ellauri029.html on line 360: Toi kalskahtaa kyllä aika pahalta. Kahnemann apulaisineen kysyi 1998 opiskelijoilta "Does living in California make people happy? A focusing illusion in judgments of life satisfaction". Olis pitänyt kysyä suomalaiselta koodarilta. Entäs sitten tää:
ellauri029.html on line 395: Positive illusions
ellauri036.html on line 275: De leurs illusions les mondes réveillés;
ellauri036.html on line 945: Que les illusions qu'il lui faut pour souffrir;
ellauri049.html on line 661: Faune, l'illusion s'échappe des yeux bleus vom Augenpaar, das einem Quell in Tränen gleicht, Fauni, suojuxet putosivat sinisilmistä
ellauri053.html on line 892: My teacher, who had no illusions, regarding his pupil, trembled at the herculean task imposed upon him. However, the Maharshi’s word was law, and teacher and pupil set to work with such grim determination that at the end of the prescribed period my grandfather was greatly pleased to hear me recite the mantras so dear to him.
ellauri062.html on line 538: Ungaretti (1888-1970) oli Mussolinin kamu, liittoutuneiden kannalta housunsa paskantanut kaveri. Sixi Guasimodo vei sodan jälkeen pokaalin. Montale (1896-1981) pokkas omansa 1975 «per la sua poetica distinta che, con grande sensibilità artistica, ha interpretato i valori umani sotto il simbolo di una visione della vita priva di illusioni». Se oli antifasisti vaan koska se oli aristokraattinen snobi.
ellauri067.html on line 318: “A market needed no longer be run by the Invisible Hand, but now could create itself—its own logic, momentum, style, from inside. Putting the control inside was ratifying what de facto had happened— that you had dispensed with God. But you had taken on a greater, and more harmful, illusion. The illusion of control. That A could do B. But that was false. Completely. No one can do. Things only happen, A and B are unreal, are names for parts that ought to be inseparable. …”
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
ellauri071.html on line 565: The Qliphoth of Hod, similarly is founded on the idea of a radiating object: our eyes are blinded and cannot look behind the radiating surface. Unauthentic brilliance can be understood as the beginning of illusion and deceit. In the realm of the mind the shadow of Hod therefore is represented by the lie, artfulness or beguilement. At the same time the demon of Hod correlates to the ideas of fickleness, hesitation and lack of determination - the negative fluctuations of our mind. The Qliphoth of Hod is called ‘Samael‘ which can be translated as ‘The Deceitful Ones‘ (german, ‘Die Täuscher’, kr. diabolos) or ‘Poison of God’ (german, ‘Das Gift Gottes’).
ellauri074.html on line 354: On ne demande pas la liberté, mais l'illusion de liberté. C'est pour cette illusion que l'humanité se démène depuis des millénaires. Du reste la liberté étant, comme on a dit, une sensation, quelle différence y a-t-il entre être libre et se croire libre?
ellauri077.html on line 555: In his interview with Larry McCaffery, Wallace shows he was aware of his failure to overcome the use of postmodern irony: “I got trapped just trying to expose the illusions of metafiction the same way metafiction had tried to expose the illusions of the pseudo-unmediated realist fiction that had come before it. It was a horror show.”
ellauri098.html on line 499: Because of this, INFJs have a tendency to take on the world single-handed, and can become crushed and disillusioned in the face of massive challenges. But many of the great changes in our society have been driven by determined INFJs.

ellauri106.html on line 86: Instead of turning away from reality, Roth responded with satire, which he defined as "moral indignation translated into comic art". Roth's satire often arises from the disparity between ideals and reality, the naive disappointment of his heroes and the disillusionment of the American dream.
ellauri106.html on line 544: Society as it was constituted — its forces all in constant motion, the intricate underwebbing of interests stretched to its limit, the battle for advantage that is ongoing, the subjugation that is ongoing, the factional collisions and collusions, the shrewd jargon of morality, the benign despot that is convention, the unstable illusion of stability — society as it was made, always has been and must be made, was as foreign to them as was King Arthur’s court to the Connecticut Yankee.
ellauri108.html on line 258: Some Rastas have left the religion. Clarke noted that among British Rastas, some returned to Pentecostalism and other forms of Christianity, while others embraced Islam or no religion. Some English ex-Rastas described disillusionment when the societal transformation promised by Rastafari failed to appear, while others felt that while Rastafari would be appropriate for agrarian communities in Africa and the Caribbean, it was not suited to industrialised British society. Others experienced disillusionment after developing the view that Haile Selassie had been an oppressive leader of the Ethiopian people. Cashmore found that some British Rastas who had more militant views left the religion after finding its focus on reasoning and music insufficient for the struggle against white domination and racism.
