This is a profoundly dumb and misguided roaming-junior-male-ape-gang roadmovie type of thought. Damn wagnerian homoerotic Quest for a Holy Grail. Murder mysteries. Spoilers. "Nyaah we already got the Grail!" taunt the French knights Arthur & co. in Monty Python´s Holy Grail:
ellauri095.html on line 55: Hopkins did live such a life, but the windhover reminded him of Jesus’ great achievements after Nazareth. The windhover “stirred” his desire to become a great knight of faith, one of those who imitate not only the constraint but also the “achieve of, the mastery of” this great chevalier. The “ecstasy” of the windhover recalls Hopkins’s initial desire in “Il Mystico” to be lifted up on “Spirit’s wings” so “that I may drink that ecstasy/Which to pure souls alone may be.” Ultimately, Hopkins became aware that he had been hiding from the emotional risks of total commitment to becoming a “pure” soul. The phrase “hiding” thus suggests not only hiding from the world or from worldly ambition but also hiding from God.
ellauri106.html on line 203: It describes how Sir Gawain, a knight of King Arthur´s Round Table, accepts a challenge from a mysterious "Green Knight" who dares any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. There is a test involving the lord and the lady of the castle where he is a guest.
ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
ellauri140.html on line 56: Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart, who wins a joust with Guyon. They separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegall because she is destined to marry him. The Redcrosse Knight defends Artegall and they meet Merlin, who explains more carefully Britomart's destiny to found the English monarchy. Britomart leaves and fights Sir Marinell. Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates them with a stick and meets Sir Scudamore, looking for his captured lady Amoret. Britomart alone is able to rescue Amoret from the wizard Busirane. Unfortunately, when they emerge from the castle Scudamore is gone. (The 1590 version with Books I–III depicts the lovers' happy reunion, but this was changed in the 1596 version which contained all sex books.)
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri140.html on line 74: Acrasia F-, seductress of knights. Guyon destroys her Bower of Bliss at the end of Book 2. Similar characters in other epics: Circe (Homer's Odyssey), Alcina (Ariosto), Armida (Tasso), or the fairy woman from Keats' poem "La Belle Dame sans Merci". Akrasia on pidätyskyvyn puutetta.
ellauri140.html on line 78: Archipelago M-, an evil sorcerer who is sent to stop the knights in the service of the Faerie Queene. Of the knights, Archimago hates Redcrosse most of all, hence he is symbolically the nemesis of England.
ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
ellauri140.html on line 82: Arttu M+ perkele, nuorin Puukon veljexistä, of the Round Table, but playing a different role here. He is madly in love with the Faerie Queene and spends his time in pursuit of her when not helping the other knights out of their sundry predicaments. Prince Arthur is the Knight of Magnificence, the perfection of all virtues. Kyllä kai. Puukon veljexet sitoi dynamiittipötkyn koiran selkään. Koira juoxi taloon sisälle. Arttu perässä. Eipä tarvinnut enää suursiivota.
ellauri140.html on line 84: Atte F-, a fiend from Hell disguised as a beautiful maiden. Ate opposes Book IV's virtue of friendship through spreading discord. She is aided in her task by Duessa, the female deceiver of Book I, whom Ate summoned from Hell. Ate and Duessa have fooled the false knights Blandamour and Paridell into taking them as lovers. Her name is possibly inspired by the Greek goddess of misfortune Atë, said to have been thrown from Heaven by Zeus, similar to the fallen angels. God Ate My Homework.
ellauri140.html on line 88: Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.
ellauri140.html on line 105: Cynochles M-, a knight in Book II who is defined by indecision and fluctuations of the will. He and his fiery brother Pygochles represent emotional maladies that threaten temperance. The two brothers are both slain by Prince Arthur in Canto VIII.
ellauri140.html on line 113: Caramell F+, a lady in love with the knight Marinell, who initially rejects her. Hearing that he has been wounded, she sets out to find him and faces various perils, culminating in her capture by the sea god Proteus. Proteiini nappaa nopeen hiilarin. She is reunited with Marinade at the end of Book IV, and is married to him in Book V.
