ellauri005.html on line 1326: ´Fore it grows out of the ground

ellauri051.html on line 943: 359 This is the grass that grows wherever the land is and the water is, 359 Tämä on ruoho, joka kasvaa kaikkialla, missä on maata ja vettä,
ellauri051.html on line 1793: 1181 Every condition promulges not only itself, it promulges what grows after and out of itself, 1181 Jokainen tila ei levitä vain itseään, se levittää sitä, mikä kasvaa itsestään ja itsestään,
ellauri052.html on line 93: It seems that as Bellow re-focused his lens on thought, and a main character’s deliberations over it, the fictional world around that central character darkened and cheapened. As the narrator / protagonist’s internal action grows, around him warmth and depth shrinks, until, by Humboldt’s Gift, it is clear that on a mental level, Citrine is utterly alone.
ellauri069.html on line 582: A year later, their daughter, Laurel, is born. To Stella's great surprise, she discovers she has a strong maternal instinct. Even when she is out dancing and partying, she cannot help but think about her child. As Laurel grows up, Stella's ambition and scheming to rise socially is redirected to her daughter.
ellauri069.html on line 654: It's the April nose that only grows in the early spring
ellauri082.html on line 129: Described as coming from a kind of mold that “grows on other molds,” DMZ is an incredibly powerful and mysterious hallucinogen. It can have many different effects but often seems to transform a person’s ability to communicate. It is also nicknamed “Madame Psychosis,” after Joelle’s radio persona. Michael Pemulis manages to acquire some, but it is stolen before he and Hal can take it. It’s suggested that Hal has been affected by DMZ by the time of the Year of Glad, but it’s unclear how—whether from eating a piece of mold as a child and then withdrawing from marijuana, or having his toothbrush laced with Pemulis’s drugs (possibly by James’s wraith). As a result of this presumed DMZ consumption, Hal is able to feel strong emotions (which was impossible for him before) but unable to communicate.
ellauri082.html on line 131: JOI also created DMZ as part of an attempt to undo the effects of Hal’s eating mold as a child (recall: DMZ is a mold that grows on a mold). He left it along with the Entertainment (recall: ETA kids find JOI’s personal effects (670: “a bulky old doorless microwave…a load of old TP cartridges…mostly unlabelled”); the tapes and the DMZ are delivered together to the FLQ) which is about this goal (it stars a woman named Madame Psychosis (a street name for DMZ; another is 1st Av.) explaining that the thing that killed you in your last life will give birth to you in the next). The DMZ and the Entertainment were meant to go together for Hal. Now that the Entertainment has escaped, he needs to get Hal the DMZ.
ellauri088.html on line 86: Gustav Fechner (1801-1887) argued for psychophysical parallelism, according to which the mental and physical worlds run parallel to each other but do not interact. Fechner developed the Weber-Fechner law, according to which the perceived intensity of a stimulus increases arithmetically as a constant multiple of the physical intensity of the stimulus or in other words, changes of physical intensity gallop along at a brisk pace while the corresponding changes of perceived intensity creep along. The Weber and the Weber-Fechner laws were the first laws to provide a mathematical statement of the relationship between the mind and the body. Another significant contribution when S. S. Stevens (1906-1973) demonstrated that psychological intensity grows as an exponential function of physical stimulus intensity, that is, equal stimulus ratios always produce equal sensory ratios although different ratios hold for different sensory modalities. (Siis mitä? Aritmeettisesti vai logaritmisesti?)
ellauri100.html on line 951: Let us get home before the night grows dark:
ellauri111.html on line 662: When we first get shaved between the thighs, we can be excited and carried away and ready to try to do everything. That was my case. One day I saw a line that said something like this "God is not in a hurry." As I recall, for some reason it settled me down some. Keep reading and obeying the word (the Bible), fulfill your daily responsibilites, and pray--you will automatically grow just as surely as a baby grows up to be an adult. We start out as babes in Christ and as we go forward reading and obeying and having our senses exercised by life experiences, we grow up and mature in the Lord.
ellauri143.html on line 1508: My anguish grows apace: the town's report

ellauri150.html on line 448: Kubrick's film is relatively faithful to the Burgess novel, omitting only the final, positive chapter, in which Alex matures and outgrows sociopathy. Sehän on tiettävästi lähestulkoon mahdotonta. In the novel, Alex drugs and rapes two 10-year-old girls. In the film, the girls are young adults who seem to have consensual, playful sex with him, with no suggestion of using any drugs and without any violence. The film portrays Dr. Branom as female, despite being described as male in the novel. Kubrick oli lälläri.
