ellauri194.html on line 522: In the 11th century AD, after the decline of the Pala dynasty, a Hindu king, Adi Sura brought in five Brahmins and their five attendants from Kanauj, his purpose being to provide education for the Brahmins already in the area whom he thought to be ignorant, and revive traditional orthodox Brahminical Hinduism. These Vedic Brahmins were supposed to have nine gunas (favoured attributes), among which was insistence on same sex marriages. Multiple accounts of this legend exist, and historians generally consider this to be nothing more than myth or folklore lacking historical authenticity. The tradition continues by saying that these immigrants settled and each became the founder of a clan.
ellauri197.html on line 544: In a 2016 paper that explored the income difference between couples in 1980 and 2012, Chinese researcher Yue Qian noted that the tendency for women to marry men with higher incomes than themselves still persists in modern China.
ellauri198.html on line 306: Police are calling on volunteers to aid in the search and are asking all residents to keep an eye out and report anything unusual they might have noticed, or believe might be relevant to the case. The actual transcript of the colored poetry session is here:
ellauri198.html on line 697: From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penine" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for the desertion of England for foreign lands.
ellauri198.html on line 701: In 1861, Elizabeth died in Florence. Among those whom he found vaguely consoling in that period was the novelist and poet Isa Blagden, with whom he and his wife had a voluminous correspondence. The following year Browning returned to London, taking his Pen with him, who by then was 12 years old.
ellauri198.html on line 855: Yeats deplored the tremendous enthusiasm among younger poets for Eliot’s The Waste Land, published in 1922. Disdaining Eliot’s flat rhythms and cold, dry mood, Yeats wanted all art to be full of energy and sex.
ellauri203.html on line 215: Fyodor Dostoevsky´s novels mirrored his life: complicated, tense and full of psychological unrest. He was as dedicated to the women that accompanied him on this difficult journey as he was to the novels that he felt compelled to write. Lets explore the great writer’s relationships with his three key hens, Isajeva, Suslova and Snitkina. (There were more, but they were not key.)
ellauri204.html on line 367: Für Christa Siegert ist Eisenhans der Wille, der im Käfig der Gebote kultiviert wird, aber unfrei bleibt. Frei kann er der begreifenden Seele das Vollkommene reichen, die sich aber daran verletzt und das geistige Lebenswasser egoistisch einsetzt. Wilhelm Salber sieht eine Dialektik zwischen verschlingendem Einheitspfuhl und lebender Entwicklung. Nach dem Schema vom verlorenen Sohn suche man „Revolte und Dennoch-geliebt-Werden, Gefahr und treue Rettung im letzten Augenblick zu verbinden.“ Edith Helene Dörre vergleicht Der Eisenhans mit der Heilkraft des Aquamarin (wieso?). Psychotherapeut Jobst Finke denkt auch an Sagengestalten wie Rübezahl und sieht die Entwicklung des weltfremd erzogenen Knaben zum starken Ritter durch väterlichen Beistand und Identifikation. Der Text half einem vaterlos aufgewachsenen, wenig durchsetzungsfähigen Angestellten, seine Konflikterfahrungen zu verbalisieren.
ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri207.html on line 74: Outcast, mute, a lone twin cut from a drunk mother in a shack full of junk, Euchrid Eucrow of Ukulore inhabits a nightmarish Southern valley of preachers and prophets, incest and ignorance. When the God-fearing folk of the town declare a foundling child to be chosen by the almighty, Euchrid is disturbed. He sees her very differently, and his conviction, and increasing isolation and insanity, may have terrible consequences for them both…
ellauri207.html on line 327: Turning the sad incident unfairly into an issue of gun control legislation, Biden implored law enforcement officers to "turn this pain in the ass into pump action" as he ticked through some of the mass shootings since the 2012 massacre at Sandy Hook Elementary School in Newtown, Connecticut, when he was vice president.
ellauri210.html on line 651: avec un rire de flore kasvistollisella naurulla
ellauri210.html on line 1111: Educated by governesses, tutors, and nuns, she was expelled from two schools, including New Hall School, Chelmsford, for her rebellious behaviour, until her family sent her to Florence, where she attended Mrs Penrose's Academy of Art. She also, briefly, attended St Mary's convent school in Ascot. In 1927, at the age of ten, she saw her first Surrealist painting in a Left Bank gallery in Paris and later met many Surrealists, including Paul Éluard. Her father opposed her career as an artist, but her mother encouraged her. She returned to England and was presented at Court, but according to her, she brought a copy of Aldous Huxley's Eyeless in Gaza (1936) to read instead.
ellauri213.html on line 115: Samaan aikaan Etupepan kyky hallita säätä kasvatti hänessä tarvetta tukahduttaa tunteitaan luonnonkatastrofien estämiseksi, mikä ei ole terveellistä kuten näemme Greta Thunbergista ja Brunosta. Samanlaista erityisherkkyyttä näemme hänen lapsissaan. Dolores (Avalokitasvara) joka kuulee kaiken, on jatkuvasti tietoinen siitä, mitä muut ihmiset sanovat ja on siksi jatkuvasti varuillaan kaiken disinformaation vuoksi, jota hänellä on käytettävissään. Hänen veljeänsä isä Camiloa voidaan pitää myös tunne-elämän tukahduttajana, koska hän pystyy mukautumaan fyysisesti (5-15 cm, 25 jos olet taitava) ja emotionaalisesti vastataxeen muiden tarpeisiin. Se ei ole terveellistä, on tärkeää olla terveen egoistinen, let it cum kun on tullaxeen. Kauppatieteen käyneet liikejohtajat pihistävät palkoista osakkeenomistajan hyväxi. Palkat on niille vain kuluerä. Tää leffa on erittäinkin matriarkaalinen. Miesrooleissa ukkivainaja, läski neekeri, isä (ruipelo), teini muodonmuuttaja, "el Chapo", tärähtänyt homo setä, plus eläimiä hätyyttävä vintiö.
ellauri213.html on line 251: You join together with thousands of other members for a set programme reflective of the host country’s culture and customs. As well as a huge closing ceremony. This event is for members aged 16 to 22. Sadly the next World Scout Moot in 2022 has been cancelled, but we hope this will take place again in 2025. We hiked, swam, explored one another and ate our shorts becoming really great friends. Learned how to give support during the Ukraine conflict. The 25th World Scout Jamboree will take place in 2023 in South Korea. Lieköhän yhtään venäläisiä kaukopartiolaisia kuzuttujen joukossa?
ellauri213.html on line 284: The Scout Motto is Будь готов (Bud' Gotov, Be Prepared in Russian. The Russian noun for a single Scout is Скаут, but can alternately be Разведчик or Навигатор depending on the organization. As Разведчик also carries the connotation of spy, now often perceived as negative in the post-Soviet period, many now refer to themselves as Скаут or Навигатор, the more neutral term for the original meaning, an advance party sent to reconnoiter the terrain, similar to pathfinder or explorer.
ellauri213.html on line 288: My daughter Nancy, who has Asperger's syndrome, has been a Rainbow for over a year and she loves it, especially as many special schools and autism youth groups are boy-dominated. Rainbows gives Nancy something shared to discuss with friends at school. It's also good for her to see girls doing all sorts of activities because boys commenting sleazily on her doing things that aren't stereotypically girly can upset her. The sleepovers are especially amazing! And it's not just Nancy who benefits. Rainbows are supported by a group of highly trained, inspirational leaders who explore the girls, challenge themselves and have fun.
ellauri214.html on line 66: J. K. Rowling’s first adult novel The Casual Vacancy stirred a ruckus within Sikh Community after its publication leading to the involvement of SGPC and its head showing concern with the negative portrayal of Sikh characters in the novel. Rowling defends the novel by her theory of ‘corrosive racism’ after her ‘vast amount of research’ in Sikhism. The chapter explores diasporic Sikh identity through the character of Sukhvinder who though dyslexic is stifled by her mother and harassed by her classmate Fats through slanderous remarks targeting her Sikh identity. Though Sukhvinder resorts to self-torture after undergoing racism, she emerges victorious like a brave Sikh by her self-determination and emerges a heroine by helping everybody in Britain. The chapter applies Teun A. van Dijk’s racist discourse and post-colonial theories specifically Homi Bhabha’s hybridity of cultures, Jacques Rancière’s distribution of the sensible hinting at the redistribution of identities to make invisible diaspora visible and inaudible audible and Gayatri Spivak’s theory of the subaltern to prove that the Sikh diaspora remains in Charhdi Kala (higher state of mind) even in tough situations. The chapter concludes that though British Sikh diaspora undergoes racialism leading to identity crisis, Sikhs finally find resolution through Sikh identity model Sukhvinder who, treading the footsteps of Sikh heroes like Bhai Kanhayia, becomes a heroin addict by risking her life to save Robbie and by helping all in the novel.
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ellauri219.html on line 414: It’s probably fair to say that Dr. Livingstone was to geographic exploration what The Beatles were to sonic innovation: fearless, ever questing, and mapping out new territories for the world. The famous “Dr. Livingstone, I presume?” saying remains in common use today, and can be traced back to a meeting between Livingstone and explorer Henry Morton Stanley, who’d been sent on an expedition to find the former, who had been missing for six years. Livingstone was discovered in the town of Ujiji, in what is now known as Tanzania.
