ellauri051.html on line 1615: 1008 To any one dying, thither I speed and twist the knob of the door. 1008 Jollekin kuolevalle, sinne minä kiihdytän ja käännän oven nuppia.
ellauri156.html on line 495: Now here is a most amazing thing. David, years earlier, was adamant about the fact that those on a mission for the king should keep themselves from sexual intercourse. Now, years later, David is amazed that a man on a mission for the king is willing to abstain from sexual intercourse with his wife. Worse yet, David sets out to convince -- even to compel -- Uriah to go to do so, even though it will cause him to violate his conscience. This is not “causing a weaker brother to stumble;” this is cutting off a stronger brother's "leg" at the knob. Uriah is an example of the commitment expected of every soldier, and of David in particular -- at least the David of the past. Uriah is now acting like the David we knew from earlier days. Uriah is the “David” that David should be. But there is a crucial difference: now David is the king. This makes the case completely different.
ellauri222.html on line 759: In all of Bellow's works, an appreciation of the cultural context in which his protagonists struggle is essential to understanding these characters and their search for renewal. Bellow's vision centers almost exclusively on Jewish male experience in contemporary urban America. Proud of their heritage, his heroes are usually second-generation Jewish immigrants who seek to discover how they can live meaningfully in their American present while honoring their skinless knobs. Much of their ability to maintain their belief in humanity despite their knowledge of the world can be attributed to the affirmative nature of the Jewish culture. Bellovian heroes live in a WASP society in which they are only partially assimilated. However, as Jews have done historically, they maintain their concern for morality and community despite their cultural displacement.
ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
ellauri264.html on line 565: The prohibition applies only if the food is prepared exclusively by non-Jews. A small amount of Jewish participation can suffice to keep the food kosher. Different rabbis have different views on the absolute minimum: Sephardi poskim state that the minimum participation is to light the fire and place the pot on it to cook, while Ashkenazim are satisfied with merely lighting the fire, or even making a slight adjustment to a fire which was already lit by a non-Jew. Or just by looking at the knob on the stove like Kim Young Il.
xxx/ellauri130.html on line 579: Myös Vilpittömän Nahkurin Runous-nettiradion kuudes sarja on juuri alkanut, ja tämän päivän jaksossa entinen runoilijapalkinnon saaja Carola Anna Tussua pohtii lähetysennusteen rukousmaista laatua: ‘There’s never been a time when you could just say anything’: Frank Skinner on free speech, his bullying shame – and knob [kyrvännuppi] jokes. This poetry-loving, religious knob has deep regrets about some of his comedy: either the standup comic has grown up, or he was never as laddish as his image suggested. Nearing death and last judgment, he is hoping to perform a “cleaner, cleverer” kind of act, one that would let him look straight at the crowd and – perhaps for the first time in his life – not see anybody squirming in their seat in discomfort. “It was a struggle,” the 65-year-old says with a grin, “because I realised that I seem to think in knob jokes. And I have done since I was about 13. In the West Midlands, that was how people communicated!”
xxx/ellauri130.html on line 583: “I don’t think there’s ever been a time when you could just say anything.” He recalls an early comedy show – this must have been in the late 80s – where the host apologised to the crowd after Skinner had performed some risque sexual material. “He said I’d never play at the venue again – and then he launched into a load of racist material and brought the house down. Everyone’s got their own standards and restraints. But I think it’s been good for me to keep questioning what I say. It’s made me think more positively about racist jokes and not so much about penises. My knob is not working anymore BTW, I'm 65. We’re both deeply ashamed. Can't lift our eye to the public.”
xxx/ellauri130.html on line 585: So the other day, he blacked up as [black footballer] Lee for a sketch, complete with a pineapple to represent his hair. Boy that went down in the colored audience! Skinner has been that funny for as long as he can remember as far as he can remember. He has a masters in English literature; he is a practising Roman catholic. What a laugh. Skinner once had a chat with Eddie Izzard about what they could share about their lives on stage. It was fine for Izzard to discuss wearing women’s clothes, but as for Skinner’s own religious beliefs about God's knob? God, no. Too shameful.
xxx/ellauri130.html on line 587: But recently that position has shifted a little. Last year he published A Comedian’s Prayer Book, which features him talking to the supreme being in his typically down-to-earth way (“I always liked thinking Jesus' knob hung out from women's clothes with sinners. It made me feel potentially understood”). “One of the things religion has suffered from is being spoken of in grave terms constantly. I seriously think it is a joke." Another boring thing about Skinner: he’s been a teetotaller since he reached his 60s. He got a kid at 55, who must now be, wait, 35? No, Buzz is just 10. I have only recently realized I'm not the main character here, but just an extra in a bigger scene. “Hitting kids … that’s another of those things that have stopped,” Evolution is what Skinner is all about – animals can change and they can grow, it just takes millions of years. When he made his jokes about racism and homophobia, he says, there was a slight backlash from the left. They hadn't stopped hitting lads, the sods. Frank Skinner’s 30 Years of Dirt is at the Assembly Roxy, Edinburgh, from 4 to 28 August. For more information and tickets go to frankskinnerlive.com.
xxx/ellauri149.html on line 453: The 2014 Swedish Arena Tour dials up the Ho Yay and breaks the knob off.
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