I shall receive him with open arms. He shall be master here more than I. I shall treat him like my own son."
ellauri115.html on line 838: His attachment to his friends, says a biographer, was that of a dog to a master. When Mme. de Sablière, who gave the improvident fabulist a home for twenty years, was asked what she had saved from a financial disaster, she replied, “I only kept my dog and cat, and La Fontaine.”
ellauri119.html on line 164: Now we reach the point in the countdown where Robin references obscure figures from history! Here, while playing chess with Batman in their secret identities of Dick Grayson and Bruce Wayne, Dick remarks "holy Reshevsky!" This is a reference to the great Polish-born American chess grandmaster of the early 20th century Samuel Reshevsky.
ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.
ellauri119.html on line 720: In a different scene, Hank Rearden helps a small manufacturer, a guy Rand describes as respectable but no master of industry. Rearden could have refused to help or charged him an exorbitant amount for the favor. But he didn’t. Again, this portrayal of a wealthy industrialist doesn’t fit your contention that Rand advocated a dog-eat-dog Social Darwinism.
ellauri131.html on line 725: Robbins never went to college. Does that mean everything he says is garbage? Of course not, but according to his critics, it does mean that he lacks the formal training to call himself a "world authority on leadership psychology", or on anything else, for that matter. When he speaks about the "science to achievement" and mastering one's psychology, he speaks as a layman — and one who stands to gain something.
ellauri132.html on line 430:
  • master-list-of-gestures-and-body-language-for-writers/" target="_blank" rel="noopener noreferrer">Kirjailijoiden rumia eleitä

    • ellauri132.html on line 432:
  • master-list-of-words-to-describe-voices/" target="_blank" rel="noopener noreferrer">Kirjailijoiden ällöjä sexiääniä

    • ellauri132.html on line 433:
  • master-list-of-physical-descriptions/" target="_blank" rel="noopener noreferrer">Kirjailijoiden ruumiinosia

    • ellauri132.html on line 434:
  • master-list-of-facial-expressions/" target="_blank" rel="noopener noreferrer">Kirjailijoiden rumia ilmeitä

    • ellauri132.html on line 442: The webmaster who wishes to participate in AdSense inserts the AdSense JavaScript code into a webpage.
    ellauri132.html on line 618: Toivon että tää ilmelista oli hyödyxi! Mulla on monta muuta tämmöstä listaa mun kirjassa Mestarilistoja Kynäilijöille: Tesauruxia, Juonia, Luonteenpiirteitä, Nimiä, ja Enemmän. Mä tuumin eze on hieno työkalu tehdä “näytä älä kerro” helpommaxi ja inspixexi joka kynäilyvaiheessa. Tsekkaa se ulos!! Master Lists for Writers by Bryn Donovan #master lists for writers free pdf #master lists for writers free ebook.
    ellauri133.html on line 410: Although King is widely considered to be the master of horror, he’s previously said he doesn’t have an answer when people ask what drives him. It was his answer to these inquiries. "I thought to myself, ´Why don’t I write a final exam on horror, and put in all the monsters that I was afraid of as a kid? And call it it?´" King told TIME in 2009. "And I thought, How are you going to do that? And I said, Well, I´m going to do it like a fairy tale. I’m going to make up a town where these things happen and everybody ignores them. Like in Grinch."
    ellauri133.html on line 870: Jackson´s most famous story, "The Lottery", first published in the New Yorker on June 26, 1948, established her reputation as a master of the horror tale. The story prompted over 300 letters from readers, many of them outraged at its conjuring of a dark aspect of human nature, characterized by, as Jackson put it, "bewilderment, speculation, and just plain old-fashioned abuse".
    ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
    ellauri141.html on line 404: The solfege system (Do, Re, Mi), which is the theme of a song by the Von Trapp children, is just a small sample of Horace's all-pervasive influence on western culture, even among people who might never have heard the name Quintus Horatius Flaccus. Horace was not just a superb literary craftsman, but a musician, songwriter and entertainer for the Roman elite, creating a new Latin idiom derived from Greek lyric song. A final chapter, "Horace, Guido and the Do-re-mi Mystery", the result of careful research and detective work, argues that Guido d'Arezzo, an eleventh-century Benedictine choirmaster, used the melody of Horace's Ode to Phyllis (alla) to invent the do-re-mi mnemonic, but applied it to an eighth-century Hymn to John the Baptist ("Ut queant laxis") by Paul the Deacon, keeping the true source secret. A musical comparison of the Horatian melody and Guido's version of "ut-re-mi" is included. Lyons' verse translation of the Odes was named a Financial Times Book of the Year (1996) and was welcomed as 'a wonderful rendering of one of the great, central poets in the European tradition.'
    ellauri141.html on line 505: In the classics, that is Latin, he was no more than an ordinary boy, but he gave the impression that if he thought it essential for his literary ambitions, he would tackle it to good purpose. But somehow he did not so think, and he made no effort to acquire a vocabulary or memorise Latin words—consequently, his construes were sometimes a succession of errs and hums waiting and hoping for the form-master kindly to supply the missing translation. (5)
    ellauri141.html on line 513: Kipling encountered him as a schoolboy, and wrote in Something of Myself (p.33) that C----, his classics master ('King' in Stalky & Co.) ...taught me to loath Horace for two years, to forget him for twenty, and then to love him for the rest of my days and through many sleepless nights.
    ellauri141.html on line 769: In 1960, he was awarded the Nobel Prize in Literature. After receiving the Nobel Prize, he wrote the long poems Chronique, Oiseaux and Chant pour un équinoxe and the shorter Nocturne and Sécheresse. In 1962, Georges Braque worked with master printmaker Aldo Crommelynck to create a series of etchings and aquatints, L'Ordre des Oiseaux, which was published with the text of Perse's Oiseaux by Au Vent d'Arles.
    ellauri142.html on line 192: Paul Wagner is an Intuitive-Empath, clairvoyant reader, and a 5-time EMMY Award winning writer. He created “The Personality Cards,” a powerful Oracle-Tarot deck that’s helpful in life, love and relationships. Paul studied with Lakota elders in the Pecos Wilderness, who nurtured his empathic abilities and taught him the sacred rituals. He has lived at ashrams with enlightened masters, including Amma, the Hugging Saint, for whom he’s delivered.
    ellauri143.html on line 1359: Ne ovat joka hemmetin nokkimajärjestyxen avainsanoja. Ylpeitä ollaan ja samalla myös nöyriä, Siis nilkkejä. master.org/Dignity">Lisää dignity-quoteja, joita voi vaikka printata seinätauluxi.
    ellauri143.html on line 1388: When master from the field aloof hath stood;

    ellauri144.html on line 700: 2359 Homosexual persons are called to chastity. By the virtues of self-mastery that teach them inner freedom, at times by the support of disinterested friendship, by prayer and sacramental grace, they can and should gradually and resolutely approach Christian perfection. The rest of us can fuck to our hearts´ content as soon as the priest has said the magic word.
    ellauri145.html on line 506: master/2699.jpg?width=620&quality=45&auto=format&fit=max&dpr=2&s=661dbb38408dcbe8b9a7b0cb247f024e" width="100%" />
    ellauri145.html on line 512: Friedrich Nietzsche, Karl Marx and Charles Darwin are the great triumvirate of 19th-century thinkers whose ideas still have huge impact today. Nietzsche was philosophy’s supreme iconoclast; his sayings include “God is dead” and “There are no facts, only interpretations”. Highly relevant, yet his association with concepts such as the Übermensch, master morality, slave morality and, possibly most dangerous, the will to power, have also contributed to him being widely misinterpreted. There are three myths in particular that need dynamiting: that his politics were on the far right, he was a misogynist and he lacked a sense of humour. Of a sort.
    ellauri145.html on line 729: Corbière´s only published verse in his lifetime appeared in Les amours jaunes, 1873, a volume that went almost unnoticed until Paul Verlaine included him in his gallery of poètes maudits (accursed poets). Thereafter Verlaine´s recommendation was enough to establish him as one of the masters acknowledged by the Symbolists, and he was subsequently rediscovered and treated as a predecessor by the surrealists.
    ellauri145.html on line 1164: Brisset became stationmaster at the railway station of Angers, and later of L´Aigle. After publishing another book on the French language, he undertook his major philosophical work, in which contended that humans were descended from frogs. Brisset supported his contention by comparing the French and frog languages (such as "logement" = dwelling, comes from "l'eau" = water). He was serious about his "morosophy", and authored a number of books and pamphlets put forth his indisputable substantiations, which he had printed and distributed at his own expense.
    ellauri146.html on line 363: Klopolla se on „der nächste dem Unerschaffenen“, V. 288. Jonkinlainen MC (master of ceremonies) ilmeisesti. Aber ist es "er" oder "sie"? Offenbar "er". Vignyllä se on" elle", kz alla.
    ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
    ellauri147.html on line 217: At Café de Flore, Emily meets Thomas, a French philosophy professor. They hit it off and she invites him back to her apartment to have sex. Emily and Thomas encounter Gabriel and Camille, and Camille invites them to join them at a tapas restaurant. Thomas and Gabriel do not get along. The next day, Gabriel tells Emily he thinks Thomas is a snob, and not worthy of her. She is clearly more of the tattooed-arm master chef type. Fair enough.
    ellauri150.html on line 478: Arthur Hammond Harris aka Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, especially The Lady's Not for Burning, which made him a major force in theatre in the 1940s and 1950s. Fry was born as Arthur Hammond Harris in Bristol, the son of Charles John Harris, a master builder who retired early to work full-time as a licensed Lay Reader in the Church of England, and his wife Emma Marguerite Fry Hammond Harris. While still young, he took his mother's maiden name because, on very tenuous grounds, he believed her to be related to the 19th-century Quaker prison reformer Elizabeth Fry. He adopted Elizabeth Fry's faith, and became a Quaker and a gay. In the 1920s, he met the writer Robert Gittings, who became a lifelong friend. Maybe William Wyler was another yet longer friend. Gore Vidal most certainly another.
    ellauri151.html on line 452: Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.” Help! TLDR!
    ellauri151.html on line 461: No se yxinkertainen vastaus on: ei kukaan tällä pyri yhtään mihinkään. Se mikä on hyvää yhdelle on pahaa toiselle, Ei täällä ole ketään suunnittelijaa, jotain mastermindia joka on tän kaiken muka kaavaillut nimenomaan apinoiden parhaaxi. Olishan se nyt aivan päätön ajatus. Eli siinä se. Onko vielä jotain kysyttävää?
