ellauri029.html on line 390: Nothing to hide argument
ellauri035.html on line 185: With his dark stumbling-block to hide her rays.
ellauri036.html on line 605: Sous les rideaux honteux de ce hideux repaire,
ellauri036.html on line 622: Tu portes à la mer des cadavres hideux;
ellauri036.html on line 643: Dors-tu content, Voltaire, et ton hideux sourire
ellauri042.html on line 904: Saucy pedantic wretch, go chide Senkin pedantti, mene neuvomaan
ellauri045.html on line 324: Variety staff wrote that Saroyan’s “initial original screenplay is a brilliant sketch of the basic fundamentals of the American way of life, transferred to the screen with exceptional fidelity.” The New York Times critic Bosley Crowther chided the film for excessive sentimentality, saying it featured "some most maudlin gobs of cinematic goo."
ellauri049.html on line 474: Échouages hideux au fond des golfes bruns Kauheita pohjakosketuxia ruskeilla lahdilla
ellauri051.html on line 779: 203 She hides handsome and richly drest aft the blinds of the window. 203 Hän piilottaa komean ja runsaan puvun ikkunan kaihtimen taakse.
ellauri051.html on line 1336: 736 Where cattle stand and shake away flies with the tremulous shuddering of their hides, 736 Siellä missä karja seisoo ja ravistelee kärpäsiä nahkansa vapisevana,
ellauri051.html on line 1640: 1032 With Odin and the hideous-faced Mexitli and every idol and image, 1032 Odinin ja kauhistuttavan ilmeen Mexitlin ja jokaisen epäjumalan ja kuvan kanssa,
ellauri051.html on line 1676: 1067 Ever the vexer's hoot! hoot! till we find where the sly one hides and bring him forth, 1067 Ever the vexer's hoo! viheltää! kunnes löydämme, minne viekas piiloutuu ja tuomme hänet esiin,
ellauri053.html on line 833: Our house has had an interesting history. As I have already said, my forefathers migrated to Calcutta in the early days of the East India Company, and, having helped in the erection of Fort William, made enough money to construct a palatial building of their own at Jorasanko in the northern quarter of the town. Other gentry were attracted to this quarter which gradually became the most fashionable part of the city, with elegant houses vying with each other. It is a pity that most of these houses are being crowded out or demolished to make room for hideous modern mansions. The architecture of that period with high columned facades and a series of interior courtyards was not only dignified but most suited to the tropical climate.
ellauri061.html on line 468: First Clown Why, sir, his hide is so tanned with his trade, that Pelle 1 No kaskun sen nahka on niin parkittu, ettei se kastu hyvään aikaan; ja
ellauri071.html on line 563: The demons associated with it are hideous, demon-headed ravens issuing forth from a volcano.
ellauri073.html on line 181: There was a mother who at the core was emotionally insecure, and who depended for her narcissistic equilibrium on the child behaving, or acting, in a particular way. This mother was able to hide her insecurity from the child and from everyone else behind a hard, authoritarian and even totalitarian facade.
ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too.
ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
ellauri088.html on line 591: We beat it out flat; we beat it back square; we battered it into every form known to geometry—but we could not make a hole in it. Then George went at it, and knocked it into a shape, so strange, so weird, so unearthly in its wild hideousness, that he got frightened and threw away the mast. Then we all three sat round it on the grass and looked at it.
ellauri096.html on line 184: The skeptic could hope to solve (K-0) by denying that anything is known. This remedy does not cure (K). If nothing is known then (K) is true. Can the skeptic instead challenge the premise that proving a proposition is sufficient for knowing it? This solution would be particularly embarrassing to the skeptic. The skeptic presents himself as a stickler for proof. If it turns out that even proof will not sway him, he bears a damning resemblance to the dogmatist he so frequently chides.
ellauri106.html on line 180: Not far behind will be some Jewish critics who always found Roth’s portraits embarrassing for their relentless sexuality and discomfort with aspects of the culture that were at odds with his identity as an American. Others were angered at his voraciously espoused atheism—“I’m exactly the opposite of religious, I’m anti-religious. I find religious people hideous. I hate the religious lies. It’s all a big lie.” Some Jewish critics hounded him from the beginning of his career. Rabbi Gershom Scholem, the great kabbalah scholar, said Portnoy’s Complaint was more harmful to Jews than The Protocols of the Elders of Zion. And Roth was heckled and booed at an early appearance at Yeshiva University which stunned and shocked the author.
ellauri106.html on line 392: "I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. … I have such a huge dislike. It's not a neurotic thing, but the miserable record of religion. I don't even want to talk about it, it's not interesting to talk about the sheep referred to as believers."
ellauri106.html on line 426: So to find religious people hideous is as misguided as to condemn those driven to try to have children.
