ellauri008.html on line 464: After respective separate visits to Conrad in August and September 1913, two British aristocrats, the socialite Lady Ottoline Morrell and the mathematician and philosopher Bertrand Russell — who were lovers at the time — recorded their impressions of the novelist. In her diary, Morrell wrote:
ellauri008.html on line 473: Super subtle pole. Kolakka polakka. A month later, Bertrand Russell visited Conrad at Capel House, and the same day on the train wrote down his impressions:
ellauri008.html on line 477: My first impression was one of surprise. He spoke English with a very strong foreign accent, and nothing in his demeanour in any way suggested the sea. He was an aristocratic Polish gentleman to his fingertips. At our very first meeting, we talked with continually increasing intimacy. We seemed to sink through layer after layer of what was superficial, till gradually both reached the central fire. It was an experience unlike any other I have known. We looked into each other's eyes, half appalled and half intoxicated to find ourselves together in such a region. The emotion was as intense as passionate love, and at the same time all-embracing. I came away bewildered, and hardly able to find my way among ordinary affairs.
ellauri008.html on line 641: Hienoja kuvauksia, kaunista impressionismia.
ellauri033.html on line 135: ai pas, répondait-il, ma seule règle est l´impression du moment. »
ellauri042.html on line 719: Dostoevsky´s favorite word was “vdrug” (“suddenly”). A lot of events in Dostoevsky´s novels begin suddenly, without preparations and explanation – like seizures. (But he did at times have a manic aura just before.) Dostoevsky also used frequent repetitions of the same word with different intonations. It made an impression of convulsions and shocked the literary critics. He wrote in a meticulous manner, using every empty space of a sheet (see Fig. 2). His style showed a tendency toward extensive and in some cases compulsive writing, and the writings were often concerned with moral, ethical, or religious issues. This may reflect a syndrome of interictal behavior changes that was described in temporal lobe epilepsy by Waxman and Geschwind.
ellauri046.html on line 359: This abridgement reduces the original quarter of a million words down to about 12,000 (around 5%), based on three different translations, one by Alastair Hannay, another by Howard V. Hong and Edna H. Hong, and a third by an unnamed translator, possibly Lee M. Hollander. As with many of these condensed versions, having picked out the glowing passages may give an impression of a coherence which is absent in the rambling, repetitive and frequently incomprehensible original. The staccato style, though, is what it is like.
ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:
ellauri054.html on line 211: Pater putkahti esiin äskettäin, kun Eliot vinoili et Yeatsin tyyli on Pateria. Taidetta taiteen vuoxi se sanoi impressionistisesti just niihin aikoihin. Arnoldista ei mitään havaintoa. Wikipedia tietää tämän verran:
ellauri055.html on line 1314: Elämä ja aurinko. Siinähän niitä on viime vuosisadan alun retropakanuuxia. Niillä oltiin korvaamassa lampaannussijoiden tyly äijäkolmikko. Sillinpäästä ihmelettivät miten se osas yhdistellä tieteisuskoa ja impressionismia.
ellauri055.html on line 1382: Kullinpään kirjojen ihmiset on outoja kyborgeja, biomasiinoita, jotka autistisesti raxuttavat naimaan toisiaan jossain päivänsavussa. Kukkaan ei tiijä mittään toisista eikä välitä, kaik on ihan sumussa. Toope taisi ize olla kaiket päivät jossain impressionistisessa viinahuurussa. Tää on solipsismia, erästä narsismin monista muodoista. Ja tää sit puhtaaxijalostettua narsississismia:
ellauri074.html on line 82: They feel it their mission to correct wrong impressions. They know dates and middle names.
ellauri088.html on line 557: Plans discussed.—Pleasures of “camping-out,” on fine nights.—Ditto, wet nights.—Compromise decided on.—Montmorency, first impressions of.—Fears lest he is too good for this world, fears subsequently dismissed as groundless.—Meeting adjourns.
ellauri090.html on line 177: Embora seja chamada de "realista", os críticos não deixam de notar que a riqueza de gêneros e elementos nessas obras também adere resíduos do Romantismo e impressionistas. Além disso, nessas obras Machado de Assis não compactua com o esquematismo determinista dos realistas, nem procura causas muito explícitas ou claras para a explicação das suas personagens e situações.
