ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri028.html on line 89: Initially, a surviving one of his daughters, Clara Clemens, objected to its publication in March 1939, probably because of its controversial and iconoclastic views on religion, claiming it presented a "distorted" view of her father. Henry Nash Smith helped change her position in 1960. Clara explained her change of heart in 1962 saying that "Mark Twain belonged to the world" and that public opinion had become more tolerant. (Ehkä se myös tarvizi vähän pätäkkää leivän syrjäxi.) She was also influenced to release the papers by her annoyance with Soviet reports that her father's ideas were being suppressed in the United States. (Ei Laika ole ainut koira radalla. Vuosi 1962 oli Kuuban kriisi, kylmä sota kuumeni. Popovin nuhruista mutta optimistista nuoruutta.) The papers were selected, edited and sequenced for the book in 1939 by Bernard DeVoto. (Sota tuli väliin, jumala piti varmistaa voittajien puolelle. No ainahan se on voittajien puolella. Tai sit se haluu antaa opetuxen tai sillä on joku ovelampi suunnitelma mielessä.)
ellauri042.html on line 717: Dostoevsky´s illness influenced some peculiarities of his writing, his language and style. Dostoevsky´s bad memory was well known; he had to take notes for everything His language is nervous, tense and impulsive. His phrases are sometimes long and complicated, containing a fanciful conglomeration of colloquial words and expressions, official, journalistic and scientific terms, and slips of the tongue, foreign words, names and quotations. But now and then we can see here very short, elliptic phrases.
ellauri052.html on line 653: It was not just Bohm who fell under the sway of Krishnamurti's charisma. He strongly influenced such writers as Joseph Campbell, the poet Robinson Jeffers, Henry Miller, Aldous Huxley, and Alan Watts who churned out popular books about Zen Buddhism. George Bernard Shaw once called young Krishnamurti "the most beautiful human being" he ever saw. Cabinet faggot. After visiting Krishnamurti's castle in Holland, Campbell wrote in a letter: "I can scarcely think of anything but the wisdom-and-beauty-of-my friend." In another letter he said, "Every time I talk with Krishna, something new amazes me."
ellauri063.html on line 317: Before he entered the world of music, Brötzmann was studying to be a painter in Western Germany and was associated with Fluxus, a radical art movement influenced by John Cage and informed by an anti-commercial sentiment.
ellauri064.html on line 83: He maintained a life-long friendship with Shulem. A feature of Benjamin's unorthodox Marxism was his attempt to invest it with the passions of Messianic Jewish mysticism. He was also friends with Theodor Adorno, a critical social theory pioneer who was deeply influenced by Benjamin and helped preserve his legacy. Adorno remarked that Benjamin's work had ‘settled at the cross-roads between magic and positivism. That place is bewitched’.
ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance.
ellauri067.html on line 439: How much, or how little influence drugs, particularly hallucigenic drugs like lysergic acid diethylamide, LSD, had on Pynchon’s narrative is unknown. If Siegel, however, is to be believed, and he should be despite any resentment he felt regarding Pynchon’s affair with his wife, then the writing of Gravity’s Rainbow was heavily influenced by drugs. In Pynchon’s most famous quote regarding this particular novel, which is notoriously difficult to interpret, he is alleged to have told Siegel,
ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions.
ellauri082.html on line 737: Another study by researchers Carrie Haslam and V. Tamara Montrose found that although narcissistic males do not make good partners, women aged 18 to 28 desire them more than other men. The researchers asked women about their dating experience and desire for marriage. They wanted to see whether these factors influenced their attraction to narcissistic men.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri092.html on line 78: Dwight Lyman Moody was born into a bankrupt family of nine children with a father who loved whiskey and who died when Dwight was just four. His mother sent them to a school where he learnt very little, and she sent them to the First Congregational Church where he learnt less. His upbringing was something of a disciplined, Puritan-influenced life.
ellauri092.html on line 275: Though Boardman was a Presbyterian and strongly influenced by the numerous heresies of Charles Finney and others, he was not a trained theologian. In fact, it is tragic that many errors that crept into the church were introduced by people who had little to no training in rightly dividing the Word. This is not to say that a person with little to no formal training cannot be used by God or that he is exempt from learning the truth of Scripture (Harry Ironsides is a good example). However, there is a proper hermeneutic to be used in studying Scripture and if not applied, many errors can result.
ellauri093.html on line 118: They were greatly influenced by Taylor's book "China's Spiritual Need and Claims".
ellauri095.html on line 49: Hopkins was influenced by the Welsh language, which he had acquired while studying theology at St Beuno's near St Asap. The poetic forms of Welsh literature and particularly cynghanedd, with its emphasis on repeating sounds, accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud.
ellauri095.html on line 159: He influenced such poets as W.H. Auden, Dylan Thomas, Theodore Roethke, Elizabeth Bishop, John Berryman, Robert Lowell, Ted Hughes, Sylvia Plath, Denise Levertov, and the Nobel Laureate Seamus Heaney. In the 1920s and 30s, he was a darling of the British and American “New Critics” who prized and probed his poems’ rich “texture.”
ellauri095.html on line 453: Christina Rossetti became for Hopkins the embodiment of the medievalism of the Pre-Raphaelites, the Oxford Movement, and Victorian religious poetry generally. In the 1860s Hopkins was profoundly influenced by her example and succeeded, unbeknownst to her and to the critics of his time, in becoming a rival far greater than any of her contemporaries.
ellauri096.html on line 591: Although obscure at the time of its initial publication, Maldoror was rediscovered and championed by the Surrealist artists during the early twentieth century. The work's transgressive, violent, and absurd themes are shared in common with much of Surrealism's output; in particular, Louis Aragon, André Breton, Salvador Dalí, Man Ray, and Philippe Soupault were influenced by the work. Maldoror was itself influenced by earlier gothic literature of the period, including Lord Byron's Manfred, and Charles Maturin's Melmoth the Wanderer.
