ellauri072.html on line 206: What has gone mainly unnoticed in the various discussions of the problem is something that has puzzled me for some time. Why does Dante treat the homosexual Florentines in Inf. 16 with greater respect than any other infernal figures except those in Limbo? I do not have an answer to that question, but would like to bring it forward. Let me begin with Purg. 26. We have probably not been surprised enough at Dante's insistence that roughly half of those who sinned in lust, repented, and were saved (and are now on their way to that salvation) were homosexual. It would have been easy for him to have left the homosexuals out of Purgatory, and it is hard to imagine an early (or a later) commentator who would have objected to the omission, especially since, in Hell, homosexuality is treated, not as a sin of the flesh, but as one of violence against nature. However, for a unique instance of a commentator who is aware of Dante's unusual gesture see Trifon Gabriele on Inf. 15.46: "Non e' dubbio che 'l Poeta vuol applaudere a questo vitio quanto egli puo'. Puopa hyvinkin. Ecco, gli fa parlare di belle cose e gli fa tutti grand'uomini nelle lettere e nell'arme e nella religione, e finalmente non e' peccato ne l'Inferno o Purgatorio che egli men danni con le parole sue che questo; anzi lo polisce quanto puo' con suoi versi".
ellauri095.html on line 499: Hopkins had been attracted to asceticism since childhood. At Highgate, for instance, he argued that nearly everyone consumed more liquids than the body needed, and, to prove it, he wagered that he could go without liquids for at least a week. He persisted until his tongue was black and he collapsed at drill. He won not only his wager but also the undying enmity of the headmaster Dr. John Bradley Dyne. On another occasion, he abstained from salt for a week. His continuing insistence on extremes of self-denial later in life struck some of his fellow Jesuits as more appropriate to a Victorian Puritan than to a Catholic.
ellauri183.html on line 134: Venezia kauppiaassa on joku Jessica. Niin se oli se juutalainen misu, Shylockin tytär. In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with Lorenzo and Shylock serves as a mirror and contrast to Portia's with Bassanio and with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith.
ellauri194.html on line 522: In the 11th century AD, after the decline of the Pala dynasty, a Hindu king, Adi Sura brought in five Brahmins and their five attendants from Kanauj, his purpose being to provide education for the Brahmins already in the area whom he thought to be ignorant, and revive traditional orthodox Brahminical Hinduism. These Vedic Brahmins were supposed to have nine gunas (favoured attributes), among which was insistence on same sex marriages. Multiple accounts of this legend exist, and historians generally consider this to be nothing more than myth or folklore lacking historical authenticity. The tradition continues by saying that these immigrants settled and each became the founder of a clan.
ellauri210.html on line 1250: George Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on the Western hemisphefre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Pshaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
ellauri222.html on line 559: Georgie is Augie’s younger brother. He is mentally slow and is sent away to live in an institution at the insistence of Grandma Lausch. At the institution, he learns the trade of shoemaking.
ellauri267.html on line 1386: ...he was an immature and headstrong youth. His insistence on continuing the reconquista (the Christian reconquest of Iberia from its Islamic rulers) into Morocco led not only to his death but ultimately to the end of the House of Aviz.
ellauri310.html on line 584: Yes. Fact-checking the Genius movie confirmed that Thomas Wolfe's tendency to not want to cut anything from his novels and to continually want to add more pages, presented a challenge for his editor, Max Perkins. At the insistence of Perkins, Wolfe reluctantly agreed to cut 90,000 words from his first novel, Look Homeward, Angel (1929).
xxx/ellauri125.html on line 795: After Hole's world tour concluded in 1996, Love made a return to acting, first in small roles in the Jean-Michel Basquiat biopic Basquiat and the drama Feeling Minnesota (1996), and then a starring role as Larry Flynt's wife Althea in Miloš Forman's critically acclaimed 1996 film The People vs. Larry Flynt. Love went through rehabilitation and quit using heroin at the insistence of Forman; she was ordered to take multiple urine tests under the supervision of Columbia Pictures while filming, and passed all of them. Despite Columbia Pictures' initial reluctance to hire Love due to her troubled past, her performance received acclaim, earning a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress. Critic Roger Ebert called her work in the film "quite a performance; Love proves she is not a rock star pretending to act, but a true actress."
xxx/ellauri127.html on line 645: Klein’s insistence on viewing aggression as an important force in its own right when analyzing children led her into conflict with Freud’s own daughter, Anna Freud, who was one of the other prominent child psychotherapists in continental Europe but who became moved to London in 1938 where Klein had been working for several years. Many controversies arose out of this conflict, and these are often referred to as controversial debates. In reality, the semitic hags were in one another's hairs. Lähde:
xxx/ellauri129.html on line 646: At the insistence of her parents, Elizabeth Parsons Ware married Calvinist minister Theophilus Packard, fourteen years her senior and said to be "cold and domineering", on 21 May 1839. The couple had 6 at least 6 times cause they had 6 children. She later founded the Anti-Insane Asylum Society, campaigning for divorced women to retain custody of their children.
xxx/ellauri149.html on line 417: Still, many Yaoi Fans and Yuri Fans willingly interpret any interaction as potentially gay even for those specifically stated by their creators to be straight (in which case the author may be very annoyed by the fans' insistence otherwise).
xxx/ellauri379.html on line 119: One of the most resoundingly Modernist elements of Conrad’s work lies in this kind of early post-structuralist treatment of language—his insistence on the inherent inability of words to express the real, in all of its horrific truth. Marlow’s journey is full of encounters with things that are “unspeakable,” with words that are uninterpretable, and with a world that is eminently “inscrutable.” In this way, language fails time and time again to do what it is meant to do—to communicate. It’s a phenomenon best summed up when Marlow tells his audience that “it is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence… We live, as we dream—alone.” Kurtz—as “eloquent” as he may be—can’t even adequately communicate the terrifying darkness he observed around him.“The horror! The horror!” is all he can say. Some critics have surmised that part of Heart of Darkness’s mass appeal comes from this ambiguity of language—from the free rein it gives its readers to interpret. Others posit this as a great weakness of the text, viewing Conrad’s inability to name things as an unseemly quality in a writer who’s supposed to be one of the greats. Perhaps this is itself a testament to the Heart of Darkness’s breadth of interpretability.
13