ellauri090.html on line 325: Os acadêmicos notam cinco fundamentais enquadramentos em seus textos: "elementos clássicos" (equilíbrio, concisão, contenção lírica e expressional), "resíduos românticos" (narrativas convencionais ao enredo), "aproximações realistas" (atitude crítica, objetividade, temas contemporâneos), "procedimentos impressionistas" (recriação do passado através da memória), e "antecipações modernas" (o elíptico e o alusivo engajados à um tema que permite diversas leituras e interpretações).
ellauri095.html on line 508: This potential for a new sacramental poetry was first realized by Hopkins in The Wreck of the Deutschland. Hopkins recalled that when he read about the wreck of the German ship Deutschland off the coast of England it “made a deep impression on me, more than any other wreck or accident I ever read of,” a statement made all the more impressive when we consider the number of shipwrecks he must have discussed with his father. Hopkins wrote about this particular disaster at the suggestion of Fr. James Jones, Rector of St. Beuno’s College, where Hopkins studied theology from 1874 to 1877. Hopkins recalled that “What I had written I burnt before I became a Jesuit and resolved to write no more, as not belonging to my profession, unless it were by the wish of my superiors; so for seven years I wrote nothing but two or three little presentation pieces which occasion called for [presumably ‘Rosa Mystica’ and ‘Ad Mariam’]. But when in the winter of ’75 the Deutschland was wrecked in the mouth of the Thames and five Franciscan nuns, exiles from Germany by the Falck Laws, aboard of her were drowned I was affected by the account and happening to say so to my rector he said that he wished someone would write a poem on the subject. On this hint I set to work and, though my hand was out at first, produced one. I had long had haunting my ear the echo of a new rhythm which now I realized on paper.”
ellauri101.html on line 552: Generation is also often used synonymously with cohort in social science; under this formulation it means "people within a delineated population who experience the same significant events within a given period of time". The impressionable years hypothesis is a theory of political psychology that posits that individuals form durable political attitudes and party affiliations during late adolescence and early adulthood. Sukupolvet on olleet globaalisia vasta sitten kun sodatkin.
ellauri106.html on line 50: What may be more damning, though, is what the Bailey revelations don’t change. “It wasn’t just ‘Fucked this one fucked that one fucked this one,’ ” Roth once told Miller. Yet Bailey’s biography gives the impression that it was exactly like that: a long life spent writing book after book, and pursuing, then fleeing from, woman after woman after woman.
ellauri108.html on line 424: Needless to say, this made quite an impression on Nebuchadnezzar who declared:
ellauri110.html on line 88: Ainoastaan muutamilla suhteellisesti yksinkertaisilla mielialoilla on omat nimityksensä. Mutta taitava kirjailija ei edes näitäkään yritä siirtää lukijaan pelkästään niiden nimityksiä käyttämällä, vaan kuvaamalla niiden aiheuttajat ja niiden ilmaisut. Sillanpäätä estää tässä jossakin määrin hänen impressionistinen ohjelmansa. Hänen maailmankuvastaan päättäen, joka kantaa merkkiä voimakkaista älyllisistä harrastuksista, luulisi hänen tahtovan olla »realisti» kaunokirjallisessa kuvauksessaan, mutta sitäpä hän ei tahdokaan. Hän ikäänkuin ei tahdo astua kuvaamiensa sielujen taikapiirin ulkopuolelle, ja katsella heitä ulkokohtaisesti, erittelevästi, vaan leijuu ja liitelee kaiken aikaa näissä sisäisissä maailmoissa. Luulen, että se ainakin osaksi on tämä seikka, joka tekee, että useat kirjan mielialamaalaukset ovat niin vähän suggeroivia. Verrattakoon häntä esim. Juhani Ahoon!
