ellauri038.html on line 216: Following Max's unexpected death, Marianne withdrew from public and social life, funneling her physical and psychological resources into preparing ten volumes of her husband's writing for publication. In 1924, she received an honorary doctoral degree from the University of Heidelberg, both for her work in editing and publishing Max's work as well as for her own scholarship. Between 1923 and 1926, Weber worked on Max Weber: Ein Lebensbild ("Max Weber: A Biography"), which was published in 1926.[15] Also in 1926, she re-established her weekly salon, and entered into a phase of public speaking in which she spoke to audiences of up to 5,000. During this phase, she continued to raise Lili's children with the help of a close-knit circle of friends
ellauri048.html on line 1473: Some dolorous message knit below Joku kurja viesti sidottuna alle
ellauri051.html on line 409: No other theme but love--knitting, enclosing, all-diffusing love. Ei muuta teemaa naisilla kuin tää rakkaus, paizi neulominen yms.
ellauri051.html on line 591: 47 Always a knit of identity, always distinction, always a breed of life. Aina risteytyxiä, aina eroja, aina pirttiviljelmää.
ellauri053.html on line 1406: You can knit a sweater by the fireside
ellauri083.html on line 219: Madame Thérèse Defarge is perhaps the principal revolutionary villain in Charles Dickens's 1959 novel A Tale of Two Cities; she knits into her needlework the names of the royalists and aristocrats who must be condemned to the guillotine to make way for the new republic. Sen virkasisar Lohtu kutoi silkkiä vastapuolella barrikaadia ja sai porttikiellon kommunistikiinasta.
ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman.
ellauri109.html on line 849: However, it was not until he reached his twenties that he discovered what much of his close-knit community already knew: he was adopted.
ellauri131.html on line 940: Covey was raised on an egg farm outside Salt Lake City in a tight-knit Mormon family, and that, too, played a part. "My parents were just constantly affirming me in everything that I did. Late at night I'd wake up and hear my mother talking over my bed, saying, 'You're going to do great on this test. You can do anything you want.'
ellauri132.html on line 501: his brows knitted hänen silmäkulmansa neuloivat
ellauri140.html on line 511: And knitting all his force got one hand free, Pinnisti aivan vitusti ja sai käden vapaaxi
ellauri140.html on line 999: Have knit themselves in Venus shameful chaine, Sun tutut on tuolla kohta kamat pussissa,
ellauri159.html on line 763: The first job of men in dire times has always been to establish and secure “the perimeter.” Donovan argues that the way of men is the way of the gang, because when placed in a harsh environment, men will quickly make the logical calculation that they have a much better chance of surviving if they band together than if they each try to go it alone. For some folks, “gang” is a word weighted with negative connotations, so substitute “posse” or “platoon” or whatever else if you must. The important thing to realize is that the small, tightly-knit honor group was the basic male social unit for eons. The myth of the uber-manly lone wolf is just that. With few exceptions, men have always fought and hunted together. Cowboys banded together, pioneers banded together, and Rambo wouldn’t have actually stood a chance against either gang.
ellauri180.html on line 600: Her other passions are knitting, cooking, incest and sodomy. Oh yes, and the Passion of the Christ.
ellauri183.html on line 103: And Malamud himself -- still frail from a recent illness -- at first appears an improbable Isaiah. With his tidy demeanor, incessant self-editing ("no, wait, there's a better word . . . ") and deadpan, scrupulous style, he could be the most successful publican in Galilee. He is uneasy with talking about himself ("that kind of stuff, it's not up his alley," says his publicity-hungry "friend" Philip Roth) and seems reluctant to start. He pauses to choose among several pairs of glasses, then sits down carefully, feet flat on the floor, long fingers knitted in his lap. Finally, with the anxious geniality of a brave man settling in for root canals, he says, "Now then, I think we can begin."
ellauri220.html on line 87: I too knitted the old knot of contrariety,
ellauri276.html on line 682: His garters knit below his knee, Hänen sukkanauhansa neulotaan polven alle
ellauri321.html on line 135: When I contemplate my wife, by my fire-side, while she either spins, knits, darns, or suckles our child, I cannot describe the various emotions of love, of gratitude, of conscious pride which thrill in my heart, often overflow in involuntary tears.
ellauri377.html on line 530: knitousochreōph mauōnbi mneuōr souōni chōcheteōph chōche eteōph memōch anēmph.
xxx/ellauri122.html on line 363: Die Oberlausitz, oberlausitzisch: Äberlausitz, obersorbisch Hornja Łužica (niedersorbisch Górna Łužyca, tschechisch Horní Lužice, polnisch Łużyce Górne, schlesisch Aeberlausitz), ist eine ursprünglich politisch eigenständige Region, die heute zu etwa 67 % zu Sachsen sowie 30 % zu Polen und 3 % zu Brandenburg gehört. In Sachsen umfasst die Oberlausitz in etwa die Landkreise Görlitz und Bautzen mit einer nördlichen Grenze zwischen Hoyerswerda und Lauta und in Brandenburg den südlichen Teil des Landkreises Oberspreewald-Lausitz um die Stadt Ruhland sowie einige Orte östlich und südlich davon. Der seit 1945 polnische Teil der Oberlausitz zwischen den Flüssen Queis im Osten und der Lausitzer Neiße im Westen gehört administrativ zur Woiwodschaft Niederschlesien (polnisch Dolnośląskie); nur ein kleiner Zipfel um Łęknica (Lugknitz) gehört zusammen mit dem polnischen Teil der Niederlausitz zur Woiwodschaft Lebus. Im Süden entspricht die Grenze der Oberlausitz der sächsisch-tschechischen Grenze von Steinigtwolmsdorf im Westen bis nach Zittau und östlich davon der polnisch-tschechischen Grenze bis zur Tafelfichte.
xxx/ellauri387.html on line 122: Isfarten (knittelvers) Jäälaivat
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