ellauri108.html on line 137: Rasta women usually wear clothing that covers their head and hides their body contours. Trousers are usually avoided, in favour of long skirts. Women are expected to cover their head while praying, and in some Rasta groups this is expected of them whenever in public. Rasta discourse insists this female dress code is necessary to prevent women attracting men and presents it as an antidote to the sexual objectification of women in Babylon. Rasta men are permitted to wear whatever they choose. Although men and women took part alongside each other in early Rasta rituals, from the late 1940s and 1950s the Rasta community increasingly encouraged gender segregation for ceremonies. This was legitimised with the explanation that women were impure through menstruation and that their presence at the ceremonies would distract male participants.
ellauri111.html on line 271: “Not ‘just’ like that. No. If you’d read my Diary” (not said reproachfully, but matter of factly) “you’d have read how I imagined the judge speaking to such a person. He makes it clear that it’s not a matter of going home and forgetting about it, going back to the way things were before. No. There has to be change. In my time, the father was the authority figure in the family, but, as I—or my imaginary judge—pointed out, even fathers sometimes need to be re-educated by their children until they learn to listen to their children’s needs. I know that families are very different in your time, but, yes, parents, whoever they are, must learn to be parents to their children. I disagree with much that the prosecutor said about the Karamazov family, but he was right on one point: parents can’t just be parents by virtue of procreation, they have to become parents. And when they abuse their position and their power, they cannot hide behind their rights as parents—they have to own up. The guilty have to know that they are guilty.”
ellauri112.html on line 617: It’s these little moments that Reitman captures so well. Like Ron Livingston’s detached husband, who routinely retreats to his room to hide under a video game headset.
ellauri118.html on line 803: Yhtä paljon huomiota eivät herättäneet hänen kaksi viimeistä romaaniaan Almahide, ou l´esclave reine (8 osaa, 1660) ja Mathilde d’Aguilar, histoire espagnole (1667). Kaikki kertomukset ovat avainromaaneja, jotka historian puettuna kuvaavat Ranskan hovin elämää ja tapoja ja joista vieraiden nimien alta löytyy useita ajankohdan tunnetuimpia henkilöitä, kuten Condé (Cyrus), Longuevillen herttuatar (Mandane), Ruotsin kuningatar Kristina (Cleobuline) ja kirjailijatar itse (Sapho).
ellauri140.html on line 107: Chrysostome F+-, mother of Belphoebe and her twin Amoretta. She hides in the forest and, becoming tired, falls asleep on a bank, where she is impregnated by sunbeams (sure) and gives birth to twins. The goddesses Venus and Diana find the newborn twins and take them: Venus takes Amoretta and raises her in the Garden of Adonis, and Diana takes Belphoebe and does what she wants with her.
ellauri140.html on line 312: His angry steede did chide his foming bitt, Sen keppihevonen oli sille hirmu vihainen,
ellauri140.html on line 342: Yet she much whiter, but the same did hide Se oli naamaa vielä paljon valkeampi,
ellauri140.html on line 367: And angry Jove an hideous storme of raine Ja julma Jahve heitti rankkasadetta
ellauri140.html on line 377: Did spred so broad, that heavens light did hide, Levisivät peittämään koko näkymän,
ellauri140.html on line 473: And rushed forth, hurling her hideous taile Ja ryntäs esiin heiluttaen häntäänsä
ellauri143.html on line 420: Save glorious you can shine, 'twere better hide your face
ellauri143.html on line 1152: Then thou, to hide a hostile heart, a smiling face may´st wear.
ellauri145.html on line 181: - Zauner la glauje, »- répliqua-t-il en essayant une grimace avec sa hideuse petite bouche. Là-dessus, je fis un effort pour me lever, dans
ellauri145.html on line 418: Loin de vos hideurs. Kaukana teidän kamaluuxista.
ellauri146.html on line 508: Bientôt, se retirant dans un hideux royaume, Pian vetäytyvät kamalaan valtakuntaan,
ellauri147.html on line 136: Älä salpaa surua luotasi, kun kaarisiltaa teet: Don't hide your cards while you're working at the bridge:
ellauri150.html on line 541: In 30 AD, Judah returned from being a galley slave, and Esther told him that she was no longer betrothed, causing the two to fall in love again. When Judah's mother Miriam and sister Tirzah were sent to the Valley of Lepers by their jailers, Esther brought them food, and, when Judah asked about his family's fate, Esther was told by Miriam to inform him that they were dead, as Miriam did not want her son to see them in agony. When a dying Messala told Judah of his family's real fates, Judah headed to the Valley and angrily confronted Esther, who forced him to hide from his family rather than violate their wishes. On the way out of the Valley, Esther stopped to listen to Jesus' Sermon on the Mount, and she became a convinced Christian; she had an argument with Judah about his lust for vengeance and his lack of interest in Jesus' message of peace and love. However, when the two found that Tirzah was dying, they brought Miriam and Tirzah to Jerusalem to search for Jesus and hope for a cure. They were too late to reach him before he was crucified, but a sudden rainstorm miraculously healed the lepers' wounds and cured them. Ben-Hur, who was now convinced of Jesus' message, embraced Esther and his family, having decided to give up his quest for revenge.
