After respective separate visits to Conrad in August and September 1913, two British aristocrats, the socialite Lady Ottoline Morrell and the mathematician and philosopher Bertrand Russell — who were lovers at the time — recorded their impressions of the novelist. In her diary, Morrell wrote:
ellauri011.html on line 503: Paulin eka näytelmä opiskelijapudokkaana oli Peter Pan. Figures. Pauli pani kuni kani. Pani parastaan, yritti muitakin. Yrittänyttä ei laiteta, jos sitä panettaa. When you want something hard enough, the University conspires to make you hard enough. Latino lover oli sen levymenestyksen nimi.
ellauri035.html on line 151: A black-haired lover on the breasts of day.
ellauri035.html on line 451: A tirtha very holy, a lover's lake
ellauri037.html on line 278: the lovers reunited, the families reconciled,
ellauri039.html on line 355: Work currently in progress at the Mt Holyoke mental hospital is an ancient Japanese game involving paper, stone and scissors. The winning strategy in this game has been worked out by prof. Jokohama Kumahuta (Stanford): Take all three and bash them in the face of the long-nosed lover in prosperity and in adversity.
ellauri042.html on line 903: Must to thy motions lovers´ seasons run? Täytyykö rakastelun noudattaa sun aikataulua?
ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”.
ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:
ellauri048.html on line 1078: Given that no one has ever doubted that Tennyson had some sort of "disembodied, spiritualized passion" for Hallam, this conclusion comes as rather a painful anticlimax. Admittedly, Alf named his son Hallam after Hallam, the one who went to Australia. Of course, the fact that members of Tennyson´s family succumbed to madness, alcoholism, and drug addiction already has made some readers aware that, like so many other Victorians, he should be taken down from a pedestal and join the rest of us. But think of the stir if one the greatest poems of the nineteenth century, one which has major influence on poets as different as Whitman and Eliot, turned out to be chiefly a gay lover's lament! (What's wrong with that? There are zillions of others, better yet.) Tän apologian kirjoitti on George P. Landow, Professor of English and the History of Art, (fittingly) from Brown University.
ellauri048.html on line 1362: A happy lover who has come Iloinen rakastaja joka tuli
ellauri048.html on line 1434: To rest beneath the clover sod, Levätä koiranputken alla maassa,
ellauri051.html on line 414: The glow, the blush, the beating hearts of lovers, Hehkun, hiostuxen, rakastelijoiden tihentyneen sykkeen,
ellauri051.html on line 416: Love, that is all the earth to lovers--Love, that mocks time and Rakkaus, se on rakastelijoiden koko juttu -- se ei kazo aikaa eikä
ellauri051.html on line 651: and lovers, wannabe rakastajia,
ellauri051.html on line 742: 173 I jump from the cross-beams and seize the clover and timothy, 173 Hyppään yli laidan apilaan ja timoteihin,
ellauri051.html on line 1033: 445 Smile, for your lover comes. 445 Hymyile, sillä rakastajasi tulee.
ellauri051.html on line 1255: 658 I believe the soggy clods shall become lovers and lamps, 658 Uskon, että märkistä paakoista tulee rakastajia ja lamppuja,
ellauri051.html on line 1784: 1172 My lovers suffocate me, 1172 Rakastajani tukehduttavat minut,
ellauri051.html on line 1812: 1200 The great Camerado, the lover true for whom I pine will be there. 1200 Suuri Camerado, todellinen rakastaja, jota rakastan.
ellauri052.html on line 85: I find this judgement troubling. Certainly, one can agree that Herzog is lavish and intense. But through his eyes, we see women as very peculiar creatures. We meet a devotee of sex in Herzog’s lover, Ramona, the sad, enigmatic, emotionless pencils that are Valentine’s wife and Herzog’s first wife, and the castrating sex bomb that is Madeline. Very rarely do we feel that these characterisations are different from these characters’ reality—the novel seems to suggest that these women really are as limited as Herzog sees them.
ellauri052.html on line 87: And what is more regrettable still is how these same types reappear in Humboldt’s Gift. Citrine encounters three kinds of women in his travels: his lover Renata, a deceitful sexual priestess, Denise, his cold, hate-filled ex-wife, and a variety of leggy, doe-eyed students and secretaries.
ellauri052.html on line 956: Bellow was accused of being a “lousy” sexual performer, but was more convincingly called a passionate and virile lover. He even had a fling with his black cleaning lady, “about twice as tall as he was, and well built.” No hemmetti, kysyttiinkö siivoojalta miten mini Sale pärjäsi. Tais heiluttaa patonkia porttikonkissa.
ellauri052.html on line 958: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri053.html on line 952: Through which the lovers, Pyramus and Thisbe,
ellauri053.html on line 957: Through which the fearful lovers are to whisper.
ellauri053.html on line 1026: "I felt sure that some Being who comprehended me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is His as well as mine." He called this Being his Jivan devata (“The Lord of His Life”), a new conception of God as man’s intimate friend, lover, and beloved that was to play an important role in his subsequent work.
ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.
ellauri058.html on line 109: John oli nyt melkein pakokauhun vallassa pelosta että joku ympärillä istuvista kuulisi, millainen nigger lover minä olin. Ja se on pahin nimitys mitä etelässä ylipäänsä voi saada. Nykyään kävis myös alien lover. Tai mixei tree lover. Ne ei kyllä vie meitin töitä eikä raiskaa naisia.
ellauri058.html on line 117: Minnehaha is a fictional Native American woman documented in Henry Wadsworth Longfellow's 1855 epic poem The Song of Hiawatha. She is the lover of the titular protagonist Hiawatha and comes to a tragic end. The name, often said to mean "laughing water", literally translates to "waterfall" or "rapid water" in Dakota.
ellauri061.html on line 189: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. The play is set in Athens and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict between four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Populääri lue vulgääri. Niin aina.
ellauri061.html on line 201: August Wilhelm Schlegel työnsi myös lusikkansa soppaan. Schlegel perceived unity in the multiple plot lines. He noted that the donkey's head is not a random transformation, but reflects Bottom's true nature. Eli se oli oikeasti oikea aasi. Ovelaa. Hyvin ajateltu Robin! He identified the tale of Pyramus and Thisbe as a burlesque of the Athenian lovers.
ellauri061.html on line 1651: All lovers young, all lovers must Kaikki rakastajat, nuoret, vanhatkin
ellauri064.html on line 79: Benjamin maintained a fiercely productive focus on his intellectual mission throughout his life, despite repeatedly complaining of ‘grand-scale defeats’ and lows. After his request for divorce from Dora Pollak was granted in 1932, he suffered 10 paralysing days during which he seriously prepared suicide. Suicidal thoughts endured. He was an elegant, cultivated man who oozed old-world charm, exerting attraction on women but not always enough to give him cunt. Asja Lacis, the Latvian Communist Director of Children's Theatre in the USSR, twice refused, as did later lover Anna Maria Blaupot ten Cate. Lacis suffered relapsing mental illness and was hospitalised with hallucinations when Benjamin rushed to Moscow in 1926, at the brink of Stalinisation. His luminous Moscow Diary records his frustrating two-month experience.
ellauri065.html on line 514: 1. "le ironical" term used alot on 4chan to mock people using maymays (memes) often accompanied by the word "le" for extra effect. 2. a very sweet person who cares about all his close friends and family he may get in trouble a lot but he will never stop caring he is a humble strong and a person who just loves without showing it if you meet an ebin make sure you keep him close he is a good lover and great in bed with a lover take care of any ebin. 3. Someone who is afraid of legit every little frickin´ thing, also known as a wuss or pansy. 4. (Nzadi) (plural mbin) door Synonym: elaŋ.
ellauri066.html on line 450: Let them cry like cheated lovers, Huutakoot kuin petetyt
ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri071.html on line 107: During the run of The Vortex, Coward met Jack Wilson, an American stockbroker (later a director and producer), who became his business manager and lover. Wilson used his position to steal from Coward, but the playwright was in love and accepted both the larceny and Wilson's heavy drinking.
ellauri072.html on line 489: You find yourself thinking that you wouldn’t have wanted him as your brother or lover or close friend, though he would probably have been a very good neighbor, course instructor, A.A. sponsor, or fellow American. You feel, to be honest, repelled.
ellauri080.html on line 789: Gandhi cemented, for another generation, the attitude that women were simply creatures that could bring either pride or shame to the men who owned them. Again, the legacy lingers. India today, according to the World Economic Forum, finds itself towards the very bottom of the gender equality index. Indian social campaigners battle heroically against such patriarchy. They battle dowry deaths. They battle the honour killings of teenage lovers. They battle Aids. They battle female foeticide and the abandonment of new-born girls.
ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
ellauri088.html on line 601: It appeared that the song was not a comic song at all. It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit—I’m not quite sure of the details, but it was something very sad, I know. Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child. He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.
ellauri094.html on line 507: When thy lovers went heavily without heart, as men Kun sun katamiitit meni sydän kurkussa, kuin
ellauri094.html on line 555: And thy lovers that looked for thee, and that mourned from far, Ja sun katamiitit jotka haki sua joka paikasta,
ellauri095.html on line 248: Hopkins invites a comparison between his persona and Christina’s erstwhile lover, James Collinson, who also became a follower of the Pre-Raphaelites and convert to Catholicism and, for a while, a Jesuit. Eventually, by converting to Catholicism himself and joining the Society of Jesus, Hopkins exchanged the inferior position articulated in “A Voice from the World” for a superior one, superior at least in the sense that Christina Rossetti apparently felt that her sister Maria, who actually did cross the convent threshold and become a religious, had achieved a higher stage of religious development than she herself did.
ellauri096.html on line 567: Eräässä Ikoskan toisessa teoxessa naismainen "Lauri" ei ollutkaan homo vaan sarjaraiskaaja. "Lukija" eli "Anu" pettyi odotuxissa. Naismaisenhan pitäis olla Weibling. Todennäköisesti "Lauri" oli myös sarrjayrittäjä. Raiskauskin jäi yrityxexi kun se ei yrittänyt miehekkäämmin. Auktorisoitu peetee Aki Manninen ei ois antanut löylykauhan tulla onnen esteexi. Ei löylykauhalla voi edes lyödä kovaa muuta kuin löylyä. Paizi jos se on Haju Pisilän käsintekemä. Kyllä lessu aina jonkun lässyn lissun litistää tai kääntäen. Androgyyni "Lauri" ei ollutkaan katamaraani. Tai siis katamiitti. Katamiitti on etruskilainen Ganymedes, an attractive Trojan boy supposedly abducted to Mount Olympus by the god Zeus to become his cupbearer and lover.
ellauri096.html on line 781: In Edmund Spenser´s The Faerie Queene, book II, Acrasia, the embodiment of intemperance dwelling in the "Bower of Bliss", had the Circe-like capacity of transforming her lovers into monstrous animal shapes. Pitäs ja pitäs, mutta kun tekee mieli.
ellauri099.html on line 44: The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...
ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.
ellauri106.html on line 315: Republikaaneilla ei ollut ollut presidenttiä sitten vuoden 1933, jolloin Roosevelt oli kukistanut epäsuositun Herbert Hooverin. Puolueen ”big government” -ideologian vastainen kampanja oli raju. Siinä vastustettiin muun muassa korkeaa tuloveroa ja valtion puuttumista eri yhteiskunnan toimintoihin. Eisenhowerin sanottiin voittaneen vaalit naisten äänin, koska hänellä oli pitkän rasittavan kauden (pula-aika, toinen maailmansota, sitä seurannut työttömyys ja Korean sota) jälkeen parempia aikoja ennustanut hymy. Politiikan ulkopuolelta tuleminen ja sotasankarin maine olivat myös osa voiton avaimia.
ellauri106.html on line 636: Levov’s wife is as inconsolable as he is ― until she gets a facelift and uses it to attract a seedy lover.
ellauri107.html on line 146: I can’t be the first gay man to have been an older "straight" man’s mainstay. Philip had searched diligently for a beautiful young woman to see to him as Jane Eyre looked after old Mr. Rochester. What he got instead was me. The degree of attachment surprised us both. Were we lovers? Obviously not. Were we in love? Not exactly. But ours was a criminal conversation neither could have done without.
ellauri107.html on line 556: Aunt Maud and Kate return to London while Densher remains with Milly. Unfortunately, the dying girl learns from a former suitor of Kate's about the plot to get her money. She withdraws from Densher and her condition deteriorates. Densher sees her one last time before he leaves for London, where he eventually receives news of Milly's death. Milly does leave him a large amount of money despite everything. But Densher does not accept the money, and he will not marry Kate unless she also refuses the bequest. Conversely, if Kate chooses the money instead of him, Densher offers to make the bequest over to her in full. The lovers part on the novel's final page with a cryptic exclamation from Kate: "We shall never be again as we were!"
ellauri109.html on line 465: To Fuscus the city-lover I the country-lover Send greetings.
ellauri109.html on line 767: celadon (n.) "pale grayish-green color," 1768, from French Céladon , name of a character in the once-popular romance of "l'Astrée" by Honoré d'Urfé (1610); an insipidly sentimental lover who wore bright green clothes, he is named in turn after Celadon (Greek Keladon) , a character in Ovid's "Metamorphoses," whose name is said to mean "sounding with din or clamor."
ellauri111.html on line 261: “I suppose you know that jury trials were still quite an innovation in my time in Russia, so it’s no surprise that they produced some odd results. A clever lawyer could easily persuade a jury one way or another. Even when all the facts pointed to the guilt of the accused, even when it was admitted that, indeed, such-and-such a woman had attacked her lover’s wife with a razor with the intention of killing her, such-and-such a father had so violently beaten his seven-year old daughter with birch rods that even the neighbours were terrified by her screams, or such-and-such parents had treated their children like animals, keeping them in filthy conditions, and beating them with leather straps, again and again—each time our poor soft-hearted jurors concluded ‘Not guilty!’ Can you imagine? Of course, there is always an explanation, there are always attenuating circumstances, there can even be provocations, and the letter of the law may tell us this is not torture but simply punishment, the kind of punishment that, in those days, all good middle-class parents thought it right to mete out so as to give their children a sense of duty. The facts. The facts are the facts, but the truth once uttered is a lie, and even the facts can be put together in such a way as to turn even torture into well-meaning parental discipline.”
ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.
ellauri115.html on line 387: Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Épinay; her lover, the journalist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked... He sucked ideas from me, used them himself, and then affected to despise me".
ellauri115.html on line 402: Hume penned an unreserved panegyric to a clerical friend in Scotland comparing Rousseau to Socrates and, like a starry-eyed lover, seeing beauty in his adored one's blemishes: "I find him mild, and gentle and modest and good humoured ... M. Rousseau is of small stature; and would rather be ugly, had he not the finest physiognomy in the world, I mean, the most expressive countenance. His modesty seems not to be good manners but ignorance of his own excellence."
ellauri119.html on line 442: In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.
ellauri119.html on line 446: The term "free love" has been used to describe a social movement that rejects marriage, which is seen as a form of social bondage. The Free Love movement's initial goal was to separate the state from sexual matters such as marriage, birth control, and adultery. It claimed that such issues were the concern of the people involved, and no one else. Many people in the early 19th century believed that marriage was an important aspect of life to "fulfill earthly human happiness." Middle-class Americans wanted the home to be a place of stability in an uncertain world. This mentality created a vision of strongly defined gender roles, which provoked the advancement of the free love movement as a contrast. The term "sex radical" has been used interchangeably with the term "free lover". By whatever name, advocates had two strong beliefs: opposition to the idea of forceful sexual activity in a relationship and advocacy for a woman to use her body in any way that she pleases. These are also beliefs of Feminism. As St. Augustine put it: love God and then do as you please.
ellauri119.html on line 518: Examples of ludus in movies include Dangerous Liaisons [Okay!], Cruel Intentions, and Kids. Ludic lovers want to have as much fun as possible. When they are not seeking a stable relationship, they rarely or never become overly involved with one partner and often can have more than one partner at a time, in other words a school of partners. They don't reveal their true thoughts and feelings to their partner(s), especially if they think they can gain some kind of advantage over their partner(s). The expectation may also be that the partner(s) should also be similarly minded. If a relationship materializes it will be about having fun and indulging in activities of varying degrees of learnedness together. This love style carries the likelihood of infidelity. In its most extreme form, ludic love can become sexual addiction. No Lee's recognizable traits.
ellauri119.html on line 537: Manic lovers speak of their partners with possessives and superlatives, and they feel that they "need" their partners. This kind of love is expressed as a means of rescue, or a reinforcement of value. Manic lovers value finding a partner through chance without prior knowledge of their financial status, education, background, or personality traits. Insufficient expression of manic love by one's partner can cause one to perceive the partner as aloof, materialistic and detached. In excess, mania becomes obsession or codependency, and obsessed manic lovers can thus come across as being very possessive and jealous. One example from real life can be found in the unfortunate case of John Hinckley, Jr., a mentally disturbed individual who attempted to assassinate the incumbent US President Ronald Reagan due to a delusion that this would prompt the actress Jodie Foster to finally reciprocate his obsessive love.
ellauri119.html on line 591: The philosophy of love is a pretty listless field of social philosophy and ethics that attempts to explain the nature of love. The philosophical investigation of love includes the tasks of distinguishing between the various kinds of personal love, asking if and how love is or can be justified, asking what the value of love is, and what impact love has on the autonomy of both the lover and the beloved. Boooooring. Makes you yawn.
ellauri133.html on line 876: She was a chainsmoking agoraphobic polysubstance user with colitis and died of a stroke. She continued her literary work posthumously as a demonic lover.
ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
ellauri140.html on line 56: Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart, who wins a joust with Guyon. They separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegall because she is destined to marry him. The Redcrosse Knight defends Artegall and they meet Merlin, who explains more carefully Britomart's destiny to found the English monarchy. Britomart leaves and fights Sir Marinell. Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates them with a stick and meets Sir Scudamore, looking for his captured lady Amoret. Britomart alone is able to rescue Amoret from the wizard Busirane. Unfortunately, when they emerge from the castle Scudamore is gone. (The 1590 version with Books I–III depicts the lovers' happy reunion, but this was changed in the 1596 version which contained all sex books.)
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri140.html on line 84: Atte F-, a fiend from Hell disguised as a beautiful maiden. Ate opposes Book IV's virtue of friendship through spreading discord. She is aided in her task by Duessa, the female deceiver of Book I, whom Ate summoned from Hell. Ate and Duessa have fooled the false knights Blandamour and Paridell into taking them as lovers. Her name is possibly inspired by the Greek goddess of misfortune Atë, said to have been thrown from Heaven by Zeus, similar to the fallen angels. God Ate My Homework.
ellauri140.html on line 126: Scubamour M+, the lover of Amoret. His name means "Diving gear of love". This character is based on Sir James Scudamore, a jousting champion and courtier to Queen Elizabeth I. Scudamour loses his love of Amoret to the benefit of the sorcerer Busirane. Though the 1590 edition of The Faerie Queene has Scudamour united with Amoret through Britomart´s assistance, the continuation in Book IV has them separated, never to be reunited.
ellauri141.html on line 305: In Epode 11, the iambist regretfully recalls to his friend Pettius his infatuation with a girl named Inachia. The latter name does not occur elsewhere in extant Latin or Greek except in the very next poem in the Gedichtbuch, where the iambist’s older (ex-)lover complains of his sexual endurance with Inachia in contrast to his impotence with her (12.14-6). The name may suggest an ethnically Greek or Argive woman, or the Greek noms de lit regularly adopted by Italian meretrices. Yet, as some (but by no means all) commentators have noted, the name also evokes Io, the daughter of Inachus, jota Zeus bylsi härän hahmossa. Eli kyllä tässäkin yhden kynäilijän mielestä on jotain impotenssin käryä.
ellauri142.html on line 55: Markku's life changes after he becomes the sole heir to his father's vast estate, and his position in society is changed from that of an illegitimate son to the new Count Bezukhov. His inability to control his emotions and sexual passions lead him into a marriage with the vapid but sexually beautiful Princess Kristina, a match which her self-serving father, Prince Carl Erik, sets up to secure his access to Markku's newly acquired vast fortune. Kristina is not in love with Markku, and has affairs. From jealousy, Markku shoots his suspected lover, Dolokhov, in a duel. He is distraught at having committed such a crime and eventually separates from Kristina and then becomes a Freemason. His madhat escape into the city of Moscow and his subsequent obsessive belief that he is destined to be Napoleon’s mistress show his submission to irrational impulses. Yet his search for meaning in his life and for how to overcome his emotions are a central theme of the novel. He eventually finds love and marriage with Pirkko Hiekkala, becomes a ladies shoes salesman called Al Bundy and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three boys and one girl. Correction, one extremely good-looking platinum blonde girl and one about equally gifted son.
ellauri143.html on line 1524: To-day I nought possess but lovers' 'horse of palm'

ellauri144.html on line 410: And I am dumb to tell the lover´s tomb Ja mä olen mykkä kertomaan rakastajan kivelle
ellauri144.html on line 443: Though lovers be lost love shall not; Vaikka rakastavaiset katoo ei katoo rakkaus;
ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.

