ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
ellauri089.html on line 96: When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower Administration stop testing nuclear weapons. The science fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted "Communist-line goals concealed in idealistic-sounding nonsense" and urged Americans not to become "soft-headed".
ellauri098.html on line 489: ENFJs, like other “E” types, are extremely sociable. They’re fascinated with other people’s lives and care deeply about those around them. They have a positive, idealistic outlook and love to help others improve themselves and solve their problems. They tend to be decisive and good planners, so they make excellent leaders, counselors, and facilitators.
ellauri119.html on line 497: However, Sternberg cautions that maintaining a consummate love may be even harder than achieving it. He stresses the importance of translating the components of love into action. "Without expression," he warns, "even the greatest of loves can die." Thus, consummate love may not be permanent.[citation needed] If passion is lost over time, it may change into companionate love. Consummate love is the most satisfying kind of adult relation because it combines all pieces of the triangle into this one type of love. It is the ideal kind of relationship. These kinds of relationships can be found over long periods of time or idealistic relationships found in movies.
ellauri159.html on line 956: INFJs have an inner world filled with ideas, symbols, and possibilities. They are passionate, idealistic, and have a deep concern for others. INFJ writers include Plato, Mary Wollstonecraft, Nathaniel Hawthorne, Dante Alighieri, Fyodor Dostoevsky, Agatha Christie, Charlotte Brontë, J.K. Rowling, Carl Jung, and Leo Tolstoy. Learn more about how INFJs write here.
ellauri159.html on line 961: INFPs are the dreamers of the world. They are deeply idealistic and passionate about their beliefs, ideas, and relationships. INFP writers include Jean-Jacques Rousseau, Albert Camus, George Orwell, J.R.R. Tolkien, Virginia Woolf, Antoine de Saint-Exupery, A.A. Milne, Franz Kafka, Edgar Allan Poe, John Milton, William Blake, Hans Christian Anderson, William Shakespeare, Homer, and George R.R. Martin. Learn more about how INFPs write here.
ellauri161.html on line 628: The way that Lawrence’s angry, idealistic scientist refuses to get co-opted by a system she correctly identifies as corrupt while DiCaprio’s more amicable character gets swept up in things for a while would seem to be easy material for a scriptwriter to use not just as a commentary on the way the world works, but as rich dramatic material for the ups and downs of a personal and professional relationship.
ellauri191.html on line 227: "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life"
ellauri191.html on line 528: "for her idealistically inspired writings, which with plastic clarity picture the life on her native island and with depth and sympathy deal with human problems in general"
ellauri191.html on line 802: "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world"
ellauri192.html on line 113: The members of the Nobel jury were guided by the vague words written into the will of Alfred Nobel. The inventor stated that his prize “should go to the person who shall have produced in the field of Literature the most distinguished work of an idealistic tendency.” Wirsén believed that “idealistic tendency” meant of moral or good nature; however, as Burton Feldman reports, the mathematician Gösta "Ja ja de ä Gösta här" Mittag-Leffler, who was a friend of Nobel’s, attested that “the inventor intended ‘idealism’ to mean a skeptical, even satirical attitude to religion, royalty, marriage, and the social order in general.”
ellauri260.html on line 191: The Nobel Prize in Literature 1908 was awarded to Rudolf Christoph Eucken "in recognition of his earnest search for truth, his penetrating power of thought, his wide range of vision, and the warmth and strength in presentation with which in his numerous works he has vindicated and developed an idealistic philosophy of life".
xxx/ellauri139.html on line 340: Additionally, this idealistically romantic Romantic poem is known to have been written shortly after Keats fell in love with Fanny Brawne.
xxx/ellauri187.html on line 135: With similarly blind zeal Freedman bases his insinuation that Rilke was secretly gay on two pieces of evidence: the poet's idealistic adolescent pact with another boy at military school, "sealed by a handshake and a kiss," as Rilke put it in a letter; and a fictional letter meant for publication, which brought Rilke, in Freedman's weasel words, "close to a disguised rendering of homosexuality with personal overtones." That's all the proof Freedman has.
xxx/ellauri237.html on line 134: Among modern Western male heteronormal scholars, Sappho´s sexuality is still debated – André Lardinois has described it as the "Great Sappho Question". Early translators of Sappho sometimes heterosexualised her poetry. Ambrose Philips´ 1711 translation of the Ode to Aphrodite portrayed the object of Sappho´s desire as male, a reading that was followed by virtually every other translator of the poem until the twentieth century, while in 1781 Alessandro Verri interpreted fragment 31 as being about Sappho´s love for a guy named Phaon. Friedrich Gottlieb Welcker argued that Sappho´s feelings for other women were "entirely idealistic and non-sensual", while Karl Otfried Müller wrote that fragment 31 described "nothing but a friendly affection": Glenn Most comments that "one wonders what language Sappho would have used to describe her feelings if they had been ones of sexual excitement", if this theory were correct. By 1970, it would be argued that the same poem contained "proof positive of [Sappho´s] lesbianism".
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