Introduction
1
ellauri071.html on line 40: Kenosha Kid: Thomas Pynchon's novel Gravity's Rainbow possesses an image which has intrigued readers of the novel since its introduction. Many readers come away from the novel failing to find the answer to one question: What is the Kenosha Kid? Critics have argued about the identity of the Kenosha Kid. Some have argued that it does not really exist. Instead, it is only the result of Tyrone Slothrop´s hallucinations brought on by sodium amytal (or "truth serum"). Ironically, the idea that the Kenosha Kid comes out during a dose of "truth serum" proves to be even more confusing for readers (given it may or may not really exist). Other critics have denoted the Kenosha Kid as a dance (likening it to the "Charleston" or the "Big Apple" dances).
ellauri079.html on line 141: The introduction of European metal tools revolutionized the production of wampum; by the mid-seventeenth century, production numbered in the tens of millions of beads. Dutch colonists discovered the importance of wampum as a means of exchange between tribes, and they began mass-producing it in workshops. John Campbell established such a factory in Pascack, New Jersey, which manufactured wampum into the early 20th century. Pascackpa hyvinkin.
ellauri082.html on line 746: In their introduction, they acknowledge that being viewed as a victim can lead to a loss of esteem and respect. But, they continue, in modern Western societies being a victim doesn’t always lead to undesirable outcomes. Sometimes, being a victim can increase one’s social status. And justify one’s claim to material resources.
ellauri095.html on line 455: Their rivalry began with Hopkins’s response to her poem “The Convent Threshold.” Geoffrey Hartman was clearly on the right track when he suggested in the introduction to Hopkins: A Collection of Critical Essays (1966) that “Hopkins seems to develop his lyric structures out of the Pre-Raphaelite dream vision. In his early ‘A Vision of the Mermaids’; and ‘St. Dorothea’; he may be struggling with such poems as Christina Rossetti’s ‘Convent Threshold’; and Dante Gabriel Rossetti’s ‘The Blessed Damozel,’ poems in which the poet stands at a lower level than the vision, or is irrevocably, pathetically distanced.” Such poems were the essence of medievalism in poetry according to William Morris, who felt that Keats’s “La Belle Dame Sans Merci” was the germ from which all Pre-Raphaelite poetry sprang. Standing beyond Keats, however, the primary source was Dante. Christina Rossetti clearly alludes to Beatrice’s appeal to Dante in “The Convent Threshold”:
ellauri096.html on line 214: 2, 3 by conjunction elimination of the first conjunct and then conjunction introduction
ellauri097.html on line 109: In his 1918 introduction to Nietzsche´s The Anti-Christ Mencken wrote "The case against the Jews is long and damning; it would justify ten thousand times as many pogroms as now go on in the world."
ellauri140.html on line 152: Dispenserillä on paljon luetteloita, mm. eri puiden hyötykäytöstä, sekä seuraava luettelo tärkeimmistä paheista. Sama lista löytyy muuten em. aiemmasta albumista. Upon the reader's first introduction to the House of Pride, Spenser describes:
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri141.html on line 533: The spoof book of late Horace (it refers to contemporary politicians such as Lloyd George, gas masks, land girls, daylight saving, spiritualism, canteens and so on) which came out in 1920, was inspired by a long tradition in English literature and by Kipling’s early imitation odes and Charles Graves’s Hawarden Horace (1894) and More Hawarden Horace (1896, with a delightful introduction by T. E. Page), where felicitous modernising English versions of the Odes (and an Epode) are put in the mouth of Gladstone (251) . A[lfred] D[enis] Godley, for one, had often imagined Greek and Roman authors as still alive and commenting on nineteenth- and twentieth-century Oxford and England. (252) Kipling delighted in humorous verse. In 1917 he had enjoyed Maurice Baring’s Translations (found in a commonplace book) (253) .
ellauri152.html on line 73: The poems are in the manner of Sappho; the collection's introduction claims they were found on the walls of a tomb in Cyprus, written by a woman of Ancient Greece called Bilitis (Greek: Βιλιτις), a courtesan and contemporary of Sappho to whose life Louÿs dedicated a small section of the book. On publication, the volume deceived even expert scholars.
ellauri160.html on line 188: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915.
