ellauri051.html on line 1108: 517 Voices of sexes and lusts, voices veil'd and I remove the veil, 517 Sukupuolten ja himojen ääniä, äänet verhottuja ja minä poistan verhon,
ellauri111.html on line 526: 2:3 Among whom also we ALL had our conversation in times past in the lusts of our flesh, fulfilling the desires of the flesh and of the mind; and were by nature the children of wrath, even as others.

ellauri111.html on line 609: 12 Let not sin therefore reign in your mortal body, that ye should obey it in the lusts thereof.

ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri222.html on line 683: The mother of Donald and Clem, Mrs. Tambow has remarried. She is handsome and dignified, with black curly hair and a pince nez. Clem teases her for being lecherous. He thinks his mother even lusts for Augie.
ellauri419.html on line 273: ISW skriver att framryckningarna i området tydligt visar att situationen vid fronten i alla fall inte är att betrakta som ett dödläge. Ur ett rent demagogiskt perspektiv så kan man hålla på ganska länge”, lovar tidigare överstelöjtnant Joakim Paasikivi om Ukrainas och Rysslands förlustsiffror i klippet. Men USA manar Ukraina att sänka mobiliseringsålder til 18 år. Annars blir det inga mer döda, och inga pengar längre. Pluspuolelle voi demopornografisesti laskea että itätyttöjen tarjonta lännessä on sodan jälkeen runsasta, ja hinnat alhaalla.
xxx/ellauri379.html on line 131: Character Analysis Kurtz's Native Mistress. The Congolese woman that rails against Kurtz's departure is a complete contrast to Kurtz's Intended. As the Intended is innocent and naïve, the native mistress is bold and powerful. Kurtz is a man of many lusts, and she embodies this part of his personality. She frightens the Harlequin because she finds him to be meddling with Kurtz too much; her threats to him eventually scare him into leaving the Inner Station.
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