ellauri100.html on line 565: It should be noted that my slightly positive score probably was influenced by the order in which choices were presented to me. Initially, pleasant concepts were associated with photos of European-Americans. I became used to that association, and so found that it affected my reaction time when I was faced with pairings of pleasant concepts and photos of African-Americans. The bottom line: My slight preference for European-Americans probably is an artifact of test design.
ellauri106.html on line 341: Howells was a Christian socialist whose ideals were greatly influenced by Russian writer Leo Tolstoy. These influences led him to write on issues of social justice from a moral and egalitarian point of view, being critic of the social effects of industrial capitalism. He was, however, not a Marxist. Phew.
ellauri107.html on line 427: 1937 English author J.R.R. Tolkien published The Hobbit; the title and the originally somewhat complacent and bourgeois character of Bilbo and hobbits in general were influenced by Babbitt.
ellauri108.html on line 123: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent. The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa. There are nevertheless many Rastas who continue to emphasise the need for physical resettlement of the African diaspora in Africa.
ellauri108.html on line 160: There are various options that might explain how cannabis smoking came to be part of Rastafari. By the 8th century, Arab traders had introduced cannabis to Central and Southern Africa. In the 19th century, enslaved Bakongo people arrived in Jamaica, where they established the religion of Kumina. In Kumina, cannabis was smoked during religious ceremonies in the belief that it facilitated possession by ancestral spirits. The religion was largely practiced in south-east Jamaica's Saint Thomas Parish, where a prominent early Rasta, Leonard Howell, lived while he was developing many of Rastafari's beliefs and practices; it may have been through Kumina that cannabis became part of Rastafari. A second possible source was the use of cannabis in Hindu rituals. Hindu migrants arrived in Jamaica as indentured servants from British India between 1834 and 1917, and brought cannabis with them. A Jamaican Hindu priest, Laloo, was one of Howell's spiritual advisors, and may have influenced his adoption of ganja. The adoption of cannabis may also have been influenced by the widespread medicinal and recreational use of cannabis among Afro-Jamaicans in the early 20th century. Early Rastafarians may have taken an element of Jamaican culture which they associated with their peasant past and the rejection of capitalism and sanctified it by according it Biblical correlates.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 201: Marcus Garvey, a prominent black nationalist theorist who heavily influenced Rastafari and is regarded as a prophet by many Rastas. The Jamaican activist Marcus Garvey, spent much of his adult life in the US and Britain. Garvey supported the idea of global racial separatism and called for part of the African diaspora to relocate to Africa. His ideas faced opposition from civil rights activists like W. E. B. Du Bois who supported racial integration, and as a mass movement, Garveyism declined in the Great Depression of the 1930s. A rumour later spread that in 1916, Garvey had called on his supporters to "look to Africa" for the crowning of a black king; this quote was never verified. However, in August 1930, Garvey's play, Coronation of an African King, was performed in Kingston. Its plot revolved around the crowning of the fictional Prince Cudjoe of Sudan, although it anticipated the crowning of Haile Selassie later that year. Rastas hold Garvey in great esteem, with many regarding him as a prophet. Garvey knew of Rastafari, but took a largely negative view of the religion; he also became a critic of Haile Selassie, calling him "a great coward" who rules a "country where black men are chained and flogged".
ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
ellauri108.html on line 270: A smaller number of Rastas are found in Muslim-majority countries of West Africa, such as Gambia and Senegal. One West African group that wear dreadlocks are the Baye Faal, a Mouride sect in Senegambia, some of whose practitioners have started calling themselves "Rastas" in reference to their visual similarity to Rastafari. The popularity of dreadlocks and marijuana among the Baye Faal may have been spread in large part through access to Rasta-influenced reggae in the 1970s. A small community of Rastas also appeared in Burkina Faso.
ellauri108.html on line 481: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent.
ellauri109.html on line 270: In 2000 Searle received the Jean Nicod Prize; in 2004, the National Humanities Medal; and in 2006, the Mind & Brain Prize. He was elected to the American Philosophical Society in 2010. Searle's early work on speech acts, influenced by J. L. Austin and Ludwig Wittgenstein, helped establish his reputation. His notable concepts include the "Chinese room" argument against "strong" artificial intelligence.
ellauri109.html on line 745: Auden referred to him as "the master of the middle class". Alexander Pope was heavily influenced by Dryden and often borrowed from him.
ellauri115.html on line 486: Samuel Clarke (1675–1729) was the most influential British metaphysician and theologian in the generation between Locke and Berkeley, and only Shaftesbury rivals him in ethics. In all three areas he was very critical of Hobbes, Spinoza, and Toland. Deeply influenced by Newton, Clarke was critical of Descartes’ metaphysics of space and body because of the experimental evidence for Newtonianian doctrines of space, the vacuum, atoms, and attraction and because he believed Descartes’ identifying body with extension and removing final causes from nature had furthered irreligion and had naturally developed into Spinozism.
ellauri117.html on line 665: John Locke was born on the 29th of August, 1632. He is famous for being a Philosopher. He and Sir Francis Bacon were among the first British empiricists and had a huge impact on social contract theory. John Locke’s age is 388. English philosopher and doctor commonly referred to as “The Father of Liberalism.” He was one of the Enlightenment Age’s most influential thinkers. His ideas heavily influenced the writing of the Declaration of Independence.
ellauri117.html on line 667: The 388-year-old philosopher was born in Wrington, England. He earned a medicine degree from Oxford in 1674. He had influential theories on limited government, right to property, and the social contract. His theory of mind led to modern understandings of identity and the self and influenced Kant, Hume, and Rousseau.
