ellauri001.html on line 22:

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ellauri001.html on line 23:

margin-top:0%;font-style:italic;margin-bottom:0%">Melskeitten miehen muistelmat

{span style="color:white;background-color:gold"}2019{/span} Lapsuus


ellauri002.html on line 23:

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ellauri002.html on line 24:

margin-top:0%;margin-bottom:0%">KAUNOKAINEN JA KUOLEMA

Nuoruus


ellauri002.html on line 1605:
margin-bottom:50ex"> 

ellauri002.html on line 1630: margin-top:1ex">

ellauri002.html on line 1673: margin-top:1ex">

ellauri002.html on line 2220:
ellauri003.html on line 21:

margin-top:0%;margin-bottom:0%">EL LADRO


ellauri003.html on line 22:

margin-top:0%;margin-bottom:0%">MAZETAN 3 KULTARAHAA

Aikuisuus


ellauri004.html on line 19:

margin-top:0%;margin-bottom:0%">AL DENTE


ellauri004.html on line 20:

margin-top:0%;margin-bottom:0%">LEUKAVASTI LAUKAISTUA

Dantea


ellauri005.html on line 20:

margin-top:0%;margin-bottom:0%">EL CHURRO


ellauri005.html on line 21:

margin-top:0%;margin-bottom:0%">TYTTÖ JA JÄLKIRUOKA

Miltonia


ellauri006.html on line 20:

margin-top:0%;margin-bottom:0%">AL CAPONE


ellauri006.html on line 21:

margin-top:0%;margin-bottom:0%">GANGSTERIKUNINGAS

Psalttaria


ellauri007.html on line 19:

margin-top:0%;margin-bottom:0%">EL TACO


ellauri007.html on line 20:

margin-top:0%;margin-bottom:0%">KAPINAKENRAALIN TIMANTIT

Lyriikkaa


ellauri008.html on line 20:

margin-top:0%;margin-bottom:0%">EL PERRO


ellauri008.html on line 21:

margin-top:0%;margin-bottom:0%">KARAVAANI KULKEE

Haukuntaa


ellauri009.html on line 19:

margin-top:0%;margin-bottom:0%">EL MONO


ellauri009.html on line 20:

margin-top:0%;font-style:italic;margin-bottom:0%">LÄNNEN LAKI

Moraalia


ellauri011.html on line 19:

margin-top:0%;margin-bottom:0%">EL PABLO


ellauri011.html on line 20:

margin-top:0%;margin-bottom:0%">VERTA JA KULTAA

Mystikkaa


ellauri012.html on line 19:

margin-top:0%;margin-bottom:0%">LO SIENTO


ellauri012.html on line 20:

margin-top:0%;margin-bottom:0%">EI NAISELTA KUNNIASANAA

Miesasiaa


ellauri014.html on line 18:

margin-top:0%;margin-bottom:0%">EL RUSO


ellauri014.html on line 19:

margin-top:0%;margin-bottom:0%">ANDALUSIAN SINISUKKA

Rousseauta


ellauri015.html on line 21:

margin-top:0%;margin-bottom:0%">EL PEDO


ellauri015.html on line 22:

margin-top:0%;font-style:italic;margin-bottom:0%">KONNAT KUKKIVAT HIRSIPUUSSA

Estetiikkaa


ellauri016.html on line 20:

margin-top:0%;margin-bottom:0%">EL COYOTE


ellauri016.html on line 21:

margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES

Keljuilua


ellauri017.html on line 20:

margin-top:0%;margin-bottom:0%">Puovo Lipposen seikkailuja


ellauri017.html on line 21:

margin-top:0%;margin-bottom:0%">Pellon sulttaani

Paasausta


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margin-top:0%;margin-bottom:0%">G-mies
Jerry Cotton


ellauri018.html on line 20:

margin-top:0%;margin-bottom:0%">Varokaa heikkoja päitä

Semantiikkaa


ellauri019.html on line 19:

margin-top:0%;margin-bottom:0%">BATTLER BRITTON


ellauri019.html on line 20:

margin-top:0%;font-style:italic;margin-bottom:0%">HITON HIENO SAVOTTA

Sanasotaa


ellauri019.html on line 400:
margin-left:1em">
ellauri020.html on line 18:

margin-top:0%;margin-bottom:0%">NALLE PUH


ellauri020.html on line 19:

margin-top:0%;margin-bottom:0%">Min favoritdag

{span style="color:white;background-color:blue"}2020{/span} Saippuaa


ellauri021.html on line 17:

margin-top:0%;margin-bottom:0%">TEX WILLER


ellauri021.html on line 18:

margin-top:0%;margin-bottom:0%">CARLSON PUUTTUU PELIIN

Epigrammeja


ellauri022.html on line 17:

margin-top:0%;margin-bottom:0%">LOUISA M. ALCOTT


ellauri022.html on line 18:

margin-top:0%;margin-bottom:0%">Pikku naisia

Naisasiaa


ellauri023.html on line 18:

margin-top:0%;margin-bottom:0%">UNTO KUNNAS


ellauri023.html on line 19:

margin-top:0%;margin-bottom:0%">OLLIN
kurjuus

Kertomuxia


ellauri024.html on line 17:

margin-top:0%;margin-bottom:0%">VARTIOTORNI


ellauri024.html on line 18:

margin-top:0%;margin-bottom:0%">MISTÄ VOI LÖYTÄÄ VASTAUXIA?

Vastauxia


ellauri025.html on line 18:

margin-top:0%;margin-bottom:0%">Hevoshullu


ellauri025.html on line 19:

margin-top:0%;margin-bottom:0%">16 sivua POLLEA!

Novelleja


ellauri026.html on line 18:

margin-top:0%;margin-bottom:0%">ARIZONA-SARJA


ellauri026.html on line 19:

margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT

Hyötykirjoja


ellauri026.html on line 516:

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margin-top:0%;margin-bottom:0%">SOVIET UNION


ellauri028.html on line 24:

margin-top:0%;margin-bottom:0%">Nuoruuteni vuosina

Nostalgiaa


ellauri029.html on line 18:

margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT

Huuhaata


ellauri029.html on line 19:

margin-top:0%;margin-bottom:0%">PRO-AKATEMIA


ellauri030.html on line 17:

margin-top:0%;margin-bottom:0%">UNIVERSITY PROFESSOR


ellauri030.html on line 18:

margin-top:0%;margin-bottom:0%">NOT SURE IF HOMELESS

Vanhuudesta


ellauri031.html on line 17:

margin-top:0%;margin-bottom:0%">En yrhätta

Yrsel


ellauri031.html on line 18:

margin-top:0%;margin-bottom:0%">Dikken Zwilgmeyer


ellauri032.html on line 18:

margin-top:0%;margin-bottom:0%">Eläinystävämme


ellauri032.html on line 19:

margin-top:0%;margin-bottom:0%">Supikoira

Hajuviestejä


ellauri033.html on line 17:

margin-top:0%;margin-bottom:0%">Par PAUL BOURGET
de l´Académie Française.


ellauri033.html on line 18:

margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE

Ilkikuria


ellauri033.html on line 422: No se alotti kriitikkona, eikä pääse täplistään. Tyyppien teot on vaan veruke aloittaa viisasteleva pohdinta. (Kukas tästä tulee mieleen? No Esa Sariola!) Hienoa zygologiaa epäilemättä; mutta ois kiva kun toi zygologia ei olis pelkkiä alaviitteitä, joista se pitää enemmän huolta kuin henkilöistänsä, jotka sais elää elämäänsä ilman selityxiä. Hra Bourgetin henkilöt on suoraan sanoen vaan automaatteja. Välillä ne tekee jotain eleitä; heti kun ne liikauttavat edes eväänsä, kirjailija hyökkää väliin ja pitää esitelmän mekaniikasta, joka ei pääty ennenkuin se on osoittanut ihan pikkutarkasti miten kellokoneiston rattaat liikahtivat. Sellasta marginaalihuomautusten zygologiaa. Selitys tarjoillaan eri lautasella. Se tekee siitä muistiinpanoja, niin monisanaisia että ne peittävät koko textin ja tukauduttavat romaanin. Valtaosa sen kirjoista on karkeita luurankoja, jonka jokaiseen koukkuun on kiinnitetty anatominen kyltti. Sen huomas kun Une Idyllestä tehtiin teaterikappale. Näyttämöllä selittäjä piti hiljentää. Vaan banaali raaka melodraama jäi jälelle.
ellauri033.html on line 1111: margin-left:5em;-moz-transform: rotate(90deg);" />
ellauri034.html on line 24:

margin-top:0%;margin-bottom:0%">hans fallada


ellauri034.html on line 25:

margin-top:0%;margin-bottom:0%">kukin kuolee izexeen

Yxinpuhelua


ellauri035.html on line 18:

margin-top:0%;margin-bottom:0%">Bilhana


ellauri035.html on line 19:

margin-top:0%;margin-bottom:0%">Kaunapahkasika

Exotiikkaa


ellauri036.html on line 17:

margin-top:0%;margin-bottom:0%">AKU ANKKA


ellauri036.html on line 18:

margin-top:0%;margin-bottom:0%">TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN

Mussutusta


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margin-top:0%;margin-bottom:0%">HBL MITTEN 2021


ellauri037.html on line 18:

margin-top:0%;margin-bottom:0%">Klassiker fyller sjuttio

Memorabilia


ellauri038.html on line 17:

margin-top:0%;margin-bottom:0%">John Tenniel


ellauri038.html on line 18:

margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter

Yli-inhimillistä


ellauri039.html on line 17:

margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri039.html on line 18:

margin-top:0%;margin-bottom:0%">𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷

Käytännön piloja


ellauri040.html on line 19:

margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri040.html on line 20:

margin-top:0%;margin-bottom:0%">Schwarze Parze

McGarmiwaa


ellauri040.html on line 72: Mut suomalaiset 1987 (asia lie sittemin korjaantunut) on vaan heikkiturusia ja jomppaojaharjuja, joille marginaalisuus ja rappio on vain lenkkimakkaran polttamista molemmista päistä. Polttaisivat edes pössyä, olis mannermaisempaa. No nyttemmin ne polttavat, nuoremmat jolppikirjailijat siis.
ellauri041.html on line 25:

margin-top:0%;margin-bottom:0%">Kornei Tšukovski


ellauri041.html on line 26:

margin-top:0%;margin-bottom:0%">NORSU LUKEE

Vaikealukuista


ellauri042.html on line 22:

margin-top:0%;margin-bottom:0%">J. Agusta - Z. Burian


ellauri042.html on line 23:

margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄ

Luonnonnoppia


ellauri042.html on line 275: niin paljon et 10x miestappiot mahtuu virhemarginaaliin.

ellauri043.html on line 18:

margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert


ellauri043.html on line 19:

margin-top:0%;margin-bottom:0%">ANTTONI PYP PIPO

Kielilläpuhumista


ellauri043.html on line 154:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Anttoni


ellauri043.html on line 439:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Eka ääni:
ellauri043.html on line 444:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Toinen ääni:


ellauri043.html on line 449:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Kolmas ääni:


ellauri043.html on line 453:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;" align="justify">
ellauri043.html on line 466:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 799:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Saaban kuningatar


ellauri043.html on line 986:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 993:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Lapsi


ellauri043.html on line 1000:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1004:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1008:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1016:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1020:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1024:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1028:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1032:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1036:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1043:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1048:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1052:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1056:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1060:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1064:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1070:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1074:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1079:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1083:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1087:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1091:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1095:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1099:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1103:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1107:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1111:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1115:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1122:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1127:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1131:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1137:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1142:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1148:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1152:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1157:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1161:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1165:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1169:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1182:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1189:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1196:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1201:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1207:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1215:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1229:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1233:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1237:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1241:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1245:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1249:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1253:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1260:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1264:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1268:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1273:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1278:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1282:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1289:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1296:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1302:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1307:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1314:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1333:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1345:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1352:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1363:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1384:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1393:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Mies,
ellauri043.html on line 1406:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1413:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1420:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1425:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1429:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1436:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1440:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1446:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1451:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1455:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Saturninus


ellauri043.html on line 1464:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1468:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Cerdon


ellauri043.html on line 1473:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Marcion


ellauri043.html on line 1477:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Pyhä Klemens Alexandrialainen
ellauri043.html on line 1482:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Bardesanes


ellauri043.html on line 1489:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hernialaiset


ellauri043.html on line 1493:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Priscillianuslaiset


ellauri043.html on line 1497:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1504:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1516:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Valentinus


ellauri043.html on line 1524:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1538:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Valentinus


ellauri043.html on line 1566:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Origènes


ellauri043.html on line 1574:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Basilides


ellauri043.html on line 1592:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1597:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Elkesaiitit


ellauri043.html on line 1613:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Karpokratoslaiset


ellauri043.html on line 1622:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Nikolaiitit
ellauri043.html on line 1633:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Markosioslaiset


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ellauri043.html on line 1967:

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ellauri043.html on line 1973:

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ellauri043.html on line 1987:

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ellauri043.html on line 1993:

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ellauri043.html on line 2688:

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ellauri043.html on line 2820:

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ellauri043.html on line 2837:

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ellauri043.html on line 2917:

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ellauri043.html on line 2923:

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ellauri043.html on line 2928:

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ellauri043.html on line 2959:

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ellauri043.html on line 2969:

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ellauri043.html on line 2985:

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ellauri043.html on line 3010:

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ellauri043.html on line 3019:

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ellauri043.html on line 3024:

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ellauri043.html on line 3029:

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ellauri043.html on line 3035:

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ellauri043.html on line 3051:

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ellauri043.html on line 3064:

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ellauri043.html on line 3080:

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ellauri043.html on line 3092:

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ellauri043.html on line 3096:

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ellauri043.html on line 3104:

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ellauri043.html on line 3108:

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ellauri043.html on line 3115:

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ellauri043.html on line 3126:

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ellauri043.html on line 3131:

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ellauri043.html on line 3136:

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ellauri043.html on line 3145:

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ellauri043.html on line 3149:

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ellauri043.html on line 3157:

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ellauri043.html on line 3162:

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ellauri043.html on line 3166:

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ellauri043.html on line 3170:

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ellauri043.html on line 3174:

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ellauri043.html on line 3179:

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ellauri043.html on line 3190:

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ellauri043.html on line 3194:

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ellauri043.html on line 3198:

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ellauri043.html on line 3205:

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ellauri043.html on line 3212:

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ellauri043.html on line 3222:

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ellauri043.html on line 3230:

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ellauri043.html on line 3234:

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ellauri043.html on line 3238:

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ellauri043.html on line 3242:

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ellauri043.html on line 3248:

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ellauri043.html on line 3253:

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ellauri043.html on line 3257:

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ellauri043.html on line 3261:

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ellauri043.html on line 3266:

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ellauri043.html on line 3270:

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ellauri043.html on line 3275:

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ellauri043.html on line 3279:

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ellauri043.html on line 3283:

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ellauri043.html on line 3287:

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ellauri043.html on line 3291:

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ellauri043.html on line 3296:

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ellauri043.html on line 3300:

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ellauri043.html on line 3304:

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ellauri043.html on line 3308:

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ellauri043.html on line 3312:

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ellauri043.html on line 3316:

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ellauri043.html on line 3320:

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ellauri043.html on line 3324:

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ellauri043.html on line 3328:

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ellauri043.html on line 3332:

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ellauri043.html on line 3340:

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ellauri043.html on line 3344:

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ellauri043.html on line 3348:

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ellauri043.html on line 3356:

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ellauri043.html on line 3360:

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ellauri043.html on line 3415:

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ellauri043.html on line 3425:

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ellauri043.html on line 3432:

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ellauri043.html on line 3442:

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ellauri043.html on line 3449:

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ellauri043.html on line 3455:

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ellauri043.html on line 3461:

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ellauri043.html on line 3467:

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ellauri043.html on line 3479:

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ellauri043.html on line 3489:

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ellauri043.html on line 3499:

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ellauri043.html on line 3513:

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ellauri043.html on line 3520:

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ellauri043.html on line 3534:

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ellauri043.html on line 3545:

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ellauri043.html on line 3552:

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ellauri043.html on line 3559:

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ellauri043.html on line 3565:

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ellauri043.html on line 3571:

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ellauri043.html on line 3578:

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ellauri043.html on line 3584:

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ellauri043.html on line 3590:

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ellauri043.html on line 3596:

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ellauri043.html on line 3612:

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ellauri043.html on line 3619:

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ellauri043.html on line 3626:

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ellauri043.html on line 3637:

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ellauri043.html on line 3644:

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ellauri043.html on line 3650:

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ellauri043.html on line 3656:

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ellauri043.html on line 3666:

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ellauri043.html on line 3672:

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ellauri043.html on line 3682:

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ellauri043.html on line 3689:

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ellauri043.html on line 3695:

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ellauri043.html on line 3702:

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ellauri043.html on line 3708:

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ellauri043.html on line 3715:

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ellauri043.html on line 3735:

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ellauri043.html on line 3767:

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ellauri043.html on line 3804:

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ellauri043.html on line 3814:

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ellauri043.html on line 3840:

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ellauri043.html on line 3846:

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ellauri043.html on line 3853:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3870:

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ellauri043.html on line 3877:

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ellauri043.html on line 3887:

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ellauri043.html on line 3903:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3913:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3919:

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ellauri043.html on line 3946:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3956:

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ellauri043.html on line 3973:

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ellauri043.html on line 3979:

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ellauri043.html on line 3989:

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ellauri043.html on line 4010:

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ellauri043.html on line 4026:

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ellauri043.html on line 4038:

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ellauri043.html on line 4045:

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ellauri043.html on line 4053:

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ellauri043.html on line 4065:

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ellauri043.html on line 4105:

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ellauri043.html on line 4111:

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ellauri043.html on line 4132:

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ellauri043.html on line 4142:

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ellauri043.html on line 4149:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4159:

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ellauri043.html on line 4184:

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ellauri043.html on line 4204:

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ellauri043.html on line 4228:

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ellauri043.html on line 4234:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Tony
ellauri043.html on line 4244:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4260:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4275:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4282:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4290:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4297:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4330:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4337:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4344:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4356:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4363:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4384:

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ellauri043.html on line 4438:

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ellauri043.html on line 4470:

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ellauri043.html on line 4500:

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ellauri043.html on line 4538:

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ellauri043.html on line 4564:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4591:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Kybele
ellauri043.html on line 4603:

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ellauri043.html on line 4636:

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ellauri043.html on line 4672:

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ellauri043.html on line 4730:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Isis
ellauri043.html on line 4758:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4768:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4775:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Isis
ellauri043.html on line 4846:

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ellauri043.html on line 4852:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4862:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4869:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4876:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4883:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4890:

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ellauri043.html on line 4899:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4905:

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ellauri043.html on line 4954:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4961:

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ellauri043.html on line 4990:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5013:

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ellauri043.html on line 5029:

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ellauri043.html on line 5069:

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ellauri043.html on line 5080:

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ellauri043.html on line 5102:

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ellauri043.html on line 5118:

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ellauri043.html on line 5135:

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ellauri043.html on line 5150:

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ellauri043.html on line 5165:

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ellauri043.html on line 5183:

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ellauri043.html on line 5198:

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ellauri043.html on line 5228:

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ellauri043.html on line 5252:

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ellauri043.html on line 5281:

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ellauri043.html on line 5315:

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ellauri043.html on line 5334:

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ellauri043.html on line 5361:

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ellauri043.html on line 5391:

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ellauri043.html on line 5407:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5434:

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ellauri043.html on line 5440:

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ellauri043.html on line 5474:

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ellauri043.html on line 5515:

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ellauri043.html on line 5543:

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ellauri043.html on line 5600:

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ellauri043.html on line 5663:

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ellauri043.html on line 5673:

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ellauri043.html on line 5680:

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ellauri043.html on line 5690:

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ellauri043.html on line 5700:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5734:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5751:

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ellauri043.html on line 5764:

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ellauri043.html on line 5770:

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ellauri043.html on line 5786:

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ellauri043.html on line 5793:

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ellauri043.html on line 5804:

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ellauri043.html on line 5810:

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ellauri043.html on line 5820:

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ellauri043.html on line 5831:

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ellauri043.html on line 5838:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Saakuri
ellauri043.html on line 5845:

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ellauri043.html on line 5875:

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ellauri043.html on line 5886:

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ellauri043.html on line 5893:

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ellauri043.html on line 5901:

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ellauri043.html on line 5908:

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ellauri043.html on line 5933:

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ellauri043.html on line 5940:

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ellauri043.html on line 5955:

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ellauri043.html on line 5965:

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ellauri043.html on line 5975:

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ellauri043.html on line 5986:

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ellauri043.html on line 5993:

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ellauri043.html on line 6000:

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ellauri043.html on line 6018:

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ellauri043.html on line 6033:

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ellauri043.html on line 6041:

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ellauri043.html on line 6047:

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ellauri043.html on line 6055:

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ellauri043.html on line 6061:

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ellauri043.html on line 6087:

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ellauri043.html on line 6098:

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ellauri043.html on line 6132:

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ellauri043.html on line 6209:

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ellauri043.html on line 6229:

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ellauri043.html on line 6239:

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ellauri043.html on line 6255:

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ellauri043.html on line 6262:

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ellauri043.html on line 6279:

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ellauri043.html on line 6298:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6304:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Nainen
ellauri043.html on line 6323:

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ellauri043.html on line 6332:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6339:

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ellauri043.html on line 6346:

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ellauri043.html on line 6353:

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ellauri043.html on line 6366:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Ensimmäinen nainen
ellauri043.html on line 6381:

margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Toinen nainen
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margin-bottom: 0.11cm; page-break-after: avoid; text-align: center;">Antonius
ellauri045.html on line 24:

margin-top:0%;margin-bottom:0%">Urheilumuseon legendat


ellauri045.html on line 25:

margin-top:0%;margin-bottom:0%">VEIKKO KANKKONEN

Urheilulegendaa


ellauri045.html on line 473: Jesenin olisi helppo kuitata Venäjän artomellerinä heinänkorsi suussa, jonka keskeislyyrisissä runoissa kuljeskellaan orpona maailmalla haikaillen katoavan kyläkulttuurin perään. Jesenin toimi kuitenkin myös imaginistien liikkeessä. Aikakauden keskeisiin suuntauksiin, akmeismiin ja futurismiin, verrattuna imaginismin merkitys oli ehkä marginaalinen, mutta sillä oli sukulaisryhmiä ulkomailla. Esimerkiksi amerikkalaiset imagistit, kuten Ezra Pound, olivat käsityksissään kielen metaforisuudesta hyvin lähellä imaginistien ideoita. Imaginistit korostivat kuvan ja metaforan itsetarkoituksellista merkitystä. Markku Anhava, bonzaimodernistin pikkupartainen poika 65 vee, haukkui myöskin Hyvärisen Jeseninkäännöxen pataluhaxi. Markku tuntee asiaa, se on Suomen Jeseninin Arto Mellerin elämäkerturi.
ellauri046.html on line 22:

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ellauri046.html on line 23:

margin-top:0%;margin-bottom:0%">REIKÄRAUTA RENE

Ruudinkatkuista


ellauri047.html on line 17:

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ellauri047.html on line 18:

margin-top:0%;margin-bottom:0%">GOETHE 50+25

Jöötinvääntöä


ellauri048.html on line 18:

margin-top:0%;margin-bottom:0%">M. Andrejev


ellauri048.html on line 19:

margin-top:0%;margin-bottom:0%">OPETTELE LUKEMAAN

Laulurunoutta


ellauri049.html on line 18:

margin-top:0%;margin-bottom:0%">Gary Larson


ellauri049.html on line 19:

margin-top:0%;margin-bottom:0%">DISTANT HILLS

Valitusvirsiä


ellauri050.html on line 21:

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ellauri050.html on line 22:

margin-top:0%;margin-bottom:0%">FROZEN YOGHURT

Jäähyväiset aseelle


ellauri050.html on line 23:

margin-top:0%;margin-bottom:0%">25 Milk Chocolates


ellauri050.html on line 200: Across the margent of the world I fled, Lähdin pakoon maailman marginaaliin,
ellauri051.html on line 24:

margin-top:0%;margin-bottom:0%">Gary Larson


ellauri051.html on line 25:

margin-top:0%;margin-bottom:0%">BOOM

Politiikkaa


ellauri052.html on line 24:

margin-top:0%;margin-bottom:0%">SINUN VUOTESI 1952

Tyyylsäää


ellauri053.html on line 24:

margin-top:0%;margin-bottom:0%">2 kanaa

Jyviä ja akanoita


ellauri054.html on line 23:

margin-top:0%;margin-bottom:0%">
ROLF KAUKA zeigt:


ellauri054.html on line 24:

margin-top:0%;margin-bottom:0%">FiX und FOXi

Einfach Klasse


ellauri055.html on line 23:

margin-top:0%;margin-bottom:0%">HMHKI

Ekofasismia


ellauri058.html on line 25:

margin-top:0%;margin-bottom:0%">Voitto-Sanomat


ellauri058.html on line 26:

margin-top:0%;margin-bottom:0%">RAUHAA

Setämiehissä


ellauri060.html on line 24:

margin-top:0%;margin-bottom:0%">Walt Disney


ellauri060.html on line 25:

margin-top:0%;margin-bottom:0%">Aku näkee punaista

Punapyllypaviaaneja


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margin-top:0%;margin-bottom:0%">Keihäänheiluttaja lapsille


ellauri061.html on line 24:

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Myrkyllistä


ellauri062.html on line 23:

margin-top:0%;margin-bottom:0%">J.A. Hunter


ellauri062.html on line 24:

margin-top:0%;margin-bottom:0%">VALKOINEN
MEZÄSTÄJÄ

Puunhalausta


ellauri062.html on line 854: Se vasta on narsismia. Kantissa ei ole mitään dionyysistä, se oli kuiva kapakala. En marginal filosof, på ytterkanten. Mutta Weininger oli sitäkin pahempi kylmiö. Hienoa että ymmärsi tehdä lopun itsestään (lähes) ajoissa.
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ellauri063.html on line 24:

margin-top:0%;margin-bottom:0%">ELÄINTEN VALLANKUMOUS

Syväpolitiikkaa


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margin-top:0%;margin-bottom:0%">C.E.Carlson


ellauri064.html on line 24:

margin-top:0%;margin-bottom:0%">Liskohumanoideja

Salaliittoteoriaa


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ellauri065.html on line 24:

margin-top:0%;margin-bottom:0%">Jaltan konferenssi

Sotahistoriaa


ellauri065.html on line 595: Uusien konservatiivien ajattelu lähtee uhrikokemuksesta ja heikkouden asemasta. He ovat kaukana entisaikojen sivistyskonservatiiveista, jotka jylisivät vallan huipulta ja sanoivat puhuvansa enemmistön suulla. Nykykonservatiivit kokevat olevansa uhattu ja marginalisoitu vähemmistö. He ovat omaksuneet taktiikoita 1900-luvun lopun vähemmistöliikkeiltä, kuten feministeiltä. Marginaaliasemasta puhuminen on yksi tällainen, kapinallisena esiintyminen toinen.
ellauri066.html on line 23:

margin-top:0%;margin-bottom:0%">Toini Virtanen


ellauri066.html on line 24:

margin-top:0%;margin-bottom:0%">Näkemiin Anus

Elämää ja teoxia


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ellauri067.html on line 24:

margin-top:0%;margin-bottom:0%">Ihana uutuus

Antiikkia & designiä


ellauri067.html on line 243: margin-right:20px;float:left; width:10%" src="https://apilgriminnarnia.files.wordpress.com/2016/07/harold-bloom-teaching.jpg" />
ellauri067.html on line 341: Transmarginaalinen: Pavlov kiusasi koiria kunnes ne lakkasivat reagoimasta tai alkoivat ihan pyytää lisää kiusaamista. Nykyporukoista iso osa on varmaan transmarginaalisessa tilassa, kun ne suorastaan nauttii ällöistä ja raaistavista tv-ohjelmista.
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ellauri069.html on line 24:

margin-top:0%;margin-bottom:0%">Fountain

Lähdekritiikkiä


ellauri069.html on line 444: Mut kyllä tääkin kirjoittaja on sitä mieltä, että miekkailu jättimäisillä vaahtomuovikyrvillä ja hiljaiset ja halukkaat seizentoistakesäiset neitokaiset sexialusvaatteissa ketterinä ja kurvikkaina imemässä miespäähenkilöitä joka puolelta on aika setämiesmäistä kuvastoa. Tomppa selkeesti puhuttelee miesporukoita kuvaillessaan loppumattomia märkiä uniaan. Kyllä postmodernit osaa marginalisoida naiset ihan yhtä näppärästi kuin pre. Ei tässä "samanarvoisuudesta" tai "minän hajoamisesta" loppupeleissä ole kysymys vaan vallasta. Mitä kuuluu ja kuka käskee, kuka on johtaja ja kuka pesee vessoja.
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ellauri070.html on line 24:

margin-top:0%;margin-bottom:0%">Demokratian painajainen

Jyrähtelyä


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Länsiviihdettä


ellauri071.html on line 272: margin-left: -0.027ex; width:0.985ex; height:2.509ex;" alt="j"> ja margin-left: -0.027ex; width:0.985ex; height:2.509ex;" alt="j"> ja -top:60px" src="http://1.bp.blogspot.com/-E4OavBDkSv4/TrKwUXS1YFI/AAAAAAAAASQ/de_4cN2Yywo/s1600/Kuva1.JPG" />
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Puutaheinää


ellauri083.html on line 651: Yllättävän vähän hyvässä kirjassa on ylipäänsä riemukasta ilonpitoa, jos nää tosiaan oli kaikki osumat. Käännöxet menee vähän miten sattuu. (Pitäisi kai kazoa mitä jahve oikeasti kynäili alkukielellä.) joy 28, mirth 15, glad 10, rejoicing 7, shout 4. Song and dance jonkun kerran kai. Suomessa riemua on 26, iloa 23. Kun on molempia, toinen voi olla joy ja toinen gladness. Kun saarnaaja ym puhuu happamesti turhasta ilonpidosta, se on aika usein mirth. Sananlaskuissakin tulee itku pitkästä ilosta. Joutavaa ilostelua, hauskanpitoa ilotalossa. Huuto suomentuu riemuxi. Jotain remuamisen sävyä siinä on. Eli summa summarum: riemu lähinnä kovaäänistä remua, aika marginaalisesti edes hauskanpitoa (merrymaking eli mirth, jota Yorick-parka duunasi, keinopaletissa jest, joka on selkeästi pilantekoa.) Kyllä Hotakainen on tässä kalauttanut kirveen kivexeensä pahasti. Varsinaista remuamista on Wallulla aika hinzusti, aika ilotonta vaikka naurattavaakin läpänheittoa sitä enemmän.
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Pyllykielitiedettä


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margin-top:0%;margin-bottom:0%">Illegal Aliens

Ufoa


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margin-top:0%;margin-bottom:0%">Joaquim do Pato


ellauri090.html on line 28:

margin-top:0%;margin-bottom:0%">A Panelinha

Brassailua


ellauri090.html on line 228: Frågan är vilka sociala spänningar folkkapitalismen kan innebära i en tid då antalet osäkra anställningsförhållanden växer och då till synes marginella inkomstskillnader genom ränta-på-ränta-effekt kan ge upphov till förmögenhetsskillnader som inte är marginella. Pä så sätt är folkkapitalismen egentligen inte väsensskild från vanlig kapitalism. Den kan de facto visa sig vara mycket duktig på att göra skillnaded på folk och folk. De två våningarna är på väg tillbaka.
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ellauri092.html on line 34:

margin-top:0%;margin-bottom:0%">Badman and Rubin

Näkyjä


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margin-top:0%;margin-bottom:0%">Hudson Taylor


ellauri093.html on line 28:

margin-top:0%;margin-bottom:0%">Yours Faithfully is Christ

Haahkanuntuvia


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margin-top:0%;margin-bottom:0%">Hanski ja Helmi Häyrinen


ellauri094.html on line 28:

margin-top:0%;margin-bottom:0%">Saukki ja siipioravat

Papanoita


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margin-top:0%;margin-bottom:0%">The Manly Hopkinses


ellauri095.html on line 27:

margin-top:0%;margin-bottom:0%">Go fly a Kestrel

Leijailua


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margin-top:0%;margin-bottom:0%">2 Hippoa sohvalla


ellauri096.html on line 28:

margin-top:0%;margin-bottom:0%">Tallitylleröt

Heppaharrastusta


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ellauri097.html on line 34:

margin-top:0%;margin-bottom:0%">Schopenholic und Schwester

Tipukirjallisuutta


ellauri098.html on line 28:

margin-top:0%;margin-bottom:0%">MARILE


ellauri098.html on line 29:

margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS
IN THE ENTIRE WORLD

Kirja-arvostelua


ellauri099.html on line 27:

margin-top:0%;margin-bottom:0%">The Figure of Dorian Gray

Toteemipaalu


ellauri099.html on line 28:

margin-top:0%;margin-bottom:0%">Oscar Wilde


ellauri100.html on line 27:

margin-top:0%;margin-bottom:0%">The Daily Telegraph


ellauri100.html on line 28:

margin-top:0%;margin-bottom:0%">Wincent was not mad, he had problems

Sekoilua


ellauri101.html on line 28:

margin-top:0%;margin-bottom:0%">Jjarrii!


ellauri101.html on line 29:

margin-top:0%;margin-bottom:0%">WHO IS YOUR INNER HERO?