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri109.html on line 615: Roth, who thought of religion as fairy tales and illusion, left strict instructions: no Kaddish, no God, no speeches. Roth had asked a range of friends to read passages from his novels. The mourners heard only the language of Roth and then shovelled dirt into his grave until it was full.
ellauri112.html on line 107: Hra Jussi Snellmanin Erik-kuningas oli mielestäni sangen huomattava luoma. Hra Snellmanin esitys teki sen vaikutuksen, ikäänkuin olisi hän sangen tarkkaan tutkinut kunkin yksityisen piirteen ja vivahduksen sinänsä; ja monissa näistä hän mielestäni onnistui hyvin. Kuninkaan omituinen keveähkö ivailu, kun hän puhuu parempaan kääntyneen Göranin rakastumisesta, hänen sokea ja raaka vihanpuuskauksensa sanoman saavuttua Englannin Elisabetin rukkasista, monet tällaisista piirteistä saivat sangen sattuvan tulkinnan. Hyvä naamioitus ja sopiva ulkomuoto tukivat esitystä suuresti. Kolmannen ja neljännen kuvaelman suuressa raivokohtauksessa, kun Kaarina ja hänen lapsensa ovat jättäneet Erikin ja tämä vihan sokaisemana syöksee omin käsin tekemään lopun vangituista Stureista, kohosi hra Snellmanin esitys voimaan ja intohimoisuuteen, joka tietääkseni on hänellä uutta. Tuskan kourissa ikäänkuin alastomana värisevä, vaikeroiva sielu, niinkuin Strindberg yksin sitä osaa kuvata, tässä paljastui katsojalle huomattavalla selvyydellä. Mutta vaikka näin, yksityiskohtia muistellessa, esityksestä löytää runsaasti erittäin hyviä kohtia, on mielestäni kuitenkin kokonaiskuva hiukan laimea. Esittäjä ikäänkuin ei jaksanut saavuttaa riittävän syvällistä intuitsiota osansa ytimestä, se lähde, josta tämän sairaan sielun monet omituiset ja toisinaan varsin hyvin esiintuodut käänteet, mieleneleet pulppuavat, ikäänkuin tahtoi pysyä näkymättömänä.--Hra Puron Göran Persson oli Strindbergin hengen mukainen. Hra Puro oli osaansa saanut jotain siitä suorasta yksinkertaisuudesta, joka on Strindbergiläisen miehekkyyden ihanne. Tämä ihanne tosin on hiukan kaavamainen; ja siinä merkityksessä tässä osassa on teatteria. Göran, suuri valtioviisas ja toiminnan mies, viitsii tehdä hyvää vain niinkauan kuin eräs nainen häntä rakastaa; kun hän tulee petetyksi, sanoo hän muuttuvansa paholaiseksi ja raivoaa hirvittävästi. Mutta vaikka Strindberg näin, pitkissä kohtauksissa, antaa kuninkaan ja hänen valtioviisaansa puhjeta lyyrikoiksi ja panetella maailmaa ja elämää voimasanoilla, joita kenties ei kenellekään muulle sallittaisi, on hänen vuodatuksissaan aina hänelle ominainen tulivuoren hehku ja ukonjylinä, joka vaientaa arvosteluhalumme. Kuten sanoin, oli mielestäni hra Puro oikein käsittänyt osansa hengen. Hän osasi antaa oikean illusion tietoisesta, epätoivoisesta tahdon jännityksestä, joka lauetessaan purkautuu sokeana raivona. Mikä hänen esityksessään oli siloittamatonta tai teatteria, kuului mielestäni osaan.--Monet muutkin osat sietävät mainitsemista. Herra Ahlbergin Svante Sture oli komea ylimys, hra Yrjö Somersalmen Peder Welamson, hra Pihlajamäen siltavahti hyviä esityksiä. Juhana-herttuaa esitti hra Salo, Kaarlea hra Urho Somersalmi, Kaarina Maununtytärtä nti Horsma ja tämän isää hra Falck. Perjantain esityksessä oli runsas huone ja suosionosoitukset vilkkaat. Tänään esitetään kappale kolmannen kerran. (Uusi Suometar 27.11., 28.11. ja 1.12.1912)
ellauri115.html on line 406: In consequence, they had totally severed relations with him. Most chilling was the warning from Baron d'Holbach. It was 9pm on the night before Hume and Rousseau set out for England. Hume had gone for his final farewell. Apologising for puncturing his illusions, the baron counselled Hume that he would soon be sadly disabused. "You don't know your man. I will tell you plainly, you're warming a viper in your bosom."