ellauri156.html on line 382: Throughout history, many attempts have been made to cover up incompetence, immorality, and crimes. In the Bible, cover-ups appear very early. Adam and Eve sought to cover their nakedness and to hide from God, not realizing their slimy fig leaves betrayed their sin and guilt.
ellauri156.html on line 699: The lawyer was in trouble; the story had no technicalities over which to argue. It brought the issue home, with little ground for quibbling over details. When push came to shove, the lawyer knew our Lord's functional definition of “neighbor” was absolutely right. He had nowhere to hide. The story did the trick; it cut to the heart of the matter, while avoiding trivial details to quibble over for hours. It was not the lawyer who made Jesus look bad with all his minutiae but Jesus who made the lawyer look bad with a simple story. The best part about similes that they can be tweaked any way you wish. Russians are our neighbors if they get to trouble, and so are Chinamen. But there is nothing here about helping them when they threaten our vital interests.
ellauri159.html on line 778: Courage: The spirit /will/discipline to engage and employ one’s strength when inwardly tempted to shrink/run/hide. There are “higher” forms of courage, but at its most fundamental, it represents an outwardly demonstrated indifference to risk, pain, and physical danger.
ellauri161.html on line 962: Et la peur de vieillir, et ce hideux tourment ja vanhenemisenpelkoa, ja sitä hirveätä oloa
ellauri163.html on line 772: La furieuse revolte se sa chair contre cette hypothese absurde, hideuse. Tää sama Salen narsistis-solipsistinen pensee taas, et on ihan mahootointa ajatella ettei olis izeä. Mikä siinä oikein maxaa? Kysy Darwinilta. Joillekin on apoptoosi ainut tapa niellä se. Toisten on ihan pakko uskoa johkin viime hetken pelastukseen, joka tempaa sieluparan kadotuxesta. Mut jos on jo aika kylästynyt tähän sirkuxeen, voi olla vaan tyytyväinen kun loppu häämöttää.
ellauri172.html on line 690: « — Eh bien ! puisque tu le veux, le voilà, le cœur de ton marmot, catin déhontée ! — dit le major. Et il lui battit la figure de ce cœur qu’il avait adoré, et le lui lança à la tête comme un projectile. L’abîme appelle l’abîme, dit-on. Le sacrilège créa le sacrilège. La Pudica, hors d’elle, fit ce qu’avait fait le major. Elle rejeta à sa tête le cœur de cet enfant, qu’elle aurait peut-être gardé s’il n’avait pas été de lui, l’homme exécré, à qui elle eût voulu rendre torture pour torture, ignominie pour ignominie ! C’est la première fois, certainement, que si hideuse chose se soit vue ! un père et une mère se souffletant tour à tour le visage, avec le cœur mort de leur enfant !
ellauri172.html on line 777: Ugel and Flugel, an adult version of the children's game 'hide and seek'.
ellauri172.html on line 806: Paha ateisti Roth tapatti ainoan sikiönsä Margaretilla eikä saanut Bloomin kanssa aikaan muuta kuin lihavia riitoja. Antiteistikin se oli, "I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. I give a shit about the sheep referred to as believers. When I write, I'm alone. It's filled with fear and loneliness and anxiety—and I never needed religion to save me." Jumala kosti sille, ei tullut Noobelia. Kikkailevaa Philippiä sattui leukaan.
ellauri180.html on line 548: Even of their mutual hideousness they died, Ne kuoli ihan vaan toistensa kaameista
ellauri196.html on line 919: Dieses Gedicht beschreibt ganz deutlich einen Gewalttat. Früher wurden die Knollen des Knabenkrauts auch als Aphrodisiakum verwendet, weil sie optisch an Hoden erinnern. Interessant dabei ist die Gegenüberstellung des Knaben mit der Form der Orchideenblüte, die eine Analogie zur Vulva aufweist. Es ist sehr relevant, im „märzenhauch“ nicht nur die Frühlingspriese erkennen, sondern auch ein Wortspiel mit der Biersorte Märzen. Die Farbe „Rot“ stehe als Zeichen der Fruchtbarkeit. Das ist auf die Röte des Leibes zurückzuführen, etwa gerötete Wangen oder stark durchblutete Geschlechtsorgane. Erotik und Ekel stehen nebeneinander. Nicht zuletzt ist die auffallende Konzentration auf Körper im Gedicht („zunge“, „mund“, „nackenschweiß“, „zähnchen“, „finger“, „halse“) dafür ausschlaggebend. Sexualisiert meint doch hier keinen erregenden Zweck.
ellauri197.html on line 667: For here myself stands out more hideously.