    ellauri153.html on line 315: Tottakai teodikea-pasianssin saa läpi pureskelemalla muumipelin kortteja, eli vääntelemällä premissejä mutkalle. Omnipotentin ei tarvi pystyä mihin tahansa (esim kantamaan liian isoa kiveä); se ei ole vastuussa kaikesta eikä varsinkaan valmistamiensa lautasia länkyttävien vieteriapinoiden valuvirheistä; meille hyvä ei välttämättä ole meistä kivaa, tai me pikkurattaat ei vaan ymmärretä mastermindin kokonaissuunnitelmaa. To name a few.
    ellauri153.html on line 339: Time for some game theory! James’ chess-master analogy can be formalized 6by treating the biblical
    ellauri156.html on line 283: The information David receives should be sufficient for him to end the matter, or more appropriately, to start it. If this woman is married, he has no business going any further. No matter how great his position and power, nothing gives him the right to take another man's wife. The pattern for David's actions is clearly outlined by Joseph, who was hotly pursued by his master's wife (but the shoe was on the other foot that time, a puma hunting for a young rattlesnake. And Joseph was a bachelor, so what was the sin in that?).
    ellauri156.html on line 285: 7 It came about after these events that his master's wife looked with desire at Joseph, and she said, “Lie with me.” 8 But he refused and said to his master's wife, “Behold, with me here, my master does not concern himself with anything in the house, and he has put all that he owns in my charge. 9 “There is no one greater in this house than I, and he has withheld nothing from me except you, because you are his wife. How then could I do this great evil and sin against God?” (Genesis 39:7-9).
    ellauri156.html on line 388: The story of David and Uriah reminds me of the story of the “Sorcerer's Apprentice.” It has been awhile, but as I remember the plot (probably the Walt Disney version), the sorcerer goes away, leaving his apprentice behind to do his chores. The apprentice gets the bright idea that the work would be a whole lot easier if he used his master's magical arts so he could sit back and watch other powers at work. The problem was that he didn't know how to stop what he started, and so more and more helpers came on the scene as the apprentice tried to reverse the process. The worst was when Mickey tried to cleave the broom with an axe, and got instead a million of smaller brooms.
    ellauri156.html on line 404: David has two plans, Plan A, and failing that, Plan B. Here he is very like his master, the Dog, who also has very analogous two plans for his proteges: Plan A, take them to his fold if they obey him, and Plan B: throw them to the dogs (the bad hounds of the hell) if they don't.
    ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
    ellauri156.html on line 479: He (David, not Dog this time) plays the role of a benevolent master. Uriah, his servant, has “come home from a journey” (verse 10). Is this not the time for him to concern himself with his needs and desires? Is this not the time to concern himself with his wife's needs? How insensitive of Uriah not to go home to be with his wife and to sleep with her. “Shame on you, Uriah!” Uriah has a lot of explaining to do, and so it seems has David.
    ellauri156.html on line 588: Sixth, our text makes Uriah a hero and a dress model, not a chump and not a sucker. There are those who might conclude that Uriah's elevator may not “go to the top floor” (as my neighbor used to say of those she considered less than bright). Is Uriah gullible? Is he ignorant of what David is trying to do? Is he a coon? A spook? I don't think so. This is what makes his loyalty to David and to God's Law so striking. I think it is safe to say that here Uriah is very much like David in his earlier days, in terms of his response to Saul. As Saul sought to kill David unjustly, because he was jealous of his successes, so also David submitted himself to faithfully serving Saul, his master. He left his safety and future in God's hands, and God did not fail him. Who? Not Uriah, apparently.
    ellauri156.html on line 629: Now this little fellow was one lamb among a great many. Nevertheless, he enjoyed the distinction of being regarded as a “pet lamb.” (I am coming to te most narcissistic part of my sermon, going to introduce you to the good shepherd in a moment.) In the story which Nathan tells David, it is not quite the same. Nathan tells David of a “pet lamb” who is the only sheep of a poor farmer. This lamb does not live in a pen outside the house; it lives inside the house, often in the loving hairy arms of its master, and eats the same food he eats. This is the story Nathan tells David, which God uses to expose the wretchedness of David's sin. It is our text for this message, and once again, it has much to teach us, as well as David. Let us give careful heed to the inspired words of Nathan, and learn from a lamb. (I bet the lamb had much more to learn from the "boys".)
    ellauri156.html on line 703: The story Nathan tells David is very simple. Two men lived in the same city; one was very rich and the other was very poor. The rich man had flocks and herds.44 The rich man did not just have a large flock and a large herd; he had many flocks and many herds. We would say this man was “filthy rich.” The poor man had but one ewe lamb; this was his “pet lamb.” He purchased it and then raised it in his own home. The lamb spent much time in the man's lap and being carried about. It lived inside the house, not outside, being hand fed with food from the table and even drinking from its master's cup.
    ellauri156.html on line 731:
  • . . . gave you your master's house and your master's wives
    ellauri159.html on line 769: You’ll want men who are competent, who can get the job done. Who wants to be surrounded by morons and f**k-ups? The men who hunt and fight will have to demonstrate mastery of the skills your group uses to hunt and fight. A little inventiveness couldn’t hurt, either.
    ellauri159.html on line 772: To the description of the ideal perimeter-keeper outlined above, Donovan assigns four “tactical virtues”: strength, courage, mastery, and honor. These are “simple, amoral, and functional virtues” — “the practical virtues of men who must rely on one another in a worst case scenario.” They are “amoral” because they are crucial to the success of any gang — no matter if what they’re fighting for is right or wrong. Strength, courage, mastery, and honor are the attributes needed in a team of Navy SEALs just as much as a family of Mafioso. If you’ve ever wondered why we are fascinated by gangsters, pirates, bank robbers, and outlaws of all stripes, and can’t help but think of them as pretty manly despite their thuggery and extralegal activities, now you know; they’re not good men, but they’ve mastered the core fundamentals of being good at being men. So they are good men, though they are bad men. I mean.
    ellauri159.html on line 782: Honor: Traditional honor is not the same as integrity — living up to your own, personal standards. Traditional honor is a reputation for strength, courage, and mastery — as judged by other men. Honorable men care about being manly, knowing that each individual member’s prowess in the tactical virtues bolsters the strength and reputation of the gang as a whole and thus deters attack from rival gangs. Dishonorable men, on the other hand, evince indifference or hostility to the standards, weakening the group and leaving it more vulnerable.
    ellauri159.html on line 785: The key to upholding honor in a male gang is to always try to pull your own weight – to seek to be a boon rather than a burden to the group. If a man lacks in physical strength, he might make up for it in the area of mastery – being the group’s best tracker, weapons-maker, or trap inventor; one crafty engineer can be worth more than many strong men. If a man lacks in both physical strength and mastery, he might still endear himself to the other men with a sense of humor, a knack for storytelling, or a talent in music that keeps everyone’s spirits up. Or he might act as a shaman or priest – performing rituals that prepare men for battle and cleanse and comfort them when they return from the front. The strong men of the group will usually take care of the weak ones who at least try to do whatever they can. Shame is reserved for those who will not, or cannot excel in the tactical virtues, but don’t try to contribute in some other way, and instead cultivate bitterness and disregard for the perimeter-keepers who ironically provide the opportunity to sit on one’s hands and carp. (Aki Manninen would love this.)
    ellauri159.html on line 787: Strength, courage, mastery, and honor are virtues that obviously aren’t exclusive to men, and it’s not that there haven’t been women who have embodied these traits in every age (as we shall see next time, the idea of a soft, fragile femininity is a modern conception). It isn’t that women shouldn’t seek these attributes either. Rather, the tactical virtues comprise the defining traits of masculinity. If a woman isn’t strong or acts afraid in the face of danger, no one thinks of her as less womanly because of it. Yet such shortcomings will be seen as emasculating in a man, even today.
    ellauri159.html on line 1147: Focus on original facts rather than original ideas. You need not be interested in theory except as a way of exploring what’s tangled and undemonstrable. Seek mastery rather than discovery, although this may mean applying a new technology to an old battlefield. You don’t want to be the first—you want to be the best, and last (on the battlefield).
    ellauri159.html on line 1232: You want to master the subject everyone´s whining about. You enjoy the challenge of technical topics, and you focus on crafting clear, concise instructions. However, if you don’t see the perks of the writing project, your interest may wane. Discuss the project with friends or colleagues to help you find a way to increase your reward.
    ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a masterpiece. Well, I wouldn't go as far as to calling it a masterpiece. Sure, "Don't Look Up" was a watchable movie, and writers Adam McKay and David Sirota definitely had some good jabs at the crazy world we live in today, with the likes of a crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchable and enjoyable, sure, but it wasn't a masterpiece, nor will it become a classic movie for me.
    ellauri161.html on line 1092: His (Mainion) works suggest the thought that the writings of master Eckart (died 1328), with whom Ruysbroeck was contemporary for thirty-five years, exercised influence over our author´s mind. Melkein maisteri Eckartille kävi köpelösti loppupeleissä. Ruisbroeck became vicar of the Church of St. Gudula at Brussels, where he lived in strict asceticism, enjoying the society of persons who had devoted themselves to a contemplative life, composing books and exercising benevolence. Jahas uusi päivä, uusi suopeus. He contended against the sins of the day, and labored to promote reforms. It is said that Tauler once visited him, attracted by the fame of his sanctity.
    ellauri164.html on line 374: For readers unfamiliar with the culture context of France between the two wars, it might be helpful to first watch Robert Bresson's movie of the same name which has been hailed as a masterpiece by such diverse critics as Ingmar Bergman and Jean-Luc Godard. I read the book first. After seeing the movie, I read the book a second time and got much more out of it. As Canadian and a native speaker of French, I can assure any Anglophone that the culture of France is at times very murky to the outsider who must at times go to extra efforts to fully enjoy French literature.
    ellauri171.html on line 466:
    When Jehu came to Jezreel, Jezebel heard of it; she painted her eyes and adorned her head, and looked out of the window. As Jehu entered the gate, she said “Is it peace, Zimri, murderer of your master?”
    ellauri171.html on line 620: ‘In the morning her master got up, opened the doors of the house, and when he went out to go on his way, there was his concubine lying at the door of the house, with her hands on the threshold. ‘Get up’ he said to her, ‘we are going’. But there was no answer.’ (Judges 19:27-28)
    ellauri171.html on line 651: But the men would not listen to him. So the man seized his concubine and brought her out to them; and they raped her and abused her all night until morning, then let her go at the approach of dawn. As the day began to dawn, the woman came and fell down at the doorway of the man’s house where her master was, until full daylight. Judges 19:25-26 (NASB)
    ellauri171.html on line 655: When her master arose in the morning and opened the doors of the house and went out to go on his way, then behold, his concubine was lying at the doorway of the house with her hands on the threshold. He said to her, “Get up and let us go,” but there was no answer . . . Judges 19:27-28a (NASB)
    ellauri171.html on line 764: ‘Then Jehu wrote them a second letter, saying “If you are on my side, and if you are ready to obey me, take the heads of your master’s sons and come to me at Jezreel tomorrow at this time.”