ellauri151.html on line 124: During the 1930s, he briefly became a communist, or more precisely, a fellow traveler (he never formally joined any communist party). As a distinguished writer sympathizing with the cause of communism, he was invited to speak French at Maxim Gorky´s funeral and to tour the Soviet Union as a guest of the Soviet Union of Writers. He encountered censorship of his speeches and was particularly disillusioned with the state of culture under Soviet communism, breaking with his socialist friends [who?] in Retour de L´U.R.S.S. in 1936. This is what he said of them:
ellauri160.html on line 316: Fukuyama received his Bachelor of Arts degree in classics from Cornell University, where he studied political philosophy under Allan Bloom. He initially pursued graduate studies in comparative literature at Yale University, going to Paris for six months to study under Roland Barthes and Jacques Derrida but became disillusioned and switched to political science at Harvard University. There, he studied with Samuel P. Huntington and Harvey Mansfield, among others. He earned his Ph.D. in political science at Harvard for his thesis on Soviet threats to intervene in the Middle East. In 1979, he joined the global policy think tank RAND Corporation. Eli vittua se mikään simpanssitutkija oli, Ellei sitten tutkinut omaa napanöyhtää, kun on ilmetyn bonobon näkönenkin. Kokeili taskuaan ja kaikki oli tallella, kelpas hymyillä.
ellauri164.html on line 232: A pupil of William "Will to Believe" James, whose Essays in Radical Empiricism he edited (1912), Perry became one of the leaders of the New Realism movement. Perry argued for a naturalistic theory of value and a New Realist theory of perception and knowledge. He wrote a celebrated biography of William James, which won the 1936 Pulitzer Prize for Biography or Autobiography, and proceeded to a revision of his critical approach to natural knowledge. An active member among a group of American New Realist philosophers, he elaborated around 1910 the program of new realism. However, he soon dissented from moral and spiritual ontology, and turned to a philosophy of disillusionment. Perry was an advocate of a militant democracy: in his words "total but not totalitarian". Puritanism and Democracy (1944) is a famous wartime attempt to reconcile two fundamental concepts in the origins of modern America. Durkheim oli taas aivan oikeassa: sodan aikana vedetään moraalin korsetinnauhat kireälle.
ellauri180.html on line 583: Quickly this illusion of equality is broken. Guys start eating one another after slaughtering the other creatures around them. Once more the reader gets a small degree of equality in the darkness. The “meagre” in this world are eating the meagre and not the "fat" the meagre as usual. Even those that are most loyal, dogs, “assail’d their masters”.
ellauri182.html on line 437: What is inside and what is outside is the same. Plain white paper. The circle - the idea of separation - is an illusion. The circle, which creates the duality of 'inside' and 'outside' or 'here' and 'there' is a false representation. The cycle of 'life' and 'death' that the circle shows is itself nothing more than a trick of the conscious mind that habitually creates opposites where none in fact exist. You're actually dead already.
ellauri191.html on line 1334: "for his distinctive poetry, which, with great artistic sensitivity, has interpreted human values under the sign of an outlook on life with no illusions"
ellauri192.html on line 327: His poetry, said James Ragan, director of the USC graduate school’s professional writing program, “was at all times optimistic, reflecting a championing of the human self. I think that’s primarily why he was awarded the Nobel Prize, because he suggested a new liberated spirit in writing (behind the Iron Curtain) after the Stalin era. Although he was a Communist as a youth, he became disillusioned with the party in the late 1920s. Thereafter, he was in and out of party favor during the turbulent decades that followed in Czechoslovakia. The state-run news agency, in announcing his death Friday, described him as “a prominent Czech poet, national artist (and) winner of the 1984 Nobel Prize for Literature.”
ellauri196.html on line 864: Mut tässä Montaigne osui naulan kantaan: The current crisis is strictly tied to the human condition, to our existence as human beings, to our illusion of believing ourselves to be privileged beings, the only ones who believe they are the masters of their destiny and the depositaries of a destiny which no other creature can lay claim to. Now that´s a fucking bad idea, and always was.
