ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that.
ellauri147.html on line 236: Pierre orders Mathieu to find him a new venue. Mindy agrees to emcee and sing at a drag bar two nights a week, but when she tells her employers, they fire her so she moves in with Emily. In need of a venue to launch his fashion show, Pierre hijacks the outside of his former venue to show his new look dress collection which the audience loves and makes him the toad of Fashion Week. To celebrate, Emily hosts a dinner at Gabriel´s restaurant for Mathieu and Pierre. The 3 mousketeers take turns at Mr. Collins´s back door.
ellauri147.html on line 444: She loves to collect mom´s traditional or old antique pieces.
ellauri150.html on line 631: Quintus cherishes Judah as a son (his own one died), and finally adopts him legally, naming him Young Arrius. Ben-Hur loves Quintus as well, is grateful but heads back to Judea almost immediately, not even waiting for the scheduled boat to take Pontius Pilate to Judea. There is no time to waste; four years have already passed.
ellauri151.html on line 87: Gertrude eventually gets an operation to repair her eyesight and, having gained the ability to see, realizes that she loves Jacques and not the pastor. However, in the meantime Jacques has renounced his love for her, converted to Catholicism and become a monk. Gertrude attempts suicide by jumping into a river, but this fails and she's rescued but luckily contracts pneumonia. She realizes that the pastor is an old man, and the man that punctured her when she was blind was Jacques. She tells the pastor this shortly before her death.
ellauri151.html on line 136: I call a pederast the man who, as the word indicates, falls in love with young boys. I call a sodomite ("The word is sodomite, sir," said Verlaine to the judge who asked him if it were true that he was a sodomist) the man whose desire is addressed to mature men. […] The pederasts, of whom I am one (why cannot I say this quite simply, without your immediately claiming to see a brag in my confession?), are much rarer, and the sodomites much more numerous, than I first thought. […] That such loves can spring up, that such relationships can be formed, it is not enough for me to say that this is natural; I maintain that it is good; each of the two finds exaltation, protection, a challenge in them; and I wonder whether it is for the youth or the elder man that they are more profitable.
ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.
ellauri152.html on line 589: In the movie, in a scene I despise, Avigdor grabs her and shakes her violently while demanding to know why, and the rest of the conversation plays out melodramatically with yelling and tears. Yentl confesses that she loves him, he realizes he loves her too, and they kiss. Avigdor asks her to marry him, and says she could continue studying in secret. Yentl refuses because she can’t go back to studying furtively in secret, despite how much she loves him. The two part, and Avigdor returns to Badass and marries her. They live happily ever after, and the film ends with Yentl on a ship to America, implying that she will be able to study Torah as a woman there.
ellauri152.html on line 622: And yet in other ways, the film can’t help preserving the queerness of the story despite itself. Barbra Streisand can add a song about how Yentl is just jealous of Badass for being a conventionally feminine woman whom Avigdor loves, but she can’t stop me from putting my grubby little bi hands all over her film, pointing at Yentl’s tortured gaze aimed at Badass, and saying “GAY.” And she certainly didn’t no-homo the interactions between Anshel and Avigdor very well, because they are in fact very yes-homo, and I will point and say “GAY” at that too.
ellauri152.html on line 675: "Whomever the dog loves, he chastens to let him know how to straighten his way. (Mezudat David)" (Mishlei 3:12). One is chastened by the dog so that no trace of sin remains lest it lessen the dog's love for that person, and it also increases one's humility, lest tranquility decrease one's fear of him. (Rabbenu Yona).
ellauri152.html on line 753: He considered the core of Hasidim to consist of three "loves": love of God, of Torah, and of Israel. Just as his intended audience consisted of assimilated Jews and non-Jews, he adopted novel formulations of these loves: "love of Torah" would come to encompass inspiring works of "secular" art and literature, while "love of Israel" would be transformed into "love of humanity" (despite which Israel would still be recognized as the "firstborn child of God"). Zeitlin's religious ideal also contained a socialist element: the Hasidim he pictured would refuse to take advantage of workers.