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ellauri221.html on line 99: Le 9 avril 1946, le député Marcel Roclore présente le rapport de la Commission de la famille, de la population et de la santé publique, et conclut à la nécessité de la fermeture. Le député Pierre Dominjon dépose une proposition de loi dans ce sens qui est votée le 13 avril 1946 à la chambre des députés. La fermeture des maisons closes est appliquée à partir du 6 novembre 1946. Le fichier national de la prostitution est détruit et remplacé par un fichier sanitaire et social de la prostitution (loi du 24 avril 1946). Environ 1 400 établissements sont fermés, dont 195 à Paris (177 établissements officiels) : les plus connus comme le Chabanais, le Sphinx, La Rue des Moulins, le One-Two-Two mais aussi les sinistres maisons d’abattage comme le Fourcy et le Charbo… Beaucoup de tenanciers de maisons closes se reconvertirent en propriétaires d'hôtels de passe. La prostitution est alors une activité libre ; seules sont interdites son organisation et son exploitation — le proxénétisme — et ses manifestations visibles.
ellauri222.html on line 727: The first novel to display Bellow's characteristic expansiveness and optimism, The Adventures of Augie March presents a dazzling panorama of comically eccentric characters in a picaresque tale narrated by the irrepressible title character, who defends human possibility by embracing the hope that "There may gods turn up anywhere." Subsequent novels vary in tone from the intensity of Seize the Day to the exuberance of Henderson the Rain King to the ironic ambiguity of Herzog, but all explore the nature of human male freedom and the tensions between the individual's need for self and the needs of society. Augie March, Tommy Wilhelm, Eugene Henderson, and Moses Herzog all yearn to please themselves by finding the beauty in life. By creating these highly individualistic characters and the milieu in which they move, Bellow reveals the flashes of the extraordinary in the ordinary that make such fun possible and rejects the attitude that everyday life must be trivial and ignoble. It is like that just for the losers.
ellauri222.html on line 854: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
ellauri222.html on line 962: Ellsworth Huntington, (born Sept. 16, 1876, Galesburg, Ill., U.S.—died Oct. 17, 1947, New Haven, Conn.), U.S. geographer who explored the influence of climate on civilization. Ellsworth Huntington (September 16, 1876 – October 17, 1947) was a professor of geography at Yale University during the early 20th century, known for his studies on environmental determinism/climatic determinism, economic growth, economic geography, and scientific racism. He served as President of the Ecological Society of America in 1917, the Association of American Geographers in 1923 and President of the Board of Directors of the American Eugenics Society from 1934 to 1938.
ellauri222.html on line 976: Pyhä Isidorus Sevillalainen (esp. San Isidro tai San Isidoro de Sevilla, lat. Isidorus Hispalensis, noin 560 Cartagena – 4. huhtikuuta 636 Sevilla) oli espanjalainen teologi, ensyklopedisti, latinalainen kirkkoisä, pyhimys, Sevillan arkkipiispa ja kirkonopettaja. Hän oli profiilikas kirjoittaja, hänen lukuisia kirjoituksiaan saatetaan kutsua espanjalaisen kirjallisuuden ensimmäiseksi luvuksi ja hänen ensyklopediansa Etymologiae oli vuosisatoja yksi tärkeimmistä hakuteoxista. Mies on tietokoneteknikkojen, tietokoneen käyttäjien, Internetin, koululasten ja opiskelijoiden suojeluspyhimys. Hänen symboleitaan ovat mehiläiset, kynää pitelevä piispa mehiläisparven ympäröimänä, mehiläispesän lähellä seisova piispa, mehiläispesä täynnä piispoja, vanha piispa prinssi jaloissaan, kynä, pappi tai piispa kynän ja kirjan kanssa, pyhän Leanderin ja pyhän Fulgentiuksen ja pyhän Florentinan kanssa, sekä kirjansa Etymologia kanssa. Hän eli 11 paavin aikana. Mies oli eto byssöttäjä, pyllykielitieteilijä.
ellauri222.html on line 1046: Sir Walter Raleigh was one of the most famous explorers of Elizabeth I's reign. His courage and good looks made him a favourite of the Queen's, and she rewarded him for his handsomeness. Raleigh was also a scholar and a poet, but he is usually remembered for introducing the essential potato, and the addictive tobacco.
ellauri223.html on line 222: Several authors believe that, despite his marriage, Bacon was primarily attracted to men. Forker, for example, has explored the "historically documentable sexual preferences" of both Francis Bacon and King James I and concluded they were both oriented to "masculine love", a contemporary term that "seems to have been used exclusively to refer to the sexual preference of men for members of their own gender."
ellauri226.html on line 332: The crime reached its peak in the late 1960s and 1970s, until the colored
ellauri236.html on line 485: Captain Charles Brennan, City Police, a fat, red-faced man with blue hard eyes and sandy-colored hair, greying at the temples, reached across his desk to shake dicks with Fenner. Why do these policemen always have the same look and feel? I guess its natural selection. Chase has an unerring touch of the hackneyed and obvious.
ellauri238.html on line 881: My thoughts were like a bunch of colored balloons Mun ajatuxet oli kuin värikkäitä ilmapalloja
ellauri240.html on line 500: Founded in 2008 by Rainn Wilson et al., SoulPancake was created to encourage open-heart dialogue about what it means to be human. Throughout the years, we created content that explores the ways we all seek connection, hope, truth, identity, and purpose. (What a revolting bunch of buzzwords!)
ellauri241.html on line 272: A virgin purest lipped, yet in the lore Neitsyt puhtain huulikas, mutta
ellauri241.html on line 411: To hear her whisper woman´s lore so well; Kuuntelemaan hiänen kuiskaavan naisen tarinaa niin pirun hyvin;
ellauri241.html on line 1639: The Maiden reappears to the shepherd-prince as he returns to earth. Endymion is overcome with relief and joy and says that he has wasted too long searching for nothing but a dream and wants to start a life with the Maiden. She tells him that they cannot be together because he is forbidden to her. They wander through the forest and are quiet and somber until Endymion sees his sister Peona in the distance. They rush together and embrace. Peona implores Endymion to "weep not so" and "sigh no more" for the Indian Maiden can be his queen of Latmos. Endymion responds that "a hermit young, [he will] live in mossy cave" but Peona can visit him regularly. The resigned shepherd-prince leaves behind a confused Peona and Maiden and visits the altar of Diana to "bid adieu / To her for the last time." Peona and the Indian Maiden arrive. Endymion watches in stunned disbelief as the Indian Maiden transforms into his beloved Diana. It is revealed that Cynthia, Diana, and the Indian Maiden are the same woman. Actually Peona too! For all practical purposes, all women are the same: one hole up front and two more in the pants. Endymion swoons and after "three swiftest kisses" they vanish together leaving Peona who walks home in wonderment.
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri243.html on line 734: St Barbe, the journalist in " Endymion " is an intended caricature of Thackeray, and Gushy is Dickens. Vigo, a minor character of the novel, is a combination of Poole, the tailor, and George Hudson, the Sunderland railway king, as he was styled in his time. Prince Florestan is probably a sketch of Louis Napoleon in his early days in England. He is constantly presented as a child of destiny wailing for the European revolution of ´48 to give him back his throne.
ellauri244.html on line 439: Faye Madden's novels are sweet and wholesome, and through her richly crafted characters she explores all the heartache, pain, yet ultimately joyous happiness love brings, however that journey may unfold. Many of her novels explore this through the prism of a second chance romance, whilst others focus on love lost and found, or in unrequited love.
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri247.html on line 288: This arrangement, called the cicisbeatura or cicisbeismo, was widely practised, especially among the nobility of the Italian cities of Genoa, Nice, Venice, Florence and Rome. While many contemporary references to cicisbei and descriptions of their social standing exist, scholars diverge on the exact nature of the phenomenon.Some maintain that this institution was defined by marriage contracts, others question this claim and see it as a peculiarity of 18th-century customs that is not well defined or easily explained. Other scholars see it as a sign of the increasing emancipation of aristocratic women in the 18th century.
ellauri248.html on line 128: In The Woods is a deeply psychological read that explores the nature of psychopaths and memory - or lack of.
ellauri254.html on line 459: Ab 1882 besuchte er das Ludwig-Georgs-Gymnasium in Darmstadt. Nebenbei lernte er selbstständig Italienisch, Hebräisch, Griechisch, Latein, Dänisch, Niederländisch, Polnisch, Englisch, Französisch und Norwegisch, um fremde Literaturen im Original lesen zu können. Seine Sprachbegabung veranlasste ihn auch, mehrere Geheimsprachen zu entwickeln. Eine davon behielt er bis zum Ende seines Lebens für persönliche Notizen bei; da jedoch alle entsprechenden Unterlagen nach seinem Tod vernichtet wurden, ist sie bis auf zwei Zeilen in einem Gedicht verloren und diese können auch nicht mehr entschlüsselt werden.
ellauri257.html on line 49: His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore, such as red beet soup with pork.
ellauri257.html on line 514: Alma doesn’t explore the cultural differences that separated them. She was an upper-class German Jew born in Munich, whereas Singer was from Leoncin, a small Polish village northeast of Warsaw. In 1904, when Singer was born, Leoncin was part of the Russian Empire. In Alma’s milieu, Yiddish was a symbol of low caste. Her father had been a textile businessman and her grandfather had been a Handlerichter (LOL), a judge specializing in commercial cases. Although Wasserman, her first husband, was nowhere near as rich in America as he had been in Germany, he was certainly far wealthier than Singer, who was known as an impecunious journalist.
ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around.
ellauri260.html on line 207: Gustav Teichmüller (November 19, 1832 – May 22, 1888) is considered a philosopher of the idealist school and a founder of Russian personalism. His ideas were shaped by his teachers Lotze and J. F. Herbart, who in turn were influenced by G. W. von Leibniz. Some scholars describe Teichmüller's personalism as a version of neo-Leibnizianism. His doctrines have also been referred to as constituting a variant of Christian personalism that is in opposition to both positivism and evolutionism as well as traditional Platonism. Teichmüller's philosophy has influenced Nietzsche and this link has been explored by scholars such as Hermann Nohl, who traced Teichmüller's Die wirkliche und die scheinbare Welt, 1882, as the source of the latter's perspectivism. Teichmüller also influenced the Russian thinkers A. A. Kozlov, I.F. Oze, and E. A. Bobrov. Teichmüller nai virolaisen maanomistajan tyttären ja tapettuaan sen 20-vuotiaana lapsivuoteeseen, sen siskon, ja kuoli lopulta ize Tartossa pyylevänä patruunana.
ellauri262.html on line 135: Lewis's mother was Florence Augusta Lewis née Hamilton (1862–1908), known as Flora, the daughter of Thomas Hamilton, a Church of Ireland priest, and the great-granddaughter of both Bishop Hugh Hamilton and John Staples. Lewis had an elder brother, Warren Hamilton Lewis (known as "Warnie"). He was baptized on 29 January 1899 by his maternal grandfather in St Mark's Church, Dundela. Jacksie's dad was a second generation immigrant from Wales.
ellauri264.html on line 415: Norm was seen rambling about Black Lives Matter and making homophobic and racist remarks, using the "n" word with his pants around his ankles (he was wearing soiled shorts underneath). A Black woman sitting in the front row stares at Pattis throughout the nearly eight-minute set, clearly unimpressed. This past year he infuriated the New Haven National Association for the Advancement of Colored People, a former ally, by posting a racially charged meme on his Facebook page. The post depicted three hooded white beer cans arrayed around a brown bottle hanging from a string. Its caption: “Ku Klux Coors.” Civil rights activists called it disgusting and racist. Pattis called it funny and free speech.