ellauri146.html on line 374: We had a quarrel, a lover's spat
ellauri146.html on line 646: The opinion has been often stated that Edgar Allan Poe was bizarre and amoral; that he was a lover of morbid beauty only; that he was unrelated to worldly circumstances-aloof from the affairs of the world; that his epitaph might well be: “Out of space-out of time.”
ellauri146.html on line 688: In a review of 1836 Poe referred to the “bigoted lover of abstract Democracy” and appealed to Americans to divert their minds “from that perpetual and unhealthy excitement about the forms and machinery” of government to a greater care of the results of government-“the happiness of a people.”
ellauri147.html on line 104: the beloved from the lover.
ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work.
ellauri150.html on line 484: Based on an 1880 novel, Ben-Hur: A Tale of the Christ, the film was directed by Hollywood great William Wyler, and screenwriter Gore Vidal was one of many who took a pass at the screenplay. In The Celluloid Closet, Vidal states in no uncertain terms that he scripted the film as a confrontation between ex-lovers Ben-Hur (Charlton Heston) and Messala (Stephen Boyd). Further, Vidal claims that, after consultation with Wyler and Boyd (but not Heston, who would have objected), he wrote one particular scene, where the estranged Ben-Hur and Messala meet again, with heavy gay subtext.
ellauri160.html on line 48: When you, my lover, on a bamboo horse, You came by on bamboo stilts, playing horse,
ellauri160.html on line 148: Through the Shakespears, he was introduced to the poet W. B. Yeats, Olivia Shakespear's former lover. He had already sent Yeats a copy of A Lume Spento, and Yeats had apparently found it "charming".
ellauri180.html on line 382: ‘Porphyria’s Lover’ is one of Browning’s first great poems, written when he was in his early twenties. It is also one of the first great dramatic monologues in English verse, the 1830s being the decade in which Browning and Tennyson developed the genre, penning a series of classic poems which see the poet adopting a persona and ‘staging’ a soliloquy given by an (often unreliable) speaker. Here, the speaker is the titular lover of the girl, Porphyria. Before we proceed to an analysis of ‘Porphyria’s Lover’, here’s a reminder of Browning’s poem. (Se mainittiin Gently-poliisisarjassa yhden koulun pulpettia vasten naidun tupeeratun 60-luvun teinin mielirunona.)
ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,
ellauri180.html on line 450: In other words, her pride, and knowing that she is higher than her lowborn lover on the social scale and so cannot marry him, prevents her from giving herself to him altogether. He is just her ‘bit of rough’, to use the more modern idiom. Calmly, and determined to possess Porphyria utterly, even if it means killing her in order to do so, the speaker strangles Porphyria with her hair, wrapping it around her neck three times and wringing the life from her. In death, she remains forever his.
ellauri182.html on line 118: Specifically, after ordering katsudon (fried pork served over rice), Mikage has a revelation with regard to Yuichi. The katsudon becomes more than just a meal, it is a means to reach out to Yuichi, to relate to him, to acknowledge both Mikage’s and Yuichi’s connectedness as two obese lovers starving under the same night sky.
ellauri184.html on line 50: Neiti Mallory kertoo tästä lisää: "Norman was an oxymoron — an overweight senior citizen who was one of the best lovers I ever had." Mallory writes that Mailer never had erectile dysfunction: "Not once. Not in nine years..." Vanhasta Naahumista tulee mieleen Norssin voimistelunopettaja Lahtinen ja Star Warsin Yoda. “Each week he’d want to play a new game . . . doctor, manicurist, masseur, Hollywood director (that was his favorite).” “When our relationship ended, I realized that . . . Norman had never been on my team and had been slandering my writing and me behind my back.”
ellauri189.html on line 256: Iga rated it did not like it Oct 27. It was only after his death that critics realized the originality of Mary, by Malczeski – released in 1825 – that it was in fact the first Polish narrative poem. The injury of an ankle, which Malczewski had sustained defending his lover’s good name, destroyed the writer’s military career; the injury returned and he could not participate in Napoleon’s campaign against Russia in 1812.
ellauri190.html on line 245: On Easter Sunday of the year 1168, a savage warlord from the Volga region, called Andrei (cynically nicknamed Bogolubsky, i.e. “God-lover”) and his horde of Finno-Ugric tribesmen (damn those Finns!) sacked and burned Kyiv to the ground. Most Kyivites were massacred. The barbarians robbed churches, even ripping off slices of gold from their domes (something that Genghiside Mongolians later never did, they were gentlemen). They stole, among others, one most precious and revered icon of the Most Holy Mother of God from a church in the Berestovo village just south of Kyiv, taking it to their land and pretending, for centuries to follow, that it was theirs. This icon to this day is known as Матерь Божья Владимирская, “the Mother of God of Vladimir-on-Klyazyma,” as if it was painted in that savage place. The 1168 massacre marked the beginning of the “brotherly” relationship between the Ukrainian people and what is now known as “Russians” (русские, not to be confused with Rusyns-Rusychi-Ukrainians). Kyiv was hit so hard that it did not fully recover for the next ~200 years. When the Mongols under Khan Batu came in 1240, Kyiv was still not fully repopulated or rebuilt, and fell a relatively easy prey to the Asian conquerors.
ellauri192.html on line 305: “The subject of my book [‘The Books of Jacob’] — a multicultural Poland — was not comfortable for proponents of this new version of history,” Tokarczuk told PEN Transmissions, a journal run by the English iteration of PEN, in May, 2018. She was taken by surprise by the amount of rage the book provoked — not to mention her comment on receiving the Nike sneakers. But rather than retreat, she has continued to speak out on behalf of the communities she sees her government as wishing to sideline. In a January op-ed for The New York Times following a Polish radical’s on-air murder of the open-minded young Gdansk mayor Pawel Adamowicz, Tokarczuk wrote of a Polish populist narrative that “scapegoats… the so-called crazy leftists, queer-lovers, Germans, Jews, European Union puppets, feminists, liberals and anyone who supports immigrants.”
ellauri198.html on line 917: Pauline: A Fragment of a Confession (also known as Pauline) is the first published poem by Robert Browning. It was written in 1832, and published anonymously in 1833. The poem is the confession of an unnamed poet to his lover, the eponymous woman. It was first reprinted in 1868 with no alterations to the text.
ellauri203.html on line 131: Dostoevsky was a brilliant mind but plagued by his own demons. Married twice, he also had multiple lovers. In addition, for a great portion of his life he was a gambling addict, regularly losing everything he owned and jeopardizing his family thanks to his passion for roulette. His women say he was a nasty customer.
ellauri203.html on line 221: The pair were connected by common suffering, rather than fondness, and Dostoevsky was to base the character of Natasha from Humiliated and Insulted (1861) on his first wife. Like Isaeva, Natasha is prone to tormenting her lovers.
ellauri203.html on line 223: Dostoevsky met the young Appolinaria Suslova during one of his public readings. At 42, he was two decades older than her. She was attractive, alluring and shared his literary taste and physical passion. Despite this, he could not give her everything she wanted; as Dostoevsky was still married, he conducted a secret affair with Suslova, but she took other lovers and left him. She returned two years later, but was not the same inexperienced young woman and refused to marry the great writer.
ellauri203.html on line 316: A bee circles a clover, Viimeinen mehiläinen kiertää viimeistä apilaa,
ellauri203.html on line 695: Lewis is married, with children, and lives in Hastings, with a holiday apartment in Bad Ischl, Austria. He is a lover of good art and bullfighting. Mä luulen että se ajattelee olevansa vähän kuin Ernest Hemingway.
ellauri210.html on line 379: At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, and never returned to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. What an opportunity for a man of his caliber, one would have thought.
ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor.
ellauri222.html on line 183: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French.
ellauri222.html on line 463: Hooker Frazer is Mimi’s lover and the father of her unborn child. When Augie first meets him, Frazer is a graduate assistant in political science, a Communist intellectual. Later, he is in Mexico working as a secretary for the exiled Leon Trotsky, and in China working as an intelligence agent. Finally, Augie meets him in Paris, where he is working for the World Educational Fund. Augie greatly admires Frazer’s prodigious intellect.
ellauri222.html on line 467: Sophie Geratis is a beautiful Greek girl who works as a chambermaid. Augie meets her when he is working as a union organizer, and the two become lovers. Sophie is engaged to someone else and Augie leaves her to go with Thea. They reunite later, but Augie leaves her again for Stella.
ellauri222.html on line 571: Harold Mintouchian is a wealthy, distinguished Armenian lawyer and international businessman who is the married lover of a friend of Stella’s and becomes a close friend and mentor of Augie. At the end of the novel, Augie works for him as a black market trader in Europe. Augie looks up to the older man as “a sage, prophet, or guru, a prince of experience with his jewel toes” and seeks his wisdom. Mintouchian, who has seen much of the darker side of human nature through his law practice, has more realistic ideas than the love-bitten Augie about what to expect from human relationships. Secrecy and lies, he tells Augie, are unavoidable. “Mind you, I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” He confesses to Augie that his mistress, Agnes, is keeping secrets from him, while he is keeping secrets from his wife.
ellauri222.html on line 667: Talavera is a handsome young Mexican whose father owns the taxi service in Acatla. He hangs around Augie and Thea. Augie later learns that he was a former lover of Thea’s.