ellauri119.html on line 589: Biological models of love tend to see it as a mammalian drive, similar to hunger or thirst, or sneezing. Psychology sees love as more of a social and cultural phenomenon. Certainly, love is influenced by hormones (such as oxytocin), neurotrophins (such as NGF), and pheromones, and how people think and behave in love is influenced by their conceptions of love. The conventional view in biology is that there are two major drives in love: sexual attraction and attachment. Attachment between adults is presumed to work on the same principles that lead an infant to become attached to its mother. The traditional psychological view sees love as being a combination of companionate love and passionate love. Passionate love is intense longing, and is often accompanied by physiological arousal (shortness of breath, rapid heart rate); companionate love is affection and a feeling of intimacy not accompanied by physiological arousal.
ellauri119.html on line 736: Both you and Rand are unaware that our founders were heavily influenced by Greek philosophers who proposed the notion of civic virtue. Civic virtue is the view that the needs of the many outweigh the needs of the one (Atlas with the world on his shoulders). All libertarians are selfish because their concern is their own liberty and the hell with society.
ellauri132.html on line 200: Here, Vonnegut is influenced by his early work as a journalist. His sentences are short and easily understood so as to be largely accessible. A dystopian setting enhances his social and political critique by imagining a future world founded on absolute equality through handicaps assigned to various above-average people to counter their natural advantages. A similar subject can be found in L. P. Hartley's dystopian novel Facial Justice from the previous year of 1960.
ellauri140.html on line 146: According to Richard Simon Keller, George Lucas's Star Wars film also contains elements of a loose adaptation, as well as being influenced by other works, with parallels including the story of the Red Cross Knight championing Una against the evil Archipelago in the original compared with Lucas's Luke Skywalker, Princess Leia, and Darth Vader. Keller sees extensive parallels between the film and book one of Spenser's work, stating "Almost everything of importance that we see in the Star Wars movie has its origin in The Faerie Queene, from small details of weaponry and dress to large issues of chivalry and spirituality". Olix Dispenserillä valomiekkoja ja muovihaarniskoita? Tuhoplaneettoja? Täytyypä tutustua. No ainakin on sexirobotteja. She is not a toy!
ellauri140.html on line 201: In 1591, Spenser published a translation in verse of Joachim Du Bellay's sonnets, Les Antiquités de Rome, which had been published in 1558. Spenser's version, Ruines of Rome: by Bellay, may also have been influenced by Latin poems on the same subject, written by Jean or Janis Vitalis and published in 1576. Vitalis oli pahanhajuista naamavoidetta jota laitettiin lasten naamaan pakkasella. Vitut sanoi Vatanen, ja Vatanen oli viisas mies.
ellauri144.html on line 571: Bierce oli toinen sotakirjailija mutta oli sentään ollut sodassa. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic.
ellauri144.html on line 575: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.
ellauri147.html on line 610: His theories of the true/false self may have been over-influenced by his own childhood experience of caring for a depressed mother, which resulted in the development of a prematurely mature self which he was only subversively able to undo.
ellauri155.html on line 884: Santayana is mostly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.] Santayana was a broad-ranging cultural critic spanning many disciplines. He was profoundly influenced by Spinoza´s life and thought; and, in many respects, was another Spinoza. Was he too a jew? I guess not. His father was a minor intellectual. His mother married a Bostonian merchant Sturgis who died. In Madrid, he married the Santayana guy. In 1869, Josefina Borrás de Santayana returned to Boston with her three Sturgis children, because she had promised her first husband to raise the children in the US. She left the six-year-old Jorge with his father in Spain. Jorge and his father followed her to Boston in 1872. His father, finding neither Boston nor his wife´s attitude to his liking, soon returned alone to Ávila, and remained there the rest of his life as a minor intellectual.
ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".
ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold."
ellauri172.html on line 784: St. Olaf's cuisine is heavily influenced by Viking tradition and often includes herring.
ellauri182.html on line 113: The Marshall Plan brought Western ideas and a free market economy to what had been an old and traditional culture. in the mid-1980s, Japan has a booming industrial economy, bolstered by its exports of automobiles and electronics to the West. Japanese society has become more materialistic than ever, influenced by its wealth and the consumerism imported from America. Mikage acknowledges this consumerism when she says of her friends, “these people had a taste for buying new things that verged on the unhealthy.” Mikage’s generation has been brought up on television and American culture; she mentions an American sitcom and Disneyland in her narrative. One character in the story is wearing “what is practically the national costume, a two-piece warmup suit,” a style imported from America. In Japan, Yoshimoto’s generation is called the shinjinrui, a generation that has grown up in a wealthy, technological society exposed to American values. Shinjinrui was new breed of humans (used to refer to the post-war generation, who have different ideals and sensibilities). Japan's Generation X.
ellauri189.html on line 81: It is generally held to be most influenced by Lord Byron, whom Malczewski had met in Venice during his travels around western Europe, though it is considerably more gloomy and Gothic than Byron's work. Malczewski is sometimes considered part of the "Ukrainian school" in Polish poetry, though others consider his work to stand uniquely separate. Maria was also influential on later Polish poets, especially Adam Mickiewicz, and on writer Joseph Conrad, although he was not a romantic as such. Well, some of his stuff is pretty gooey, like Nostromo, the Panamanian guy.
ellauri192.html on line 637: In March 1929, he and six other writers left the KSČ after signing a manifesto protesting against Bolshevik Stalinist-influenced tendencies in the new leadership of the party. He subsequently worked as a journalist in the social-democratic and trade union press during the 1930s and 1940s.
ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway?
ellauri192.html on line 857: Brooks was born on June 28, 1926, in Brooklyn, New York City, to Kate (née Brookman) and Max Kaminsky, and grew up in Williamsburg. His father's family were Jewish people from Gdańsk, Poland; his mother's family were Jews from Kyiv, in the Pale of Settlement of the Russian Empire (present-day Ukraine). In 2021, Brooks published a memoir, All About Me!.During his teens, he legally changed his name to Mel Brooks, influenced by his mother´s maiden name Brookman, after being confused with trumpeter Max Kaminsky. "And I'm sure a lot of my comedy is based on anger and hostility. Growing up in Williamsburg, I learned to clothe it in comedy to spare myself problems—like a punch in the face."
ellauri198.html on line 650: In turn this influenced the pseudo-Medieval poetry of Thomas Chatterton. For example, in a poem about the Battle of Hastings he writes "some caught a slughorne and an onsett wounde" (Battle of Hastings ii.99), meaning "some picked up a slughorn and sounded a charge". A slughorn in this context appears to be some kind of trumpet. However, in a footnote to another usage of the word, Chatterton defines it as "not unlike a hautboy". The Medieval English word hautboy is the origin of the modern word oboe and has never referred to any instrument comparable to a trumpet. It is more like a faggot. Oh boy, haut-bois, puu pystyssä. Vitun pultti-bois.
ellauri198.html on line 710: The series was chiefly inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning, whose full text was included in the final volume's appendix. In the preface to the revised 2003 edition of The Gunslinger, King also identifies The Lord of the Rings, Arthurian legend, and The Good, the Bad and the Ugly as inspirations. He identifies Clint Eastwood's "Man with No Name" character as one of the major inspirations for the protagonist, Roland Deschain. King's style of location names in the series, such as Mid-World, and his development of a unique language abstract to our own [clarification needed] (High Speech), are also influenced by J. R. R. Tolkien's work. The series is referred to on King's website as his magnum opus.
ellauri203.html on line 127: Although reasonably successful during his lifetime, his fame continued to grow after his death and he inspired not just other later writers, such as Ernest Hemingway, but also sparked a philosophical movement, Existentialism, and influenced the work of Sigmund Freud.
ellauri219.html on line 192: Lenny Bruce revolutionized comedy in the 50s and 60s, ushering in a personalized style that influenced many later comedians. By the time he appeared on the Sgt. Pepper’s cover, he had been arrested for obscenity, further making him a countercultural hero not only for The Beatles, but also the Beatniks and Bob Dylan (No.15). He died of a drug overdose in August 1966.
ellauri219.html on line 215: A German composer who pioneered the use of electronic music in the 50s and 60s, Stockhausen remains a godfather of the avant-garde, whose boundary-pushing music influenced The Beatles’ own groundbreaking experiments in the studio, starting with their tape experiments of Revolver’s “Tomorrow Never Knows.” Paul McCartney (No.64) introduced Stockhausen’s work to the group, turning John Lennon (No.62) into a fan; Lennon and Yoko Ono even sent the composer a Christmas card in 1969.
ellauri219.html on line 265: Dylan and The Beatles influenced each other throughout the 60s, each spurring the other on to making music that pushed boundaries and reshaped what was thought possible of the simple “pop song.” It was Dylan who convinced John Lennon (No.62) to write more personal songs in the shape of “Help!,” while The Beatles showed Bob what could be achieved with a full band behind him, helping the latter “go electric” in 1965. It was with George Harrison (No.65), however, that Dylan struck up the longest-lasting friendship; the two played together often in the years that followed, forming The Traveling Wilburys and guesting on each other’s projects.
ellauri219.html on line 270: The influence of Aubrey Beardsley’s pen-and-ink line drawings had already made itself felt on Klaus Voormann’s artwork for Revolver, and here the 19th-century illustrator, whose own style was influenced by Japanese woodcutting, takes a position not too far away from Oscar Wilde (No.41), Beardsley’s contemporary in the Aesthetic movement.
ellauri219.html on line 295: Originally the leader of Dion And The Belmonts, Dion DiMucci established a successful solo career with hits such as “The Wanderer” and “Runaround Sue” – doo-wop songs that characterized the rock’n’roll era that so influenced The Beatles.
ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä.
ellauri219.html on line 583: At Princeton, Rawls was influenced by Norman Malcolm, Ludwig Wittgenstein's dumb student. During his last two years at Princeton, he "became deeply concerned with theology and its doctrines." He considered attending a seminary to study for the Episcopal priesthood and wrote an "intensely religious senior thesis (BI)." In his 181-page long thesis titled "Meaning of Sin and Faith," Rawls attacked Pelagianism because it "would render the Cross of Christ to no effect." His argument was partly drawn from Karl Marx's book On the Jewish Question, which criticized the idea that natural inequality in ability could be a just determiner of the distribution of wealth in society. Even after Rawls became an atheist, many of the anti-Pelagian arguments he used were repeated in A Theory of Justice. Pelagianism is a heretical Christian theological position that holds that the original sin did not taint human nature and that humans by divine grace have free will to achieve human perfection. Pelagius (c. 355 – c. 420 AD), an ascetic and philosopher from the British Isles, taught that God could not command believers to do the impossible, and therefore it must be possible to satisfy all divine commandments. He also taught that it was unjust to punish one person for the sins of another; therefore, infants are born blameless. Pelagius accepted no excuse for sinful behavior and taught that all Christians, regardless of their station in life, should live unimpeachable, sinless lives, or else... Se oli tollanen humanisti, mitä Hippo aivan erityisesti inhosi. Vittu eihän sitten mitään kirkkoa ja pappeja edes tarvittaisi. Jeesus jäisi työttömäxi, Jahve eläkkeelle.
ellauri222.html on line 699: William Moulton Marston (May 9, 1893 – May 2, 1947), also known by the pen name Charles Moulton (/ˈmoʊltən/), was an American psychologist who, with his wife Elizabeth Holloway, invented an early prototype of the lie detector. Two women, his wife Elizabeth Holloway Marston, and their polygamous life partner, Olive Byrne, greatly influenced Wonder Woman's creation. She was inducted into the Comic Book Hall of Fame in 2006.
ellauri223.html on line 135: Through Augustine, this doctrine influenced much of Catholic thought on the subject of evil. For instance, Boethius famously proved, in Book III of his Consolation of Philosophy, that “evil is nothing”.The theologian Pseudo-Dionysius the Areopagite also states that all being is good, in Chapter 4 of his work The Divine Names. Thomas Aquinas concluded, in article 1 of question 5 of the First Part of his Summa Theologiae, that “goodness and being are really the same, and differ only in idea”.