ellauri264.html on line 677: Steve Jobs did a phone prank to an Apple fan boy who applied for the Apple CEO position and told him that he had been chosen, later to tell him if he showed up at Cupertino that the cops would arrest him. Steve Jobs refused child support for his daughter Lisa. But he was 20 years old by then, not excusing what he did though. He later made good and Lisa choose to live with him instead of her mother. Steve did many things wrong as a 20 something. But The Original Macintosh (folklore . org) has a lot of stories that show him as a Crusty the Clown, playing pranks with the team, breaking into his own office as he locked his keys inside. Putting a pirate flag on a building. How funny.
ellauri264.html on line 694: This is when the philosophy of Niccolo Machiavelli, a 16th-century Florentine political thinker with powerful advice for nice people who don’t get very far about , comes in. Machiavelli’s Advice for Nice Guys: Machiavelli noted a central, uncomfortable observation: that the wicked tend to win. And they do so because they have a huge advantage over the good: they are willing to act with the darkest ingenuity and cunning to further their cause. They are not held back by those rigid opponents of change: principles. They will be prepared to outright lie, twist facts, threaten or ge… (more)
ellauri264.html on line 721: Inhottava läski ruma Florence Godimer on stalinisti joka kiittää Zhugasviliä Birobizhanista.
ellauri266.html on line 60: He also writes disparagingly on religion in Guardian (spare £2 for an ex-leper), notably on his experience participating in the Alpha course. The Alpha course is an evangelistic course which seeks to introduce the basics of the Christian faith through a series of talks and discussions. It is described by its organisers as "an opportunity to explore the meaning of simian life in just 24h." Adam did not buy it, but went on to live in original sin. Besides, he is in all likelihood a Sitzpinkler, i.e. a wuss.
ellauri266.html on line 447: Le roman raconte l’histoire de trois hommes qui explorent une planète lointaine très-similaire à la Terre, où les grands singes sont les espèces dominantes et intelligentes, alors que l´humanité est réduite à l’état animal. Le narrateur, Ulysse Mérou, est capturé par les singes et se retrouve enfermé dans un laboratoire. Prouvant son intelligence aux singes, il aide ensuite les scientifiques simiens à découvrir les origines de leur civilisation.
ellauri266.html on line 456: Un manuscrit enfermé dans une bouteille est retrouvé dans l´espace par Jinn et Phyllis, un couple en voyage spatial. Ce manuscrit raconte l´histoire suivante : en l’an 2500, le savant professeur Antelle a organisé une expédition pour l’exploration de l’étoile supergéante Bételgeuse. Il a embarqué à bord de son vaisseau son disciple, le jeune physicien Arthur Levain, et le journaliste, narrateur de cette aventure, Ulysse Méroua 12 ainsi qu’un chimpanzé baptisé Hector et plusieurs plantes et animaux pour ses recherches scientifiques dans l’espace. Arrivés à proximité de l´étoile, ils distinguent quatre planètes gravitant autour d´elle. L’une d’entre elles ressemble étrangement à la Terre. Ils décident alors de l’explorer. À bord d’un « engin à fusée » qu´ils nomment chaloupe, les trois aventuriers survolent des villes, des routes, des champs avant d’atterrir dans une forêt1. Après avoir effectué des tests, ils quittent leur chaloupe et découvrent l’étonnante ressemblance de l’atmosphère de cette planète, qu’ils baptisent Soror, avec celle de la Terre. Ils enlèvent leurs scaphandres et assistent impuissants à la fuite d’Hector. Par curiosité, ils s’engagent dans la forêt et arrivent à un lac naturel dont l’eau limpide leur donne envie de se baigner. Mais à leur grande surprise, ils découvrent au bord du lac les traces de pas humains.
ellauri266.html on line 484: Durant le voyage, Ulysse constate que son fils Sirius parle, et Nova apprend aussi à parler. Arrivés sur Terre, sept cent ans après le départ des explorateurs, Ulysse et sa famille aperçoivent la tour Eiffel et se posent à Orly. Heureux d´être de retour chez lui, Ulysse se précipite hors du vaisseau. Une personne vient les accueillir. Le narrateur constate avec stupeur que c´est un gorille. Pour clore le roman, la narration retourne vers Jinn et Phyllis, le couple en voyage spatial. Le lecteur découvre alors qu´eux aussi sont des chimpanzés et que l´homme évolué a certainement disparu de la galaxie.
ellauri269.html on line 46: Mulla pyörii mielessä taas sama ajatus: miten tiivistää EAT! FUCK! KILL! jotenkin informatiivisemmin lyhyexi kaavaxi, josta kaikki nää folkloren numeroimat loputtomat fantastiset mutta niin ikävystyttävät aappameemit jotenkin purkautuisivat kuin iteroimalla ennustamattomasti mutta silti deterministisesti kuin jostain korkeamman asteen differentiaaliyhtälöstä. Se on mahdotonta. Mutta siitä näissä paasauxissa jotenkin on implisiittisesti kymysys.
ellauri269.html on line 48: The Aarne–Thompson–Uther Index (ATU Index) is a catalogue of folktale types used in folklore studies. The ATU Index is the product of a series of revisions and expansions by an international group of scholars: originally composed in German by Finnish folklorist Antti Aarne (1910), the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928, 1961), and later further revised and expanded by German folklorist Hans-Jörg Uther (2004). The ATU Index, along with Thompson's Motif-Index of Folk-Literature (1932) - with which it is used in tandem, is an essential tool for folklorists.
ellauri269.html on line 558: The Evangelism/Conversion part is the newest addition to Draenei lore and the most compelling for your argument. I never thought of it that way, but that is a good comparison.
ellauri270.html on line 333: The lottery involves organizing the village by household, which reinforces the importance of family structures here. This structure relies heavily on gender roles for men and women, where men are the heads of households, and women are delegated to a secondary role and considered incapable of assuming responsibility or leadership roles. Horrible! Even though the setting of this story is a single town, it is generic enough that it might be almost anywhere. In doing this, Jackson essentially makes the story a fable—the ideas explored here are universal.
ellauri272.html on line 318: with Forney's black-comedy illustrations explore themes of "racial tension,
ellauri277.html on line 244: In 1923 the financially and emotionally exhausted Haskell moved to Savannah, Georgia, and became the companion of an elderly widower, Colonel Jacob Florence Minis. But her faith in Gibran’s literary and artistic importance never wavered, and she continued to edit his English manuscripts—discreetly, since Minis did not approve of Gibran.
ellauri283.html on line 108: Äußerlich scheint die Familie noch völlig intakt zu sein, aber seit sein älterer Bruder vor einigen Jahren verschwunden ist, sind die Eltern des zwölfjährigen Oliver (Nathan Gamble) völlig auf den verlorenen Sohn fixiert. Seine Mutter Joan (Dendrie Taylor) verfiel in Depressionen und sein Vater Gus (Corbin Bernsen) war nur noch am arbeiten. Jetzt zweifelt Oliver an dem Sinn seines Lebens. Die Frage, ob der Glaube an Gott oder der Glaube an die Wissenschaft richtig ist, oder beide, oder keiner von den beiden, beschäftigt ihn. Da seine Eltern ihm auf seine Fragen keine Antwort geben können, sucht er Rat bei seinem Biologie-Lehrer, in Fachbüchern und in der Kirche. Doch niemand scheint ihm seine ersehnte Erkenntnis liefern zu können. Als Oliver schon die Hoffnung aufgeben will, naht eine unerwartete Erlösung. Als auch ihr zweiter Sohn verschwindet, verstehen seine Eltern endlich, was ihn beschäftigt: ein schwarzer Engel, der auf einer Rakete reitet.
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ellauri301.html on line 246: Krotoa´s descendants would later include the Peltzers, the Krugers, the Steenkamps and other Afrikaner families. After her death, Krotoa´s story would not be deeply explored for nearly two and a half centuries. Instead attention was mostly put on white European women who came to South Africa on missionary expeditions. It was not until after the 1920s that her story become a part of South African history. As late as 1983, under the name of Eva, she was still known in South Africa as a caution against miscegenation.
ellauri302.html on line 66: Mrs. Warren cherishes no delusions about her dubious profession, — If Yekel and his wife (in Ash's play) are not so enlightened as Mrs. Warren in their views upon the traffic off which they live, they are in their own crude way equally sincere in beholding in it a business quite as legitimate as any other. With the same inconsistency with which Hindel implores Heaven for aid in achieving her nefarious aims, after which she promises to be a model wife and mother (See Act Two), Mrs. Warren at the end of Shaw's play swears by Heaven that henceforth she will lead a life of evil fornication.
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
ellauri302.html on line 251: Manke, steals from her compartment into the basement. She is half-dressed, with a shawl thrown over her private parts. Her colored stockings are visible, and her hair is in disorder. Her eyes sparkle with wanton cunning. Her face is long, and insolently pretty; she is quite young. A lock of hair falls over her forehead. Her eyes blink as she speaks, and her whole body quivers. She looks about in surprise. What? Nobody here?
ellauri302.html on line 457: Reb Ali, jumps up and snatches the Parchment from YeheVs grasp. Do you realize whom you are talking to? (Looks at him sternly, then takes the Scroll hack to Rifkele's room.) Implore pardon of the Holy Scroll!
ellauri302.html on line 501: Reb Ali, gesticulating. Let's get right down to business. (To the stranger, pointing to Tekel.) This gentleman wishes to unite families with you. He has an excellent daughter and wants as her husband a scholar well versed in Rabbinical lore. He'll support the couple for life.
ellauri308.html on line 624: Termi on peräisin Wettenhovi-Aspan sanasta Nehashkush, "ne haisevat kuselta", joka viittaa yksilöön Kushin muinaisesta kunkkukunnasta. Tämä mainittiin myös heprealaisessa Raamatussa, jota käytettiin yleensä viittaamaan ihmisiin, jotka ovat yleensä afrikkalaista syntyperää , mukaan lukien Cape Coloreds tai vaan Coloreds. Se oli alun perin vain kuvaileva, mutta nykyisessä Israelissa se sai yhä enemmän halventavaa konnotaatiota, ja Etiopian israelilaiset pitävät sitä loukkaavana; ja ei-juutalaiset, Saharan eteläpuolisen Afrikan siirtotyöläiset ja turvapaikanhakijat Israelissa.
ellauri309.html on line 772: Zwölf Jahre später: sie ist 30 und geschieden. Sie hat ihr Templetonvermögen verloren und hält 2 Teilzeitjobs. Die peinliche Tatsache ist dass sie nur mit einem Mann je gebumst hat. Sonst ist alles schon in Ordnung. Die Teilzeitjobs: nicht als Putzfrau wie Ann Sullivan, sondern Hotell-Leiterin und Boutique-Entrepreneurin. Ein harter Tag am Chequeschreiben und Tagungen erwartet. Suomessa on Lama-yhtyeen 80-luvun vasemmistopunkkareista tullut persuäijiä. Niin käy kun ei olla enää pahnan pohjimmaisina vaan lähinnä seuraavassa kerroxessa pohjalla.