ellauri156.html on line 349: Within those of you who are reading this message, I know there are some who have already fallen in the same hole as David. You have already committed adultery. To you, I would say: “Stop now!” How much better it would have been if David had confessed to his sin with Bathsheba before he went on to murder Uriah. Sin is like a cancer: the sooner it is cut out, the better; the longer it is left, the more it grows. If you have fallen as David did (or in some other way), forsake your sin, confess it, find God's forgiveness, and move on to the next.
ellauri156.html on line 578: Fourth, "How much wood would a woodchuck chuck if a woodchuck could chuck wood?" Sin snowballs. Sin has not got a snowball's chance in hell. Sin is not stagnant; it is not static. Sin grows. Look at the progression of sin in our text. David's sin starts when he ceases to act like a soldier and (what is way worse) becomes a late sleeper. David's sin grows from staying up late to adultery to murder. His sin begins very privately, but as the story progresses, more and more people become aware of it, and worse yet, more and more people become participants in it. His sin first acted out by his taking another man's wife, and then taking another man's life, and along with his life, his wife, plus the lives of a number of men who must die with him to make his death credible. David's sin blossoms so that it transforms a true and loyal friend (Uriah) to his enemy, and his enemies (the Ammonites, and his other rival Joab) into his allies.
ellauri156.html on line 780: (3) God is under no obligation to stop us from sinning. (So why did he bother with David then? Is he some sort of special case? Of course he is, he is Dawgs petlamb. Sometimes people justify their sin by saying something like: “I've prayed about it and asked God to stop me if it is wrong. . . .” When God does not stop them, they somehow assume it must be right. God could have stopped David after he chose to stay home from the war, or after he began to covet Uriah's wife, or after he committed adultery, but instead He allowed David to persist in his sin for some time. God even allowed David to get away with murder, for a time. Well actually, for good. It was just a immigrant after all. God's Word forbade David's sins of coveting, adultery, and murder. God's Word commanded David to stop, and he did not. God allowed David to persist in his sin for a season, but not indefinitely. God allowed David's sin to go full circle, to reach full bloom, so that he (and we) could see how sin grows (compare Genesis 15:12-16).
ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6).
ellauri182.html on line 94: The 1989 film centers around Mikage, a young woman who loses her parents when young. She grows up in a lonely household with her grandmother who dies when Mikage reaches adulthood. Grief-stricken, she finds solace in the kitchen. Yuichi, a friend of Mikage's deceased grandmother, invites her to live with him and his mother. Then Mikage discovers that Yuichi's mother is actually her cross-dressing father. On the other hand, Mikage realizes that the wealth of gadgetry in Yuichi's kitchen is lovingly detailed... --- Unfortunately, that's all, this film is water under the bridge, overtaken by a 2019 gory crime film of the same name.
ellauri185.html on line 58: The childless Hannah vows to Yahweh of hosts that, if she has a son, he will be dedicated to Yahweh. Eli, the priest of Shiloh, where the Ark of the Covenant is provisionally located, blesses her. A child named Samuel is born, and Samuel is dedicated to the Lord as a Nazirite—the only one besides Samson to be identified in the Bible. Eli's sons, Hophni and Phinehas, sin against God's laws and the people, a sin that causes them to die in the Battle of Aphek. But the child Samuel grows up "in the presence of the Lord."
ellauri188.html on line 128: I found the breadfruit abundant on all the islands visited (fortunately, I was not obliged to eat poipoi) somewhat dwarfed when growing in the "jungle" in neglected valleys, but an enormous and noble tree when given space. The "jungle" of the Marquesas, by the way (although the islands are between 8 and 11 degrees south latitude) is by no means a tropical jungle as the latter is usually pictured, but is made up very largely of young and old and dying and dead specimens of the Fau, or Purao tree, a native hibiscus which grows to a large size, and is much used by the natives for building. One does not see, in the Marquesas, the rank, choking growths peculiar to Brazil, Central America and other really tropical countries. The appearance of the valleys in that group is more subtropical than tropical, and hence, while this growth may dwarf the breadfruit to a greater or less extent, it does not seem that it would always be fatal to its existence.
ellauri197.html on line 64: as the grass grows on the weirs; Kuin ruoho padolla;
ellauri197.html on line 94: Alliteration is another important formal device that also makes use of repetition. This technique appears when the poet uses multiple words beginning with the same consonant sound close together. For example, “grass grows” in stanza two and “shoulder” and “she” in stanza two.