ellauri236.html on line 370: Chase wrote No Orchids For Miss Blandish over a period of six weekends in 1938. The novel was influenced by the American crime writer James M. Cain and the stories featured in the Pulp magazine Black Breathing Mask. Although he had never visited America, Chase reportedly wrote the book as a bet to pen a story about American gangsters that would out-do The Postman Always Rings Twice in terms of obscenity and daring.
ellauri247.html on line 354: Some, like Macaulay, regarded Johnson as an idiot savant who produced some respectable works, and others, like the Romantic poets, were completely opposed to Johnson's views on poetry and literature, especially with regard to Milton. Again, on the positive side, Johnson influenced Jane Austen's writing style and philosophy.
ellauri248.html on line 83: Matt rated it shit: If I could, I'd probably rate this at 1.5 stars-- it ultimately pissed me off, and annoyed me throughout, but it was good enough to keep me reading and I suppose that should count for something. Maybe my opinion has been influenced by reading Stieg Larsson's masterful THE GIRL WITH THE DRAGON TATTOO FOR BOYS immediately prior to this one. That book wasn't perfect, but it had characters you rooted for, didn't wallow too much in pop culture references, and most importantly IT SOLVED THE FRIGGING MYSTERY.
ellauri256.html on line 503: The most widely accepted modern definition of the "Western World" is based not upon geographical location but upon the cultural (or when appropriate, political or economic) identities of the countries in question. Using this definition, the Western World includes Europe as well as any countries whose cultures are strongly influenced by European values or whose populations include many people descended from European colonists—for example Australia, New Zealand, and most countries in North and South America .
ellauri257.html on line 49: His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore, such as red beet soup with pork.
ellauri260.html on line 207: Gustav Teichmüller (November 19, 1832 – May 22, 1888) is considered a philosopher of the idealist school and a founder of Russian personalism. His ideas were shaped by his teachers Lotze and J. F. Herbart, who in turn were influenced by G. W. von Leibniz. Some scholars describe Teichmüller's personalism as a version of neo-Leibnizianism. His doctrines have also been referred to as constituting a variant of Christian personalism that is in opposition to both positivism and evolutionism as well as traditional Platonism. Teichmüller's philosophy has influenced Nietzsche and this link has been explored by scholars such as Hermann Nohl, who traced Teichmüller's Die wirkliche und die scheinbare Welt, 1882, as the source of the latter's perspectivism. Teichmüller also influenced the Russian thinkers A. A. Kozlov, I.F. Oze, and E. A. Bobrov. Teichmüller nai virolaisen maanomistajan tyttären ja tapettuaan sen 20-vuotiaana lapsivuoteeseen, sen siskon, ja kuoli lopulta ize Tartossa pyylevänä patruunana.
ellauri262.html on line 179: C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier."[citation needed] G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by him. MacDonald's theology "celebrated the rediscovery of God as Father, and Christ as a shaved Lion King."
ellauri262.html on line 440: Sayers was greatly influenced by G. K. Chesterton, fellow detective fiction novelist, essayist, critic, among other things, commenting that, "I think, in some ways, G.K.’s books have become more a part of my mental make-up than those of any writer you could name.” n 2022, Sayers was officially added to the Episcopal Church liturgical calendar with a feast day on 17 December.
ellauri263.html on line 631: Unlike the occultism presented earlier by Éliphas Lévi and similar authors, which mostly caught the interest only of a small circle of freethinkers, Theosophy fast became a successful semi-mass movement. By 1889 the Theosophical Society had 227 sections all over the world, and many of the era’s most important intellectuals and artists were strongly influenced by it. Avant-garde painters, especially, took this new teaching to heart, and it marked the work of great artists such as Mondrian, Kandinsky and Klee. In literature, authors like Nobel Prize laureate William Butler Yeats became
ellauri263.html on line 695: Kerista's polyamorous sexual practice was influenced by Robert A. Heinlein's (1907-88) science-fiction novel Stranger in a Strange Land (1961), in which the Martian-raised human Michael Valentine Smith founded The Church of All Worlds, preached sexual freedom and the truth of all religions, and is martyred by narrow-minded people who are not ready for freedom. Sukua myös Diskordianismille. Concordia res parvae crescunt, discordia maximae dilabuntur.
ellauri270.html on line 601: According to biographer Melvin Urolofsky, Brandeis was influenced greatly by his uncle Lewis Naphtali Dembitz. Unlike other members of the extended Brandeis family, Dembitz regularly practiced Judaism and was actively involved in Zionist activities. Brandeis later changed his middle name from David to Dembitz in honor of his uncle, and through his uncle's model of social activism, became an active member of the Zionist movement later in his life.
ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated.
ellauri277.html on line 223: Romantics such as the Italian poet, novelist, and short-story writer Gabriele D’Annunzio and the Belgian essayist Maurice Maeterlinck influenced Gibran most deeply.
ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
ellauri300.html on line 585: Facets of his 1971 song "American Pie" have become part of American culture, spanning generations. McLean's lyrics retroactively influenced the perception of a major event in the early days of rock 'n roll.
ellauri375.html on line 690: The conflicts in the Holy Land, including the Israeli-Palestinian conflict, have deep historical roots and are influenced by a multitude of factors, including religion, politics, and territorial disputes. While the Roman Empire's actions had an impact on the region, the complexities of the conflict cannot be attributed solely to events during the Pax Romana.
ellauri391.html on line 508: [5.6. klo 9.14] Oma Profiili: Contemporary discussion of quietism can be traced back to Ludwig Wittgenstein, whose work greatly influenced the ordinary language philosophers. While Wittgenstein himself did not advocate quietism, he expressed sympathy with the viewpoint.