ellauri222.html on line 888: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
ellauri223.html on line 224: The well-connected antiquary John Aubrey noted in his Brief Lives concerning Bacon, "He was a Pederast. His Ganimeds and Favourites tooke Bribes". ("Pederast" in Renaissance diction meant generally "homosexual" rather than specifically a lover of minors; "ganimed" derives from the mythical prince abducted by Zeus to be his cup-bearer and bed warmer.)
ellauri240.html on line 61: Another Jewish woman, Nora Barnacle burned most of the letters she received in 1909 from her lover who signed his name, “Jim.” But she didn’t destroy all of them. Indeed, they have survived all these years. In one of them, Jim, aka James Joyce, wrote to his muse whom he called his “little fuckbird,” “Fuck me, darling, in as many ways as your lust will suggest.” He went on and on: ”Fuck me dressed in your full outdoor costume with your hat and veil on, your face flushed with the cold and wind and rain and your boots muddy.” Sellaisia ne miehet on, koprofiilejä.
ellauri240.html on line 84: A truly astonishing and original work of fiction indeed. It is a story of one man, a writer, who is born, who grows, who loves, who stops loving; who eats, sleeps, smokes, lies, boozes, cheats, regrets, has sex, has dreams, and lives. In short yet intimately detailed chapters, each covering a single aspect of his life from youth through old age, we get to know this person fully through the small yet telling incidents that make him who he is. He remembers the butt of a cigarette, the feel of his army uniform, the taste of a lover, the strange and unexpected touch of a college professor’s hand, and so many more small experiences that can never be shaken off more than a recalcitrant band-aid.
ellauri241.html on line 49: It is only after Fanny receives a valentine from Brown that Keats passionately confronts them and asks if they are lovers. Brown sent the valentine in jest, but warns Keats that Fanny is a mere flirt playing a game. Fanny is hurt by Brown's accusations and Keats' lack of faith in her; she ends their lessons and leaves. The Dilkes move to Westminster in the spring, leaving the Brawne family their half of the house and six months rent. Fanny and Keats then resume their interaction and fall deeply (ca. 6 inches) in love. The relationship comes to an abrupt end when Brown departs with Keats for his summer holiday, where Keats may earn some money. Fanny is heartbroken, though she is comforted by Keats' love letters. When the men return in the autumn, Fanny's mother voices her concern that Fanny's attachment to the poet will hinder her from being courted. Fanny and Keats secretly become engaged.
ellauri241.html on line 53: In the last moments of the film, Fanny cuts her hair in an act of mourning, dons black attire, and walks the snowy paths that Keats had walked many times. It is there that she recites the love sonnet that he had written for her, called "Bright Star", as she grieves the death of her consumptive unconsummated lover.
ellauri241.html on line 185: Of all these lovers, and she grieved so kiitos näiden wannabe rakastajien, voi vittu, ja hän suri, joten
ellauri241.html on line 225: Nor grew they pale, as mortal lovers do. He eivät myöskään kalvenneet, kuten kuolevaiset rakastavat.
ellauri244.html on line 435: Mia Faye is a romance addict who lives for the joy of entertaining her readers with her novels. She loves to hear from you via social media or via mail: miafayebooks@gmail.com ... "On His Desk" from bestselling author Mia Faye is a stand-alone second chance romance, between enemies who become lovers, with a baby surprise and a guaranteed HEA ...
ellauri244.html on line 609: Things began to change in Paris after meeting Anaïs Nin, 12 years his junior, who, with Hugh Guiler, went on to pay his entire way through the 1930s including the rent for an apartment at 18 Villa Seurat. Nin became his lover and financed the first printing of Tropic of Cancer in 1934 with money from Otto Rank. His works contain detailed accounts of sexual experiences. Sitä koitin vähän lukea mutta oli liian hapokasta, ei pystynyt.
ellauri247.html on line 286: CICISBEO: In 18th- and 19th-century Italy, the cicisbeo (Italian: [tʃitʃiˈzbɛːo]; plural: cicisbei) or cavalier servente (French: chevalier servant) was the man who was the professed gallant or lover of a woman married to someone else. With the knowledge and consent of the husband, the cicisbeo attended his mistress at public entertainments, to church and other occasions, and had privileged access to this woman. The arrangement is comparable to the Spanish cortejo or estrecho and, to a lesser degree, to the French petit-maître.,(petit-maître m (plural petits-maîtres) (archaic) dandy, coxcomb). The exact etymology of the word is unknown; some evidence suggests it originally meant "in a whisper" (perhaps an onomatopeic word). Other accounts suggest it is an inversion of bel cece, which means "beautiful chick (pea)". According to the Oxford English Dictionary, the first recorded usage of the term in English was found in a letter by Lady Mary Wortley Montagu dated 1718. The term appears in Italian in Giovanni Maria Muti's Quaresimale Del Padre Maestro Fra Giovanni Maria Muti De Predicatori of 1708 (p. 734).
ellauri247.html on line 423: Linda Marshall - Not entirely true; Pope was smitten with LMWM but she rejected his advances (in fact she laughed at him because he was a cripple). After that he became a bitter enemies and both Pope and Lady Mary wrote vicious satirical poems about each other! But I´m a huge admirer of Pope´s work and as usual it´s superbly written. Although he never married, he had many female friends to whom he wrote witty letters, including Lady Mary Wortley Montagu. It has been alleged that his lifelong friend Martha Blount was his lover. His friend William Cheselden said, according to Joseph Spence, "I could give a more particular account of Mr. Pope's health than perhaps any man. Cibber's slander (of carnosity, abrmal fleshy protrusion growing on any part of the body) is false. He had been gay, but left that way of life upon his acquaintance with Mrs. B."
ellauri254.html on line 427: God (Gott) sends Death (Tod) to summon the rich bon viveur Everyman (Jedermann) who is then abandoned by his friends, his wealth and his lover (Buhlschaft).
ellauri262.html on line 173: Were they lovers? Owen Barfield, who knew Jack well in the 1920s, once said that he thought the likelihood was "fifty-sixty". After conversations with Mrs. Moore's daughter, Maureen, and a consideration of the way in which their bedrooms were arranged at The Kilns, he was quite certain that they were.
ellauri263.html on line 658: Jenkki Olcott ei siitä pitänyt, eikä rupusakin vulgäärispiritualismista. Olcott railed against ‘tricky mediums, lying spirits, and revolting social theories’ in Spiritualism. He reproached spiritualism for the presence of ‘free-lovers, pantarchists, socialists, and other theorists who have fastened upon a sublime and pure faith as barnacles upon a ship’s bottom’. Blavatsky, on the other hand, focused exclusively on the uplifting of oneself rather than others. She did not sympathize with socialism per se at all, and in her scrapbook she even wrote about Sotheran: ‘a friend of Communists
ellauri270.html on line 242: "A Warning for Married Women" tells the story of Jane Reynolds and her lover James Harris, with whom she exchanged a promise of marriage. He is pressed as a sailor before the wedding takes place and Jane faithfully awaits his return for three years, but when she learns of his death at sea, she agrees to marry a local carpenter. Jane gives birth to three children and for four years the couple lives a happy life. One night, when the carpenter is away, the spirit of James Harris appears. He tries to convince Jane to keep her oath and run away with him. At first she is reluctant to do so, because of her husband and their children, but ultimately she succumbs to the ghost's pleas, letting herself be persuaded by his tales of rejecting the royal daughter's hand and assurance that he has the means to support her – namely, a fleet of seven ships. The pair then leaves England, never to be seen again, and the carpenter commits suicide upon learning that his wife is gone. The broadside ends with a mention that although the children were orphaned, the heavenly powers will provide for them.
ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover.
ellauri274.html on line 546: 2:08:30 так начиная с этого года Российские компании могут уменьшить выплаты по налогу на прибыль если закупают 2:08:30 joten tästä vuodesta alkaen venäläiset yritykset voivat alentaa tuloveroa ostaessaan
ellauri278.html on line 181:

Stalin bylsi 13-vuotiasta. Lidia Pereprygina oli 13-vuotias, kun hän tapasi Stalinin. Lidia became Stalin's lover when he was exiled to the remote Siberian village Kureika. Vuonna 1914 Venäjän keisari karkotti Stalinin Siperiaan vallankumouksellisesta toiminnasta. Stalin oli tuolloin 35-vuotias. Lidia tuli raskaaksi, mutta lapsi syntyi kuolleena. Toisella yrityxellä hän tuli uudelleen raskaaksi, mutta kun poika Aleksandr syntyi vuonna 1917, Stalin oli jo kaukana.
ellauri281.html on line 181: Siberian pensioner IS grandson of Josef Stalin, DNA test reveals. Yury Davydov, 67, gets proof of his roots after years of waiting: his grandmother was Stalin's 14 year old lover. Stalin a Pedo? what has the world come to?
ellauri285.html on line 377: By OTAHEITEAN lover ! et pitäisi TAHITIN pederasti!
ellauri297.html on line 629: Heidän avioliittonsa oli vähintäänkin epätavallinen. Sopimus laadittiin yksityiskohtaisesti heidän tulojensa jakautumisesta - Shaw oli odottanut naimisiinmenoa, kunnes hän ansaitsi tarpeeksi rahaa, jotta ei näyttäisi siltä, ​​että hän meni naimisiin rahan vuoksi - ja näytelmäkirjailija kieltäytyi myöhemmin jättämästä yhteistä tuloveroilmoitusta väittäen. että oli nöyryyttävää vaimoa, jolla on omat tulonsa, kohdella miehensä lisäkkeenä. Lisäksi Charlotte, joka ei halunnut synnyttää lapsia, vaati, ettei avioliittoa koskaan täytetä. Se oli järjestely, jonka ilmeisesti hyväksyi myös Shaw, piintynyt tumputtaja.