ellauri198.html on line 344: A footnote in the Penguin Classics edition (Robert Browning Selected Poems) advises against allegorical interpretation, saying “readers who wish to try their hand should be warned that the enterprise strongly resembles carving a statue out of fog." This sentiment is echoed by many critics, who believe any quest for interpretation will ultimately fail, due to the dreamlike, illusionary nature of the poem.
ellauri219.html on line 592: Following the surrender of Japan, Rawls became part of General MacArthur's occupying army and was promoted to sergeant. But he became disillusioned with the military when he saw the aftermath of the atomic blast in Hiroshima. Rawls then disobeyed an order to discipline a fellow soldier, "believing no punishment was justified," and was "demoted back to a private." Disenchanted, he left the military in January 1946.
ellauri220.html on line 277: Matt ShayMatt Shay, nicknamed "Matty" as a child, is Nick Shay's younger brother. A chess prodigy when he was younger, Matt becomes a disillusioned military strategist during the Vietnam War.
ellauri223.html on line 159: Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and other impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's House.
ellauri247.html on line 244: Traditionell ist der Schelmenroman eine (fingierte) Autobiographie mit satirischen Zügen, die bestimmte Missstände in der Gesellschaft thematisiert. Sie beginnt oft mit einer Desillusionierung des Helden, der die Schlechtigkeit der Welt erst hier erkennt. Er begibt sich, sei es freiwillig, sei es unfreiwillig, auf Reisen. Die dabei erlebten Abenteuer sind episodenhaft, d. h., sie hängen nicht voneinander ab und können beliebig erweitert werden, was bei Übersetzungen oft der Fall war. Das Ende ist meist eine „Bekehrung“ des Schelms, nach der er zu einem geregelten Leben findet. Es besteht auch die Möglichkeit einer Flucht aus der Welt, also aus der Realität.
ellauri260.html on line 262: The denial of the Heavenly Dad had its various stages. Positivism was one of the mildest types, they just put the cosmic problem aside. More drastic was the radical German philosophy, particularly Neo-Hegelianism. The leader was Ludwig Feuerbach, who won large numbers of adherents by the definiteness of his statements and the glow of his eloquence. Religion, like everything supersensual, seemed to him "outworn." Engels, who was an ardent follower of Feuerbach, said : " We have done with God." NIetzsche, my competitor for Religion seemed to Feuerbach an illegitimate extension to the whole scheme of things of man's ideas and aspirations : a mischievous illusion which weakened the power of men and distracted them from their proper aims. His ideas are easily gathered from these words of his : " God was my first, reason my second, man my third and final thought."
ellauri262.html on line 403: The academic critic Q. D. Leavis criticises Sayers in more specific terms in a review of Gaudy Night and Busman's Honeymoon, published in the critical journal Scrutiny, saying her fiction is "popular and romantic while pretending to realism." Leavis argues that Sayers presents academic life as "sound and sincere because it is scholarly," a place of "invulnerable standards of taste charging the charmed atmosphere". But, Leavis says, this is unrealistic: "If such a world ever existed, and I should be surprised to hear as much, it does no longer, and to give substance to a lie or to perpetuate a dead myth is to do no one any service really." Leavis comments that "only best-seller novelists could have such illusions about human nature."
ellauri262.html on line 496: "We have a strange illusion that mere time cancels sin." It may work in the penitential system, but not with jealous God.
ellauri262.html on line 521: He says though, assuming that their selfhood is not an illusion, animals cannot be considered in and of themselves. "Man is to be understood only in his relation to God. The beasts are to be understood only in their relation to man and, through man, to God." Fucking humanist. Lewis says that Christians hesitate to suppose animal immorality for two reasons: 1) it would obscure the spiritual difference between beast and man and 2) it would be a clumsy assertion of Divine goodness. Wow this guy is a hypocrite.
ellauri264.html on line 492: Ladies and Gentlemen: There are five hundred reasons why I began to write for children, but to save time I will mention only ten of them. Number 1) Children read books, not reviews. They don’t give a hoot about the critics. Number 2) Children don’t read to find their identity. Number 3) They don’t read to free themselves of guilt, to quench the thirst for rebellion, or to get rid of alienation. Number 4) They have no use for psychology. Number 5) They detest sociology. Number 6) They don’t try to understand Kafka or Finnegans Wake. Number 7) They still believe in God, the family, angels, devils, witches, goblins, logic, clarity, punctuation, and other such obsolete stuff. Number 8) They love interesting stories, not commentary, guides, or footnotes. Number 9) When a book is boring, they yawn openly, without any shame or fear of authority. Number 10) They don’t expect their beloved writer to redeem humanity. Young as they are, they know that it is not in his power. Only the adults have such childish illusions.