ellauri155.html on line 791: Calvin then addresses the mistaken notion that election removes human responsibility. Many today associate John Calvin with an aberration of his teaching called Hyper-Calvinism, which is a doctrine that emphasizes divine sovereignty to the exclusion of human responsibility. Among other things, Hyper-Calvinism would deny 1) that gospel invitations are to be delivered to all people without exception; 2) that men can be urged to come to Christ; and 3) that God has a universal love. To Calvin these teachings were monstrous distortions of truth. God really loves a lot also those he chucks into the recycle bin. Except Esau, whom he hates. Vitun karvakäsi.
ellauri156.html on line 249: Every time she loves me, man, she makes me scream
ellauri156.html on line 257: Every time she loves me, oh yes, I'm bound to scream
ellauri156.html on line 641: Bathsheba's response to the death of her husband is as we would expect, as we would also hope. From what the text tells us, she has absolutely no part in David's plot to deceive her husband, let alone to put him to death. Undoubtedly, she learns of Uriah's death in much the same way every war widow does, then or now. When she is officially informed of Uriah's death in battle, she mourns for her husband. We cannot be certain just how long this period of mourning is. We know, for example, that if a virgin of some distant (i.e., not Canaanite) nation was captured by an Israelite during a raid on her town, the Israelite could take her for a wife after she had mourned for her parents (who would have been killed in the raid) for a full month (Deuteronomy 21:10-13). As I will seek to show in a moment, I believe Bathsheba's mourning is genuine, and not hypocritical. I believe she mourns her husband's death because she loves him.
ellauri163.html on line 1027: yhtä toimiva.

Kitty loves me yes I know /
ellauri164.html on line 540: Whatever the reason for the drastic punishment, behold what grumbling does. It fuels discontent and bitterness. Be careful, fellow Christians; we can all succumb to the temptation to draw others into our anger, doubts, dissatisfaction, and fears. After all, misery loves company. Sharing concerns with friends is good and necessary, but this must be tempered by the knowledge that too much can harm them and us. A steady diet of grumbling is not good for anyone.
ellauri171.html on line 545: Hamor tries to placate them by telling them his son loves Dinah, and wants to marry her. Their relationship will be based on loyalty and trust, he implies. He speaks respectfully, and carefully includes the brothers in his discussion, making them a generous offer:
ellauri180.html on line 396: And laid her soiled gloves by, untied Pani tahriintuneet hanskat pois,
ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,
ellauri183.html on line 174: However, Kierkegaard's Abraham does not just provide a paradigm of religious faith. If he is an admirable figure in spite of his murderous intentions, this is because he confronz with courage the loss of the person whom he loves most dearly. According to Kierkegaard, Abraham is a hero not by virtue of his obedience to God's command, but because he maintains his relationship to Isaac after giving him up.

Jean Paul ja Emerson Fittipaldi on sen sanoneet: Suuri kirjailija on se joka osaa tehostaa izeänsä. No noi ei kai sitten osanneet. Yxin jumalaa on mahdoton pitää naurettavana, vai onko? onhan siinä paljon Niilo Visapään piirteitä. Minä tunsin maan uivan aluxena avaruuden sinistä valtamerta. Minä purjehdin keltaisella merellä. Onnettomuutesi, vanha veikko, on että olet akkamainen.
ellauri425.html on line 529: Europe, as a rule, loves Democrats as kindred quasi-socialists. But privately many Europeans assume their own security and prosperity do better when America is governed by conservatives. In the past, Europe has not been a fan of Donald Trump, both as president and as a pre- and post-presidency candidate. They fear that he is an isolationist, insufficiently diplomatic, not fully supportive of NATO, or too tariff-happy for their tastes — and are scared of his art-of-the-deal trolling to prompt woke-up calls.