ellauri409.html on line 450: Appearance and Reality (1893; second edition 1897) is a book by the English philosopher Francis Herbert Bradley, in which the author, influenced by Georg Wilhelm Friedrich Hegel, argues that most things are appearances and attempts to describe the reality these appearances misrepresent, which Bradley calls the Absolute. It is the main statement of Bradley´s metaphysics and is considered his most important book.The work was an early influence on Bertrand Russell, who, however, later rejected Bradley´s views. In 1894, the book was reviewed by J. M. E. McTaggart, the apologist of "haecceitas" (tämyys). Kun Seppo Kiviseltä jäi McTaggart väitöskirja kesken, Seppo sortui haahuiluun.
xxx/ellauri075.html on line 180: Shestov was highly admired and honored by Nikolai Berdyaev and Sergei Bulgakov in Russia, Jules de Gaultier, Georges Bataille, Lucien Lévy-Bruhl, Paul Celan, Gilles Deleuze, and Albert Camus in France, and D. H. Lawrence, Isaiah Berlin and John Middleton Murry in England. Among Jewish thinkers, he influenced Hillel Zeitlin.
xxx/ellauri087.html on line 336: He specialized in mathematics and economics, and became influenced by two economics professors, Arthur F. Burns and Homer Jones, who convinced him that printing more money could help end the Great Depression. Friedman met his future wife, economist Rose Director, while at the University of Chicago. Good name. Milton got a doctorate rather late, in 1946, counting the income of typical Jewish professions. His "consumption function", unlike Keynes, took into account that households overspend on the basis of their felt class membership and optimistic income expectations. Good news for supply side economics.
xxx/ellauri091.html on line 373: Left: Regulations to protect the environment. Climate change is human-influenced and immediate action is needed to slow it.
xxx/ellauri091.html on line 374: Right: Considers the economic impact of environmental regulation. Believe the free market will find its own solution to environmental problems, including climate change. Some deny climate change is human-influenced.
xxx/ellauri091.html on line 809: John Raleigh Mott (May 25, 1865 - January 31, 1955) was born in Livingston Manor, New York, Sullivan County, New York and his family moved to Postville, Iowa in September of the same year. He attended Upper Iowa University, where he studied history and was an award-winning student debater. He transferred to Cornell University, where he received his bachelor's degree in 1888. He was influenced by Arthur Tappan Pierson one of the forces behind the Student Volunteer Movement for Foreign Missions, which was founded in 1886. Mott married Leila Ada White (1866-1952) in 1891 and had two sons and two daughters.
xxx/ellauri104.html on line 36: Johnny Nash was responsible for multiple equations and mathematical breakthroughs that influenced everything from economics to geometry. Like Nash equilibrium in game theory, one of the worst ideas an ape ever stumbled on. In addition to being a genius intellectual and genius mathematician he also suffered from schizophrenia his entire adult life. Not to put too find a point to it, he was mad as a march hare.
xxx/ellauri122.html on line 922: Tätä kirjaa en ole jaxanut lukea useista yrityxistä huolimatta, se on niin tympäisevä. Catch-22 is a satirical war novel by American author Joseph Heller. He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, beats me why. Heller was born on May 1, 1923, in Coney Island in Brooklyn, son of poor Jewish parents, Lena and Isaac Donald Heller, from Russia. Heller said that the novel had been influenced by Svejk, Céline, Waugh and Nabokov. Hilariously funny, the novel’s insights are also deadly serious. It is a debris of sour jokes.
xxx/ellauri122.html on line 1092: Capote was born Truman Streckfus Persons in New Orleans, Louisiana, on September 30, 1924. His father, Arch Persons, was a well-educated ne'er-do-well from a prominent Alabama family, and his mother, Lillie Mae Faulk, was a pretty and ambitious young woman so anxious to escape the confines of small-town Alabama that she married Arch in her late teens. Capote's early childhood with Arch and Lillie Mae was marked by neglect and painful insecurity that left him with a lifelong fear of abandonment. His life gained some stability in 1930 when, at age six, he was put in the care of four elderly, unmarried cousins in Monroeville, Monroe County. He lived there full-time for three years and made extended visits throughout the decade. Capote was most influenced by his cousin Sook, who adored him and whom he celebrated in his writings. He also forged what would become a lifelong friendship with next-door neighbor Nelle Harper Lee, who later won the Pulitzer Prize for her book, To Kill a Mockingbird. Capote appears in the novel as the character Dill.
xxx/ellauri123.html on line 1035: black ink drawings were influenced by Japanese woodcuts, and emphasized the
xxx/ellauri125.html on line 798: In September 1998, Hole released their third studio album, Celebrity Skin, which featured a stark power pop sound that contrasted with their earlier punk influences.She said she was influenced by Neil Young, Fleetwood Mac, and My Bloody Valentine when writing the album. Mullakin oli joku Fleetwood Mac albumi 70-luvulla.
xxx/ellauri127.html on line 67: It was dedicated to his wife's mother, Mrs. Henry Mills Alden, who was endeared to all her family. Another mother and son not in law video? Kilmer's poetry was influenced by "his strong religious faith and dedication to the natural beauty of the world."
xxx/ellauri128.html on line 546: But then he fell in love! Emppu rakastui Geneven lomalla 16-vuotiaaseen koulutyttöön kuin Vladi Lolitaan. Janine matched a template that he had got from a book that influenced his erotic fantasies permanently. With her Slavic features and her cool, rather fey manner, Wanda "Janine" de Szymkiewicz (though Polish) made a perfect Russian queen. She called him Minou, he called her Ginou. Sini ja mini. Sometime in the early nineteen-twenties, Maurois began having affairs. Janine had them, too, or at least flirtations, aquarels of fucking, especially on their seaside vacations in Deauville. Maurois put a lot of his own personality into Shelley, and wrote of Harriet as a “child-wife” made bitter by unhappiness. Emil could be savage: “Even when she had the air of being interested in ideas, her indifference was proved by the blankness of her gaze. Worst of all, she was coquettish, frivolous, versed in the tricks and wiles of woman.” Fortunately, becoming pregnant again in late 1922, Janine developed septicemia, was operated on unsuccessfully, and died on February 26, 1923. Maurois was bereaved, and free. Jahuu! Vihelteliköhän sekin koko matkan hautajaisiin kuten Peppy? Rakkaus on hassuttelua yhdessä.