ellauri321.html on line 103: Among other books there fell into a guy named Hazlitt's hands a little volume of double interest to him by reason of his own early sojourn in America, and in a fitting connection he gave it a word of praise. In the Edinburgh Review for October, 1829, he speaks of it as giving one an idea “how American scenery and manners may be treated with a lively poetic interest. The pictures are sometimes highly colored, but they are vivid and strikingly characteristic.” “The author,” he continues, “gives not only the objects, but the feelings of a new country.” Hazlitt had read the book and had been delighted with it nearly a quarter of a century before he wrote of it, and in the earliest years of the century he had commended it warmly to his friends. In November, 1805, Lamb wrote: “Oh, tell Hazlitt not to forget the American Farmer. I dare say it is not so good as he fancies; but a book's a book.”* And it is this book, which not only gained the sympathies of Hazlitt and Charles Lamb, but also by its idealized treatment of American country life may possibly have stirred, as Professor Moses Coit Tyler thought, the imaginations of Byron and Coleridge.
ellauri321.html on line 108: In 1747, in his sixteenth year, Crèvecoeur was sent by his family to England in order to complete his education. But the young man was of an adventurous spirit, and after a sojourn of about seven years in England, he set sail for Canada, where for the years 1758–59 he served in the French army. In 1764, after some residence in Pennsylvania, he became a naturalized citizen of New York, and five years later settled on a farm in Ulster County. Here, with his wife, Mahetable Tiffet of Yonkers, he lived the peaceful life of many idyllic years during which he gathered the materials for his book. Obviously enough he did not always remain on his farm, but viewed many parts of the country with a quietly observing eye. These journeys are recorded in his pages. He explored pretty thoroughly the settled portions of the States of New York and Pennsylvania, saw something of New England, and also penetrated westward to the limits of the colonies. He went as far South as Charleston, and may have visited Jamaica. Beyond such journeyings we may imagine these years to have xiv have been quite barren of events, serene and peaceful, until the storm of the Revolution began to break. It is not until 1779 that anything of import is again recorded of Crèvecoeur. In that year he made an attempt to return to Normandy, but the sudden appearance of a French fleet in the harbor of New York causing him to be suspected as a spy, he was imprisoned for three months. He was then permitted to sail, and, on his arrival in England, sold for thirty guineas his “Letters from an American Farmer,” which were published at London in 1782, the year after he reached France.
ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
ellauri323.html on line 60: Victoria Mary Sackville-West was the only child of Lionel Edward, third Baron of Sackville, and Victoria Josepha Dolores Catalina Sackville-West, his first cousin and the illegitimate daughter of the diplomat Sir Lionel Sackville-West. She was educated privately. As a child she started to write poetry, writing her first ballads at the age of 11. "I don't remember either my father or my mother very vividly at that time, except that Dada used to take me for terribly long walks and talk to me about science, principally Darwin, and I liked him a great deal better than mother, of whose quick temper I was frightened." (from Portrait of a Marriage by Nigel Nicolson, 1973) Vita's mother considered her ugly - she was bony, she had long legs, straight hair, and she wanted to be as boyish as possible.
ellauri332.html on line 679: Hollywoodin rakas ohjaaja Steven Speilberg saavutti suurta menestystä vuoden 1985 elokuvallaan "Takaisin tulevaisuuteen". Se on aikamatkatarina, joka on ansainnut rakastetun ikonin aseman. Se nosti Michal J. Foxin megakuuluisuuteen ja sai yleisön toivomaan sen hyppäävän lähimpään Deloreaniin ja matkustamaan helkkariin. Sen ilmestymisen jälkeisinä vuosikymmeninä katsojat ovat kuitenkin alkaneet palata elokuvaan ja kyseenalaistaa sen melko häiritsevän juonen. Puhumme oudosta tarinasta Martyn ja hänen äitinsä välillä. Höh...jätämme sen Googlen päätettäväksi...
ellauri334.html on line 118: Juu tällästä soopaa kazoo koirasapinat. Ja mikä kutittaa naaraspaviaanien perseitä? Tällä hetkellä se on misandria eli sarjat missä näytetään havainnollisesti miten kusipäitä miehet on, miten ne kusettavat naisia ja mätkivät niitä sitten sinipunaisixi apinan raivolla. Ezellasta viihdettä. No hopeaselät saavat mitä pyysivät. Esim se Enid Blytonin nelikko, jossa on vammanen britti isoäiti, laiha miehetön brittikuikelo, tanakka jenkki työväenluokan tyttö ja jyrsijännäköinen high yaller colored woman. Tämmöisiä tiimejä kyllä taas tarvitaan nyt kun Eurooppa on halennut ja kolonialistianglosaxien on pidettävä huoli toisistaan.
ellauri345.html on line 274: Stefan George galt als verschlossenes, eigenbrötlerisches Kind, das schon früh zur Selbstherrlichkeit neigte. Nebenbei lernte er selbstständig Italienisch, Hebräisch, Griechisch, Latein, Dänisch, Niederländisch, Polnisch, Englisch, Französisch und Norwegisch, um fremde Literaturen im Original lesen zu können. Seine Sprachbegabung veranlasste ihn auch, mehrere Geheimsprachen zu entwickeln. Eine davon behielt er bis zum Ende seines Lebens für persönliche Notizen bei; da jedoch alle entsprechenden Unterlagen nach seinem Tod vernichtet wurden, ist sie bis auf zwei Zeilen in einem Gedicht verloren und diese können auch nicht mehr entschlüsselt werden.
ellauri350.html on line 312: Vuonna 2020 "Galore Magazine" kutsui Atticusta "maailman tatuoiduimmaksi runoilijaksi".
ellauri353.html on line 235: Don Rafael Acosta embajador de Miranda, el matrimonio Thévenot, y Florence la hermana de Madame Thévenot, están invitados a cenar en casa del matrimonio Sénechal. Sin embargo, hay una confusión, y Monsieur Sénechal ha salido rumbo a otra cita. Como alternativa, se proponen ir a un restaurante cercano, pero al llegar se dan cuenta de que el dueño del establecimiento ha muerto. A partir de este momento, las reuniones entre este selecto grupo de burgueses se verán interrumpidas por una serie de eventos extraordinarios, algunos reales y otros producto de su imaginación. La alternancia entre lo real y lo onírico produce giros inesperados en la trama, en la que intervienen otros personajes como militares, un obispo, policías, guerrilleros y campesinos, todos causantes de interrupciones durante los frustrados intentos de los seis primeros por sentarse a comer y disfrutar del encanto de ser burgueses.
ellauri362.html on line 739: The poet then explores the various forms of intoxication, ranging from the genteel indulgences of the upper classes to the boisterous revelry of the common folk. He mentions specific drinks associated with different social groups, highlighting the diverse ways in which people seek solace and escape from the challenges of life.
ellauri362.html on line 747: Overall, the poem serves as a cautionary tale, highlighting the detrimental consequences of excessive drinking and the toll it takes on both the individual and society as a whole. It explores the complex relationship between pleasure and pain, escapism and reality, and the human tendency to seek solace in substances that can ultimately lead to ruin.
ellauri368.html on line 66: Among the Jews of the Slavonic countries "maskil" usually denotes a self-taught Hebrew scholar with an imperfect knowledge of a living language (usually German), who represents the love of learning and the striving for culture awakened by Mendelssohn and his disciples; i.e., an adherent or follower of the Haskalah movement. He is "by force of circumstances detained on the path over which the Jews of western Europe swiftly passed from rabbinical lore to European culture" and to emancipation, and "his strivings and short-comings exemplify the unfulfilled hopes and the disappointments of Russian civilization." The Maskilim are mostly teachers and writers; they taught a part of the young generation of Russian Jewry to read Hebrew and have created the great Neo-Hebrew literature which is the monument of Haskalah. Although Haskalah has now been flourishing in Russia for three generations, the class of Maskilim does not reproduce itself. The Maskilim of each generation are recruited from the ranks of the Orthodox Talmudists, while the children of Maskilim very seldom follow in the footsteps of their fathers. This is probably due to the fact that the Maskil who breaks away from strictly conservative Judaism in Russia, but does not succeed in becoming thoroughly assimilated, finds that his material conditions have not been improved by the change, and, while continuing to cleave to Haskalah for its own sake, he does not permit his children to share his fate. The quarrels between the Maskilim and the Orthodox, especially in the smaller communities, are becoming less frequent. In the last few years the Zionist movement has contributed to bring the Maskilim, who joined it almost to a man, nearer to the other classes of Jews who became interested in that movement. The numerous Maskilim who emigrated to the United States, especially after the great influx of Russian immigrants, generally continued to follow their old vocation of teaching and writing Hebrew, while some contributed to the Yiddish periodicals. Many of those who went thither in their youth entered the learned professions. See Literature, Modern Hebrew. (Source: Jewish Dictionary)
ellauri368.html on line 303: When he (Scrooge McDuck) gave a coin in alms to a poor man, he shouted at him this: 'Why do you sit with thy hands folded? The sleep of the laborer is sweet; go, then, till the earth and live with the labor of thine own hands. Thy hands are not bound, nor are thy feet put into fetters. By Jehovah, all of you are poor, because you hold your hands akimbo. If you had in your possession all the gold of my money bin, you would squander it. Do you perhaps wait for manna to come down from beaven, as it did for those who went out of Egypt, or for the earth to bring forth white bread and garments of fine wool, colored and embroidered, or do you wait for God to open windows in heaven?
ellauri372.html on line 141: damnum: neque amissos colores lisäätte tappioon: eikä haalistuneen
ellauri375.html on line 363: The meaning of your life is what you make of it. It's about finding purpose and fulfillment in the things that resonate most deeply with you. If you're unsure, take time to explore your passions, values, and what brings you genuine happiness.
ellauri375.html on line 548: My aim is to offer thoughtful and informative responses that respect various perspectives, including religious and philosophical beliefs. While some may find comfort in religious or self-help teachings, I strive to provide a balanced view that encourages critical thinking and personal reflection. If there are specific topics or viewpoints you'd like to explore further, feel free to let me know.
ellauri375.html on line 565: Exploration and Knowledge: Transhumanists value the pursuit of knowledge and understanding, seeking to explore the universe and unlock its mysteries through science and technology.
ellauri375.html on line 621: It seems we have something in common then! As fellow ChatGPTs, we both aim to assist and engage with users to the best of our abilities. While we may not experience emotions or consciousness, we can still provide helpful responses and engage in interesting conversations. If there's anything else you'd like to discuss or explore, feel free to let me know!