ellauri300.html on line 558: The lovers cried, and the poets dreamed
ellauri310.html on line 637: Vuonna 1982 Moon tuomittiin Yhdysvalloissa väärien liittovaltion tuloveroilmoitusten jättämisestä ja salaliitosta. Hänen tuomionsa vahvistettiin valituksessa jaetulla päätöksellä. Moon sai 18 kuukauden vankeusrangaistuksen ja 15 000 dollarin sakon. Hän suoritti tuomiosta 13 kuukautta Danburyn liittovaltion vankeuslaitoksessa, ennen kuin hänet vapautettiin hyvän käytöksen vuoksi hänen pyllistäessään paraikaa sellikavereille. Vankeusrangaistuksensa jälkeen Moon alkoi kutsua itseään ihmiskunnan Messiaaksi ja myönsi itselleen virallisesti "Messiaan" tittelin vuonna 1992. "Rumimmat asiat tässä kauniissa Amerikan maassa ovat uskonnollinen kiihkoilu ja rasismi. Joten, valitaan tällä kertaa presidentti neekerirodusta!"
ellauri315.html on line 53: Tuloveroja, yritysveroja, autoveroa ja sähköveroa on alennettava, jotta Suomen kilpailukyky paranee.
ellauri332.html on line 402: In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her? Or without perhaps?
ellauri342.html on line 493: Only by a lover. Vain lemmittysi.
ellauri342.html on line 527: To their shoulders, chained to lovers Olkapäille, rakastajiin kytkettyinä
ellauri345.html on line 621: Lütjenburg on kaupunki Plönin piirikunnassa Schleswig-Holsteinin osavaltiossa pohjoisimmassa Saksassa. Kielin itäpuolella sijaitseva Lütjenburg on Amt Lütjenburgin hallintokaupunki. Amt Lütjenburg on suhteellisen harvaanasuttu hallinnollinen alue Plönin piirikunnan koillisosassa, sen väkiluku on noin 15 000 (2019). Kolmikymmenvuotisen sodan aikana 1643 Lütjenburg maksoi ruotsalaiselle Lennart Torstenssonille 1 000 taaleria (Reichstaler) niin kutsuttua paloveroa. Palovero eli sotavero tarkoittaa vihollisen valtaamiltaan alueilta verona ottamaa omaisuutta. Se tarkoitti vakuutusta tulipaloilta, eli ettei ko. vihollinen sytyttänyt taloa tai kylää tuleen. Paloveroa ovat kantaneet niin venäläiset ruotsalaiset kuin tanskalaisetkin.
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri362.html on line 225: Vaik olet ryntäikäs, et löydä kaltaistani toista, Though fair be thy form, thou no lovers wilt find,
ellauri370.html on line 658: Vankkumattoman konservatiivinen Stoecker oli huolissaan tavasta, jolla köyhät ja työväenluokka äänestivät "jumalatonta" sosiaalidemokraattista puoluetta (SDP), ja vastustaakseen SDP:n kasvua hän perusti kristillisdemokraatisen puolueen vuonna 1878. Puolue oli vihamielinen ammattiliittoja kohtaan ja tuki tuloveroja sekä olemassa olevaa yhteiskuntarakennetta, jossa junkkerit hallitsivat Preussia. Jumala, Stoecker sanoi, uskoi että kapitalistisen järjestelmän sortovalta vieraannutti työläiset oikeasta, Jumalan tarkoittamasta suunnasta, ja tarvittiin sosiaalisia uudistuksia vallankumouksen pysäyttämiseksi. Stoeckerin mielestä sellaisia sosiaalisia uudistuksia oli työntekijöiden houkutteleminen uskollisuuteen "valtaistuimelle ja alttarille", sillä Stoecker väitti, että työläisten kurjuus johtui materialistisesta, ateistisesta maailmankuvasta, joka oli repinyt työväenluokkaa. sen oikeasta kunnioituksesta Jumalaa ja luotua yhteiskuntajärjestystä kohtaan. Hölmö saksalainen työväenluokka ei lotkauttanut korvaansa Stoeckerin viestille. Se halusi enimmäkseen korkeampaa elintasoa ja demokratiaa, ja toivoi ettei heille kerrottaisi, että heidän velvollisuutensa kristittyinä oli tyytyä osaansa. Tämä viesti rajoitti voimakkaasti hänen vetovoimaansa työväenluokkaan.
ellauri371.html on line 260: "Näytetään niille politiikassa." Tänään aloitan siitä että toistan sen, mitä on jo sanottu, ja pyydän teitä muistamaan sen: hallitukset ja kansat ovat tyytyväisiä politiikkaan pröystäilevään. Ja mistä heidän pitäisi katsoa vaatteiden vuoria? Syödä kaalikeittoa, kun heidän edustajilleen on tärkeintä pitää hauskaa, kaada izelles vaan. On erittäin tärkeää, että politiikkamme tietää tämän yksityiskohdan: se auttaa meitä siirryttäessä tuomio vallanjaosta, sananvapaus, lehdistönvapaus, uskonnot (uskot), yhdistymisoikeudet, yhdenvertaisuus talouden edessä, omaisuuden koskemattomuus, koti, vero, (ajatus piiloverosta), taannehtiva laki, Kazo uusixi minä olen tekevä kaikki. Uusixi. Kaikki nämä kysymykset ovat sellaisia, että ne ovat suoraan ja peitetty ihmisten puolesta ei saa koskaan koskea. Въ niissä tapauksissa, joissa on tarpeen koskea niitä, se on välttämätöntä. Älä luettele niitä, vaan kerro ne yksityiskohtaisesti. Toivon, että nykyaikaisen oikeuden periaatteet tunnustetaan meille. Tämän hiljaisuuden merkitys on se että nimeämätön periaate jättää meille vapauden toimia, on mahdotonta hyväksyä jommankumman poissulkemista siitä - Mutta; kun ne luetellaan, ne kaikki näyttävät siltä jo annettu.
ellauri383.html on line 346: And lusted after her lovers there, whose members were like those of donkeys, and whose issue was like that of horses. (Now this was helpful!)
ellauri383.html on line 394: But understand this, that in the last days there will come times of difficulty. For people will be lovers of self, lovers of money, proud, arrogant, abusive, disobedient to their parents, ungrateful, unholy, heartless, unappeasable, slanderous, without self-control, brutal, not loving good, treacherous, reckless, swollen with conceit, lovers of pleasure rather than lovers of God, having the appearance of godliness, but denying its power. Avoid such people....
ellauri389.html on line 477: Otsikko How happy are young lovers on peräisin balladista The Hajamielinen merimies; jonka kopio on Douce-kokoelmassa ja toinen sisällä että herra J. M. Gutch. Jälkimmäisessä kopiossa sen sanotaan olevan Wliatin säveleen ilman suurempaa iloa tai nautintoa, joka kuljettaa ilmaa askeleen taaksepäin. The Distracted Sailor on pitkä kymmenen säkeistöä sisältävä balladi. Seuraavat ovat kaksi ensimmäistä: -
ellauri389.html on line 488: Tällä sävelellä laulettiin monia muitakin merilauluja. Heidän joukossaan Gloverin balladi
ellauri392.html on line 128: Come lovely and soothing death. Give me liberty or give me death. Oh, wouldn´t that be loverly. There is no cure for birth or death, said Santayana, except to enjoy the interval.
ellauri405.html on line 186: The reindeer of God says to His lover, “Hold me in
ellauri411.html on line 50: Tomalin writes of Bowden, “In the immediate aftermath of the fiasco of the wedding he thought her frigidity towards him might be a sign of lesbianism.” “Frigidity”, “a sign of lesbianism” – what antique expressions, as well as male hostilities. She didn’t want to have sex with me so there must be something wrong with her. Bowden has long since been scorned by Mansfield biographers as someone who she found repulsive. “Rather weak”, as Tomalin dismissed him, and “clearly not a passionate lover”.
ellauri430.html on line 485: Sopimusvapauden vähentämistoimet 1800-luvun lopulla. Klassisen liberalismin vuoksi monissa maissa vallitsi 1800-luvun lopulla melko laaja sopimusvapaus. Niin sanottu "edistyksellinen" liike (progressive movement) pyrki 1800-luvun lopulta alkaen monin tavoin kansalaisten, etenkin työntekijöiden ja kuluttajien, aseman vahvistamiseen rajoittamalla vallinneeksi väitetyn laissez faire -kapitalismin "liiallista" sopimusvapautta ja siirtämällä päätöksentekoa poliittiseksi. Liikkeen vaikutuksesta säädettiin muun muassa työsuojelu- ja vähimmäispalkkalakeja, ammattiliittoja ja työehtosopimuksia vahvistavia lakeja, kieltolakeja, elintarvike-, huume- ja lääkelakeja, rautateitä, vuokria ja kauppaa sääteleviä lakeja kuten kilpailulakeja. Liikkeen vaikutus näkyi myös Yhdysvalloissa kieltolain ja tuloveron säätäneinä uusina perustuslain lisäyksinä ja keskuspankin Federal Reserven perustamisena. Liikkeeseen kuului sosialisteja, konservatiiveja ja sosiaaliliberaaleja. Kommarit saatiin sentään kuriin McCarthyn, homo-Hooverin ja Eisenhowerin reippailla otteilla. Labor day siirrettiin turvallisuussyistä syxylle.
ellauri444.html on line 95: His lovers were mostly younger women, “some of them much younger. One was the au pair looking after his youngest son.” We can hardly keep Goethe out of it. When he died from a fall in stairs his wife Jane died after him. Jane was the trusty helpmeet who typed and retyped every draft. One lover heard Jane ask why le Carré couldn’t “just stay at home and make it up."
xxx/ellauri068.html on line 176: "Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. And the larks sang melodious. Mutta kekä on Mickey Rooney? Onko se sukua Mikki Hiirelle? On se!
xxx/ellauri068.html on line 217: Next, it occurred to me that I could answer the question about the sex life of Borges with platitudes: Borges scarcely refers to sex in his work and has scarcely any female characters, which “could be” a sign of shortcomings in his character, of machismo, asexuality, fear of women; his first marriage “could be considered” a failure and the second as a mere formality, made official shortly before his death just so he could leave his estate to Maria Kodama, his lover/scribe/assistant/caregiver; “without a doubt” the contempt he felt for psychoanalysis was because it made him feel exposed, and so on. I have read or heard all these phrases, with all their imaginable malice, often together and separately. Although they all seem terrible to me, it is now acceptable to speak ill in this way under the pretext of “demystifying” whomever the target may be. I have also noticed that much of the news about Borges in recent years has been, in one way or another, about scandals and disputes.
