ellauri007.html on line 469: Carrots are blooming.

ellauri011.html on line 43: With naught of hope left, but with less of gloom;

ellauri022.html on line 901: I heard Time’s loom a-whirring that wove the Sun’s dim Veil; Kuulin ajan kangaspuiden hyristen luovan autereista huntua.
ellauri025.html on line 661: Mix Gusten repi LKV-diploomit seinältä ja riehui kuin Jankon Betonin Kalervo Jankko? "Aasia kunnossa." Koska sen äiti ei
ellauri032.html on line 232: Aika kylmiö oli Virginia, niinkuin Tomppakin. Ärsyttävä vulgääri Eine tunkee Bloomsburyn sisärenkaaseen. Kaiken muun keljuuden lisäxi Tomppa oli misogyyni. Viviennen vika oli että sillä oli originaali mieli, ei siis yhtään feminiininen. Tomppa suhtautui naisiin niinkuin juutalaisiin, ne on irrationaalisia. Se ei oikeestaan tykännytkään naisista, vaan pikemminkin miehistä. Naiset oli siitä hiukka pelottavia.
ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
ellauri048.html on line 710: Joku jutku Goldman huomauttaa ettei Salen hahmoilla ole perettä tai ne ei elä perhe-elämää. Saulin kirjoissa on epäilyttävän paljon brotherhoodia, ja sen vikan kirjan Bloom onkin homo. Saul vaikuttaa kaappihomolta. Olikin kaunis poika omasta ja muidenkin nykkiläisten mielestä. Sillä oli sadisti isä joka hakkas sitä ja alistettu äiti. Niinkuin Saulin pojalla Gregilläkin.
ellauri048.html on line 736: Joku jutku Goldman huomautta ettei Salen hahmoilla ole perettä tai ne ei elä perhe-elämää. Saulin kirjoissa on epäilyttävän paljon brotherhoodia, ja se vikan kirjan Bloom onkin homo. Saul vaikuttaa bisexuaaliselta. Se olikin kaunis poika omasta ja muiden mielestä. Kalansilmä siltikin. Jokaisessa intellektuellissa piilee dumb jerk kun sitä vähän raaputtaa, sanoo Sale ja tietää mistä puhuu.
ellauri048.html on line 743: There followed the years of bohemia, when the family moved to Paris and Saul started to shrug off the influence of his 19th-century literary heroes and find his own voice in The Adventures of Augie March. When he was happy and the writing was going well, their lives would be joyous; when he struggled, the apartment was mired in gloom. Meanwhile, "Saul had women stashed all over town," writes his son. The pain of these recollections is secondary to Bellow's fury at what he calls his father's "self‑justification: that his career as an artist entitled him to let people down with impunity." As an adult, when he asked his mother about it, she said, "I'm blessed with a poor memory."
ellauri048.html on line 1221: O, not for thee the glow, the bloom, Oops, ei sua varten hehku, kukinta,
ellauri048.html on line 1224: To touch thy thousand years of gloom: Koskea sun millenniumin masista.
ellauri048.html on line 1389: That if it can it there may bloom, Niinet se voi jos mahdollista siellä kukkia,
ellauri048.html on line 1572: A looming bastion fringed with fire. Tulen reunustaman himertävän linnakkeen.
ellauri048.html on line 1804: Makes former gladness loom so great?
ellauri050.html on line 181: Adown Titanic glooms of chasmèd fears, Alas titaanien myterään ja pelon kuiluun,
ellauri050.html on line 326: With glooming robes purpureal, cypress-crowned; Hämyisiin punaisiin kaapuihin, sypressi päässä;
ellauri050.html on line 355: Is my gloom, after all, Onx mun pimeys loppupeleissä
ellauri051.html on line 1163: 571 Waiting in gloom, protected by frost, 571 Odotan synkässä, pakkasen suojassa,
ellauri052.html on line 89: Harold Bloom is right to dismiss Bellow’s female characters of the later novels as “third-rate pipe dreams.” When a reader, holding Humboldt’s Gift in his hands, looks back at Augie March, the journey Saul Bellow has taken in his depiction of people is a very sad one. There is no way to compare the daring, principled Mimi Villars, Augie March’s one equal in oration, to the simple Ramona (Herzog), or to the comically shallow Renata (Humboldt’s Gift). Where is a woman equal to Augie’s Thea in these later books?
ellauri052.html on line 155: 9v ennen omaa kuolemaansa Hämäläinen Timo, naapurimme dokulamppu uudisoi Salen Bloom-avainromaanista Ravelstein. Timolla ja mulla oli yhteinen työhuone Osmontiellä, jossa en käynyt montaakaan kertaa, enkä koskaan tavannut Timoa. Timo antoi mulle lahjaxi Sven Delblancin sairaalassa kirjoittamaan viimeisen muistelman. Vähän ennen kuolemaansa senkin.
ellauri052.html on line 162: Saul Bellowin juuri ilmestynyt uusi romaani Ravelstein kuohuttaa tunteita oikeistolaisissa piireissä Atlantin molemmin puolin. Romaanin päähenkilön Abe Ravelsteinin esikuvana on ollut Bellowin chicagolainen ystävä Allan Bloom, joka nousi maailmanmaineeseen kirjoittamalla populistisen hitin The Closing of the American Mind. Se julisti, että Woodstock-sukupolvi tuhosi kulttuurin suvaitsemalla liikaa ja unohtamalla Kreikan ja antiikin. Kirjan mainetta siivittivät muun muassa Margaret Thatcher ja Ronald Reagan. Bloom kuoli 62-vuotiaana 1992. Kuolinsyyksi ilmoitettiin maksasyöpä. Bellowin Ravelstein on kaappihomo, joka kuolee aidsiin. Tämä on suututtanut Bloomin ystävät.
ellauri052.html on line 935: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.
ellauri053.html on line 1051: The flower that blooms today
ellauri053.html on line 1076: Like buds of flowers straining to bloom
ellauri062.html on line 177: No. 10 — Michael Bloomberg
ellauri067.html on line 229: Tuli tässä mieleen muuten että monilla legendoilla on ollut tollasia pyllynnuolijoita ja aseenkantajia, kuten Pynchonilla Weisburger ja Bloom, ja Haavikolla Mauno Saari ja Aarne Kinnunen. Jotka kiipee julkun siivelle ja pääsee sillä ize esille. Ehkä niiden maine onkin noiden ansiota ja kääntäen. Goethe ja Vaakku Koskenniemi. Sillinpää ja Tatu. Näitä on vaikka kuinka.
ellauri067.html on line 231: loom" />
ellauri067.html on line 233: American literary critic Harold Bloom named him as one of the four major American novelists of his time, along with Don DeLillo, Philip Roth, and Cormac McCarthy. Kekä toi Cormac on? For that matter, who is Harold Bloom?
ellauri067.html on line 235: Harold Bloom should not be confused with American philosopher Allan Bloom.
ellauri067.html on line 236: Who should not be confused with the British horticulturalist, Alan Bloom.
ellauri067.html on line 241: Harold Bloom was an American literary critic and the Sterling Professor of Humanities at Yale University. Since the publication of his first book in 1959, Bloom has written more than forty books of literary criticism, several books discussing religion, and one novel. He edited hundreds of anthologies.
ellauri067.html on line 243: loom-teaching.jpg" />
ellauri067.html on line 245: Harold oli saman ikäinen kuin Allan mutta kitkutteli viittä vaille ysikymppisex. Väsäs yli 50 kirjaa ja toimitti satoja, 20 kirjallisuuskritisismistä. Bloom puolusti perinteistä läntistä kaanonia kun kirjallisuusosastot keskittyivät "kaunaisuuden kouluihin" (monikulttuuriset, feministit, marxistit, uuskonservatiivit ym ym). Sen vaimo Jeanne sanoi 2005 "me ollaan molemmat ateisteja". Harold toppuutteli: "En mä ole ateisti, tuo ei ole meistä enää kivaa". Naomi Wolf (jutku sekin) sanoi että Harold oli perusopiskelijana sivellyt sitä reiden sisäpuolelta. (Siis Naomi oli se opiskelija, Harold opettaja.) Harold kielsi tämänkin kiivaasti ja kolmasti. Harold poistettiin loppuviimein luokkahuoneesta isossa mustassa ruumissäkissä.
ellauri067.html on line 253: loom-1962_250x250.jpg" height="200px" />
ellauri069.html on line 606: Where is the Pope whose staff will bloom for me? Missä paavi jonka sauva kukkii?
ellauri071.html on line 466: Ja sit juttu kiertyy taas takaisin Pynchoniin izeensä: Sen kortit on jaettu pöytän kelttiläiseen tapaan AE Waiten ehdottamassa järjestyxessä, mutta ne ovat määräaikaisen määrimiehen ja huumeilevan tomppelin kortteja, viittaavat vain pitkään ja laahustavaan tulevaisuuteen ja keskinkertaisuuteen (ei ainoastaan hänen elämässään, vaan myös hänen kronikoizijoissaan kuten Harold Bloomissa, heh, tai el Laurissa), ei selväpiirteiseen onneen sen enempää kuin katarttiseen katastrofiinkaan. Mut ei Pynchon sentään hirttäytynyt niinkuin Foster Wallace, ei siitä ollut miestä siihenkään. Kyllä mäkin kerran haaveilin Kymijoen sillalta alasajosta ja Söderkullan kallioihin törmäämisestä vanhalla mannepirssillä jossa lämmitys ei toiminut, mutta haaveexi vaan sekin jäi.
ellauri074.html on line 428: Saku ja Mirkku tapaili useinkin sitku Sakun nai se romanialainen matemaatikko 1974, vaimo nro 4, Alexandra Bagdasar. Puhuttiin romaniaa ja kokattiin romanialaisia kotiruokia. Ero tuli vaimosta 1985 ja 1986 kuoli Eliade. Mirkun nazitouhut tuli ilmi vasta 1988. Mirkun 30-luvun kirjoituxet oli aika pahaa fasismia indeed. Sen kannattaman rautakaartin miehet listi silmittömästi jutkuja sakujen rinnalla. Sakua vähän hävetti eze oli kaveerannut tälläsen paskiaisen kaa. Se kirjotti sit Mirkun comic sidekickixi Bloomista kertovaan rompskuunsa Ravelstein: kohteliaasti pokkuroiva pikku romanialainen Radu Grielescu, sliipattu intellektuelli jolla oli antisemiitin rikosrekisteri. Aika noloa. Pääsipä kusettamaan Sakua oikein kunnolla.
ellauri077.html on line 454: He is the author of the monograph Existentialist Engagement in Wallace, Eggers and Foer: A Philosophical Analysis of Contemporary American Literature (Bloomsbury 2015) – for more information about this book, see below. His work has appeared in different academic journals and collections (see Publications). Currently, he is working on a book tentatively titled Wallace’s Existentialist Intertexts: Comparative Readings with the Fiction of Kafka, Dostoevsky, Camus and Sartre.
ellauri079.html on line 85: Jethro mainitaan Läpän loputtoman pitkässä alanootissa 110 s. 998. Se on Jedin serkun Helmi Bodinen poika (vaikka se sanoo Jediä "Roope-sedäxi"). Helmin äiti ja Jedin isä olivat sisaruxia. Hän ajaa Klampetin perheen niiden uuteen kotiin Kaliforniassa ja jää niiden luoxe jatkamaan kasvatustaan. Muut kerskailevat Jethron "kuudennen luokan koulutuxella", mutta hän on tietämätön lähes jokaisesta nykyaikaisen Kalifornian elämän aspektista. Yhdessä episodissa se päättää mennä opistoon. Se ilmoittautuu myöhään lukukaudella paikalliseen sihteeriopistoon ja "ansaizee" diploominsa päivän lopussa koska on niin häirikkö. Ihan niinkun Donald Trump. Tää oli ironinen sisäpiirin vizi: – oikeasti Jethrolla oli kandintutkinto liiketaloudessa, sivuaineena filosofia, Santa Claran yliopistosta. (Missäs tässä oli se ironia? Se livahti nyt ihan ohize.)
ellauri080.html on line 413: Mood: Some children naturally have a happier mood, and other children may have a more serious mood. Mood refers to the overall tone of a person’s feelings, interactions and behaviors. Some people are dispositioned to have a happier overall mood, and they generally feel good about things. Others may have more of a negative mood. They may be referred to as more unpleasant, as they may not react in a strong, positive way with the world around them. Children who have a more naturally negative mood may appear to be more subdued than happy. They may have a demeanor that is more calm and may appear gloomy, sad or negative. They may not show their positive feelings externally, but may still feel positive things. I guess.
ellauri083.html on line 532: Ei näillä riemun ilmauxilla vielä kuuhun mennä. Kuten sanoin edellä, lukiolaismaista diivailua huumeidenkäytöllä. Siinä se on 3 sanalla. Harold Bloom sanoi paljon rumemmin, mutta Wallu olikin tölväissyt Haroldia pahasti alaviitteessä 366, jossa hullun haikaran paasaus kuulosti siitä "aika epäilyttävästi professori H. Bloomin turpeilta, taiteellisia vaikutteita käsitteleviltä tutkielmilta." Todella typerryttävän mahtipontisen kuuloista skeidaa molemmilta tahoilta.
ellauri090.html on line 170: Nascido no Morro do Livramento, Rio de Janeiro, de uma família pobre, mal estudou em escolas públicas e nunca frequentou universidade. Para o considerado crítico literário norte-americano Harold Bloom, Machado de Assis é o maior escritor negro de todos os tempos, embora outros estudiosos prefiram especificar que Machado era mestiço, filho de um descendente de negros alforriados e de uma lavadeira portuguesa.
