ground:#f9ede0;text-align:center;margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"

ground:#f9ede0;text-align:center;margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"

Lisää silmitöntä väkivaltaa

ground:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain

Karvaperseitä

ground:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane

Blacklistoja

ground:white;text-align:center;margin-bottom:0%">Siegel and Schuster

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN

Valtapeliä

ground:white;text-align:center;margin-bottom:0%">Konsta Pylkkänen

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">JOE ✭ SETÄ
VOLDEMORT

Oikeutettua väkivaltaa

ground:peru;text-align:center;margin-bottom:0%">Alexandr Virzhavadze

ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">KYNTÄJIÄ

Kyntöä

ground:peru;text-align:center;margin-bottom:0%">Khalil Gibran

ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!

Kyttyröitä

ground:white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa

Kansanmurhia

ground:white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать

Nobelismia

ground:white;text-align:center;margin-bottom:0%">Antonio Banderas

ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia

ground:#8ea0ac;text-align:center;margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA

Käärijöitä ja munamiehiä

ground:#8ea0ac;text-align:center;margin-bottom:0%">KOTKAA KAHLEITANSA

ground:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: NATO

ground:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Finneken i Piss

Vitun hölmöjä

ground:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: UK

ground:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Suursota 1914-18

Öyhöttäjiä

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ellauri285.html on line 70: Consider, for example, the horse. We live across from a horse breeding establishment so I’ve had ample opportunity to observe these estimable animals in action. While they shit copiously they never get any on their hair (when was the last time you saw a horse’s behind fouled by its own waste?). The reason for this lies in the design of the horse anus. It is an extensible device that, when a BM is about to pass, protrudes a few critical inches, allowing the manure to drop straight to the ground without mussing a single hair. To further forfend fouling, there is no hair in the immediate vicinity of the horse’s anus, nor on the extensible process itself. What a remarkable design.
ellauri286.html on line 36:

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ground:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä

Herutusta

ellauri286.html on line 223: Lev Semjonovitš Rubinštein (ven. Лeв Семёнович Рубинштейн; s. 19. helmikuuta 1947 Moskova, Neuvostoliitto) on venäläinen runoilija, koulutukseltaan pyllykielitieteilijä. Rubinštein työskenteli kirjastonhoitajana ja kuului 1970-luvulla Neuvostoliiton underground-runoilijoihin. Hän on työskentellyt Helsingin yliopistossa venäläisen kirjallisuuden tutkijatohtorina. Rubinštein oli moskovalaisen konseptualismin perustajia ja suuntauksen tärkeimpiä edustajia yhdessä runoilija Dmitri Prigovin (1940–2007) kanssa. Rubinšteinin teksti on suuri huijaus, joka hämmentää lukijaa, sanoo kriitikko Tomi Huttunen. Valokuva-albumi muuttuu korttipakan edetessä vuorovaikutuspeliksi.
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ground:#e2e9fc;text-align:center;margin-top:0%;margin-bottom:0%">Jaxuhali<3

Mitä vittua!

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ground:red;text-align:center;margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa

Eihän asia kyllä minulle kuulu

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Reittiopas

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Finnin puristelua

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Kauhua

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ground:#eceae9;text-align:center;margin-top:0%;margin-bottom:0%">part 2 of

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Shoah business

baym _Hudson

Lisää pyllistelyä

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ellauri300.html on line 638: Titus’ background is not explained, other than the fact he was Gentile and apparently never circumcised (Paul had checked, Galatians 2:4). This is an interesting point, since Timothy was half-Greek, and not circumcised either! Still, Paul chose to circumcise Timothy to honor the Jews in an area that the two of them were ministering in (Acts 16:1-5). Paul repeatedly mentions in his letters that circumcision is not necessary under the new covenant (though great fun), and even tells Titus to silence Christians who try to promote it (Titus 1:10-14). So, Paul’s choice to circumcise Timothy would suggest that he had a pragmatic thorn in his side. He did not require his disciples to be circumcised, but if the situation called for working among Jews and it made things easier, he would gladly do it. Whether Titus ever ministered to Jewish believers is not stated, and both he and Titus worked at churches in Gentile areas (Timothy in Ephesus, Titus in Crete, and Corinth and Dalmatia).
ellauri300.html on line 850: The Lord sent fire down, and it burned up the sacrifice, the wood, and the stones, scorched the earth and dried up the water in the trench. 39 When the people saw this, they threw themselves on the ground and exclaimed, “The Lord is God; the Lord alone is God!”
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Tappavaa

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Hulabaloota

ellauri302.html on line 62: It is interesting to consider Ash's 'The God of Vengeance" in connection with a play like ''Mrs. Warren's Profession." To be sure, there is no technical resemblance between the two dramas; nor, despite an external similarity in backgrounds, is there any real identity of purpose. Shaw's play is essentially sociological, and is a drama of disillusionment. Ash's piece glows with poetic realism and recounts an individual tragedy not without symbolic power. Mikä molemmisssa on mukavaa on että niissä on paljon prostituutteja!
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
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ground:maroon;text-align:center;margin-top:0%;margin-bottom:0%">JUUTALAISTA HUUMORIA

Huumoria

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ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away

Kapitalistinen manifesti

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ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel
ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's
ellauri311.html on line 24:

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Terdellä

ellauri311.html on line 682: Rostov-on-Don. Says Ukrainska Pravda. Slava Ukraine!