Sankareita sukkahousuissa


ellauri101.html on line 530: Rotwelsch ( German: [ˈʁoːtvɛlʃ], " beggar's foreign (language) ") or Gaunersprache ( German: [ˈɡaʊnɐʃpʁaːxə], " crook´s language ", also Kochemer Loshn (from Yiddish "חוכמער לשון", "tongue of the wise") is a secret language, a cant or thieves´ argot, spoken by groups (primarily marginalized groups) in southern Germany and Switzerland.
ellauri102.html on line 28:

margin-top:0%;margin-bottom:0%">Naimi Pikkari


ellauri102.html on line 29:

margin-top:0%;margin-bottom:0%">NO LOGO

Nimettömiä vihapuheita


ellauri105.html on line 28:

margin-top:0%;margin-bottom:0%">Oiva Ketonen


ellauri105.html on line 29:

margin-top:0%;margin-bottom:0%">Vie paska painoon

Kökköä


ellauri106.html on line 27:

margin-top:0%;margin-bottom:0%">Phillu-Roth


ellauri106.html on line 28:

margin-top:0%;margin-bottom:0%">Elämäni setämiehenä

Törkyä


ellauri107.html on line 27:

margin-top:0%;margin-bottom:0%">Peppy


ellauri107.html on line 28:

margin-top:0%;margin-bottom:0%">Herttaisia muistoja

Herttaista


ellauri107.html on line 441:
margin-left:1em;padding:1em;font-size:small;width:30%;float:right;border: 1px solid purple">
ellauri108.html on line 26:

margin-top:0%;margin-bottom:0%">Haile Selassie


ellauri108.html on line 27:

margin-top:0%;margin-bottom:0%">MUSTARASTAS

Vapaaliikkeitä


ellauri108.html on line 193: The wearing of dreadlocks has contributed to negative views of Rastafari among non-Rastas, many of whom regard it as wild and unattractive. Dreadlocks remain socially stigmatised in many societies; in Ghana for example, they are often associated with the homeless and mentally ill, with such associations of marginality extending onto Ghanaian Rastas. In Jamaica during the mid-20th century, teachers and police officers used to forcibly cut off the dreads of Rastas. In various countries, Rastas have since won legal battles ensuring their right to wear dreadlocks: in 2020, for instance, the High Court of Malawi ruled that all public schools must allow their students to wear dreadlocks.
ellauri108.html on line 252: The Rasta message resonates with many people who feel marginalised and alienated by the values and institutions of their society. Internationally, it has proved most popular among the poor and among marginalised youth. In valorising Africa and blackness, Rastafari provides a positive identity for youth in the African diaspora by allowing them to psychologically reject their social stigmatisation. It then provides these disaffected people with the discursive stance from which they can challenge capitalism and consumerism, providing them with symbols of resistance and defiance. Cashmore expressed the view that "whenever there are black people who sense an injust disparity between their own material conditions and those of the whites who surround them and tend to control major social institutions, the Rasta messages have relevance."
ellauri109.html on line 27:

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ellauri109.html on line 28:

margin-top:0%;margin-bottom:0%">Grabsprüche

Nekrologeja


ellauri110.html on line 27:

margin-top:0%;margin-bottom:0%">Heppahullu


ellauri110.html on line 28:

margin-top:0%;margin-bottom:0%">Kirjoita hevoseläimestäsi!

Pollerunoilua


ellauri111.html on line 27:

margin-top:0%;margin-bottom:0%">Fedja-setä


ellauri111.html on line 28:

margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja

Hymistelyä


ellauri111.html on line 463: Dispensationalismi on kristinuskon teologian suuntaus, jonka kannattajat uskovat Jumalan pelastavan ihmisiä eri aikoina eri tavoin. Se levisi 1800- ja 1900-luvuilla lähinnä fundamentalismin mukana. Dispensationalismi on esiintynyt oppirakennelmana myös aiemmin, mutta roomalaiskatolisen kirkon oppien tarkan määrittelyn vuoksi se on esiintynyt lähinnä marginaalisena suuntauksena. Dispensationalismi sai uutta suosiota John Darbyn eskatologian perusteella, johon kuului muun muassa oppi seitsemän vuoden vihan ajasta.
ellauri112.html on line 27:

margin-top:0%;margin-bottom:0%">Heput


ellauri112.html on line 28:

margin-top:0%;margin-bottom:0%">Höpötysikoneita

Höpötystä


ellauri115.html on line 27:

margin-top:0%;margin-bottom:0%">JJ Rousseau


ellauri115.html on line 28:

margin-top:0%;margin-bottom:0%">Memorisant en herborisant

Herborisointia


ellauri117.html on line 27:

margin-top:0%;margin-bottom:0%">Janne-Jaakkoo


ellauri117.html on line 28:

margin-top:0%;margin-bottom:0%">Eeeemeliii!

Roskaa


ellauri118.html on line 27:

margin-top:0%;margin-bottom:0%">Choderlos de Laclos


ellauri118.html on line 28:

margin-top:0%;margin-bottom:0%">Vaarallisia yhteyshenkilöitä

Syysmietteitä


ellauri119.html on line 27:

margin-top:0%;margin-bottom:0%">Batman ja Robin


ellauri119.html on line 28:

margin-top:0%;margin-bottom:0%">HOLY SMOKE!

Pyhistelyä


ellauri131.html on line 27:

margin-top:0%;margin-bottom:0%">Eastman Kodak


ellauri131.html on line 28:

margin-top:0%;margin-bottom:0%">Halusin tallettaa sen hetken

Valemuistoja


ellauri132.html on line 27:

margin-top:0%;margin-bottom:0%">Jack Canafield


ellauri132.html on line 28:

margin-top:0%;margin-bottom:0%">How to Sell a Lot of Copies

Luovaa kirjoittamista


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margin:10%;width:70%;border:3px solid black" />
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ellauri133.html on line 27:

margin-top:0%;margin-bottom:0%">PONIT


ellauri133.html on line 28:

margin-top:0%;margin-bottom:0%">ponien maailma

Luovaa heppahulluutta


ellauri135.html on line 27:

margin-top:0%;margin-bottom:0%">K. Paustovski


ellauri135.html on line 28:

margin-top:0%;margin-bottom:0%">Iljitshin syvänne

Asosiaalista realismia


ellauri140.html on line 27:

margin-top:0%;margin-bottom:0%">E. Difpenfer


ellauri140.html on line 28:

margin-top:0%;margin-bottom:0%">THE DRAGGE QVEENE.

Liian pitkä lukea


ellauri141.html on line 27:

margin-top:0%;margin-bottom:0%">HORATIUS FLACCUS


ellauri141.html on line 28:

margin-top:0%;margin-bottom:0%">OODEJA

Oodeja


ellauri142.html on line 31:

margin-top:0%;margin-bottom:0%">Bhagavadgita


ellauri142.html on line 32:

margin-top:0%;margin-bottom:0%">AUM!!

Indoeuroviisuja


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ellauri143.html on line 31:

margin-top:0%;margin-bottom:0%">Valluvar


ellauri143.html on line 32:

margin-top:0%;margin-bottom:0%">Tikku Kuralla

Singlejä


ellauri143.html on line 39: margin-bottom:15px;padding:10px" />
ellauri144.html on line 31:

margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson


ellauri144.html on line 32:

margin-top:0%;margin-bottom:0%">Kuvia varten Carlson Lauri

Nugaata


ellauri145.html on line 31:

margin-top:0%;margin-bottom:0%">Andre Breton


ellauri145.html on line 32:

margin-top:0%;margin-bottom:0%">Anthologie de l´humour ligneux

Puisevaa


ellauri145.html on line 658: ”Nietzsche”-signeerauksen jälkeen tulevat lauseet on kirjoitettu kirjeen marginaaleihin.
ellauri146.html on line 32:

margin-top:0%;margin-bottom:0%">Gottliebchen Klopfestock


ellauri146.html on line 34:

margin-top:0%;margin-bottom:0%">der Meffias.

Hölzernes


ellauri147.html on line 32:

margin-top:0%;margin-bottom:0%">Ale Tyynni-Haapio


ellauri147.html on line 33:

margin-top:0%;margin-bottom:0%">OLEN TYPERÄ KANA

Kotkotusta


ellauri150.html on line 31:

margin-top:0%;margin-bottom:0%">Emile Zola


ellauri150.html on line 32:

margin-top:0%;margin-bottom:0%">J'Accuse!

Sysin seppoja


ellauri150.html on line 163: ”Ongelmana ei ole kuitenkaan rasismin määritelmän muuttuminen tai laajentuminen, vaan ennen marginaaliin sysätyt ihmiset, jotka ovat saaneet valtaa ja näkyvyyttä”, Nguyen sanoo.
ellauri151.html on line 37:

margin-top:0%;margin-bottom:0%">N'EST-CE PAS

Paskakirjoja


ellauri151.html on line 38:

margin-top:0%;margin-bottom:0%">ANDREA GUIDO


ellauri152.html on line 31:

margin-top:0%;margin-bottom:0%">THEOKRITOS


ellauri152.html on line 32:

margin-top:0%;margin-bottom:0%">EPYLLEJÄ

Luontopalveluja


ellauri153.html on line 31:

margin-top:0%;margin-bottom:0%">Saadi


ellauri153.html on line 32:

margin-top:0%;margin-bottom:0%">FARSSEJA RUUSUTARHASSA

Röyhkeää


ellauri155.html on line 31:

margin-top:0%;margin-bottom:0%">Ano Turtiainen


ellauri155.html on line 32:

margin-top:0%;margin-bottom:0%">Täällä ei saatana juhlita!

Persuuxia


ellauri155.html on line 974: because he and his friends think of me as a sort of person in the margin, impecunious, and egoistic; and it would humiliate Bertie to think that I was supporting him. And all that bevy of relations—especially the Smiths who are great
ellauri156.html on line 31:

margin-top:0%;margin-bottom:0%">Bob & Dawg


ellauri156.html on line 32:

margin-top:0%;margin-bottom:0%">Bathsheba pesulla

Sananlaskuja


ellauri158.html on line 30:

margin-top:0%;margin-bottom:0%">Pentti Siili


ellauri158.html on line 31:

margin-top:0%;margin-bottom:0%">ETIIKKA

Axiomatikkaa


ellauri159.html on line 28:

margin-top:0%;margin-bottom:0%">LÄSKIMOOSES'S


ellauri159.html on line 29:

margin-top:0%;margin-bottom:0%">LES
VINGT
COMMANDEMENTS

Kyykytystä


ellauri159.html on line 1224: You make the mistake to write in purely abstract terms. That just won´t do these days. You must communicate values and personal television through your writing. Nobody is interesting in abstractions. They search for the meaning behind the facts, and so consider the facts themselves to be of marginal importance. This is true; however, throw in some facts to dazzle your readers, like Bob Heinlein. During revision, add concrete details like the size of Peewee´s bra. Appeal to the five senses. Include Peeweeś vital statistics. Incorporate other points of view for balance. Make sure your research backs up your conclusion.
ellauri160.html on line 27:

margin-top:0%;margin-bottom:0%">Riku


ellauri160.html on line 28:

margin-top:0%;margin-bottom:0%">Cathay

Paasaajia


ellauri161.html on line 28:

margin-top:0%;margin-bottom:0%">Jori Huysmans - Andy Nyölén


ellauri161.html on line 29:

margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN

Nonbinääriä


ellauri161.html on line 833: margin-top:1em;float:right;width:15%"/>
ellauri161.html on line 851:

Yleiset termit ja lausekkeet


ellauri162.html on line 27:

margin-top:0%;margin-bottom:0%">www.expressen.se


ellauri162.html on line 28:

margin-top:0%;margin-bottom:0%">Två bussar har blåst av vägen.

Lofotnoter


ellauri163.html on line 28:

margin-top:0%;margin-bottom:0%">Courtney Joseph


ellauri163.html on line 29:

margin-top:0%;margin-bottom:0%">DEUTERONOMIA

Lakeja


ellauri163.html on line 341: Shiloh is generally understood as denoting the Messiah, "the peaceful one," as the word signifies ( Genesis 49:10 ). The Vulgate Version translates the word, "he who is to be sent," in allusion to the Messiah; the Revised Version, margin, "till he come to Shiloh;" and the LXX., "until that which is his shall come to Shiloh." It is most simple and natural to render the expression, as in the Authorized Version, "till Shiloh come," interpreting it as a proper name (Compare Isaiah 9:6 ).
ellauri164.html on line 28:

margin-top:0%;margin-bottom:0%">Arttu Rimpula


ellauri164.html on line 29:

margin-top:0%;margin-bottom:0%">Helvetin seslonki

Angstailua


ellauri171.html on line 32:

margin-top:0%;margin-bottom:0%">VOITTO-SANOMAT


ellauri171.html on line 33:

margin-top:0%;margin-bottom:0%">ne naiset

Panennaisia


ellauri172.html on line 38:

margin-top:0%;margin-bottom:0%">Sr. Brueghel


ellauri172.html on line 39:

margin-top:0%;margin-bottom:0%">JUONIPALJASTUS

Spoilereita


ellauri180.html on line 32:

margin-top:0%;margin-bottom:0%">Meet Author


ellauri180.html on line 33:

margin-top:0%;margin-bottom:0%">KAYLA ANCRUM

Värikästä


ellauri181.html on line 32:

margin-top:0%;margin-bottom:0%">CH. DARWIN


ellauri181.html on line 33:

margin-top:0%;margin-bottom:0%">PENIS DE MONO

Hominointia


ellauri182.html on line 32:

margin-top:0%;margin-bottom:0%">Banana Split


ellauri182.html on line 33:

margin-top:0%;margin-bottom:0%">Food as a Value

Japonais-täytettä


ellauri183.html on line 32:

margin-top:0%;margin-bottom:0%">BERNARD
MALAMUD


ellauri183.html on line 33:

margin-top:0%;margin-bottom:0%">God's Grace

Jumalanpilkkaa


ellauri184.html on line 32:

margin-top:0%;margin-bottom:0%">Norman Mailer


ellauri184.html on line 33:

margin-top:0%;margin-bottom:0%">KAPERNAUMIN EVANKELIUMI

Nysväystä


ellauri184.html on line 623: 2. Processes of marginalization and not the concrete breaking of laws – led to Jesus’s death. Not only was Jesus passively exposed to these processes of marginalization, but he partly contributed to them because he modelled himself as an outsider and distanced himself too little from the messianic expectations ascribed to him. This staged self-marginalization – partly done in performative fashion – was dangerous because the term “Messiah” was often charged with political content, as was exemplified by numerous rebel leaders who regarded themselves as the Messiah or were considered as such by their followers. Many of them were executed, including Jesus.
ellauri184.html on line 655: The Romans regarded him as a political dissident, or an insurgent – which the word lestes/latro appropriately captured – via the claim that he was King of the Jews, a claim that he never denied. Jesus’s hobo life testified to his calling as a prophet and radical wandering charismatic who constantly transgressed social boundaries. These multi-faceted processes of marginalization that Jesus partly took on voluntarily and partly endured led – in the brutal logic of the time – to his crucifixion as an outsider.
ellauri185.html on line 32:

margin-top:0%;margin-bottom:0%">Belovin Sale


ellauri185.html on line 33:

margin-top:0%;margin-bottom:0%">Horatio Alger

Sikailua


ellauri188.html on line 32:

margin-top:0%;margin-bottom:0%">APINOIDEN KANTTIINI

Koijausta


ellauri188.html on line 33:

margin-top:0%;margin-bottom:0%">HERMAN MELVILLE


ellauri189.html on line 32:

margin-top:0%;margin-bottom:0%">Anttoni Pyp Pipo


ellauri189.html on line 33:

margin-top:0%;margin-bottom:0%">Steppenwolf

Steppailua


ellauri190.html on line 32:

margin-top:0%;margin-bottom:0%">George V. Woodchuck


ellauri190.html on line 33:

margin-top:0%;margin-bottom:0%">Irtopäitä

Sotahistoriaa


ellauri191.html on line 33:

margin-top:0%;margin-bottom:0%">HINOA JOHN

Kulttuurihistoriaa


ellauri191.html on line 34:

margin-top:0%;margin-bottom:0%">KULTURPROFILERNA


ellauri192.html on line 33:

margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy


ellauri192.html on line 34:

margin-top:0%;margin-bottom:0%">Sekasorron aika

Sekasortoa


ellauri192.html on line 269: Taking into sympathetic account the widest margin of human error, is it possible to take seriously an institution and procedure that passes over the majority of the greatest novelists and renewers of prose in the modern age? James Joyce, Marcel Proust, Franz Kafka (whose presence towers over our sensual literature and of the meaning of a bug, quite a feat for a little man who one should not expect to tower over anything much), Thomas Hardy, Joseph Conrad, Henry James, Andre Malraux, Hermann Broch, Robert Musil, D. H. Lawrence, either escaped the notice of or were, on nomination, rejected by the Nobel committee. Can one defend a jury which prefers the art of Pearl Buck (1938) to that of, say, Virginia Woolf? Paul Claudel, a picee of shit whose dramas we can set fairly beside those of Aeschylus and of Shakespeare just to scare people, never received the accolade. Paul Heyse was chosen, not Bertolt Brecht. Galsworthy is a Nobel, not Carlo Emilio Gadda, one of the most original and inventive writers of fiction in this century. Who the fuck is he? Composer of In-a-Gadda-da-Vida? No that was Iron Butterfly, and a good piece it was indeed.
ellauri194.html on line 33:

margin-top:0%;margin-bottom:0%">Nätti-Jussi


ellauri194.html on line 34:

margin-top:0%;margin-bottom:0%">Apocalypse Now

Lopunaikoja


ellauri196.html on line 33:

margin-top:0%;margin-bottom:0%">Sr. Brueghel


ellauri196.html on line 34:

margin-top:0%;margin-bottom:0%">Molskis sanoi Ikaros

Molskintaa


ellauri197.html on line 33:

margin-top:0%;margin-bottom:0%">Butler Yeast


ellauri197.html on line 34:

margin-top:0%;margin-bottom:0%">Lapis Lazuli

Kylmiä paloja


ellauri198.html on line 33:

margin-top:0%;margin-bottom:0%">J. H. Carlson


ellauri198.html on line 34:

margin-top:0%;margin-bottom:0%">Carlson Credo

Vaihtoehtoisia tunnustuxia


ellauri203.html on line 33:

margin-top:0%;margin-bottom:0%">N.V. Gogol


ellauri203.html on line 34:

margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO

Vaihtoehtoisia bioja


ellauri204.html on line 33:

margin-top:0%;margin-bottom:0%">Gebrüder Grimm


ellauri204.html on line 34:

margin-top:0%;margin-bottom:0%">Der eiserne Hans

Mytopoetiikkaa


ellauri205.html on line 33:

margin-top:0%;margin-bottom:0%">Valtameediot


ellauri205.html on line 34:

margin-top:0%;margin-bottom:0%">PUTIN JA EUROOPPA

Eurodollareita


ellauri206.html on line 33:

margin-top:0%;margin-bottom:0%">Naguib Mahfouz


ellauri206.html on line 34:

margin-top:0%;margin-bottom:0%">Riannan hemmottelupäivä

Paapomista


ellauri207.html on line 32:

margin-top:0%;margin-bottom:0%">VILHO SORVARI


ellauri207.html on line 33:

margin-top:0%;margin-bottom:0%">KONGON OSKARI

Konnankoukkuja


ellauri210.html on line 33:

margin-top:0%;margin-bottom:0%">Andre Breton


ellauri210.html on line 34:

margin-top:0%;margin-bottom:0%">Loppupään dadaisteja

Dadaa


ellauri210.html on line 212: Roussel oli omana elinaikanaan marginaalinen kirjailija, eivätkä läheskään kaikki kirjallisuudenhistoriat mainitse hänen nimeään. Sen sijaan surrealistit arvostivat häntä. Michel Foucault kirjoitti ensimmäisen kirjansa Rousselista. OuLiPo-ryhmä, Nouveau Roman –kirjailijat ja Tel Quelin jäsenet sen sijaan ovat jatkaneet Rousselin viitoittamalla päättömyyxien tiellä.
ellauri211.html on line 33:

margin-top:0%;margin-bottom:0%">Kalutut Palat


ellauri211.html on line 34:

margin-top:0%;margin-bottom:0%">Lukijan Ruoansulatus  

Naurua


ellauri213.html on line 33:

margin-top:0%;margin-bottom:0%">Walt Disney (†)


ellauri213.html on line 34:

margin-top:0%;margin-bottom:0%">EMBOTELLADO

Taikamatuja


ellauri214.html on line 33:

margin-top:0%;margin-bottom:0%">NEMI


ellauri214.html on line 34:

margin-top:0%;margin-bottom:0%">FOSSIILEJA KAIVAMASSA

Kliseitä


ellauri216.html on line 33:

margin-top:0%;margin-bottom:0%">Petri Sarho


ellauri216.html on line 34:

margin-top:0%;margin-bottom:0%">TIMANTTISET ROSSIT

Propagandaa


ellauri217.html on line 33:

margin-top:0%;margin-bottom:0%">Naguib Mahfouz


ellauri217.html on line 34:

margin-top:0%;margin-bottom:0%">POPEYE THE SAILOR MAN!

Romantiikkaa


ellauri219.html on line 33:

margin-top:0%;margin-bottom:0%">KERS. PIPPURIN
YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE

Poppia


ellauri219.html on line 34:

margin-top:0%;margin-bottom:0%">KUORIAISET


ellauri220.html on line 33:

margin-top:0%;margin-bottom:0%">RADIO CITY Music Hall

Sätkytystä


ellauri220.html on line 34:

margin-top:0%;margin-bottom:0%">Rockettes


ellauri220.html on line 571: Huomaatte että kaikki 7 ovat FUCK! kategorian sanoja. Lasten teko on jenkkitabuista se vakavin. Carlinin ukko naurattaa aika marginaalisesti, koska se mitä se sanoo amerikkalaisista on liian totta.
ellauri221.html on line 33:

margin-top:0%;margin-bottom:0%">JAMES BOND 007

Elvistelyä


ellauri221.html on line 34:

margin-top:0%;margin-bottom:0%">MOONRAKER


ellauri222.html on line 32:

margin-top:0%;margin-bottom:0%">Horatio Alger


ellauri222.html on line 34:

margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow

Finnin puristelua


ellauri222.html on line 141: This notion that Bellow’s achievement as a novelist was redemptive of the form was a consistent theme in the reviews up through “Herzog.” So was the notion that his protagonists were representatives of the modern condition. After “Herzog,” those reactions largely disappeared. People stopped fretting about the death of the novel, and Bellow’s protagonists started being treated as what they always were, oddballs and cranks. But the critical reception of Bellow’s books in the first half of his career funded his reputation. It cashed out, ultimately, in the Nobel Prize. Nobels are awarded to writers who are judged to have universalized the marginal.
ellauri223.html on line 32:

margin-top:0%;margin-bottom:0%">Tommaso Campanella


ellauri223.html on line 33:

margin-top:0%;margin-bottom:0%">Aurinkovaltio

Dystopiaa


ellauri226.html on line 32:

margin-top:0%;margin-bottom:0%">Rantojen Miehet


ellauri226.html on line 33:

margin-top:0%;margin-bottom:0%">CHEESE!

Publikaaneja


ellauri236.html on line 32:

margin-top:0%;margin-bottom:0%">James Hadley Chase


ellauri236.html on line 33:

margin-top:0%;margin-bottom:0%">FUX NEWS

Rupusakkia


ellauri236.html on line 56: Bolsonaro turned in a strong showing in the wealthier south of the country, winning Sao Paulo and his native Rio de Janeiro by margins of over 10%, but it was not enough to compensate for Lula’s massive turnout in the Northeast of Brazil, where the Workers Party has long enjoyed dominance. Indeed, Lula won numerous states by margins of 30%, 40% or even 50%, turning in particularly strong performances in the vote-rich states of Bahia, Ceara, and his native Pernambuco.
ellauri238.html on line 30:

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ellauri238.html on line 31:

margin-top:0%;margin-bottom:0%">Hämynä talsit

Turrnipsi pellossa


ellauri238.html on line 459: Zur Welt kam Elisabeth, die Else genannt wurde, in der Elberfelder Herzogstraße 29. Sie wurde zu Else Lasker-Schüler, die Dichter*in, die ihre Welt aus dem Tal der Wupper und den Sprachwelten des Talmuds in Gedichten, in Prosa und Theaterstücken einfing. Eine deutsche Poet*in, die Deutschland und uns Kerndeutschen nah sein müsste, ist ihr Leben und Werk doch so tief von der Geschichte durchzogen, welche die unsrige ist. Meist wird sie als deutsch-jüdische Dichter*in wahrgenommen, aber dies marginalisiert und führt aus dem künstlerischen Erfahren und Lesen fort. Ihre Poet*innensprache war deutsch und damit hat sie das Sprachland Deutschland in eine dichte Höhle geführt, wie wenige vor ihr und nicht viele nach ihr. Und auch diejenigen, die wie sie einen eigenen Dichterkosmos hatten und haben, wie Rose Ausländer, Paul Celan, Nelly Sachs, Hilde Domin, Hertha Kräftner sowie Gottfried Benn, Rainer Maria Rilke, Peter Huchel, Reiner Kunze oder (aus Rumänien) Herta Müller, Rolf Bossert und Richard Wagner sollten werkimmanent und literaturästhetisch wahrgenommen und nicht in Bindestrich-Kästchen – weder religiös noch regional – segmentiert werden. Deutschland, Deutschland ist das Dach für alle, Deutschland Deutschland über alles, die Knechtschaft dauert nur noch kurze Zeit.
ellauri240.html on line 33:

margin-top:0%;margin-bottom:0%">Grace Metalious


ellauri240.html on line 34:

margin-top:0%;margin-bottom:0%">Kaupunki nimeltä

Misogyniaa


ellauri241.html on line 33:

margin-top:0%;margin-bottom:0%">Kiits


ellauri241.html on line 34:

margin-top:0%;margin-bottom:0%">Leimiä

Misokeittoa


ellauri242.html on line 33:

margin-top:0%;margin-bottom:0%">Krista Kosonen


ellauri242.html on line 34:

margin-top:0%;margin-bottom:0%">BEFOREIGNERS

Taistoturrukoita


ellauri243.html on line 33:

margin-top:0%;margin-bottom:0%">QUENTIN TARANTELLA


ellauri243.html on line 34:

margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset

Paskiaiset vormuissa


ellauri243.html on line 689: Itävaltalaisen koulukunnan alkuvuosien teoreettisia panoksia ovat subjektiivinen arvoteoria, marginalismi hintateoriassa ja taloudellisen laskentaongelman muotoilu, joista jokaisesta on tullut hyväksytty osa paskamaisia valtavirran taloustieteitä.
ellauri244.html on line 33:

margin-top:0%;margin-bottom:0%">Benoît Mandelbrot


ellauri244.html on line 34:

margin-top:0%;margin-bottom:0%">KLICHEITÄ

Klicheitä, klicheitä


ellauri245.html on line 39:

margin-top:0%;margin-bottom:0%">Jonne Nääsnääsböö


ellauri245.html on line 40:

margin-top:0%;margin-bottom:0%">CASH BY CANS

Tölkeittäin natomatoja


ellauri246.html on line 33:

margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg


ellauri246.html on line 34:

margin-top:0%;margin-bottom:0%">Oh korsteenit

Poliittista runoutta


ellauri247.html on line 39:

margin-top:0%;margin-bottom:0%">Tauno Köriläs


ellauri247.html on line 40:

margin-top:0%;margin-bottom:0%">SUURI KASKUKIRJA

Kaskuja


ellauri248.html on line 39:

margin-top:0%;margin-bottom:0%">Marjaana Madagaskarissa

Nuorten toiveita


ellauri248.html on line 40:

margin-top:0%;margin-bottom:0%">AINO-MARJA RÄSÄNEN


ellauri248.html on line 194: marginalian.org/wp-content/uploads/2015/02/salomefreud.jpg?w=680&ssl=1 height="200px" />
ellauri249.html on line 39:

margin-top:0%;margin-bottom:0%">MARZIAL

Latin obscenity


ellauri249.html on line 40:

margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA


ellauri254.html on line 38:

margin-top:0%;margin-bottom:0%">MAXIM GORKI


ellauri254.html on line 39:

margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ

Sosialistista realismia


ellauri256.html on line 38:

margin-top:0%;margin-bottom:0%">Lady Ceepu


ellauri256.html on line 39:

margin-top:0%;margin-bottom:0%">MUODIN HISTORIA

Ornamentalismia


ellauri257.html on line 38:

margin-top:0%;margin-bottom:0%">Mikola Gogolj


ellauri257.html on line 39:

margin-top:0%;margin-bottom:0%">TARAS BULJBA

Koomikoita


ellauri258.html on line 38:

margin-top:0%;margin-bottom:0%">KIREÄHERMOISTA VÄKEÄ

Videotörkyä


ellauri258.html on line 39:

margin-top:0%;margin-bottom:0%">МИХАИ‌Л ЗО‌ЩЕНКО


ellauri260.html on line 38:

margin-top:0%;margin-bottom:0%">Martin Luther King


ellauri260.html on line 39:

margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente

Perseilyä


ellauri262.html on line 38:

margin-top:0%;margin-bottom:0%">C.S. Lewis


ellauri262.html on line 39:

margin-top:0%;margin-bottom:0%">Till We Have Faeces

Fanzua


ellauri263.html on line 37:

margin-top:0%;margin-bottom:0%">Singer Brothers


ellauri263.html on line 38:

margin-top:0%;margin-bottom:0%">Shadows on the Hudson
Part 1

Pyllistelyä


ellauri263.html on line 607: Four factors characterize marginal religious groups which offer leadership roles for women:
ellauri264.html on line 38:

margin-top:0%;margin-bottom:0%">Hertz Dovid Grein


ellauri264.html on line 39:

margin-top:0%;margin-bottom:0%">Semitismiä

Semitismiä


ellauri264.html on line 140: Interestingly perhaps, many of these top extremists have rather marginal white identity. No wasps, to put it politically correctly. Groypers and their leaders have tried to position the group's ideology as being based around "Christian conservatism", "traditional values", and "American nationalism". Despite attempts to brand themselves more moderately, the group is widely recognized as white nationalist, antisemitic, and homophobic.
ellauri266.html on line 37:

margin-top:0%;margin-bottom:0%">PLANET APE

Alastomuutta


ellauri266.html on line 38:

margin-top:0%;margin-right:2px;margin-bottom:0%">DESMOND
MORRIS


ellauri267.html on line 38:
ellauri267.html on line 39:

margin-top:0%;margin-bottom:0%">
ellauri269.html on line 37:

margin-bottom:0%">Joe-setä ja Voldemort


ellauri269.html on line 38:

margin-top:0%;margin-bottom:0%">Fotataidon Maailma

Silmitöntä väkivaltaa


ellauri270.html on line 37:

margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"


ellauri270.html on line 38:

margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"

Lisää silmitöntä väkivaltaa


ellauri271.html on line 38:

margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal


ellauri271.html on line 39:

margin-top:0%;margin-bottom:0%">I feel your pain

Karvaperseitä


ellauri272.html on line 38:

margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey


ellauri272.html on line 39:

margin-top:0%;margin-bottom:0%">50 shades of Zane

Blacklistoja


ellauri274.html on line 37:

margin-bottom:0%">Siegel and Schuster


ellauri274.html on line 38:

margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN

Valtapeliä


ellauri275.html on line 37:

margin-bottom:0%">Konsta Pylkkänen


ellauri275.html on line 38:

margin-top:0%;margin-bottom:0%">JOE SETÄ
VOLDEMORT

Oikeutettua väkivaltaa


ellauri276.html on line 36:

margin-bottom:0%">Alexandr Virzhavadze


ellauri276.html on line 37:

margin-top:0%;margin-bottom:0%">KYNTÄJIÄ

Kyntöä


ellauri277.html on line 36:

margin-bottom:0%">Khalil Gibran


ellauri277.html on line 37:

margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!

