ellauri014.html on line 1872: His chamber in the silent halls of death,
ellauri051.html on line 395: Ladies and cavaliers long dead--barons are in their castle halls--the ammoin kuolleet leidit ja miljonäärit -- rosvoparonit linnoissaan --
ellauri051.html on line 1786: 1174 Jostling me through streets and public halls, coming naked to me at night, 1174 Juoksumassa kaduilla ja julkisilla hallilla, tullessani alasti luokseni yöllä,
ellauri053.html on line 837: At Jorasanko lived the direct descendants of the Maharshi at No. 6, Dwarkanath Tagore Lane. It was a huge rambling house spread over an acre of ground with wide verandahs and large halls around the outer courtyard and a series of dark and dingy corridors and staircases and rooms, where no sunlight ever penetrated, which gave us the creeps whenever as children we had to pass through them. At No. 5, the handsome residence opposite to ours, lived my three artist cousins Gaganendra, Samarendra and Abanindra.
ellauri102.html on line 81: Down the halls and into the street
ellauri146.html on line 124: Rudolf von Gottschall (1823–1909) oli saksalainen kirjailija, aikansa Saksan monipuolisimpia. Gottschall oli lyyrikko (Neue Gedichte), eepikko (Carlo Zeno, Maja), hän kirjoitti romaaneja (Im Banne des schwarzen Adlers) ja erityisesti näytelmiä: hänen merkittäviä murhenäytelmiään ovat Mazeppa, Der Nabob, Katharina Howard, König Karl XII, Herzog Bernhard von Weimar ja Amy Robsart. Hän kirjoitti myös komedioita, kuten Fix und Fox, Die Diplomaten, Der Spion von Rheinsberg. Mit einer Doktorarbeit über die römischen Strafen bei Ehebruch wurde er 1846 in Königsberg promoviert. De adulterii poenis iure romano constitutis. Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet. Lisäksi hän oli kirjallisuushistorioitsija ja esteetikko. Kirjallisuudentutkijana hän julkaisi teoksen Poetik. Vittuako se selitti tossa suorasanaisesti mitä Grabbe kertoo ize paljon hauskemmin? Taitaa olla kuivuri. Saima Harmaja on suomentanut Gottschallin runon "Ken nokkivi ikkunaa? Lupsa!", jonka on säveltänyt Kari Haapala.
ellauri146.html on line 146: Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet.
ellauri184.html on line 573: Seuraavana päivänä Jeshua jatkaa vertyneenä profetointia: The words of the prophets will be written on subway walls and tenement halls and whispered in the sound of silence.
ellauri204.html on line 391: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri241.html on line 610: About the halls, and to and from the doors, Eteisistä ja ovista ja toisille oville
ellauri349.html on line 558: Saarinen completed his Ph.D. degree in 1978 at the University of Helsinki, where he has since held docentship. His extrovert public persona – he became known as the “punk doctor” – was reflected in his lectures at the university, which drew increasingly large audiences until the late 1990s. After failing to get the position of full-time professor at the Department of Philosophy at the University of Helsinki, Saarinen resigned his lecturer position. Soon afterwards he was appointed professor at Helsinki University of Technology, since renamed Aalto University. His lectures there each year draw full lecture halls.
xxx/ellauri157.html on line 252: A powerful King was grateful to two simple poor people for their devotion, and decided to show his gratitude. The poor labourers had never been into the palace before, but had only seen the King at state occasions. After receiving their invitations to see the King, in trepidation and excitement, they approached the palace. As they entered, they were amazed to behold the magnificence of the palace. One servant was so enamoured of these riches, that he stopped in the great halls to delight in their beauty. He never progressed beyond these chambers. Meanwhile, the other servant was wiser, and his desire was only for the King. The beautiful ornaments did not distract him, as he entered the inner chamber, where he delighted in beholding the King himself, stark naked.
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