Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
ellauri145.html on line 608: ignature.svg/1920px-Friedrich_Nietzsche_Signature.svg.png" width="20%"/>
ellauri180.html on line 167: Many historical accounts of circumcision have been written and most authors have used their survey to form an opinion as to whether the neonatal procedure is justified. The weak medical arguments are tempered by the importance of cultural and religious factors. Opponents of the ritual draw attention to the `rights' of the new-born to the skin on their little penises, which, they argue, must be upheld. Others contest that humans are social animals and cannot survive alone; they require their parents, community and culture to thrive, and, as such, `rights' belong to the group, not to the individual. If there is an inherent survival advantage to a group of humans who chose to maim their young, then this is presumably evidenced by their continued survival as a race. In short, to conclude any historical reflection with a reasoned `right' or `wrong', would be like claiming to have fathomed God's will. Consider this; mankind has developed this strange surgical signature that is so pervasive, that in the last five minutes alone, another 120 boys throughout the world have been circumcised. Mikä jättimäinen esinahkakukkula siitä tulisi! Israelista voisi tulla tulevien talvikisojen isäntämaa..
ellauri236.html on line 514: Over the years, Chase developed a distinct, signature style in his writing that was fast-paced, with little explanations or details about the surroundings or weather or the unreliable characters. Characters in his novels and short stories would be more coherent than consistent who acted and reacted with unbreakable logic. Punchy sentences, short bursts of dialogue in authentic sounding dictionary slang with plenty of action were the characteristics of his writing.
xxx/ellauri081.html on line 510: Jack Benny (born Benjamin Kubelsky; February 14, 1894 – December 26, 1974) was an American entertainer, who evolved from a modest success playing violin on the vaudeville circuit to a highly popular comedic career in radio, television and film. He was known for his comic timing and the ability to cause laughter with a pregnant pause or a single expression, such as his signature exasperated "Well! "
xxx/ellauri084.html on line 775: Woody Allen's film Annie Hall (1977) references The Sorrow and the Pity as a plot device. Film critic Donald Liebenson explains: "In one of the film's signature scenes, Alvy Singer (Allen) suggests he and Annie (Diane Keaton) go see the film. 'I'm not in the mood to see a four-hour documentary on Nazis,' Annie protests. In the film's poignant conclusion, Alvy runs into Annie as she is taking a date to see the film, which Alvy counts as 'a personal triumph.'
xxx/ellauri103.html on line 203: What strikes me about that definition is that “without permission” bit. However are we fiction writers to seek “permission” to use a character from another race or culture, or to employ the vernacular of a group to which we don’t belong? Do we set up a stand on the corner and approach passers-by with a clipboard, getting signatures that grant limited rights to employ an Indonesian character in Chapter Twelve, the way political volunteers get a candidate on the ballot? Anyway, do you really expect us Americans to seek permission from any of those lower races? Did we do so when we appropriated their land and property?
xxx/ellauri157.html on line 458: Portrait of Buber on a lowered area on the left half of the medal, "Martin Buber" in Hebrew and English and below, Buber´s signature, on a raised area on the right half of the medal.

xxx/ellauri167.html on line 496: I write under the Signature of Cicero. Whether my Endeavours shall benefit the Public Time alone can evince. Harm I am conscious I do not design. Should your Excellency have Leisure to peruse the Piece, I shall deem it a peculiar Favour to receive your Opinion upon it”
xxx/ellauri273.html on line 94: In 1951, the agrarian reform law that expropriated idle land from private hands was enacted, but in 1954, with the National Liberation Movement coup supported by the United States, most of the land that had been expropriated, was awarded back to its former landowners. Flavio Monzón was appointed mayor and in the next twenty years he became one of the largest landowners in the area. In 1964, several communities settled for decades on the shore of Polochic River claimed property titles to INTA which was created in October 1962, but the land was awarded to Monzón. A Mayan peasant from Panzós later said that Monzón "got the signatures of the elders before he went before INTA to talk about the land. When he returned, gathered the people and said that, by an INTA mistake, the land had gone to his name."
xxx/ellauri394.html on line 215: In June 1897 President McKinley signed the "Treaty for the Annexation for the Hawaiian Islands", but it failed to pass in the United States Senate after the Kūʻē Petitions were submitted by a commission of Native Hawaiian delegates consisting of James Keauiluna Kaulia, David Kalauokalani, William Auld, and John Richardson. Members of Hui Aloha ʻĀina collected over 21,000 signatures opposing an annexation treaty. Another 17,000 signatures were collected by members of Hui Kālaiʻāina but not submitted to the Senate because those signatures were also asking for restoration of the Queen. The petitions collectively were presented as evidence of the strong grassroots opposition of the Hawaiian community to annexation, and the treaty was defeated in the Senate— however, following its failure, Hawaii was annexed anyway via the Newlands Resolution, a joint resolution of Congress, in July 1898, shortly after the outbreak of the Spanish–American War. Tuli kiire annexoida lisää maita Mexikon suunnalta.
xxx/ellauri394.html on line 277: "By the Ex-Queen: Protest Made to the Annexation of Hawaii. An Appeal for Restoration. Authority of Present Government Denied. Document Signed in Washington and 'Julius' Witnessed the Signature". Hawaiian Gazette. Vol. XXXII, no. 55. Honolulu. July 9, 1897. Image 1, Col. 6. Archived from the original on November 8, 2017. Retrieved October 15, 2017.; "The Ex-Queen's Protest". The Times. No. 1186. Washington, D.C. June 18, 1897. Image 1, col. 7. Archived from the original on November 8, 2017. Retrieved October 15, 2017.
18