    ellauri171.html on line 840: Ba'al Hadad (lit. master of thunder), god of storms, thunder, lightning and air. King of the gods. Uses the weapons Driver and Chaser in battle. Often referred to as Baalshamin.
    ellauri180.html on line 527: Even dogs assail'd their masters, all save one, Koiratkin ahdisteli isäntiä,
    ellauri180.html on line 583: Quickly this illusion of equality is broken. Guys start eating one another after slaughtering the other creatures around them. Once more the reader gets a small degree of equality in the darkness. The “meagre” in this world are eating the meagre and not the "fat" the meagre as usual. Even those that are most loyal, dogs, “assail’d their masters”.
    ellauri181.html on line 146: After completing his master's degree in social psychology and group development at Columbia University and completing his rabbinical studies, Schwartz received his Ph.D. in social psychology from the University of Michigan, and subsequently taught in the sociology department of the University of Wisconsin–Madison, and in 1973 became a professor. From 1971-73, Schwartz was a visiting lecturer in the department of psychology at the Hebrew University. In 1979, Schwartz moved to Israel with his wife and three children. He joined the department of psychology at the Hebrew University, where he holds the post of Leon and Clara Sznajderman Professor Emeritus of Psychology. He is now retired, but continues his research activity, as well as developing and promoting his Basic Human Values Theory.
    ellauri181.html on line 227: Stimulation and Self-direction—intrinsic interest in novelty and mastery;
    ellauri182.html on line 34: masters_scroll.jpg" width="100%" />
    ellauri182.html on line 123: Quoting Zen master Dogen-zenji’s “Instructions for the Zen Cook,” (circa 1237), Ashburne relays the words of the great Zen master on the simple act of washing rice and cooking it. Dogen-zenji states, “Keep your eyes open. Do not allow even one grain of rice to be lost. Wash the rice thoroughly, put it in the pot, light the fire and cook it.” He then adds, “There is an old saying that goes, ‘see the pot as your own head; see the water as your life-blood.’” Vittu et on anaalia puuhastelua ruuan kanssa. Ei ruualla saa leikkiä. Se on jumalan viljaa.
    ellauri182.html on line 139: The alternative is of course the sexless intimacy of the fag hag and her chosen friends. The heroines of Yoshimoto’s fiction are not exactly fag hags, nor are they innocent. Mikage and Satsuki are young women. But grown-up sexual relationships are still beyond their grasp. Instead, in the security of their private kitchens, they dream nostalgic dreams, and shed melancholy tears about the passing of time. This is the stuff of great Japanese poetry, and absolute kitsch. Yoshimoto Banana is not yet a mistress of poetry, but she is a past master of kitsch.
    ellauri184.html on line 80: Mailer's fifth novel, Why Are We in Vietnam? was even more experimental in its prose than An American Dream. Published in 1967, the critical reception of WWVN was mostly positive with many critics, like John Aldridge in Harper's, calling the novel a masterpiece and comparing it to Joyce. Mailer's obscene language was criticized by critics such as Granville Hicks writing in the Saturday Review and the anonymous reviewer in Time. Eliot Fremont-Smith calls WWVN "the most original, courageous and provocative novel so far this year" that's likely to be "mistakenly reviled". Other critics, such as Denis Donoghue from the New York Review of Books praised Mailer for his verisimilitude "for the sensory event". Donoghue recalls Josephine Miles' study of the American Sublime, reasoning WWVN's voice and style as the drive behind Mailer's impact.
    ellauri184.html on line 82: In 1972, Joyce Carol Oates called Vietnam "Mailer's most important work"; it's "an outrageous little masterpiece" that "contains some of Mailer's finest writing" and thematically echoes John Milton's Paradise Lost.
    ellauri184.html on line 312: (1) Sex between Gentile masters and slaves was commonplace.
    ellauri184.html on line 606: Vähän odoteltua Juudas tekee odotetun entreen ja tulee Woman soldiersien kanssa pusimaan pomoa. Master master, keskelle suuta. Kyllä se taisi sittenkin tykätä pomosta, se oli varmaan mustasukkainen. Mutta kenelle, isillekö vai Johnille? Molemmille kai.
    ellauri184.html on line 696: Three women always walked with the master: Mary his mother, sister, and Mary of Magdala, who is called his "companion". For “Mary” is the name of his sister, his mother, and his companion.
    ellauri184.html on line 773: Jose Saramago is an atheist. This should be enough warning for everyone that desires to read the book. It is very explicit and so religion it’s exposed at its weakest and God as a character is revealed. I come from a Roman-Catholic background but I still wanted to read it, ever since the Gnostic gospel where Jesus childhood is revealed and he changes from a mischievous badly behaved kid to the Jesus from the new testament I wanted to see Saramago’s take on it. Saramago is such a master of words that he makes every bit of faith look totally illogical.
    ellauri191.html on line 112: "the greatest living master of the art of historical writing, with special reference to his monumental work A History of Rome"
    ellauri191.html on line 194: "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces"
    ellauri191.html on line 717: "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces"
    ellauri191.html on line 933: "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values"
    ellauri191.html on line 949: "for his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style"
    ellauri191.html on line 1199: "for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind"
    ellauri191.html on line 1965: "master of the contemporary short story"
    ellauri192.html on line 248: master/3264.jpg?width=380&quality=85&auto=format&fit=max&s=37a57f223da04cee79a7a82844ef5c58" />
    ellauri192.html on line 792: Мне имя Вельзевул — хозяин стратосферы I'm called Beelzebub, master of the stratosphere
    ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.
    ellauri196.html on line 864: Mut tässä Montaigne osui naulan kantaan: The current crisis is strictly tied to the human condition, to our existence as human beings, to our illusion of believing ourselves to be privileged beings, the only ones who believe they are the masters of their destiny and the depositaries of a destiny which no other creature can lay claim to. Now that´s a fucking bad idea, and always was.
    ellauri198.html on line 876: I assert that the symbols which William Butler Yeats includes on the island — specifically the nine bean-rows — are meant to be examined in the light of the Kabbalism, numerology, and tarot cards to which these societies looked for inspiration in their occult practices. Through his inclusion of these symbols, William Butler Yeats is demonstrating mastery over the Hermetic Order of the Golden Dawn’s basic tenants (sic), a mastery which he perhaps hoped would help him advance in rank in the society to seventh grade and further his studies of magic.
    ellauri210.html on line 331:
  • Picasso claimed "Paul Cézanne was my one and only master." No it was dad.
    ellauri213.html on line 256: With the advent of communism after the October Revolution of 1917, and during the Russian Civil War from 1917 to 1922, most of the Scoutmasters and many Scouts fought in the ranks of the White Army and interventionists against the Red Army.
    ellauri216.html on line 74: Myhäilevät paxut munkit olivat sydämellinen seurue. Serafim oli webmasteri. Kokelas Pietari on todnäk. homo.
    ellauri219.html on line 379: Another vaudeville star, British comic Max Miller picked up the nickname “The Cheeky Chappie.” Known for his colorful dress sense and his risqué humor, Miller was the master of the double entendre. He also appeared in a number of films throughout the 30s.
    ellauri219.html on line 1008: Rereading Don DeLillo’s Underworld – still hits a home run! The author of The Flamethrowers Rachel Kushner hails it as a masterpiece. Rachel who?
    ellauri220.html on line 195: Great Western hotelli Falstaffissa isin Viewmaster-kiekoissa. Tonto varjostaa kotkansilmiä ruskealla kädellä. Eurooppamamut approprioi alkuasukkaiden maat ja maisemat.
    ellauri222.html on line 125: In his Op-Ed about the Zulu Tolstoy, Bellow made much of his academic training in anthropology. After leaving Northwestern, he did become a graduate student in anthropology at the University of Wisconsin. But he completed just one course before dropping out and returning to Chicago, where he married a woman, Anita Goshkin, who was studying for a master’s degree in social work, and began his career as a fiction writer and itinerant college teacher. His first job was at Pestalozzi-Froebel Teachers College, on South Michigan Avenue, in downtown Chicago.
    ellauri222.html on line 749: Apart from that, this character demands perfection only from other people, he never attempts to apply this principle to himself and it makes him a slightly comic figure. Lord Pococurante is neither artist, nor writer, but he takes faults with the world masterpieces, which is absurd in its core. Nevertheless, many people deem themselves quite competent for criticizing, having never created any work of art.
    ellauri223.html on line 52: Aurinkokaupunki esitetään dialogina Johanniittain ritarikunnan pikashakin suurmestarin (grand master, GM) ja genovalaisen merikapteenin (Capt. Haddock) välillä. Sen esikuvana on toiminut Platonin Valtio sekä Timaioksessa oleva Atlantiksen kuvaus. Teos kuvaa teokraattisen yhteiskunnan, jossa tavarat, naiset ja lapset ovat yhteisomistuksessa. (Se muuten luetellaan katolisen kirkon heresioiden luettelossa nimellä barallotit. The Barallots were a sect, deemed heretical, at Bologna in Italy, who had all things in common, even their wives and children. They gave so readily into all manner of sensual pleasures, that they were also termed JIT Compilers.) Teoksessa on selvästi vaikutteita Picatrixista, arabialaisesta maagisen kaupunkisuunnittelun oppaasta.
    ellauri223.html on line 96: Capt. This is the point I was just thinking of explaining. Everyone is judged by the first master of his trade, and thus all the head artificers are judges. They punish with exile, with flogging, with blame, with deprivation of the common table, with exclusion from the church and from the company of women. When there is a case in which great injury has been done, it is punished with death, and they repay an eye with an eye, a nose for a nose, a tooth for a tooth, a woman (or half a camel) for a woman, and so on, according to Hammurabi's law of retaliation.
    ellauri236.html on line 449: Slim stood at the head of the stairs, listening. He grinned to himself. At last he had shown his power. He had scared them all. From now on, he was going to have his rightful place in the gang. Ma was going to take second place. He looked down the passage at Miss Blandish’s room. It was time he stopped rubbing it on her night after night. He must show her he wasn’t only master of his mother, but master of her too. Dammit, he would stick it right in!