Kyttyröitä


ellauri277.html on line 398: Bahain kohtaama kritiikki ja haasteet vaihtelevat huomattavasti eri puolilla maailmaa. Länsiliberaalit ovat kritisoineet baháʼí-uskoa sen konservatiivisista sosiaalisista käytännöistä, erityisesti esiaviollisen tai homoseksuaalisen sexin kiellosta, naisten syrjinnästä ja sensuurista. Nämä ongelmat ovat vain marginaalisia Euroopan ja Pohjois-Amerikan ulkopuolella olevalle numeerisesti hallitsevalle baháʼí-yhteisölle.
ellauri278.html on line 36:

margin-bottom:0%">Chicherin ja Litvinov


ellauri278.html on line 37:

margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa

Kansanmurhia


ellauri279.html on line 36:

margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn


ellauri279.html on line 37:

margin-top:0%;margin-bottom:0%">Еб твою мать

Nobelismia


ellauri281.html on line 36:

margin-bottom:0%">Antonio Banderas


ellauri281.html on line 37:

margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia


ellauri282.html on line 36:

margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA

Käärijöitä ja munamiehiä


ellauri282.html on line 37:

margin-bottom:0%">KOTKAA KAHLEITANSA


ellauri283.html on line 36:

margin-bottom:0%">FOTO: NATO


ellauri283.html on line 37:

margin-top:0%;margin-bottom:0%">Finneken i Piss

Vitun hölmöjä


ellauri284.html on line 36:

margin-bottom:0%">FOTO: UK


ellauri284.html on line 37:

margin-top:0%;margin-bottom:0%">Suursota 1914-18

Öyhöttäjiä


ellauri285.html on line 36:

margin-bottom:0%">PATTI MULKKINEN


ellauri285.html on line 38:

margin-top:0%;margin-bottom:0%">Paasauxia kasarista

Paasauxia


ellauri285.html on line 72: Not so with us. Our small orifice is buried deep in a meaty cleft, the margins of which have to be spread to their limit if there is to be any chance the thicket of long, nasty hair in the cleft will not be fouled by the passing of stool — a vain exercise in 99 cases out of 100. Moreover, while the horse can defaecate while standing, just let a human being try that! No we must squat. But not only squat, we must go through all sorts of contortions to minimize the amount of feces that will cling to the surrounding parts — which, as we all know, is another futile exercise.
ellauri288.html on line 36:

margin-bottom:0%">Sofi Oxenan


ellauri288.html on line 37:

margin-top:0%;margin-bottom:0%">Jaxuhali<3

Mitä vittua!


ellauri290.html on line 37:

margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa

Eihän asia kyllä minulle kuulu


ellauri290.html on line 38:

margin-top:0%;margin-bottom:0%">SUOMEN FILMITEOLLISUUS (SF)


ellauri294.html on line 37:

margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)


ellauri294.html on line 38:

margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI

Reittiopas


ellauri297.html on line 32:

margin-top:0%;margin-bottom:0%">Ammi Ruhama


ellauri297.html on line 33:

margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME

Finnin puristelua


ellauri299.html on line 32:

margin-top:0%;margin-bottom:0%">Teppo Kurko ja Jasper Pääkallo


ellauri299.html on line 33:

margin-top:0%;margin-bottom:0%">MUSTA TORNI

Kauhua


ellauri300.html on line 37:

margin-top:0%;margin-bottom:0%">part 2 of


ellauri300.html on line 38:

margin-top:0%;margin-bottom:0%">
Shoah business
baym Hudson

Lisää pyllistelyä


ellauri301.html on line 32:

margin-top:0%;margin-bottom:0%">HARRI NYKÄNEN


ellauri301.html on line 33:

margin-top:0%;margin-bottom:0%">KAVERI TAPETTIIN TAPETTIIN

Tappavaa


ellauri302.html on line 32:

margin-top:0%;margin-bottom:0%">Sholem Ash


ellauri302.html on line 33:

margin-top:0%;margin-bottom:0%">KOST' JUMALA

Hulabaloota


ellauri308.html on line 33:

margin-top:0%;margin-bottom:0%">JUUTALAISTA HUUMORIA

Huumoria


ellauri308.html on line 34:

margin-top:0%;margin-bottom:0%">Tuomiset


ellauri308.html on line 452: – Luulen, että Dugin tulee aina pysymään marginaalihahmona, jokapaikan dosenttina niinkuin minäkin.
ellauri309.html on line 32:

margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts


ellauri309.html on line 33:

margin-top:0%;margin-bottom:0%">Far, Far Away

Kapitalistinen manifesti


ellauri310.html on line 21:

margin-top:0%;margin-bottom:0%">Daniel
ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's
ellauri311.html on line 24:

margin-top:0%;margin-bottom:0%">Kirsi Salo


ellauri311.html on line 25:

margin-top:0%;margin-bottom:0%">Tantrista

Terdellä


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margin-top:0%;margin-bottom:0%">Tuukka Pietarinen


ellauri313.html on line 27:

margin-top:0%;margin-bottom:0%">Tanssivat karhut

Aika heikkoa


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margin-top:0%;margin-bottom:0%">Untitled Goose


ellauri315.html on line 26:

margin-top:0%;margin-bottom:0%">Simple Reasoning

Simppeliä


ellauri316.html on line 25:

margin-top:0%;margin-bottom:0%">B. MARKOBCSKNÑ


ellauri316.html on line 26:

margin-top:0%;margin-bottom:0%">КЕМ БЫТЬ?

Kommando pimppeling


ellauri317.html on line 25:

margin-top:0%;margin-bottom:0%">Kuppalehti


ellauri317.html on line 26:

margin-top:0%;margin-bottom:0%">AIVAN PARASTA ROISTOKIRJALLISUUTTA

Roistomaista


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margin-top:0%;margin-bottom:0%">JENS VAPIDUS


ellauri318.html on line 26:

margin-top:0%;margin-bottom:0%">RAHALLA SAA
JA HEVOSELLA PÄÄSEE

Konnailua


ellauri321.html on line 25:

margin-top:0%;margin-bottom:0%">
margin-right:50%;text-align:right">JUAN
AMERIKASSA

Matuja


ellauri321.html on line 26:

margin-top:0%;margin-bottom:0%">margin-left:30%">ERIC LINKLATER


ellauri322.html on line 25:

margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.


ellauri322.html on line 26:

margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella

Sentimentalismia


ellauri323.html on line 25:

margin-top:0%;margin-bottom:0%">Max Beerbohm


ellauri323.html on line 26:
margin-top:0%;margin-bottom:0%" />
ellauri323.html on line 27:

margin-top:0%;margin-bottom:0%">Zuleika Dobson

Eetuilua


ellauri324.html on line 25:

margin-top:0%;margin-bottom:0%">WILLIAM BLUM


ellauri324.html on line 26:

margin-top:0%;margin-bottom:0%">ROISTO-
VALTIO

Ryöstökapitalismia


ellauri325.html on line 25:

margin-top:0%;margin-bottom:0%">Tom
Clancy´s


ellauri325.html on line 26:

margin-top:0%;margin-bottom:0%">POLITIKA

Antikommunismia


ellauri326.html on line 25:

margin-top:0%;margin-bottom:0%">SALAMANTERI-
SOTA

Antiputinismia


ellauri326.html on line 26:

margin-top:0%;margin-bottom:0%">KAREL CAPEK


ellauri327.html on line 25:

margin-top:0%;margin-bottom:0%">Various artists


ellauri327.html on line 26:

margin-top:0%;margin-bottom:0%">Koirameemejä

Reviiriajattelua


ellauri328.html on line 24:

margin-top:0%;margin-bottom:0%">VAD ÄR EN
DIKTATUR?

Lipilaaria


ellauri328.html on line 25:

margin-top:0%;margin-bottom:0%">TEXT OCH IDÉ


ellauri328.html on line 26:

margin-top:0%;margin-bottom:0%">Equipo Plantel


ellauri330.html on line 25:

margin-top:0%;margin-bottom:0%">P. Pylkkänen


ellauri330.html on line 26:

margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri

Höpsismiä


ellauri330.html on line 444: Kiistan aikana, joka puhkesi IWMA:ssa Pariisin kommuunin tukahduttamisen jälkeen, Bakunin levitti asiakirjaa, jossa hän väitti Marxin kannattavan uutta valtiota, jossa uusi hallitseva entisten työntekijöiden luokka hallitsee porvareita, jotka jäisivät hyväksikäytetyiksi ja sorretuiksi. Marx kirjoitti joitakin huomautuksia Bakuninin pamflettinsa marginaaliin. Jotkut ovat vain sanoja, kuten " idiootti" ja "perse", mutta toiset ovat tärkeämpiä, mukaan lukien seuraavat:
ellauri331.html on line 26:

margin-top:0%;margin-bottom:0%">Anna-Lena Lauren


ellauri331.html on line 27:

margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA

Voluntarismia


ellauri332.html on line 26:

margin-top:0%;margin-bottom:0%">George Lucas


ellauri332.html on line 27:

margin-top:0%;margin-bottom:0%">Jar-Jar Bling

Kinefiliaa


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margin-top:0%;margin-bottom:0%">King Ashoka & Buddha


ellauri333.html on line 27:

margin-top:0%;margin-bottom:0%">Mlecch

Koprolaliaa


ellauri333.html on line 336: However, while several upper caste individuals showcase pride in their surnames and its association with their identity, several Dalit communities are forced to bear the onus of having surnames that give away their marginalised identity, leading to ostracism.
ellauri333.html on line 342: A similar experience is seen in the case of individuals belonging to religion-marginalised locations. Many Muslims, Christians, some of whom also are from marginalised caste locations, have reported being barred from seeking accommodation at ‘Hindu-only’ apartment complexes.
ellauri334.html on line 27:
margin-top:0%;margin-bottom:0%;margin-left:20%">
ellauri334.html on line 28:

margin-top:0%;margin-bottom:0%;padding-right:2%">Wichawd Wöycke (Hrsg.)


ellauri334.html on line 29:

margin-top:0%;margin-bottom:0%">Deutschland
Rohstoff Abhängigkeit

Oligodontiaa


ellauri335.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">Leonardo da Vinci


ellauri335.html on line 27:

margin-top:0%;margin-bottom:0%">Cos'é la vita?

Trendejä


ellauri336.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">Rebbe Chinuch


ellauri336.html on line 27:

margin-top:0%;margin-bottom:0%">Puhtaiden mielien
JA
sydänten kasvattaminen

Kimchiä


ellauri338.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">Thomas Schelling


ellauri338.html on line 27:

margin-top:0%;margin-bottom:0%">Strategy of Inner Conflict

Demilitarisaatiota


ellauri339.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">Marshal Zhukov


ellauri339.html on line 27:

margin-top:0%;margin-bottom:0%">Zhuk v muraveynike

Rautaesiripun takana


ellauri340.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA


ellauri340.html on line 27:

margin-top:0%;margin-bottom:0%">PISSALIISA

Peilailua


ellauri340.html on line 326:
margin-left: 60px;">Wikimedia Commonsissa on kuvia tai muita tiedostoja aiheesta Kansainvälinen gumanitaarinen oikeus.

ellauri341.html on line 26:

margin-top:0%;margin-bottom:0%;padding-right:2%">Täävoi Purra


ellauri341.html on line 27:

margin-top:0%;margin-bottom:0%">Uuteen Jerusalemiin

Persuilua


ellauri342.html on line 26:

margin-top:0%;margin-bottom:0%">Neljäs Laine

Lisää matuja


ellauri342.html on line 27:

margin-top:0%;margin-bottom:0%;padding-right:5%">Martti Larni


ellauri343.html on line 26:

margin-top:0%;margin-bottom:0%">kärhämää
POHJANMAALTA

Fasilitointia


ellauri343.html on line 28:

margin-top:0%;margin-bottom:0%;padding-right:5%">PASKA TUURI


ellauri344.html on line 26:

margin-top:0%;margin-bottom:0;padding-right:5%">MUROPAKETTI

Anaalisosialismia


ellauri344.html on line 27:

margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET


ellauri345.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy


ellauri345.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia

To business!


ellauri346.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">LEONID BREZHNEV


ellauri346.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">KOHTA ON KIVAA

Kulturnoje


ellauri347.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">ANTTI ESKOLA


ellauri347.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">VANHUSMAISTA

Geriatriaa


ellauri348.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">Pirjo "Säi säi" Winter


ellauri348.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">TOIVOSSA
ON HYVÄ ELÄÄ

Toiveikasta


ellauri348.html on line 1044: Jotkut kateelliset psykologit arvostelivat CSF:ää useista syistä. Nicholas JL Brown kirjoitti: "Ajatus siitä, että tekniikat, jotka ovat osoittaneet parhaimmillaan marginaalisia vaikutuksia masennusoireiden vähentämisessä kouluikäisillä lapsilla, voisivat myös estää sellaisen tilan puhkeamisen, joka liittyy joihinkin äärimmäisimpiin tilanteisiin, joihin ihmiset voivat joutua. Se maailmanluokan kusetus, jota ei näytä tukevan empiirisiä todisteita." Stephen Soldz Bostonin psykoanalyysikoulun tutkijakoulusta viittasi Seligmanin tunnustukseen, että CSF on jättimäinen tutkimus eikä todistettuihin tekniikoihin perustuva ohjelma, ja kyseenalaisti sotilaiden osallistumisen tutkimukseen ilman tietoista suostumusta etiikan. Soldz kritisoi myös CSF:n koulutusta siitä, että se yritti rakentaa parempia asenteita taistelua kohtaan: "Voivatko sotilaat, jotka on koulutettu näkemään taistelun joustavasti kasvumahdollisuutena, todennäköisemmin sivuuttaa tai aliarvioida todellisia vaaroja ja siten listiä itsensä, heidän toverinsa tai siviilejä, joilla on kohonnut vahinkoriski?"
ellauri349.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN


ellauri349.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">AJAT
US
TEN T
ONA
VA

Positiivista


ellauri350.html on line 30:

margin-top:0%;margin-bottom:0%;padding-right:5%">ANGELA MONTENEGRO-AHOLA


ellauri350.html on line 31:

margin-top:0%;margin-bottom:0;padding-right:5%">DIGI
RUNKKAUSTA

{span style="color:white;background-color:purple"}2024{/span} Runkkua


ellauri351.html on line 29:

margin-top:0%;margin-bottom:0%;padding-right:5%">PUNTUN PAAVO ja KIRJAPAJA


ellauri351.html on line 30:

margin-top:0%;margin-bottom:0;padding-right:5%">WIIKSI
VA✷
HA-✷A✷

MME
🖕

Vihapuhetta


ellauri352.html on line 32:

margin-top:0%;margin-bottom:0%;padding-right:5%">Joseph Mengele


ellauri352.html on line 33:

margin-top:0%;margin-bottom:0;padding-right:5%">Die Geschichte vom
hölzernen Bengele

Emävaleita


ellauri352.html on line 365: "Tarvitsemme sosiologeja ja etnografeja. Jotkut selittävät ja toiset kerää kurjissa kenttäoloissa raakadataa. Abus eka!" Marcel Mauss harjoitti kenttätutkimusta hyvin vähän aikana, jolloin tämä menetelmä, joka vähitellen vakiintui anglosaksiseen maailmaan, varsinkin Malinowskin vaikutuksen alaisena, jäi marginaaliseksi erityisesti Ranskassa. Hänen harvat suorat havainnot näkyvät esimerkiksi hänen työssään "vartalotekniikoista", ne ovat peräisin hänen kokemuksestaan armeijassa tai lapsuudesta Tourainessa. Emil setä oli hyvin kiinnostunut niistä.
ellauri353.html on line 32:

margin-top:0%;margin-bottom:0%;padding-right:5em;padding-bottom:20px">TUULIKKI MÄYHÄ


ellauri353.html on line 33:

margin-top:0%;margin-bottom:0;padding-right:5%">MÄYHÄ

Hätävaleita


ellauri353.html on line 34:

margin-top:0%;margin-bottom:0;padding-right:5%">Lähikuvia Marko Tapion elämästä


ellauri355.html on line 32:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">Svetlana Aleksijevits


ellauri355.html on line 33:

margin-top:0%;margin-bottom:0%">Ostankinon juna

Puolitotuuxia


ellauri359.html on line 32:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">William Blake


ellauri359.html on line 33:

margin-top:0%;margin-bottom:0%">Kirpun henki

Ilmaisrakkautta


ellauri360.html on line 34:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">ROBBE GRILLET présente:


ellauri360.html on line 35:

margin-top:0%;margin-bottom:0%">Jeg elsker
GRILLET FISK

Modernismia


ellauri360.html on line 492: Dispensationalismi on kristinuskon teologian suuntaus, joka erottaa Jumalan ohjelman kirkolle ja Israelille. Opin mukaan Israel ei ole menettänyt asemaansa Jumalan kansana eikä kirkkoa nähdä ”uutena Israelina”. Se levisi 1800- ja 1900-luvuilla lähinnä fundamentalismin mukana. Dispensationalismi on esiintynyt oppirakennelmana aiemminkin, mutta roomalaiskatolisen kirkon oppien tarkan määrittelyn vuoksi se on esiintynyt lähinnä marginaalisena suuntauksena. Dispensationalismi sai uutta suosiota John Nelson Darbyn eskatologian perusteella, johon kuului muun muassa oppi seitsemän vuoden vihan ajasta.lähde?
ellauri362.html on line 32:

margin-top:0%;margin-bottom:0%">Ylpeys ja ennakkoluulo

Varhaisromantiikkaa


ellauri362.html on line 33:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">A Novel by JANE AUSTEN


ellauri364.html on line 32:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">Anttoni Pyp Pipo


ellauri364.html on line 33:

margin-top:0"/>


margin-bottom:0"/>

ellauri364.html on line 34:

margin-top:0%;margin-bottom:0%">HERMOMME
JA ME

Neurolepsiaa


ellauri365.html on line 32:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">The Family Guy


ellauri365.html on line 33:

margin-top:0%;margin-bottom:0%">TUULIRUUSU

Kuppasta


ellauri367.html on line 25:

margin-top:0%;margin-bottom:0%">SARJAKUVA-VIISIKKO


ellauri367.html on line 26:

margin-top:0%;margin-bottom:0%">VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA

Vakoilua


ellauri367.html on line 228: Hän toteaa, että valta on ollut monarkian käsissä, mutta kuninkaat eivät ole koskaan arvostaneet sitä sen todellisen arvon, rahallisen luomisen, vuoksi; Sen vuoksi se joutui Ranskan vallankumouksen jälkeen yksityisiin käsiin, jotka tietoisesti aiheuttivat muutoksen jakautuneesta valuutasta, joka jää vain vahvistamaan illuusiota, rahaan asetuksella ja sitten luottamusrahaan, joka olisi yksinkertaisesti väärennösrahaa, joka oli moninkertaistanut alkuperäisen rahan pääomaa useita kertoja. ​Näillä rahoittajilla on nyt totalitaarisessa kommunistisessa Neuvostoliitossa, voimakkain herruuden väline, joka on koskaan ollut olemassa, aikaisemmat keisarilaistyyppiset imperiumit ovat aina jättäneet yksilön vapauden marginaalin.
ellauri368.html on line 26:

margin-top:0%;margin-bottom:0%">Täys rove kranaatteja

Sukoilua


ellauri368.html on line 27:

margin-top:0%;margin-bottom:0%">Poems of Avron Sutzkever


ellauri368.html on line 322: From a literary-historical standpoint, Revealer of Secrets holds immense interest. As Dov Taylor notes in his useful introduction, it was inspired by the eighteenth-century epistolary tradition initiated in England by Samuel Richardson's Pamela (1740), in France by Rousseau's Nouvelle Héloïse (1760), and in Germany by Goethe's Die Leiden des jungen Werthers (1774). Because Hebrew had as yet no novelistic tradition, Perl necessarily drew upon the prevailing norms of European fiction. Thus arose the beginning of modern Hebrew literature in the margins of eighteenth-century fiction
ellauri369.html on line 26:

margin-top:0%;margin-bottom:0%">CORNE
LIUS
NEPOS


ellauri369.html on line 27:

margin-top:0%;margin-bottom:0%">KUULUISIA
MIEHIÄ

Paleofiktiota


ellauri370.html on line 28:

margin-top:0%;margin-bottom:0%">Poul Borchsenius


ellauri370.html on line 29:

margin-top:0%;margin-bottom:0%">Den evige Jøde

Syntipukkeilua


ellauri371.html on line 26:

margin-top:0%;margin-bottom:0%">PROTOKOLY SiONSKIXb MUDRETSOBb.

Paranoidia


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margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)


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margin-top:0%;margin-bottom:0%">Flaccid Horace


ellauri372.html on line 27:

margin-top:0%;margin-bottom:0%">Oodi hippiäiselle

Sikasovinismia


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margin-top:0%;margin-bottom:0%">YXI PORUKOISTA


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margin-top:0%;margin-bottom:0%">BATTLE OF JOLO

Feminismiä


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margin-top:0%;margin-bottom:0%">SEISOO UKRAINAN KANSSA

Kökkäreitä


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margin-top:0%;margin-bottom:0%">Даниел Сазоновъ


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margin-top:0%;margin-bottom:0%">Steven Spielberg


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margin-top:0%;margin-bottom:0%">MAAILMOJEN SOTA

Pökäleitä


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margin-top:0%;margin-bottom:0%">Pistis Sofia


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margin-top:0%;margin-bottom:0%">Lihan iloja

Hurlumheitä


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margin-top:0%;margin-bottom:0%">Schwerbelastungskörper

Rapukarkkeja


ellauri378.html on line 32:

margin-top:0%;margin-bottom:0%">el alamy


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margin-bottom:0%">Antonio Banderas


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margin-top:0%;margin-bottom:0%">Puskaryssiä

Pomilointia


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margin-bottom:0%">Vladimir Zhirinovski-vainaja


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margin-top:0%;margin-bottom:0%">Itätyttöjä

Suunsoittoa


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margin-bottom:0%">Various authors


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margin-top:0%;margin-bottom:0%">Poena Cullei

Mölinää


ellauri384.html on line 37:

margin-bottom:0%">THOMAS WHICHELLO


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margin-top:0%;margin-bottom:0%">ÖBAUT

Hölinää


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margin-bottom:0%">Teppo Tulppu


ellauri386.html on line 38:

margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo

Teppoilua


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margin-bottom:0%">PIENIÄÄNINEN AUTISTI


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margin-top:0%;margin-bottom:0%">THE EMPEROR       OF EVERYTHING

Kupla kurkussa


ellauri389.html on line 235: “But I feel weighed down by the short sightedness, the petty bureaucracy, and the often pointless activities that are creeping into higher education. These things eat time and, more importantly, sap energy. Meanwhile the sand sifts through the hourglass. At the Open University I’d always hoped that we’d be able to offer a named undergraduate degree in philosophy, but actually the subject has, if anything, become marginalised, with fewer courses available than when I joined nineteen years ago, and with much higher fees. This at a time when philosophy is becoming increasingly popular. There had also been suggestions that I might be able to take on an official role promoting the public understanding of philosophy, but that didn’t materialise either.
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margin-bottom:0%">James Fennimore Cooper


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margin-top:0%;margin-bottom:0%">Viimeinen mohikaani

Tappojuttuja


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margin-bottom:0%">Piisamirotta


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margin-top:0%;margin-bottom:0%">Kaiken turhuudesta

Turhuutta


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margin-left:15%;margin-right:15%;margin-top:0%;margin-bottom:0%">Kirjallisuuden purkaamo

Kauhu kaunaista


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margin-top:0%;margin-bottom:0%">DAVID H. HIRSCH


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margin-left:15%;margin-right:15%;margin-top:0%;margin-bottom:0%">Arvostelua Anuxesta

Turhuutta


ellauri392.html on line 840: Wilhelm Waiblinger, Die Tagebücher: 1821–1826 , toim. Erwin Breitinger ja Herbert Meyer, "Veröffentlichungen der deutschen Schillergesellschaft", XXII (Stuttgart, 1956), VII, 22. Viittaukset tässä ja läpi tämän artikkelin ovat Waiblingerin päiväkirjan alkuperäisiä osia ja sivuja, jotka on annettu op. cit. marginaaleissa.
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margin-bottom:0%">Thomas Crapper


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margin-top:0%;margin-bottom:0%">ELÄMÄ JA TEOS

Kohinaa


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margin-bottom:0%">Tri Ristintie ja kumpp.


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margin-top:0%;margin-bottom:0%">Dios te bendiga

Tohinaa


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margin-bottom:0%">Lindsay Ziepherd


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margin-top:0%;margin-bottom:0%">FOR
CRYING
OUT LOUD

Pillitystä


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margin-bottom:0%">Läskimoosexet


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margin-top:0%;margin-bottom:0%">ZIPPORAH

Napinaa


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margin-bottom:0%">Alfred E. Neuman


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margin-top:0%;margin-bottom:0%">WHO NEEDS YOU

Kamalaa


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margin-bottom:0%">Pekka Ervast


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margin-top:0%;margin-bottom:0%">KOOMILLINEN KORISTUS

Humoristista


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margin-bottom:0%">Itella


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margin-top:0%;margin-bottom:0%">Suuri salaisuus

Hörhöjä


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margin-bottom:0%">Miisu


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margin-top:0%;margin-bottom:0%">Pieni salaisuus

Torttuja


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margin-bottom:0%">Gunnar Bärlund


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margin-top:0%;margin-bottom:0%">HISTORIAN LOPPU

Vakavasta vallatonta


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margin-bottom:0%">JENS ALLWOOD


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margin-top:0%;margin-bottom:0%">ALDRIG TORKA BAJAN

Blattebajs


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margin-bottom:0%">TUPEK=
SIJAN
PÄIVÄKIRJA

Väpelöintiä


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margin-top:0%;margin-bottom:0%">Vätys V. Vätys


ellauri408.html on line 612: Tietyt Rose -käsikirjoitukset ovat koskemattomassa kunnossa ja näyttävät siltä, ​​että niitä tuskin olisi koskaan avattu ja luettu. Mutta on myös esimerkkejä teoksista, joita käytiin melko ahkerasti läpi ja katsottiin kuvat, ja monista niistä puuttuu folioita, on vaurioitu runkkuläiskillä tai poistettu piirroksia ja marginaaleihin on tehty rivoja muistiinpanoja. Walters Rosen käsikirjoituksissa alareunoihin on lisätty kohtaukset dominikaanisesta luostarista naisen (folio 69v, katso kuva 11) ja dominikaaniseen tapaan pukeutuneen koiran kanssa ja kolmen pienemmän koiran (folio 72v, katso kuva 12) kanssa kahdessa foliossa. Tämä antaa meille käsityksen siitä, kuinka runoa on voitu lukea ja tulkita, ja miten Rose -käsikirjoituksia on käytetty ja mukautettu eri käyttötarkoituksiin myöhäisellä keskiajalla ja sen jälkeen.
ellauri408.html on line 702: Au cours des voyages qu'il fait à Paris, Proudhon rencontre Karl Grün, Mikhaïl Bakounine, Alexandre Herzen qui deviendront ses amis et Karl Rot qui admirait en lui le seul socialiste français dégagé du mysticisme chrétien. En plus, il est lui-même prolétaire, ouvrier! Et il précise : « nous ne devons pas poser l'action révolutionnaire comme moyen de réforme sociale, parce que ce prétendu moyen serait tout simplement un appel à la force, à l'arbitraire, bref, une contradiction. L'échange de lettres avec Marx annonce la rupture, qui intervient quelques mois plus tard. Quand, en octobre 1846, Proudhon publie le Système des contradictions économiques ou Philosophie de la misère, Marx riposte par Misère de la philosophie. Marx considère que Proudhon est un socialiste « petit-bourgeois » ou nettement « bourgeois », qui défend un système utopique qui combinerait les avantages du socialisme et du capitalisme sans leurs inconvénients. Il écrit ainsi : « Les socialistes bourgeois veulent tous les avantages des conditions sociales modernes sans les luttes et les dangers qui en découlent nécessairement ». Il critique notamment ses conceptions économiques sur la valeur, son soutien à la concurrence ou encore son opposition aux grèves ouvrières. Marx est le ténia du socialisme (sosialismin lapamato), Proudhomme sinkauttaa vastineexi ja kommentoi marginaaliin manifestia: « Calomnie », « Absurde », « Faux » « Mensonge », « Pasquinade ». « Quelle bêtise après ce que j´ai écrit — En vérité Marx est jaloux » ; « Allons mon cher Marx, vous êtes de mauvaise foi, et tout à la fois vous ne savez rien » .
ellauri409.html on line 38:

margin-top:0%;margin-bottom:0%">PETER ACKROYDIN LUONNEMURHA

Elämäkerturointia


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margin-top:0%;margin-bottom:0%">WDYMBT


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margin-top:0%;margin-bottom:0%">Katherine Mansfield


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margin-top:0%;margin-bottom:0%">Ulkopuolinen

Elämänparturointia


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margin-top:0%;margin-bottom:0%">MR.SEBAOT


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margin-top:0%;margin-bottom:0%">RYMDENS HÄRSKARE

Nyt pohditaan


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margin-top:0%;margin-bottom:0%">Asteriski ja


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margin-top:0%;margin-bottom:0%">AGENTTI
ROMANI

Nyt rähistään


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margin-top:0%;margin-bottom:0%">JO-EL SARIOLA


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margin-top:0%;margin-bottom:0%">PUTKIAIVO

Usvaa putkeen


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margin-top:0%;margin-bottom:0%">ANTI
COP

People in motion


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margin-top:0%;margin-bottom:0%">GRETA THUNBERG


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margin-top:0%;margin-bottom:0%">LES AVENTURES DE TINTIN


ellauri421.html on line 42:

margin-top:0%;margin-bottom:0%">LA CHUTE D'ICARE

Frankofoniaa


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margin-top:0%;margin-bottom:0%">VKONTAKTE


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margin-top:0%;margin-bottom:0%">5 RAZUMIESTÄ

Misinformaatiota


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margin-top:0%;margin-bottom:0%">LOS MUERTOS


xxx/ellauri010.html on line 20:

margin-top:0%;margin-bottom:0%">Mustan mantiljan salaisuus

Sensuroitua


xxx/ellauri013.html on line 19:

margin-top:0%;margin-bottom:0%">EL MUERTO


xxx/ellauri013.html on line 20:

margin-top:0%;font-style:italic;margin-bottom:0%">VIESTI KUOLEMALTA

Salatietoa


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margin-top:0%;margin-bottom:0%">SMURFFIEN SEIKKAILUJA


xxx/ellauri027.html on line 20:

margin-top:0%;margin-bottom:0%">SMURFFIT
JA TAIKAMUNA

Smurffijuttuja


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margin-top:0%;margin-bottom:0%">BAMSE


xxx/ellauri044.html on line 25:

margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle

Kevätnarsismia


xxx/ellauri056.html on line 24:

margin-top:0%;margin-bottom:0%">ENID BLYTON


xxx/ellauri056.html on line 25:

margin-top:0%;margin-bottom:0%">Viisikko
ja aavejuna

Tunnelimaista


xxx/ellauri057.html on line 24:

margin-top:0%;margin-bottom:0%">Tex Willer


xxx/ellauri057.html on line 25:

margin-top:0%;margin-bottom:0%">DJEVEL-FJELLET

Tuhat tulimmaista


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margin-top:0%;margin-bottom:0%">F Walthéry


xxx/ellauri059.html on line 26:

margin-top:0%;margin-bottom:0%">Natacha

Pehmopornoa


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margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL


xxx/ellauri068.html on line 24:

margin-top:0%;margin-bottom:0%">BOЯДT SUBSEQUENT MOVIEFILM

Sekatavaraa


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margin-top:0%;margin-bottom:0%">David Foster Wallace


xxx/ellauri075.html on line 28:

margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta

Hörhöilyä


xxx/ellauri076.html on line 27:

margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ


xxx/ellauri076.html on line 28:

margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ

{span style="color:white;background-color:orange"}2021{/span} Hulvatonta


xxx/ellauri081.html on line 27:

margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini


xxx/ellauri081.html on line 28:

margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52

Ekstaasia


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margin-top:0%;margin-bottom:0%">James Wallace


xxx/ellauri084.html on line 28:

margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

Nalkutusta


xxx/ellauri085.html on line 27:

margin-top:0%;margin-bottom:0%">Sally Jean Foster


xxx/ellauri085.html on line 28:

margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

Makulatuuria


xxx/ellauri086.html on line 27:

margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio


xxx/ellauri086.html on line 28:

margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

Kuiskauxia


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margin-top:0%;margin-bottom:0%">E. Saarinen


xxx/ellauri087.html on line 28:

margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan

Huutoja


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margin-top:0%;margin-bottom:0%">Hilja Haahti


xxx/ellauri091.html on line 28:

margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä

Muistoja


xxx/ellauri091.html on line 445: säjer dagens August Ahlqvist, eller bättre Toini Havu i Hbl. Modersförakt, har hon skrivit på många ställen i marginalen. Hon recenserar romanen Blödningen av den svenska författaren Lyra Koli (1990), fd Lyra Ekström Lindbäck, vars första roman hette Tillhör Lyra Lindström Lindbäck. Varför heter hon nu Koli? Om hon hade en dotter kunde hon få förnamnet Escherichia. Men hor han säkert ingen, för hon är lesbian.
xxx/ellauri103.html on line 28:

margin-top:0%;margin-bottom:0%">Lionel Drivel


xxx/ellauri103.html on line 29:

margin-top:0%;margin-bottom:0%">We have to talk about Kevin

Toxisia penseitä


xxx/ellauri103.html on line 115: – Sananvapauteen vaikuttaa tällä hetkellä sosiaalinen paine, konformismi eli yksilön mukautuminen enemmistön mielipiteeseen, poliittinen korrektius sekä itsesensuuri. Jos eksyy kovin kauaksi mielipidekäytävän ulkopuolelle, siitä seuraa sosiaalisia sanktioita. Ja ne riittävät hiljentämään monet, koska tällaiset sanktiot heilauttavat munlaisen kyldyyri-ihmisen marginaaliin. Eikä täällä ole kiva olla kun ei saa näkyä.
xxx/ellauri103.html on line 341: In making light of the need to hold onto any vestige of identity, Shriver completely disregards not only history, but current reality. The reality is that those from marginalised groups, even today, do not get the luxury of defining their own place in a norm that is profoundly white, straight and, often, patriarchal. And in demanding that the right to identity should be given up, Shriver epitomised the kind of attitude that led to the normalisation of imperialist, colonial rule: “I want this, and therefore I shall take it.”
xxx/ellauri103.html on line 436: Rowling had barfed harmful and disproven beliefs about what it means to be a transgender person.” Her views on “marginalised people are out of step with the Harry Potter community, and more in line with the Voldemort community.
xxx/ellauri104.html on line 28:

margin-top:0%;margin-bottom:0%">John Nash


xxx/ellauri104.html on line 29:

margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää

Hulluttelua


xxx/ellauri113.html on line 27:

margin-top:0%;margin-bottom:0%">Stephen Hawking
&
Pekka Reinikainen


xxx/ellauri113.html on line 28:

margin-top:0%;margin-bottom:0%">Theory of Everything

Kaiken teoriaa


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margin-top:0%;margin-bottom:0%">Mamuhuijarit


xxx/ellauri114.html on line 27:

margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?

