ellauri077.html on line 796: Foreign words and expressions such as cul de sac, ancien régime, deus ex machina, mutatis mutandis, status quo, gleichschaltung, weltanschauung , are used to give an air of culture and elegance. Except for the useful abbreviations i.e., e.g. , and etc. , there is no real need for any of the hundreds of foreign phrases now current in the English language. Bad writers, and especially scientific, political, and sociological writers, are nearly always haunted by the notion that Latin or Greek words are grander than Saxon ones, and unnecessary words like expedite, ameliorate, predict, extraneous, deracinated, clandestine, subaqueous, and hundreds of others constantly gain ground from their Anglo-Saxon numbers. (Number on latinaa hei pahvi!)
ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.
ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
ellauri095.html on line 139: According to John Bayley, "All his life Hopkins was haunted by the sense of personal bankruptcy and impotence, the straining of 'time's eunuch' with no more to 'spend'... " a sense of inadequacy, graphically expressed in his last sonnets. Toward the end of his life, Hopkins suffered several long bouts of depression. His "terrible sonnets" struggle with problems of religious doubt. He described them to Bridges as "the thin gleanings of a long weary while."
ellauri100.html on line 1272: Would talk about the haunted glen,
ellauri101.html on line 161: Joo Moaning Myrtle oli "a ghost who haunted the second-floor girls' bathroom (and occasionally other bathroom facilities) at Hogwarts." Tyypillinen myrtleismi:
ellauri108.html on line 211:
ellauri118.html on line 353: Thrill, fill the wild deer-haunted dale, Jännitystä, täytä villi peuran kummittelema laaxo,
ellauri183.html on line 180: When Abraham raises his knife over Isaac's body, this symbolises the fact that every human relationship is haunted by the prospect of death. Love always ends in loss, at least within this life. One response to this existential fact – perhaps the most common response – is to avoid the issue of mortality as much as possible. An alternative response is to face up to the inevitable pain of loss and to relinquish the beloved in advance, so to speak, by giving up hope of enjoying a happy relationship within this lifetime. (This "movement of resignation" is described as "monastic", although it does not literally entail becoming a recluse. It is an internal movement, an adjustment of expectations.) In Kierkegaard's view, this is more noble than the first option, but it is very far from the courage of Abraham, who continues to love Isaac and enjoy his relationship to him in full awareness of the suffering that his death would bring. This aspect of the interpretation of Abraham offered in Fear and Trembling suggesz that, far from being an individualist, Kierkegaard regards human relationships as essential to life.
ellauri203.html on line 465: him, like Richard, haunted by the phantoms of those he has ruined...
ellauri241.html on line 733: Empty the haunted air, and gnomed mine tyhjentää kummittelevan ilman ja knääpiöiden kaivoxen
xxx/ellauri086.html on line 874: On this home by Horror haunted—tell me truly, I implore— Ei jaxa tota samaa virttä. Toukka seuloo seinähirttä,
xxx/ellauri127.html on line 562: As e’er beneath a waning moon was haunted Kuin mihin on ikinä kuuta kumottu
xxx/ellauri179.html on line 338: The voice of Hemingway’s father is heard, challenging his son, as did the Father in the Biblical Garden. Slightly disguised, Hemingway’s dear father, who haunted his son’s life and work even after he had shot himself in 1961, sorry, after Dad had shot himself in 1928, remained an internalized critic until Ernest also took his life in 1961. No wonder, dad had had a cow.
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