ellauri300.html on line 407: Boris hade också bekostat en översättning av dr Halperins nya bok, Asketism och ande, där Halperin redogjorde för sina tankar på ålderns höst - en ny syn på filosofins historia visade hur alla filosofer, från Thales till Bergson, från Husserl till Vaihinger och även epikuréerna, hade predikat asketism. Det var alldeles fel! Alltid hade filosofin försökt förneka livet, och detta var anledningen till att den misslyckades. I sin strävan mot en illusion av evigheten hade filosofin förbisett det sanna värdet av det förgängliga. Ett stort förlag i New York övervägde nu att skriva kontrakt med Halperin som försäkrade att hans lycka skulle vända och stjälpa vedertagna filosofiska tolkningar. Zadok Halperin som hittills bara var känd i en snäv cirkel av akademiker skulle bli världsberömd liksom Peter Schwartz (writer).
ellauri300.html on line 419: för att få kasta en sista blick på människosläktets illusioner. Han tog fram
ellauri301.html on line 96: A grumpy, disillusioned, diabetic alcoholic with just enough goodness at his core to fire his desire to catch murderers, Wallander appears in 13 novels and is responsible for the majority of Mankell’s worldwide sales of more than 40 million books. The murders he investigated epitomised the slow decline Mankell detected in Swedish society. As well as the racism that appalled him there was rising unemployment and violent crime, corruption, the rigidity of a patriarchy forged in Lutheran religion and the relentless breakdown of communities and society.
ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja!
ellauri313.html on line 447: Sarjassamme joutavaa paskaa myös Tom Wolfen dityrambit aiheesta "perpetually pregnant hags whose bestial passivity made man less than dung and destroyed every proud illusion of the priceless value, dignity and sanctity of his individual life." Mitä tuubaa! Pahoja virhekäsityxiä. Kaikki "ikuinen" hölpötys on täysin päätöntä, samoin "arvokkuus" ja yxilöllisyys". Ei mikään ole ikuista eikä järin yxilöllistä, elukan elämä hupenee kuin nöyhtä, kuin pieru Saharaan, tai röyhtäys, hirmuisen sähläyxen päätteexi.
ellauri321.html on line 45: After a brief legal career he was employed by the Earl of Essex in a foreign diplomatic capacity, the main purpose of which was to gain intelligence on the activities of England's European neighbours. Wotton became ambassador to Venice and his eternal lines, "An Ambassador is an honest man, sent to lie abroad for the good of his country" no doubt reflects his disillusionment with the duplicity of the role. When on a mission to Augsburg, in 1604, he actually said, "An ambassador is an honest gentleman sent to lie abroad for the good of his country". King Jim siitä vähän pahentui.
ellauri324.html on line 440: together to sell the illusion. Incidental music wafts in
ellauri324.html on line 450: if you look too closely, the illusion disintegrates.
ellauri345.html on line 460: Ottilienin kauneutta määräävän illusion kanssa epäolennaisuus uhkaa edelleen pelastusta, jonka ystävät saavat taisteluistaan. Sillä jos kauneus on ilmeistä, niin on myös sovinto, jonka se myyttisesti lupaa elämää yes kuolemassa. Heidän uhrauksensa olisi yhtä turhaa kuin heidän kukoistuksensa, ellei heidän sovintonsa olisi sovinnon näyte. Itse todella todella sovinto on olemassa vain Jumalan kanssa. Jos siellä on sovitettu itsensä kanssa yes vain siten voi sovittaa itsensä hänen kanssaan, niin näennäiselle sovinnolle on ominaista halu sovittaa heidän kanssaan ja vain siten sovittaa heidän Jumalan kanssa. Jälleen kerran tämä näennäisen sovinnon yes todellisen sovinnon välinen suhde kohtaa romaanin yes novellin kontrastin.