ellauri094.html on line 570: And the north was Gethsemane, without leaf or bloom, Ja pohjosessa oli Getsemane ihan kaljuna,
ellauri094.html on line 586: In the grave's gloom! Luuhotellin hämärään!
ellauri095.html on line 171: Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer Robert Bernard Martin notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."
ellauri095.html on line 218: Hopkins chose the austere and restrictive life of a Jesuit and was gloomy at times. His biographer Robert Bernard Martin notes that "the life expectancy of a man becoming a novice at twenty-one was twenty-three more years rather than the forty years of males of the same age in the general population."
ellauri095.html on line 225: This and his isolation in Ireland deepened a gloom that was reflected in his poems of the time, such as "I Wake and Feel the Fell of Dark, not Day". They came to be known as the "terrible sonnets", not for their quality but according to Hopkins's friend Canon Richard Watson Dixon, because they reached the "terrible crystal", meaning they crystallised the melancholic dejection that plagued the later part of Hopkins's life.
ellauri095.html on line 260: In 1893, she developed breast cancer and though the breast was removed, there was a recurrence in September 1894. She died in Bloomsbury on 29 December 1894 and was buried in Highgate Cemetery. The place where she died, in Torrington Square, is marked with a stone tablet.
ellauri097.html on line 744: A leaping tongue of bloom the scythe had spared pystyssä huojuvana kalpeana viikatteelta turvassa
ellauri100.html on line 701: Bloom-down-cheek’d peaches,
ellauri100.html on line 1088: Half their bloom would fly,
ellauri106.html on line 46: Philip Roth has not had much luck with biographers. Late in his life, furiously aggrieved after the failure of his marriage to the actress Claire Bloom and the publication of Bloom’s incendiary memoir of their years together, he asked a close friend, Ross Miller, an English professor at the University of Connecticut, to take on the task. Roth sent Miller lists of family members and friends he wanted to be interviewed, along with the questions that he felt should be asked. (“Would you have expected him to achieve success on the scale he has?”) It didn’t work out, for various reasons. Roth had wanted Miller to refute a familiar charge, “this whole mad fucking misogynistic bullshit!” that he felt flattened his long erotic history into one false accusation. But Miller came to his own conclusion. “There is a predatory side to both Sandy and Philip,” he told a cousin of Roth’s. (Sandy was Roth’s older brother.) “They look at women—I’m not gonna write about this—but they are misogynist. They talk about women in that way.”
ellauri106.html on line 76: In 1987, in the loneliness of Connecticut, Roth experienced a breakdown caused by a sleeping pill with hallucinatory side effects. He made the experience, as well as the trial of the concentration camp guard John Demjanjuk in Jerusalem, whom he had followed as an observer, the starting point of the 1993 novel Operation Shylock, the encounter between a fictional Philip Roth and his doppelganger. The writer also felt increasingly isolated in London and returned to New York, where he moved into an apartment on the Upper West Side. He took over from 1988 to 1991 a professor of literature at Hunter College of the City University of New York. In 1990 he married his longtime partner Claire Bloom, but the marriage was divorced in 1994 after Roth's growing estrangement and severe depression, including a stay in a psychiatric clinic. Bloom dealt with the problematic relationship two years later in her memoir Leaving a Doll's House .
ellauri106.html on line 126: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 128: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 130: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri106.html on line 179: Today the lengthy obituaries are all laudatory. Tomorrow or the next day I can safely predict that the backlash will begin with harshly critical essays. Leading the way will be Feminists critics who will denounce the whole cabal of elite white men as the custodians of the literary cannon. More pointedly they will charge Roth with toxic masculinity and misogyny and will come loaded for bear with plenty of quotes from his work. They will also have the example and testimony of his two ex-wives, both of whom showed up thinly disguised in his novels—a Margaret Martinson in When She Was Good and actress Clare Bloom in I Married a Communist. Bloom penned her own bitter exposé of their 14-year-long relationship and four year marriage in he memoir Leaving the Doll’s House.
ellauri106.html on line 241: INFLUENTIAL WOMEN Who are Philip Roth’s ex-wives Claire Bloom and Margaret Martinson, when did they get divorced and did he have any children?
ellauri106.html on line 251: loom.jpg" width="30%" />
ellauri106.html on line 252:
ellauri106.html on line 255: Who are Philip Roth´s ex-wives Claire Bloom and Margaret Martinson? Have they got anything in common? I bet they were spitting images of Phil´s mother, one way or another. Roth was married twice – to Margaret Martinson from 1959 to 1963. He met Martinson in 1956 and married her three years later. Roth claims she used someone else’s urine sample to persuade him she was pregnant and trick him into marriage.
ellauri106.html on line 260: Roth had a long-term relationship with British actress Claire Bloom whom he married in 1990, making her sign a prenuptial agreement beforehand.
ellauri106.html on line 263: He was wedded to long-time partner Claire Bloom from 1990 to 1995. Roth and Bloom’s five-year marriage ended in divorce in 1995.
ellauri106.html on line 265: Roth was Bloom´s third husband.
ellauri106.html on line 276: Second wife Claire Bloom had a daughter, Anna Steiger, from her marriage to American actor Rod Steiger. In all likelihood, Philip Roth was as sterile as a band-aid. In other words, he was barren useless unproductive infertile sanitary antiseptic aseptic unfruitful sterilized disinfected hygienic arid uncontaminated needy untouched fruitless useless unpolluted uninspired boring futile pointless unimaginative unfertile germ-free impotent pure unprofitable childless rich vain trivial invalid effete ineffectual infecund uninfected lifeless inert bootless
ellauri106.html on line 386: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 388: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 390: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri106.html on line 597: Peg ja Phillu pääsi taivaaseen. Siellä oli kaikki luvallista paizi sorsan päälle astuminen. Peg astui sorsaan ja se kahlittiin rangaistuxexi Philluun kiinni jalasta. Phil ei tehnyt samaa virhettä mutta silti se kahlittiin toisesta jalasta kauniiseen Claire Bloomiin. Mit vit? en tehnyt mitään valitti Phil. En tiedä susta mutta mä astuin vahingossa sorsaan, sanoi Claire.
ellauri106.html on line 624: Roth’s ex-wife, Claire Bloom, wrote about their relationship in her memoir, Leaving A Doll’s House, 25 years ago. You could also read Roth’s not-exactly-contrite reaction to Bloom’s complaints, his 1998 novel, I Married A Communist, in which the protagonist’s vicious wife was clearly based on Bloom.
ellauri107.html on line 329: Philip Rothin avioliitto näyttelijä Claire Bloomin kanssa päättyi eroon 1993. “Se oli elämäni kohdunpohja”, Roth tunnusti vuosia myöhemmin homoystävälleen Benjamin Taylorille.
ellauri107.html on line 469: He had, with indignation at the criticism of Zenith, skimmed through a report in which the notorious pessimist Seneca Doane, the radical lawyer, asserted that to throw boys and young girls into a bull-pen crammed with men suffering from syphilis, delirium tremens, and insanity was not the perfect way of educating them. He had controverted the report by growling, “Folks that think a jail ought to be a bloomin' Hotel Thornleigh make me sick. If people don't like a jail, let 'em behave 'emselves and keep out of it. Besides, these reform cranks always exaggerate.” That was the beginning and quite completely the end of his investigations into Zenith's charities and corrections; and as to the “vice districts” he brightly expressed it, “Those are things that no decent man monkeys with. Besides, smatter fact, I'll tell you confidentially: it's a protection to our daughters and to decent women to have a district where tough nuts can raise cain. Keeps 'em away from our own homes.”
ellauri109.html on line 567: Roth and Bloom divorced, miserably, in 1995. A year later, Bloom published a memoir, “Leaving a Doll’s House,” in which Roth was depicted as brilliant and initially attentive to the demands of her career, but also as unpredictable, unfaithful, remote, and, at times, horribly unkind, not least about Bloom’s devotion to her grown daughter. The book quoted incensed faxes that Roth sent Bloom at the end of their union, demanding that she pay sixty-two billion dollars for failing to honor their prenuptial agreement, and another bill for the “five or six hundred hours” that he had spent going over her lines with her.
ellauri109.html on line 571: In his fury and his hunger for retribution, Roth produced “Notes for My Biographer,” an obsessive, almost page-by-page rebuttal of Bloom’s memoir: “Adultery makes numerous bad marriages bearable and holds them together and in some cases can make the adulterer a far more decent husband or wife than . . . the domestic situation warrants. (See Madame Bovary for a pitiless critique of this phenomenon.)” Only at the last minute was Roth persuaded by friends and advisers not to publish the diatribe, but he could never put either of his marriages behind him for good. He was similarly incapable of setting aside much smaller grievances. As Benjamin Taylor, one of his closest late-in-life friends, put it in “Here We Are,” a loving, yet knowing, memoir, “The appetite for vengeance was insatiable. Philip could not get enough of getting even.”
ellauri109.html on line 609: At the University of Pennsylvania, a friend and colleague—acting, the friend admits, almost as a “pimp”—helped Roth fill the last seats in his oversubscribed classes with particularly attractive undergraduates. Roth’s treatment of a young woman named Felicity (a pseudonym), a friend and house guest of Claire Bloom’s daughter, is particularly disturbing. Roth made a sexual overture to Felicity, which she rebuffed; the next morning, he left her an irate note accusing her of “sexual hysteria.” When Bloom wrote about the incident in her memoir, Roth answered in his unpublished “Notes” with a sense of affront rather than penitence: “This is what people are. This is what people do. . . . Hate me for what I am, not for what I’m not.”
ellauri109.html on line 864:

Claire Bloom vekuttaa

ellauri109.html on line 866: Saatuaan hyvän työuutisen Bloom rientää kertomaan siitä ystävälleen Rothille. Rothin reaktio on kylmä, hätääntynyt ja tyly. Roth antoi Bloomille kirjansa Pettämässä tavallista myöhemmin. Bloom huomasi että se on epämairitteleva kuvaus anglojuutalaisesta perheestä, joka selvästi on Bloomin oma, ja värikästä kuvausta sankarin ristiinsuihkinnasta joka selvästikin perustuu tositapahtumiin. Sitten tulee kuvaus sankarin näyttelijävaimosta, nimeltä Claire, pääpiirteissään tällänen: ikävystyttävä, keski-ikäinen, vekuttaa koko ajan sankarin rakastajattarien nuoruudesta. Bloomin reaktio oli - ylläri - että tää muotokuva oli ilkeä ja loukkaava, ja sen etunimen käyttö täysin epähyväxyttävää. Roth tuli kotiin mukanaan kalliita helyjä sovitusuhrina; Bloom vaati ezen nimeä ei mainita, mihin Roth pitkin hampain suostuikin.
ellauri109.html on line 868: Äitykän kuoltua Peppu romahti. Se sai jonkun ketjureaktion. Rothin terveydentila huononi, se kiikutettiin teholle ja pantiin hengityskoneeseen kuin koronapotilas. Sille tehtiin sydämen ohitusleikkaus. Noin sydämettömän tyypin menoa se ei haitannut. Ikävä kyllä se vähitellen parani, eikä isä-Hermanninkaan kuolema missään tuntunut. Tammikuussa 1990 vuosi leikkauxen jälkeen Bloom käski Rothin mennä sen kanssa naimisiin. Se oli sille huisin tärkeää. Roth mietti ehdotusta pari viikkoa ja sitten suostui charmikkaalla textiviestillä. Ne meni naimisiin 19.4.1990.
ellauri109.html on line 869: Bloom oli niin iloinen suostumuxesta että se allekirjoitti seurauxia miettimättä törkeän avioehdon jonka Roth oli kirjoittanut jossa ei annettu penniäkään vaimolle jos mies hakee eroa, minkä se sopimuxen mukaan saisi tehdä milloin lystää. Bloomin lakimehen mukaan sopimus oli tunnoton ja brutaalein hänen milloinkaan näkemänsä naimapaperi.
ellauri109.html on line 871: Aluxi aviolitto oli sopuisa ja paransi niiden suhdetta, mutta seuraavana vuonna jo se alkoi huonota, Roth vetäytyi Bloomista kuin letku letkeä, myös tunteenomaisesti: ilmeisesti liika sopuilu häirizi sen luovuutta. Rothilla oli aina ollut vaikee suhde Bloomin tyttäreen (jonka isä oli näyttelijä Rod Steiger),ja tästä tuli stendari. Vaikka Annan vierailuista oli muka sovittu, Rooth kirjoitti kohta kirjeen :(! Bloomille jossa vierailuja rajoitettin kertaan viikossa ja Anna ei saisi olla yötä niiden asunnossa Ne Yorkissa. Sovitteluratkaisuna Bloom salasi kirjeen Annalta ja antoi sen öizeä New Yorkin kämpässä, mikä oli yhtä paljon sen kuin Philipin. Kun Bloom suunnitteli ostaa pienen mökin Italiasta, Roth uhkaili sen rahallista toimeentuloa ja teki raskaita vihjailuja liiton kestosta. Bloom huomasi että Roth oli nauhoittanut niiden puhelinta.
ellauri109.html on line 873: Kun Roth kirjoitti roskakirjaa Operation Shylock, luullen siitä tulevan sen mestariteos, niiden välit parani, Roth järjesti Bloomille isot tunnekylläiset 62 vee synttärit. Bloom otti osaa Shylock-kirjan myyntikampanjaan, kun Rothia oli alkanut ääneen lukeminen pelottaa.
ellauri109.html on line 877: Bloom jatko Rothin tukemista vaikka ns mestariteos sai huonot arvostelut ja myi surkeasti. Kun ne lähtivät Connecticutin mökille, Rothille tuli masis, tunneheilahteluja ja ja ääritiloja joissa se oli vuorotellen lemmekäs ja julma. Avioliitto alkoi hajota; Bloomille tässä Rothin tunnemyrskyssä pääasiaxi tuli pitää kiinni köysistä ja pysytellä hengissä.