ellauri140.html on line 117: Maritim M+-, "the knight of the sea"; son of a water nymph, he avoided all love because his mother had learnt that a maiden was destined to do him harm; this prophecy was fulfilled when he was stricken down in battle by Britomart, though he was not mortally wounded.
ellauri140.html on line 144: In "The Mathematics of Magic", the second of Fletcher Pratt and L. Sprague de Camp's Harold Shea stories, the modern American adventurers Harold Shea and Reed Chalmers visit the world of The Faerie Queene, where they discover that the greater difficulties faced by Spenser's knights in the later portions of the poem are explained by the evil enchanters of the piece having organized a guild to more effectively oppose them. Juppajju, dominoteoria. Hullut vietnam-veteraanit sekoaa kun pitäs syödä lo meiniä. Kiinattaret tuoxuu tutusti halvalta hajuvedeltä ja herneenpalolta.
ellauri140.html on line 307: A GENTLE prick was knighting on the plaine, HELLÄ nuppi sankaroizi pellolla,
ellauri140.html on line 314: Full jolly knight he seemd, and faire did sitt, Se näytti hyvin seisovalta hilpeältä nupilta,
ellauri140.html on line 315: As one for knightly giusts and fierce encounters fitt. Sopivalta mittelemään muita nuppeja.
ellauri140.html on line 451: The youthfull knight could not for ought be staide, Urhea nuori nuppi ei voi kuunnella,
ellauri140.html on line 506: Cride out, Now now Sir knight, shew what ye bee, Huusi ääneen: Nyt Sir peliin vähän tzemppiä!
ellauri140.html on line 538: The same so sore annoyed has the knight, Se sama haittasi niin ankarasti nuppia,
ellauri140.html on line 594: And said, Faire knight, borne under happy starre,° Nyt antamaan voittajalle haifaivia:
ellauri140.html on line 631: He faire the knight saluted, louting low, Se tervehti nupin porukoita reippaasti,
ellauri140.html on line 650: For to all knighthood it is foule disgrace, Onhan se nyt nuppikunnan häpeä,
ellauri140.html on line 670: Right well Sir knight ye have advised bin, Hyvä neuvo (pisti siihen vanha äijäkin),
ellauri140.html on line 674: For this same night. The knight was well content: Tää oli nupista ideana mainio.
ellauri140.html on line 832: Unto that Elfin knight he bad him fly, Se pyysi unta lennähtämään tonttunupin taholle,
ellauri140.html on line 844: And coming where the knight in slomber lay, Ja tuli sinne missä nuppi makas reporankana,
ellauri140.html on line 875: Most like that virgin true, which for her knight him took. Ihankin kuin neizyt, joxka nuppi sitä luuli.
ellauri140.html on line 920: Her doubtfull words made that redoubted knight Hiänen epäilyttävät sanansa saivat pelätyn nupin
ellauri140.html on line 1034: Lookt for her knight, who far away was fled, Ezien nuppia, joka oli jo varsin pitkällä,
ellauri143.html on line 1301: Aatelisen tunnistaa paizi hörökorvista niin ritarillisuudesta. Eliskä ezen pyllyn alla on hyvä hevonen. The goodly knight pricks his horse on the plain. The rain in Spain falls mainly on the plain. How kind of you to let me come.
ellauri155.html on line 826: Strawson was committed to the value of publication, of books and articles, whereas Austin seemed content to develop his views and promulgate them in lectures and talks. His achievements were recognised by election in 1960 to the British Academy, by the reception of a knighthood in 1977 and by many other honours. In 1998 he became the twenty-sixth philosopher to have a volume devoted to him in the famous Library of Living Philosophers series, adding another British name to the list of recipients of this honour, previous ones being Whitehead, Russell, Moore, Broad and Ayer. Austin did not get included, nyaah nyaah nyaah!
ellauri159.html on line 565: There is no single document about the knightly code that lists all the virtues like this. It’s a modern interpretation of several documents that outline some kind of behavioral code for knights. Between 1170 and 1220 there were several documents outlining a code of conduct for knights but there wasn’t a decision made to use a single one. The overarching idea of these virtues was “chivalry”. Chivalry originated in the Holy Roman Empire from the idealization of the cavalryman. Military bravery, individual training, and service to others—especially in Francia, among horse soldiers in Charlemagne’s cavalry.