Vittuilua


xxx/ellauri116.html on line 27:

margin-top:0%;margin-bottom:0%">ILTALEHTI


xxx/ellauri116.html on line 28:

margin-top:0%;margin-bottom:0%">Moskaportaali

Moskaa


xxx/ellauri120.html on line 27:

margin-top:0%;margin-bottom:0%">Snoopy


xxx/ellauri120.html on line 28:

margin-top:0%;margin-bottom:0%">It was a dark and stormy night.

Lyttäystä


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margin-top:0%;margin-bottom:0%">Varhaiskasvattajat


xxx/ellauri121.html on line 28:

margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus

Hartautta


xxx/ellauri122.html on line 31:

margin-top:0%;margin-bottom:0%">Olivera


xxx/ellauri122.html on line 32:

margin-top:0%;margin-bottom:0%">Tips

Vinkkejä


xxx/ellauri123.html on line 31:

margin-top:0%;margin-bottom:0%">Ivar Kreuger


xxx/ellauri123.html on line 32:

margin-top:0%;margin-bottom:0%">THE COCK

Löysiä kukkoja ja kanoja


xxx/ellauri123.html on line 366: margin:1em" />
xxx/ellauri123.html on line 430: margin:1em" />
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xxx/ellauri124.html on line 31:

margin-top:0%;margin-bottom:0%">Mark O'Connell


xxx/ellauri124.html on line 32:

margin-top:0%;margin-bottom:0%">To Be a Machine

Masinointia


xxx/ellauri125.html on line 31:

margin-top:0%;margin-bottom:0%">Владимир Набоков


xxx/ellauri125.html on line 32:

margin-top:0%;margin-bottom:0%">Лолита

Gastropodiaa


xxx/ellauri126.html on line 31:

margin-top:0%;margin-bottom:0%">Me Naiset


xxx/ellauri126.html on line 32:

margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?

Urbaania


xxx/ellauri127.html on line 31:

margin-top:0%;margin-bottom:0%">Vladimir Nabokov


xxx/ellauri127.html on line 32:

margin-top:0%;margin-bottom:0%">Pigita

Mansplainingia


xxx/ellauri128.html on line 28:

margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri128.html on line 29:

margin-top:0%;margin-bottom:0%">Kootut töräyxet

FUCK!


xxx/ellauri129.html on line 27:

margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri129.html on line 28:

margin-top:0%;margin-bottom:0%">LIFESTYLE

EAT!


xxx/ellauri129.html on line 420: Muoti-ilmiöksi nousseen naisviihteen brutaali mieskuva marginalisoi identiteettejämme tasa-arvon pallopoikina ja empaattisina kähäräpersiljan kasvattajina. Mutta jos monet naisoletetut haluavat kirjoittaa ja lukea kuvitelmia, joissa mies on A Dark Bad Boy, olkoon niin. Toivottavasti he saavat tehdä sen häpeämättä. Eikä miesten kuvitelmien kai tarvitse olla sen hyveellisempiä? Eli saammeko jatkaa entisinä setämiehinä? Sopiiko? Sopiiko?
xxx/ellauri130.html on line 27:

margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


xxx/ellauri130.html on line 28:

margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat

KILL!


xxx/ellauri134.html on line 27:

margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari


xxx/ellauri134.html on line 28:

margin-top:0%;margin-bottom:0%">Tääl on niin kuuma

Virallinen musiikkivideo


xxx/ellauri136.html on line 27:

margin-top:0%;margin-bottom:0%">AS Pushkin


xxx/ellauri136.html on line 28:

margin-top:0%;margin-bottom:0%">SOLD

Somepöhinää


xxx/ellauri137.html on line 31:

margin-top:0%;margin-bottom:0%">Turun Darwin


xxx/ellauri137.html on line 32:

margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki

{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa


xxx/ellauri138.html on line 27:

margin-top:0%;margin-bottom:0%">J.W.v Goethe


xxx/ellauri138.html on line 28:

margin-top:0%;margin-bottom:0%">Dichtung und Wahrheit

Alternatiivista totuutta


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margin-left:1em;padding:1em;font-size:small;width:30%;float:right;border: 1px solid purple">
xxx/ellauri138.html on line 263: Llewellyn - who declined to be interviewed by Bailey - said she was more upset by what was left out in the biography, making it seem like she was a marginal figure in Roth's life, an adventure that didn't work out. "My intimacy with Philip was not in keeping with the story Blake was trying to write " she said.
xxx/ellauri139.html on line 27:

margin-top:0%;margin-bottom:0%">Dosto täällä hei


xxx/ellauri139.html on line 28:

margin-top:0%;margin-bottom:0%">IDIOOTTI!

Idiotiaa


xxx/ellauri148.html on line 32:

margin-top:0%;margin-bottom:0%">The McCormacks


xxx/ellauri148.html on line 33:

margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY

Uraata


xxx/ellauri148.html on line 308: Kolleega setämiehen kommentti: Sannikka oli järkyttävä. Valtaoja yritti järjen ääntä, mutta se oli lähes mahdotonta. Fanaattinen intersektionaalinen feminismi saa aikaan yhtä rajun vastareaktion. USA on varoittava esimerkki siitä mitä seuraa, kun ääripäät nousevat ja me maltilliset kyrvänpäät jäämme marginaaliin. Ei kohta seiso meillä enää kantamuxet kuin McCormakilla, stezon lerpahtaa. Tehkäämme kuin urheat republikaanit aatetoverimme USA:ssa, boikotoikaamme woke capitalismia! Pillut Lilin bideedouchiin risapuoli päällepäin ja kyrvät wokewasheriin! Niistäkäämme ansjovixet nenäpäiväliinaan! Uusi aloitus puhtaalta pöydältä!
xxx/ellauri149.html on line 32:

margin-top:0%;margin-bottom:0%">E. Saarinen et al.


xxx/ellauri149.html on line 33:

margin-top:0%;margin-bottom:0%">LIMAA

Limaa


xxx/ellauri154.html on line 28:

margin-top:0%;margin-bottom:0%">Gonorrhé de
BALLSACK


xxx/ellauri154.html on line 29:

margin-top:0%;margin-bottom:0%">Comtes droolatiques

Leikkisää


xxx/ellauri157.html on line 31:

margin-top:0%;margin-bottom:0%">Kuka Ruikki


xxx/ellauri157.html on line 32:

margin-top:0%;margin-bottom:0%">TIEDE 2022

Naturalia atque turpia


xxx/ellauri165.html on line 28:

margin-top:0%;margin-bottom:0%">St. Ambrose


xxx/ellauri165.html on line 29:

margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."

Neizeellistä


xxx/ellauri166.html on line 28:

margin-top:0%;margin-bottom:0%">יהוה


xxx/ellauri166.html on line 29:

margin-top:0%;margin-bottom:0%">AARON SKEBA

Käärmeilyä


xxx/ellauri166.html on line 405: The Tosafot, Tosafos or Tosfot (Hebrew: תוספות) are medieval commentaries on the Talmud. They take the form of critical and explanatory glosses, printed, in almost all Talmud editions, on the outer margin and opposite Rashi's notes.
xxx/ellauri166.html on line 411: The main text in the middle is the text of the Talmud itself. To the right, on the inner margin of the page, is Rashi's commentary; to the left, on the outer margin, the Tosafot
xxx/ellauri167.html on line 32:

margin-top:0%;margin-bottom:0%">Inferno-Dante


xxx/ellauri167.html on line 33:

margin-top:0%;margin-bottom:0%">MALA TESTA

Päänsärkyä


xxx/ellauri168.html on line 32:

margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba


xxx/ellauri168.html on line 33:

margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...

Kähmintää


xxx/ellauri169.html on line 32:

margin-top:0%;margin-bottom:0%">LENA FURBERG


xxx/ellauri169.html on line 33:

margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!

Syviä asanoita


xxx/ellauri170.html on line 32:

margin-top:0%;margin-bottom:0%">Rodolphe Bresdin


xxx/ellauri170.html on line 33:

margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT

Tragikoomista


xxx/ellauri173.html on line 32:

margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri173.html on line 33:

margin-top:0%;margin-bottom:0%">Papinin marmiitti

Protoplasmaa


xxx/ellauri174.html on line 32:

margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri174.html on line 33:

margin-top:0%;margin-bottom:0%">Hadaly

Ektoplasmaa


xxx/ellauri175.html on line 32:

margin-top:0%;margin-bottom:0%">Aku Aatamisaari


xxx/ellauri175.html on line 33:

margin-top:0%;margin-bottom:0%">SOWANA

Misofransiaa


xxx/ellauri176.html on line 38:

margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper


xxx/ellauri176.html on line 39:

margin-top:0%;margin-bottom:0%">Ruppari

Samaa vaan


xxx/ellauri177.html on line 32:

margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION


xxx/ellauri177.html on line 33:

margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN

Katollista


xxx/ellauri178.html on line 32:

margin-top:0%;margin-bottom:0%">BENITO ROTH


xxx/ellauri178.html on line 33:

margin-top:0%;margin-bottom:0%">Intohimon Professori

Himokasta


xxx/ellauri178.html on line 180:

margin-left:5em">
xxx/ellauri178.html on line 288: L'enfant y est heureux, bon élève et enfant de chœur, mais réservé et taciturne. De cette époque remontent les premiers émois masculins de Genet, en la personne du petit Lou Culafroy — qui deviendra plus tard « Divine », héros et ensuite héroïne de Notre-Dame-des-Fleurs — ainsi que d’hommes plus âgés, braconniers de passage ou marginaux égarés. Il obtient la meilleure note de sa commune au certificat d'études primaires.
xxx/ellauri179.html on line 32:

margin-top:0%;margin-bottom:0%">Ernestine Hemingwau


xxx/ellauri179.html on line 33:

margin-top:0%;margin-bottom:0%">Ford Fiesta

Homokasta


xxx/ellauri186.html on line 31:

margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA

Sotarikollista


xxx/ellauri186.html on line 32:

margin-top:0%;margin-bottom:0%">O EVANGELHO
SECUNDO A MINHA PALAVRA


xxx/ellauri187.html on line 31:

margin-top:0%;margin-bottom:0%">RACHEL CORBETT


xxx/ellauri187.html on line 32:

margin-top:0%;margin-bottom:0%">CHINS UP

Panettelua


xxx/ellauri193.html on line 31:

margin-top:0%;margin-bottom:0%">MIN
GALNA
HAGE

Smuts


xxx/ellauri193.html on line 32:

margin-top:0%;margin-bottom:0%">POVEL
RAMEL


xxx/ellauri195.html on line 31:

margin-top:0%;margin-bottom:0%">Agricola


xxx/ellauri195.html on line 32:

margin-top:0%;margin-bottom:0%">Vitun vitun vittu

Kyrkästystä


xxx/ellauri199.html on line 31:

margin-top:0%;margin-bottom:0%">Neptune


xxx/ellauri199.html on line 32:

margin-top:0%;margin-bottom:0%">Hello Poetry

Poetiikkaa


xxx/ellauri200.html on line 31:

margin-top:0%;margin-bottom:0%">Hergé


xxx/ellauri200.html on line 32:

margin-top:0%;margin-bottom:0%">I am levitating now

Rodullistusta


xxx/ellauri201.html on line 31:

margin-top:0%;margin-bottom:0%">Isokukko Uljas


xxx/ellauri201.html on line 32:

margin-top:0%;margin-bottom:0%">Meninas do pinup

Kovaxikeitettyä


xxx/ellauri202.html on line 30:

margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD


xxx/ellauri202.html on line 31:

margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus

Jaaritusta


xxx/ellauri208.html on line 33:

margin-top:0%;margin-bottom:0%">Näkyip
Nahkapouz


xxx/ellauri208.html on line 34:

margin-top:0%;margin-bottom:0%">Middag-kuja

Tyyylsäää


xxx/ellauri209.html on line 32:

margin-top:0%;margin-bottom:0%">Frederick McCubbin


xxx/ellauri209.html on line 33:

margin-top:0%;margin-bottom:0%">On the Wallaby Track

Tumpelointia


xxx/ellauri212.html on line 33:

margin-top:0%;margin-bottom:0%">JOHN LODWICK


xxx/ellauri212.html on line 34:

margin-top:0%;margin-bottom:0%">AMOR ME DIO LA DESPEDIDA

Sexiä


xxx/ellauri215.html on line 33:

margin-top:0%;margin-bottom:0%">TH. KITTELSEN


xxx/ellauri215.html on line 34:

margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN

Trollausta


xxx/ellauri218.html on line 34:

margin-top:0%;margin-bottom:0%">Naurunappula


xxx/ellauri218.html on line 35:

margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI

Kauhua

xxx/ellauri218.html on line 370: "By now Jews in the US are the most privileged and influential part of the population. You find occasional instances of anti-semitism but they are marginal." — Noam Chomsky.
xxx/ellauri224.html on line 32:
margin-top:0%;margin-bottom:0%"/>
xxx/ellauri224.html on line 35:

margin-top:0%;margin-bottom:0%">SMORE


xxx/ellauri224.html on line 38:

margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE

Röhönaurua

xxx/ellauri225.html on line 32:

margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.


xxx/ellauri225.html on line 33:

margin-top:0%;margin-bottom:0%">2x haarautuva halko

Sapfekasta


xxx/ellauri227.html on line 32:

margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ


xxx/ellauri227.html on line 33:

margin-top:0%;margin-bottom:0%">IS PRINSESSA

Jäätävää


xxx/ellauri228.html on line 32:

margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO


xxx/ellauri228.html on line 33:

margin-top:0%;margin-bottom:0%">HEI BEIBI,
MÄ OON
TULLA!

