ellauri045.html on line 786: Her book Crossing was a New York Times Notable Book in 1999. Her latest books, The Bourgeois Virtues: Ethics for an Age of Commerce (2006) and Bourgeois Dignity: Why Economics Can't Explain the Modern World (2011), are parts of a four-volume "apology" for capitalism, of which she says: "I reckon this is why God put me on the planet. She thought, '"Hmm. We need an economist who is silly enough to try to unify the scientific and the humanistic sides. Oh, yeah: Deirdre.'"
ellauri082.html on line 105: Despite his flaws, DFW’s death is still a great tragedy, not because people are without their god of post-post-post-postmodernism, but because his redemptive and humanistic work is now decidedly finite. Well here sure was a humanist as far as technology is concerned. His work could have beeen made infinite by adding to the end: Poles are stupid, please turn over.
ellauri089.html on line 157: He is a great fan of nuclear power. He certainly fails to challenge the reader to think critically about what the future climate might be like. In addition, Heinlein presents specific scientific, technological, sociological, moral or ethical, and humanistic situations which will not only intrigue but challenge the reader’s attitudes—about space travel, illegal alien societies, the over-populated future, the nature of time, and so on.
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1. What are the general logic and the presuppositions of the problem of evil? 2. How can the problem of evil be called into question and how can one develop grammatical methods and philosophical tools to build a successful antitheodicy? 3. How can one develop a grammatical metacritique of the presuppositions of the problem through a philosophical grammar of the underlying language/world and being/meaning-links? 4. How can the grammatical approach to metaphysical questions and to the metacritique of the presuppositions of the problem of evil be used to analyse religious and worldview questions, and articulate ways of existential, humanistic and religious sense-making that overcome the problem?
ellauri153.html on line 497: approaches to it is at the bottom humanistic. Both the existential answers to evil and the critique of
ellauri153.html on line 498: theodicy are then humanistic projects at heart. Humanismi on vielä pahempaa kuin teismi. Kun kuulen sen sanankin poistan varmistimen lipeäsaippuastani.
ellauri191.html on line 1583: "for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity"
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
xxx/ellauri157.html on line 587: Carl Ransom Rogers (January 8, 1902 – February 4, 1987) was an American psychologist and among the founders of the humanistic approach (and client-centered approach) in psychology. The person-centered approach, his own unique approach to understanding personality and human relationships, found wide application in various domains such as psychotherapy and counseling (client-centered therapy), education (student-centered learning), organizations (self-centered leadership), and other group settings. Rogers was found to be the sixth most eminent psychologist of the 20th century and second in net worth, among clinicians, only to Sigmund Freud.
xxx/ellauri168.html on line 290: Chalmers is the lead singer of the Zombie Blues band, which performed at the music festival Qualia Fest in 2012 in New York.Chalmers is in a relationship with Claudia Passos Ferreira, a philosopher and psychologist from Rio de Janeiro. Regarding religion, Chalmers has said: "I have no religious views myself and no spiritual views, except watered down humanistic, spiritual views. And consciousness is just a fact of life. It's a natural fact of life.”
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Carl "Client" Rogers (1902-1987), alias Mickey Mouse, a was a humanistic American psychologist who focused on how to get more money out of patients by calling them clients.

xxx/ellauri250.html on line 438: "The characters are mere digital figures for a cinematic algorithm." Että kehtaakin jenkki tämmöstä vielä sanoa, jenkkileffat ne vasta on koneella veisattuja täysin klisheisine hahmoineen, ota vaikka Netflixin menesstyssarja Wednesday. Ja tää on ehkä pahin pohjanoteeraus kaikista, mistä näkyy Amerikan oma täydellinen aateköyhyys: "Yet even the grand humanistic reverberations of ancient artifacts (ne kivipiirustuxet joite ei edes jään alta nähnyt) leave Kuosmanen’s directorial gaze uninspired, even uninterested."
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