ellauri160.html on line 211: Hemingway, then aged 22, moved to Paris with his wife, Hadley Richardson, and letters of introduction from Sherwood Anderson. In February 1922 the Hemingways visited the Pounds for tea. Although Pound was 14 years older, the men became friends; Hemingway assumed the status of pupil and asked Pound to edit his short stories. Pound introduced him to his contacts, including Lewis, Ford, John Peale Bishop, Malcolm Cowley, and Derek Patmore, while Hemingway tried to teach Pound to box. Hemingway was a drinker, Ezra not.
ellauri164.html on line 43: In the introduction to his Grundzüge der physiologischen Psychologie in 1874, Wundt described Immanuel Cunt and Johann Friedrich Herbart as the philosophers who had the most influence on the formation of his own views. Those who follow up these references will find that Wundt critically took to the cleaners both these thinkers’ ideas. He distanced himself from Herbart's science of the soul . Wundt praised Cunt's rejection of a "rational" psychology deduced from metaphysics, but he argued against Cunt's epistemology as well as Cunt's category theory and his flabby position on teleological explanations in his publication Was soll uns Kant nicht verkaufen? (1892).
ellauri182.html on line 157: L’introduction à la théorie du phénomène psychique est également publié en 1971. Il traite, dans d'autres essais, des auteurs occidentaux tels que Georges Bataille, Maurice Blanchot, Michel Leiris, Henry Mille, Carl-Gustav Jung ou encore Gaston Bachelard, et dialogue avec Michel Foucault ou Jean Baudrillard.
ellauri226.html on line 94: D.H. Lawrence’s foreword to Deledda’s novel The Mother, which appeared in the English editions of the 1920’s, is reprinted in the new edition of M.G. Steegman’s translation La Madre (The Woman and the Priest) or The Mother, edited with an introduction and chronology by Eric Lane. London: Daedalus/Hippocrane, 1987.
ellauri241.html on line 1631: The speaker's introduction at the beginning of Book 4 is significantly shorter than in the previous three books. He speaks to his muse of his native land whose great days are now over as anyone can tell from Endymion. The shepherd-prince overhears a distressed Indian Maiden who longs for someone to love. Endymion finds himself instantly smitten with the Maiden. He is desperately conflicted because he now appears to be in love with the three women Cynthia, Diana, and the Indian Maiden.
ellauri269.html on line 538: To put it simply; there is one very clear example in history where a group of Jewish people shifted to an evangelistic and dogmatic belief system after the introduction of a perceived savior and person of great spiritual importance - Christianity.
ellauri277.html on line 283: state regulation in the system of ensuring the spiritual security of society. The essence of the spiritual security of society, mechanisms of state regulation in the system of ensuring the spiritual security of society is specified. The international experience of the system of spiritual values is generalized and systematized and the possibility of its introduction in Ukraine is determined. The features of state regulation in the system of spiritual security of Ukrainian society in modern conditions are determined. The mechanisms of state regulation in the system of ensuring the spiritual security of Ukrainian society are assessed. The main approaches to optimizing the mechanisms of state regulation in this area are proposed.
ellauri321.html on line 110: The success of his book and his efforts to improve the agricultural conditions of Normandy made Crèvecoeur a welcome guest in France. He spent some pleasant months in French literary society, into which he was probably introduced by Mme. de Houdetot, one of the many heroines of Rousseau's “Confessions.” To this lady, an old friend of his father, he also owed his introduction to Franklin.* He returned to America at the end of 1783.
ellauri368.html on line 322: From a literary-historical standpoint, Revealer of Secrets holds immense interest. As Dov Taylor notes in his useful introduction, it was inspired by the eighteenth-century epistolary tradition initiated in England by Samuel Richardson's Pamela (1740), in France by Rousseau's Nouvelle Héloïse (1760), and in Germany by Goethe's Die Leiden des jungen Werthers (1774). Because Hebrew had as yet no novelistic tradition, Perl necessarily drew upon the prevailing norms of European fiction. Thus arose the beginning of modern Hebrew literature in the margins of eighteenth-century fiction
ellauri396.html on line 361: Nicholas Glyn Paul "Nicky" Gumbel is an English Anglican priest and author in the evangelical and charismatic traditions. He is known as the developer of the Alpha Course, a basic introduction to Christianity supported by churches of many Christian traditions. He was Vicar of Holy Trinity Brompton in the Diocese of London, Church of England from 2005 to 2022.
ellauri408.html on line 386: Christians like to claim that the mass-murdering God of the Old Testament was “appeased” by the bloody crucifixion of Jesus, but in fact the New Testament version of God was infinitely worse than the Old Testament version of Jehovah, due to the introduction of an infinitely cruel, purposeless “eternal hell” that was never once threatened or even suggested in the Old Testament.