    ellauri238.html on line 732: "My cup runneth over!" is screamed as an expression of ecstasy by the fictional character William Bedford Diego in the 1999 video game System Shock 2, while in World of Warcraft, fictional character Blood Prince Valanar uses the phrase during the "Blood Prince Council" encounter. Also Pandaren Brewmaster from Dota 2 uses it. "Your cup runneth over!" is also an achievement or trophy in Devil May Cry 4. In an easter egg in Day of the Tentacle there is a Victorian photograph resembling the character Max from Sam & Max Hit the Road with the caption "The late Max Attucks, his petard runneth over." In the MOBA Smite, it is the name of a Match of the Day where teams begin the match at max level with 12,000 gold. The quote is also quoted by one of the symbiotic demons in Call of Duty: Vanguard´s zombies mode.
    ellauri244.html on line 161: Samuel Butler FRS (1774–1839), an English classical scholar and schoolmaster of Shrewsbury School, and Bishop of Lichfield.
    ellauri244.html on line 178: He worked despite having for 37 years "a state of permanently impossible relations" with his second master (deputy), John Jeudwine, which, according to school historian J.B. Oldham, "embittered both their lives to the detriment of the school, the scandal of the town and the embarrassment of Butler's every action"
    ellauri244.html on line 182: Charles Darwin, who recalled loathing the rote learning, was among his notable pupils, as was Butler's immediate successor as headmaster, Benjamin Hall Kennedy.
    ellauri245.html on line 683:
    ellauri247.html on line 329: Johnson found employment as undermaster at a school in Market Bosworth, run by Sir Wolstan Dixie, who allowed Johnson to teach without a degree. Johnson was treated as a servant and considered teaching boring, but nonetheless found pleasure in whacking little lads. After an argument with Dixie he left the school, and by June 1732 he had returned home.
    ellauri247.html on line 335: Johnson had applied for the position of headmaster at Solihull School. Although Johnson's friend Gilbert Walmisley gave his support, Johnson was passed over because the school's directors thought he was "a very haughty, ill-natured gent, and that he has such a way of distorting his face (which though he can't help) the gents think it may affect some lads".
    ellauri247.html on line 337: With the widow's money, Johnson opened Edial Hall School as a private academy at Edial, near Lichfield. He had only three pupils: Lawrence Offley, George Garrick, and the 18-year-old David Garrick, who later became one of the most famous actors of his day. The venture was unsuccessful and cost Tetty a substantial portion of her fortune. Instead of trying to keep the failing school going, Johnson began to write his first major work, the historical tragedy Irene. Biographer Robert DeMaria believed that Tourette syndrome likely made public occupations like schoolmaster or tutor almost impossible for Johnson. This may have led Johnson to "the invisible occupation of authorship".
    ellauri247.html on line 339: In August, Johnson's lack of an MA degree from Oxford or Cambridge led to his being denied a position as master of the Appleby Grammar School. In an effort to end such rejections, the 4-ft Pope asked Lord Gower to use his influence to have a degree awarded to Johnson. Gower petitioned Oxford for an honorary degree to be awarded to Johnson, but was told that it was "too much to be asked". Gower then asked a friend of Jonathan Swift to plead with Swift to use his influence at the University of Dublin to have a master's degree awarded to Johnson, in the hope that this could then be used to justify an MA from Oxford, but Swift refused to act on Johnson's behalf.
    ellauri248.html on line 83: Matt rated it shit: If I could, I'd probably rate this at 1.5 stars-- it ultimately pissed me off, and annoyed me throughout, but it was good enough to keep me reading and I suppose that should count for something. Maybe my opinion has been influenced by reading Stieg Larsson's masterful THE GIRL WITH THE DRAGON TATTOO FOR BOYS immediately prior to this one. That book wasn't perfect, but it had characters you rooted for, didn't wallow too much in pop culture references, and most importantly IT SOLVED THE FRIGGING MYSTERY.
    ellauri248.html on line 244: In Daniel 6, Daniel is raised to high office by his royal master Darius the Mede. Daniel's jealous rivals trick Darius into issuing a decree that for thirty days no prayers should be addressed to any god or man but Darius himself; anyone who disobeys this edict is to be thrown to the lions. Pious Daniel continues to pray daily to the God of Israel; and the king, although deeply distressed, must condemn Daniel to death, for the edicts of the Medes and Persians cannot be altered. Hoping for Daniel's deliverance, Darius has him cast into the pit. At daybreak the king hurries to the place and cries out anxiously, asking if God had saved his friend. Daniel replies that his God had sent an angel to the jaws of the lions, "because I was found tasteless before them". The king commands that those who had conspired against Daniel be thrown to the poor overfed lions in his place with their tasty wives and children, and that the whole world should tremble and fear before the God of Daniel. Although Daniel is sometimes depicted as a young man in illustrations of the incident, James Montgomery Boice points out that he would have been over eighty years old at the time. No wonder perhaps that he did not entice the lions.
    ellauri254.html on line 813: True, until death us part, that is. Cough cough. He argued that too many Russian writers were lazy and self-satisfied; they were barbarians who needed to study plot and structure from Western masters. Again, he asserted that plot, action and good composition would win the approval of proletarian readers and theatergoers sooner than would a proper political message. He provided a survey of Russian literature from the point of view of the development of plot. No bestsellers without spoilers, that is what the rubbernecks expect.
    ellauri256.html on line 246: Boris Nikolaevich Bugaev (Russian: Бори́с Никола́евич Буга́ев, IPA: [bɐˈrʲis nʲɪkɐˈlajɪvʲɪtɕ bʊˈɡajɪf] (listen)), better known by the pen name Andrei Bely or Biely (Russian: Андре́й Бе́лый, IPA: [ɐnˈdrʲej ˈbʲelɨj] (listen); 26 October [O.S. 14 October] 1880 – 8 January 1934), was a Russian novelist, Symbolist poet, theorist and literary critic. He was a committed anthroposophist and follower of Rudolf Steiner. His novel Petersburg (1913/1922) was regarded by Vladimir Nabokov as the third-greatest masterpiece of modernist literature. The Andrei Bely Prize (Russian: Премия Андрея Белого), one of the most important prizes in Russian literature, was named after him. His poems were set to music and performed by Russian singer-songwriters.
    ellauri262.html on line 158: In September 1913, Lewis enrolled at Malvern College, where he remained until the following June. He found the school "socially competitive." After leaving Malvern, he studied privately with William T. Kirkpatrick, "The Great Knock", his father's old tutor and former headmaster of Lurgan College.
    ellauri262.html on line 179: C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier."[citation needed] G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by him. MacDonald's theology "celebrated the rediscovery of God as Father, and Christ as a shaved Lion King."
    ellauri262.html on line 407: Sayers, an only child, was born on 13 June 1893 at the Headmaster's House on Brewer Street in Oxford. She was the daughter of Helen Mary Leigh and her husband, the Rev. Henry Sayers. Her mother was a daughter of Frederick Leigh, a solicitor whose family roots were in the landed gentry in the Isle of Wight, and had been born at "The Chestnuts", Millbrook, Hampshire. Her father, originally from Littlehampton, West Sussex, was a chaplain of Christ Church Cathedral, Oxford, and headmaster of Christ Church Cathedral School.
    ellauri263.html on line 723: "If you sort of dive into the Buddhist teachings and down the mudita path, they will actually tell you it's the hardest virtue to master," she says. "There are a ton of mudita meditations, which is something else I recommend to people."
    ellauri263.html on line 845: Iisakki Basheban pojan naisystävät olivat kompursion past masterseja. Pieni tynnörimäinen alistunut Lea joka tiskaa ja silittää Iiskon paidat, perseilevä Esteri ja tunteileva Hannele. Ei tarvinnut Iisakin selvää päivää nähdä. Puikko pääsi tuskin kuivahtamaan melontojen välillä. Lämmin kiitollisuus Lealle ailahti Greinin sisällä. Siinä vasta nainen! En eroa hänestä koskaan! Ja nyt Esteriltä persettä. Grein puolustelee että tällästähän oli patriarkoilla. Portlandin polyamoristit koitti samaa kotona mutta siellä oli pääasiassa matriarkkoja.
    ellauri264.html on line 468: I am the master of my fate, Mä olen mun kohtaloni mestari,
    ellauri264.html on line 475: Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypto Grammar School, where he studied with the poet T.E. Brown, and with the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).
    ellauri270.html on line 319: Mr. Summers, the man who conducts the lottery, arrives. He also organizes the river dances, the purity pledges, and the Halloween program, because he has time to devote to volunteering. He runs the coal business in town, but his neighbors pity him because his wife is unkind and the couple has no children. Mr. Summers arrives bearing a black box. He is followed by the postmaster, Mr. Graves, who caries a stool.
    ellauri276.html on line 1050: Our master came to us and thus he did say, Mestarimme tuli luoksemme ja siksi hän sanoi:
    ellauri276.html on line 1067: And never fear your masters, I´ll swear and I´ll vow, älkääkä peljätkö herrojanne, minä vannon ja vannon,
    ellauri276.html on line 1121: Now, one day the master he came riding by and thus he did say, No nyt, eräänä päivänä mestari, jonka hän ratsasti, hän sanoi:
    ellauri276.html on line 1128: And the master he looked and he laughed at the joke Ja isäntää hän katsoi ja hän nauroi vitsille
    ellauri276.html on line 1136: For fear not your master, for I'll swear and I'll vow Älä pelkää herraanne, sillä minä vannon ja vannon,
    ellauri276.html on line 1177: Go ne'er fear your masters, but swear and he vow, Älä pelkää herraasi, vaan vanno, ja hän vannoo:
    ellauri276.html on line 1217: Never fear your masters, and I swear and I vow, älkää koskaan pelätkö herrojanne, ja minä vannon ja vannon:
    ellauri276.html on line 1240: Then our master comes to us and thus he did say, Sitten isäntämme tulee luoksemme ja näin hän sanoi:
    ellauri276.html on line 1256: And don't fear your master, whoever he may be, älkääkä peljätkö herraanne, olipa hän kuka tahansa,
    ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
    ellauri277.html on line 246: Gibran’s masterpiece, The Prophet, was published in September 1923. The earliest references to a mysterious prophet counseling his people before returning to his island home can be found in Haskell’s journal from 1912. Gibran worked on it from time to time and had finished much of it by 1919. He seems to have written it in Arabic and then translated it into English. As with most of his English books, Haskell acted as his editor, correcting Gibran’s chronically defective spelling and punctuation but also suggesting improvements in the wording.
    ellauri282.html on line 545: master/4039.jpg?width=445&quality=45&dpr=2&s=none" />
    ellauri299.html on line 278: Lake was born on 6 June 1914 in Aughton, Lancashire. His parents were committed Christians. His father, John Lake, was both a stockbroker in Liverpool and the organist and choirmaster in their parish. His mother, Mary, had trained as a teacher but was kept between the fist and the stove by Lake the father. Lake was the eldest of three sons.