ellauri109.html on line 879: Lopulta Roth pantiin suljetulle Hopealäjän sairaalaan. Teeskennellen sovinnollisuutta Roth kuzui Bloomin käymään osastolle, missä se sanoi olevansa hyvin hyvin vihainen sille, ja alkoi luetella sen vikoja pitkästä luettelosta jonka se oli kirjoittanut, kuten esim. sen outo käytös rafloissa, kazoa nyt kelloa ja hyrexiä izexeen, ja huomautti että kummakos se ettei se voinut hillitä izeään kun sen isäkään ei saanut paskaa pysymään enää sisässä. Roth oli tutkiskellut sen jokaisen virheliikkeen 17 vuoden yhdessäolon aikana. Iskän inkontinenssin maininta oli kyllä huippua. Roth sanoi lopuxi että jos Anna tulis Nykkiin 3 kuukaudexi oppimaan laulua (Annasta tuli oopperalaulaja), Roth lopettaisi liiton siihen. Bloom koitti vielä parastaan (lääkärin läsnäollessa) monen päivän ajan, koittaen pelastaa mitä pelastettavissa oli. Se oli brutaalia menoa.
ellauri109.html on line 881: Kun Roth pääsi kopista, Bloom sai melkein hermoromahduxen. Roth sanoi ettei se enää halunnut nähdä Bloomia ja tarjosi sille rahaa jotta se pysyis poissa kotoa Rothin nujuessa siellä toipumassa masixesta. Bloom oli silläaikaa luvannut näytellä Dublinissa, mutta siitä ei tahtonut tulla mitään. Roth otti sitten yhteyttä ja antoi ymmärtää että olisi suostuvainen jatkamaan liittoa jossain vaiheessa. Tää oli raskasta aikaa Bloomille; Anna oli ryöstetty New Yorkissa, ja Bloom oli myynyt asuntonsa Lontoossa. Käydessään Rothin luona tän viimeisenä sairaspäivänä se sai Rothilta aivan vitunmoiset haukut päällensä. Bloom joutui izekin sairaalaan ja toivoi kuolemaa.
ellauri109.html on line 883: Bloom lähti sairaalasta seuraavana päivänä, mutta höyrypäisyys jatkui, Roth oli vuorotellen lemmekäs ja julma taas. Bloom epäili että Roth yritti hankkia todistusaineistoa eroprosessiin. Izekin se oli vuorotellen sekava ja hysteerinen. Lopulta lähetettyään kukkia ja sen perään eropostillan, Roth haki asumuseroa, syynä 'Bloomin julma ja epäinhimillinen kohtelu'. Hetkinen hetkinen premissoidaanpa tilanne, siis kuka kohteli ja ketä?
ellauri109.html on line 885: Ero-oikeudenkäynnin aikana paljastui Rothin Bloomin ystäviin kohdistama monimutkainen manipulaatiopeli ja tunnekiristys, josta näkyi että Roth halus samaan aikaan olla uskoton ja pilata Bloomin suhteet ystäviin.
ellauri109.html on line 887: Bloom ei osannut päättää koittaisko saada Rothilta kunnon korvauxet vaiko jättää ovi auki sovinnonteolle. Se päätyi lopulta hyväxymään Rothin tarjoaman aivan säälittömän säälittävän korvauxen: sata tonnia 17 vuoden uskollisesta palveluxesta.
ellauri109.html on line 889: Tämän jälkeen Roth lähetti Bloomille "tykistökeskityxen" faxeja yhtenä iltana vaatien takaisin kaiken mitä se oli tuonut pesään yhteiselon aikana, ml. 150 taalaa tunnissa "noin 5-600 tunnista konstultaatiota" kun se oli kuunnellut Bloomin vuorosanoja, ja 62 miljardin sakon kun Bloom ei suostunut noudattamaan Rothin sanelemaa avioehtoa.
ellauri109.html on line 891: Roth vaati takaisin myös koruja jotka se oli antanut Clairelle lahjaxi suhteen aikana. Pääasia näytti kuitenkin olleen raha. "Lähetä vaan shekki", se kirjoitti. Roth lopetti tarjoamalla Bloomille 104 taalaa viikossa kuten siivojalle joka niillä oli ollut New Yorkissa, sanoen että se oli ollut Bloomin ainoa anti elinkustannuxiin jotka oli olleet 80-100 tuhatta taalaa vuodessa. Lopulta Roth palautti nihkeästi jotain, muttei kaikkia, niitä Bloomin tavaroita jotka oli vielä Rothin hallussa. Ero tuli voimaan kesäkuussa 1995.
ellauri112.html on line 701: I appreciated the fact that a troubled mom did seek help, I’m just not sure the script needed the plot twist. I didn’t immediately warm to this flick. Actually, I often alternated between exasperation and captivation – and a key plot twist at the end left a sour taste in my mouth, though for petty reasons. Nonetheless, something about it didn’t feel quite right. It took one observation from a friend afterward to allow for the film’s brilliance to bloom in my mind.
ellauri115.html on line 679: Meidän supervoimien sekakäyttö tekee meistä onnettomia ja ilkeitä, kuin olisimme pudonneet siniseen värisammioon pienenä. Meidän huolet, surut ja kärsimyxet on omatekemiä. Tyhmästä päästä kärsii koko ruumis. Moraaliset pahat on epäilemättä miehen thötä, ja fyysiset pahat ei olis mitään ilman meidän paheita jotka aikaansaattaa ne. Vanhuus ja kuolemakin tuli siitä alkuperäisestä tunaroinnista [hmm, entäs elukat? Oliko niilläkin omat aatamit ja eevansa? No, ketä kiinnostaa.] Eikö luonto ei ole antanut ymmärtää mitä tarvizemme hengissä pysyäxemme! Eikö ruumiin kärsimys ole merkki siitä että tää kone on epäkunnossa, ne rabotajet, tarvii huoltoa= Kolema ... eikö ilkeät myrkytä oman elämänsä ja meidän muidenkin? [Lue: mä en ole niitä ilkeitä.] Kuka sitäpaizi haluaisi elää ikuisesti? [Häh? Eikö se ollut justiinsa poinzina? Onx tää nyt sitä kerettiläisyyttä? No, luetaanpa eteenpäin.] Kuolema on lääke pahaan jonka hankit izellesi; luontoäiti ei anna sun kärsiä loputtomiin. Alkeellisesti elävällä hepulla on tosi vähän kärsimyxiä! Sen elämä on melkein kokonaan vapaa kärsimyxistä ja passiohedelmistä [lukuunottamatta paarmoja ja hyttysiä, ne on vittumaisia ilman housuja]; se ei pelkää eikä tunne kuolemaa; jos se tuntee sen, kärsimyxet saa sen haluamaan sitä; sixe ei ole mikään paha juttu sen silmissä. Jos me vaan oltais tyytyväisiä omaan oloomme niin ei meillä olis mitään syytä valittaa [Laittamattomasti sanottu, Janne. Leukavasti laukaistu.]; mutta haeskellessamme mielikuvitushyvää me löydetään tuhansia oikeita pahoja. Hän joka [hehe] ei kestä vähän kipua saa kärsiä kovasti. Jos mies menee rapakuntoon harrastuxissa, koitat parantaa sitä lääkkeillä; sen pelkäämään pahaan tulee lisäxi sen tuntema paha olo; kuoleman ajatus tekee siitä kamalaa ja kiirehtii sen tuloa; mitä enemmän koitamme välttää sitä, sitä enemmän ajattelemme sitä; ja me mennään elämästä läpi peläten kuolemaa, syyttäen luontoa pahoista jotka me ollaan ize hankittu vittuilemalla sen laeille.
ellauri115.html on line 962: Kun d’Alembert syytti Geneven pastoreita sosinianismista. Rousseau piti niiden puolta. “Socinianism was a Christian sect closely allied with the development of Unitarianism. It took its name from its founder, Fausto Sozino, an Italian of the sixteenth century who lived in Poland for a long time, where his movement had great strength. It was popular throughout Europe and was accepted by many Protestant churches. Socinianism was anti-trinitarian and held that reason is the sole and final authority in the interpretation of the scripture. It further denied eternal punishments. Calvin had condemned the doctrine, so that the imputation in d’Alembert’s article was both a daring interpretation of the doctrine of Geneva’s pastors and one which was likely to be dangerous for them.” Allan Bloom, Politics and the Arts (Ithaca: Cornell University Press, 1960) 150. (back)
ellauri118.html on line 766: Leaving him fainting on the gloomy Bed. Jättäen hänet pyörtyneenä makoilemaan.
ellauri131.html on line 865: That she does not have a boyfriend and she watches too much Netflix. I mean, so do I! But I am not going to write a bloody memoir all about it. In a world where so much is in actual tatters, it feels very #whitefeminism, very #firstworldproblems (which is, honest to god, the most millennial I have ever sounded). And no, that does not mean that everything has to be serious and doom-and-gloom to be needed, but this just felt unbelievably shallow, while I am deep.
ellauri140.html on line 454: A litle glooming light, much like a shade, Antoi vähän valoa, tollasta hämärää,
ellauri144.html on line 691: Mark Zuckerberg in MBTI? Other websites have him as either a INTP or INTJ. I’m going with INTJ, he was an early achiever, while INTPs can often be late bloomers, this is due to the late development of the Judging function. INTJs also tend to be more focused, serious, follow traditions and rules. While the types have many similarities, INTJ seems to be the closer match. Väpelö hörhö nörtti kimmo. Propellipää - luovaa kirpunnyljentää. Sitäpä sitä. Saatanan jutku. Metatron meni neuvomaan Aabrahamille miten Iisakki olis paras uhrata. Viime minuutilla tuli peruutus: kyllä mulle tänään oikeastaan maistuiskin paremmin toi syntipukki. Lisäohjeita albumissa 115.
ellauri146.html on line 753: Of spring and summer were blooming in the tall tales Keväältä ja kesältä kukkivat liioitellusti
ellauri151.html on line 244: In other people's company I felt I was dull, gloomy, unwelcome, at once bored and boring… (Sure enough...)
ellauri151.html on line 410: What Tarquin the Proud said in his garden with the poppy blooms was understood by the son but not by the messenger. Wot??? Kz. albumia 153.
ellauri156.html on line 392: In our first lesson, we devoted our attention to the first four verses of chapter 11, which depict David's sin of adultery with Bathsheba. Pretty unbelievable that I got a whole four pages out of it. The trick is was to keep repeating the juicy bit about Bathsheba washing herself before (or after) David's load. I sought to demonstrate that this sin was all of David's doing. The author points his accusing finger at David, not Bathsheba. It was not Bathsheba's indiscretion in bathing herself (as I understand this story), for she was simply obeying the ritual of purification outlined in the law. It was David who, by means of his lofty elevation and view, looked inappropriately at Bathsheba, washing herself,violating her privacy. I endeavored to demonstrate that David's sin with Bathsheba was the result of a sequence of wrong decisions and attitudes on David's part. In one sense, being on the path he was, his destination (of adultery, or something like it) was to be expected. His sins of omission finally blossomed and came into full bloom.
ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!
ellauri156.html on line 780: (3) God is under no obligation to stop us from sinning. (So why did he bother with David then? Is he some sort of special case? Of course he is, he is Dawgs petlamb. Sometimes people justify their sin by saying something like: “I've prayed about it and asked God to stop me if it is wrong. . . .” When God does not stop them, they somehow assume it must be right. God could have stopped David after he chose to stay home from the war, or after he began to covet Uriah's wife, or after he committed adultery, but instead He allowed David to persist in his sin for some time. God even allowed David to get away with murder, for a time. Well actually, for good. It was just a immigrant after all. God's Word forbade David's sins of coveting, adultery, and murder. God's Word commanded David to stop, and he did not. God allowed David to persist in his sin for a season, but not indefinitely. God allowed David's sin to go full circle, to reach full bloom, so that he (and we) could see how sin grows (compare Genesis 15:12-16).
ellauri160.html on line 316: Fukuyama received his Bachelor of Arts degree in classics from Cornell University, where he studied political philosophy under Allan Bloom. He initially pursued graduate studies in comparative literature at Yale University, going to Paris for six months to study under Roland Barthes and Jacques Derrida but became disillusioned and switched to political science at Harvard University. There, he studied with Samuel P. Huntington and Harvey Mansfield, among others. He earned his Ph.D. in political science at Harvard for his thesis on Soviet threats to intervene in the Middle East. In 1979, he joined the global policy think tank RAND Corporation. Eli vittua se mikään simpanssitutkija oli, Ellei sitten tutkinut omaa napanöyhtää, kun on ilmetyn bonobon näkönenkin. Kokeili taskuaan ja kaikki oli tallella, kelpas hymyillä.
ellauri163.html on line 398: The older Jewish versions and commentators (e.g., Septuagint, Targums, Saadyah, and RASHI) read this word without the letter - yod, as if written - sheloh, the archaic form for - shelo, his; or, as if it were a poetic form for - shalvah, peace. (Sama sana varmaan kuin ähläm sähläm, tai shaloom.)
ellauri164.html on line 236: Vuonna 1965 Veatch lähti IU: sta Northwestern Universityyn , jossa hän pysyi vuoteen 1973 asti. Sitten hän meni Georgetownin yliopistoon, jossa hän toimi filosofian laitoksen puheenjohtajana vuosina 1973–1976. Veatchilla oli myös vierailevia professoreita Colby Collegessa , Haverford Collegessa ja St. Thomasissa . Yliopisto . Vuonna 1983 hän jäi eläkkeelle Distinguished Professorina ja palasi Bloomingtoniin.