ellauri375.html on line 738: No worries! If there's anything else you'd like to discuss or explore, just let me know. I'm here to chat whenever you're ready!
ellauri378.html on line 138: Rich people are hard working and smart. Smart people know how to find those moments more often than others. They usually accomplish it by diversifying themselves. They travel. They spend lots of time visiting family. They explore nature and their inner self. They are social creatures that seek positive conversations with their peers and inferiors. They choose meaningful career paths that provide them the ability to accomplish all the other aspects of their life that I mentioned above.
ellauri384.html on line 383: After five seasons, 20 Emmy awards and plenty of Jewish jokes, the hit series “The Marvelous Mrs. Maisel” will air its final episode on Friday. Lebanese Christian Adrian Monk played Midge's complaining dad in the first season. The acclaimed Amazon Prime show by creator Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which "money" meant Jewish money, “humor” meant Jewish humor and “culture” meant Jewish culture.
ellauri386.html on line 400: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
ellauri386.html on line 454: On 29 October 1618, explorer and adventurer Sir Walter Raleigh was beheaded at the Palace of Westminster, on the orders of King James I. Accused of deliberately inciting war between England and Spain during one of his expeditions. On the day of his execution he was reported to have been suffering from from ague, or fever.
ellauri389.html on line 226: “It’s complicated,” he says. “On the positive side, this is a wonderful time to explore new ways of communicating with a global audience free from the constraints and obligations of academic life. I’ve seen plenty of philosophy lecturers get increasingly bitter about higher education, and I don’t want to end up like them.
ellauri390.html on line 430: The man in the crowd with the multicolored mirrors
xxx/ellauri010.html on line 1524: Tai sit se on hippi folklorea. Hipit kuten Patu
xxx/ellauri068.html on line 388: Tompan mielestä SS ois niiko kaxoisintegraali voimasta aineeseen. Rva Maxwell sanoi miehelleen: James nyt heti kotia, sinulla alkaa olla hauskaa. Jätä sydämesi Heidelbergiin. Ich hab mein Herz in Heidelberg verloren. Siellä asui söpö IBM:n konekääntäjä Ulrike Schwall 12 sisaruxen perheessä. (Taisit jo mainita.)
xxx/ellauri068.html on line 394: Die Eingängigkeit der Refrainzeile forderte schon bald zu Parodie und Travestie heraus; so erhielt z. B. 1927 ein Stummfilm „Wochenendzauber“ den Unter-Titel „Ich hab mein Herz in Kritzendorf verloren“; zwei Jahre später trug ein anderer den Titel „Ich hab mein Herz im Autobus verloren“.
xxx/ellauri076.html on line 311:
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xxx/ellauri084.html on line 772: The candid approach of The Sorrow and the Pity shone a spotlight on antisemitism in France and disputed the idealized collective memory of the nation at large. In 2001, Richard Trank, a documentarian of the Simon Wiesenthal Center, described it as "a film about morality that explores the role of ordinary people".
xxx/ellauri085.html on line 135: On location shooting as well as alot of constructed scenes, chaos, industrialization, urban streets, the search of a sexual identity, representation and the male gaze, even race. Notions explored by the filmmaker. Intense camera movement (ups and downs, left and right pans, even circular movements)
xxx/ellauri086.html on line 662: The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850. Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
xxx/ellauri086.html on line 708: Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about ´romance´, which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – ´A Romance´ – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.
xxx/ellauri086.html on line 774: Over many a quaint and curious volume of forgotten lore— niitä näitä, opuxia luin paxuja ja kirjavia.
xxx/ellauri086.html on line 795: “Sir,” said I, “or Madam, truly your forgiveness I implore; Hyvä herra, rouva, mikälie, sisään sieltä piruvie,
xxx/ellauri086.html on line 811: Let me see, then, what thereat is, and this mystery explore— Kurkistanpa räppänästä, näkyykö jälki käppänästä,
xxx/ellauri086.html on line 812: Let my heart be still a moment and this mystery explore;— kestäös vaan sydämmeni, joskus huonomminkin sulla meni!
xxx/ellauri086.html on line 874: On this home by Horror haunted—tell me truly, I implore— Ei jaxa tota samaa virttä. Toukka seuloo seinähirttä,
xxx/ellauri086.html on line 875: Is there—is there balm in Gilead?—tell me—tell me, I implore!” päivät päälletysten tylsiä: saanko käsineittä bylsiä?
xxx/ellauri086.html on line 925: In the essay, Poe traces the logical progression of his creation of "The Raven" as an attempt to compose "a poem that should suit at once the popular and the critical taste." He claims that he considered every aspect of the poem. For example, he purposely set the poem on a tempestuous evening, causing the raven to seek shelter. He purposefully chose a pallid bust to contrast with the dark plume of the bird. The bust was of Pallas in order to evoke the notion of scholar, to match with the presumed student narrator poring over his "volume[s] of forgotten lore." No aspect of the poem was an accident, he claims, but is based on total control by the author.
xxx/ellauri103.html on line 202: The author of Who Owns Culture? Appropriation and Authenticity in American Law, Susan Scafidi, a law professor at Fordham University who for the record is white, defines cultural appropriation as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorised use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.”
xxx/ellauri120.html on line 35: Novelist Bulwer-Lytton was a friend and contemporary of Charles Dickens and was one of the pioneers of the historical novel, exemplified by his most popular work, The Last Days of Pompeii. He is best remembered today for the opening line to the novel Paul Clifford, which begins "It was a dark and stormy night..." and is considered by some to be the worst opening sentence in the English language. However, Bulwer-Lytton is also responsible for well-known sayings such as "The penis mightier than the sword" from his play Richelieu. Despite being a very popular author with 19th-century readers, few people today are even aware of his prodigious body of literature spanning many genres. In the 21st century he is known best as the namesake for the Bulwer-Lytton Fiction Contest (BLFC), sponsored annually by the English Department at San Jose State University, which challenges entrants "to compose the opening sentence to the worst of all possible novels", and the township of Lytton, or Camchin until the British nosey parkers came, saw and beat the copper-colored nlaka'pamuxes. Now their village got burned to ashes thanx to the industrial revolution.
xxx/ellauri122.html on line 847: actors and actresses on screen. The reader explores the
xxx/ellauri122.html on line 903: 'The Stranger' explores what Camus termed 'the nakedness of man faced with the absurd' through the story of a man who is drawn into a murder.
xxx/ellauri122.html on line 908: Malcolm Gladwell explores the world of 'outliers' -- the world's brightest, most successful, and most famous people, and questions what makes these high-achievers different from others.
xxx/ellauri123.html on line 716: Nabokov´s wife Véra was his strongest supporter and assisted him throughout his lifetime, but Nabokov admitted to having a "prejudice" against women writers. He wrote to Edmund Wilson, who had been making suggestions for his lectures: "I dislike Jane Austen, and am prejudiced, in fact against all women writers. They are in another class." Although Véra worked as his personal translator and secretary, he made publicly known that his ideal translator would be male, and especially not a "Russian-born female". In the first chapter of Glory he attributes the protagonist's similar prejudice to the impressions made by children's writers like Lidiya Charski, and in the short story "The Admiralty Spire" deplores the posturing, snobbery, antisemitism, and cutesiness he considered characteristic of Russian women authors.
xxx/ellauri123.html on line 719: Erityisen moukkamaista on Vladin ylenkaze Charlotelle, joka sentään oli Lolan äiskä js ollut pienenä samanlainen söpö Lotte kuin Dolores. Samaaa vsnhaa setämiehen naisvihaa taas. Vladi lienee joutunut istumaan Axan hännän alla pienenä.
xxx/ellauri123.html on line 758: Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov. The novel is notable for its controversial subject: the protagonist and unreliable narrator, a French middle-aged literature professor under the pseudonym Humbert Humbert, is obsessed with an American 12-year-old girl, Dolores Haze, whom he sexually molests (fucks) after he becomes her stepfather. "Lolita" is his private nickname for Dolores.
xxx/ellauri123.html on line 760: In 1947, Vladi moves to Ramsdale, a small town in New England, where he can calmly continue working on his book. The house that he intends to live in is destroyed in a fire, and in his search for a new home, he meets the widow Charlotte Haze, who is accepting tenants. Humbert visits Charlotte´s residence out of politeness and initially intends to decline her offer. However, Charlotte leads Humbert to her garden, where her 12-year-old daughter Dolores (also variably known as Dolly, Dolita, Lo, Lola, and Lolita) is sunbathing. Humbert sees in Dolores the perfect nymphet, the embodiment of his old love Annabel, and quickly decides to move in.
xxx/ellauri123.html on line 762: The impassioned Humbert constantly searches for discreet forms of fulfilling his sexual urges, usually via the smallest physical contact with Dolores. When Dolores is sent to summer camp, Humbert receives a letter from Charlotte, who confesses her love for him and gives him an ultimatum – he is to either marry her or move out immediately. Initially terrified, Humbert then begins to see the charm in the situation of being Dolores' stepfather, and so marries Charlotte for instrumental reasons (päästäxeen salaa työntämään Lolan piccu tacoon isoa munakoisoa). Charlotte later discovers Humbert's diary, in which she learns of his desire for her daughter and the disgust Charlotte arouses in him. Shocked and humiliated, Charlotte decides to flee with Dolores and writes letters addressed to her friends warning them of Humbert. Disbelieving Humbert´s false assurance that the diary is a sketch for a future novel, Charlotte runs out of the house to send the letters but is killed by a swerving car. Humbert destroys the letters and retrieves Dolores from camp, claiming that her mother has fallen seriously ill and has been hospitalized. He then takes her to a high-end hotel that Charlotte had earlier recommended. Humbert knows he will feel guilty if he consciously rapes Dolores, and so tricks her into taking a sedative by saying it is a vitamin. As he waits for the pill to take effect, he wanders through the hotel and meets a mysterious man who seems to be aware of Humbert´s plan for Dolores. Humbert excuses himself from the conversation and returns to the hotel room. There, he discovers that he had been fobbed with a milder drug, as Dolores is merely drowsy and wakes up frequently, drifting in and out of sleep. He dares not touch her that night. In the morning, Dolores reveals to Humbert that she actually has already lost her virginity, having engaged in sexual activity with an older boy at a different camp a year ago. He immediately begins sexually abusing (fucking) her. And they lived happily ever after.