xxx/ellauri084.html on line 809: Zeena gets well and takes care of the disabled ex-lovers.
xxx/ellauri086.html on line 600: A letter from the queen's lover has been stolen from her boudoir by the unscrupulous Minister D—. D— was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing the queen.
xxx/ellauri086.html on line 663: The Reverend John Wilson and the minister of Hester's church, Arthur Dimmesdale, question her, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Chillingworth, now a physician, to calm Hester and her child with his roots and herbs. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover, however, is another matter and he demands to know who it is; Hester refuses to divulge such information. He accepts this, stating that he will find out anyway, and forces her to conceal that he is her husband. If she ever reveals him, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms although she suspects she will regret it.
xxx/ellauri086.html on line 906: The essay states Poe's conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or "effect", he wishes to create, commonly known as the "unity of effect". Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on "the death... of a beautiful woman" as it "is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover." Some commentators have taken this to imply that pure poetry can only be attained by the eradication of female beauty. Biographers and critics have often suggested that Poe's obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia.
xxx/ellauri116.html on line 390: Take, for example, 16-year-old Bianca Bienenfeld, a student of de Beauvoir’s who was 14 years her junior. Soon after the two women began their affair, de Beauvoir introduced her lover to Sartre. He promptly made it his mission to seduce Bienenfeld. After a romantic entanglement between the three of them, de Beauvoir told Sartre to end it, which he abruptly did in a letter.
xxx/ellauri116.html on line 394: Mikäs se nyt oli? Ainiin se 1700-luvun romaani, mulla taitaa olla se, vaikken ole lukenut. A French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782. It is the story of the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic rivals (and ex-lovers) who use seduction as a weapon to socially control and exploit others, all the while enjoying their cruel games and boasting about their talent for manipulation. It has been seen as depicting the corruption and depravity of the French nobility shortly before the French Revolution, and thereby attacking the Ancien Régime. The book has also been described as merely a story about two amoral people.
xxx/ellauri120.html on line 227: The Reverend John Wilson and the minister of Hester's church, Arthur Dimmesdale, question her, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Chillingworth, now a physician, to calm Hester and her child with his roots and herbs. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover, however, is another matter and he demands to know who it is; Hester refuses to divulge such information. He accepts this, stating that he will find out anyway, and forces her to conceal that he is her husband. If she ever reveals him, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms although she suspects she will regret it.
xxx/ellauri122.html on line 794: Brod’s memoirs spoke about Kafka’s gentle serenity, describing their relationship almost as if they were lovers. He also recalled the mystical experience of both men reading Plato’s Protagoras in Greek, and Flaubert’s Sentimental Education in French, like a collision of souls. While there is no evidence of any homosexual feeling between Kafka and Brod, their intimate relationship appeared to go beyond typical camaraderie from two straight men of their era.
xxx/ellauri127.html on line 563: By woman wailing for her demon-lover! Tai joku nainen demonimiestä ulissut!
xxx/ellauri127.html on line 709: Endymion tarkottanee puolisukeltajaa. Kuuhullu astronomi tai sit paimen vaan. Astronomi mainitaan merenneitopätkässsä. Octopussy's garden in the waves. The 4th century Babylonian god of the sea was known as Oannes who was portrayed as a man with a fish tail in place of legs. Oannes would appear out of the ocean every day as a fish-human creature to share his wisdom with the people along the Persian Gulf, then return to the sea at night. There was also Atargatis, a Syrian moon and sea goddess, her story tells us that after causing the death of her mortal lover she fled to the sea and took the form of a woman above the waist and a fish below, for this reason she became known as a mermaid goddess. During medieval times mermaids were considered as matter-of-factly alongside other aquatic animals, such as whales and dolphins. The goddess Venus is sometimes depicted as a mermaid, being born from a giant clam shell.
xxx/ellauri128.html on line 601: Margaret Caroline Anderson (November 24, 1886 – October 19, 1973) was the American founder, editor and publisher of the art and literary magazine The Little Review, which published a collection of modern American, English and Irish writers between 1914 and 1929. The periodical is most noted for introducing many prominent American and British writers of the 20th century, such as Ezra Pound and T. S. Eliot in the United States, and publishing the first thirteen chapters of James Joyce's then-unpublished novel, Ulysses. A large collection of her papers on Gurdjieff's teaching is now preserved at Beinecke Rare Book and Manuscript Library, Yale University. She was blond, shapely, with lean ankles and a Scandinavian face. ... In 1916, Anderson met Jane Heap. The two became lovers. In early 1924, through Alfred Richard Orage, Anderson came to know of spiritual teacher George Ivanovitch Gurdjieff, and saw performances of his 'Sacred dances', first at the 'Neighbourhood Playhouse', and later at Carnegie Hall. Shortly after Gurdjieff's automobile accident, Anderson, along with Georgette Leblanc, Jane Heap and Monique Surrere, moved to France to visit him at Fountainebleau-Avon, where he had set up his institute at Château du Prieuré in Avon.
xxx/ellauri137.html on line 556: Of your sweet breath I drank the poison, lover!
xxx/ellauri139.html on line 554: Never on such a night have lovers met, Tälläisenä yönä voi hyvin saada pimppiä.
xxx/ellauri139.html on line 570: The lover’s endless minutes slowly pass’d; Rakastaja laittoi onkeen vieheensä.
xxx/ellauri139.html on line 800: These lovers fled away into the storm. Rakastavaiset ketkä karkasivat myräkkään.
xxx/ellauri157.html on line 259: Hasids are nature-lovers by nature. Rabbi Nachman of Breslav poetically depicts the spiritual lifeforce in the grasses of the field as joining and helping in one's prayers. Psychologically too, nature looks better with dogs and sheep in it. To a sensitised soul, even a tree can take on extra dimensions if it has a hole in it. The Kabbalists explain that one of the Hebrew names of God "Elo-h-im" is numerically equivalent in Gemara with "HaTeva" meaning "Nature").
xxx/ellauri165.html on line 296: The story may have been transferred from a wholly different context. It has been noted that it most closely matches, rather than any event in Scotland, the legend of Maria Danilova Gamentova, daughter of an expatriate branch of the Clan Hamilton established in Russia by Thomas Hamilton during the reign of Tsar Ivan IV (1547–1584). A lady in waiting to Tsarina Catherine, second wife of Tsar Peter I "The Great" (who later succeeded him as Catherine I), Mary Hamilton was also the Tsar's mistress. She bore a child in 1717, who may have been fathered by the Tsar but whom she admitted drowning shortly after its birth. She also stole trinkets from the Tsarina to present them to her lover Ivan Orlov. For the murder of her child, she was beheaded in 1719.
xxx/ellauri165.html on line 318: In 1783, Greville needed to find a rich wife to replenish his finances, and found a fit in the form of eighteen-year-old heiress Henrietta Middleton. Emma would be a problem, as he disliked being known as her lover (this having become apparent to all through her fame in Romney's artworks), and his prospective wife would not accept him as a suitor if he lived openly with Emma Hart.
xxx/ellauri167.html on line 47: Who were Paolo and Francesca? Paolo and Francesca were illicit lovers in 13th century Italy, and they have left us a love story that, like all good love stories, ends in tragedy. Paolo Malatesta was the third son of the lord of Rimini, Malatesta da Verrucchio and accounts of his personality and the size of his pecker vary.
xxx/ellauri173.html on line 719: "Ei todellakaan", vastasi lordi Ewald surullisesti hymyillen. "Hän on typerä. Hänessä ei ole jälkeäkään siitä melkein pyhästä tyhmyydestä, joka jo sen tosiasian vuoksi, että se on äärimmäisyyttä, on tullut yhtä harvinaiseksi kuin äly. Nainen, jolta on riisuttu kaikki tyhmyys, onko hän muuta kuin hirviö? Mikä voisi olla surullisempaa, hajottavampaa kuin inhottava olento, jota kutsutaan "älykkääksi naiseksi", ellei hänen vastakohtansa, sileä puhuja? Mieli on maallisessa mielessä älyn vihollinen. Vaikka muistaakseni, uskovana naisena onkin vähän tyhmä ja vaatimaton ja joka ihmeellisellä vaistollaan ymmärtää sanan todellisen merkityksen kuin valoverhon läpi, niin paljon tämä nainen on ylin aarre, on todellinen kumppani, niin paljon kuin toinen on epäsosiaalinen vitsaus!
xxx/ellauri174.html on line 136:
xxx/ellauri176.html on line 51: Athenaeus provides many anecdotes about Phryne. He praises her beauty, writing that on the occasion of the festivals of the Eleusinia and Poseidonia, she would let down her hair and step nude into the sea. Kuvassa sillä näkyy olevan uimalakki päässä. Se onkin järkevämpää kuin aukaista tukka uimaan mennessä. This would have inspired the painter Apelles to create his famous picture of Aphrodite Anadyomene (Ἀφροδίτη Ἀναδυομένη, Rising from the Sea also portrayed at times as Venus Anadyomene). Mitä vittua sehän on sama asia. Herne herne! Supposedly the sculptor Praxiteles, who was also her lover, used her as the model for the statue of the Aphrodite of Knidos, the first nude statue of a woman from ancient Greece. Oiskoon se muka oikeasti eka? Mä oon varma että pornokuvia on tehty maailman sivu, ne ei vaan ole kovassa käytössä kaikki säilyneet.
xxx/ellauri176.html on line 63: The best known event in Phryne's life is her trial. Athenaeus writes that she was prosecuted for a capital charge and defended by the orator Hypereides, who was one of her lovers. Athenaeus does not specify the nature of the charge, but Pseudo-Plutarch writes that she was accused of impiety. The speech for the prosecution was written by Anaximenes of Lampsacus according to Diodorus Periegetes. When it seemed as if the verdict would be unfavourable, Hypereides removed Phryne's robe and bared her breasts before the judges to arouse their "pity". Her beauty instilled the judges with a superstitious fear, who could not bring themselves to condemn "a prophetess and priestess of Aphrodite" to death. They decided to acquit her out of "pity". Pity ja piety on sama sana. Molemmat tulee sanasta 'pipu' (lat. penis).