ellauri164.html on line 240: Henry Veatch kuoli Bloomingtonissa, Indianassa. Indianan yliopisto ylläpitää hänen keräämiensä papereidensa (1941–1997) arkistoa.
ellauri172.html on line 806: Paha ateisti Roth tapatti ainoan sikiönsä Margaretilla eikä saanut Bloomin kanssa aikaan muuta kuin lihavia riitoja. Antiteistikin se oli, "I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. I give a shit about the sheep referred to as believers. When I write, I'm alone. It's filled with fear and loneliness and anxiety—and I never needed religion to save me." Jumala kosti sille, ei tullut Noobelia. Kikkailevaa Philippiä sattui leukaan.
ellauri180.html on line 521: Gorging himself in gloom: no love was left; Ahtaen izeään synkkinä, pahansuopina,
ellauri183.html on line 93: Little wonder that Malamud refused to talk to Roth for several years. They were reconciled in May 1978, when Malamud and his wife, Ann, accepted a dinner invitation in London from Roth and Claire Bloom, who were then living together. The two men kissed on the lips like Brezhnev and Honecker and resumed their friendship, according to a memoir by Malamud’s daughter, Janna Malamud Smith.
ellauri183.html on line 101: The apocalyptic gloom of his subject seems hopelessly out of place in this cheery, sun-washed house, a rambling white-frame idyll near Bennington College, where Malamud has taught for 20 years. A comforting percussion of cooking sounds comes from the big kitchen where his wife Ann, a chipper dynamo of a woman, is devising lunch; on the porch an old tiger tomcat lolls ingratiatingly; and in the distance the cloud-dappled foothills of the Green Mountains hover like a Yankee daydream.
ellauri184.html on line 86: Mailer spent a longer time writing Ancient Evenings, his novel of Egypt in the Twentieth Dynasty (about 1100 BC), than any of his other books. He worked on it for periods from 1972 until 1983. It was also a bestseller, although reviews were generally negative. Harold Bloom, in his review said the book "gives every sign of truncation", and "could be half again as long, but no reader will wish so", while Richard Poirier called it Mailer's "most audacious book".
ellauri185.html on line 781: In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his son. The Egyptian ruler’s son had died from one of the plagues sent by God to secure the Israelites’ release from Egypt. The gloom of the painting reflects the father’s intense grief.
ellauri189.html on line 81: It is generally held to be most influenced by Lord Byron, whom Malczewski had met in Venice during his travels around western Europe, though it is considerably more gloomy and Gothic than Byron's work. Malczewski is sometimes considered part of the "Ukrainian school" in Polish poetry, though others consider his work to stand uniquely separate. Maria was also influential on later Polish poets, especially Adam Mickiewicz, and on writer Joseph Conrad, although he was not a romantic as such. Well, some of his stuff is pretty gooey, like Nostromo, the Panamanian guy.
ellauri189.html on line 430: The different densities and minerals in the waters would cause algal blooms that would be detrimental to the environment while also causing the water to turn red/green.
ellauri192.html on line 79: At the New York École libre des hautes études, a sort of Francophone university-in-exile, he met and collaborated with Claude Lévi-Strauss, who would also become a key exponent of structuralism. He also made the acquaintance of many American linguists, chemists and anthropologists, such as Franz Boas, Benjamin Whorf, and Leonard Bloomfield. When the American authorities considered "repatriating" him to Europe, it was Franz Boas (another Jew) who actually saved his ass.
ellauri192.html on line 724: Jossain norjalaisessa lastenkirjassa joku salaperäinen aikuinen laittoi lasten syyliin lapista sanoen samalla "lapisulapis". Mikähän kirja se oli? Meilläkin laitettiin syyliin lapista sellasella kynällä. Mulla oli syylä imupeukalossa Tyrvännössä, se mustui ja lähti pois koko palana jättäen jälkeensä oudon kuopan, kuin kraaterin. Lapis on hopeanitraattia, ja syylässä on papilloomavirus. Enpä tiennyt.
ellauri197.html on line 216: The third stanza reminds readers/listeners that civilization come and go, that the story of humankind is replete with societies rising and falling, like waves in the ocean. While the thought may provoke gloom, it remains a fact that those civilization have indeed been stamped out, and what a good thing it is.
ellauri197.html on line 278: But the recollecting of bloom Mutta kukoistuxen muistaminen
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri197.html on line 309: Once more, the variation of verb tenses happens within this stanza to continue the representation of her uncertain mind frame since the “Bloom [k]eeps making November difficult,” which is present tense, but she “was almost bold,” which is past tense. Though there is a logic behind this particular verb tense change, the pattern is still striking enough to merit mention.
ellauri197.html on line 319: It is also noteworthy that she speaks of “perish[ing] of the cold,” not “in the cold.” This treats “the cold,” or the devastation from the memory, like a disease rather than a weather detail, which furthers the paradox of how the situation remembered is treated. In the first stanza, it “Bloom[s].” Here, it has essentially become a disease. This again mirrors the uncertainty and lack of clarity within the narrator’s thoughts regarding the situation.
ellauri198.html on line 141: Harold Bloom observed in the New Leader, “Warren alone among living writers ranks with the foremost American poets of the century: Frost, Stevens, Hart Crane, Williams, Pound, Eliot. ...
ellauri198.html on line 162: It was the season before the elderberry blooms,
ellauri198.html on line 350: Harold Bloom reads the poem as a "loving critique" of Shelley, and describes Roland as questing for his own (Bloom's) failure.
ellauri198.html on line 506: No sluggish tide congenial to the glooms; Ei verrattava laiskoihin vuorovesiin;
ellauri198.html on line 743: Roland says one thing and means another, vahvistaa Harlod Bloom. Ei se siihen kyykisty mihin paskantaa. Bloom kiskoo avuxeen rekvisiitasta vastaanpyristelevän tanskalaisen kyttyrän, joka muka on nasevasti ilmaissut Bloomin Browningin perusidean: se on imitaattori joka aktiivisesti hakee jotain martyrdomia! Se toivoo tyrivänsä!
ellauri198.html on line 745: Mitä potaskaa. Siltä tuntui Bloomista, ei käy kieltäminen sitä. Meaning has wandered already, se sanoo pettyneenä jenkkiläiseen maallisuuteen ja rahankuvan palvontaan. Eikö kukaan enää piittaa runoista, kriitikoista puhumattakaan? Pelkkää nihilismiä, jonka parhaiten on luonnostellut Nietzsche.
ellauri198.html on line 747: Vaikeinta on Bloomin ymmärtää, mikä nalli napsahtaa Rolandille värsyssä XXIX. Bloom raahaa kekoon askeesia, metaforia ja metaleepsistä, mutta tokko niistä on tässä mitään apua. Täytyypä vilkaista Bloomin vinkkaamia runoja Keats: The Fall of Hyperion ja Shelley: The Triumph of Life. Onko nekin jotain smuttia? (Kz alempaa.)
ellauri203.html on line 460: thing perhaps, may be: in contrast to the gloomy tragic tyrant Richard,
ellauri204.html on line 344: If you thought that a visit to the brothel district was going to be fun and sexy, the “Circe” episode’s opening stage directions quickly dispel you of that notion by establishing the unseemly setting of Joyce’s Nighttown. The tracks are “skeleton,” the signals warn of “danger,” the houses are “grimy,” the men are “stunted,” and the women “squabble” about price. Indeed, Encyclopaedia Britannica in 1885 labeled this part of Dublin “the worst slum in Europe”. Located in east Dublin between Montgomery Street and Tyrone (né Mecklenburgh) Street, Nighttown is an ugly place filled with unsavory people. Moly (ei Molly) yrtti oli luultavasti valkosipuli. Bloomin mielixeen kengittämän hoidon hampaat haisi valkosipulilta.
ellauri219.html on line 1024: The American sublime, as Harold Bloom has said, “is always also an American irony”. Jayne Mansfield's bumper bullets. People hugging their pit bulls sexually and getting 15 years for it. Do you know what Teilhard de Chardin called the “noosphere”? Not the foggiest. I think what Rachel has in mind here is the Internet. Who is or was Teilhard anyway? Teilhard was mentioned by Pynchon, see album 69. Not a very memorable character apparently. Tässä Pierren tärkeimpiä läppiä, aika heruttavia:
ellauri220.html on line 181: Tättilillukoista on hienoa kun kymmenkunta nokipoikaa varastaa Bloomingdalelta nahkarozeja. Vapaata markkinataloutta, yxityisyritteliäisyyttä. Jokainen kahmii puolestaan, joku jää kiinni kaikkien puolesta, paska zägä. Nixon jäi 1974 kiinni omaa tyhmyyttään, sori siitä, parempi onni ensi presidentillä. Klaara muistelee 17-vuotiaan Akun suorittamaa puikotusta anopin maatessa vainajana viereisessä huoneessa. Hyvinhän se meni. Uhkarohkeita pentuja jotka tuovat juniin vähän väriä ja kuiviin tunneleihin eloa. Oliko tää Miles musta mies? Musta valomies Ekku Peltola juutalaisella Samuliinilla. Verenpaineinen Jack kertoi tarjoilijoille ja eteisvahtimestareille kuinka hyvä kuiva Esther oli sängyssä. Vanhoja pieruja, puhe siitä mistä puute. E. Saarinen ja Kuningatar, isot tissiliivit tyynyllä.
ellauri221.html on line 271: Surrounded by anthropogenic ecological disasters, brutal wars, and the threat of destruction looming over the future of the planet itself due to our actions, constructed knowledge, and structured ignorance, it becomes urgent to examine the underlying ontological concepts and the reality from which our children are incarcerated in schools. This research is an attempt to look at what is the knowledge that children get exposed to and my main question is whether identity and civilisation are not the underlying culprits in our alienation from the world. As Tove Jansson shows in her moominbooks, perhaps it is necessary to empathise even with the one who dislikes us and not limit ourselves to people only, but see if “I can often have tender, concerned feelings for anyone (animals and people included) as fortunate or less fortunate than me”.
ellauri222.html on line 175: The decorum in Bellow criticism is to acknowledge the original of the fictional character when the person is famous, and otherwise to insist on treating it all as fiction. Thus everyone knows that, in “Humboldt’s Gift,” Von Humboldt Fleisher “is” Delmore Schwartz, and that, in “Ravelstein,” Abe Ravelstein “is” Allan Bloom, the Chicago professor who wrote “The Closing of the American Mind” and was a good friend of Bellow’s.
ellauri222.html on line 177: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them.
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri222.html on line 917: For You could bloom delightful lilies upon the water.
ellauri238.html on line 921: the desert blooms for us, and our children are beautiful. Erämaa kukkii meille, lapset ovat kauniita.
ellauri241.html on line 132: Their lustres with the gloomier tapestries kiiltonsa synkempien kuvakudosten kanssa.
ellauri241.html on line 223: Bloomed, and gave up her honey to the lees. kukki ja luovutti hunajansa tuolle kakalle.
ellauri241.html on line 240: Made gloom of all her frecklings, streaks and bars, Teki synkkyyden kaikista pisamistaan, juovistaan ​​ja palkeistaan,
ellauri241.html on line 682: Come from the gloomy tun with merry shine. Tullen synkästä tynnöristä iloisena loisteena.
ellauri241.html on line 771: Wander'd on fair-spaced temples; no soft bloom Vaeltele reilun etäisyyden päässä olevissa ohimoissa; ei pehmeää leväkukinta
ellauri241.html on line 871: Through verdurous glooms and winding mossy ways. Vehreän synkkyyden ja mutkaisten sammaleiden kautta.
ellauri241.html on line 1526: Eternally away from thee all bloom

ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri243.html on line 719: Disraeli was born in Bloomsbury, then a part of Middlesex. His father left Judaism after a dispute at his synagogue; Benjamin became an Anglican at the age of 12.
ellauri245.html on line 349: After the funeral, all of the loved one’s possessions – and here’s the real head-turner – are burned. (So much for heirlooms). Once again, the primary concern is marimé (contamination), and family members want to destroy all material ties to the dead. Given the massive cost of such destruction, however, today many people sell the possessions – though not to other Gypsies of course.
ellauri245.html on line 671: Jonas Gahr Støre, Norway´s Foreign Minister said: "I strongly react to the death sentence of two Norwegians ... Norway is a principled opponent of the death penalty and I will contact the DRC's foreign minister to gabble about this." According to Bloomberg.com "Norway also objected to the espionage conviction and the inclusion of the country in the fine, Stoere [sic] said. 'Norway isn't a part of this case.'" Sick. It is more than obvious that she was.
ellauri247.html on line 266: Smollett was very peevish. A sardonic, satirical, and indeed decidedly gloomy mood or temper had become habitual in him. His was certainly a nervous, irritable, and rather censorious temper. He died of tuberculosis.
ellauri247.html on line 353: Johnson displayed signs consistent with several diagnoses, including depression and Tourette syndrome. According to Boswell, Johnson "felt himself overwhelmed with an horrible melancholia, with perpetual irritation, fretfulness, and impatience; and with a dejection, gloom, and despair, which made existence misery".
ellauri262.html on line 306: Commentators have remarked on the apparent lack of sexuality in The Lord of the Rings; the feminist and queer theory scholar Valerie Rohy notes the female novelist A. S. Byatt's remark that "part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful"; the Tolkien scholar Tom Shippey wrote that "there is not enough awareness of sexuality" in the work; and the novelist and critic Adam Mars-Jones stated that "above all, sexuality [is] what is absent from the [work's] vision". Rohy comments that it is easy to see why they might say this; in the epic tradition, Tolkien "abandons courtship when battle looms, apparently sublimating sexuality to the greater quest". She accepts that there are three romances leading to weddings in the tale, those of Aragorn and Arwen, Éowyn and Faramir, and Sam and Rosie, but points out that their love stories are mainly external to the main narrative about the Ring, and that their beginnings are basically not shown: they simply appear as marriages.
ellauri270.html on line 311: The morning of June 27th is a sunny, summer day with blooming flowers and green grass. In an unnamed village, the inhabitants gather in the town square at ten o’clock for an event called “the lottery.” In other towns there are so many people that the lottery must be conducted over two days, but in this village there are only three hundred people, so the lottery will be completed in time for the villagers to return home for noon dinner.
ellauri270.html on line 393: The inhumanity of the villagers, which has been developed by repeated exposure to the lottery and the power of adhering to tradition, still has some arbitrary limits—they are at least relieved that a young child isn’t the one chosen. They show no remorse for Tessie, however, no matter how well-liked she might be. Even Tessie’s own children are happy to have been spared, and relieved despite their mother’s fate. Jackson builds the sense of looming horror as the story approaches its close. WTF, Tessie is clearly the odd one out, so the outcome of the lottery was fortunate!
ellauri272.html on line 387: Haastattelu on kuvattu pian Niinistön ja USA:n presidentti Joe Bidenin torstaisen yllätystapaamisen jälkeen. Bloomberg kuvailee Niinistön yhteyttä Bideniin ”ennennäkemättömäksi”, sillä presidentit ovat tavanneet reilun vuoden aikana jo kolmesti ja keskustelleet penixestä neljästi. Niinistö kertookin kysyttäessä keskusteluistaan Bidenin kanssa.
ellauri272.html on line 404: Mutta Archibald Ammoniitti ei ole hassumpi, Bloom oli oikeassa siinä. Se auttaa elämään tätä surkeata elämää.
ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated.
ellauri272.html on line 418: Bloom wrote: “Ammons’s poetry does for me what Stevens’s did earlier, and the High Romantics [Bloom’s term for William Blake, William Wordsworth, Samuel Coleridge, Percy Bysshe Shelley, John Keats, and Lord Byron] before that; it helps me to live my miserable life.
ellauri275.html on line 455: Chavchavadze's contradictory career – his participation in the struggle against the Russian control of Georgia, on one hand, and the loyal service to the tsar, including the suppression of Georgian peasant revolts, on the other hand – found a noticeable reflection in his writings. The year 1832, when the Georgian plot collapsed, divides his work into two principal periods. Prior to that event, his poetry was mostly impregnated with laments for the former grandeur of Georgia, the loss of national independence and his personal grievances connected with it; his native country under the Russian empire seemed to him a prison, and he pictured its present state in extremely gloomy colors. The death of his beloved friend and son-in-law, Griboyedov, also contributed to the depressive character of his writings of that time.
ellauri290.html on line 576: "Hylätty omaisuus oli yksi suurimmista panostuksista Israelin tekemisessä elinkelpoiseksi valtioksi. Sen pinta-alan laajuus ja se, että suurin osa rajan alueista oli poissaoloomaisuutta, teki siitä strategisesti merkittävän. Vuosien 1948 ja 1953 alun välisenä aikana perustetuista 370 uudesta juutalaisesta siirtokunnasta 350 oli poissaolon omaisuutta. Vuonna 1954 yli kolmasosa Israelin juutalaisista asui poissaolevien omaisuuksissa, ja lähes kolmannes uusista maahanmuuttajista (250 000 ihmistä) asettui arabien hylkäämille kaupunkialueille. He jättivät kokonaisia ​​kaupunkeja, kuten Jaffa, Acre, Lydda, Ramleh, Beisan, Majdal; 388 kaupunkia ja kylää; ja suuri osa 94 muusta kaupungista ja kylästä, jotka sisältävät lähes neljänneksen kaikista Israelin rakennuksista. 10 000 kauppaa, yritystä ja kauppaa jätettiin juutalaisten käsiin. Toimikauden lopussa sitrushedelmien omistukset Israelin alueella olivat yhteensä noin 240 000 dunumia, joista puolet oli arabien omistuksessa. Suurimman osan arabimetsoista otti haltuunsa israelilainen poissaolevien omaisuuden säilyttäjä. Mutta vain 34 000 dunumia viljeltiin vuoden 1953 loppuun mennessä. Vuosina 1951-1952 entiset arabitarhat tuottivat puolitoista miljoonaa hedelmälaatikkoa, joista 400 000 vietiin vientiin. Ulkomaille lähetetyt arabihedelmät muodostivat lähes 10 prosenttia maan viennistä saaduista valuuttatuloista vuonna 1951. Vuonna 1949 hylättyjen arabilehtojen oliivit olivat Israelin kolmanneksi suurin vientituote sitrushedelmien ja timanttien jälkeen. Arapropertyn suhteellinen taloudellinen merkitys oli suurin vuodesta 1948 vuoteen 1963 suurimman maahanmuuton ja tarpeiden aikana. "Vuonna 1951 hylättyyn viljelymaan kuului lähes 95 prosenttia kaikista Israelin oliivitarhoista, 40 000 dunumia viinitarhoja, ja vähintään 10 000 dunumia muita hedelmätarhoja sitrushedelmiä lukuun ottamatta." "Säilytysyhteisö vuokrasi vuonna 1952 teollisiin tarkoituksiin 20 000 dunumia poissaolokiinteistöä. Kolmannes Israelin kivituotannosta toimitti 52 hänen lainkäyttövaltaan kuuluvaa arabilouhosta.

ellauri290.html on line 601: Pääministerillä tai kenellä tahansa muulla ministerillä oli valtuudet yksinkertaisesti anastaa kaikki poissa olevien räsypäiden maat: maatalousministeri voi varoittaa joutomaan omistajaa viljelemään maata tai huolehtimaan siitä, että sitä viljellään. (c) Mitään näiden määräysten mukaista jätemaata koskevaa tekoa ei saa mitätöidä sillä perusteella, että varoitus ei ole tullut maan omistajan tietoon. Jos jätemaan omistaja ei käänny maatalousministerin puoleen säännöksen 3 mukaisesti tai jos maatalousministeri ei ole vakuuttunut siitä, että maan omistaja on aloittanut tai aikoo aloittaa tai jatkaa maan viljelyä , maatalousministeri voi ottaa maan hallintaansa sen viljelyn varmistamiseksi. Ottaen huomioon sen tosiasian, että ylivoimainen enemmistö hylättyjen arabimaiden omistajista oli, tämän asetuksen voimaantulohetkellä ja ovat edelleen pakolaisia, jotka elävät pakotetussa maanpaossa Israelin miehittämien alueiden ulkopuolella, määräys maatalousministerin "varoituksesta" tai omistajien "hakemuksista" (artikloissa 2, 3, ja 4) ovat käytännössä merkityksettömiä. Ne ovat myös oikeudellisesti merkityksettömiä kohdan (c) tai 2 artiklan ehdottoman säännöksen vuoksi. Päinvastaisesta vaikutuksesta huolimatta asetuksella annettiin maatalousministerille valtuudet "ottaa haltuunsa" pakolaisten hylkäämä maa. noin 80 % Israelin miehittämien alueiden maa-alasta – ilman mahdollisuutta haasteeseen. Cuftodian saattoi ottaa haltuunsa suurimman osan arabien omaisuudesta Israelissa oman harkintansa mukaan todistamalla kirjallisesti, että joku henkilö tai henkilöryhmä oli poissa, tai että mikä tahansa omaisuus oli poissaoloomaisuutta. Todistustaakka siitä, että mikään omaisuus ei ollut poissa, oli sen omistajalla. Tämän määräyskokoelman ratkaiseva säännös oli "poissaolevan" määritelmä. Kuka tahansa henkilö julistettiin "poissaolevaksi", joka oli 29. marraskuuta 1947 (yleiskokouksen Palestiinan jakamista koskevan päätöslauselman päivämäärä) tai sen jälkeen:

ellauri302.html on line 345: It's none of our business. Let's put out the lamp and go to sleep. We know nothing about it. (Turns down the wick of the lamp. The stage is bathed in gloom. The girls go to their respective comparyments.
ellauri310.html on line 567: kriitikot kuin Harold Bloom ja James Wood. Bloom nyt oli homo ainakin, eix je? Ei kai ollut sekään, olipahan jutku, mammanpoika, ja hirviö. Kuinka tuskallista onkaan nauttia luovasta neroudesta, mutta ilman luomisen lahjaa.
ellauri321.html on line 131: Yet when young I entertained some thoughts of selling my farm. I thought it afforded but a dull repetition of the same labours and pleasures. I thought the former tedious and heavy, the latter few and insipid; but when I came to consider myself as divested of my farm, I then found the world so wide, and every place so full, that I began to fear lest there would be no room for me. My farm, my house, my barn, presented to my imagination, objects from which I adduced quite new ideas; they were more forcible than before. Why should not I find myself happy, said I, where my father was before? He left me no good books it is true, he gave me no other education than the art of reading and writing; but he left me a good farm, and his experience; he left me free from debts, and no kind of difficulties to struggle with 24 with.—I married, and this perfectly reconciled me to my situation; my wife rendered my house all at once chearful and pleasing; it no longer appeared gloomy and solitary as before; when I went to work in my fields I worked with more alacrity and sprightliness; I felt that I did not work for myself alone, and this encouraged me much. My wife would often come with her kitting in her hand, and sit under the shady trees, praising the straightness of my furrows, and the docility of my horses; this swelled my heart and made every thing light and pleasant, and I regretted that I had not married before. I felt myself happy in my new situation, and where is that station which can confer a more substantial system of felicity than that of an American farmer, possessing freedom of action, freedom of thoughts, ruled by a mode of government which requires but little from us? Every year I kill from 1500 to 2,000 weight of pork, 1,200 of beef, half a dozen of good wethers in harvest: of fowls my wife has always a great stock: what can I wish more?
ellauri321.html on line 161: By living in or near the woods, their actions are regulated by the wildness of the neighbourhood. The deer often come to eat their grain, the wolves to destroy their sheep, the bears to kill their hogs, the foxes to catch their poultry. This surrounding hostility, immediately puts the gun into their hands; they watch 67 watch these animals, they kill some; and thus by defending their property, they soon become professed hunters; this is the progress; once hunters, farewell to the plough. The chase renders them ferocious, gloomy, and unsociable; a hunter wants no neighbour, he rather hates them, because he dreads the competition. In a little time their success in the woods makes them neglect their tillage. They trust to the natural fecundity of the earth, and therefore do little; carelessness in fencing, often exposes what little they sow to destruction; they are not at home to watch;
ellauri321.html on line 209: Tämä hyvä, mutta Froggie pilaa antamansa suotuisan vaikutelman loppuluvussa jossa se päättää ryhtyäkin punanahaxi. The Supreme Being does not reside in peculiar churches or communities; he is equally the great Manitou of the woods and of the plains; and even in the gloom, the obscurity of those very woods, his justice may be as well understood and felt as in the most sumptuous temples. Each worship with us, hath, you know, its peculiar political tendency; there it has none but to inspire gratitude and truth: their tender minds shall receive no other idea of the Supreme Being, than that of the father of all men, who requires nothing more of them than what tends to make us others happy. We shall say with them. Soungwanèha, èsa caurounkyawga, nughwonshauza neattèwek, nèsalanga. — Our father, be thy will done in earth as it is in great heaven.
ellauri331.html on line 154: Helmikuussa 2015 Donbassin sodasta kertonut Los Angeles Timesin toimittaja Sergei Loiko julkaisi kirjeenvaihdon Gazeta.Ru:n apulaispäätoimittajan Pjotr Vlasovin [ ru ] kanssa. Siinä venäläinen mediapäällikkö ilmaisi fyysisiä uhkauksia ja syytti matkan varrella kollegaansa työskentelystä "osavaltioiden pomoille". Paizi pitkänhuiskea pelkurimainen kenraali Vlasovhan työskenteli nazipomoille? Huhtikuussa 2016 lurjusmaisen Bloomberg Newsin kolumnisti Leonid Bershidsky kutsui Gazeta.Ru:ta "Putin-mieliseksi mediaksi", joka toimii Venäjän viranomaisten etujen mukaisesti.
ellauri331.html on line 158:

Bloomberg News

ellauri331.html on line 160: Omistaja: Michael Bloomberg (88 % juutalainen) ja Bank of America (12 %; Merrill Lynchin kautta). Julkaisu luotiin tiiviiden ja ajankohtaisten talousuutisten tarjoamiseksi. Uutena yrityksenä vuonna 1990 Bloomberg toivoi, että uutispalvelu levittäisi yrityksen nimeä, myyisi enemmän Bloomberg Terminaleja ja lopettaisi Bloombergin riippuvuuden Dow Jones News Services -palvelusta. Bloomberg News julkaisi huhtikuussa 2014 Bloomberg Luxury lifestyle -osion. Osion sisältö kattaa muun muassa matkailun, viiniuutiset, ruokailut, autouutiset, vempaimet, teknologiauutiset ja paljon muuta. Se korostaa myös Bloombergin neljännesvuosittaisen elämäntapa- ja luksuslehden Pursuits sisältöä. Kiinauutisoinnin ruikittua silmille Bloombergin puheenjohtaja Peter Grauer kertoi Bloomberg Hong Kong -toimiston henkilökunnalle, että yrityksen myyntitiimi oli tehnyt "sankarillista työtä" korjatakseen suhteita kiinalaisten viranomaisten kanssa, jotka olivat ilmaisseet tyytymättömyytensä Xin paljaspyllykuvien julkaisemiseen. Hän varoitti myös, että jos Bloomberg "tekee taas jotain Xin tarinan kaltaista", yritys "palaisi suoraan takaisin paskalaatikkoon".
