ellauri063.html on line 316: Brötzmann Reflects on ‘Machine Gun’ as it Hits 50th Anniversary. The marathon, lung-bursting howl of Peter Brötzmann’s Machine Gun, which the saxophonist self-released on his BRÖ imprint 50 years ago, captured the anxiety of a generation grappling with the Vietnam War and civil unrest. The emotional and political complexity it was born from still resonates today.
ellauri180.html on line 185: Psychologists have extended this theory to incorporate notions of pain imprinting'. By encoding violence on the brain, child-maternal bonding is interrupted and a sense of betrayal is instilled in the infant; these are considered requisite qualities that enhance the child's ability for survival later in life. Indeed, some components of these psychological theories have recently been tested in prospective clinical trials and there is now evidence that neonates who are circumcised without local anaesthetic do have increased pain responses when 4- and 6-monthly vaccinations are administered.
ellauri189.html on line 102: However, in Maria the tensions arising from differences in “class” are not taken up. Malczewski investigates man’s existential plight in connection with the “stigma” (as would Norwid put it) that has been imprinted on man by his “natural” surroundings (as we will see, the Cossack represents man before self-alienation,
ellauri222.html on line 239: Adam Bellow is executive editor at Bombardier Books, a politically conservative imprint at Post Hill Press. He previously founded and led the conservative imprints All Points Books at St Martin's Press and Broadside Books at HarperCollins, served as executive editor-at-large at Doubleday, and as editorial director at Free Press, publishing several controversial conservative books such as Illiberal Education, The Real Anita Hill, The Bell Curve, and Clinton Cash.
ellauri241.html on line 1315: From the imprinted couch, and when he did,

ellauri301.html on line 453: If the value of tikkun olam really means leaving your imprint on the world in a quest to make it a better place for all of us, then Steve Jobs possessed that value a thousand-fold. Tikkun Olam: In Jewish teachings, any activity that improves the world, bringing it closer to the harmonious state for which it was created. Tikkun olam implies that while the world is innately good, its Creator purposely left room for us to improve upon His work.
xxx/ellauri085.html on line 106: If it is a surprise to learn that Lawrence originally conceived of Women in Love as a money-making pot-boiler, it comes as an endearing shock to read that James Joyce submitted some of his early work to the firm of Mills and Boon. There is no record of the reader’s report, beyond the fact that he rejected Dubliners as unsuitable material for the unique imprint of that publishing house. For his part, Lawrence had no doubt that the author of Ulysses was the real smutmonger of modern fiction. ‘My God, what a clumsy olla putrida James Joyce is!’, he wrote to Aldous Huxley, ‘nothing but old fags and cabbage-stumps of quotations from the Bible and the rest stewed in the juice of deliberate journalistic dirty-mindedness.’ To his wife Frieda he wrote, after reading Ulysses, that ‘the last part of it is the dirtiest, most indecent, obscene thing ever written’; and he later complained that Joyce had degraded the novel to the level of an instrument for measuring twinges in the toes of unremarkable men. Joyce’s reply to the charge that he was just another pornographer doing dirt on sex was to claim that at least he had never made the subject predictable or boring. He denounced Lady Chatterbox’s Lover — his title for Lawrence’s notorious novel — as a ‘lush’ production in ‘sloppy English’ and dismissed its ending as ‘a piece of propaganda in favour of something which, outside of DHL’s country at any rate, makes all the propaganda for itself’. It is a minor irony of literary history that both men were married at Kensington Register Office in London, although, unlike Lawrence, the Irishman allowed a decent interval of twenty-five years to elapse before the solemnisation of his nuptials.
xxx/ellauri091.html on line 843: The work of the organization, its program, and the resolutions which it sent out into the world bore the imprint of his forceful personality.
xxx/ellauri128.html on line 596: Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of objects as a source of images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. He is also noted for his novels consisting of collages. Vitun tuhertaja. Onko hölmömpää kuin noi Maxin älynväläyxet? Se on yhtä puupää kuin Wolfram Rothin isäpuoli Ernst Rüdiger. Turmiolan Hannu on kyllä raapinut aforismikasaansa ihan pahnanpohjatkin. Oscar Wilden turauxet puolestaan on tyypillistä homopetteröintiä.
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