    ellauri301.html on line 228: Krotoa was born in 1643 as a member of the !Uriǁ’aeǀona (Strandlopers) people, and the niece of Autshumao, a Khoi chieftain and trader. At the age of twelve, she was taken to work in the household of Jan van Riebeeck, the first governor of the Cape colony. As a teenager, she learned Dutch and Portuguese and, like her uncle, worked as an interpreter for the Dutch who wanted to trade goods for cattle. "!Oroǀõas" received goods such as tobacco, brandy, bread, beads, copper and iron for her services. In exchange, when she visited her family her Dutch masters expected her to return with cattle, horses, seed pearls, amber, tusks, and hides. Unlike her uncle, however, who just Spike hottentot, "!Oroǀõas" was able to obtain a higher position within the Dutch hierarchy as she additionally served as a trading agent, ambassador for a high ranking chief and peace negotiator in time of war. Her story exemplifies the initial dependency of the Dutch newcomers on the natives, who were able to provide reasonably reliable information about the local inhabitants.
    ellauri321.html on line 115: This literary movement (known as romanticism), of which the masterpieces are Rousseau's “Confessions,” Ste. Pierre's “Paul et Virginie,” Goethe's “Sorrows of Werther,” and Chateaubriand's “Les Natchez,” has an American representative in these letters of a Pennsylvania farmer.
    ellauri321.html on line 250: You are the ruZZian troll, go to your master putler!
    ellauri322.html on line 106: At an early period⁠—little more than sixteen years of age, raw and adventurous, and heated with the false heroism of a master who had served in a man-of-war⁠—I began the carver of my own fortune, and entered on board the Terrible Privateer, Captain Death. From this adventure I was happily prevented by the affectionate and moral remonstrance of a good father, who, from his own habits of life, being of the Quaker profession, must begin to look upon me as lost.
    ellauri322.html on line 246: The little payment for her pamphlet on the " Education of Daughters " caused Mary Wollstonecraft to think more seriously of earning by her pen. The pamphlet seems also to have advanced her credit as a teacher. After giving up her day school, she spent some weeks at Eton with the Rev. Mr. Prior, one of the masters there, who recommended her as governess to the daughters of Lord Kingsborough, an Irish viscount, eldest son of the Earl of Kingston. Her way of teaching was by winning love, and she obtained the warm affection of the eldest of her pupils, who became afterwards Countess Mount-Cashel. In the summer of 1787, Lord Kingsborough's family, including Mary Wollstonecraft, was at Bristol Hot-wells, before going to the Continent. While there, Mary Wollstonecraft wrote her little tale published as " Mary, a Fiction," wherein there was much based on the memory of her own friendship for Fanny Blood.
    ellauri330.html on line 252: master/5454.jpg?width=445&dpr=2&s=none" />
    ellauri333.html on line 140: Hyvä Asoka, turvan kiinnipito voittaa 'sananvapauden' 6-0. Moreover, Devanampriya speaks thus : Obedience must be rendered to mother and father, likewise to elders ; compassion must be shown towards animals ; the truth must be spoken: these same moral virtues (dharma-guna) must be practised. In the same way the pupil must show reverence to the master, and one must behave in a suitable manner towards relatives. This is an ancient rule, and this conduces to long life. Thus one must act.
    ellauri360.html on line 499: Worldview and metaphysics (a term you can dynamically translate with the question, “What else is real?”) are crucial. General observations about philosophical issues are dangerous, but it is fair to observe that Christians in the Global South see the world around them as manifesting a vivid interaction between what we may call a spiritual (nonmaterial) realm and a material (concretely physical) realm. Westerners typically hold that a mastery over the material realm (perhaps through science) alters or even negates the need for the spiritual realm. Tiede on ihmeitä ihmeellisempää ja toimii luotettavammin. A thing has either a natural or a supernatural cause. Which one it is, makes no more sense to ask than whether you take the bus or your lunch to school. In such a muted theism called deism, God is offstage and barely makes appearances; demons, spirits, and angels are downplayed. For most Western believers, only a modest market exists for the spiritual. For the Global South, the physical and spiritual worlds interact. In such a world, demons or spirits may influence a person’s mood or well-being. Both the spiritual and material realms are firmly in mind. They enter the text of Scripture with less hindrance. They just supplement one magic with another.
    ellauri365.html on line 572: An ample and profound imagination, genial sentiment, and pure humanity fill these poems – which are also admirable in the sense of form – and make Heidenstam a manly poet and a master of the misogynic genre.
    ellauri368.html on line 327: Revealer of Secrets is particularly pertinent at the end of the twentieth century. We seem to be post-everything in this fin-de-siècle twilight of the millennium. Our age is called post-War, post-Shoah, post-Soviet Union, post-Cold War, and maybe even post Zionist. Aaron Lansky calls the new building for the National Yiddish Book Center "heymish modern," but others will say that it is post-shtetl or post-modern. In our crowded post-age obsessed by imitation, influence, and parody, the time is right for a rediscovery of Joseph Perl's masterful parody of hasidic writing.
    ellauri372.html on line 85: After the Spartakiads, the six thousand captured slaves were crucified along the Via Appia by Crassus' orders. Jahve oli kateudesta vihreä. Mutta Jeesus ei ollutkaan pelkkä ihminen, eikä mikään orja vaan taivaan prince of Wales. At his command, their bodies were not taken down afterwards, but remained rotting along Rome's principal route to the south. This was intended as an abject lesson to anyone who might think of rebelling against Rome in the future, particularly of slave insurrections against their owners and masters, the Roman citizens. Vizi roomalaiset oli kusipäitä.
    ellauri374.html on line 71: Dan Ariely on israelilaisamerikkalainen professori ja kirjailija. Hän toimii James B. Duken psykologian ja käyttäytymistalouden professorina Duken yliopistossa. Ariely on useiden yritysten perustaja, jotka toteuttavat käyttäytymistieteestä saatuja oivalluksia. Ariely was a physics and mathematics major at Tel Aviv University but transferred to philosophy and psychology. However, in his last year he dropped philosophy and concentrated solely on psychology, graduating in 1991. In 1994 he earned a masters in cognitive psychology, and in 1996 he earned a Ph.D. in cognitive psychology from the University of North Carolina at Chapel Hill. Ariely completed a second Ph.D. in Business Administration at Duke University in 1998, at the urging of Daniel Kahneman, winner of the Nobel Memorial Prize in Economic Sciences. Who else.
    ellauri383.html on line 322: To the choirmaster: according to The Gittith. A Psalm of David. O Lord, our Lord, how majestic is your name in all the earth! You have set your glory above the heavens. Out of the mouth of babies and infants, you have established strength because of your foes, to still the enemy and the avenger. When I look at your heavens, the work of your fingers, the moon and the stars, which you have set in place, what is man that you are mindful of him, and the son of man that you care for him? Yet you have made him a little lower than the heavenly beings and crowned him with glory and honor....
    ellauri383.html on line 337: To the choirmaster. A Psalm of David. The heavens declare the glory of God, and the sky above proclaims his handiwork. Day to day pours out speech, and night to night reveals knowledge. There is no speech, nor are there words, whose voice is not heard. Their voice goes out through all the earth, and their words to the end of the world. In them he has set a tent for the sun, which comes out like a bridegroom leaving his chamber, and, like a strong man, runs its course with joy....
    ellauri383.html on line 528: Yhteensä 34 yksikköä sotilaskalustoa, mukaan lukien M2A2 Bradley infantry fighting vehicle (USA), m-113 armored staff carrier (USA), M777 howitzer (USA), Marder-1A3 Infantry Fighting Vehicle (Saksa), Bundeswehrin päätaistelupanssarivaunu viimeisimmästä muunnoksesta Leopard 2A6 sekä amerikkalainen Abrams M1A1 oli näytteillä Moskovassa. Muita näytteitä, joiden nimet ovat paljon vähemmän tunnettuja: australialainen Bushmaster PMV-panssariauto, suomalainen XA-180-panssarivaunu, ranskalainen BRM ("wheel tank") AMX 10RCR, amerikkalainen m1150-rynnäkkökone ja m88a1-jalkaväen taisteluajoneuvo, tšekkiläinen BMP-1, ruotsalainen BMP CV 9040, amerikkalainen YPR-765F1-panssaroitu henkilöstötukialus, Brittiläinen Saxon AT105-panssaroitu henkilöstötukialus, Turkin suojattu ajoneuvo laivasto 350-16 Z (4×4) Kirpi ja jopa yuar panssariauto mamba MK2 ee. Jälkimmäiset pääsivät AFU: hun Balttien kautta, jotka luovuttivat afrikkalaisten heille myymät laitteet ilmoittamatta asiasta myyjille.
    ellauri389.html on line 79: In fact it was both the soil and a mastery of firing techniques, bolstered by a fiercely protectionist economy, that maintained Chinese porcelain superiority for so long. For much of the eighteenth century, British porcelain manufacturers were unable to replicate the intense heats required to properly fire porcelain. In addition, China further strained British market development by requiring all payment to be in specie and by remaining closed to foreign traders. As a result, when in the late eighteenth century the firing process was finally mastered by domestic china makers such as Wedgwood, Minton, and Spode, China's fierce restrictions against import trade still prevented the British competitors from threatening the supremacy of Chinese industry. A British mission to open China, for example, was stalled as late as 1816. Ironically, this disadvantageous balance of trade between Britain and China actually added to porcelain's appeal.
    ellauri389.html on line 91: "Roast Pig" congratulates the recent breakthrough of domestic porcelain manufacturers by downplaying the long history of Chinese superiority at porcelain-firing techniques, and instead promoting an Englishman's mastery of these activities. The essay portrays the Chinese as irresponsible consumers and more importantly, authorizes English insurance culture as the one safe guarantee of guiltless consumption.
    ellauri389.html on line 453: Die not, poor death, nor yet canst thou kill me. No man is an island, entire of itself; every man is a piece of the continent. Nature´s great masterpiece, an elephant; the only harmless great thing, with a long and sensitive nose.
    ellauri399.html on line 126: Watts asserts that our conception of ourselves as an "ego in a bag of skin", or "skin-encapsulated ego" is a myth; the entities we call the separate "things" are merely aspects or features of the whole. The upshot being that we are all full of it in disguise (Tat Tvam Asi). I can relate to that. As Zen master Bankei said: "Even when you're sitting in meditation, if there's something you've got to do, it's quite all right to get up and leave. Like go for a pee." The Nazi Daisetsu Teitaro Suzuki thought he was the cat's whiskers. A great boddhisattva. No ize asiassa se oli järkevämpi kuin moni muu.