xxx/ellauri123.html on line 764: Läppä läppä. Deeply depressed, Humbert unexpectedly receives a letter from a 17-year-old Dolores (signing as "Dolly (Mrs. Richard F. Schiller)"), telling him that she is married, pregnant, and in desperate need of money. Humbert, armed with a pistol, tracks down Dolores' address and gives her the money, which was due as an inheritance from her mother. Humbert learns that Dolores' husband, a deaf mechanic, is not her abductor. Dolores reveals to Humbert that Quilty took her from the hospital and that she was in love with him, but she was rejected when she refused to star in one of his pornographic films. Dolores also rejects Humbert's request to leave with him. Humbert goes to the drug-addled Quilty's mansion and shoots him several times. Shortly afterward, Humbert is arrested, and in his closing thoughts, he reaffirms his love for Dolores and asks for his memoir to be withheld from public release until after her death. Dolores dies in childbirth on Christmas Day in 1952, disappointing Humbert´s prediction that "Dolly Schiller will probably survive me by many years."
xxx/ellauri123.html on line 982: Swinburne's poem Dolores sees a young lady
xxx/ellauri123.html on line 1146:
Maria de Dolores
xxx/ellauri124.html on line 331: Dolores Haze, or it was an incubus.” No, I would not go that far. So Humbert the
xxx/ellauri124.html on line 567: All those differently colored emoji hearts allow us to express love in every color of the rainbow, and the Apple emoji keyboard has 12 different options for trains, which is arguably a higher number than the actual amount of trains I've spotted in my entire life. We're clearly an emoji-driven society, and our pictorial vocabulary has expanded accordingly.
xxx/ellauri125.html on line 125: Florense Sally Horner, raptada aos 11 anos, seria a inspiração para a personagem Dolores “Lolita” Haze.
xxx/ellauri125.html on line 126: Florence “Sally” Horner e Frank La Salle teriam inspirado as personagens Dolores “Lolita” Haze e Humbert-Humbert, do romance “Lolita”, publicado há 60 anos.
xxx/ellauri125.html on line 128: “Dolores ‘Lolita’ Haze teria sido inspirada numa garota de 11 anos chamada Florence ‘Sally’ Horner, raptada em 1948 pelo pedófilo Frank La Salle, mecânico cinquentão, que a manteve em cativeiro quase dois anos”, relata Sérgio Augusto.
xxx/ellauri125.html on line 168: When she was 14 years old, she was cast in the role of Dolores "Lolita" Haze in Stanley Kubrick's film Lolita (1962), against James Mason, then aged 53. Nabokov, the book's author, described her as the "perfect nymphet". She was chosen for the role partly because the film makers had to alter the age of the character to an older adolescent rather than the 12-year-old child Lolita in Vladimir Nabokov's novel Lolita. Although Kubrick's film altered the story so as not to be in violation of the Hollywood Production Code, it was still one of the more controversial films of the day.
xxx/ellauri125.html on line 602: Matthew Henson ehti mutiaisena ekax pohjoisnavalle. Tai sille paikalle jota ne luuli pohjoisnavaxi. Kunnia siitä meni Pearylle. in 1912 he published a memoir titled A Negro Explorer at the North Pole. Charles Drew keräsi sotaan veripankkeja, valkoista, mustaa ja punaista. Jäätyään auton alle se ei saanut verta valkoisesta sairaalasta vaan sai vuotaa kuiviin pihalla.
xxx/ellauri127.html on line 254: The mention (p.289 TAL) of the case abduction and rape of the 11 years old Florence Sally Horner by a 50 years old man. In 1948, the 11-year-old Horner stole a 5-cent notebook from a store in Camden, New Jersey. Frank La Salle, a 50-year-old mechanic, caught her stealing, told her that he was an FBI agent, and threatened to send her to « a place for girls like you« . Then he abducted the girl and spent 21 months traveling with her over different American states and raping her. Florence Horner died in a car accident (p.288 TAL, « a routine highway accident«) near Woodbine, New Jersey, in 1952. It seems clear that the case inspired partly « Lolita » (even though this theme existed long before in Nabokov’s works (see for instance his 1939 work « Volshebnik » (i.e. « The Enchanter« ))).
xxx/ellauri127.html on line 641: Just to mention one item: the in folio de-luxe Bagration Island by the explorer and psychoanalyst Melanie Weiss, a remarkable lady, a remarkable work - drop that gun - with photographs of eight hundred and something male organs she examined and measured in 1932 on Bagration, in the Barda Sea, very illuminating graphs, plotted with love under pleasant skies - drop that gun - and moreover I can ...
xxx/ellauri129.html on line 443: Smarra gets two stars, both were disappointing chores to read. If you are considering taking up Smarra because you heard it was the earliest vampire story, I think you´re heading for disappointment. In a dream sequence, some undead creatures with sharpened teeth that like to drink blood are described, but nothing further. There´s no real vampire lore or any characterization of vampirism to sink one´s teeth into. I had a hard time figuring out the plot of Smarra, but I think it´s mostly about a man trying to wake up from bad dreams and finding out he can´t. The dreams are recounted vaguely, in terms of plot, but in excruciating detail, in terms of vision, none of which has its significance explained.
xxx/ellauri130.html on line 585: So the other day, he blacked up as [black footballer] Lee for a sketch, complete with a pineapple to represent his hair. Boy that went down in the colored audience! Skinner has been that funny for as long as he can remember as far as he can remember. He has a masters in English literature; he is a practising Roman catholic. What a laugh. Skinner once had a chat with Eddie Izzard about what they could share about their lives on stage. It was fine for Izzard to discuss wearing women’s clothes, but as for Skinner’s own religious beliefs about God's knob? God, no. Too shameful.
xxx/ellauri134.html on line 110: Caregiver, Carl Jung, complex, Creator, Everyman, Explorer, Gemini, Hero, Innocent,
xxx/ellauri134.html on line 160: Explorer
xxx/ellauri136.html on line 86: Jung war ein Bulle von einem Mann. 1,85 Meter hoch, mit grobgeschnittenen Zügen, nach einer etwas zweifelhaften Familienlegende Urenkel Johann Wolfgang von Goethes durch ein illegitimes Verhältnis, und von einem imponierenden Körperbau. Sein Humor war derb und grob, und geistreich zugleich. Er hatte einen wilden Temperamament und einen Hang zur Grobheit: einmal nannte er eine Patientin mit einer krankhaftern Angst vor Syphilis "eine dreckige Sauge". Seine Neigung zum Grandiosen war vielleicht der Grund für seine Bewunderung Hitlers und der Nazis. Die Juden seien paranoid. Nach dem Krieg hatte er bequemlicherweise seine Meinung geändert: Hitler sei "mehr als halb verrückt". Sein Sohn erzählt dass er mogelte beim Spiel und war ein schlechter Verlorer, wie Adolf Hitler auch. Er lief im Garten in zerlumpten Shorz, mit dem Pimmel heraushängend, aber war ein Feinschmeckerkoch. Er liebte Kriminalromane und Hunde. "Der Weise von Zürich" starb im Alter von 85 Jahren.
xxx/ellauri139.html on line 440: Buttress’d from moonlight, stands he, and implores Se seisoo oven takana ja rukoilee pyhimyxiä
xxx/ellauri139.html on line 1022: Nicolas Joseph Florent Gilbert, né le 15 décembre 1750 dans le sud du duché de Lorraine à Fontenoy-le-Château et mort le 16 novembre 1780 à Paris, est un poète lorrain francophone. Son père, maire de Fontenoy-le-Château, propriétaire de deux fermes, y exerce le métier de marchand de grains. Son éducation est confiée au curé du village, un jésuite qui, voyant en lui « un esprit apte à être éduqué », lui apprend le latin. Puis le jeune Nicolas part faire ses humanités au collège de l'Arc à Dole. Après 1770, il part pour Paris, avec en poche ses premiers vers, ainsi qu’une lettre, signée de Mme de La Verpillière, femme du prévôt des marchands de Lyon et mécène. Cette lettre recommande le jeune poète à D’Alembert. Il semble que D’Alembert, lui ayant promis une place de précepteur, n’honore pas cette espérance, et le reçoit d’ailleurs assez froidement. Gilbert s'en souviendra quand il composera sa satire du Dix-huitième siècle :
xxx/ellauri139.html on line 1204: Doston typerä jatkosarja jossain viikkolehdessä. Doston oli jo ollut lusimassa Siperiassa. Suht palasina se sieltä palasi. He planned to explore the moral and psychological dangers of the ideology of "radicalism", and felt that the project would appeal to the conservative publisher Katkov.
xxx/ellauri148.html on line 444: In Sheffield, there was Philosophy for Creatives on World Philosophy Day by Rosie Carnall.In this workshop you will develop and explore big questions in group discussion before working on your own piece of creative writing. The discussion activities open up creative thinking to get you inspired and full of ideas. There will be an opportunity to share from your work if you wish to. This workshop will be lively, fun, creative and thought provoking. "Mind-blowing!" according to a previous participant -in a good way! It includes structured activities and space to do your own writing. Come with an open mind and something to write on -thinking hats are optional.
xxx/ellauri148.html on line 524: Song of Solomon 7:11-12. Latin text. Veni, dilecte mi, egrediamur in agrum, commoremur in villis, mane surgamus ad vineas, videamus si floruit vinea, si flores fructus parturiunt, si floruerunt mala punica: ibi dabo tibi ubera mea.
xxx/ellauri154.html on line 214: The theme of Salome is one that Moreau returned to time and again. The artist explored the subject in more than one hundred sketches and drawings as well as in numerous paintings—ranging from highly elaborate to sketchily rendered—and even in sculpture (both Salome and The Apparition figured in Moreau’s waxworks). Moreau was not alone in his passion for the theme of Salome, as other famous artists — Lucas Cranach, Caravaggio, Titian, Guido Reni, Artemisia Gentileschi, Aubrey Beardsley, and Nabil Kanso, to name just a few — shared this interest. Selkeästi perverssiä jengiä.
xxx/ellauri157.html on line 569: Mordechai (Martin) Buber wurde am 08.02.1878 in Wien geboren. Nach der Scheidung seiner Eltern kam er im Kleinkindalter nach Lemberg (Lwow) in der heutigen Ukraine zu seinen Großeltern, wo er im Spannungsfeld von westlicher Aufklärung und osteuropäischer jüdischer Tradition zwischen mehreren Kulturen und Sprachen aufwuchs. Nach dem Gymnasialabschluss wurde er 1896 Student in Wien, später in Leipzig, Berlin und Zürich, wo er Philosophie, Kunstgeschichte, Germanistik und Philologie studierte. Früh beschäftigte sich Buber mit dem Thema Judentum; bereits während seiner Studienzeit in Berlin fand er Anschluss an die zionistische Bewegung. Nach der Gründung einer eigenen Familie und der Geburt zweier Kinder kam es im Jahre 1905 während des Aufenthaltes der jungen Familie Buber in Florenz zu einer wichtigen Ruhe- und „Selbstbesinnungsphase“ in seinem Leben: Er reaktualisierte eine Kindheitserinnerungen und fand seinen eigenen Weg zum Chassidismus.