ellauri159.html on line 567: I’m aware that “knightly virtues” sounds a lot like a fedora wearing “nice guy”. If you go back in history, I don’t think you can deny that knights were pretty badass and nothing like the modern day “nice guy”. The difference is that a real knight was strong and powerful. A “nice guy” tries being nice because he is powerless. There is a big difference. Suggested post: A gentleman is not a “nice guy”
ellauri159.html on line 569: It’s almost like the knightly virtues are the knightly-virtues/">ideal masculine character. And in my opinion these virtues are a good ideal to strive towards. This is something to keep in mind. This code wasn’t meant for everyone. It’s for soldiers on horses, you know, knights… This combination of virtues is supposed to be the best possible behavior of a knight, a soldier, a fighting man. There is no mention of women and children anywhere. Naiset ja lapset ja homot ruikulikakat älkööt vaivautuko. Tää on kovien poikien leikkiä.
ellauri159.html on line 572:

More than just a safety net in times of tragedy, hope is present every day in a modern knight’s positive outlook and cheerful demeanor — the shining armor that shields him or her, and inspires people all around.
ellauri159.html on line 598: Being godly means imitating God in your daily life. Dressing up in white and thundering. Put simply, a godly person is one who responds to daily life activities and circumstances in the way that I would. Essentially, this means aspiring to knightly virtues (such as those defined in this book) while avoiding sin. Eli siis tärkeintä on noudattaa näitä ohjeita.
ellauri159.html on line 605: Faith is when you trust God and His purpose in your circumstances more than they seem to warrant. As Hebrews 11:1 states, “Now faith is being sure of what we hope for and certain of what we do not see.” And remember, a true knight’s first mission and calling is to please the boss.
ellauri159.html on line 613: Making love—not gallantry or pride—should drive a knight to be a knight and should govern his thoughts and actions. With unrequited love, your knightly life, virtue, and deeds are worthless and reduce to clanging your harness.
ellauri159.html on line 617: Many might believe that applying the concepts of justice in modern times is limited to only those who work in the criminal justice system. But that’s not the case. Modern knights living in virtually any life situation can work to uphold justice. (Esim. voi olla jotain Brothers of Odineja tai Nordic Knightsejä. Maskuliinisivut käskee nihtiä rankaisee jumalattomia, sanotaan vaikka mumslimeja, sillee suht koht tuntuvasti.)
ellauri159.html on line 624: Luke on talousliberaaliuskossa. In the time of the medieval knight, making prudent love made the difference between life and death, wealth or poverty, health or illness, safety or turmoil, marriage or no marriage, and children or no children. And it is no different for today’s knight. Making prudent decisions daily will help lead a fruitful and effective life.
ellauri159.html on line 628: Temperance can be defined as “moderation in action, thought, or feeling; restraint.” To a knight, this means complete abstinence from some things and moderation in all things. Ei liikaa viinaa eikä tupakkaa, ei edes panoa päivittäin monta kertaa peräkkäin. Se käy nihdin voimille.
ellauri159.html on line 646: A knight needs both perseverance and patience. Perseverance is staying with a project or battle until it is finished. Patience is tolerating a pain in the ass, like the Reverend Billy Graham, these two virtues are interrelated.
ellauri159.html on line 650: Honest to God honor comes to a person when they serve and live only for God. Sometimes others acknowledge this honor publically, which is a perk, but this is never a true knight’s goal. A good reputation (at least among those where a good reputation is valued) is nice to have, but that’s never his goal either. Nonetheless, having a good name is “more desirable than great riches; to be esteemed is better than silver or gold” (Proverbs 22:1).
ellauri159.html on line 657: The word used to translate the Greek word agape in most modern English Bibles is love, but in many older translations, agape was translated as “charity” when it was used in a context of one person to another. In a biblical context, this term should not be mistaken for the more modern use of the word to mean only giving to those in need (i.e., “giving to charity”), although this can be a substantial part of what’s meant by the word. A more encompassing definition of the word charity, at least in the context of a modern-day knight, would be to be charitable (or giving) to the rich as well, or even primarily.