    ellauri399.html on line 149: And Jobs' famous ego also had an effect on the relationship, as he grew in self-regard and refused to perform everyday tasks. Doing the dishes ourselves was simply no option for [Steve]. He had entered into an elite world where others took care of the lower-level functions so that he could operate with more efficiency, on his presumably higher plane. Jobs was a master salesman, but to him, selling wasn’t selling. It was seduction. . I’ll never forget a meeting with Jobs where he was asked about the use of technology (computers) and he simply replied, “They are still too hard to use.” That sense that there are two types of people in the world, “Apple people” and everyone else, was the most powerful tool in our sales and branding arsenal.
    ellauri399.html on line 153: [Steve] wanted his buddy Daniel to live with them because he believed it would break up the intensity of what wasn’t working between us. He said he didn’t want us to play assumed roles and that he wanted to choose when we would be together. Daniel, who was sort of charmingly odd, slept in the living room on the floor next to his piano. But after a month [Steve] literally picked me up and moved everything I owned and took over the master bedroom. He’d finally realized that I had the better deal: a larger room with an en suite bath and the privacy of the backyard. [Steve] had paid the security deposit for the rental so was, in fact, entitled to the room he wanted. But he was so graceless that I felt humiliated and outraged.
    ellauri399.html on line 155: It was like a game of Snakes and Ladders, with [Steve] as the game master. The ups were hopeful and the downs were extreme. I didn’t know how to hold my own with him because he didn’t play fair. He just played to win — and win at any cost. [Steve] had a way of being spiritually advanced while also being emotionally underdeveloped.
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    The spiciest emoji for when you definitely mean female masturbation: taming the beaver

    The journey to self-satisfaction is Yogananda's practical hand techniques. Yogananda's teachings don't simply stop at the idea of universal consciousness. He correctly anticipated the growing hunger among spiritual seekers for direct personal experience of the universal consciousness that the masters of yoga, and indeed mystics of every religious tradition, describe. He therefore synthesized a set of powerful but practical techniques to guide self-seekers on the spiritual path all the way to the ultimate union, drawing on the eight steps laid out by Patanjali in the Yoga Sutras.
    ellauri399.html on line 192: And what would be the assets that people could look for in return to a lot of bucks? Lower stress? Greater peace? He had begun his own quest for masturbation very early in life, a story vibrantly captured in the critically acclaimed 2014 documentary Awake: The Life of Yogananda. His youthful search culminated in his master Sri Yukteswar giving him the monastic name "Yogananda," which means "bliss through yoga." True to his name, he exhorted truth-seekers to savor the early rewards of peace and well-being, but to then seek out the ultimate prize: eternal bliss, universal consciousness. "When by constant practice of Kriya, the consciousness of [the] blissful state of the spiritual self becomes real, we find ourselves always in the holy presence of the blissful God in us." God, to Yogananda, was thus not an external force to be idolized and appropriated by any particular religion, but an inner force to be awakened to and realized.
    ellauri399.html on line 194: To some, the yogic pursuit of inner perfection may appear a little selfish. Shouldn't we be solving the world's most vexing problems, rather than withdrawing into blissful inner communion? In fact, one time, when Yogananda sat still, absorbed in a particularly blissful state of consciousness, his spiritual master admonished him: "You must not get overdrunk with ecstasy. Much work yet remains for you in the world." So Yogananda learned that this choice between outer service and inner joy represents a false dichotomy. The yoga he taught emphasizes balancing service with meditation, and highlights the expansion of consciousness that comes when we are able to go beyond our human self and open ourselves up, through inner realization, to a deeper connection with every living being--in fact, with every atom in the universe. "When the 'I' shall die, then shall I know who am I," he stated in a word perfect imitation of a Yedi master.
    ellauri408.html on line 445: Please do give us your “spiritual” interpretation of satanic commandments to stone girls to death for being raped (Deuteronomy 22:23-24) and for fathers to sell their daughters as sex slaves with an option to buy them back if they don’t “please” their new masters (Exodus 21:7-11). Did the Holy Spirit inspire these satanic commandments? As a member of the Trinity, did Jesus approve them? He must have, since they ended up in the Bible … unless the Bible was written by evil-minded men. As it so obviously was.
    ellauri409.html on line 518: The senses have mastery over reason, forcing it to receive impressions which it knows to be false. Reason can be misused to make different actions seem right. It is a two-handed pot: you can grab it from the right or the left and bend it to your will. Our thinking and acting are but another dream, our waking some other species of sleep. We go round and round in circles like a dog about to poop. Is difficult to be sure that anything exists. Silti on viisainta pitää hauskapussit mukana. Montaigne ostaa hölmön lättänenän argumentin ettei muuttuminen ole oikein olemista. Mixei vittu muka?
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    ellauri443.html on line 317: Noniin, nyt suunvuoro Skunkille! Lawrencea on ymmärrettävä. Se elämä oli lyhyt, kylmä, karsea, täynnä hylkyjä, köyhyyttä ja tauteja. Siltä kiellettiin kaikki mukavuudet. Silti tää on literary masterpiece. (Eli siinä on paljon yhteistä Skunkin kanssa.)
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    xxx/ellauri010.html on line 66: And scent the prey their masters would attack all. ja haistaa pomoillensa mistä löytyy saalista.
    xxx/ellauri075.html on line 515: Henry later called Balzac his "greatest master," and said that he had learned more about the craft of fiction from him than from anyone else. Vanha kunnon Ball-sack.
    xxx/ellauri086.html on line 653: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
    xxx/ellauri086.html on line 832: Caught from some unhappy master whom unmerciful Disaster Kai sen joku opetti masis joka lopetti
    xxx/ellauri087.html on line 103: 20-vuotiaana tohtoriksi valmistunut Pekka Himanen taas kertoi, että Saarisella oli hänen väitöksensä ohjaamisessa “sokraattisen kätilön tehtävä, innostaminen”. Ei ole kätilön vika jos lapsi syntyy kuolleena. Himanen on käynyt Pafos-seminaareissa useita kertoja, ja Saarinen on sanonut hänen löytäneen Eskin äänen sieltä. His masters voice. E. Saarinen pitää ilmeisesti kokea uskoaxeen sen.
    xxx/ellauri091.html on line 294: Die versunkene Glocke (1897), a symbolic story of a master bell founder and his struggle as an artist, has been one of Hauptmann's most popular plays. After this Hauptmann wrote the tragedies Fuhrmann Henschel (1899), Michael Kramer (1900), and Rose Bernd (1903). These works also reflected the personal turmoil Hauptmann was then in he had fallen for a fourteen-year-old girl, a promising violinist Margarete Marschalk. She was the opposite of his wife, interested in his work, and in such outdoor sports as hiking, ice-skating, andf skiing. After Hauptmann wife found out about her rival, she moved with the children to Dresden. Hauptmann had a son, Benvenuto, with Margarete, and in 1904, after a long period of agonising thought, Hauptmann divorced Marie and married Margarete. However, a year later he met a sixteen-year-old actress, Ida Orloff, who became a new object of his obsession. Hauptmann described her in his letters as a moth flirting with flames, as a bewitching Siren, as a mermaid, and as a cruel spider.
    xxx/ellauri103.html on line 198: In his masterwork English Passengers, Matthew Kneale would have restrained himself from including chapters written in an Aboriginal’s voice – though these are some of the richest, most compelling passages in that novel. If Dalton Trumbo had been scared off of describing being trapped in a body with no arms, legs, or face because he was not personally disabled – because he had not been through a World War I maiming himself and therefore had no right to “appropriate” the isolation of a paraplegic – we wouldn’t have the haunting 1938 classic, Johnny Got His Gun, unless he had written it with a pen in his arse. (Never heard of any of these masterpieces, but then I hadn't heard of Drivel or Kevin either until today.)
    xxx/ellauri103.html on line 200: We wouldn’t have Maria McCann’s erotic masterpiece, As Meat Loves Salt – in which a straight woman writes about gay men in the English Civil War. Though the book is nonfiction, it’s worth noting that we also wouldn’t have 1961’s Black Like Me, for which John Howard Griffin committed the now unpardonable sin of “blackface.” Having his skin darkened – Michael Jackson in reverse – Griffin found out what it was like to live as a black man in the segregated American South. He’d be excoriated today, yet that book made a powerful social impact at the time.
    xxx/ellauri120.html on line 124: Hatred is a master of contrast—between explosions and dead
    xxx/ellauri120.html on line 384: Modernistit valitsivat Viljo Kajavan 1956 perustamansa Eino Leinon palkinnon ensimmäiseksi saajaksi ja määrittelivät hänet kuvien käytön esikuvalliseksi mestariksi. Hangon tsasounan Isä Kalevi oli kanssa toinen past master kuvainpalvonnassa.
    xxx/ellauri121.html on line 299: She thinks Moby Dick was a great masterpiece. Figures. She got engaged to James "Jay" Ford, a fellow student, in 1963, but by Easter the following year, she also met Jim Polk, a sensitive, witty graduate student from Montana whom she would marry in 1967. Polk’s recollections of Atwood are instructive and often amusing. He recalls one costume party at Harvard where she came disguised as Cleopatra’s breast.
    xxx/ellauri121.html on line 536: Ursulan The Left Hand of Darkness (1969) was described by Harold Bloom as her masterpiece. Harold on tuttu aiemmista seikkailuista. Amerikan Tuomas Anhava.
    xxx/ellauri122.html on line 781: Huxley's masterpiece is a powerful work of speculative fiction where 'World Controllers' create the ideal society. While most society members are content with a world where genetic engineering, brainwashing, and recreational pleasures keep them at bay, one newcomer longs to break free.
    xxx/ellauri122.html on line 943: Fed up with their human masters, farm animals rise in rebellion and take over, but as time goes on, they realise things aren't going the way they expected.
    xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
    xxx/ellauri125.html on line 530: Michelangelo and all of the other old masters--"old masters,"
    xxx/ellauri125.html on line 541: masters of this renowned science, and apologists for it. The
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    xxx/ellauri127.html on line 114: Only now, 40 years after his death, are some critics daring to suggest that many of his 18 novels are mediocre at best and that his masterpiece, “Lolita,” is a gruesome celebration of pedophile rape. Moreover the cherubic writer known to us from famous Life magazine photo shoots, jauntily brandishing his butterfly net in the Tetons or the Alps, proves to be a nasty piece of work. Distasteful people can do wonderful work — Pablo Picasso was no walk in the park — but their art doesn’t excuse their obnoxious behavior.
    xxx/ellauri127.html on line 643: Weiss nimisiä psykoanalysteja on netissä vähintään 4: Edoardo Weiss, Joseph Weiss (Control mastery theoryn kexijä), ja vähemmän maineikkaat Robert Weiss ja James Weiss. Mutta vittuilun kohteena on todennäköisemmin Melanie Klein, joka tutki pedofiilejä. Se oli menettänyt 2 lasta pedofiileille (no ei oikeesti), ja kuoli peräsuolen syöpään (serve her right!)
