ellauri060.html on line 938: 36 Facebook users sympathized with the McNallens’ plight, grousing over Facebook’s recent crackdown on white supremacists and sharing various platforms that would be more receptive to people who share his views. “Please look at MeWe,” one user wrote. “Many are heading over there.”
ellauri060.html on line 947: A lot of people agree with McNallen, even those who don’t necessarily share his extremist views — and many of them are heading over to MeWe.
ellauri062.html on line 400: Menocchio (Domenico Scandella, 1532–1599) was a miller from Montereale Valcellina, Italy, who was tried for heresy by the Roman Inquisition for his unorthodox religious views and then was burnt at the stake in 1599. - Taulun Judith beheading Holofernes (not Swee´pea!) maalasi Artemisia Gentileschi (Roma 1593 - Napoli 1652/53). Se on kyllä Uffizissa. Holofernes oli assyrialainen kenraali, eikä Rauhixen kovaa holottava lahtelainen mökkinaapuri.
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ellauri109.html on line 527: Mid-century Jewish Newark echoes with the sounds of the cafeterias and the butcher shops, women playing mah-jongg at picnics in the park, weary fathers heading off to the shvitz on Mercer Street, where they gossiped and drank amid a “concerto of farts.”
ellauri140.html on line 132: Una F+, the personification of the "True Church". She travels with the Redcrosse Knight (who represents England), whom she has recruited to save her parents´ castle from a dragon. She also defeats Duessa, who represents the "false" (Catholic) church and the person of Mary, Queen of Scots, in a trial reminiscent of that which ended in Mary´s beheading. Una is also representative of Truth. Aku Ankalla oli paleoliittinen väkivahva ihailija nimeltä Una joka ei osannut minä-sanaa. Kymingatar Elisabet sanoi aina me. We are not amused.
ellauri155.html on line 1033: envelope or in the heading (if any) of your letter, butLord Russell in addressing
ellauri161.html on line 631: I’ve seen some people criticise Don’t Look Up for lacking subtlety. I’m not bothered by this. I don’t necessarily need or want the communications about climate change to be subtle. The issue itself certainly is not subtle. We are heading towards—and, again, already are in the midst of—unprecedented death and destruction. Our systems and rulers are not just woefully ill-equipped to deal with this or to prevent the worst of it, they are actively complicit in bringing it about. Those communities around the world that are the most vulnerable and that have had the least part to play in causing the crisis will be the ones to suffer the first and the worst. This isn’t subtle sh*t! This is horrifying, grotesque, psychologically debilitating stuff to ponder—if you even have the privilege to ponder in the first place! I don’t necessarily need subtlety here. Sometimes, to fight propaganda, you need to go loud and bold. But you still have to be effective. We are fighting an almightily powerful enemy. Competence is a necessary minimum. Regrettably, Don’t Look Up does not meet those standards. Its central metaphor doesn’t even make sense! Yes, capitalism is responding as dreadfully to climate change in real life as it does to the comet in the film—the key difference is that capitalism didn’t cause that comet to come hurtling out of the sky in the first place.
ellauri243.html on line 624: Because where success is concerned, a great plan is essential--but so is making smart course corrections. That´s why pilots are taught the 1 in 60 rule, which states that after 60 miles a one degree error in heading will result in straying off course by one mile. Never mind the math, it´s quite complicated. The point is, the farther you go, the more off course you end up.
ellauri267.html on line 1393: Sebastião was one of the most extraordinary monarchs that Portugal ever produced. Ascending the throne in an atmosphere of great emotion, he was widely acclaimed as the answer to his subjects’ prayers and a prince who would save his country’s independence. Two decades later, he achieved precisely the opposite, dying heroically but unnecessarily on the distant North African battlefield of Al-Ksar al-Kabir on 4 August 1578, leaving no heir to succeed him. The collection concludes with studies under the heading of 'historiography and problems of interpretation', on Britain's Charles III and his boxer Camilla, and on Vasco da Gama's reputation for violence.
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xxx/ellauri129.html on line 445: Smarra gets two stars, both were disappointing chores to read. If you are considering taking up Smarra because you heard it was the earliest vampire story, I think you´re heading for disappointment. In a dream sequence, some undead creatures with sharpened teeth that like to drink blood are described, but nothing further. There´s no real vampire lore or any characterization of vampirism to sink one´s teeth into. I had a hard time figuring out the plot of Smarra, but I think it´s mostly about a man trying to wake up from bad dreams and finding out he can´t. The dreams are recounted vaguely, in terms of plot, but in excruciating detail, in terms of vision, none of which has its significance explained.
xxx/ellauri304.html on line 615: Bet you'd like read the next turn. Sorry I couldn't think of something. Sounds like it's heading toward a slap, in the face or on the butt, who knows. If Edgar says, “Damn, I feel miserable,” I am quite certain that carries more intellectual and psychological heft than you writer, penning “Edgar felt miserable.”
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