ellauri159.html on line 661: A knight’s sacrifice is by using his strength on behalf of the weak. Sharing our food and providing the wanderer with shelter and clothing are also acts of sacrifice, but they can also be counted as hospitality or charity, depending on the sttus of the other guy.
ellauri159.html on line 682: Being truthful means being real honest with the facts, but it also means living in a way where what you know to be true influences your daily actions. A knight who has not yet fully resolved that he will speak only the truth will stumble on a lie.
ellauri159.html on line 696: Gallantry is a knight word for courage, it does not mean flourishing your hat in front of ladies. (For the latter, see Courtesy.) Ramon Lull said about courage (not gallantry): “A knight who is in battle with his Lord, who for lack of courage flees from battle when he should give aid, because he redoubts or fears the torment or peril more than trusts his courage uses not the office of knighthood.”
ellauri159.html on line 703: Hospitality simply means going out of your way to cater for putative angels, e.g by hosting meals, etc.). While not as seemingly glorious as other knightly traits like strength, honor, and gallantry, hospitality ranks as one of the key traits of knighthood. We need to do the same for others, particularly for those in the family of believers (Galatians 6:10). LOL this was clearly written by a family member.
ellauri159.html on line 718: The knightly trait of gratitude includes both being grateful in diverse circumstances as well as expressing gratitude to God (cheap) and other good guys (more expensive). Toward the latter part of the medieval knight era (the fourteenth to sixteenth centuries), many knights acquired wealth and power and developed relationships with royalty. This wealth and friendship with the king’s court brought feasting and abundance in many ways. In fact, part of a squire’s training as a knight was "learning how to serve his Lord at meals and kick out the beggars". Nihti osoitti näin kiitollisuutta kinkulle, ja kinkku oli kiitollinen sille. Kaikki olivat kiitollisia. Ne ainakin joista oli väliä.
ellauri159.html on line 733: Overcoming failure means getting back up after getting knocked down. Aika lailla sama asia kuin perseverance, paizi tässä on saatu oikeasti köniin. True knights are familiar with both victory and defeat.
ellauri159.html on line 742:

Awakening your inner knight and the masculine core

ellauri159.html on line 744: Need some help awakening your inner knight? Check out the program “Masculine Core”. It’ll help you awaken the masculine man that’s waiting inside of you.
ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did.
ellauri189.html on line 138: – arriving where the plain seemed to end, but again in a new flatness bends – a bright cloud in front of them, they looked like aerie knights to the eye.)
ellauri190.html on line 275: In 1648, a Kozak leader called Zinoviy Bohdan Khmelnytsky (Polish transliteration, Chmielnicki) started a war on the Polish crown. Initially, it was his own personal vendetta on a Polish landlord who stole his land, but very soon it grew into a colossal uprising of the Kozaks and Ukrainian peasants against their Polish landlords. The people fought (the way they knew how) against the feudal oppression, as well as against forced Catholicization and Polonization of Ukraine. Unfortunately, it turned into a fratricide. (Sorry Poles, of course we are on the same side now.) The main adversary of Khmelnytsky was Prince Yarema (Jeremiah) Korybut-Vyshnevetsky, a Rusyn-Ukrainian, a noble valiant knight and a great statesman who, nonetheless, kept his allegiance to the Polish king (whom he personally hated, but could not break his knight’s oath of loyalty). Both sides resorted to unspeakable cruelties. Most tragically, Khmelnysky, a brave warrior as he was, turned out to be a horribly short-sighted politician. In January 1654, he essentially surrendered Ukraine to Muscovy, approving what he thought was a temporary military union against the Republic but turned out to be the beginning of the “Russian” (actually Muscovite) occupation of Ukraine. It just goes to show: give a pinky finger to the Russkies and they take the whole hand.
ellauri197.html on line 701: Or telling me old stories of dead knights,

ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight.
ellauri198.html on line 346: William Lyon Phelps (n.h.) proposes three different interpretations of the poem: In the first two, the Tower is a symbol of a knightly dick. Success only comes through failure or the end is the realization of futility. In his third interpretation, the Tower is simply a damn big tunnel.