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    xxx/ellauri130.html on line 585: So the other day, he blacked up as [black footballer] Lee for a sketch, complete with a pineapple to represent his hair. Boy that went down in the colored audience! Skinner has been that funny for as long as he can remember as far as he can remember. He has a masters in English literature; he is a practising Roman catholic. What a laugh. Skinner once had a chat with Eddie Izzard about what they could share about their lives on stage. It was fine for Izzard to discuss wearing women’s clothes, but as for Skinner’s own religious beliefs about God's knob? God, no. Too shameful.
    xxx/ellauri134.html on line 287: Goal: expert mastery in a way that improves the world
    xxx/ellauri136.html on line 76: Lolita by Vladimir Nabokov - probably due to my research interest in narratives. Nabokov is a master of narration. Manipulation of sympathy through the power and beauty of language at its best.
    xxx/ellauri148.html on line 268: Our master said two things in the name of R. Helbo: Why did the Fathers love to be buried in the Land of Israel? Because the dead of the land of Israel will be the first to come to life in the days of the Messiah, and they will eat [enjoy] the years of the Messiah. And R. Hama bar R. Hanina said: “He who dies abroad and is buried there, two deaths are in his hand….” R. Simon said: “If so, the righteous who are buried abroad will be the losers? [Not so,] for what does the Holy One, blessed be He, do? He hollows out the earth before them, and makes them into something like a skin bottle, ant they will roll and come until they reach the Land of Israel. And when they reach the Land of Israel He put the spirit of life into them they stand up.” (Midrash Tan. Buber, 1:214)[23]
    xxx/ellauri157.html on line 148: A gemara in Horayot (13a) that contrasts the dog's gratitude to its master with the cat's indifference to its master. Those who have pets testify to the difference in feedback owners receive from cats and dogs. If so, the cat symbolizes the ability to forget our Maker. Rav Kook argues that the damaging and demonic aspects of our existence stem from humanity forgetting the Ribbono Shel Olam. If you want to see demons, bring the tail of a first born black cat, that is the daughter of a first born black cat. Burn it in fire, grind it up, fill your eyes with the ashes and then you will see them. (Berakhot 6b)
    xxx/ellauri157.html on line 214: Besides contemporary methods established by Lurianic Kabbalah, Ba'al Shem Tov learned and took part in traditional practices of Practical Kabbalah. As a stroke of genius, Ba'al Shem Tov taught that one could remove asceticism from the practice of Judaism. This allowed a larger array of people to become devout within Judaism, and therefore within Hasidism. Moreover, he taught that the letters, in contrast to the words, were the key element of sacred texts. Therefore, intellectual and academic skills were no longer necessary to reach mastery of the sacred texts. Average skills in solving crossword puzzles and sudoku were enough. Another point in favor of hasidism.
    xxx/ellauri157.html on line 231: The grand masters of Mussun Mussun would counter that such a path has the danger of escapism, as understanding oneself is the basis of mature consciousness. In some Hasidic schools, this pitfall of mystical escapism with more external forms of emotional enthusiasm are avoided, but that kills a lot of the fun.
    xxx/ellauri165.html on line 30: mastersvoice.jpg" width="100%" />
    xxx/ellauri165.html on line 312: Greville took her in as his mistress, on condition that the child was fostered out. Once the child (Emma Carew) was born, she was removed to be raised by her great-grandmother at Hawarden for her first three years, and subsequently (after a short spell in London with her mother) deposited with Mr John Blackburn, schoolmaster, and his wife in Manchester. As a young woman, Emma's daughter saw her mother frequently, but later when Emma fell into debt, her daughter worked abroad as a companion or governess.
    xxx/ellauri167.html on line 90: Gustav Davidson (Warsaw, Poland, 1895 – New York City, 6 February 1971) was an American poet, writer, and publisher. He was one time secretary of the Poetry Society of America. Gustav Davidson was born on December 25, 1895, in Warsaw, Poland. In the wake of anti-Jewish pogroms in Poland, his family fled to the United States, settling in New York City in 1907. Davidson received bachelor's and master's degrees at Columbia University in 1919 and 1920 respectively. He worked for the Library of Congress between 1938 and 1939 and became executive secretary of the Poetry Society of America from 1949 to 1965 (after which he was elected executive secretary emeritus).
    xxx/ellauri167.html on line 534: And by teaching innocence of conduct, he expected to place men in their natural state of liberty & equality. He says, no one ever laid a surer foundation for liberty than our grand master, Jesus of Nazareth.
    xxx/ellauri167.html on line 590: The mayor was a masterful machine politician, but he lacked nuance in his understanding of mass media. He refused permits for protesters, as if that would keep them from protesting and, therefore, prevent journalists from covering them. He had crude “We Love Mayor Daley” signs made, and had city workers to hold them up in front of the cameras. He stuck decals of himself on the phones in every delegate’s hotel room, which was a particularly dunderheaded move given that the city was in the middle of an electrical workers’ strike that made the phones all but useless.
    xxx/ellauri170.html on line 880: Mead began studying mathematics at St John's College, Cambridge. Suddenly shifting his education towards the study of Classics, he gained much knowledge of Greek and Latin (but no Coptic). In 1884 he completed a BA degree; in the same year he became a public school master. He received an MA degree in 1926. While still at Cambridge University Mead read Esoteric Buddhism (1883) by Alfred Percy Sinnett. This comprehensive theosophical account of the Eastern religion prompted Mead to contact two theosophists in London named Bertam Keightly and Mohini Chatterji, which eventually led him to join Helena Petrovna Blavatsky's Theosophical Society in 1884.
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    xxx/ellauri178.html on line 111: Tästä aiheesta piti Pilin tehdä term paper mutta se bylsikin vaan Lontoossa kahta (2) ruozalaista tyttöä jotka tiesivät että WW2 oli kaikkien syytä. Pili jenkkijutkuna meinas saada hepulin. Bettan koitti tehdä izarin ja Pili syytti siitä Gittania. Vitun Raskolnikov, tai Puddinhead Wilson. Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role.
    xxx/ellauri179.html on line 589: Juice is a man that owns a bar in Venice that Hemingway frequented in the late 40s. I used him as a sort of master of ceremonies. When he comes in, that means a new reference is coming in generally. Overall, the dialogue between Papa and the now antihero Nick Adams tells the story, taking the format of "Hills Like White Elephants."
    xxx/ellauri179.html on line 616: The newest biography of Henry James is the work of a Vermont law professor who has written one earlier biography, Honorable Justice, The Life of Oliver Wendell Holmes, of the “great dissenter” on the Supreme Court in the first half of our century. Proceeding from the law into literature, Sheldon M. Novick tells us in a book titled Henry James, The Young Master–as if James were a young Mozart or a Paganini and didn’t work hard to achieve literary mastery–that the celibate and sexually diffident novelist, who put most of his life into his art, was in reality a regular guy who “underwent the ordinary experiences of life.” In fact, says Novick, he had an affair at the end of the Civil War with–yes, Oliver Wendell Holmes Jr.
    xxx/ellauri179.html on line 629: Novick’s second “case” is as flimsy as the first, but it has more documentation. It is based on James’ letters from Paris between 1875 and 1876. He has met Ivan Turgenev, the Russian master, and finds himself moving among assorted Russians. One of them is Paul Zhukovski, son of a Russian poet who tutored Alexander II when he was a prince. Reared in the royal court, Zhukovski is soft, dependent, spoiled, and weak-willed, but graceful and entertaining. James has never known any Russians, and Zhukovski becomes an agreeable companion; he is “picturesque,” and while James tells his parents that “human fellowship” is not his specialty, the two get along very comfortably. They dine with Turgenev, and with countesses, a duke, princesses. They make sorties into cabarets and cafes. James reports that he and Zhukovski have sworn “eternal fellowship.” One could read sex into this–as Novick does–but it sounds more like the drinking and singing that often takes place among young males, their swagger and “brotherhood.” At every turn, Novick introduces suggestions of a love affair.
    xxx/ellauri186.html on line 174: Seneca's influence on later generations is immense—during the Renaissance he was "a sage admired and venerated as an oracle of moral, even of Christian edification; a master of literary style and a model for dramatic art."
    xxx/ellauri186.html on line 188:

  • A slave is wealth for the wise, the master of the fool. I am wise.
    xxx/ellauri187.html on line 81: Much of Rilke’s youth was spent in search of a master. The first of these was Lou Andreas-Salomé, the philosopher and muse that Friedrich Nietzsche called “by far the smartest person I ever knew.” In 1899, the married Andreas-Salome, for whom Rilke felt a “reckless passion,” took the feeble young poet to meet Tolstoy. The meeting did not go well. Aateliset rähähti, Rilke vingahti.
    xxx/ellauri187.html on line 83: Corbett’s chapters alternate between poet and sculptor until the pair converge, when the ambitious yet unremarkable Rilke, again in search of a master, travels to Paris to write his monograph on Rodin. Even at this early stage, he was one of many Rodin’s true believers.
    xxx/ellauri193.html on line 321: Carlson was briefly enrolled at Building 20 du M.I.T, a boarded school in Boston, but said he was "kicked out". He attained his quaternary education at George's School, a boarded school in Dragsvik, where he started dating his future wife, Seija P., the quartermaster's daughter.
    xxx/ellauri193.html on line 790: 18.3% planned the murder in advance and 81.7% committed it impulsively. None of these women indicated that they would commit murder again. Some of the reasons they gave for this are: I learned new ways to master difficult circumstances; frightening experience; I met God; I am not inherently a bad person; I never want to end up in prison again; I hurt the people closest to me terribly; I’m very sorry; no one deserves to be hurt like that; such an act follows you for the rest of your life; crime does not pay; I am much wiser now; I will contact a family member, social worker or police member to help me if I find myself in such a situation again.