ellauri471.html on line 354: Amerikkalaisten CIA jamppojen paakarikadulla syömät tuhatlehtiset olivat sensaatiomaisia. Se oli sentään hyvä että "Blackie" sai briteissä vizaa paljaalle pyllylle Koivuniemen herralta. Anthony "In God We" Trust on mikäli mahdollista vielä "Mustaa Pekkaa" pahempi. Tchernavin, Milosz, Kravchenko, Koestler, and 25 more. I speak for the silent: prisoners of the Soviets, the captive mind, I chose freedom, darkness at noon. In 2025 the nazi threat has moved to the Swamp. Anthony Trust loves tarts and teens like Epstein, Andrew and Trump. Anthony humps Hilda while "Blackie" nai halvempaa slight but voluptuous blondieta peitenimeltä Minerva. Hyi helkkari mikä rivo porsas tää hilsepää.
xxx/ellauri057.html on line 1073: Wang Wei: "Edistyksellinen" Tatu oli sikäli, että oli kiinnostunut freudilaisuudesta ennen kuin moni muu Suomessa. Tai oli yksi, Yrjö Kulovesi.
xxx/ellauri068.html on line 153: At the rally, the men appeal to Tutar, telling her that her dad will be killed unless she helps. She accepts and arranges an interview to seduce Giuliani, but without her father's participation. Borat talks with her babysitter and has a change of heart, realizing that he loves Tutar. After the interview, Giuliani and Tutar proceed to a bedroom before Borat intervenes and tries to personally offer sexual favors to Giuliani. Borat decides to face execution in Kazakhstan and Tutar promises to go with him.
xxx/ellauri076.html on line 203: Girls! Girls! Girls! is a 1962 Golden Globe-nominated American musical comedy film starring Elvis Presley as a penniless Hawaiian fisherman who loves his life on the sea and dreams of owning his own boat. "Return to Sender", which reached No. 2 on the Billboard pop singles chart, is featured in the film. The film opened at #1 on the Variety box office chart and finished the year at #19 on the year-end list of the top-grossing films of 1962. The film earned $2.6 million at the box office.
xxx/ellauri103.html on line 250: Thus in the world of identity politics, fiction writers better be careful. If we do choose to import representatives of protected groups, special rules apply. If a character happens to be black, they have to be treated with kid gloves, and never be placed in scenes that, taken out of context, might seem disrespectful. But that’s no way to write. We know that most criminals are black anyway, and many if not most blacks are criminal. Writing to hide that fact would be writing fiction, and we fiction writers have your responsibility toward the white audience. The burden is too great, the self-examination paralysing. The natural result of that kind of criticism in the Post is that next time I don’t use any black characters, lest they do or say anything that is short of perfectly admirable and lovely. (No ei munkaan olis pitänyt alottaa tätä albumia, jossa haukutaan törkimyxiä jotka sattuu olemaan naisia. Äkkiä se kääntyyy naisten haukkumisexi sillä tekosyyllä, että ne sattuu olemaan törkimyxiä. Ehkä se onkin sitä!)
xxx/ellauri103.html on line 294: Halfway through the novel, suddenly my protagonist has lost the right leg instead of the left one. My idea of lesbian sex is drawn from wooden internet porn. Efforts to persuasively enter the lives of others very different from us may fail: that’s a given. But maybe rather than having our heads taken off, we should get a few bucks for trying. After all, most fiction sucks. Most writing sucks. Mine does anyway. Most things that people make of any sort suck. But that doesn’t mean we shouldn’t make anything. Or that we should not suck. I do, however badly, and my drummer boy loves it.
xxx/ellauri138.html on line 64: Peppu Colemanin hahmossa, se jutkunekru, oli yxi minuuden pioneereista (italics in the original). Pienuuden minooreista. Minäminä yxilöpaskantelu on Rothin lemppareita. Sen se oli varmaan oppinut Emanuel James Rohnilta. Sen inhokkisanoja oli me (suomexi, enkuxi sen mielisana oli sama) ja setelissäkin lukeva e pluribus unum. Annuit coeptis. Novus ordo saeclorum. The phrase is similar to a Latin translation of a variation of Heraclitus's tenth fragment, "The one is made up of all things, and all things issue from the one" (ἐκ πάντων ἓν καὶ ἐξ ἑνὸς πάντα). But it seems more likely that the phrase refers to Cicero's paraphrase of Pythagoras in his De Officiis, as part of his discussion of basic family and social bonds as the origin of societies and states: "When each person loves the other as much as himself, it makes one out of many (unum fiat ex Pluribus), as Pythagoras wishes things to be in friendship." Mikähän jeesus sekin luuli olevansa. Jenkkien peitesana izekkyydelle on vapaus.
