ellauri011.html on line 937: Samaan aikaan toisaalla ruipelo brassi kuulee sufipastorinsa neuvoja. Saavalin sumutuksen sana marssitetaan esiin: Sell your wisdom and buy a share with us for your soul to be filled with absolute nonsense. Because the wisdom of men and women is madness before God. Juurikin näin. Viisaus ja hulluus ei mahu samaan kalloon, siis viisaus ulos, hulluus tilalle. Hulluus on herran pelkoa.
ellauri048.html on line 1078: Given that no one has ever doubted that Tennyson had some sort of "disembodied, spiritualized passion" for Hallam, this conclusion comes as rather a painful anticlimax. Admittedly, Alf named his son Hallam after Hallam, the one who went to Australia. Of course, the fact that members of Tennyson´s family succumbed to madness, alcoholism, and drug addiction already has made some readers aware that, like so many other Victorians, he should be taken down from a pedestal and join the rest of us. But think of the stir if one the greatest poems of the nineteenth century, one which has major influence on poets as different as Whitman and Eliot, turned out to be chiefly a gay lover's lament! (What's wrong with that? There are zillions of others, better yet.) Tän apologian kirjoitti on George P. Landow, Professor of English and the History of Art, (fittingly) from Brown University.
ellauri051.html on line 1388: 788 Hot toward one I hate, ready in my madness to knife him, 788 Kuuma sellaista kohtaan, jota vihaan, valmiina hulluudessani veitsemään häntä,
ellauri061.html on line 603: QUEEN GERTRUDE This is mere madness: KUNINGATAR GERTRUDE: Tää on pelkkää hulluutta:
ellauri090.html on line 118: Guilt-ridden about his infatuation with Sophia, Rubião begins to worry that the deceased Quincas Borba has somehow transmigrated into his dog’s body. This anxiety is one of the first signs of Rubaio’s impending madness.
ellauri090.html on line 126: Palha’s business flourishes as Rubião’s wealth begins to dwindle. Rubião becomes subject to fits of madness, believing that he is Napoleon III of France. When Rubião gets into a carriage alone with Sophia, she thinks he is still attracted to her. She panics and orders him to get out. Thinking he is Napoleon III, Rubião treats Sophia as if she were the emperor’s mistress, but eventually he leaves the carriage.
ellauri090.html on line 130: For a time, Rubião’s friends accept his madness as he continues to provide meals and entertainment for them. Eventually, however, Rubião’s house falls into disrepair as his belief in himself as the emperor becomes constant. Doña Tonica becomes engaged to a man who dies before the wedding. Children on the street, including Deolindo, whose life Rubião had saved, make fun of him as a madman. Prodded by Doña Fernanda, a woman who barely knows Rubião, Sophia convinces Palha to set Rubião up in a little rented house on Principe Street. No one visits Rubião in his new humble residence. His former “friends” miss the luxury of Rubião’s wealthy surroundings in the house in Botafogo.
ellauri099.html on line 44: The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...
ellauri100.html on line 331: I have noticed that a leftist will accuse you of “hate” just for saying something contrary to the left-wing orthodoxy of the day. If you disagree with what I have to say here, but prefer to spew invective instead of offering a reasoned response, don’t bother to submit a comment — at least not until your rage has passed or your medication has taken effect. (My medication is working fine. It is curious how small the distance is between considered opinion and gobbledygook madness.) As it says in the sidebar, I will not publish incoherent, off-point, offensive, or abusive comments except my own. Nor will I lose any sleep for having denied you an outlet for your incoherence, irrelevance, offensiveness, or abusiveness. You can post it on your own blog or on any of the myriad, hate-filled, left-wing blogs that view murder as “choice,” government dictates as “liberty,” self-defense as a “war crime” (when it’s practiced by the U.S. or Israel), and the Constitution as a vehicle for implementing current left-wing orthodoxy.
ellauri132.html on line 202: Yet Vonnegut also punctuates his dystopia with humor. Even the most horrifying scenes are underlined by jokes or absurdity. When the news announcer is supposed to read a news bulletin he has to hand it to a nearby ballerina because of his speech impediment, and the ballerina then alters her voice to a "grackle squawk" because it would be "unfair" to use her natural voice, described as a "warm, luminous, timeless melody". This absurdity highlights the madness of the world of "Harrison Bergeron".
ellauri145.html on line 568: Is it possible that philosopher Friedrich Nietzsche faked his own madness for personal reasons that we may never know?
