Anwaar Ahmad is a professional writer. He is working with us from last two years. His articles are marvelous and attractive. He is best in demonstrating literature. He likes to read books. Feel free to contact him in case you need help. Vainajana muistanemme häntäkin hyvällä.
Juupa juu, sehän se on se "se", kauhujen kauhu, se 1 paikka, naisten viemärimäinen se.
ellauri146.html on line 755: There could I marvel Siinä saatoin ihmetellä
ellauri146.html on line 781: And there could I marvel my birthday Ja siinä mä saatoin ihmetellä mun synttäriä
ellauri151.html on line 1005: [7] Do not marvel that I said to you, You must be begotten from above.*
ellauri153.html on line 406: carry through with the plan. Se mikä näissä turinoissa ihmetyttää eniten on miten moraalisesti alamittaisia paskiaisia ne jumalistaan tekevät. Infantiileja narsisteja, vitun marvel comixin supermiehiä. Mutta omaxi kuvaxeenhan ne niitä laativat, peilistä tihrustavat mallia. A world of happy creatures is a great good for the world w, but the
ellauri156.html on line 570: Our text has many applications and implications for today. Let me suggest a few as I conclude this lesson. First, “Can a Christian fall?” Yes. Some folks in the Bible may cause us to question whether they really ever came to please Dog, folks like Balaam or Samson or Saul. But we have no such questions regarding David. He is not only a believer, he is a model believer. In the Bible, David sets the standard because he is a man after God's heart. Nevertheless, this man David, in spite of his popularity in Dog's circles, in spite of his marvelous times of worship and his bea-u-utiful psalms, falls deeply into sin. If David can fall, so can we, which is precisely what Paul, another crook and tricky Dick, warns us about:
ellauri161.html on line 570: Mark Rylance is hits dead centre as a marvellously moronic mashing of Bill Gates and Steve Jobs. Hey, don't miss Larry Page, Silverfish, Belos, Musk and the rest of the rats!
ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving.
ellauri198.html on line 714: Allen Johnston of The New York Times was disappointed with how the series progressed; while he marveled at the "sheer absurdity of King's existence" and complimented King's writing style, he said preparation would have improved the series, stating "King doesn't have the writerly finesse for these sorts of games, and the voices let him down." Michael Berry of the San Francisco Chronicle called the series "highfalutin hodgepodge".
ellauri219.html on line 1012: Underworld is a novel, quite simply, about what was experienced in the United States in the second half of the 20th century. An era shaped by the advent and then cancellation of the Bretton Woods agreement. Nuclear proliferation. The withering away and relocation of American manufacturing, and the rise of global capitalism. Jazz. The Cuban missile crisis (through the voice, as DeLillo has it, of the smirking standup comedian Lenny Bruce). Civil tights. The CIA. Bombs on university campuses. Artists on New York rooftops, and around them, the old industrial framework of bygone city life, something aesthetic and exotic, either marvelled at or ignored, take your pick.
ellauri220.html on line 591: Joo Emmanuellehan se pätkä oli, vlta 1974. Sen takeen sillä sai olla niin pienet tisutkin. Ei se mua haittaa, pidän sellaisista. Mutta vittu se vanha äijäpaha sexipeetee oli rasittava. Toinen samanmoinen oli Marlon Brando Viimeisessä tangossa. Rasvaisia puoliveteisiä ukkoja letkut puolitangossa. Lush cinematography, marvellous acting (in particular from Sylvia Kristel) and genuinely erotic scenes tastefully directed… Just Jaeckin! It’s the same badly dubbed, funny-for-about-five-minutes shite it’s always been, with ‘Ooh look! Fanny smoke rings! Chortle!’ tired businessman’s humour very much to the delapidated fore. Best bits of this sorry cash cow – sorry, ‘significant cultural event – were the original UK trailers, as voiced by Katie Boyle.
ellauri222.html on line 108: Arthur Sammler, the protagonist of the novel, is a Holocaust survivor living in New York in the ’60s. He is an intellectual who has maintained many of his Central European attitudes about culture. While he marvels at Neil Armstrong landing on the moon and other evidence of progress and prosperity, Sammler is at the same time appalled by the excesses and degradations of city life. By the end of the novel he has learned to bridge the gap between himself and those around him, and has come to accept that a “good life” is one in which a person does that which is “required of him.”
ellauri241.html on line 644: And entered marveling: for they knew the street, ihmeissään: sillä he tunsivat kadun, muistivat
ellauri285.html on line 775: With regard to these, and especially the last, the Brown-Sokal-Friedman rebuttal argues that it is likely that Fredrickson and Losada did not fully grasp the implications of applying nonlinear dynamics to their data. Brown, Sokal, and Friedman state that one can only marvel at the astonishing coincidence that human emotions should turn out to be governed by exactly the same set of equations that were derived in a celebrated article several decades ago as a deliberately simplified model of convection in fluids, and whose solutions happen to have visually appealing properties. An alternati
ellauri332.html on line 482: There's consequently very little that actually works here, and one can't help but marvel at Wenders' consistently wrong-headed directorial choices (that he's essentially disowned the film in the years since its release doesn't come as much of a surprise).
xxx/ellauri086.html on line 829: Much I marvelled this ungainly fowl to hear discourse so plainly, Kylläpä mä ihmettelin: Kana löysi partikkelin?
xxx/ellauri087.html on line 469: The same line appears in full in the opening minutes of Michael Powell and Emeric Pressburger's A Matter of Life and Death (1946), spoken by the protagonist, pilot and poet Peter Carter: 'But at my back I always hear / Time's wingéd chariot hurrying near; And yonder all before us lie / Deserts of vast eternity. Andy Marvell, What a marvel'.
xxx/ellauri116.html on line 272: Don Rigoberto is compulsive about his personal cleanliness and his bodily functions. He appreciates them as marvelous and necessary, to be worshipped both for their sake as well as for the sake and welfare of the whole body. He devotes a day a week to the care of a different member or organ: Monday, hands; Tuesday, feet; Wednesday, ears; Thursday, nose; Friday, hair...
xxx/ellauri225.html on line 396: Just imagine looking out your window directly on the East River with nothing intervening between your view of the Statue of Liberty, way down the harbour, and the marvelous beauty of Brooklyn Bridge close above you on your right! All of the great new skyscrapers of lower Manhattan are marshaled directly across from you, and there is a constant stream of tugs, liners, sail boats, etc in procession before you on the river! It´s really a magnificent place to live. This section of Brooklyn is very old, but all the houses are in splendid condition and have not been invaded by foreigners.
xxx/ellauri251.html on line 281: I marvel what men do with prayers awake Mä ihmettelen mihkä apinat tarvii rukousta
xxx/ellauri298.html on line 639: Campbell attended a Grateful Dead concert in 1986, and marveled that "Everyone has just lost themselves in everybody else here!" Campbell died at his home in Honolulu, Hawaii, on October 30, 1987, from complications of esophageal cancer. The works of Arthur Schopenhauer and Friedrich Nietzsche had a profound effect on Campbell's thinking; he quoted their writing frequently. Sinclair's Babbitt did not follow his (Joe's) bliss, while Schopenhauer ans Nietzsche did, enviously watching Joseph hump his best friend's wife. Jung's insights into archetypes were heavily influenced by the Bardo Thodol (also known as The Tibetan Book of the Dead, an interesting tidbit on the side).
xxx/ellauri357.html on line 430: But the chief marvel of the pretty little wilderness
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