xxx/ellauri068.html on line 66: A group of philologists, united in the Society of Lovers of Russian Literature,sharply criticized the romanization. This society set up a commission that issued astatement that Latin "not only does not make it easier, but rather makes it moredifficult for foreigners to study the Russian language." Yet it was not until the late 1930s that the attempt of the romanization of the Russian alphabet was given up. There were also political reasons for the introduction of Russian as a second language. From the international perspective, the Soviet leadership was disillusioned with the course for the world communist revolution, which was now viewed as a matter of distant future. The need for a common international script on the European (Latin) base was no longer as topical as before.
xxx/ellauri068.html on line 133: Borat visits Luenell and they return to Kazakhstan together. They bring several American customs and traditions back to his village, including the apparent conversion of the people to Christianity (the Kazakh version of which includes crucifixion and torturing of Jews) and the introduction of computer-based technology, such as iPods, laptop computers and a high-definition television.
xxx/ellauri085.html on line 585: At this point, unless we allow millions more immigrants into our country, thereby expanding the workforce, economic growth will be sluggish. There is plenty of wealth being created, but it is often in too few hands. Government spending generally has far less velocity due to more and more people having less disposable income. The elitists in the U.S. embarked on this globalist philosophy 30–40 years ago and there has been significant economic growth worldwide, but that has been at the expense of the American worker and to some degree our way of life. The introduction of massive amounts of consumer credit has only made things worse.
xxx/ellauri086.html on line 695: Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about ´romance´, which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – ´A Romance´ – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.
xxx/ellauri121.html on line 516: Sine īrā et studiō is a Latin term meaning "without anger and passion". It was coined by Roman historian Tacitus in the introduction to his Annals 1.1., which can be translated as follows:
xxx/ellauri137.html on line 779: Barry A. Hudson says: Good writing and a good introduction to Japanese culture. I note than some Japanese criticize her works, but my comment would be that Japanese culture never likes to air its dirty laundry. I find her cultural observations right on the mark. I actually think she has great love and admiration for Japan and its people, but she occasionally does not pull her punches.
xxx/ellauri138.html on line 298: The next time I'm in New York, I will take the Amtrak train service to Rhinecliff and an uber to the Bard cemetery to arrive late in the afternoon on a Saturday. I'll have with me my birthday radio, which I'll tune into WMNR as Susan makes her introduction and turn it up loud so Philip can sing along to I Did It My Way. It was his way all right, though it didn't amount to much.
xxx/ellauri166.html on line 377: Kabbalah associates the shekhinah with the female. According to Gershom Scholem, "The introduction of this idea was one of the most important and lasting innovations of Kabbalism. ...no other element of Kabbalism won such a degree of popular approval." The "feminine Jewish divine presence, the shekhinah, distinguishes Kabbalistic literature from earlier Jewish literature."
xxx/ellauri167.html on line 614: Shea provided in 1983 a brief introduction for the Illuminati Expansion Set rule book. "Maybe," he wrote, "the Illuminati are behind this game. They must be. They are, by definition, behind everything."
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri179.html on line 988: “The Sun Also Rises” is, for many readers, their introduction to Hemingway. It is taught in our schools. In writing it, Hemingway felt no need to censor himself, assuming, apparently, that readers shared his prejudice or at the very least did not object to it — indeed, that it added color to his story.
xxx/ellauri187.html on line 292: The growth of the following of Joseph is manifested with the earliest church dedicated to him in Rome, San Giuseppe dei Falegnami (St. Joseph of the Carpenters), constructed in 1540 in the Forum Romanum, above the prison that by tradition had held the Apostles Peter and Paul. The spread of his following is then shown by the publication of the first Litany of St. Joseph in Rome in 1597 and the introduction of the Cord of St. Joseph in Antwerp in 1657. These were then followed by the Chaplet of St. Joseph in 1850, and the Scapular of St. Joseph of the Capuchins which was approved in 1880. The formal veneration of the Holy Family began in the 17th century by Mgr François de Laval.
xxx/ellauri193.html on line 709: Although the death penalty was abolished in 1995, opinion polls have repeatedly suggested public support for its reinstatement, with significant differences between white and black South Africans. A 2014 poll in South Africa found that 76 percent of millennium generation South Africans support re-introduction of the death penalty.