ellauri198.html on line 335: Suddenly, Roland realizes that the mountain he has been looking at is the very one that hides the Dark Tunnel.
ellauri210.html on line 782: After the war, Tanguy is sent back to Spain, Barcelona where he learns that his grandmother has recently passed away and there is no one else to take care of him. He is sent to a reformation school for juvenile delinquents and orphans, run by priests who are no less cruel and sadist than the Nazi "kapos." Bitter, Tanguy believes they are worse than the Nazis because these priests hide their sadism behind the facade of religion and confession, but that makes their sin no less. He succeeds in escaping along with a "companion," but is forced to separate from his as well. This time around, he finds himself in a school run by a group of priests but unlike the reformation school, here, Tanguy is able to grow, learn and live comfortably. It is here, that he truly flourishes and finds friends and solace. But he is still not completely at peace and sets off again in search of the parents who had abandoned and forsaken him to such a bitter destiny. He does find them eventually, but only to realise that the years of hardship and horror experienced by him have built an impenetrable barrier between them. He is no longer a left wing radical like them. He has learned not to hate the capos. Don't get mad get even. LOL.
ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox.
ellauri217.html on line 649: The seven Noahide laws as traditionally enumerated in the Babylonian Talmud Sanhedrin 56a-b and Tosefta Avodah Zarah 9:4, are the following:
ellauri217.html on line 666: According to the Talmud, the seven laws were given first to Adam and subsequently to Noah.However, the Tannaitic and Amoraitic rabbinic sages (1st–6th centuries CE) disagreed on the exact number of Noahide laws that were originally given to Adam. Six of the seven laws were energetically derived from passages in the Book of Genesis, while the seventh, the establishment of courts of justice, seems rather something of an afterthought.
ellauri217.html on line 668: The earliest complete rabbinic version of the seven Noahide laws can be found in the Tosefta, as
ellauri217.html on line 680: According to the Genesis flood narrative, a deluge covered the whole world on account of violent corruption on the earth, killing every surface-dwelling creature except Noah, his wife, his sons, their wives, and the animals taken aboard the Ark. According to the biblical narrative, all modern humans are descendants of Noah, thus the name Noahide Laws refers to the laws that apply to all of humanity. After the Flood, God sealed a covenant with Noah with just the following 2 admonitions as written in Genesis 9:4-6.
ellauri217.html on line 696: In the history of Christianity, the Apostolic Decree recorded in Acts 15 is commonly seen as a parallel to the Seven Laws of Noah. However, modern scholars dispute the connection between Acts 15 and the Noahide laws. The Apostolic Decree is still observed by the Eastern Orthodox Church and includes some food restrictions.
ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity.
ellauri241.html on line 1154: Into the fearful deep, to hide his prick

ellauri241.html on line 1484: —Oh could I only hide behind Lady Di's big behind

ellauri245.html on line 656: Women formed a core part of the Mau Mau, especially in maintaining supply lines. Initially able to avoid the suspicion, they moved through colonial spaces and between Mau Mau hideouts and strongholds, to deliver vital supplies and services to guerrilla fighters including food, ammunition, medical care, and of course, information. An unknown number also fought in the war, with the most high-ranking being Field Marshal Muthoni.
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 271: If you chide them for lingering, they will contrive to delay you the longer. If you chastise them with sword, cane, cudgel, or horsewhip, they will either disappear entirely, and leave you without resource, or they will find means to take vengeance by overturning your carriage. The only course remaining would be to allow oneself to become the dupe of imposition by tipping the beggar an amount slightly in excess of the authorized gratification. The disadvantage under which the novelist was continually labouring was that of trying to travel as an English Milord, en grand seigneur, and yet having at every point to do it "on the cheap." He was a genuine Scrooge McDuck without the fake beak. He would rather give away a crown than be cheated of a farthing.
ellauri254.html on line 399: For the new year’s masquerade, Anastasia lent Remizov an anal hide for use as a costume. Remizov apparently cut the tail from this hide, and attached it to his rear so that it poked out of the front vent of his evening jacket. Anastasia failed to see the funny side, for she had borrowed the hide herself in order to lend it to Remizov. She complained in a letter:
ellauri254.html on line 403: In response, Remizov claimed that the tail had been shorn from the rest of the hide during a party hosted the previous day by Aleksei Tolstoy. The result was that both he and Remizov were precluded from subsequent parties at the Sologub household.
ellauri257.html on line 423: Pornography is D.H. Lawrence without the penetration, Diary of a Chambermaid with none of the bite and philosophical imagination. A group of Germans inexplicably fuck around in the near distance. Frederic curiously precedes a murderous request by squeezing a young blonde’s breasts like melons. A Jewish family hides under the kitchen’s floorboards, but no explanation is offered for how they got there.
ellauri264.html on line 382: He was despised and rejected by men, a man of sorrows, acquainted with grief. Like one from whom men hide their faces, he was despised, and we esteemed him not.