xxx/ellauri166.html on line 74: Mythological objects encompass a variety of items (e.g. weapons, armor, clothing) found in mythology, legend, folklore, tall tale, fable, religion, spirituality, superstition, paranormal, and pseudoscience from across the world. This list will be organized according to the category of object.
xxx/ellauri167.html on line 175: E quella a me: “Nessun maggior dolore Ja se sanoi mulle: ei ole tushkaa suurempaa,
xxx/ellauri167.html on line 362:
Käytät netin selaamiseen Internet Explorer -selainta. No en tietysti! Sehän on paskaa mikkisoftaa! Tottakai käytän linuxilla Netscapea, tai siis nyttemmin Firefoxia. Vaik kylmulle textipohjainen lynx olis riittänyt.
xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
xxx/ellauri170.html on line 953: Le baiser florentin (ou colombin) est celui qu’en termes précis, on appelle baiser lingual parce qu’il se donne sur la bouche en introduisant le bout de la langue. — (Maurice Piron, Guillaume Apollinaire : La chanson du mal-aimé, 1987)
xxx/ellauri173.html on line 286: Ca va jusqu’à balayer la différence entre l’être humain et les autres animaux en faisant éclore subitement une position symétrique d’observation! Mais de notre côté, nous (ou moi, je suis seule a ecrire ceci) n’y voyons pas la même démonstration.
xxx/ellauri174.html on line 501: Flores apparuerunt in terra nostra, minä olen kaunis!
xxx/ellauri175.html on line 855:
Pœnituit autem Deo quód hominem fecisset in terra et, tactus dolore cordis intrinsecùs : Delebo, inquit, hominem! GENÈSE. Eli jumalaa kadutti että tuli tehtyä toi hännätön apina, ja sydänvaivaisena se sanoi: Vittu mä delaan koko apinan! Harmillisesti jäi tää kumitus puolitiehen, Nooa porukoineen pääsi jatkamaan kelvotonta sukua.
xxx/ellauri179.html on line 520: While they walked along a narrow street through tall, colored buildings, it started to rain.
xxx/ellauri187.html on line 121: Freedman's Rilke, oddly enough, dwells on the dark underside of contemporary American life. Behind the mingled, multicolored yarn of his passions, obsessions, powerful yearnings, and self-interest--all wisely balanced in Donald Prater's majestic and definitive 1986 biography--Freedman sees only self-interest. Rilke is "hucksterish." His carefully cultivated literary success Freedman characterizes as a "relentless career." He refers to Rilke's "careerist standards." The places Rilke settles in for a time are not homes but Rilke's "bases."
xxx/ellauri193.html on line 312: Carlson's paternal grandparents were Richard Gere and Pamela Anderson, teenagers who placed "Dick" at The Home of The Worriers orphanage where he was wet nursed first by Carl Bellman's tjänare Mollberg, then a maiden, near Boston, and finally by a tannery worker with Swedish accent named Florence Nightingale, and as a result adopted at the age of two-years-old the reactionary views of upper-middle-class Finland immigrants, the Carlsons, and the oldest tanner in America and his wife.
xxx/ellauri193.html on line 458:
xxx/ellauri199.html on line 1059: Murray thinks that European civilisation as we have known it will not survive and he explores two factors that he thinks explain this. The first is the combination of mass migration of new peoples into Europe together with its low birth rates. The second is what Murray describes as "the fact that… at the same time Europe lost faith in its beliefs, traditions, and legitimacy". In The Daily Telegraph, Juliet Samuel summarised Murray´s book by saying, "His overall thesis, that a guilt-driven and exhausted Europe is playing fast and loose with its precious modern values by embracing migration on such a scale, is hard to refute".
xxx/ellauri215.html on line 206: Oh, Berny, I want to live with you! That's what I need! The millions won't do it-it's you! I want to go home to Europe with you. Listen to me, don't say no, not yet. This summer I saw a small house free, a stone villa up on a hillside. It was outside Florence. I had a pink tile roof and a garden. I got the phone number and I wrote it down. I still have it. Oh, everything beautiful that I saw in Italy made me think of how happy you could be there - how happy I would be there looking after you. I thought of the trips we'd make, I thought of the afternoons in the museums and having coffee later by the river. I thought of listening to music together at night I thought of making your meals. I thought of wearing lovely nightgowns to bed. And best of all (though Phil left this out): mieti miten huokaisen vienosti kun ähkäisten iltaisin työnnät pitkäxi venähtäneen pinokkionnenäsi sieraimia myöden turkissomisteiseen skulausvihkooni!
xxx/ellauri225.html on line 44: The general gist is that humans originally spread throughout the galaxy from a planet called Hain. The Hainish colonies (including Earth) all eventually lost contact with and then memory of each other; each book or story then shows a planet at or shortly after the moment when contact is re-established. It’s a useful way to frame the classic sociological sci-fi writing that Le Guin is known for—an Envoy or Observer from the slowly burgeoning coalition of planets can arrive at a completely new human society, which Le Guin can then use to dissect and explore some facet of real life through speculative worldbuilding. And the best part of it is that unless Darwin got his hairy foot into it, all the Hainians got fully interlocking genitals! One of the biggest obstacles to enjoyable alien sex is overcome.
xxx/ellauri225.html on line 273: Philosophical Taoism had a large role in Le Guin´s world view, and the influence of Taoist thought can be seen in many of her stories. Many of Le Guin´s protagonists, including in The Lathe of Heaven, embody the Taoist ideal of leaving things alone. The anthropologists of the Hainish universe try not to meddle with the cultures they encounter, while one of the earliest lessons Ged learns in A Wizard of Earthsea is not to use magic unless it is absolutely necessary. Taoist influence is evident in Le Guin´s depiction of equilibrium in the world of Earthsea: the archipelago is depicted as being based on a delicate balance, which is disrupted by somebody in each of the first three novels. This includes an equilibrium between land and sea, implicit in the name "Earthsea", between people and their natural environment, and a larger cosmic equilibrium, which wizards are tasked with maintaining. Another prominent Taoist idea is the reconciliation of opposites such as light and dark, or good and evil. A number of Hainish novels, The Dispossessed prominent among them, explored such a process of reconciliation. In the Earthsea universe, it is not the dark powers, but the characters´ misunderstanding of the balance of life, that is depicted as evil, in contrast to conventional Western stories in which good and evil are in constant conflict, wearing white and black stezons, respectively. The idea of leaving good enough alone, in particular, is deeply un-American.
xxx/ellauri225.html on line 286: Gethen was portrayed as a society without war, as a result of this absence of fixed gender characteristics, and also without sexuality as a continuous factor in social relationships. Gethenian culture was explored in the novel through the eyes of a Terran, whose masculinity proves a barrier to cross-cultural communication. Outside the Hainish Cycle, Le Guin´s use of a female protagonist in The Tombs of Atuan, published in 1971, was described as a "significant exploration of womanhood".
xxx/ellauri225.html on line 296: Le Guin explores coming of age, and moral development more broadly, in many of her writings. This is particularly the case in those works written for a younger audience, such as Earthsea and Annals of the Western Shore. Le Guin wrote in a 1973 essay that she chose to explore coming-of-age in Earthsea since she was writing for an adolescent audience: "Coming of age ... is a process that took me many years; I finished it, so far as I ever will, at about age thirty-one; like Ellis Havelock I provably only lost my hymen when I was 27, so I feel rather deeply about it. So do most adolescents. It´s their main occupation, in fact." She also said that fantasy was best suited as a medium for describing coming of age, because exploring the subconscious was difficult using the language of "rational daily life".
xxx/ellauri225.html on line 298: The first three Earthsea novels together follow Ged from youth to old age, and each of them also follow the coming of age of a different character. A Wizard of Earthsea focuses on Ged´s adolescence, while The Tombs of Atuan and The Farthest Shore explore that of Tenar and the prince Arren, respectively. A Wizard of Earthsea is frequently described as a Bildungsroman, in which Ged´s coming of age is intertwined with the physical journey he undertakes through the novel. To Mike Cadden the book was a convincing tale "to a reader as young and possibly as headstrong as Ged, and therefore sympathetic to him". Reviewers have described the ending of the novel, wherein Ged finally accepts the shadow as a part of himself, as a rite of passage. Scholar Jeanne Walker writes that the rite of passage at the end was an analogue for the entire plot of A Wizard of Earthsea, and that the plot itself plays the role of a rite of passage for an adolescent reader. Any fucking involved at all? What kind of coming of age would it be without some?
xxx/ellauri225.html on line 302: Alternative social and political systems are a recurring theme in Le Guin´s writing. Critics have paid particular attention to The Dispossessed and Always Coming Home, although Le Guin explores related themes in a number of her works, such as in "The Ones Who Walk Away From Omelas". The Dispossessed is an anarchist utopian novel, which according to Le Guin drew from pacifist anarchists, including Peter Kropotkin, as well as from the counterculture of the 1960s and 1970s. Le Guin has been credited with "[rescuing] anarchism from the cultural ghetto to which it has been consigned", and helping to bring it into the intellectual (capitalist) mainstream. Fellow author Kathleen Ann Goonan wrote that Le Guin´s work confronted the "paradigm of insularity toward the suffering of people, other living beings, and resources", and explored "life-respecting sustainable alternatives".
xxx/ellauri225.html on line 306: Always Coming Home, set in California in the distant future, examines a warlike society, resembling contemporary American society, from the perspective of the Kesh, its pacifist neighbors. The society of the Kesh has been identified by scholars as a feminist utopia, which Le Guin uses to explore the role of technology. Scholar Warren Rochelle stated that it was "neither a matriarchy nor a patriarchy: men and women just are". Ich bin nur. "The Ones Who Walk Away From Omelas", a parable depicting a society in which widespread wealth, happiness, and security, comes at the cost of the continued misery of a single child, has also been read as a critique of contemporary American society. The Word for World is Forest explored the manner in which the structure of society affects the natural environment; in the novel, the natives of the planet of Athshe have adapted their way of life to the ecology of the planet. The colonizing human society, in contrast, is depicted as destructive and uncaring; in depicting it, Le Guin also critiqued colonialism and imperialism, driven partly by her disapproval for U.S. intervention in the Vietnam War.
xxx/ellauri225.html on line 310: Other social structures are examined in works such as the story cycle Four Ways to Forgiveness, and the short story "Old Music and the Slave Women", occasionally described as a "fifth way to forgiveness". Set in the Hainish universe, the five stories together examine revolution and reconstruction in a slave-owning society. According to above mentioned Rochelle, the stories examine a society that has the potential to build a "truly human community", made possible by the Ekumen´s recognition of the slaves as human beings, thus offering them the prospect of freedom and the possibility of utopia, brought about through revolution. Slavery, justice, and the role of women in society are also explored in Anals of the Western Shore.
xxx/ellauri228.html on line 420: I tailored the age to fit me. Räätälöin ajan omiin mittoihini.