ellauri204.html on line 389: In The Odyssey, Odysseus and his crew land on Aeaea, and a team of scouts discover the palace of Circe, a witch goddess. Circe invites Odysseus’s men inside for a drink and then magically turns them into pigs. One man escapes to tell Odysseus about their comrades’ fate and Circe’s trickery. Odysseus bravely hopes to rescue his men from Circe’s enchantment; on the way to her house, Odysseus receives help from Hermes, who offers him a plan and equips him with moly, a magical herb that will protect him from Circe’s witchcraft. The plan works: the moly counters Circe’s magic, she swoons for Odysseus and transforms his crew from pigs back into men. Odysseus and Circe then make love. For a year. Finally, some of Odysseus’s crew shake him from the madness of his long Circean interlude and compel him to resume the journey home to Ithaca.
ellauri210.html on line 833: Tristan Tzara captured the inspired lunacy in his 1921 Dada Manifesto on Lukewarm Love. Marcel Duchamp’s “Readymades,” or Francis Picabia’s canvases of human figures as functionless machines belong here. Dada began as a limited franchise, with key outposts in Zurich, Berlin, Paris, and New York. Preceding the Surrealist movement by several years, and often inspired by the Communist Party (though not tied to it), its origins lay in a militant nostalgia for a pre-war lost Eden. Dadaists sought “an art based on fundamentals to cure the madness of the age and a new order of things that would restore the balance between heaven and hell." (Jean Arp).
ellauri241.html on line 228: To change; her elfin blood in madness ran, muuttua; hänen tonttuverensä hulluudessa juoksi,
ellauri241.html on line 1146: My madness impious; how beautiful thou art!
ellauri241.html on line 1155: From the clear moon, the trees, and coming madness.
ellauri241.html on line 1242: My lonely madness.
ellauri241.html on line 1305: Love's madness he had known:
ellauri351.html on line 456: Onko sorsakoiras mustasukkainen kun se menee gangbangin jälkeen viimeisenä vielä naaraan pukille? Onko koiraskarhu mustasukkainen kun se tappaa toisen koiraan köyrimät erauspoikaset? Onko matu mustasukkainen kun se sieppaa persun poikasen tai tappaa sen? Hulluhan se on. But there is method in his madness.
ellauri351.html on line 459: It is spoken by Polonius, the king’s advisor, in Act II, Scene 2. Hamlet has been behaving strangely since the death of his father, and Polonius believes that he is mad. However, Hamlet is actually pretending to be mad in order to buy himself time to carry out his revenge on his father’s killer, Claudius. Polonius is the first person to fall for Hamlet’s act. He believes that Hamlet is truly mad, and he tells Claudius about Hamlet’s strange behavior. Claudius is relieved to hear this, and he believes that Hamlet is no longer a threat. Hamlet’s plan works perfectly. He is able to gather evidence against Claudius, and he eventually succeeds in killing him. The idiom “method in his madness” refers to Hamlet’s clever plan to pretend to be mad in order to achieve his revenge.
ellauri362.html on line 745: Eventually, sleep intervenes, bringing a temporary respite from the madness. Intoxication fades, and reason gradually returns, but the lingering effects of alcohol continue to haunt the individuals involved. Some remain under its sway, unable to break free from its grip.
ellauri389.html on line 383: Almost immediately after his arrival at Nether Stowey, Lloyd was attacked by fits, the precursors of his subsequent madness, and Coleridge described his condition as alarming. He shortly afterwards went to London, where he cultivated the society of Lamb. This was the most afflicted period of Lamb's life. "I had well-nigh," he writes, "quarrelled with Charles Lloyd; and for no other reason, I believe, than that the good creature did all he could to make me happy." Two toothless bleaters.
xxx/ellauri013.html on line 1065: ...most unexpectedly I did come upon him a few hours before he gave up his arrogant ghost. Fortunately he was willing and able to talk between the choking fits of asthma, and his racked body writherd with malicious exultation at the bare thought of Jim. He exulted thus at the idea that he had "paid out the stuck-up beggar after all". He gloated over his action. I had to bear the sunken glare of his fierce crow-footed eyes if I wanted to know; and so I bore it, reflecting how much certain forms of evil are akin to madness, derived from intense egoism, inflamed by resistance, tearing the soul to pieces...
xxx/ellauri086.html on line 933: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri251.html on line 530: And madness risen from hell;
xxx/ellauri251.html on line 1074: And the leaves of it madness and scorn;
xxx/ellauri251.html on line 1451: That madness and the infatuate heart may breed
xxx/ellauri251.html on line 2330: For madness have ye given us and not health,
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