ellauri331.html on line 162: Bloomberg oli "saahantanut yritysidentiteettiään ja journalismibrändiä siinä määrin, että se voi kestää vuosia". Vuonna 2015 päätoimittaja John Micklethwaitin kirjoittama sisäinen muistio vuoti yleisölle. Tämä muistio osoitti aikomusta kohdistaa virasto uudelleen kohdistamaan paremmin ydinyleisönsä, "älykäs asiakas, jolla ei ole aikaa", ja saavuttaa paremmin tavoite olla "lopullinen" kapitalismin kronikka. Tämä muutos johti yleishyödyllisten aiheiden raportoinnin vähentämiseen liiketoimintaan ja talouteen liittyvän sisällön hyväksi.
ellauri331.html on line 164: Vuonna 2016 Bloomberg julkaisi lehdistötiedotteen, jossa se väitti olevansa ranskalaiselta rakennusyhtiöltä Vinci SA: lta, että se oli havainnut kirjanpitovirheitä ja joutui tarkistamaan tulosraporttejaan. Lehdistötiedote osoittautui huijaukseksi. Vincin osake laski hetkellisesti 18 %, kun Bloomberg julkaisi sen, vaikka se toipui nopeasti, kun kävi selväksi, että se ei ollut totta. Ranskan osakemarkkinoiden sääntelyviranomainen Autorité des marchés financiers määräsi vuonna 2019 Bloombergille 5 miljoonan euron sakon raportin julkaisemisesta ja totesi, että sen olisi pitänyt tietää, että se oli väärä. Muutoksenhakutuomioistuin alensi sakon 3 miljoonaan euroon vuonna 2021. Sisäpiirikaupat Vincin osakkeilla moninkertaisesti korvasivat takaiskun. Marraskuussa 2019 Michael Bloomberg ilmoitti presidentinvaalikampanjastaan. Bloombergin omia reporttereita käskettiin pitämään suut soukalla. Vastatessaan kritiikkiin Michael Bloomberg kertoi CBS Newsille: "Meidän on vain opittava elämään joidenkin asioiden kanssa." Hänen toimittajansa "saavat palkan. Mutta palkkasi mukana tulee joitain rajoituksia ja vastuita." Bloombergin päätoimittaja John Micklethwait myönsi henkilökunnalle lähettämässään sähköpostissa, että Michael Bloomberg hallitsee mielipideosion toimituksellista tuotantoa ja totesi, että "toimitukseemme ovat heijastaneet hänen näkemyksiään."
ellauri331.html on line 167:
ellauri331.html on line 706: The Bell on riippumaton verkkosanomalehti Venäjällä, ja edellä jo patamustaxi leimattu Bloomberg kuvailee sitä "yhdeksi viimeisistä Venäjän riippumattomista uutislähteistä, jotka ovat edelleen pystyssä". Useat länsimaiset mediayhtiöt, kuten Axios, ovat lainanneet The Bell -kirkkoa heidän "asiantuntemuksensa" vuoksi Venäjän politiikassa.
ellauri336.html on line 624: The scale of new production is “staggering”, according to an analysis by Global Witness, a campaign group, with Texas leading the way as US output of oil and gas is forecast to rise by 25% over the next decade. This makes it a “looming carbon timebomb”, the group believes, in a period when global oil and gas production needs to drop by 40% to mitigate the worst impacts of the climate crisis.
ellauri336.html on line 634: While there are some indicators of a slowdown in the growth rate, Chevron’s president of North American exploration and production, Steve Green, told an industry event in October that the oil major sees a “boom boom boom kind of economy” with a “long, healthy pace of activity in the Permian and Texas for decades to come”, Bloomberg reported.
ellauri339.html on line 641: Ruslan Shpakovich, entinen vuokra-auton työntekijä, kouluttaa sotilasta, jonka yksikkö on osittain yksityisesti hankittu, Mykolaivka Druhassa, Ukrainassa. Kuvaaja: Brendan Hoffman Bloomberg Businessweekille. Vapaaehtoiset ja voittoa tavoittelemattomat organisaatiot (taino, Ukrainan voittoa toki) ovat olleet Ukrainan Venäjä-taistelun selkäranka.
ellauri352.html on line 604: In 2011, a "novel of the decade" was chosen due to lack of sponsorship to hold the customary award. Five finalists were chosen from sixty nominees selected from the prize´s past winners and finalists since 2001.[citation needed] Chudakov won posthumously with A Gloom Is Cast Upon the Ancient Steps, which takes place in a fictional town in Kazakhstan and describes fictional life under Stalinist Russia. The criteria for inclusion included literary effort, representativeness of the contemporary literary genres and the author¨s reputation as a writer. Length was not a criterion, as books with between 40 and 60 pages had been nominated.
ellauri365.html on line 565: In truth he gave the final blow to the left-wing realistic school, enemy of all imagination, which was then dominant in Sweden and which since 1880 had darkened literature with its sadness and its gloom. This was the first manifestation of a new poetry in which free individuals, led only by the logic of their imagination, worshipped beauty and wealth for its own sake.
ellauri389.html on line 181: Zimmer kiittää brittiläistä toimittajaa Edward Lucasia siitä, että hän aloitti säännöllisen yleisen käytön sanalle whataboutism putinismista sen ilmestymisen jälkeen blogikirjoituksessa 29. lokakuuta 2007, raportoimalla osana Venäjää koskevaa päiväkirjaa, joka painettiin uudelleen kun Stalin-viittauxet oli vaihdettu Putinixi. The Economistin 2. marraskuuta ilmestyvässä numerossa. 31. tammikuuta 2008 The Economist julkaisi toisen Lucasin artikkelin nimeltä "Whataboutism". Edward Lucas's 2008 Economist article states that "Soviet propagandists during the cold war were trained in a tactic that their western interlocutors nicknamed 'whataboutism'. Writing for Bloomberg News, Leonid Bershidsky called whataboutism a "Russian tradition", while The New Yorker described the technique as "a strategy of false moral equivalences". Myöhemmin Lucas syytti Trumpia whataboutismista, niin että hän "kuulostaa kauheasti Putinilta". Kun juontaja Oh Really kutsui Putinia "tappajaksi", Trump vastasi sanomalla, että myös Yhdysvaltain hallitus syyllistyi ihmisten tappamiseen. Hän vastasi: "Tappajia on paljon. Meillä on paljon tappajia. Mitä luulette - maamme on niin viaton?" Selvää entäilyä!
xxx/ellauri027.html on line 1356: Nomppa Chomsky halvexi Bloomfieldiä, Hockettia ja muita kielitieteen lokeroijia, koska niillä ei ollut ymmärrystä kielen järjestelmästä. Että kielioppi voi olla muutakin kuin sisäkkäisiä pikku laatikoita, joihin kielentutkija noukkii suffixit ja puffixit. Eli on muunkinlaisia mallinnuxia kuin lokerikot, ja nää toiminnallisemmat mallit on selittävämpiä.
xxx/ellauri075.html on line 209: According to Allan Bloom's 1974 obituary in Political Theory, Strauss "was raised as an Orthodox Jew", but the family does not appear to have completely embraced Orthodox practice.[35] Strauss himself noted that he came from a "conservative, even orthodox Jewish home", but one which knew little about Judaism except strict adherence to ceremonial laws. His father and uncle operated a farm supply and livestock business that they inherited from their father, Meyer (1835–1919), a leading member of the local Jewish community.
xxx/ellauri081.html on line 153: Asked By: Skye Bloomingdale | Last Updated: 19th May, 2020
xxx/ellauri091.html on line 292: Hauptmann's early dramas reflect the influence of Henrik Ibsen, but the production of Die Weber, a dramatization of the Silesian weavers' revolt of 1844, brought him fame as the leading playwright of his generation. Hauptmann did not only want to give realistic details, but he paid a great deal of attention to historical accuracy, and studied various dialects. His weavers are "flat-chested, coughing creatures of the looms, whose knees are bent with much sitting." The women's clothes are ragged, but some of the young girls are not without charm � they have "delicate figures, large protruding melancholy eyes." Structurally the play, which was at first banned, was innovative � there is no single, individual hero in the cast of more than 70 characters. (Didn't exceed the 80 character limit of first generation mainframe computers.)
xxx/ellauri103.html on line 400: Kaksitoista kustantajaa hylkäsi sen ennen kuin vastikään lastenkirjallisuusosaston perustanut Bloomsbury Publishing kiinnostui siitä. Se tarjosi käsikirjoituksesta 1 500 puntaa, jonka Rowling hyväksyi, sillä hänelle se oli iso raha. Ei taida olla enää. Kustantamo halusi kirjaan kirjailijan nimikirjaimet, jotta myynti olisi mahdollisimman hyvä: siellä uskottiin, etteivät pojat lukisi naiskirjailijan kirjoja. Turha vaiva kyllä Potterit on voittopuolisesti tyttöjen.
xxx/ellauri121.html on line 536: Ursulan The Left Hand of Darkness (1969) was described by Harold Bloom as her masterpiece. Harold on tuttu aiemmista seikkailuista. Amerikan Tuomas Anhava.
xxx/ellauri123.html on line 769: One of the first things Nabokov makes a point of saying is that, despite John Ray Jr.'s claim in the Foreword, there is no moral to the story. Nabokov concludes the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in 1940: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian language for a second-rate brand of English." Alas, that 'wonderful Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick. Or floppy prick."
xxx/ellauri125.html on line 156: Marianne Stone, Vivian Darkbloom
xxx/ellauri127.html on line 912: While barred clouds bloom the soft-dying day, Kun pilvimassat kuksivat iltataivaan päällä,
xxx/ellauri127.html on line 942: Bloom kuvaili vuonna 1961 "To Autumn" -runoa
xxx/ellauri128.html on line 126: Disraeli was born in Bloomsbury, then a part of Middlesex. His father left Judaism after a dispute at his synagogue; young Benjamin became an Anglican at the age of 12. After several unsuccessful attempts, Disraeli entered the House of Commons in 1837.
xxx/ellauri138.html on line 266: Roth also gave Bailey copies of two self-published manus, "Notes to my Biographer," a 295-page rebuttal of his ex-wife Memoirs of Claire Bloom in 1996, and "Notes on a Slander-Monger", a response to the notes and interviews Miller had compiled.
xxx/ellauri138.html on line 271: "I am against the holocaust of anything," said Claire Bloom. Roth was invested serving much of his own paper trail, said Avishai. He started donated their papers to the Library of Congress in the 1970s, and the institution amassed some 25,000 articles from 1938 to 2001, including correspondence with Bloom, Updike, Saul Bellow and Cynthia Ozick. After Roth's death, the library acquired more material, including correspondence, drafts, research notes, autobiographical notes, and other personal effects. Vitun hamsteri.
xxx/ellauri138.html on line 302: One day Philip handed me the manuscript of Notes for My Biographer. 'Take it,' he said, holding out the stack of pages held together by a large rubber band.'I want you to read it.' The book was a rebuttal to Claire Bloom's Leaving a Doll's House, Philip's ex-wife's account of their marriage, which was published in 1996. Many of the stories he'd already told me. He'd talked a lot to me about both Claire and his first wife, Margaret Martinson.
xxx/ellauri138.html on line 305: Philip wanted the book published. But no one would touch it for fear of the lawsuit Bloom might bring against them. At one point we discussed the idea of Philip offering to pay any damages arising from any legal case brought by Claire. More than anything, Philip wanted to put the record straight. I wanted for him to be able to put the record straight. I knew how forcefully he'd been struck and blindsided by Leaving a Doll's House. After its publication, Philip told me New York magazine published a photo of him on its front cover with the word 'MISOGYNIST' written across it. Philip went into hiding.
xxx/ellauri139.html on line 182: Kukas muu se äskettäin uhos yhtä asiattomasti kauneudesta? Joo se oli Nabokov. Oliko vastauksesta sinulle hyötyä? Ei. Ihan paskapuhetta. Vittu nää jenkit on sitten mauttomia. Just sitä, mauttomia. Ennen kaikkea. Niikö et joku alkaa rähjätä naapurille jossain Nykin kämäsessä taidenäyttelyssä kun toisen puhelin alkaa hälyttää. "Voisin tappaa sinut". Joo, tapa vaan. Kyseessä oli vielä joku Pollock, 40-luvun jenkki maalintuhertaja jonka taulu Nro 1A näyttää koiranoxennuxelta lumisessa puskassa. Tai sängyn alta löytyneeltä villakoiralta. Vittu miten kaikki henkilöt joiden ajatuxiin Peppu paneutuu muuttuu vastustamattomalla voimalla uusixi identtisixi Pepuixi. Niinkö toi Delroux. Sama onko ne nuoria vai vanhoja, naisia tai miehiä, kaikki ne on Peppuja. Never mind the Bollocks. Phil kammosi kuolemaa yli kaiken. Se oli nuuka mies, säästi käytöstä poistetut sydäntahdistimet. Lähetti Bloomille 30 hopearahan laskun konsultaatiosta nukkekodissa.
xxx/ellauri139.html on line 486: “O tell me, Angela, by the holy loom Kerro Angela, misson pyhä kangaspuu
xxx/ellauri139.html on line 615: Rose-bloom fell on her hands, together prest, Ruusuvesi tuli käsille aika pahasti;
xxx/ellauri149.html on line 518: Rockwell syntyi Bloomingtonissa, Illinoisissa. Hänen vanhempansa, englantilais-skotlantilainen George Lovejoy Rockwell ja saksalais-ranskalaista syntyperää oleva Claire Schade Rockwell, olivat molemmat kuuluisia vaudeville-koomikkoja ja näyttelijöitä. Komentajalla izellään oli varsin koomiset nenänreiät. Ben Zyskoviczin porkkanallakin sai enemmän naisia.
