ellauri022.html on line 889: On the green leaf and wish my goal was won Voi kunpa tää munkin retki ois jo etapissa.
ellauri048.html on line 1447: And only thro' the faded leaf Kun kuihtuneiden lehtien läpitte
ellauri048.html on line 1551: The last red leaf is whirl'd away, Viimeinen punainen lehti lentää tiehensä,
ellauri048.html on line 1773: Thro' lands where not a leaf was dumb;
ellauri051.html on line 815: 235 Oxen that rattle the yoke and chain or halt in the leafy shade, what is that you express in your eyes? 235 Härät, jotka helisevät ikettä ja ketjuttavat tai pysähtyvät lehtivarjossa, mitä sinä ilmaiset silmissäsi?
ellauri051.html on line 1261: 663 I believe a leaf of grass is no less than the journey-work of the stars, 663 Uskon, että ruohonlehti ei ole vähempää kuin tähtien matkatyö,
ellauri051.html on line 1639: 1031 In my portfolio placing Manito loose, Allah on a leaf, the crucifix engraved, 1031 Salkussani asettamalla Manito irti, Allah lehdelle, krusifiksi kaiverrettu,
ellauri051.html on line 1912: 1296 I reach to the leafy lips, I reach to the polish'd breasts of melons. 1296 Kurottaudun lehtihuulille, kurottaudun melonien kiillotettuihin rintoihin.
ellauri053.html on line 803: Let your life lightly dance on the edges of Time like dew on the tip of a leaf.
ellauri067.html on line 332: Tenderleaf Tea
ellauri094.html on line 570: And the north was Gethsemane, without leaf or bloom, Ja pohjosessa oli Getsemane ihan kaljuna,
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri099.html on line 44: The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...
ellauri100.html on line 997: With shade of leaf-crown’d trees,
ellauri111.html on line 395: But we are all as an unclean thing, and all our righteousnesses are as filthy rags; and we all do fade as a leaf; and our iniquities, like the wind, have taken us away. (Isaiah 64:6)
ellauri246.html on line 215: While underneath these leafy tents they keep Ja näissä lehtimajoissa ne tekevät
ellauri276.html on line 452: And I said, let grief be a fallen leaf at the dawning of the day.
ellauri324.html on line 228: Hamas and Islamic Jihad are competing for bragging rights over last Friday’s attack in Hebron that killed 12 Israelis. Islamic Jihad issued a leaflet this week saying its members had no assistance from any other group and expressing surprise that Hamas decided, three days after the incident, to issue its own statement, Israel Radio reported in 1929.
xxx/ellauri085.html on line 118: Plot Summary: A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women's feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman's face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?
xxx/ellauri127.html on line 84: And lifts her leafy arms to pray; Sen parru siitä pystyyn ponnahtaa
xxx/ellauri129.html on line 897:

leaf_Whittier" title="John Greenleaf Whittier">John Greenleaf Whittier

xxx/ellauri157.html on line 261: Baal Shem Tov thought that the movement of a leaf in the wind is significant in the divine plan. Or a flap of a butterfly. A Baal Shem Tov anecdote says it all:
xxx/ellauri225.html on line 143: In 1754, a naturalist named Charles Bonnet observed that plants sprout branches and leaves in a pattern, called phyllotaxis. Bonnet saw that tree branches and leaves had a mathematical spiral pattern that could be shown as a fraction. The amazing thing is that the mathematical fractions were the same numbers as the Fibonacci sequence! On the oak tree, the Fibonacci fraction is 2/5, which means that the spiral takes five branches to spiral two times around the trunk to complete one pattern. Other trees with the Fibonacci leaf arrangement are the elm tree (1/2); the beech (1/3); the willow (3/8) and the almond tree (5/13) (Livio, Adler).
xxx/ellauri225.html on line 145: I learned that making power from the Sun is not easy. I began to see how nature beat this problem. Collecting sunlight is key to the survival of a tree. Leaves are the solar panels of trees, collecting sunlight for photosynthesis. Collecting the most sunlight is the difference between life and death. Trees in a forest are competing with other trees and plants for sunlight, and even each branch and leaf on a tree are competing with each other for sunlight. Evolution chose the Fibonacci pattern to help trees track the Sun moving in the sky and to collect the most sunlight even in the thickest forest.
xxx/ellauri251.html on line 238: ⁠From leaf to flower and flower to fruit; Lehdestä kukkaan ja kukasta hetelmään;
xxx/ellauri251.html on line 239: And fruit and leaf are as gold and fire, Ja hetelmä ja lehti on kuin multa tuli,
xxx/ellauri251.html on line 1507: ⁠All we wax old and wither like a leaf.
xxx/ellauri251.html on line 1707: Branch into leaf and bloom into the world,
xxx/ellauri251.html on line 2532: For thy life shall fall as a leaf and be shed as the rain;
xxx/ellauri251.html on line 3108: ⁠Thy limbs to the leaf,
xxx/ellauri251.html on line 3185: As a dead leaf or dead foot’s mark on snow,
xxx/ellauri261.html on line 229: His quote "We think of time as a one-way motion," from his lecture Time & The More It Changes appears at the beginning of the season 1 finale of the Loki TV show along with quotes from Neil Armstrong, Greta Thunberg, Malala Yousafzai, Nelson Mandela, Ellen Johnson Sirleaf, and Maya Angelou.
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