ellauri266.html on line 336: When man and woman giggle and play hide and seek with their genitals, they are like two ids. Yes it´s fun, but can they take the responsibility and the risk of a sperm entering an egg? What if, right after emptying his sperm sack into the hot and gluey tunnel he suddendly feels that - I´m too young, I´m not ready for it - there is still - I can´t... like the Leek King said after dozens of highly satisfying ejaculations into Jaina´s holiest of the holy? Good thinking Robin! We men get by with the piscine reproduction strategy, let the ladies feed their mammals with their mammaries as they please!
ellauri278.html on line 161: Shoot these rabid dogs. Death to this gang who hide their ferocious teeth, their eagle claws, from the people! Down with that vulture Trotsky, from whose mouth a bloody venom drips, putrefying the great ideals of Marxism! ... Down with these abject animals! Let's put an end once and for all to these miserable hybrids of foxes and pigs, these stinking corpses! Let's exterminate the mad dogs of capitalism, who want to tear to pieces the flower of our new Soviet nation! Let's push the bestial hatred they bear our leaders back down their own throats!
ellauri278.html on line 312: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri278.html on line 314:
ellauri278.html on line 324: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri281.html on line 160: Shoot these rabid dogs. Death to this gang who hide their ferocious teeth, their eagle claws, from the people! Down with that vulture Trotsky, from whose mouth a bloody venom drips, putrefying the great ideals of Marxism! ... Down with these abject animals! Let's put an end once and for all to these miserable hybrids of foxes and pigs, these stinking corpses! Let's exterminate the mad dogs of capitalism, who want to tear to pieces the flower of our new Soviet nation! Let's push the bestial hatred they bear our leaders back down their own throats!
ellauri281.html on line 311: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri281.html on line 313:
ellauri281.html on line 323: Rawhide is an American Western TV series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights, from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is fondly remembered by many for its theme, "Rawhide".
ellauri284.html on line 412: The Rawhidevuodet (1959–1965) olivat Eastwoodin uran uuvuttavimpia. Hän puhui hampaiden välistä usein kuusi päivää viikossa keskimäärin 12 tuntia päivässä, mutta jotkut ohjaajat silti kritisoivat häntä siitä, ettei hän yrittänyt tarpeeksi kovasti. Vuoden 1963 lopulla Eastwoodin arvosanat alkoivat laskea ja käsikirjoituksista puuttui tuoreus; se peruttiin kauden 1965–1966 puolivälissä.
ellauri285.html on line 369: Long petticoats to hide the feet, Pitkät alushameet peittää sääriä
ellauri301.html on line 159: Louisea ammuttiin ottaan 9mm patilla lähietäisyydeltä ja kuula ei muka tullut ulos takaraivosta. Suvaizen epäillä. Sellanen kuti läpäsee 50 kerrosta kevlaria, 7cm tiiltä ja 25cm hirven. Devil hides in the details. Yx mitä olen usein miettinyt: jos joku on tapettu, mixi on niin tärkeää tietää sattuiko siihen vai ei? Kun se kuoli kuitenkin? Onko elämän loppusaldossa kärsimys ikäänkuin debet ikkunan puolella?
ellauri301.html on line 228: Krotoa was born in 1643 as a member of the !Uriǁ’aeǀona (Strandlopers) people, and the niece of Autshumao, a Khoi chieftain and trader. At the age of twelve, she was taken to work in the household of Jan van Riebeeck, the first governor of the Cape colony. As a teenager, she learned Dutch and Portuguese and, like her uncle, worked as an interpreter for the Dutch who wanted to trade goods for cattle. "!Oroǀõas" received goods such as tobacco, brandy, bread, beads, copper and iron for her services. In exchange, when she visited her family her Dutch masters expected her to return with cattle, horses, seed pearls, amber, tusks, and hides. Unlike her uncle, however, who just Spike hottentot, "!Oroǀõas" was able to obtain a higher position within the Dutch hierarchy as she additionally served as a trading agent, ambassador for a high ranking chief and peace negotiator in time of war. Her story exemplifies the initial dependency of the Dutch newcomers on the natives, who were able to provide reasonably reliable information about the local inhabitants.
ellauri302.html on line 257: Manke: Bah! He's a fool. Third time he's come in a row. And he keeps asking me, who's my father, who's my mother, — as if he intended to marry me... Whenever he kisses me he hides his face in my bosom, closes his eyes and smiles as if he were a babe in his mother's arms. (Looks around. In a low voice, to Hindel.) Hasn't Rifkele been here yet?
ellauri302.html on line 484: Rifkele, trying to hide her face. I don't know... I havent looked.