ellauri370.html on line 189: Suorapuheinen New Jerseyn rabbi (ja kongressiedustaja wannabe) tapasi Michael Jacksonin vuonna 1999 Jacksonin ystävän, israelilaisen illusionisti Uri Gellerin avulla, ja heistä tuli ystäviä. Jackson tuli jopa Boteachin taloon Shabbat-illallisille. Rabbi on julkisesti seisonut Jacksonia vastaan ​​- puolustaen häntä syytöksiä natsien myötämielisyydestä tai jatkanut työskentelyä hänen kanssaan lapsiasioissa huolimatta syytöksistä seksuaalisesta hyväksikäytöstä. Mitä Michael teki hississä? Painoi nappulaa.
ellauri386.html on line 381: Analysis (AI): Sir Walter Raleigh's "A Farewell to False Love" is a scathing denunciation of love, castigating it as a source of pain, deceit, and suffering. The poem's tone is one of bitter disillusionment, as the speaker rejects love's false promises and embraces a more rational approach to life.
ellauri386.html on line 385: Raleigh's poem is a departure from the more idealized and romantic treatments of love that were common in Elizabethan poetry. It reflects the growing skepticism and disillusionment with love that began to emerge during the Renaissance. It also foreshadows the more cynical and satirical treatments of love that would become prevalent in the following century. Lizzy loved it until she found out that Walt was actually thinking of the servant.
ellauri389.html on line 271: “I spent most of my time at school playing rugby. I ended up going to Bristol University to do psychology, and I took philosophy and sociology as subsidiary subjects in the first year. I got disillusioned with psychology, dropped out, was a car park attendant for six months, tried to start a new course in English, but I wouldn’t have got a grant, so I carried on into my second year with philosophy, thinking I would become a journalist. Probably because I did so much student journalism I could write well enough that I conned them into a first class degree in philosophy, which meant I could go to Cambridge to do a PhD – there were proper grants in those days. I tried to get a job in publishing in my first year there but didn’t get that, so it’s only philosophy in want of anything better really."
ellauri389.html on line 401: It was probably about 1811 that Lloyd began to suffer from the distressing auditory illusions so powerfully described by De Quincey, and from the "slight and transient fits of aberration, flying showers from the skirts of the clouds that precede and announce the main storm." A serious illness is mentioned in July 1813. De Quincey seems to intimate that Lloyd undertook his translation of Alfieri as a means of diverting his mind. It appeared in 1815, with a dedication to Southey, who reviewed it in the Quarterly, vol. xiv., and might have spoken with warmer acknowledgment of its homely force and strict accuracy. But didn't.
ellauri409.html on line 402: Analysis (ai): This poem displays a cynical and pessimistic tone, expressing the speaker´s frustration with life in October. The poem´s themes are similar to those found in other works by the author, including the futility of life and the search for meaning in a meaningless world. However, the poem´s tone is more explicitly angry and bitter than in other works. This may reflect the author´s own feelings of disillusionment and despair at the time he wrote the poem. Nice use of diction, though I thought the ´crooked old fart´ bit took me away from the depth of the work.
ellauri409.html on line 465: Prufrock is a speaker characterized first and foremost by overwhelming fear and alienation, stemming from his hypersensitivity to time, his disillusionment with the failure of communication, and his inability to construct a stable self. We read that transience and mortality command all of our day-to-day actions and interactions—and how could this not leave us terrified and alienated like Prufrock himself?
xxx/ellauri068.html on line 66: A group of philologists, united in the Society of Lovers of Russian Literature,sharply criticized the romanization. This society set up a commission that issued astatement that Latin "not only does not make it easier, but rather makes it moredifficult for foreigners to study the Russian language." Yet it was not until the late 1930s that the attempt of the romanization of the Russian alphabet was given up. There were also political reasons for the introduction of Russian as a second language. From the international perspective, the Soviet leadership was disillusioned with the course for the world communist revolution, which was now viewed as a matter of distant future. The need for a common international script on the European (Latin) base was no longer as topical as before.
xxx/ellauri103.html on line 288: The spirit of good fiction is one of exploration, generosity, curiosity, audacity, and compassion. Writing during the day and reading when I go to bed at night, I find it an enormous relief to escape the confines of my own head. Even if novels and short stories only do so by creating an illusion, fiction helps to fell the exasperating barriers between us, and for a short while allows us to behold the astonishing reality of other people. And it really is astonishing what the other people do, at least the way I see it.