ellauri110.html on line 103: Pyydän anteeksi, mutta en usko, että kirjailija, jolla on niin »reflekteerattu» mieli ja joka osaa nähdä maailman hiuskarvalleen niinkuin se on itse teossa koskaan tajuaa tai näkee jotain tällaista. Luulen toisin sanoen, että Sillanpään nykyisessä tyylissä on aika annos sellaista, mikä hänen omalta kannaltaan on sovinnaisuutta, jotain turhanpäiten konstikasta, jotain »litteratuuria». Hänen vähän keikaileva »impressionisminsa» on ristiriidassa hänen väkevästi eletyn, selkeän ja komean maailmankuvansa kanssa. Hänen filosofiansa ja kertomatapansa riitelevät keskenään: edellinen pyrkii yleispätevään, tyypilliseen, jälkimäinen äärimäiseen oikulliseen yksilöistymiseen.
ellauri112.html on line 684: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri131.html on line 644: Tony Robbins is giant man who's had an equally huge impression on the millions of people he's helped over the years. His empire includes books, motivational seminars, and the ownership of multiple companies "which combined take in $5 billion annually," according to Vulture, but this self-help guru's reputation has come under fire — literally and figuratively.
ellauri132.html on line 438: Google AdSense is a program run by Google through which website publishers in the Google Network of content sites serve text, images, video, or interactive media advertisements that are targeted to the site content and audience. These advertisements are administered, sorted, and maintained by Google. They can generate revenue on either a per-click or per-impression basis. Google beta-tested a cost-per-action service, but discontinued it in October 2008 in favor of a DoubleClick offering (also owned by Google). In Q1 2014, Google earned US$3.4 billion ($13.6 billion annualized), or 22% of total revenue, through Google AdSense. AdSense is a participant in the AdChoices program, so AdSense ads typically include the triangle-shaped AdChoices icon. This program also operates on HTTP cookies. In 2021, over 38.3 million websites use AdSense.
ellauri141.html on line 505: In the classics, that is Latin, he was no more than an ordinary boy, but he gave the impression that if he thought it essential for his literary ambitions, he would tackle it to good purpose. But somehow he did not so think, and he made no effort to acquire a vocabulary or memorise Latin words—consequently, his construes were sometimes a succession of errs and hums waiting and hoping for the form-master kindly to supply the missing translation. (5)
ellauri145.html on line 42: Visage décidé, menton en avant, le coin de la lèvre inférieure affaissé à cause de la pipe, chevelure léonine tirée en arrière, le regard fixant l’invisible, André Breton a incarné le surréalisme cinquante ans durant, malgré lui et en dépit du rejet des institutions et des honneurs constamment exprimés. Très tôt, il s’est méfié des romans et leurs auteurs lui donnent l’impression qu’ils s’amusent à ses dépens.
ellauri145.html on line 196: "And odd enough, too," I ventured to reply; "but I was always under the impression that an angel had wings."
ellauri145.html on line 515: I had no idea Nietzsche could be funny until I read his letters. “The gentlest, most reasonable man may, if he wears a large moustache, sit as it were in its shade and feel safe,” he wrote, self-mockingly. “As the accessory of a large moustache he will give the impression of being military, irascible and sometimes violent – and will be treated accordingly.” More fun wisecracks:
ellauri145.html on line 691: Huysmans toimi myös taidekriitikkona, ja hän oli nostamassa erityisesti impressionistien mainetta.
ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows:
ellauri151.html on line 116: He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.
ellauri155.html on line 824: There is no shallow end to the philosophical pool! Strawson was married and had four children. He was a highly cultured man, with a passion for literature, especially poetry, large amounts of which he could recite and most of which he also wrote. In conversation, manners and appearance, the overwhelming impression was of elegance and effortless intelligence. Mutta aika mitättömän näköinen pallokorva. P.F. Strawsonin pituus oli bläänk ja sen net worth under review. Fair enough, Jakkoh-Hintikka puuttui kokonaan celebs hall of famesta.
ellauri158.html on line 765: P. 3. postul. 2. Corpus humanum multas pati potest mutationes, et nihilominus retinere obiectorum impressiones seu vestigia et consequenter easdem rerum imagines.
ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way.
ellauri164.html on line 572: This necessity for the manifestation of God's power made the occasion one of great solemnity, and Moses and Aaron should have improved it to make a favorable impression upon the people. But Moses was stirred, and in impatience and anger with the people, because of their murmurings, he said, "Hear now, ye rebels, must we fetch you water out of this rock?" In thus speaking he virtually admitted to murmuring Israel that they were correct in charging him with leading them from Egypt. God had forgiven the people greater transgressions than this error on the part of Moses, but He could not regard a sin in a leader of His people as in those who were led. He could not excuse the sin of Moses and permit him to enter the Promised Land.
ellauri164.html on line 579: The Heavy Penalty. The Lord would remove this impression forever from their minds, by forbidding Moses to enter the Promised Land. The Lord had highly exalted Moses. He had revealed to him His great glory. He had taken him into a sacred nearness with Himself upon the mount, and had condescended to talk with him as a man speaketh with a friend. He had communicated to Moses, and through him to the people, His will, His statutes, and His laws. His being thus exalted and honored of God made his error of greater magnitude. Moses repented of his sin and humbled himself greatly before God. He related to all Israel his sorrow for his sin. The result of his sin he did not conceal, but told them that for thus failing to ascribe glory to God, he could not lead them to the Promised Land. He then asked them, if this error upon his part was so great as to be thus corrected of God, how God would regard their repeated murmurings in charging him (Moses) with the uncommon visitations of God because of their sins.
ellauri164.html on line 581: For this single instance, Moses had allowed the impression to be entertained that he had brought them water out of the rock, when he should have magnified the name of the Lord among His people. The Lord would now settle the matter with His people, that Moses was merely a man, following the guidance and direction of a mightier than he, even the Son of God. In this He would leave them without doubt. Where much is given, much is required. Moses had been highly favored with special views of God's majesty. The light and glory of God had been imparted to him in rich abundance. His face had reflected upon the people the glory that the Lord had let shine upon him. All will be judged according to the privileges they have had, and the light and benefits bestowed.
ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko.
ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence:
ellauri192.html on line 902: Not many of our foreign guests were this distance from Broadway and the main streets of Chicago; not many could tell about their impressions with such liveliness and humor. – New York Herald Tribune
ellauri206.html on line 272: Theophile Gautier oli paxu partapozo dekadentti. Les premières grandes passions de Teophile Gautier sont Robinson Crusoé ou Paul et Virginie, qui lui font une vive impression. Gautier rencontre a l'ecole le jeune Gérard Labrunie (le futur Gérard de Nerval). À cette époque, il commence à manifester un goût particulier pour les poètes latins tardifs dont la langue étrange le fascine. Il souffre de myopie.
ellauri210.html on line 435: Samalla kun uuden vernissan tuore hajuvaikutelma Tandis que la verte impression de l’odeur du vernis neuf
ellauri219.html on line 962: While those who never had sex with animals or done drugs may criticize Kara’s, Jordan's and their dogs' lewd behaviors as if they were evil — and this, perhaps, according to Christian morality as they interpret it — anybody who has actually suffered from lewdness puts this to the lie and knows that such behavior is not a moral issue, but a chemical imbalance. Evidently the words of Jesus to “Judge not lest you be judged,” make little impression on such folk, who pretend to themselves that if their worst, most embarrassing moments were made into headlines in the papers, they would do just fine. Even if they themselves had nothing to be embarrassed about in all their life of adventures and misadventures, they ought to have compassion for those who struggle with greater problems than their own. “Let Judge Hicks who is without sin cast the first stone,” is another saying of Jesus that applies to those who would judge and condemn an easy target.
ellauri222.html on line 1035: On July 29, 1994, Timmendequas lured Megan into his home, hit her head against his dresser, slapped her hard enough to draw blood, raped her, and strangled her with a belt. During the attack, Megan was able to bite Timmendequas’ hand hard enough to leave teeth impressions which later helped convict him. He disposed of her body in a nearby park and confessed to the murder the next day. He was found guilty of kidnapping, aggravated sexual assault, and murder and sentenced to death. Timmendequas’ sentence was commuted to life in 2007 when New Jersey abolished the death penalty.