ellauri309.html on line 34: hideway-close.jpg" width="100%" />
ellauri317.html on line 86: Осмалених, як гиря, ланців, Whose hides were tough and necks well lethered – muskelimasoja pienipäisiä
ellauri321.html on line 168: So he who would wish to see America in its proper light, and have a true idea of its feeble beginnings and barbarous rudiments, must visit our extended line of frontiers where the last settlers dwell, and where he may see the first labours of settlement, the mode of clearing the earth, in all their different appearances; where men are wholly left dependent on their native tempers, and on the spur of uncertain industry, which often fails when not sanctified by the efficacy of a few moral rules. There, remote from the power of example, and check of shame, many families exhibit the most hideous parts of our society. They are a kind of forlorn hope, preceding by ten or twelve years the most respectable army of veterans which come after them. In that space, prosperity will polish some, vice and the law will drive off the rest, who uniting again with others like themselves will recede still farther; making room for more industrious people, who will finish their improvements, convert the loghouse into a convenient habitation, and rejoicing that the first heavy labours are finished, will change in a few years that hitherto barbarous country into a fine fertile, well regulated district. Such is our progress, such is the march of the Europeans toward the interior parts of this continent. In all societies there are off-casts; this impure part serves as our precursors or pioneers; my father himself was one of that class, but he came upon honest principles, and was therefore one of the few who held fast; by good conduct and temperance, he transmitted to me his fair inheritance, when not above one in fourteen of his contemporaries had the same good fortune.
ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
ellauri324.html on line 232: When someone brags, they highlight their positive traits, qualities, or accomplishments. This kind of self-promotion is usually an attempt to impress other people. Bragging can be subtle or obvious. People who brag in obvious ways might try too hard to be liked or exaggerate certain traits or stories in an attempt to seem cool, funny, or important. People who are more subtle may hide their bragging with humor, sarcasm, or self-deprecating remarks.
ellauri336.html on line 305: The parts of the body that are considered ervah (private because they are potentially sexually-attractive) are alluded to in Shir HaShirim (Song of Songs). This includes the hair as perverse 4:1, “You are beautiful, my love, you are beautiful. Your eyes are like doves, your hair inside your kerchief is like a flock of goats that stream down from Mount Gilead” (Brachos 24a). Of course, the details of different types of ervah differ. For example, a woman’s singing voice is considered private in halacha but not her speaking voice. Similarly, uncovered hair is considered private for a married woman but not for a single woman. (It’s also not retroactive; married women don’t have to hide photos of themselves from before they were married.)
ellauri342.html on line 456: To hide the strident humour of its tasks. komentoäänellä mustanaamiot naamalla
ellauri364.html on line 379: Piiloissa sudet heräävät ja nauravat, I hidena vakna ulv och lo,
ellauri381.html on line 585: Ignat Solzhenitsyn is adamant that his father’s withdrawal from the public sphere was a reaction to the suffering and paranoia he had encountered in the Soviet Union, and the need to write about these experiences. It was not a disapproval of his host country that drove him to hide behind barbed wire fences in the Vermont woods.
ellauri386.html on line 395: Our graves that hide us from the setting sun

xxx/ellauri068.html on line 219: So what did I do? I chose to remember that Borges is not a writer of the era of Facebook and autofiction; that it is not true that he hides in his texts, speaks little about himself (in fact, the opposite is true: how often in his work does his double appear, the character called Borges?); he simply does not do it the way in which we are accustomed today; that, like his friend Alfonso Reyes, Borges learned the classical notion of decorum, which is a set of rules of style when writing and also a certain principle of discretion, an obligation not to say absolutely everything that is very likely inconceivable to many people today.
xxx/ellauri075.html on line 381: Kitt was also a member of the Women's International League for Peace and Freedom; her criticism of the Vietnam War and its connection to poverty and racial unrest in 1968 can be seen as part of a larger commitment to peace activism. Like many politically active public figures of her time, Kitt was under surveillance by the CIA, beginning in 1956. After The New York Times discovered the CIA file on Kitt in 1975, she granted the paper permission to print portions of the report, stating: "I have nothing to be afraid of and I have nothing to hide." Kitt later became a vocal advocate for LGBT rights and publicly supported same-sex marriage, which she considered a civil right. She had been quoted as saying: "I support it [gay marriage] because we're asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It's a civil-rights thing, isn't it?"
xxx/ellauri103.html on line 162: Drivel has written drivel for The Wall Street Journal, the Financial Times, The New York Times, The Economist and many other suspect economically liberal publications. In July 2005, Shriver began writing a column for The Guardian, in which she shared her low opinion on maternal wards within Western society, the pettiness of British tax authorities, and the importance of libraries (she plans to hide whatever assets remain at her death in the Belfast Library).
xxx/ellauri103.html on line 226: Of course he’s exploiting her. It’s his book, and he made her up. He owns her, she is her property. He is free to fuck her, rape her, do whatever he wants. The character is his creature, to be exploited up a storm. Yet the reviewer chides that “special care should be taken with a story that’s not implicitly yours to tell” and worries that “Cleave pushes his own boundaries maybe further than they were meant to go.”