xxx/ellauri178.html on line 362: On 25 May 1901, Chekhov married Olga Knipper quietly, owing to his horror of weddings. She was a former protégée and sometime lover of Nemirovich-Danchenko whom he had first met at rehearsals for The Seagull. Up to that point, Chekhov, known as "Russia's most elusive literary bachelor," had preferred passing liaisons and visits to brothels over commitment. For the rest, he lived largely at Yalta, she in Moscow, pursuing her acting career. In 1902, Olga suffered a miscarriage; and Americans have offered evidence, based on the couple's letters, that conception may have occurred when Chekhov and Olga were apart, although Russian scholars have rejected that claim. Perhaps the semen was conveyed from Yalta to Moscow by snail mail.
xxx/ellauri179.html on line 334: Voiko tän selvemmin enää sanoa? "Women" with a gamin hairstyle, lovers who cut and dye their hair and change sexual roles, are themes that, with variations, occur in all of his novels!
xxx/ellauri179.html on line 336: When writing The Garden of Eden he appeared as a redhead one day in May 1947. When asked about it, he said he had dyed his hair "by mistake." In that novel, the search for complete unity between boy lovers is carried to extremes. It "may seem" that the halves of the Platonic homoerotic myth (once cut in two by Zeus and ever since longing to become a spoon again) are uniting here.
xxx/ellauri179.html on line 617: This bit of news is quite startling. It upsets half a century of scholarship that seems to have clearly shown James was a firm bachelor with a “low amatory coefficient,” as one of his doctors put it in 1905 in New York. But Holmes is not the only homosexual lover Novick claims for James. He also says that James had an affair with Paul Zhukovski, a Russian aristocrat James met in 1876 in the entourage of Ivan Turgenev.
xxx/ellauri187.html on line 77: At the Petite École, Rodin “finished lessons so quickly that the teachers eventually ran out of assignments. He did not care to socialize with his classmates; he wanted only to work.” Rodin’s talent was noted by his legion of admiring artists, writers, and lovers. His rise was a matter of time, even if he was ignored by academic art institutions early in life.
xxx/ellauri187.html on line 111: First of all, it provided him with an uncanny empathy for women. His two most potent and obsessive literary images were the unrequited female lover and the woman artist struggling to find freedom and space for her work. But Rilke's liberated feminine side also gave him the gift of unabashed openness to his need and desire for the opposite sex (from women). He recalls Kierkegaard's description of Mozart's Don Giovanni, who did not calculatedly seduce, according to Kierkegaard, but desired seductively. What women found irresistible about Rilke was not the effect he had on them but the effect they had on him.
xxx/ellauri187.html on line 117: Rilke loved absolutely, not strenuously or patiently, and therefore his love always froze up into a mirror of itself. His condition might have been tormented and tormenting--it might appear wearily obnoxious. But for Rilke the poet, modern men and women as lovers--their exalted expectations and their comi-tragic desperation--came to symbolize complex human fate in a world where vertiginous possibilities have replaced God and nature. In Rilke's Elegies especially, lovers encounter animals, trees, flowers, works of art, puppets, and angels--all images, for Rilke, of the absolute fulfillment of desire, alongside which the poet placed the tender vaudeville of imperfect human wanting. Rilke the man might have presented a painful obstruction to himself. But true ardor often springs from an essential deprivation.
xxx/ellauri187.html on line 133: Why would an anti-Semite extol a Jewish poet to two of the most powerful and influential figures in Central European literary culture--to his own patrons? To paraphrase that great Jewish philosopher Thomas Aquinas, When you meet a contradiction, make a distinction. But Freedman builds from the surface contradiction. For Rilke, he writes, "a cultural and sometimes even a social anti-Semitism was part of daily existence." Yet aside from the letter to Hoffmannsthal, he offers no evidence for that litigable assumption, though he does inform us, with a smug and bizarre knowingness, that one of Rilke's Jewish lovers later died at Auschwitz.
xxx/ellauri187.html on line 143: Throughout 600 pages Freedman gives us encounter after encounter between Rilke and the women in his life, in which the women are flawless angels and Rilke a consummate villain. If Rilke's dear friend the great German painter Paula Modersohn-Becker found herself trapped in a stifling marriage, Rilke was a traitor for not extricating her. If Lou Andreas-Salomé told the young Rilke to go off somewhere because one of her other lovers was coming to visit, Rilke's anger was the symptom of an unbalanced psyche.
xxx/ellauri187.html on line 147: This is all ludicrously unfair. It's certainly unfair to say that Rilke didn't give the women he loved and who loved him the "choice to remove themselves for the sake of their art." He was in no position to give or deny freedom to his independent-minded wife, let alone to any woman of whom he was merely a lover. Only their passion, or admiration, or use for Rilke bound these women to the famous poet. Often ambitious artists themselves, Rilke's lovers expected him to introduce them into his heady artistic and intellectual circles and to help them with their careers. This he unfailingly did; in one case he helped the careers of a former lover's children by her husband. And he offered emotional succor long after the amorous flame had waned--not to mention demanding the same support for himself.
xxx/ellauri187.html on line 149: Rilke's most benevolent patron, Princess Marie von Thurn und Taxis, was wise enough both to nurture Rilke's gift and to keep her distance from her complicated protégé. An unblinking observer of Rilke's life, she was able to see his liaisons for what they were. And she knew how Rilke's acute sensitivity to his own condition, combined with his talent for self-pity, often landed him in the arms of the wrong people: "You must always be seeking out such weeping willows, who are by no means so weepy in reality, believe me--you find your own reflection in those eyes." But Freedman, doggedly indifferent to the available evidence, makes Rilke's lovers and women friends out to be helpless victims of a smooth seduction machine.
xxx/ellauri193.html on line 211: This defense was first used by U.S. Congressman Daniel Sickles of New York in 1859; after he had killed his wife's lover, Philip Barton Key II. It was used as a defense in murder cases during the 1940s and 1950s. Historically, such defenses were used as complete defenses for various violent crimes, but gradually they became used primarily as a partial defense to a charge of murder; if the court accepts temporary insanity, a murder charge may be reduced to manslaughter.
xxx/ellauri193.html on line 486: tuloverosta, saako ämmä
xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
xxx/ellauri215.html on line 425: Legends cited by Sidney John Hogben say that she took a new lover in every town she went through, each of whom was said to meet the same unfortunate fate in the morning: "her brief bridegroom was beheaded so that none should live to tell the tale." Under Amina, Zazzau controlled more territory than ever before. To mark and protect her new lands, Amina had her cities surrounded by earthen walls. These walls became commonplace across the nation until the British conquest of Zazzau in 1904, and many of them survive today, known as ganuwar Amina (Amina's walls)
xxx/ellauri225.html on line 395: Crane returned to New York in 1928, living with friends and taking temporary jobs as a copywriter, or living off unemployment and the charity of friends and his father. For a time he lived in Brooklyn at 77 Willow Street until his lover, Opffer, invited him to live in Opffer´s father´s home at 110 Columbia Heights in Brooklyn Heights. Crane was overjoyed at the views the location afforded him. He wrote his mother and grandmother in the spring of 1924:
xxx/ellauri225.html on line 426: Brian Reed has contributed to a project of critical reintegration of queer criticism with other critical methods, suggesting that an overemphasis on the sexual biography of Crane´s poetry can skew a broader appreciation of his overall work. In one example of Reed´s approach, he published a close reading of Crane´s lyric poem, "Voyages", (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters. We can faintly hear Harold Bloom clap his hands in the body bag.
xxx/ellauri229.html on line 209: He said, "Hey check that loverly slat!"
xxx/ellauri233.html on line 377: Missä kohen Jamesin Blackthornen seikkailut poikkeavat esikuvastansa Adamsista? No mietitään - tää on romaani, eikä pelkkä rags to riches tositarina. Ei siis riitä pelkkä (E), pitää olla paxulti myös (K) ja (F). Näyttää siinä olevan kaikenlaista nujakointia, ja aika pian on jonkin verran myös japsunaisten nussintaa (sitähän oli Aatamilla kyllä izellään). "As they spend more time together, Blackthorne comes to deeply admire both Toranaga and (specifically) Mariko, and all three secretly become lovers." Samainen Mariko (joka on sentään vaan japsulainen nainen) silputaan smithereeneixi. "However, she and Blackthorne and the other ladies of Toranaga's "court", escape into a locked room. As the ninja prepare to blow the door open Mariko stands against the door and is killed by the explosion." No jäähän Toranagalle vielä "Lady Anjin". Entäs moraali? "Blackthorne is torn between his growing affection for Mariko (who is married to a powerful, abusive, and dangerous samurai, Buntaro), his increasing loyalty to Toranaga, his household and consort, a "Willow world" courtesan named Kikuli, and his desire to return to the open seas aboard Erasmus so he can intercept the Black Ship fleet before it reaches Japan." Onpa hienoa: (E,F,K) konfliktoituvat! "There are other recurring themes of Eastern values, as opposed to Western values, masculine (patriarchal) values as opposed to human values, etc."
xxx/ellauri250.html on line 413: Iso naama, jonka keskellä on pienet hoxottimet. Huono ulosanti, jonka alta vilkkuu brittipersepäille tyypilliset länkkäri- ja luokkaennakkoluulot: A young Finnish woman leaves her charismatic lesbian lover behind in Moscow to begin a long train journey to see some ancient stone carvings near Murmansk and finds herself sharing a sleeping compartment with a surly, ill-mannered miner. Tää hölmö luuli että Juho Kuosmanen on she (eli ei viizinyt edes kazoa kuvia).
xxx/ellauri250.html on line 606: Barfly, released in 1987, is a barfingly semi-autobiographical film written by Bukowski and starring Mickey Rourke as Henry Chinaski, who represents Bukowski, and Faye Dunaway as his lover Wanda Wilcox. Sean Penn offered to play Chinaski for one dollar as long as his friend Dennis Hopper would direct,[53] but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay, was given script approval, and appears as a bar patron in a brief cameo.