Koomista sexiä


xxx/ellauri229.html on line 32:

margin-top:0%;margin-bottom:0%">Harry Bosch


xxx/ellauri229.html on line 33:

margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS

Retroa


xxx/ellauri230.html on line 32:

margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt


xxx/ellauri230.html on line 33:

margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA

Japonais-täytettä


xxx/ellauri231.html on line 32:

margin-top:0%;margin-bottom:0%">Wikipedia


xxx/ellauri231.html on line 33:

margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit

Sotahistoriaa


xxx/ellauri232.html on line 32:

margin-top:0%;margin-bottom:0%">Ung Wallenberg


xxx/ellauri232.html on line 33:

margin-top:0%;margin-bottom:0%">Feminism underifrån

Oivalluxia ja niteitä


xxx/ellauri233.html on line 32:

margin-top:0%;margin-bottom:0%">MICAEL DAHLEN


xxx/ellauri233.html on line 33:

margin-top:0%;margin-bottom:0%">Våga drömma

Limaista


xxx/ellauri234.html on line 32:

margin-top:0%;margin-bottom:0%">VILLI LÄNSIÖ JA ESA SAARINEN


xxx/ellauri234.html on line 33:

margin-top:0%;margin-bottom:0%">TÖRNI KÄRJESSÄ

Maanpuolustushenkeä


xxx/ellauri235.html on line 32:

margin-top:0%;margin-bottom:0%">Willy Wanker


xxx/ellauri235.html on line 33:

margin-top:0%;margin-bottom:0%">Kävin kirjastossa
Suklaaosastossa

Seiloriaiheista


xxx/ellauri235.html on line 359: Grayn runous koskee seksuaalisen kyrvänhalun hylkäämistä. Runoilijan hahmo runoissaan on usein yksinäinen, vieraantunut ja marginaalinen, ja erilaisia ​​muusoja tai sijaisäitihahmoja kutsutaan avuksi tai opastukseksi tavalla, joka ennakoi jonkin verran John Keatsin samankaltaisten hahmojen käyttöä. Vuoden 1742 neljän pidemmän runon tyypillinen "juoni" liittyy jonkinlaisen halun hylkäämiseen, kuten "Oodissa keväällä" tai, kuten Eton Collegen oodissa, valittaa viattomuutta. Joskus, kuten "Hymn to Adversity", ankara ja tukahduttava hahmo loihditaan nuhtelemaan liiallista halua ja auttamaan vaatimattoman ja inhimillisen toveruuden, seksuaalisen halun transponoidun ja sosiaalisen muodon, muodostumisessa. "Hymnissä tietämättömyydelle"Dunciadia (1728) käytetään nuhtelemaan "minää", joka kaipaa äidillistä ja demonista läsnäoloa. Erilaisilla, mutta toisiinsa liittyvillä tavoilla nämä neljä runoa esittelevät runoilijan etsintöä hänen suojelijahenkeensä, museaan, joka johtaa runollisen ja henkilökohtaisen identiteetin luomista.
xxx/ellauri237.html on line 32:

margin-top:0%;margin-bottom:0%">Pablo Basoalto


xxx/ellauri237.html on line 33:

margin-top:0%;margin-bottom:0%">THIS SUCKS

Ylimakeaa


xxx/ellauri239.html on line 33:

margin-top:0%;margin-bottom:0%">Lao Rui


xxx/ellauri239.html on line 34:

margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi

Sanoinkuvaamatonta


xxx/ellauri250.html on line 39:

margin-top:0%;margin-bottom:0%">Kaksplus


xxx/ellauri250.html on line 40:

margin-top:0%;margin-bottom:0%">Suku on pahin

Sukuvihaa


xxx/ellauri250.html on line 251: Utövare av effektiv altruism eftersträvar stenkoll på vart pengarna går. Målsättningen är maximal marginalnytta och kostnadseffektivitet. I stället för att utgå från vad en vald välgörenhetsorganisation tidigare har uppnått försöker donatorn utvärdera vilken ytterligare förbättring ännu mer kapital kunde göra. Hur stort utrymme finns inom själva organisationen för att effektivt utnyttja större bidrag, eller kunde kanske pengarna göra mest nytta någon helt annanstans, något privat företag tex?
xxx/ellauri250.html on line 643: Argument from marginal cases,
xxx/ellauri251.html on line 38:

margin-top:0%;margin-bottom:0%">Algernon Swinburne


xxx/ellauri251.html on line 39:

margin-top:0%;margin-bottom:0%">Gjenganger

Algolagniaa


xxx/ellauri252.html on line 38:

margin-top:0%;margin-bottom:0%">Hans von Blixt


xxx/ellauri252.html on line 39:

margin-top:0%;margin-bottom:0%">Mondo Cane

Juopporemmejä


xxx/ellauri253.html on line 38:

margin-top:0%;margin-bottom:0%">UNTO
REMES


xxx/ellauri253.html on line 39:

margin-top:0%;margin-bottom:0%">KREMLIN
NYRKISTÄ

{span style="color:white;background-color:red"}2023{/span} Antisosiaalista


xxx/ellauri255.html on line 38:

margin-top:0%;margin-bottom:0%">Nasha Darya


xxx/ellauri255.html on line 39:

margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan

Russofobiaa


xxx/ellauri259.html on line 38:

margin-top:0%;margin-bottom:0%">Yrjö Larmola


xxx/ellauri259.html on line 39:

margin-top:0%;margin-bottom:0%">Vapauden ongelma

Poetic licenses


xxx/ellauri259.html on line 466: Freya huomasi olevansa naimisissa työnarkomaanin ja alkoholistin kanssa, Ranula kirjoittaa. Parin kihlaus oli purkaantunut 1903, jolloin molemmilla havaittiin syfilistartunta. Leinoa koskevassa kohdassa papereiden marginaaliin oli kirjoitettu: lueettinen krisiogastria (syfilisperäinen vatsasairaus). Kuppaan kaveri kai kuolikin, plus viinanlitkintään. Eino Leinon ensimmäinen avioliitto päättyi 1908. Kotona miestä ei juuri näkynyt. Ei edes kirjoituspöydän äärellä, sillä hän pystyi kirjoittamaan missä vain – jopa Hansassa.
xxx/ellauri261.html on line 38:

margin-top:0%;margin-bottom:0%">LIISA PARTANEN


xxx/ellauri261.html on line 39:

margin-top:0%;margin-bottom:0%">HYMINÄÄ

Ankaraa ilostelua


xxx/ellauri265.html on line 39:

margin-top:0%;margin-bottom:0%">Samuli Kukko


xxx/ellauri265.html on line 40:

margin-top:0%;margin-bottom:0%">PUHUKAA BANAANIIN

Kompsastuskiviä


xxx/ellauri268.html on line 38:

margin-top:0%;margin-bottom:0%">Kuinka valloittaa veitikka

Paritusta


xxx/ellauri268.html on line 39:

margin-top:0;margin-bottom:0%">Svetlana Moskovasta


xxx/ellauri268.html on line 490:
margin:1em">
xxx/ellauri273.html on line 38:

margin-top:0%;margin-bottom:0%">margin-left:3em">Veripalttua
margin-left:2em">Guate
margin-left:3em">malassa

Oikeistoketkuja


xxx/ellauri273.html on line 39:

margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias


xxx/ellauri280.html on line 36:

margin-bottom:0%">Ken Follett


xxx/ellauri280.html on line 37:

margin-top:0%;margin-bottom:0%">Joka kynsi halkesi

Kädetystä


xxx/ellauri281.html on line 36:

margin-bottom:0%">Postinen


xxx/ellauri281.html on line 37:

margin-top:0%;margin-bottom:0%">Påskägg

Pääsiäismunia


xxx/ellauri286.html on line 36:

margin-bottom:0%">Sofi Oxenan


xxx/ellauri286.html on line 37:

margin-top:0%;margin-bottom:0%">Stalinin lehmä

Herutusta


xxx/ellauri287.html on line 36:

margin-bottom:0%">H.V. MORTON


xxx/ellauri287.html on line 37:

margin-top:0%;margin-bottom:0%">PAAVALIN RENKAANJÄLJISSÄ

Mitä ihmettä?


xxx/ellauri287.html on line 312: On lisättävä, että nuoret tutkijat luopuvat voittomarginaalistaan. Luopukaa te hyödyttömästä liikunnasta ja ruokavalioista! Jos haluat hyödyntää hoitoa ja päästä eroon ylipainosta, klikkaa TÄSTÄ >>
xxx/ellauri289.html on line 36:

margin-bottom:0%">KERTTU JUVA


xxx/ellauri289.html on line 37:

margin-top:0%;margin-bottom:0%">MASULAN PERITA

Ihmiskauppaa


xxx/ellauri291.html on line 36:

margin-bottom:0%">ENSIARVOISEN TÄRKEÄÄ


xxx/ellauri291.html on line 37:

margin-top:0%;margin-bottom:0%">STAR TREK

Tähtireellä


xxx/ellauri292.html on line 36:

margin-bottom:0%">ST. PAUL


xxx/ellauri292.html on line 37:

margin-top:0%;margin-bottom:0%">FOTO OLIS KIVA YLLÄRI

Kirjeenvaihtoa


xxx/ellauri293.html on line 36:

margin-top:0%;margin-bottom:0%">ElvenaR

Eläinfantasioita


xxx/ellauri293.html on line 38:

margin-bottom:0%">Veljeni Leijonamieli


xxx/ellauri295.html on line 37:

margin-top:0%;margin-bottom:0%">Merlin


xxx/ellauri295.html on line 38:

margin-top:0%;margin-bottom:0%">Tintagel

Tingeltangelia


xxx/ellauri296.html on line 37:

margin-top:0%;margin-bottom:0%">JOSHUA


xxx/ellauri296.html on line 38:

margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA

Siionismia


xxx/ellauri298.html on line 37:

margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG


xxx/ellauri298.html on line 38:

margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI

Hullutusta


xxx/ellauri298.html on line 750: marginalisoitiin äärimmäisyyksiin. Campbell uskoi, että Eeva ja häntä kiusannut
xxx/ellauri303.html on line 37:

margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE

Harrasta pyllistelyä


xxx/ellauri303.html on line 38:

margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)


xxx/ellauri304.html on line 37:

margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys

Hävyttömän typerää


xxx/ellauri304.html on line 38:

margin-top:0%;margin-bottom:0%">Warren Murphy (writer)


xxx/ellauri305.html on line 37:

margin-top:0%;margin-bottom:0%">Теодор Драйзер


xxx/ellauri305.html on line 38:

margin-top:0%;margin-bottom:0%">Американская трагедия

Sonninsontaa


xxx/ellauri306.html on line 38:

margin-top:0%;margin-bottom:0%">Peter Schwartz (writer)


xxx/ellauri306.html on line 39:

margin-top:0%;margin-bottom:0%">Ilkeyden ylistys

Pelkkää törkyä


xxx/ellauri307.html on line 38:

margin-top:0%;margin-bottom:0%">Walt Disney


xxx/ellauri307.html on line 39:

margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA

Lisää törkyä


xxx/ellauri312.html on line 24:

margin-top:0%;margin-bottom:0%">Hummeripoika


xxx/ellauri312.html on line 25:

margin-top:0%;margin-bottom:0%">Syntymästä lautaselle

Nurinkurista


xxx/ellauri314.html on line 25:

margin-top:0%;margin-bottom:0%">Seng-Zan


xxx/ellauri314.html on line 26:

margin-top:0%;margin-bottom:0%">Känslor i kroppen

Tunnehälyä


xxx/ellauri319.html on line 33:

margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen


xxx/ellauri319.html on line 34:

margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho

Omituisia otuxia


xxx/ellauri320.html on line 25:

margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi

Omahoitoa


xxx/ellauri320.html on line 26:

margin-top:0%;margin-bottom:0%">"Haj" Ross


xxx/ellauri329.html on line 25:

margin-top:0%;margin-bottom:0%">David Bezogis


xxx/ellauri329.html on line 26:

margin-top:0%;margin-bottom:0%">Natasha
Mail order bride...

Housut pois hoitoa


xxx/ellauri337.html on line 37:

margin-top:0%;margin-bottom:0%">Heinrich Böll


xxx/ellauri337.html on line 38:

margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen

Antifaa


xxx/ellauri354.html on line 34:

margin-top:0%;margin-bottom:0%;padding-right:5%">Gabi
Garciá Márquez


xxx/ellauri354.html on line 35:

margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de
mis cojones tristes

Valkoisia valeita


xxx/ellauri356.html on line 34:

margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari


xxx/ellauri356.html on line 35:

margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni

Päänavauxia


xxx/ellauri357.html on line 34:

margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius


xxx/ellauri357.html on line 35:

margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN

Päänauontaa


xxx/ellauri358.html on line 34:

margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU


xxx/ellauri358.html on line 35:

margin-top:0%;margin-bottom:0">esittää


xxx/ellauri358.html on line 36:

margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">HALOT

Peukutusta


xxx/ellauri361.html on line 34:

margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa


xxx/ellauri361.html on line 35:

margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus

Profetioita


xxx/ellauri363.html on line 32:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannes Heikinheimo


xxx/ellauri363.html on line 33:

margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO

Xenofobiaa


xxx/ellauri366.html on line 34:

margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannu Mäkelä


xxx/ellauri366.html on line 35:

margin-top:0%;margin-bottom:0%">HERRA HUU

Pedofiliaa


xxx/ellauri376.html on line 30:

margin-top:0%;margin-bottom:0%">JAG, OLLE OCH PENSÉ

Muistolaattoja


xxx/ellauri376.html on line 32:

margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG


xxx/ellauri379.html on line 30:

margin-top:0%;margin-bottom:0%">Ford Coppola


xxx/ellauri379.html on line 32:

margin-top:0%;margin-bottom:0%">Pepun hajua

Peppurointia


xxx/ellauri380.html on line 30:

margin-top:0%;margin-bottom:0%">JALLU

Pyllyröintiä


xxx/ellauri380.html on line 32:

margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka


xxx/ellauri385.html on line 41:

margin-top:0%;margin-bottom:0%">Mötley Crüe

Törkyä


xxx/ellauri385.html on line 43:

margin-top:0%;margin-bottom:0%">törkyä


xxx/ellauri387.html on line 41:

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xxx/ellauri387.html on line 42:

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Sotaintoa


xxx/ellauri388.html on line 37:

margin-bottom:0%">Mika Waltari


xxx/ellauri388.html on line 38:

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Tumputusta


xxx/ellauri394.html on line 41:

margin-bottom:0%">Rei Shimura


xxx/ellauri394.html on line 42:

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Sutinaa


xxx/ellauri397.html on line 37:

margin-bottom:0%">Wolf Huber


xxx/ellauri397.html on line 38:

margin-top:0%;margin-bottom:0%">Ostentatio genitalium

Iltapäivä-ihinää


xxx/ellauri400.html on line 37:

margin-bottom:0%">Geoffrey Chaucer


xxx/ellauri400.html on line 38:

margin-top:0%;margin-bottom:0%">Kauppiaan tarina

Anglosaxintaa


xxx/ellauri404.html on line 37:

margin-bottom:0%">Shmert Tshuhnam


xxx/ellauri404.html on line 38:

margin-top:0%;margin-bottom:0%">FINNISH MEMBERS
GET HARD!!

Skeidaa netistä


xxx/ellauri407.html on line 37:

margin-bottom:0%">Viffi Brotherus


xxx/ellauri407.html on line 38:

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Lisää skeidaa netistä


xxx/ellauri407.html on line 46: margin:0 auto" alt="xxx" />
xxx/ellauri410.html on line 39:

margin:0%">RICHARD S.
PRATHER


xxx/ellauri410.html on line 41:

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margin:0%;text-align:right">LIHAAN

Hammastahnaa tuubiin


xxx/ellauri414.html on line 40:

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Yrjön yököttävää


xxx/ellauri414.html on line 41:

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xxx/ellauri415.html on line 40:

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xxx/ellauri415.html on line 41:

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Ortodoxiaa


xxx/ellauri415.html on line 61: Nevertheless, many Orthodox women feel conflicted about the extent to which Judaism is sex-positive. Yael, who poked a tent prop through Sisera's skull after a hasty lay, is one. “Some of those settings made it clear that as someone who looked like a woman, I was just a prop — not to be really seen or heard before or after copulation." Orthodox women and LGBTQ-identified people feel marginalized in Orthodox communities.
xxx/ellauri416.html on line 40:

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xxx/ellauri416.html on line 41:

margin-top:0%;margin-bottom:0%">Аміна

Puolikarkeaa


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xxx/ellauri417.html on line 41:

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xxx/ellauri417.html on line 42:

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Irtopäitä lentää


xxx/ellauri420.html on line 41:

margin-top:0%;margin-bottom:0%">Miss Mercy Nelson


xxx/ellauri420.html on line 42:

margin-top:0%;margin-bottom:0%">Consummation of the Levirate

Izesaastutusta


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