xxx/ellauri103.html on line 250: Thus in the world of identity politics, fiction writers better be careful. If we do choose to import representatives of protected groups, special rules apply. If a character happens to be black, they have to be treated with kid gloves, and never be placed in scenes that, taken out of context, might seem disrespectful. But that’s no way to write. We know that most criminals are black anyway, and many if not most blacks are criminal. Writing to hide that fact would be writing fiction, and we fiction writers have your responsibility toward the white audience. The burden is too great, the self-examination paralysing. The natural result of that kind of criticism in the Post is that next time I don’t use any black characters, lest they do or say anything that is short of perfectly admirable and lovely. (No ei munkaan olis pitänyt alottaa tätä albumia, jossa haukutaan törkimyxiä jotka sattuu olemaan naisia. Äkkiä se kääntyyy naisten haukkumisexi sillä tekosyyllä, että ne sattuu olemaan törkimyxiä. Ehkä se onkin sitä!)
xxx/ellauri114.html on line 384: A: The Iranians are the modern day Persians who originated in Elam, not Edom. Edom was the birthplace of the Ammonites and the Moabites and was later inhabited by the family of Esau, Jacob’s brother. Edom got its name from Esau, and is called Jordan today. Elam was located further east on the other side of Iraq, where Iran is today. Obadiah prophesied against the Edomites who were driven out of their capital (Petra) by the Nabateans, a Bedouin people descended from Ishmael, in fulfillment of Obadiah’s prophecy. Many believe that during the Great Tribulation, the Jordanians will hide believing Jews in Petra where God will protect them against the anti-Christ. The area is called Bosrah in Isaiah 63.
xxx/ellauri122.html on line 786: 'Frankentein' tells the story of Victor Frankenstein, a doctor who brings a creature to life, only to recoil at how hideous it is.
xxx/ellauri139.html on line 332: Farther away from the castle a man, Porphyro, who loves Madeline more than anything, is making his way to the house. He enters, unseen. If anyone finds him he knows that he will be killed. Madeline’s family hates him and holds his lineage against him. While sneaking through the house he comes upon Angela, one of the servants. He begs her to bring him to Madeline’s chamber so that he might show himself to her that night and solidify himself as her true love. After much complaining, she agrees and hides him until it is time.
xxx/ellauri139.html on line 384: The silver, snarling trumpets ’gan to chide: Tasalattiaiset salit, oikein näyttävät,
xxx/ellauri139.html on line 547: Even to Madeline’s chamber, and there hide Madelinen kammariin, ja siellä komeroon
xxx/ellauri139.html on line 791: The wakeful bloodhound rose, and shook his hide, Verikoira herää, lotkauttaa korvia,
xxx/ellauri166.html on line 160: Incantation bowl S Uchide no kozuchi
xxx/ellauri167.html on line 570: In the weeks leading up to the 1968 Democratic National Convention, Chicago Mayor Richard J. Daley turned his town into a fortress. He sealed the manhole covers with tar, so protesters couldn’t hide in the sewers. He installed a fence topped with barbed wire around the Chicago International Amphitheater. He put the entire police force on shifts and called in National Guardsmen. Secret Service and FBI agents were also on duty, as the city braced for protesters who would soon arrive to protest against political assassinations, urban riots and the raging Vietnam War.
xxx/ellauri170.html on line 368: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
xxx/ellauri178.html on line 82: Matti Salon mielestä jutkusedät oli liian kosmopoliitteja eivätkä diganneet tarpeexi leffasta. Jokaisella on oma lehmä ojassa paizi minulla. Everybody's got something to hide except me and my monkey.
xxx/ellauri187.html on line 214: Francesca Wade at the Financial Times chided Corbett for occasional breathy writing that cringes. Female jealousy, that's all.
xxx/ellauri199.html on line 776: Meidän pikku piilossa In our little hideaway
xxx/ellauri199.html on line 958: Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cassady holy the unknown buggered and suffering beggars holy the hideous human angels!

xxx/ellauri202.html on line 398: “Hitler’s grandmother [from his father’s side] was not married, and thus, considering his destructive role and hideous actions, rumors and claims like that are almost natural,” said Havi Dreifuss, a historian of the Holocaust in Eastern Europe at Tel Aviv University.
xxx/ellauri225.html on line 294: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
xxx/ellauri225.html on line 325: Of course, Le Guin was writing daring stories decades before me, stories of women who loved women, of four-person marriages, of people without gender. Her stories offered possibilities that most of society hadn’t even imagined in the late 1960s; I knew she must have faced similar societal disapproval. So I wanted to know why she faded to black for her sex scenes. “There Arrad took me into his arms and I took Arrad into my arms, and then between my legs, and fell upward, upward through the golden light.” (“Coming of Age in Karhide”) There was plenty of sex in her books – sometimes tremendously important sex — but Le Guin didn’t dwell on the details. In fact her sex scenes were prudish and infinitely boring.