xxx/ellauri139.html on line 333: Farther away from the castle a man, Porphyro, who loves Madeline more than anything, is making his way to the house. He enters, unseen. If anyone finds him he knows that he will be killed. Madeline’s family hates him and holds his lineage against him. While sneaking through the house he comes upon Angela, one of the servants. He begs her to bring him to Madeline’s chamber so that he might show himself to her that night and solidify himself as her true love. After much complaining, she agrees and hides him until it is time.
xxx/ellauri139.html on line 406: And soft adorings from their loves receive Saattoivat saada munaa umpiunessa saatana,
xxx/ellauri148.html on line 209: The fifth house [in the heavenly Paradise] is built of onyx and jasper stones, and inlaid stones, and silver and gold, and good pure gold. And around it are rivers of balsam, and before its door flows the River Gihon. And [it has] a canopy of all trees of incense and good scent. And[in it are] beds of gold and silver, and embroidered garments. And there sits Messiah ben David and Elijah and Messiah ben Ephraim. And there is a canopy of incense trees as in the Sanctuary which Moses made in the desert. And all its vessels and pillars are of silver, its covering is gold, its seat is purple. And in it is Messiah ben David who loves Jerusalem. Elijah of blessed memory takes hold of his head, places it in his lap and holds it, and says to him: “Endure the sufferings and the sentence of your Master who makes you suffer because of the sin of Israel.” And thus it is written; He was wounded because of our transgressions, he was crushed because of our iniquities (Isaiah 53:5) until the time when the comes. (“Midrash Konen” BhM 2:29-30)[13]
xxx/ellauri176.html on line 530: Vaikkei fallisuus ole kummonenkaan tyyppi sinänsä, tähän vaiheeseen liittyvät iänikuiset isä-äiti komplexit, joita löytyy roppakaupalla saduista ja aikuisviihteestä. Milfejä bylsitään äidin sijasta ja setämiehet häärii pedofiileinä. Ihan mukaviahan nekin hommat ovat, varsinkin kun ne on kiellettyjä. During the phallic stage what the boy loves most is his penis. Harmi vaan että isällä on isompi ja äiti näyttää imevän sitä mieluummin. Isä ruuvaa irti kikkelin jos Shuco-auton avain häviää avaimenreiästä. Hence the boy develops castration anxiety. Tyttö on peniskade ja syyttää hännättömyydestä äitiään, mutta alistuu sitten äidin näyttämään sekundarooliin. Joopa joo.
xxx/ellauri179.html on line 153: The Lady Brett Ashley character is a British, charismatic, and independent woman with a drinking problem. She is the love of Kake's life and she loves him too, but she (and Kake) both see his impotence as a possible obstacle to a relationship as she leads a promiscuous life of romantic adventures. She is waiting to get divorced from the aristocrat from whom she got her title, and then plans to marry Mike Campbell. She is terminally unhappy and always wanting someone else. She falls in love with Romero at the bullfight and becomes his inspiration at the ring.
xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
xxx/ellauri199.html on line 642: Nöyrä sielu sen sanaa lempivä, The humble soul that loves His word,
xxx/ellauri199.html on line 980: Great to use on its own or as a companion book, Devotions for a Revolutionary Year expands on the themes of Lynn Cowell’s first book, His Revolutionary Love. In short, easy-to-read daily devotions, Lynn chats to girls about the challenges of growing up as a girl: identity and acceptance, breasts and pubic hair, rejection and rebellion, pads and tampons, and self-control and surrender. Through Scripture and stories any girl can relate to, Lynn Cowell encourages girls to remember that Jesus loves them and is harassing pursuing them every day—and that knowing his love day by day can make for one revolutionary year.
xxx/ellauri209.html on line 113:

Taifuuni lovessa