ellauri198.html on line 411: The knights who to the Dark Tower's search addressed Kusipäiden bändissä kusta kengissä
ellauri198.html on line 489: Frank as ten years ago when knighted first. Sillä seisoi yhä kuin silloin teki
ellauri223.html on line 186: Vähän myöhemmin Pekoni otti osaa ex-suosijansa Essexin mestauxeen. "No defamer of any man". The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defense of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne.
ellauri223.html on line 210: Less than a fortnight after Bacon's death from pneumonia on 9 April 1626, Alice, Lady St Albans, married courtier Frodo Underhill, at the Church of St Martin in the Fields, London, 20 April 1626. Soon after, on 12 July 1626, Charles I of England knighted him at Oatlands. They lived together at Old Gorhambury House, St Albans, Hertfordshire.
ellauri238.html on line 910: metals, knights who turned to stone, roses, metalleista, kivettyneistä soltuista, ruusuista,
ellauri241.html on line 36: knight_and_the_mermaid.jpg" width="100%" />
ellauri269.html on line 179: Kuolonritari (engl. death knight) on Luukurkon suutahduxen (eng. Wrath of the Lich King) -lisäosassa ilmestynyt pelin ensimmäinen sankarihahmoluokka. Sankarihahmoluokkaan tarvitaan jo ennestään käytössä oleva hahmo, ja kuolonritariin tarvittavan hahmon kokemustason oli alun perin oltava vähintään 55 (pandareeneilla ja liittolaisroduilla aloitustaso on 10, mutta muille pääroduille tuli Shadowlands-lisäosassa uudeksi aloitustasoksi 8). Kuolonritari voi toimia samoissa rooleissa kuin soturi. Kuolonritari on fyysisesti voimakas ja on tarkoitettu käyttämään levypanssaria. Kuolonritari on lähitaistelija, mutta kykenee myös loitsimaan. Nämä ovat hyvin usein rutto- tai tautityyppisiä loitsuja, samoja mitä Jahve käytti Himohaudassa. Yksi kuolonritarin kyvyistä on epäkuolleen apurin (engl. Ghoul) nostattaminen.
xxx/ellauri084.html on line 365: Bohr is the father of the Complementarity Principle, a tenet in quantum physics stating that a complete knowledge of phenomena on atomic scale requires a description of both wave and particle properties. When Bohr was knighted for his work, he used the yin-yang symbol in his coat of arms and inscribed it with the words Contraria sunt complementa (opposites are complementary).
xxx/ellauri086.html on line 420: Or be even made a knight. Every time we looked around
xxx/ellauri086.html on line 433: Or be even made a knight. And with a voice too eager,
xxx/ellauri199.html on line 1031: Johnny is a little boy with a big imagination. One day he pretends to be a big scary dinosaur, the next day he’s a knight in shining armor or a playful puppy. But when the internet people find out Johnny likes to make-believe, he’s forced to make a decision between the little boy he is and the things he pretends to be — and he’s not allowed to change his mind.
xxx/ellauri354.html on line 221: To be your Beadsman now that was your knight. Olla sun kerjäläinen oltuaan sun peltipää.
xxx/ellauri388.html on line 469: Spenser´s Britomarta is not only an allegorical representation of the virtue of chastity, but also a multidimensional heroine, and the creation of her character goes back to the roots of the epic tradition. It can be said that apart from Ariosto, to whom Spenser was much indebted, and his Bradamante in Orlando Furioso, from whom the character of Britomart was copycatted. Presenting a woman travelling in the guise of a knight and fighting alongside and against male warriors might be seen as something quite uncommon.
xxx/ellauri394.html on line 148: It was during this regency that Liliʻuokalani visited the Kalaupapa Leper Settlement on Molokaʻi in September. She was too overcome to speak and John Makini Kapena, one of her brother´s ministers, had to address the people on her behalf. After the visit, in the name of her brother, Liliʻuokalani made Father Damien a knight commander of the Royal Order of Kalākaua for his service to her subjects. She also convinced the governmental board of health to set aside land for a leprosy hospital at Kakaʻako. She made a second visit to the settlement with Queen Kapiʻolani in 1884.
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