xxx/ellauri229.html on line 539: The period of private initiative in body building lasted three quarters of a century. At first there was much enjoyment taken in the newly won freedom of automorphosis, once again the young people led the way, the men with their gambrel thills and timbrels, the women with their pettifores, but before long a generation gap developed, and demonstrations-under the banner of asceticism-followed. The sons condemned their fathers for being interested only in making a living, for having a passive, often consumerist attitude towards the body, for their shallow hedonism, their vulgar pursuit of pleasure, and in order to disassociate themselves they assumed shapes deliberately hideous, uncomfortable beyond belief, downright nightmarish (the antleroons, wampdoodles). Showing their contempt for all things utilitarian, they set eyes in their armpits, and one group of young biotic activists made use of innumerable sound organs, specially grown (electric guitars, glottiphones, hawk pipes, knuckelodeons, thumbolas). They arranged mass concerts, in which the soloists-called hoot-howls-would whip up the crowd into a frenzy of convulsive percussion. Then came the fashion - the mania, rather - for long penises, which in caliber and strength of grip underwent escalation according to the typically adolescent, swaggering principle of "You haven´t seen anything yet!" And, since no one could lift those piles of coils by himself, so called processionals were attached, caudalettes, a self-perambulating receptacle that grew out of the small of the back and carried, on two strong shanks, the weight of the testicles after their owner. In the textbook I found illustrations depicting men of fashion, behind whom walked testicle-bearing processionals on parade; but this was already the decline of the protest movement, or more precisely its complete bankruptcy, because it had failed to pursue any goals of its own, being solely a rebellious reaction against the orgiastic baroque of the age. LEM ei paljon perustanut sodanjälkeisestä 60-luvun sukupolvesta, eikä hipeistä. No en minäkään.
xxx/ellauri230.html on line 442: Japanin armeija käytti Nikolajevin tapausta perustellakseen jälkikäteen Sahalinin miehitystä. Pian pidetyssä Washingtonin konferenssissa japanilainen edustaja Baron Shide-Hara perusteli Sahalinin alueen miehitystä seuraavasti:
xxx/ellauri232.html on line 99: If social claims appeal to the people's struggle with poverty and inequality, nationalism offers an encompassing narrative, an identity that blurs the lines of social classes and hides the social fractures that created this very problem. While Fascism promises to protect workers, studies show how Workers' conditions worsened severely during fascist times, something that can also be seen in the strong ultraliberal component most of the 'new far right', and of the dubious democratic credentials of of neoliberalism, devoid of the philosophical background of political liberalism. Nationalism gives the two great enemies behind the woes of people: foreigners, and immigrants. The external enemy, the internal enemy. Both combined ensure that no one is paying attention at inequality or working and living conditions.
xxx/ellauri235.html on line 262: The struggling pangs of conscious truth to hide, Tietoisen totuuden kamppaileva luuska piilottaa,
xxx/ellauri251.html on line 169: And give our spears their spoil, the wild boar’s hide, Ja anna luodikoille syötävää, karjun nahka,
xxx/ellauri251.html on line 248: And soft as lips that laugh and hide Ja hymy pehmohuulilla jotka antaa poskea
xxx/ellauri251.html on line 660: And the other chides her, and she being chid speaks nought,
xxx/ellauri251.html on line 1056: Earth is thy covering to hide thee, the garment of thee.
xxx/ellauri251.html on line 1800: Right in the hairiest hollow of his hide
xxx/ellauri251.html on line 1832: And what shall be they hide until their time.
xxx/ellauri251.html on line 2089: The boar’s head and the horror of the hide
xxx/ellauri251.html on line 3259: But thou, dear, hide my body with thy veil,
xxx/ellauri261.html on line 464: Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman ("Ribbons Down My Back"). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace's clerk by day, he's a New York playboy by night; he's one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics "Alamo, remember the Alamo!" ("Motherhood March"). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
xxx/ellauri261.html on line 519: In New York, Irene and Minnie open their hat shop for the afternoon. Irene does not love Horace Vandergelder, but knows that the marriage will provide her with financial security and an escape from her boring job. However, Irene hopes to escape her loveless marriage, and plans to try and find real love before the summer is over. Cornelius and Barnaby arrive at the shop and pretend to be rich- Irene seems to take to Cornelius immediately. Horace and Dolly arrive, and Cornelius and Barnaby hide. Minnie screams when she finds Cornelius hiding in an armoire. Horace is about to open the armoire himself, but Dolly "searches" it and pronounces it empty. After hearing Cornelius sneeze, Horace storms out upon realizing there are men hiding in the shop, although he is unaware that they are his clerks. Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner at Harmonia Gardens to make up for their humiliation. Dolly briefly tries to teach Cornelius and Barnaby to dance, which leads to the whole town dancing in the local park.
xxx/ellauri280.html on line 445: Abdallaxi kuzutaan pikkulakupekkojen pipuja. Swahili women wear long dresses known as buibui and cover their head with a hijab and some hide their faces with a veil.
xxx/ellauri385.html on line 394: Our graves that hide us from the setting sun

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