xxx/ellauri128.html on line 619: Adrian Henri (10 April 1932 – 20 December 2000) was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city´s Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art. Aika nolla.
xxx/ellauri154.html on line 228: Furthermore, it is quite possible that Moreau was acquainted with Flaubert’s 1862 Salammbô and with Mallarmé’s 1864 Hérodiade, which would have influenced his approach.
xxx/ellauri157.html on line 109: Vähän siedettävämpi perätarjonta on tämä William Ettyn yritys samasta aiheesta. William Etty (1787–1849), the seventh son of a York baker and miller, had originally been an apprentice printer in Hull, but on completing his seven-year apprenticeship at the age of 18 moved to London to become an artist. Strongly influenced by the works of Titian and Rubens, he submitted a number of paintings to the Royal Academy of Arts and the British Institution, all of which were either rejected outright or drew little attention when exhibited. In 1821 he finally achieved recognition when the Royal Academy accepted and exhibited one of his works, The Arrival of Cleopatra in Cilicia (also known as The Triumph of Cleopatra). Cleopatra was extremely well received, and many of Etty's fellow artists greatly admired him. He was elected a full Royal Academician in 1828, beating John Constable to the position. Jordaens and Etty both contrasted Nyssia's pale flesh against dark red drapery and showed her in a similar pose. Jordaens's painting has hung in Sweden since the 17th century, and it is unlikely Etty was aware of it. Se tuskin löytyi googlaamalla.
xxx/ellauri167.html on line 405: To show how families are being influenced now, before we actually move into this system.
xxx/ellauri167.html on line 620: The Illuminatus! Trilogy is a series of three novels by American writers Robert Shea and Robert Anton Wilson, first published in 1975. The trilogy is a satirical, postmodern, science fiction–influenced adventure story; a drug-, sex-, and magic-laden trek through a number of conspiracy theories, both historical and imaginary, related to the authors´ version of the Illuminati. The narrative often switches between third- and first-person perspectives in a nonlinear narrative. It is thematically dense, covering topics like counterculture, numerology, and Discordianism.
xxx/ellauri170.html on line 889: Notable persons influenced by Mead include Ezra Pound, W.B. Yeats, Hermann Hesse, Kenneth Rexroth, and Robert Duncan. The seminal influence of G.R.S. Mead on Carl Gustav Jung, confirmed by the scholar of Gnosticism Gilles Quispel, a friend of Jung´s, has been documented by several scholars.
xxx/ellauri174.html on line 59: In 1664, Malebranche first read Descartes' Treatise on Man, an account of the physiology of the human body. Malebranche's biographer, Father Yves André reported that Malebranche was influenced by Descartes’ book because it allowed him to view the natural world without Aristotelian scholasticism. (Okay, siis taas tämmönen uskonnon apologisti pahan luonnontieteen kynsistä.) Malebranche spent the next decade studying Cartesianism.
xxx/ellauri186.html on line 69: Henry Ward Beecher (June 24, 1813 – March 8, 1887) was an American Congregationalist clergyman, social reformer, and speaker, known for his support of the abolition of slavery, his emphasis on God's love, and his 1875 adultery trial. His rhetorical focus on Christ's love has influenced mainstream Christianity to this day.
xxx/ellauri195.html on line 278: Short Story: Norman Mailer THE GREATEST THING IN THE WORLD Nov/Dec 1941 STORY MAGAZINE. MAILER'S FIRST PUBLICATION IN A NATIONALLY-CIRCULATED MAGAZINE, AT 18 YEARS OLD WHILE AN ENGINEERING STUDENT AT HARVARD. Other contributions by Eli Cantor, Morton Fineman and Padraic Fallon, etc. Two corners lightly bumped, spine a bit faded, overall in great shape. At Harvard, he majored in engineering sciences, but took the majority of his electives as writing courses. He published his first story, "The Greatest Thing in the World," at the age of 18, winning Story magazine's college contest in 1941.
Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records.
xxx/ellauri215.html on line 188: James Francis Durante (/dəˈrænti/ də-RAN-tee, Italian: [duˈrante]; February 10, 1893 – January 29, 1980) was an American actor, comedian, singer, vaudevillian, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced songs, and prominent nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. He often referred to his nose as the schnozzola (Italianization of the American Yiddish slang word schnoz, meaning "big nose"), and the word became his nickname.
xxx/ellauri225.html on line 271: Several scholars have commented that Le Guin´s writing was influenced by Carl Jung, and specifically by the idea of Jungian archetypes. In particular, the shadow in A Wizard of Earthsea is seen as the Shadow archetype from Jungian psychology, representing Ged´s pride, fear, and desire for power. Le Guin discussed her interpretation of this archetype, and her interest in the dark and repressed parts of the psyche, in a 1974 lecture. She stated elsewhere that she had never read Jung before writing the first Earthsea books. Other archetypes, including the Mother, Animus, and Anima, have also been identified in Le Guin´s writing.
xxx/ellauri229.html on line 337: As a teenager he was influenced by the Mersey Poets, including Adrian Henri, Roger McGough and Brian Patten. As a result, he had a troubled childhood before in his early 20s attending the Self Heal Association, a psychotherapeutic centre in Devon. He later became a helper at the centre and continues to speak and perform at mental health conferences.
xxx/ellauri239.html on line 110: Leo Tolstoy was deeply influenced by Taoist philosophy, and wrote his own interpretation of Wu Wei in his piece Non-Activity. Pekka Ervasti on suomentanut koko paskan muiden länkkärien käännöxistä, sanoen esipuheessa:
xxx/ellauri261.html on line 598: Before Nietzsche, the phrase 'Dieu est mort!' was written in Gérard de Nerval´s 1854 poem "Le Christ aux oliviers" ("Christ at the olive trees"). Heinrich Heine who had purportedly influenced Nietzsche spoke of a dying God. Since Heine and Nietzsche the phrase Death of God became popular.