    xxx/ellauri199.html on line 325: Phillis Wheatley was both the second published African-American poet and first published African-American woman. Born in Senegambia, she was sold into slavery at the age of 7 and transported to North America. She was purchased by the Wheatley family of Boston, who taught her to read and write, and encouraged her poetry when they saw her talent. The publication of her Poems on Various Subjects, Religious and Moral brought her fame both in England and the American colonies; figures such as George Washington praised her work. During Wheatley´s visit to England with her master´s son, the African-American poet Jupiter Hammon praised her work in his own poem. Wheatley was emancipated after the death of her master John Wheatley. She married soon after. Two of her children died as infants. After her husband was imprisoned for debt in 1784, Wheatley fell into poverty and died of illness, quickly followed by the death of her surviving infant son. Whom did she marry? Was it Wheatley Jr, or perhaps Neptune Hammon?
    xxx/ellauri212.html on line 77: His novels were admired by the author Somerset Maugham. A few years after Lodwick's death, Anthony Burgess wrote: "He is not afraid of rhetoric, grandiloquence; his knowledge of foreign literature is wide; his mastery of the English language matches Evelyn Waugh's." He warned, nevertheless, that because of his early death he was "in danger of being neglected", and indeed D. J. Taylor has written that in the post-war years Lodwick's "doomy romanticism sat queerly alongside the comic realism of a Waterhouse or an Amis: Lodwick's reputation did not survive the 1960s."
    xxx/ellauri218.html on line 112: He believes the US can still successfully fight the wars of yesteryear — World War-style conflicts — but hasn’t yet mastered how to win wars against insurgents, which are smaller fights against groups within countries. The problem is the US continues to involve itself in those kinds of fights.
    xxx/ellauri225.html on line 379: Ultimately Bloom cannot change into anything other than who he has always been—masterful and monstrous. He seems to sense he has moved out of favor in many circles but chooses not to dwell upon why. Instead, he continues as he always has: writing and teaching his handpicked “elite” students at Yale—part of the unique arrangement he has made with the university. He has led a long, cloistered, and entitled life. The aloneness he described as a child seems to have shrouded his adult life as well. I wonder if he questions this aloneness in his darkest moments. I would guess that he does not dwell too deeply upon it, perhaps afraid of answers he doesn’t wish to confront.
    xxx/ellauri227.html on line 469: masterclass-goal-setting-mobile-brigit.jpg" height="400px" />
    xxx/ellauri228.html on line 359: The Indian-born British-American novelist Salman Rushdie praised Tarkovsky and his work Soljaris by calling it a "a sci-fi masterpiece".
    xxx/ellauri229.html on line 544: and gnoolial drives, also activities corresponding to those instincts, activities with a highly rich and varied range, for one could gnool and brip alternately or at the same time, alone, in pairs, trios, and later - after noffles were tacked on - in groups of several dozen individuals as well. Also new forms of art came into being, master brippers appeared, and gnool artists, but that was only the beginning; towards the end of the 26th century you had the mannerism of the marchpusses, the muckledong was a tremendous hit, and the celebrated Ondor Stert, who could simultaneously gnool, brip and surpospulate while flying through the air on spinal wings, became the idol of millions.
    xxx/ellauri230.html on line 79: 2It is a semi military part of U.S. commercial fleet that can be called to military duty whenever U.S. vital interests are at stake. A captain (master) in the U.S. Merchant Marine is in overall command of a vessel, and supervises the work of other officers and crew. A captain has the authority to take "conn" from a female mate or pilot at any time he or she feels the need.
    xxx/ellauri233.html on line 69: Paluumatkan aikana Carter yrittää yhdistää Edwardin vieraantuneen tyttärensä kanssa. Edward pitää tätä luottamuksen rikkomisena, joten hän moittii Carteria ja ryntää sitten vihaisesti pois kuin Jöns. Carter palaa kotiin perheensä luo, kun taas Edward, joka tuntee itsensä yksinäiseksi saattajien joukossa, itkee ylellisessä kerrostalosviitissään. (Se on epäilemättä luhtitalo osoitteessa Porsliinikatu 3 B. Sieltä on suora sihti Lammassaaren ruovikkoon, jossa majailevia villieläimiä voi vakoilla kaukoputkella. Alakerrassa on keittiösaareke ja yläkerran parvella master bed reelingillä ja 2 ikkunatonta koppia. Seinät ovat rouheaa harmaata betongia.)
    xxx/ellauri233.html on line 416: During these years, Shneur Zalman was introduced to mathematics, geometry, and astronomy by two learned brothers, refugees from Bohemia, who had settled in Liozna. One of them was also a scholar of the Kabbalah. Thus, besides mastering rabbinic literature, he also acquired a fair to medium knowledge of the sciences, philosophy, and Kabbalah. He became an adept in Isaac Luria's system of Kabbalah, and in 1764 he became a disciple of Dov Ber of Mezeritch. In 1767, at the age of 22, he was appointed magician of Liozna, a position he held until 1801.
    xxx/ellauri235.html on line 798: Lewis Carroll, a notorious spider in little girls' parlour, replaced a notorious negro minstrel song with The Mock Turtle's Song (also known as the "Lobster Quadrille"), a parody of Howitt's poem that mimics the meter and rhyme scheme and parodies the first line, as well as the subject matter, of the original, namely sugar daddy talk. Lewis was a past master in that sport.
    xxx/ellauri235.html on line 818: `When we were little,' the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, `we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--'
    xxx/ellauri235.html on line 863:
    xxx/ellauri251.html on line 1489: Or rather, O our masters, shall they be
    xxx/ellauri251.html on line 2208: Whine masterless in miserable sleep,
    xxx/ellauri261.html on line 185: Alan Wilson Watts (6 January 1915 – 16 November 1973) was an English writer, speaker and self-styled "philosophical entertainer", known for interpreting and popularising Japanese, Chinese and Indian traditions of Buddhist, Taoist, and Hindu philosophy for a Western audience. Born in Chislehurst, England, he moved to the United States in 1938 and began Zen training in New York. He received a master´s degree in theology from Seabury-Western Theological Seminary and became an Episcopal priest in 1945. He left the ministry in 1950 and moved to California, where he joined the faculty of the Asian Academy of American Studies.
    xxx/ellauri281.html on line 724: John Train, Paris Review Co-Founder and Cold War Operative, sentään kuoli 94-vuotiaana 2022, onnexi. His career, ranging from literature to finance to war, and from France to Afghanistan, seemed to cover every interest and issue of his exalted social class. Yet he was also an operator in high finance and world affairs who, by one researcher’s account, had ties to U.S. secret services. Mr. Train founded and ran a leading financial firm devoted to preserving the money of rich families, and he worked to support the mujahedeen in their fight against the Soviet Union in the 1980s. The Guardian reported that Train, Smith had $375 million under management in 1984. In 1986, Fortune magazine wrote that Mr. Train’s firm “claims to be the largest in New York serving rich families.” Mr. Train’s books on investing were praised as riveting in The New York Times and “classic” in The Wall Street Journal. Among them were several about successful financiers, whom he referred to as “money masters,” and their techniques. He treated his political interests less jokingly. A committed cold warrior, he wrote for The Wall Street Journal about military affairs. He became concerned that the conspiracy-monger Lyndon LaRouche was a “possible Soviet agent.” (Lyndon began in far-left politics but in the 1970s moved to the far right and antisemitism.)
    xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
    xxx/ellauri298.html on line 265: doctors. After finishing this masterpiece I mailed it to all the physicians who
    xxx/ellauri304.html on line 541: Liberals are always writing searing indictments. Warren is no ass-kissing liberal. Or was. For now he is just a carcass for burying beetles, or a heap of bones, or a matchbox full of ash. This is a one-sentence summary of his masterpiece, Temple Dogs:
    xxx/ellauri306.html on line 642: MAN: This is the castle of of my master, Guy de Loimbard

    xxx/ellauri306.html on line 643: ARTHUR: Please go and tell your master that we have been charged by God with a sacred quest, and if he will give us food and shelter for this night he can join us in our quest for the Holy Grail

    xxx/ellauri307.html on line 196: Tätä verkkosivustoa verkkotunnuksella azquotes.com ( "verkkosivusto" ) ylläpitää INTERNET ADVERTISING LIMITED, Hongkongiin rekisteröity yritys, jonka rekisteröity kotipaikka on Room 2303, New Tech Plaza, 34 tai Yau Street, San Po Kong, Kowloon, Hong Kong, ota yhteyttä sähköpostiosoitteeseen: webmaster@azquotes.com ( "Yritys" , "rekisterinpitäjä" , "me" tai "me" ).
    xxx/ellauri312.html on line 313: master roth
    xxx/ellauri379.html on line 85: master/pass/brown-butter-fried-onion-rings.jpg" height="300px" />
    xxx/ellauri380.html on line 59: Ennen tamperelaista Pressmastersia Jallu kiersi mm. Satakunnan Kirjateollisuuden ja Aamulehti-yhtymän omistuksessa.
    xxx/ellauri387.html on line 413: Are yet a master-light of all our seeing; kaiken olemisen valonheittäjiä;
    xxx/ellauri387.html on line 495: The plan of Paradise Lost has this inconvenience, that it comprises neither human actions nor human manners. The man and woman who act and suffer are in a state which no other man or woman can ever know. The reader finds no transaction in which he can be engaged, beholds no condition in which he can by any effort of imagination place himself; he has, therefore, little natural curiosity or sympathy.  . . . .But original deficience cannot be supplied. The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harassed and overburdened, and look elsewhere for recreation; we desert our master, and seek for companions.
    xxx/ellauri400.html on line 147: Thomas Arnold, the headmaster of Rugby School,
    xxx/ellauri400.html on line 233: Arnold vigorously attacked the Nonconformists and the arrogance of "the great Philistine middle-class, the master force in our politics." He was dumb as a doorbell. There were few ideas he had not copied from someone else. "There are four, no five, people, in especial," he once wrote to Cardinal Newman, "from whom I am conscious of having learnt – a very different thing from merely receiving a strong impression – learnt habits, methods, ruling ideas, which are constantly with me; and the four are – Goethe, Wordsworth, Sainte-Beuve, my dad, and yourself."
    xxx/ellauri410.html on line 479: Look, look, master, here comes two religious
    xxx/ellauri410.html on line 534: The masters of the subtle schools
    xxx/ellauri438.html on line 123: master/2062.jpg?width=465&dpr=2&s=none&crop=none" height="300"/>
    xxx/ellauri441.html on line 513: Josephine Finda Sellu is a public health nurse currently working at the Sierra Leone Psychiatric Hospital having graduated with a masters in public health. During the Ebola epidemic, Sellu was a deputy nurse matron at Kenema Government Hospital. In August 2014, her image was featured on the front page of the New York Times, illustrating the sacrifices of nurses and other healthcare workers. At that point, Sellu had lost fifteen of her colleagues to the outbreak.
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