xxx/ellauri230.html on line 656: Chrysanthemums entered American horticulture in 1798 when Colonel John Stevens imported a cultivated variety known as 'Dark Purple' from England. The introduction was part of an effort to grow attractions within Elysian Fields in Hoboken, New Jersey. Hoboken, NJ is nowadays considered the world hub of chrysanthemum cultivation by some westerners.
xxx/ellauri250.html on line 677: The philosopher James Rachels recommended the book "as an introduction centered on such practical issues as abortion, racism, and so forth." The philosopher Friedrich Engels called the book "must reading for anyone interested in living a happy life."
xxx/ellauri261.html on line 631: The field of secular theology, a subfield of liberal theology advocated by Robinson somewhat combines secularism and theology. Recognized in the 1960s, it was influenced both by neo-orthodoxy, Dietrich Bonhoeffer, Harvey Cox, and the existentialism of Søren Kierkegaard and Paul Tillich. Robinson, along with Douglas John Hall and Rowan Williams, see that Secular theology had digested modern movements like the Death of God Theology propagated by Thomas J. J. Altizer or the philosophical existentialism of Tillich and eased the introduction of such ideas into the theological mainstream and made constructive evaluations, as well as contributions, to the problems caused by the demise of out heavenly father.
xxx/ellauri268.html on line 345: Scrooge has influenced many an antisemitic caricature after him. Mr. Potter in “It’s a Wonderful Life” is a twisted, disabled Scrooge of the American Midwest. Dr. Seuss’ Grinch is Scrooge in a fur suit and a vaguely fantasy setting; he’s a scheming outsider who, like his blueprint, has to be converted. The thin, ugly Gollum of J.R.R. Tolkien’s Middle-earth is an amalgam of Scrooge and Alberich, the gold-obsessed antagonist of composer (and notorious antisemite) Richard Wagner’s “Das Rheingold.” From his introduction in “The Hobbit” on, Gollum is motivated by a lust for a magic ring he calls “my precious.”
xxx/ellauri281.html on line 496: Norman Mailer´s 1973 biography of Marilyn Monroe (usually designated Marilyn: A Biography) was a large-format book of glamor photographs of Monroe for which Mailer supplied the text. Originally hired to write an introduction by Lawrence Schiller, who put the book package together, Mailer expanded the introduction into a long essay. Miller sai Monroelta persettä mutta muuten persnettoa, Mailer kääntäen ei saanut persettä, mutta nettosipa kuitenkin ihan kivasti. Two Jewish boys with sturdy Norman names making hay with Marilyn.
xxx/ellauri298.html on line 238: poem called ‘Acronym.’ I should say by way of introduction that in American
xxx/ellauri314.html on line 101: On May 1, 1935, he joined the League of American Writers (1935–1943), whose members were largely either Communist Party members or fellow travelers. In Rowe's view, all successful plays built dramatically from an "attack" (the introduction of a conflict), through a "crisis," and finally to a "resolution." Rowe consulted his government consulting on the use of drama as a propaganda tool to raise morale and to define America's goals during the war.
xxx/ellauri354.html on line 273: Notari’s novel sold 80,000 copies in six months and sales only increased when it was accused of offending public morality; it and its author were acquitted, with Marinetti serving as witness for the defense. “It was Notari’s good fortune,” one scholar writes, “to be accused of obscenity by a court in Parma.... Marinetti, who attended and clearly relished the trial, wrote a detailed account of it for Parisian readers... and then translated his account into Italian, appending a brief, self-congratulatory introduction” (Adamson 97). Marinetti bragged that the trial “gave an extraordinary boost to the book’s sales such that, today, one finds it in all the elegant parlors, in all the bedrooms, under the virginal bedlinens of all the convent-school girls and inside the prayer benches of all the new brides” (qtd. in Adamson 97–98). Notari quickly produced a sequel, Femmina: Scene di una grande capitale (1906), which became a best seller before it too was seized and banned. Notari proudly listed these three books’ sales figures and legal histories in the front matter of his next book, The Black Pig (1907).
xxx/ellauri376.html on line 460: Ronald Hingley, author of Russians and Society and a specialist in Dostoevsky´s works, thought this novel a bad one, whereas Richard Pevear (in the introduction to his and Larissa Volokhonsky´s 2003 translation of the novel), vigorously said it´s a good one. Herman Hesse, another teenage novelist, liked it too. Ei kyllä Doston paikka oli loukossa, eihän sillä edes parta kasvanut kunnolla. Vitun pedofiili.
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