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri278.html on line 167: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri281.html on line 166: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri308.html on line 465: Stefan Żeromski ([ˈstɛfan ʐɛˈrɔmski] (kuuntele); 14. lokakuuta 1864 – 20. marraskuuta 1925) oli puolalainen kirjailija ja näytelmäkirjailija, joka kuului Nuoren Puolan -liikkeeseen 1900-luvun vaihteessa. Nuori Puola edisti dekadenssin, uusromantiikan, symbolismin, impressionismin ja jugendin megatrendejä. Häntä kutsuttiin "puolalaisen kirjallisuuden omaksitunnoksi". Hän oli neljä kertaa ehdolla kirjallisuuden Nobelin palkinnon saajaksi, muttei tärpännyt, mitali oli liian hiljan mennyt 1905 B-joukkueen Sienkiewiczille.
ellauri321.html on line 164: These new manners being grafted on the old stock, produce a strange sort of lawless profligacy, the impressions of which are indelible. The manners of the Indian natives are respectable, compared with this European medley. Their wives and children live in sloth and inactivity; and having no proper pursuits, you may judge what education the latter receive. Their tender minds have nothing else to contemplate but the example of their parents; like them they grow up a mongrel breed, half civilized, half savage, except nature stamps on them some constitutional propensities. 68 propensities. That rich, that voluptuous sentiment is gone that struck them so forcibly; the possession of their freeholds no longer conveys to their minds the same pleasure and pride.
ellauri322.html on line 108: But the impression, much as it effected at the time, began to wear away, and I entered afterwards in the King of Prussia Privateer, Captain Mendez, and went with her to sea. Yet, from such a beginning, and with all the inconvenience of early life against me, I am proud to say, that with a perseverance undismayed by difficulties, a disinterestedness that compelled respect, I have not only contributed to raise a new empire in the world, founded on a new system of government, but I have arrived at an eminence in political literature, the most difficult of all lines to succeed and excel in, which aristocracy with all its aids has not been able to reach or to rival. Notta lällällää teille loordit!
ellauri333.html on line 227: Bhakti movement saints such as Samarth Ramdas and Narendra Modi have positioned angry Hanuman as a symbol of nationalism and resistance to persecution. The Vaishnava saint Madhvacharya said that whenever Vishnu incarnates on earth, Vayu accompanies him and aids his work of preserving dharma. In the modern era, Hanuman's iconography and temples have been increasingly common. He is viewed as the ideal combination of "strength, heroic initiative and assertive excellence" and "loving, emotional devotion to his personal god Rama", as Shakti and Bhakti. In later literature, he is sometimes portrayed as the patron god of martial arts such as wrestling and acrobatics, as well as activities such as meditation and diligent scholarship. He symbolises the human excellences of inner self-control, faith, and service to a cause, hidden behind the first impressions of a being who looks like a Vanära. Hanuman is considered to be a bachelor and an involuntary celibate.
ellauri339.html on line 591: The United States controls how the war in the Ukraine proceeds and always has. Former German Chancellor Gerhard Schroeder said that it was the Americans who scuttled any chance of peace in Ukraine as early as March 2022, soon after the war began. “The only people who could resolve the war over Ukraine are the Americans. During the peace talks in March 2022 in Istanbul, Ukrainians did not agree to peace because they were not allowed to. They had to coordinate everything they talked about with the Americans first. However, nothing eventually happened. My impression is that nothing could happen because everything was decided in Washington.”
ellauri368.html on line 325: Revealer of Secrets merits immense respect among readers of Judaic literature. With it Perl not only inaugurated a new branch of Hebrew writing but also entered the fray that was raging between enlightened maskilim and inspired hasidim , taking aim against corruption through sophisticated comic parodies. According to tradition, Perl's parody was so convincing that hasidic readers initially assumed that Revealer of Secrets was a genuine hasidic work. This impression was furthered by the presence of innumerable scholarly and pseudo-scholarly footnotes adorning the text.
ellauri381.html on line 597: Solzhenitsyn shocked his audience with a speech that strongly criticized his host country rather than expressing his eternal gratitude for escaping a totalitarian government: “The Western world has lost its civil courage, both as a whole and separately, in each country, each government, each political party, and of course in the United Nations. Such a decline in courage is particularly noticeable among the ruling groups and the intellectual elite, causing an impression of loss of courage by the entire society.”