xxx/ellauri157.html on line 341: Scholem oli, kuten läheinen ystävänsä Walter Benjamin, suuri Franz Kafkan kirjallisuuden ystävä. Geshom on kuvissa aika muikean ja saxalaisen näköinen, paizi nenä sillä on hirmu porkkana. Scholem on vaikuttanut muun muassa Harold Bloomin luomaan runouden teoriaan. Myös kuuluisa argentiinalainen kirjailija Jorge Luis Borges on viitannut Scholemiin runoissaan.
xxx/ellauri167.html on line 602: Journalists face just the same old challenges than they did in Chicago in 1968. As the president vilifies the media as “the enemy of the people,” and reporters have occasion to attend his rallies with a security detail in tow, it’s clear that the specter of violence again looms large. There is also ferocious disagreement over the meaning of what we view on social media or television, a disagreement that clearly is not native to America, but brought in by the white immigrants. What is obvious to some is not to others, who would contend, for example, that “truth is not truth but alternative truth, " or "news is not news but fake news", or "election is not a vote but a steal".
xxx/ellauri170.html on line 384: Blow: What it says - unless it is an archaic version of "bloom" as suggested in another answer. I'll let the rest of my post stay for reference.
xxx/ellauri170.html on line 426: The first part of the riddle was already solved above regarding the meaning of the word "meanest" (the superlative degree of the adjective "mean"): lowliest (garden-variety; nothing out of ordinary). As regards the word "blow", it's been even easier than that: in this particular case it has a sense of "to bloom" ("to be in blossom").
xxx/ellauri170.html on line 429: 3blow vi blew blown blowing {ME fr. OE blōwan; akin to OHG bluoen to bloom, L florēre to bloom, flor-, flos flower} (bef. 12c) : FLOWER : BLOOM
xxx/ellauri170.html on line 431: Thus, slightly amending the whole phrase we have the clear picture like: "common flower might blossom, or bloom".
xxx/ellauri170.html on line 441: The sweetest flower that blows / I give you as we part. / For you it is a rose, / For me it is my heart. I agree that blows = blooms (obsolete). Can you add to your answer a link or citation to a reputable source. –
xxx/ellauri175.html on line 609: - Jaa se! hän mutisi, sellaiset ihmeet mieluummin pelottaisivat sielua kuin lohduttaisivat sitä! Kukapa mies kuvittelikaan, että tämä synkkä automaatti voisi liikuttaa minua kuka tietää, mitä paradokseja metallilevyihin kaiverrettuina! Mistä lähtien Jumala salli koneiden puhua? Ja mikä naurettava ylpeys näyttää ajattelevan sähköisistä haamuista, jotka naisen muotoon pukeutuneena väittävät sekoittuvansa olemassaoloomme? - Vai niin! Ah! Ah! Mutta unohdin! Olen teatterissa! Ja minun on vain kehuttava. Kohtaus on todella outo! Hyvin tehty siis! Edison! – Bis! bis!…
xxx/ellauri175.html on line 671: - Jäähyväiset ! Neiti Hadaly!… sanoi Edison. Muistatko siellä maanalaisen huoneesi - jossa puhuimme joskus hänestä, jonka oli määrä herättää sinut kalpeaan olemassaoloomme elävinä?
xxx/ellauri176.html on line 831: Unlike Jordan, the young Jewish hairdresser who infiltrated his organisation in the drama is a work of fiction. Jordan features in the 2014 historical novel Ridley Road by Jo Bloom. According to some reports, his father was a lecturer, while others claim that he was a postman. His mother was a teacher. Her real name was Agnes Eustacia Kenig and her father was a postman or a tailor.
xxx/ellauri178.html on line 57: No ei, kyllä stm Masi aika lailla antaa kyytiä Vänrikki Nappulallekin, joka sanoi tulleensakin tänne haukuttavaxi. Phillun kovan haukkumisen koutsaama Bloomin bio ilmestyi 6v myöh. ja menestyi briteissä, mutta vaiettiin kuoliaaxi USAssa, ilmeisesti liian vähän gossipmazkua. Näissä paasauxissa ei ole ainakaan sitä vikaa.
xxx/ellauri178.html on line 63: The film stars Chaplin as a washed-up comedian who saves a suicidal dancer, played by Claire Bloom, from killing herself, and both try to get through life. Täähän oli Rothin mielijuoni, se oli aina pelastavinaan damseleita distressistä ja sitten olikin se distress ize.
xxx/ellauri178.html on line 72: Bloomin poissaollessa Roth runkkasi sen leninkiin. Muulloin se käytti aika paljon aikaa Bloomin haukuntaan. Haukun haukun. Isobritanniassa on navakka myrsky, tuulen voimakkuus yli 8 popofia.
xxx/ellauri178.html on line 366: Noniin, aloittaisinko lukemisen Pilin mainizemasta Ariadnasta? Se haiskahtaa hiukan misogyyniseltä. Ariadnahan on kuin Ernesto "Che" Guevaran "Brett"! Zwei Linsen auf einem Brett! Tai size on Claire Bloom. Kepeshin Clairella on kyllä isot kannut ja se on blondi shixa.
xxx/ellauri179.html on line 932:    Bloomin’ idol made o’ mud— Vitun mudasta tehty idoli---
xxx/ellauri199.html on line 215: to freshly opened blooms.
xxx/ellauri199.html on line 1057: Douglas Murray is an associate editor of The Spectator. His latest publication, The Madness of Crowds, was a bestseller and a book of the year for The Times and The Sunday Times. His previous book, The Strange Death of Europe: Immigration, Identity, Islam, was published by Bloomsbury in May 2017. It spent almost twenty weeks on the Sunday Times bestseller list and was a number one bestseller in nonfiction. Read less.
xxx/ellauri200.html on line 623: and light and dark on secret looms entwined. Ja kutoivat mustavalkoisesta harmaasävyjä.
xxx/ellauri200.html on line 669: though small and bate, upon a clumsy loom Vaikka pienessä, poppanoita kutovat,
xxx/ellauri218.html on line 408: The northeast blackout of 1965 was a significant disruption in the supply of electricity on Tuesday, November 9, 1965, affecting parts of Ontario in Canada and Connecticut, Delaware, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, and Vermont in the United States. In contrast to the wave of looting and other incidents that took place during the 1977 New York City blackout, only five reports of looting were made in New York City after the 1965 blackout. It was said to be the lowest amount of crime on any night in the city's history since records were first kept. Perhaps thanks to that more than 800,000 looters got trapped in the subway. The blackout that hit New York on July 13, 1977 was to many a metaphor for the gloom that had already settled on the city. An economic decline, coupled with rising crime rates and the panic-provoking (and paranoia-inducing) Son of Sam murders, had combined to make the late 1970s New York’s Dark Ages.
xxx/ellauri225.html on line 339:

Lisätietoa Harold Bloomista

xxx/ellauri225.html on line 341: Harold Bloom on tullut eteen useinkin ja luupin alle albumissa loom">67. Harold näytti aika lailla Salen Henry Tillermanilta. Paxuhuulinen imukala lähi-idästä. Sillä oli Jiddish äidinkielenä, se izeoppi englantia salaa äidiltä. Toisin kuin kaima Allan Harold ei kenties ollut homo. Pikemminkin asexuaalin oloinen, tai repressoitunut, käsivetoinen.
xxx/ellauri225.html on line 343: Writing about the provocative literary critic Harold Bloom is an intimidating affair. Everything about Bloom is daunting, particularly his noxious public persona. He will occasionally try to conceal it by condescendingly addressing his interviewer as “dear.” He rarely seems to notice whom he is speaking with, or what they are feeling. He can erupt into long passages of Shakespeare, Whitman or Yeats from memory—a circus act of stunning recall as he approaches 90. But unlike critics such as the late Lionel Trilling or Daniel Mendelsohn, for whom literary criticism is a tool to examine the crucial moral, social, and political questions of our time, Bloom insists that literature be studied purely for aesthetics.
xxx/ellauri225.html on line 347: In the 1960s, the New Criticism, which since has taken hold at most American universities, came into vogue, insisting that literature be reexamined through multiple lenses so that new interpretations and voices would flourish. Elaborate curriculums looked at literature through different prisms: gay, feminist, Marxist, deconstructionist and others. Bloom was enraged. He spent decades lambasting the New Criticism, refusing to have anything to do with these critics and labeling them derisively as “the school of resentment.” Many resented his elitism.
xxx/ellauri225.html on line 349: Bloom was born in 1930 to a poor Orthodox Jewish household in the East Bronx, one of five children. He lost faith early in the Jewish God when he accidentally stumbled on the poetry of Hart Crane. He fell in love with Crane’s enthusiasm for life, his belief in the possibility of ecstatic pleasure, and his overall exuberance. This was in stark contrast to Bloom’s childhood, which he confesses was a lonely time.
xxx/ellauri225.html on line 353: In his newest book, “Possessed by Memory: The Inward Light of Criticism,” Bloom promised to shake off the polemical battles that have shadowed him for years. He pledged to include never-revealed autobiographical snippets. He wanted to share with his readers his recent reevaluations of some of his most beloved writers. He only partially delivers.
xxx/ellauri225.html on line 357: There are stunning passages from literature that have moved him for decades. There is poetry, prose, and criticism from John Milton, Dr. Samuel Johnson, Phil Collins, Thomas Gray, Blake, Wordsworth, Coleridge, Shelley, Keats, Tennyson, Browning, Swinburn, Elizabeth Bishop, John Ashbery and James Merrill Hintikka. Bloom meditates on the Hebrew prophets, the Kabbalah, Psalms, Job, the Song of Songs, and Ecclesiastes. And of course, his beloved Shakespeare.
xxx/ellauri225.html on line 359: But Bloom’s insights don’t resonate deeply. He is too obsessed with comparing and contrasting, rather than allowing his responses to touch us deeply. He repeats his theory that poets always wrestle with the work of the poets that have come before them, either unconsciously or consciously, and then struggle to find their own voice in reaction to what has come before. There is something anti-transformative about his assertions, often tangled up with incomprehensible jargon.
xxx/ellauri225.html on line 360: Bloom on kuin jenkkien Jan Blumpstedt "öö mitä tarkoitat". Sen vaimo ei ollut lentoemäntä eikä opettanut sitä käyttämään yxinkertaisempaa kieltä, niinkuin Pipsa Eskiä.
xxx/ellauri225.html on line 362: Bloom still teaches (well, used to, he was carried out of the classroom in a huge black bodybag in 2019) at Yale and claims he has finally learned to better listen to his students. He tells them to select a piece of writing they love, sit under a tree and chant the lines to truly “possess” it. He does this himself at night when sleep fails him. The practice sparks repressed memories: “Vividly I saw myself, a boy of three, playing on the kitchen floor, alone with [my mother] as she prepared the Sabbath meal. She was born in a Jewish village, and I was happiest when we were alone together. As she passed me in her preparations I would reach out and touch her bare toes, and she would rumple my hair and murmur her affection for me.” Tädin pienet ruskeat amputoidut varpaat ihastuttivat myös Ursulaa hänen kirjassaan Kahdesti haarautuva puu (Don´t tell mama, kz. Fig. 2).
xxx/ellauri225.html on line 369: But then Bloom stops. He moves away from memory as though it might devour him. Bloom has confessed that during a serious midlife crisis, he underwent Freudian therapy for a year and a half and found it to be a dismal failure. The analyst thought Bloom was using their sessions as a performance venue. Although Bloom writes sneeringly while recounting this, it is one of the more startling revelations we learn about him. Selvä pyy, kaveri on (oli) narsisti.
xxx/ellauri225.html on line 372: About Shakespeare, however, Bloom is nothing short of reverential: “My religion is the appreciation of high literature. Shakespeare is the summit. Revelation for me is Shakespearean or nothing.” He admits that much about the Bard still bewilders him. In a moment of rare vulnerability, Bloom admits he longs for more life. Bloom explains his theory of “self-otherseeing,” which allows one to glimpse parts of one’s self that are hidden from conscious view. “Self-otherseeing” also describes “the double-consciousness of observing our own actions and offerings as though they belong to others and not to ourselves.” Bloom insists that Shakespeare’s characterizations of Hamlet, Iago, Cleopatra and Falstaff use “self-othering,” and by watching them we inadvertently learn to think more seriously about ourselves. But he doesn’t show us how this has applied to him, only the declaration that it does so. We are left mystified and dubious.
xxx/ellauri225.html on line 374: Recently, chanting Walt Whitman to himself at night—he describes Whitman as “our repressed voice,” a loosener and liberator whose fearlessness embraces every living moment—Bloom brought forth an almost feverish recollection from over 70 years ago. There was a young lady of 17 with lustrous long red hair. They were students at Cornell and took long walks together, picking apples that she would transform into a delicious applejack. And then, as with his mother, Bloom stops. We learn nothing else about the girl, what transpired, did he score, or what this memory meant to him on this restless night. He has already moved on, to his infatuation with Proust’s “privileged moments” and “sudden ecstasies of revelation,” which bring back to Bloom his dead parents whom he misses dearly.
xxx/ellauri225.html on line 378: Ultimately Bloom cannot change into anything other than who he has always been—masterful and monstrous. He seems to sense he has moved out of favor in many circles but chooses not to dwell upon why. Instead, he continues as he always has: writing and teaching his handpicked “elite” students at Yale—part of the unique arrangement he has made with the university. He has led a long, cloistered, and entitled life. The aloneness he described as a child seems to have shrouded his adult life as well. I wonder if he questions this aloneness in his darkest moments. I would guess that he does not dwell too deeply upon it, perhaps afraid of answers he doesn’t wish to confront.