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri197.html on line 337: In ‘Love’s Organ's Growth’, the poet says that love is not a quintessence or pure and simple stuff despite its sustaining and life-giving properties. Rather, it is mixed stuff, a mixture of different elements, both spiritual and physical. That is why it affects both the body and the soul; it causes both spiritual and physical arousal. It does cure not because it is the quintessence, but on the homeopathic principle, of “like curing the like”. It cures all sorrow only by giving more of it. Love is neither infinite nor “pure stuff”, but has a mixed nature like grass which grows with spring.
ellauri203.html on line 324: A drunkard grows sleepy at the edge of a lawn, Spuge nukkuu viimeistä unta ent. nurmikolla,
ellauri207.html on line 104: Ovoid green fruit that grows in bunches on trees up to 30m high. The fruit typically ripen during the summer. The fruit is related to the lychee and have tight, thin but rigid skins. Inside the skin is the tart, tangy, or sweet pulp of the fruit covering a large seed. The pulp is usually cream or orange coloured. Half peeled it looks like a moist glans peeking out of a tight prepuce.
ellauri222.html on line 547: Charlotte Magnus is Simon’s wife and heiress to a coal fortune. Simon marries her for the money, but grows to respect Charlotte, as she is a practical woman with a good head for business. She is also emotionally strong. When she learns of Simon’s infidelity, she deals with it swiftly and decisively. Charlotte is unable to have children.
ellauri240.html on line 84: A truly astonishing and original work of fiction indeed. It is a story of one man, a writer, who is born, who grows, who loves, who stops loving; who eats, sleeps, smokes, lies, boozes, cheats, regrets, has sex, has dreams, and lives. In short yet intimately detailed chapters, each covering a single aspect of his life from youth through old age, we get to know this person fully through the small yet telling incidents that make him who he is. He remembers the butt of a cigarette, the feel of his army uniform, the taste of a lover, the strange and unexpected touch of a college professor’s hand, and so many more small experiences that can never be shaken off more than a recalcitrant band-aid.
ellauri241.html on line 856: Where youth grows pale, and spectre-thin, and dies; Missä nuoruus kalpenee, haamunohkasena kuolee;
ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri263.html on line 617: The book is a comedy about the birth of the son of Satan and the coming of the End Times. There are attempts by the angel Aziraphale and the demon Crowley to sabotage the coming of the end times, having grown accustomed to their comfortable surroundings in England. One subplot features a mixup at the small country hospital on the day of birth and the growth of the Antichrist, Adam, who grows up with the wrong family, in the wrong country village. Another subplot concerns the summoning of the Four Horsemen of the Apocalypse, each a big personality in their own right. With Armageddon averted, Crowley and Aziraphale muse that this was God's plan all along and speculate that the real apocalyptic conflict will be between humanity and the combined forces of Heaven and Hell. In 2003, the novel was listed at number 68 on the BBC's survey The Big Read.
ellauri300.html on line 475: And moss grows fat on a rolling stone
ellauri332.html on line 402: In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her? Or without perhaps?
ellauri352.html on line 47: Pinocchio oli puinen sätkyukko. Mäntysilmä (oxankohta laudassa?) tai männynsiemen toskanaxi, jonka nenä veny valhetellessa kuin penis erektiivisenä. These aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli, to be a tragedy. It concluded with the puppet's execution. Kettu ja kissa jotka vievät Disneyn Pinocchion "teeatteriin" hirttävät hänet lähimpään puuhun, joka sattui olemaan tammi eikä mänty.
ellauri386.html on line 356: As moisture lend to every grief that grows;

ellauri392.html on line 379: The fact is one grows weary of the love that comes again.
xxx/ellauri085.html on line 86: your head grows bald
xxx/ellauri086.html on line 665: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter´s unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
xxx/ellauri091.html on line 839: From Wikipedia, the free encyclopedia: The Grammicolepididae are a small family of deep-sea fishes, called tinselfishes due to their silvery color. They are related to the dories, and have similar deeply compressed bodies. The largest species, the thorny tinselfish, Grammicolepis brachiusculus, grows up to 64 cm (25 in) long.
