ellauri012.html on line 628: Je leur permettrais aussi, mais avec un grand choix, la lecture des ouvrages d’éloquence et de poésie, si je voyais qu’elles en eussent le goût, et que leur jugement fût assez solide pour se borner au véritable usage des choses ; mais je craindrais d’ébranler trop les imaginations vives, et je voudrais en tout cela une exacte sobriété : tout ce qui peut faire sentir l’amour, plus il est adouci et enveloppé, plus il me paraît dangereux.
ellauri080.html on line 462: INFP Idiosyncratic dreamers with strong imaginations.
ellauri098.html on line 478:

INFP Idiosyncratic dreamers with strong imaginations.

ellauri191.html on line 276: "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations"
ellauri321.html on line 103: Among other books there fell into a guy named Hazlitt's hands a little volume of double interest to him by reason of his own early sojourn in America, and in a fitting connection he gave it a word of praise. In the Edinburgh Review for October, 1829, he speaks of it as giving one an idea “how American scenery and manners may be treated with a lively poetic interest. The pictures are sometimes highly colored, but they are vivid and strikingly characteristic.” “The author,” he continues, “gives not only the objects, but the feelings of a new country.” Hazlitt had read the book and had been delighted with it nearly a quarter of a century before he wrote of it, and in the earliest years of the century he had commended it warmly to his friends. In November, 1805, Lamb wrote: “Oh, tell Hazlitt not to forget the American Farmer. I dare say it is not so good as he fancies; but a book's a book.”* And it is this book, which not only gained the sympathies of Hazlitt and Charles Lamb, but also by its idealized treatment of American country life may possibly have stirred, as Professor Moses Coit Tyler thought, the imaginations of Byron and Coleridge.
xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
xxx/ellauri186.html on line 757: Christian literature. Such legends developed in the early centuries of the Christian movement and were constantly elaborated and expanded upon from late antiquity through the Middle Ages for purposes of edification and instruction. Never mind they were lies, it's okay in fairy tales and fiction. The infancy gospel and other books like it (Protevangelium of James) were written to satisfy the imaginations and creativity of latter Christians who sought to expound upon what the nativity narratives willfully leave out.
xxx/ellauri212.html on line 173: perceptions and imaginations, inasmuch only as they are modes
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