xxx/ellauri113.html on line 38: This development could open up a bizarre vision of the universe in which black holes can cough themselves into nothingness, Hawking said during recent lectures on the BBC and at Harvard. “This raises a serious problem that strikes at the heart of our understanding of science,” he said. “If determinism, the predictability of the universe, breaks down with black holes, it could break down in other situations,” he said. “Even worse, if determinism breaks down, we can’t be sure of our past history, either. The history books and our memories could just be illusions,” he said. The Nobel prize could just be an illusion, he said. Two years later he died.
xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
xxx/ellauri167.html on line 627: The religion has been likened to Zen based on similarities with absurdist interpretations of the Rinzai school, as well as Taoist philosophy. Discordianism is centered on the idea that both order and disorder are illusions imposed on the universe by the human nervous system, and that neither of these illusions of apparent order and disorder is any more accurate or objectively true than the other.
xxx/ellauri173.html on line 443: Faune, l’illusion s’échappe des yeux bleus

xxx/ellauri179.html on line 199: But if Hemingway’s conversions were sincere — and there is little reason to think they were not — then his “cod” is not based on the agnosticism of a disillusioned existentialist, but rather on the comprehensive, universal affirmation of Christianity.
xxx/ellauri187.html on line 113: Yet to put the burden of salvation solely on relations between men and women is to make a life between stumbling, imperfect men and women impossible. Rilke had no illusions about the nature of his erotic and romantic ideal. It flowed out from and quickly ebbed back into an unappeasable inward intensity. Rilke could not love or be loved for long, except in the absence of the beloved. After a passionate affair with the brilliant and beautiful Lou Andreas-Salomé, Rilke's muse and cicerone on his Russian trips, he suffered pangs of rejection and then happily settled into a lifelong correspondence with her. He married the sculptress Clara Westhoff when he was twenty-five, lived with her and their child for a year, and then by agreement left to take up his pilgrimage again. Through periodic reunions, but mostly through a voluminous and extraordinary correspondence, they maintained what Rilke called an "interior marriage," until emotional reality banged louder and louder on their youthful experiment and they eventually grew estranged.
xxx/ellauri250.html on line 567: Failing to break into the military world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a "ten-year drunk". These "lost years" formed the basis for his later semiautobiographical chronicles, fictionalized versions of Bukowski's life through his highly stylized alter-ego, Henry Chinaski.
xxx/ellauri293.html on line 482: illusions.com/wp-content/uploads/2014/09/Lion-or-Monkey-Optical-Illusion.png" />
xxx/ellauri295.html on line 690: Increasingly disillusioned by his close observation of communism in practice, Muggeridge decided to investigate reports of the famine in Ukraine by travelling there and to the Caucasus without first obtaining the permission of the Soviet authorities. His accounts helped to confirm the extent of a forced famine, which was politically unmotivated at the time. Muggeridge sacked The Pooh illustrator Shepard from Punch. Pooh was not Christopher Robin's Teddy but his own son's bear Growler. Eventually Shepard came to resent "that silly old bear" as he felt that the Pooh illustrations overshadowed his other work.
xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.

xxx/ellauri388.html on line 63: Toisin kuin muut kanankakan kantajat, Waltari pystyi nopeasti sopeutumaan enemmistöön ja kirjoittamaan sekä aikuisviihdettä että toritaidetta. Matka nazi-Saxaan auttoi Waltaria eroon kiusallisesta tuttavuudesta Minna Craucherista. Vuonna 1932 murhattu Craucher oli esikuvana Suuren illusionin madame Spindelille ja Komisario Palmun rouva Rygsekille.
xxx/ellauri404.html on line 291: Annikeris ei ollut pessimisti, pikemminkin illusionisti.
xxx/ellauri410.html on line 543: Analysis (ai): This poem satirizes religious rituals and the loss of spiritual meaning. It contrasts sharply with Eliot's earlier work, such as "The Love Song of J. Alfred Prufrock," which explored existential angst. The poem reflects the disillusionment and skepticism of the post-World War I era.
xxx/ellauri420.html on line 303: None of us can be at the top of our game at all times. You know as well as I do that good and effective pastors have their ups and downs erectionally speaking, as well as episodes of greater or less productivity. But when you become chronically disillusioned with holy things and apathy toward God’s work becomes unrelenting, it may be that you’re not dealing just with an emotional low, but acedia. That’s a spiritual temptation, part and parcel of the enemy’s attack in spiritual warfare. And just as sexual temptation, it needs to be addressed both sexually and spiritually—both in terms of self-satisfaction and most likely also the loving caresses of another pastor.
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