xxx/ellauri113.html on line 52: With gravity, this high-energy/short-distance correspondence breaks down. If you could collide two particles with center-of-mass energy much larger than the Planck scale, then when they collide their wave packets would contain more than the Planck energy localized in a Planck-length-sized region. This creates a black hole. If you scatter them at even higher energy, you would make an even bigger black hole, because the Schwarzschild radius grows with mass. So the harder you try to study shorter distances, the worse off you are: you make black holes that are bigger and bigger and swallow up ever-larger distances. No matter what completes general relativity to solve the renormalizability problem, the physics of large black holes will be dominated by the Einstein action, so we can make this statement even without knowing the full details of quantum gravity.
xxx/ellauri120.html on line 229: Following her release from prison, Hester settles in a cottage at the edge of town and earns a meager living with her needlework, which is of extraordinary quality. She lives a quiet, somber life with her daughter, Pearl, and performs acts of charity for the poor. She is troubled by her daughter's unusual fascination with the scarlet "A". The shunning of Hester also extends to Pearl, who has no playmates or friends except her mother. As she grows older, Pearl becomes capricious and unruly. Her conduct starts rumors, and, not surprisingly, the church members suggest Pearl be taken away from Hester.
xxx/ellauri122.html on line 770: Some books stay with you for a lifetime, the rest you just blithely walk by on your way to watching tv or cat videos or fling into garbage without so much as looking at the cover. Initially, they may seem to be just stories. As you will find, however, the literature grows and stays with you; they stay with you until you realise their true value: their capacity to alter and re-alter your idea of yourself, others, the society, and the world. Naah, the books on this list help you stay the way you are, keeping all your good old all American prejudices.
xxx/ellauri139.html on line 199: Ippolit is a 17-year-old boy who is dying of tuberculosis. An ardent nihilist, he yearns to be taken seriously and attempts to dramatically leave the world. He delivers rambling, self-absorbed, nihilistic speech entitled “A Necessary Explanation” to Myshkin, Nastasya, and Rogozhin, and many others at a party at Lebedev’s dacha. After this, he attempts to commit suicide by shooting himself with the gun he’s had since he was a child. This entire plan backfires, as everyone grows bored with his speech, and when it comes time to kill himself he fails to do so because there is no cap in the gun. After this incident, Ippolit’s illness shows progress and he eventually dies.
xxx/ellauri178.html on line 111: Tästä aiheesta piti Pilin tehdä term paper mutta se bylsikin vaan Lontoossa kahta (2) ruozalaista tyttöä jotka tiesivät että WW2 oli kaikkien syytä. Pili jenkkijutkuna meinas saada hepulin. Bettan koitti tehdä izarin ja Pili syytti siitä Gittania. Vitun Raskolnikov, tai Puddinhead Wilson. Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role.
xxx/ellauri218.html on line 232: Initially, the land where the landfill was located was a salt marsh in which there were tidal wetlands, forests, and freshwater wetlands. The subsoil was made up of clay, with sand and silt as the top layer of soil. The tidal marsh, which helped to clean and oxygenate the water that passed through it, was destroyed by the dump. The fauna were largely replaced by herring gulls. The native plant species were driven out by the common reed, a grass which grows abundantly in disturbed areas and can tolerate both fresh and brackish water. The stagnant, deoxygenated water was also less attractive to waterfowl, and their population decreased. Samuel Kearing, who had served as sanitation commissioner under Mayor John V. Lindsay, remembered in 1970 his first visit to the Fresh Kills project:
xxx/ellauri251.html on line 953: That grows and bears and brings forth fruit and dies;
xxx/ellauri251.html on line 2359: A new-made mother’s new-born love, that grows
xxx/ellauri251.html on line 2431: Between two joys a grief grows unaware.
xxx/ellauri251.html on line 2495: ⁠The life that breathes, the life that grows,
xxx/ellauri312.html on line 654: Alluding to Hölderlin’s "Patmos", Heidegger declares that "where danger is, grows the saving power also". Missä hätä on suurin, on apukin lähinnä. Jos on hätä kädessä, siitä pääsee käden käänteessä. Pimeintä on juuri ennen aamunkoittoa. Tätä sananlaskua hoki patologian professori Bo Ekdahl ollessaan hermostunut Åsa Nilssonnen pandemiaa ennakoineessa ysäridekkarissa Tunnare än blod. Bo ei lukenut lehtiä. Kollega Hayakawa tunnetaan paremmin semantikkona.
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