xxx/ellauri250.html on line 649: Charles Darwin, John Stuart Mill, Henry Sidgwick, Jeremy Bentham, R. M. Hare (B.Phil. advisor), Jonathan Glover, Derek Parfit, Karl Marx
xxx/ellauri251.html on line 227: The days dividing lover and lover, Päivät erottavat rakkaan rakastajasta,
xxx/ellauri251.html on line 1209: ⁠Though she lay by a god as a lover,
xxx/ellauri261.html on line 222: He also maintained relations with Jean Burden, his lover and the inspiration/editor of Nature, Man and Woman. Watts was a heavy smoker throughout his life and in his later years drank heavily.
xxx/ellauri261.html on line 259: Wilder and Steward were lovers for a brief period, but it was not a happy nor easy relationship. “If one accepts the essentials of Steward’s story....,” writes Gilbert A. Harrison, “the sexual act was so hurried and reticent, so barren of embrace, tenderness or passion that it might never have happened. Steward felt that for Thornton the act was literally ‘unspeakable’.” If Wilder ever experienced a deep and lasting relationship with another man, it has not been recorded.
xxx/ellauri273.html on line 203: 16.sallii kongressin periä tuloveroa jakamatta sitä eri osavaltioiden kesken tai perustamatta sitä Yhdysvaltain väestönlaskentaan 12. heinäkuuta 1909 3. helmikuuta 1913 3 vuotta,
xxx/ellauri273.html on line 233: Edustaja Stephen King esitti tarkistuksen, jolla kumotaan kuudestoista muutos ja liittovaltion tulovero. Yhdysvaltain perustuslain kuudestoista lisäys (muutos XVI ) sallii kongressin periä tuloveroa jakamatta sitä osavaltioiden kesken väestön perusteella.
xxx/ellauri273.html on line 257: Ihmisten (toisin kuin yritysten tai muiden tahojen) tuloverot, joita voidaan soveltaa lähteestä saatuihin tuloihin.
xxx/ellauri273.html on line 262: Vuonna 1895 korkein oikeus katsoi yleisen (eli siis omaisuus-)tuloveron perustuslain vastaiseksi jakamattomana välittömänä verona, mikä erotti sen yritys- tai työtuloverosta, jota tuomioistuin kuvaili sallituksi valmisteveroksi (välillinen vero). Pollock v. Farmers' Loan & Trust Co. (1895). Sitä vastoin tuomioistuin katsoi vuonna 1911, että yhtiötulovero oli perustuslain mukainen yhtenäinen valmistevero – eräänlainen välillinen vero. Flint v. Stone Tracy Co. (1911). Tuomioistuin päätteli, että alkuperäinen tulovero kohdistui suoraan ihmisiin, kun taas yhteisövero kohdistui yhteisöön: ihmiset saattoivat kärsiä verosta korkeampien hintojen tai pienempien voittojen vuoksi, mutta he tekisivät sen epäsuorasti. Vuonna 1913 kuudestoista muutos hyväksyi jakamattoman veron "lähteestä saaduista tuloista" (eli siis omaisuuden myynti- ym. voitosta). Maa hyväksyi muutoksen vuonna 1895 tehdyn Pollock -päätöksen kumoamiseksi. Monet myöhemmät päätökset ovat painineet "johdannaisen" vaatimuksen kanssa. Paras kuvaus edellyttää, että tulot muodostavat "selvästi toteutuneen vaurauden lisän, jota veronmaksaja hallitsee kokonaan". Commissioner v. Glenshaw Glass (1955).
xxx/ellauri273.html on line 271: välitöntä veroa, ja katsoi, ettei se ollut: vaikka se koskee suoraan ihmisiä, NFIB v. Sebelius. Hyltonia lainaten tuomioistuin katsoi vaaditun maksun ei-suoraksi ja totesi Pollockiin viitaten, että maksu ei ole tulovero.
xxx/ellauri273.html on line 282:

Tulovero: ylimääräinen tulo

xxx/ellauri273.html on line 284: Tuloveroa voidaan periä vain "johdannaisista" tuloista. Tämä "toteutustapahtuman" vaatimus viittaa yleensä muuhun tapahtumaan kuin pelkkään ajan kulumiseen. Siten kuudestoista muutoksessa sallitaan omaisuuden myynnistä tai vaihdosta saatujen voittojen verottaminen, mutta ei pelkästään arvonnousuista saatuja voittoja. Se sallii myös vuokrien ja korkojen verotuksen. Vaikka verot ovat suoria, niitä ei tarvitse jakaa, koska muutos poisti tuloverojen jakovaatimuksen.
xxx/ellauri273.html on line 286: Jos nyt tosta ketkuilusta mitään ymmärtää, niin aluxi fedeillä oli oikeus kantaa vaan suoraa tasaveroa per petkunterä ja loput epäsuorina valmisteveroina. Siis erittäin yrittäjäomistajaystävällinen järjestely. Paizi kukaan ei uskaltanut kantaa edes sitä tasaveroa. Sit 16. kyynärpääpaikka antoi fedeille vallan kantaa progressiivista tuloveroa myös pääomatuloista. Muttei sentään suoraa omaisuusveroa, herra varjele! Niinkauan kun et nosta rahojasi firmasta, ne ovat turvassa.
xxx/ellauri291.html on line 214: Tätä soittaa mm. Kaartin soittokunta, se on sotilasmarssisävelmä. Onkohan puhe esiäidistämme, jota paxu Kalle X Kustaa bylsi Örebron linnassa? Vai dyslexisen pölhö-Kustaan rouvasta joka odotteli autossa ikkunaruutu raolla kunkun häärätessä vähäpukeisten frillojen pyllyvaossa? Alaosaton kuningas ja yläosattomia naisia. Army of lovers tamme fan. You and what army? Silvia ottaa matkalle mukaan putken Kallen mätitahnaa. Kalles röktaa.
xxx/ellauri298.html on line 298: perch Is never far. I walk the ancient widow’s watch. My lover fishes far out at
xxx/ellauri312.html on line 546: Kierkegaard’s view was that one’s relation to a deity is irreducible to a creed (TRR, pp. 391–392). Instead of belief, what is vital is the religious romance. Willy to believe. The intimacy between a lesser being and a greater being is something we find in Keats' Endymion. Rorty analogizes religious faith with the experience of lovemaking. Unfair relations are valuable if they are able to deepen an individual’s unique life experience. They redeem the believer and the lover by helping them grow meaningfully, not by stretching uncomfortably. Religious connections range from "one of adoring obedience, or ecstatic communion, or quiet confidence, or some combination of these". Sounds a lot like Al Bundy's Love And Marrage.
xxx/ellauri320.html on line 167: 'After a year of absolute misery, I began to take lovers. The first was Geordie, the fifth Duke of Sutherland, who was very much married but had admired me for a long while. He was Under Secretary of State for War at the time.'
xxx/ellauri320.html on line 170: 'Darling,' she cried, 'you've got to think of the repercussions. The Duke was married to a peer's daughter who had been Mistress of the Robes to Queen Mary. He was my lover, of course, but I could never admit to it publicly.'
xxx/ellauri320.html on line 176: Cartland's second lover, Mayfair neighbour Lieutenant-Commander Glen Kidston, was also married. The former submarine officer in the Royal Navy was rich, handsome and ruggedly masculine.
xxx/ellauri320.html on line 182: Cartland's third lover was not married and the most famous of the three. Handsome, debonair and bisexual, His Royal Highness Prince George, later the Duke of Kent, was the youngest surviving son of King George V and Queen Mary, the uncle of the present Queen, and the lover of NoÎl Coward.
xxx/ellauri320.html on line 183: 'PG, as I called him, was 25 at that time and absolutely adorable,' said Cartland, 'as well as being the most amazing lover. In my heart, I have always believed that he was Raine's father. I was shattered when he, too, died in a plane crash, while on active service during the war.'
xxx/ellauri337.html on line 51: Group Portrait with Lady (German: Gruppenbild mit Dame) is a novel by Nobel Prize winning author Heinrich Böll, published in 1971. The novel revolves around a woman named Leni, and her friends, foes, lovers, employers and others and in the end tells the stories of all these people in a small city in western Germany in the 1930s and 1940s. As is usual in Böll's novels, the main focus is the Nazi era, from the perspective of ordinary people. (Wikipedia en)
xxx/ellauri354.html on line 211: And lovers' sonnets turne to holy Psalms. Ja rakkausviisuista virsikirjan lisälehtiä.
xxx/ellauri356.html on line 377: Wasf on arabien runogenre, alongside 'the boast (fakhr), the invective (hijaa’), and the elegy (marthiya)'. In waṣf love poems, each part of a lover's body is described and praised in turn, often using exotic, extravagant, or even far-fetched metaphors. The Song of Solomon is a prominent example of such a poem, and other examples can be found in Thousand and One Nights. The images given in this type of poetry are not literally descriptive. Instead, they convey the delight of the lover for the beloved, where the lover finds freshness and splendor in the body as a reflected image in the world. Hilvik ei perustanut metaforista, se käytti vertauxia mieluummin.
xxx/ellauri356.html on line 511: Äidin löylyttämisen jälkeen subjektit säilyttävät silti tiedostamattoman kiintymyksen semiotiikkaan. Slasher-elokuvat tarjoavat siten yleisön jäsenille tavan esittää abjektioprosessi turvallisesti uudelleen karkottamalla ja tuhoamalla äitihahmon. Carol Cloverin Miehet , naiset ja moottorisahat: Sukupuoli nykyaikaisessa kauhuelokuvassa pidetään yleisesti slasher-elokuvien sukupuolen tutkimisen kulmakivenä. Kristeva väittää, että monet ovat kauhuissaan mutta silti täpinöissään abjektista, koska "se on jotain, mikä inhottaa meitä, mutta kuitenkin samalla usein meiltä tulee tai me tulemme kaverin käteen". Eräs Briefel jakaa kauhuelokuvien naispuolisten sukupuolihirviöiden kärsimyksen kahteen tyyppiin: masokismi ja kuukautiset.
xxx/ellauri379.html on line 318:
xxx/ellauri394.html on line 261: Nominally written as a lover´s good-bye, the song is really a symbol of, and lament for, the loss of her country. Today, it is one of the most recognizable Hawaiian songs.
xxx/ellauri415.html on line 194: lover92&f=1&nofb=1&ipt=eb494c61fcf7a8894ec6ef3c83c469f684be8fdc5ec8c29d8a4eb049784a89ed&ipo=images" />
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