ellauri390.html on line 436: A soap impression of his wife which he ate
ellauri409.html on line 357: Jules Laforgue ( ranska: [ʒyl lafɔʁɡ] ; 16. elokuuta 1860 – 20. elokuuta 1887) oli nuorena nukkunut ranskalais-uruguaylainen runoilija, jota kutsutaan usein symbolistirunoilijaksi. Kriitikot ja kommentaattorit ovat myös osoittaneet sormella impressionismia suorana vaikuttimena ja hänen runouttaan on kutsuttu "osittain symbolistiksi, osittain impressionistiksi". Savupiippuhattuinen Sepe Suden oloinen Laforgue oli jopa mallina Pierre-Auguste Renoirille, mukaan lukien Renoirin vuoden 1881 maalaukselle Luncheon of the Boating Party.
ellauri409.html on line 518: The senses have mastery over reason, forcing it to receive impressions which it knows to be false. Reason can be misused to make different actions seem right. It is a two-handed pot: you can grab it from the right or the left and bend it to your will. Our thinking and acting are but another dream, our waking some other species of sleep. We go round and round in circles like a dog about to poop. Is difficult to be sure that anything exists. Silti on viisainta pitää hauskapussit mukana. Montaigne ostaa hölmön lättänenän argumentin ettei muuttuminen ole oikein olemista. Mixei vittu muka?
xxx/ellauri075.html on line 526: Cranen kaunokirjalliset teokset edustivat realismia ja varhaista yhdysvaltalaista naturalismia sekä impressionismia. Häntä pidetään nykyisin yhtenä sukupolvensa innovatiivisimmista kirjailijoista. Lisäksi Stephen Crane voidaan sanoa olevan yksi harvoista vakavasti otettavista villiä länttä kuvanneista kirjailijoista. Cranen teksteissä yhdistyvät realistinen kuvaus, korkeakieliset ilmaisut, tavallinen puhekieli ja liioittelevat kielikuvat.
xxx/ellauri116.html on line 303: Vargas Llosa began his literary career in earnest in 1957 with the publication of his first short stories, "The Leaders" ("Los jefes") and "The Grandfather" ("El abuelo"), while working for two Peruvian newspapers. Upon his graduation from the National University of San Marcos in 1958, he received a scholarship to study at the Complutense University of Madrid in Spain. In 1960, after his scholarship in Madrid had expired, Vargas Llosa moved to France under the impression that he would receive a scholarship to study there; however, upon arriving in Paris, he learned that his scholarship request was denied. Despite Mario and Julia's unexpected financial status, the couple decided to remain in Paris where he began to write prolifically. Their marriage lasted only a few more years, ending in divorce in 1964. A year later, Vargas Llosa married his first cousin, Patricia Llosa, with whom he had three children: Álvaro (born 1966), a writer and editor; Gonzalo (born 1967), an international civil servant; and Fata Morgana (born 1974), a pornographer.
xxx/ellauri120.html on line 392: Kajava opiskeli Helsingin yliopistossa. Hän aloitti kirjailijana 1930-luvun puolivälissä. Hänen tuotantonsa oli hyvin yhteiskunnallista eliskä vasemmistolaista. Hän kuului keskeisenä jäsenen kirjailijayhdistys Kiilaan. Talvisota vuosina 1939–1940 oli Kajavalle suuri pettymys, ja hän siirtyi tuotannossaan yhteiskunnallisuudesta luontoaiheiseen ja impressionistiseen lyriikkaan. Jatkosodan ajan Kajava toimi rintamakirjeenvaihtajana viihde- ja propagandakomppaniassa.
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri123.html on line 716: Nabokov´s wife Véra was his strongest supporter and assisted him throughout his lifetime, but Nabokov admitted to having a "prejudice" against women writers. He wrote to Edmund Wilson, who had been making suggestions for his lectures: "I dislike Jane Austen, and am prejudiced, in fact against all women writers. They are in another class." Although Véra worked as his personal translator and secretary, he made publicly known that his ideal translator would be male, and especially not a "Russian-born female". In the first chapter of Glory he attributes the protagonist's similar prejudice to the impressions made by children's writers like Lidiya Charski, and in the short story "The Admiralty Spire" deplores the posturing, snobbery, antisemitism, and cutesiness he considered characteristic of Russian women authors.
xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri137.html on line 206: And the Majas, they are not aristocratic ladies as their fine apparel may suggest; they lack refinement and dignity, though they are extremely attractive (particularly the one on the right, I would fuck her anytime). The artist calls them majas not mujeres. A patent wink to the same artist's best known work La Maja desnuda from the same year. They are no ordinary women. They are courtesans! Sluts, not to make too fine a point on it. Goya makes a subtle criticism on the society of his time. In Majas on a Balcony, Goya combines an ironic treatment of material with an impressionistic technique, a mode of presentation, which succeeds in creating a piece of social criticism. Buaahahahaha don't make me laugh!
xxx/ellauri139.html on line 1079: During his trial, he fiercely defended his crimes as a valid protest against social injustice. He turned the judicial proceedings into a theatrical event and his prison cell into a salon. He made a lasting impression upon French society and upon several writers, such as Balzac and Dostoevsky.
xxx/ellauri149.html on line 389: A similar impression is given in the Bible. Tatu Vaaskivi argues on similar lines in his unforgettable Pyhä kevät. That or not wanting to be bossed around. Many, many adaptations have been made over the centuries, in which Judas, Pilate, and/or the Jews have been blamed to a greater or lesser, sometimes very extreme degree.
xxx/ellauri173.html on line 200: Il sortait de son aspect cette impression que la plupart des femmes devaient, à sa vue, se sentir comme devant l’un de leurs plus séduisants dieux. Muze oli suruinen, koska sen panopuu oli muuten hyvä mutta huonoluonteinen. Adjustoiden lornjettiaan tai kenties monokkeliaan se sanoi: Comme le dit Wieland, en son Peregrinus Protée : « Il n’y a point de hasard : nous devions nous rencontrer ― et nous nous sommes rencontrés.»
xxx/ellauri178.html on line 292: Il quitte les lieux à dix-huit ans et, devançant l'appel, s'engage pour deux ans dans la Légion étrangère. Il découvre alors l'Afrique du Nord et le Proche-Orient, qui lui font très forte impression par les passions qui y règnent, le charisme mâle et volontaire de ses habitants. Revenu à Paris, vivant de petits larcins (dont le vol de livres), Genet passe presque quatre ans dans des prisons pour adultes, pour l'essentiel à la Santé et à la maison d'arrêt de Fresnes.
xxx/ellauri178.html on line 347: Anton Tšehovin tuotanto sijoittuu realismin ja modernismin väliin: kerronta on realistista, mutta tapa hahmottaa maailma uudenlainen, usein impressionistiseksi kuvailtu. Sitä ei voi sijoittaa mihinkään tiettyyn virtaukseen. Tšehovin kerronta on puolueetonta, objektiivista ja tarkkaa. Kieli on konkreettista ja yksinkertaista. Kertomukset ovat tiiviitä, vailla johdantoja ja juonenkäänteitä.
xxx/ellauri186.html on line 707: This leads one to have the impression that history is of no value when it comes to Quranic texts! If the Christian Scriptures are not to be exempt from historical scrutiny despite claims of divine inspiration, neither should Islam. The mere idea that history is of no importance when deducing the factuality of a religious claim is thwarted with the admission that God is a God of truth who acts in history. As C.S. Lewis stated, “history is a story written by the inky pinky finger of God.”
xxx/ellauri187.html on line 205: Predictably, the honeymoon didn’t last forever. A row over a letter Rilke wrote to one of Rodin’s contacts without permission in April 1906 aroused Rodin’s suspicion, so he fired Rilke. But an indelible impression was nevertheless left on the poet.
xxx/ellauri187.html on line 375: Now I think we shall gain a great deal by following the suggestion of a writer who, from personal motives, vainly asserts that he has nothing to do with the rigours of pure science. I am speaking of Georg Groddeck, who is never tired of insisting that what we call our ego behaves essentially passively in life, and that, as he expresses it, we are "lived" by unknown and uncontrollable forces. We have all had impressions of the same kind, even though they may not have overwhelmed us to the exclusion of all others, and we need feel no hesitation in finding a place for Groddeck's discovery in the structure of science. I propose to take it into account by calling the entity which starts out from the system Pcpt. and begins by being Pcs. the "ego", and by following Groddeck in calling the other part of the mind, into which this entity extends and which behaves as though it were Ucs., the "id". (Freud 1927/1961, 13).