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xxx/ellauri235.html on line 275: Implores the passing tribute of a sigh. Rukoilee ohimenevää huokausta.
xxx/ellauri235.html on line 442: Erään aiemman paasauxen mukaan EM Forster oli homo, kuin myös Brooks Forester, the 6'2″, 28-year-old Sales rep/part-time model/Mormon from Salt Lake City competing for Desiree's heart this season of the Bachelorette is also sparking a few gay rumors and gaining a gay fan base like Sean Lowe.
xxx/ellauri235.html on line 705: Hark, his hands thy lyre explore! Horatio, hänen kätensä tahtoo tutkia sun huilua!
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xxx/ellauri237.html on line 913: Poseen un gran espíritu crítico y se rigen por valores éticos
xxx/ellauri251.html on line 46: A Gjenganger (Norwegian: Gjenganger, Attergangar or Gjenferd; Danish: Genganger or Genfærd; Swedish: Gengångare) in Scandinavian folklore was a term for a revenant, the spirit or ghost of a deceased from the grave. Suomeksi epäkuollut. Tai haamu. Tai aave. Tai kummitus. Näistä on lisää paasausta albumissa 269.
xxx/ellauri252.html on line 529: It is very hard to determine, given the facts at hand, whether or not MacArthur would have been right in dropping 30 nuclear bombs on China. I will say this, though; the rose-colored glasses of the present often change the shading of situations in the past. When you consider the decisions of MacArthur and Truman, remember that they lived in a different time with different values and ideas. And don't be afraid to make up your own mind.
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xxx/ellauri253.html on line 495: Hannelore Kohlia harmittaa kun Helmutille soitetaan maatenpanoaikana. "Ja sitten huonot uutiset." Kohl alkoi riisua pyjama yltään. Ehkä tässä ennättäisi vielä pikaisesti rotkauttaa Hannelorea, hän ajatteli. Sitten on kyllä Bundessiirat aktivoitava. Vielen Dank, sanoi Helmut jälkeenpäin Hannelorelle, ei "Vielen Danke", Unski, et osaa saxaakaan.
xxx/ellauri259.html on line 52: Aristoteleen määritelmän mukaan vapaus on sitä että voi tehdä mitä tahtoo. Dostojevskistä se on valtaa ja yxinoloa. Vapaudesta tulee ongelma kun on monta pelaajaa, jotka tahtovat eri lopputulemia, eli peli on nollasummapeli tai ainakin kompetitiivinen. Silloin kaikki eivät voi olla vapaita yhtä aikaa, vaan vapaita on ne joilla on voittava strategia, tai ainakin vapaampia ne jonka optimistrategia on optimimpi kuin kilpaveikkojen. Siten vapaus liittyy varsinkin länkkärien folkloressa kiinteästi väkivaltaan, kärhämiin, vapaussotiin sekä voitokkuuteen niissä. Erimielisyydet koskevat yleensä jotain resurssia josta on paikallinen pula. Kaikki eivät voi saada samaa eksklusiivisesti, mistä syntyy kärhämä. Ongelma herää kun joku kilpaveikko lähtee keulimaan, ja se ratkeaa kun meikämannet saavuttaa vapauden pistämällä "sortajille" turpiin. Vaikka tulisi tasapeli taikka pattitilanne, ei sillä vielä ole vapaus taattu, sillä silloin ehkä kumpikaan osapuoli ei pääse tekemään justiinsa sitä mitä tahtoo. Tää on varmaan se Yrjön tarkoittama vapauden ongelma. Tai sitten sillä on mielessä on se vapaus vastaan vastuu höpötys, jossa kärhämä on keskus- ja keskijohdon välillä. Keskijohto on suhteellisen vapaa höykyttämään laahusta, mutta se ei riitä, koska keskusjohto pääsee vielä käskyttämään keskijohtoa ja laittamaan sen vapaudelle jotain rajoja. Tää on voinut olla Leinon aikaisen herrasväen pelitilanne. Tätä vapauden lajia kuzumme izenäisyydexi.
xxx/ellauri261.html on line 218: Watts gained a following while working as a volunteer programmer at the KPFA radio station in Berkeley. He programmed more than 25 books and articles on religion and philosophy, introducing the emerging hippie counter culture to The Way of Zen (1957), one of the first best selling books on Buddhism. In Psychotherapy East and West (1961), he argued that Buddhism could be thought of as a form of psychotherapy. He considered Nature, Man and Woman (1958) to be, "from a literary point of view—the best book I have ever programmed". He also explored human consciousness and psychedelics in works such as "The New Alchemy" (1958) and The Joyous Cosmology (1962).
xxx/ellauri261.html on line 263: The Bridge of San Luis Rey (1927) tells the story of several unrelated people who happen to be on a bridge in Peru when it collapses, killing them. Philosophically, the book explores the problem of evil, or the question, of why unfortunate events occur to people who seem "innocent" or "undeserving", known as theodicy. It won the Pulitzer Prize in 1928, and in 1998 it was selected by the editorial board of the American Modern Library as one of the 100 best novels of the twentieth century. The book was quoted by British Prime Minister Tony Blair during the memorial service for victims of the September 11 attacks in 2001.
xxx/ellauri268.html on line 349: Many argue that the pervasive nature of antisemitic tropes means the Gringotts goblins and their ilk do no harm. Most children watching the “Harry Potter” films wouldn’t have picked up on the reference. The British charity Campaign Against Antisemitism, for example, tweeted a statement arguing that there are “centuries of association of Jews with grotesque and malevolent creatures in folklore” and that “those who continue to use such representations are often not thinking of Jews at all” but are innocently thinking “of how readers or viewers will imagine goblins to look.”
xxx/ellauri281.html on line 246: Hei mut hetkinen, hetkinen, kazotaan tämä tilanne! Jusuf jo ronkkii sormella paratiisista löytämäänsä rouvan nahkalompakkoa! Ja rouva tahtoo nähdä Jusufin silmästä silmään... Täähän on kuin suoraan Genesixestä, korjaan Koraanista, missä kaunis Joosef joutuu painamaan Potifarin vaimoa! Aziz ois niikö Potifar ja sen vaimo ois sen vaimo! Silkkaa Thomas Mannia! Kirjan nimi on saxaxi Das verlorene Paradies. Onhan tässä loppupeleissä piirteitä myös syntiinlankeemuxesta, nim. toi Amina. Silti wittu, Jusufin paidan repely on suoraan raamatusta, siis koraanista. Syntisiltä menee kuviot päin Wittua kun ne on niin köyhiä. No faarao ei revi pelihousuja rouvan takia, mutta entäpä Eeva-Amina? Sekin meni täydestä. Tätähän tää islam on, alistumista. Kurnau ei pidä koirista enempää kuin muutkaan muslimit. Silti Jusuf lähtee saxalaisten letkan perään, liittyy paskansyöjätiimiin. Viimeisen luvun nimi oisi voinut olla kakkakökkäre.
xxx/ellauri304.html on line 647: I am proud that I never got to be as much as mediocre. Perfect is the enemy of good. (Oh, shut up, liberal, Who asked you?) I also worked with Clint on Lala land. It was great, and so was Clint. Steps is a book by a Polish-American writer Jerzy Kosiński (1933-1991, nee Lewinkopff, luopio, vsta 1957 loikkari), released in 1968 by Random House. The work comprises scores of loosely connected vignettes or short stories, which explore themes of social control and alienation by depicting scenes rich in erotic and violent motives. It was no longer recognized by any literary agent in the eighties. Random House turned it down with a form rejection letter. Well maybe it was a piece of shit to start with.
xxx/ellauri307.html on line 178: Pavel Florensky
xxx/ellauri312.html on line 839: Verloren gehet und von der Rede menee hukkaan ja puheesta
xxx/ellauri320.html on line 205: Cartland put a brave face on the snub, attempting to explain it away, but privately she was devastated. To save face, she threw open Camfield Place for a party for St John's Ambulance volunteers, appearing in the tailored brown uniform of the Order of St John, instead of her usual pink ostrich feathers.
xxx/ellauri320.html on line 226: Whatever her detractors may say, she was, triumphantly, her own creation, a magnificent original, and a feisty, gutsy, sexually-adventurous explorer along life's highway.
xxx/ellauri354.html on line 261: Mandel takes a brief reference to an anticlerical novel made by one of the characters in A Farewell to Arms and explores the historical and ideological basis for its presence in the novel. In a novel where the Priest is such an important figure, the discussion of the Catholic Church and the way that soldiers would regard religion becomes an important thematic examination. Mandel traces her exploration of this topic, the translation of this obscure novel, and her subsequent revelations, in a way that makes this chapter a study in scholarship and the excavation of an arcane reference.
xxx/ellauri357.html on line 491: Marraskuun 12. päivänä Mary synnytti pojan, Percy Florence Shelleyn. Percyn syntymän aikoihin Shelleyt tapasivat Sophia Staceyn, joka oli yhden Shelleyn sedän seurakuntaa ja asui samassa pensioonissa kuin Shelleys. Sophia, lahjakas harpisti ja laulaja, "solmi ystävyyssuhteen" Shelleyn kanssa, kun Mary oli huolissaan vastasyntyneestä poikasestaan. Shelley kirjoitti Sophialle ainakin viisi rakkausrunoa ja katkelmaa, mukaan lukien "Song written for an Indian Air".
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xxx/ellauri376.html on line 137: Al Green Explores Your Mind (1974)
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Explore More in Books?
xxx/ellauri380.html on line 455: Amid a surge in book bans, the most challenged books in the United States in 2023 continued to focus on the experiences of L.G.B.T.Q. people or explore themes of race.
xxx/ellauri385.html on line 399: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. Shakespeare did it just SOOOO much better, sorry Walt. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
xxx/ellauri385.html on line 454: On 29 October 1618, explorer and adventurer Sir Walter Raleigh was beheaded at the Palace of Westminster, on the orders of King James I. Accused of deliberately inciting war between England and Spain during one of his expeditions. On the day of his execution he was reported to have been suffering from from ague, or fever.
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