xxx/ellauri261.html on line 614: Strongly influenced by both Dietrich Bonhoeffer and G.K. Chesterton, the Lacanian-Marxist critical theory of Slavoj Žižek in his 2009 bestseller The Monstrosity of Christ advocates a variant of Christian atheism, more or less strongly depending upon context.
xxx/ellauri261.html on line 629: Aristotle´s pantheistic conception of God as the Soul of the World was such a secular concept. [citation needed]. Historians such as Charles Freeman hold that the AD 325 Council of Nicaea did much to establish dualism in Christian thought. Dualism has greatly influenced religion and science as well. By desacralizing the natural world, dualism has left it vulnerable to exploitation and damage. It is pretty badly damaged by now, as we all can see.
xxx/ellauri261.html on line 631: The field of secular theology, a subfield of liberal theology advocated by Robinson somewhat combines secularism and theology. Recognized in the 1960s, it was influenced both by neo-orthodoxy, Dietrich Bonhoeffer, Harvey Cox, and the existentialism of Søren Kierkegaard and Paul Tillich. Robinson, along with Douglas John Hall and Rowan Williams, see that Secular theology had digested modern movements like the Death of God Theology propagated by Thomas J. J. Altizer or the philosophical existentialism of Tillich and eased the introduction of such ideas into the theological mainstream and made constructive evaluations, as well as contributions, to the problems caused by the demise of out heavenly father.
xxx/ellauri268.html on line 345: Scrooge has influenced many an antisemitic caricature after him. Mr. Potter in “It’s a Wonderful Life” is a twisted, disabled Scrooge of the American Midwest. Dr. Seuss’ Grinch is Scrooge in a fur suit and a vaguely fantasy setting; he’s a scheming outsider who, like his blueprint, has to be converted. The thin, ugly Gollum of J.R.R. Tolkien’s Middle-earth is an amalgam of Scrooge and Alberich, the gold-obsessed antagonist of composer (and notorious antisemite) Richard Wagner’s “Das Rheingold.” From his introduction in “The Hobbit” on, Gollum is motivated by a lust for a magic ring he calls “my precious.”
xxx/ellauri280.html on line 89: John Boynton Priestley's first major success came with a novel, The Good Companions (1929), which earned him the James Tait Black Memorial Prize for fiction and made him a national figure. His next novel, Angel Pavement (1930), further established him as a successful novelist. However some critics were less than complimentary about his work and Priestley threatened legal action against Graham Greene for what he took to be a defamatory portrait of him in the novel Stamboul Train (1932). In 1940 he broadcast a series of short propaganda radio talks, which were credited with strengthening civilian morale during the Battle of Britain. In the following years his left-wing beliefs brought him into conflict with the government and influenced the development of the welfare state.
xxx/ellauri298.html on line 639: Campbell attended a Grateful Dead concert in 1986, and marveled that "Everyone has just lost themselves in everybody else here!" Campbell died at his home in Honolulu, Hawaii, on October 30, 1987, from complications of esophageal cancer. The works of Arthur Schopenhauer and Friedrich Nietzsche had a profound effect on Campbell's thinking; he quoted their writing frequently. Sinclair's Babbitt did not follow his (Joe's) bliss, while Schopenhauer ans Nietzsche did, enviously watching Joseph hump his best friend's wife. Jung's insights into archetypes were heavily influenced by the Bardo Thodol (also known as The Tibetan Book of the Dead, an interesting tidbit on the side).
xxx/ellauri307.html on line 742: Brown's work is heavily influenced by academic Joseph Campbell, who wrote extensively on mythology and religion and was highly influential in the field of screenwriting. Brown also states he based the character of Robert Langdon on Campbell. Vizi tästä akateemisesta Joosepista taitaa ollakin jo paasaus! Brown does his writing in his loft. He told fans that he uses inversion therapy (ei tarkoita housut pois homopatiaa vaan roikkumista pää alaspäin kuin apina) to help with writer's block. He uses gravity boots and says, "hanging upside down seems to help me solve plot challenges by shifting my entire perspective". Dan on myös hanakka plagioimaan muiden yhtä onnettomia kirjoja.
xxx/ellauri319.html on line 115: Houston Stewart Chamberlain (/ˈtʃeɪmbərlɪn/; 9 September 1855 – 9 January 1927) was a British-German philosopher who wrote works about political philosophy and natural science. His writing promoted German ethnonationalism, antisemitism, and scientific racism; and he has been described as a "racialist writer". His best-known book, the two-volume Die Grundlagen des neunzehnten Jahrhunderts (The Foundations of the Nineteenth Century), published 1899, became highly influential in the pan-Germanic Völkisch movements of the early 20th century, and later influenced the antisemitism of Nazi racial policy. Indeed, Chamberlain has been referred to as "Hitler's John the Baptist".
xxx/ellauri379.html on line 156: Dua Lipa (/ˈduːə ˈliːpə/ ⓘ DOO-ə LEE-pə, Albanian: [ˈdua ˈlipa]; born 22 August 1995) is an English and Albanian singer and songwriter. Her voice and disco-influenced production have received critical acclaim and media coverage. She has won numerous accolades throughout her career including seven Battler Britton Awards and three Grammy Awards. Time Magazine named her one of the most influential people in the world as of 2024. Missing from that list are Vladimir Putin, Xi Jinping, plus both of the geriatric incumbents to the capitalistic throne.
xxx/ellauri410.html on line 568: Origen's thought was influenced by Philo the Jew, Platonism and Clementin of Alexandria. Thou art lost and gone for ever Clementine. Artificial insemination would have saved Clementine. Apokatastasis is restoration of paradise for everyone. It is a heresy.
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