xxx/ellauri212.html on line 446: Balthusin molemmat vanhemmat olivat taiteilijoita. Vahvimmat vaikutteensa hän kuitenkin sai perheystävältään runoilija Rainer Maria Rilkeltä. Balthus muutti Pariisiin vuonna 1924, opiskeli maalausta omin päin, kuvasi töissään lapsia ja mukaili impressionisteja. Myöhemminkin, kypsällä kaudellaan hän kuvasi usein nuoria tyttöjä ja heidän herkkää eroottisuuttaan. Eli Balthusin porsliinit on taidetta, mut alla oleva tuheron jynssääjä on pornoa. Mikä erona? No juu tietysti, tässä kuvassa näkyy pensseli.
xxx/ellauri230.html on line 64: Yasunari tuli vastaan Hoblan tiistairistikossa. Born in 1899, Kawabata graduated from the then Tokyo Imperial University. When he was young, he attracted attention as a novelist in the Shinkankakuha (new impressions) literary group, and gradually deepened his knowledge about the beauty particular to Japan. His outstanding works include “Izu no Odoriko” (Izu dancer), “Yukiguni” (Snow Country) and “Koto” (The Old Capital). He killed himself by inhaling gas in 1972.
xxx/ellauri234.html on line 468: I was under the impression that almost all living creatures had at least the capacity for joie de vivre, and I assumed that it would be so for my child, as well.
xxx/ellauri376.html on line 93: impressionistisesta kirjasta Jules ja Jim kirjallisen ihanteen, josta hän tekee oman elokuvaprosessinsa, eli ellipsin
xxx/ellauri379.html on line 133: Character Analysis The Intended. Kurtz's fiancée is marked — like the Harlequin — by her absolute devotion to Kurtz. When Marlow visits her after his return from Africa, he finds that she has been dressed in mourning for more than a year and still yearns for information about how her love spent his last days. However, she is actually devoted to an image of Kurtz instead of the man himself: She praises Kurtz's "words" and "example," assuming that these are filled with the nobility of purpose with which Kurtz began his career with the Company. Her devotion is so absolute that Marlow cannot bear to tell her Kurtz's real last words ("The horror! The horror!") and must instead tell her a lie ("The whore! The whore!") that strengthens her already false impression of Kurtz. On a symbolic level, the Intended is like many Europeans, who wish to believe in the greatness of men like Kurtz without considering the more "dark" and hidden parts of their characters. Like European missionaries, for example, who sometimes fuck the very people they were professing to save, the Intended is a misguided soul whose belief in Marlow's lie reveals her need to cling to a fantasy-version of the what the Europeans (i.e., the Company) are doing in Africa.
xxx/ellauri400.html on line 229: As we have seen, later critics laugh at Arnold. Oliver Elton calls him a 'bad great critic'. T. S. Eliot said that Arnold is a 'Propagandist and not a creator of ideas'. According to Walter Raleigh, Arnold's method is like that of a man who took a brick to the market to give the buyers an impression of the building. Equally stupid Eliot named Dryden, Johnson and Arnold as some of the greatest critics of the English language.
xxx/ellauri400.html on line 233: Arnold vigorously attacked the Nonconformists and the arrogance of "the great Philistine middle-class, the master force in our politics." He was dumb as a doorbell. There were few ideas he had not copied from someone else. "There are four, no five, people, in especial," he once wrote to Cardinal Newman, "from whom I am conscious of having learnt – a very different thing from merely receiving a strong impression – learnt habits, methods, ruling ideas, which are constantly with me; and the four are – Goethe, Wordsworth, Sainte-Beuve, my dad, and yourself."
xxx/ellauri410.html on line 257: An admirer of Eliot’s poetry, Ottoline ‘found him dull, dull, dull’, resorting to French in her efforts to rouse him from monotony. Such early impressions are of a piece with Eliot’s Garsington caricature – ‘the undertaker’. It was Ottoline who recommended to Eliot Dr Roger Vittoz, the Swiss psychiatrist at whose Lausanne clinic Eliot recovered from his nervous breakdown; the clinic where, in the winter of 1921, lodged in the room where Ottoline herself had stayed, Eliot wrote ‘What the Thunder Said’, the final part of The Waste Land. A few years later she suggested another of her doctors, Dr Marten, but his regime of starvation proved disastrous.
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