xxx/ellauri225.html on line 380: I also wonder whether Bloom would relinquish his status as an intellectual of the highest order to feel for one day the exuberance and passion of Hart Crane. Stick his doubly branching tree into some applejack and squirt it out. What would he be willing to let go of to actually feel intimately the joy and euphoria that so seduces him in his imagination? Asks Elaine Margolin / TruthDig Contributor.
xxx/ellauri225.html on line 382: Harold 'Hart' Crane (21. heinäkuuta 1899 – 27. huhtikuuta 1932) oli yhdysvaltalainen runoilija. Hän kirjoitti modernistista tai romanttista, vaikeaa ja huoliteltua runoutta. Esimerkiksi kriitikko Harold Bloom on nimennyt hänet ”henkilökohtaiseksi suosikkirunoilijakseen”.
xxx/ellauri225.html on line 384: Provoked and inspired by T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot´s work. But he FAILED! In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation.
xxx/ellauri225.html on line 408: While en route to New York aboard the steamship Orizaba, he was beaten up after making sexual advances to a male crew member. Just before noon on April 27, 1932, Crane jumped overboard into the Gulf of Mexico. Although he had been drinking heavily and left no suicide note, witnesses believed his intentions to be suicidal, as several reported that he exclaimed "Goodbye, everybody!" before throwing himself overboard. His body was never recovered. A marker in the form of a lifesaver candy on his father´s tombstone at Park Cemetery outside Garrettsville, Portage County, Ohio includes the inscription, "Harold Hart Crane 1899–1932 lost completely at sea". Ai Hart olikin oikeasti Harold, niinkuin bändärinsä Bloom. Childe Haroldeja olisivat halunneet olla kumpikin. But they FAILED!
xxx/ellauri225.html on line 425: Brian Reed has contributed to a project of critical reintegration of queer criticism with other critical methods, suggesting that an overemphasis on the sexual biography of Crane´s poetry can skew a broader appreciation of his overall work. In one example of Reed´s approach, he published a close reading of Crane´s lyric poem, "Voyages", (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters. We can faintly hear Harold Bloom clap his hands in the body bag.
xxx/ellauri230.html on line 626: Scenery of blooming chrysanthemum flower fields in Guangxi.
xxx/ellauri230.html on line 645: The chrysanthemum blooms in bright colors during chilly autumn, a time when most flowers wither. Facing coldness and a tough environment, it blooms splendidly without attempting to compete with other flowers – this unique aspect of the chrysanthemum makes it a symbol of strong vitality and tenacity in the eyes of scholars.
xxx/ellauri230.html on line 654: The Imperial Seal of Japan is a chrysanthemum and the institution of the monarchy is also called the Chrysanthemum Throne. A number of festivals and shows take place throughout Japan in autumn when the flowers bloom. Chrysanthemum Day (菊の節句, Kiku no Sekku) is one of the five ancient sacred festivals. It is celebrated on the 9th day of the 9th month. It was started in 910, when the imperial court held its first chrysanthemum show.
xxx/ellauri235.html on line 627: The bloom of young Desire and purple light of Love. Nuoren kalun kukinta ja Rakkauden violetti valo.
xxx/ellauri235.html on line 646: The Muse has broke the twilight-gloom Musse on murtanut hämärän synkkyyden
xxx/ellauri250.html on line 431: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
xxx/ellauri250.html on line 692: Prior to FTX's collapse, Bankman-Fried was ranked the 41st richest American in the Forbes 400, and the 60th richest person in world by The World's Billionaires. His net worth peaked at $26 billion. In October 2022, he had an estimated net worth of $10.5 billion. By November 8, 2022, amid the bankruptcy of FTX, his net worth was estimated to have dropped 94 percent in a day to $991.5 million according to the Bloomberg Billionaires Index, the largest one-day drop in the index's history. On November 11, 2022, the Bloomberg Billionaires Index considered Bankman-Fried to have no material wealth. Before his wealth had evaporated, Bankman-Fried was a major donor to Democratic political campaigns, and planned to spend tens of millions in the 2024 U.S. presidential election.
xxx/ellauri250.html on line 705: Bankman-Fired was the second-largest individual donor to Biden in the 2020 election cycle, after Michael Bloomberg. Bankman-Fried has claimed he also donated large amounts of money to Republicans through dark money channels. Bankman-Fried often donated to politicians who cultivate good Israel–United States relations.
xxx/ellauri251.html on line 662: Laughing; so fare they, as in their bloomless bud
xxx/ellauri251.html on line 1707: Branch into leaf and bloom into the world,
xxx/ellauri251.html on line 1817: And all of goodliest blade and bloom that springs
xxx/ellauri251.html on line 3012: With the brilliance of battle, the bloom and the beauty, the
xxx/ellauri252.html on line 258: Tää Pepun tuotantokausi on kostokirja Claire Bloomille. Peppu on korottanut izensä tällä kertaa elämää suuremmaxi työmies goljathahmoxi, jolla on liika sivistynyt vaimo Eve. Spoileri: Evellä on hemmoteltu tytär Sylphid jota Peppu-kommari ei voi sietää, siitä alkaa pahat vibat kunnes Eve kaikexi onnexi vetää henxelit. Peppu-Ira iloizee siitä samalla lailla riehakkaasti kuin ekan exän kuoltua. Hemmetti se on sit pahasuopa juutalainen! Claire oli oikeestikkin Peppua 2v vanhempi, mutta vielä elävien kirjoissa, toisin kuin Peppu ize.
xxx/ellauri265.html on line 400: “The erosion of academic freedom and the ascendancy of an illiberal ‘successor ideology’ known to its critics as wokeism, which manifests itself as career-ending ‘cancelations’ and speaker disinvitations, but less visibly generates a pervasive climate of anxiety and self-censorship,” Ferguson wrote in a November Bloomberg opinion essay.
xxx/ellauri268.html on line 229: The author used real-life experiences as inspiration for her wizarding world. Assuming that the book would not sell well, the all male editorial team at Bloomsbury advised Rowling that she should not publish under her real name, Joanne Rowling, because boys would not read a book written by a woman. That sexist assumption certainly did not give much credit to the boys, and took it for granted that girls would only read a book written by men. Rowling, eager for success, agreed to write under the name J.K. Rowling. The J was her first initial. But Rowling does not have a middle name, so she used K as a tribute to her grandmother, Kathleen.
xxx/ellauri312.html on line 550: What does it mean to flourish? As a person, I mean. We can probably agree that a plant which is healthy and blooming can be said to “flourish,” and that a business that is booming and raking in record profit is “flourishing.” But what does it mean for a human being to flourish?
xxx/ellauri354.html on line 129: Kalanick was born on August 6, 1976, and grew up in the Northridge neighborhood of Los Angeles. Kalanick's parents are Bonnie Renée Horowitz Kalanick (née Bloom) and Donald Edward Kalanick. Bonnie, whose family were Viennese Jews who immigrated to the U.S. in the early 20th century, worked in retail advertising for the Los Angeles Daily News. Kalanick studied computer engineering and business economics at the University of California, Los Angeles (UCLA) until he dropped out to make MMMMONEY! Inhottava viurusilmä. Uuber ajoi alas Suomen taxilainsäädännön kauko-ohjaamalla limaista näppyläistä kumikana Berneriä.
xxx/ellauri356.html on line 220: Derrida ja dekonstruktio vaikuttivat estetiikkaan, kirjallisuuskritiikkaan, arkkitehtuuriin, elokuvateoriaan, antropologiaan, sosiologiaan, historiografiaan, lakiin, psykoanalyysiin, teologiaan, feminismiin, homo- ja lesbotutkimukseen ja politiikan teoriaan. Jean-Luc Nancy, Richard Rorty, Geoffrey Hartman, Harold Bloom, Rosalind Krauss, Hélène Cixous, Julia Kristeva, Duncan Kennedy, Gary Peller, Drucilla Cornell, Alan Hunt, Hayden White, Mario Kopić ja Alun Munslowin kirjailijat ovat saaneet vaikutteita dekonstruktiosta.
xxx/ellauri356.html on line 408: Rasvainen heimoveli Harold Bloom kommentoi Paglian väikkäriä "pelkkää Sontaa!", sanoen, että Sontag "oli tullut synonyymiksi matalalle lonkka-asennolle". Taliban arvioi Sontagin jaetun New Yorkin kartanon arvoksi 28 miljoonaa dollaria ja kirjoitti, että "on moraalitonta olla markkinajärjestelmän vastainen eikä asua jossain Vermontissa tai Luoteis-Afganistanissa mökissä tai luolassa."
xxx/ellauri357.html on line 439: Percy Bysshe Shelley ( / b ɪ ʃ / ⓘ BISH ;4. elokuuta 1792 – 8. heinäkuuta 1822) oli brittiläinen kirjailija, jota pidetään yhtenä suurimmistaenglantilaisista romanttisista runoilijoista. Runoudessaan sekä poliittisissa ja sosiaalisissa näkemyksissään radikaali Shelley ei saavuttanut mainetta elämänsä aikana, mutta tunnustus hänen saavutuksistaan ​​runoudessa kasvoi tasaisesti hänen kuolemansa jälkeen, ja hänestä tuli tärkeä vaikuttaja seuraavien sukupolvien runoilijoille, mukaan lukien Robert Browning, Algernon Charles Swinburne, Thomas Hardy ja WB Yeats. Amerikkalainen kirjallisuuskriitikko, rasvainen Harold Bloom kuvailee häntä "erinomaiseksi käsityöihmiseksi, lyyriseksi runoilijaksi ilman kilpailijaa ja varmasti yhdeksi kehittyneimmistä skeptisistä älyistä, joka on koskaan kirjoittanut runon."
xxx/ellauri357.html on line 497: Keatsin kuoleman jälkeen vuonna 1821 Shelley kirjoitti Adonaisin, jota rasvainen Harold Bloom piti yhtenä tärkeimmistä pastoraalisista hinurihenkisistä elegioista. Runo julkaistiin Pisassa heinäkuussa 1821, mutta sitä myytiin vain vähän.
xxx/ellauri379.html on line 190: Applejack on maan poni ja yksi My Little Pony Friendship on Magic -elokuvan päähenkilöistä. Hän asuu ja työskentelee Sweet Apple Acresissa isoäitinsä Granny Smithin, veljensä Big McIntoshin , sisarensa Apple Bloomin ja koiransa Winonan kanssa. Hän edustaa rehellisyyden elementtiä. Applejack on luotettava ja lojaali, aina valmis auttamaan apua tarvitsevia kuin pikku Papu. Hän työskentelee Sweet Apple Acresissa pääasiassa omenanpukittajana, vaikka omenat viljelevät joskus myös porkkanoita ja maissia. Hän on hyvä sisarushahmo Apple Bloomille ja tukee ystäviään hyvin heidän seikkailuissaan.
xxx/ellauri379.html on line 261: Söpöysmerkkiklubi (engl. Cutie Mark Crusaders eli CMC) on alun perin Apple Bloomin, Scootaloon ja Sweetie Bellen perustama kerho, jossa he pyrkivät saamaan itselleen omat söpöysmerkkinsä. Myöhemmin Söpöysmerkkiklubiin liittyy myös Babs Seed. Söpöysmerkkiklubilla on oma kerhohuone sekä tunnus.
xxx/ellauri380.html on line 78: Ukrainan tilanteesta on viime aikoina kuulunut poikkeuksellisen huonoja uutisia. Yhdysvaltalaismedia Bloombergin tietojen mukaan rintama voi murtua seuraavien kuukausien aikana. Ukrainan tiedustelupäällikkö Kyrylo Budanov sanoi saksalaismedia ARD:lle, että Venäjä voi aloittaa hyvinkin pian uuden hyökkäyksen.
xxx/ellauri380.html on line 82: Bloombergin mukaan Ukrainan asevoimilla on ongelmia ammusten riittämättömyyden lisäksi sotaväsymyksen kanssa. Sotatieteiden dosentti ja tutkija Kauko Käyhkö sanoo Ilta-Pululle, että Ukrainan selviytyminen riippuu siitä, tuleeko Yhdysvalloilta kauan odotettuja päätöksiä tukitoimista.
xxx/ellauri385.html on line 490: Kansainvälistä kuuluisuutta kanukkikriitikko Frye ansaitsi vuonna 1947 julkaistulla ensiteoksellaan Fearful Symmetry, jossa hän selvitti William Blaken väärinymmärrettyä runoutta ja löysi metaforisia viittauksia John Miltonin Kadotettuun paratiisiin ja Raamattuun. Hänen maineensa perustuu kuitenkin paljolti teokseen Anatomy of Criticism (1957), joka on yksi tärkeimpiä 1900-luvulla julkaistuja kirjallisuusteoriaa koskevia teoksia. Northrop Frye (1912-1991) vaikutti häirizevästi muun muassa Harold Bloomin (1930-2019) ajatteluun. Ei häirihe enää, molemmat työntävät koiranputkea.
xxx/ellauri385.html on line 498: ³ Seinfeld May be pedophile but apparently he ain't really gay. Seinfeld expressed support for Israel during the Israel–Hamas war, saying "I will always stand with Israel and the Jewish people." In 2024, Bloomberg declared Seinfeld a billionaire, with a net worth standing at more than $1 billion, thanks to various syndication deals his sitcom signed, with $465 million coming from those deals. Seinfeld is an automobile enthusiast and collector, and he owns a collection of about 150 cars, including a large Porsche collection. What a motherfucker.
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