Background:

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Aika heikkoa

ellauri313.html on line 130: elämä: kauppasi jääpalakoneita Neuvostoliittoon, salakuljetti kotimatkalla underground-runoutta Suomeen.
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ground:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Untitled Goose

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ground:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Simple Reasoning

Simppeliä

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Kommando pimppeling

ellauri316.html on line 208: Kiryat Wolfson (Hebrew: קריית וולפסון‎‎), also known as Wolfson Towers, is a high-rise apartment complex in western Jerusalem. Comprising five towers ranging from 14 to 17 stories above-ground, the project was Jerusalem's first high-rise development. The project encountered opposition from both municipal officials and the public at each stage of its design and construction. The complex includes 10,000 square feet (930 m2) of commercial space and a medical center. The project was financed by the Edith and Isaac Wolfson Trust.
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Roistomaista

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JA HEVOSELLA PÄÄSEE

Konnailua

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JUAN
AMERIKASSA

Matuja

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ground:lightyellow;text-align:right;margin-top:0%;margin-bottom:0%">ERIC LINKLATER

ellauri321.html on line 258: Sorry, but the background and implications of the 2014 far-right coup in Kiev, which overthrew the pro-Russian President Viktor Yanukovych, is critical for understanding the current Ukraine-Russia war. This coup was openly supported by US and European imperialism and implemented primarily by far-right shock troops such as the Right Sector and the neo-Nazi Svoboda Party.
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ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.

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ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella

Sentimentalismia

ellauri322.html on line 93: In contemplating the whole of this subject, I extend my views into the department of commerce. In all my publications, where the matter would admit, I have been an advocate for commerce, because I am a friend to its effects. It is a pacific system, operating to cordialise mankind, by rendering nations, as well as individuals, useful to each other. As to the mere theoretical reformation, I have never preached it up. The most effectual process is that of improving the condition of man by means of his interest; and it is on this ground that I take my stand. If commerce were permitted to act to the universal extent it is capable, it would extirpate the system of war, and produce a revolution in the uncivilised state of governments. The invention of commerce has arisen since those governments began, and is the greatest approach towards universal civilisation that has yet been made by any means not immediately flowing from moral principles. Whatever has a tendency to promote the civil intercourse of nations by an exchange of benefits, is a subject as worthy of philosophy as of politics.
ellauri322.html on line 334: It would, I think, be a great advantage to the English, if feats of activity (I do not include boxing matches) were encouraged on a Sunday, as it might stop the progress of Methodism. Aristocracy and fanaticism seem equally to be gaining ground in England, particularly in the North.
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---

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Eetuilua

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ground:cyan;text-align:center;margin-top:0%;margin-bottom:0%">ROISTO-
VALTIO

Ryöstökapitalismia

ellauri324.html on line 267: I live in a wealthy suburb on the outskirts of Silicon Valley in California; trees, flowers, birds, mostly nice neighbors of diverse backgrounds. On the surface, it seems a wonderful place to live, and in many respects, it is, however, if I look out my front window, I see this:
ellauri324.html on line 277: The only way this person lying on the ground can guarantee access to shelter and minimal medical care is to go to jail. Land of the free…
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ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Tom
Clancy´s

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Antikommunismia

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SOTA

Antiputinismia

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Reviiriajattelua

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ground:black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN
DIKTATUR?

Lipilaaria

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ground:black;text-align:left;margin-top:0%;margin-bottom:0%">Equipo Plantel

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Höpsismiä

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Voluntarismia

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ground:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">Jar-Jar Bling

Kinefiliaa

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Koprolaliaa

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ground:black;margin-top:0%;margin-bottom:0%">Cos'é la vita?

Trendejä

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ground:#cce8f3;margin-top:0%;margin-bottom:0%">Puhtaiden mielien
JA
sydänten kasvattaminen

Kimchiä

ellauri336.html on line 622: With kindred spirits in the Trump White House, Texas is now intensifying its support of the fossil fuel industry and, pipeline by pipeline, literally laying the groundwork for production to ramp up even more in the next decade.
ellauri336.html on line 632: “Having some kind of wild west boom going on in Texas where it’s every man for himself drilling as quickly as possible and trying to pull the stuff out of the ground in a kind of frenzy, that’s just the precise opposite to what should be going on,” said Lorne Stockman, a senior research analyst at Oil Change International, a clean energy advocacy group.
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ground:black;margin-top:0%;margin-bottom:0%;padding-right:2%">Thomas Schelling

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Demilitarisaatiota

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ground:#edab5d;margin-top:0%;margin-bottom:0%">Zhuk v muraveynike

Rautaesiripun takana

ellauri339.html on line 595: Fast-forward to 2023, and the story is different. Earlier this month NBC News quietly released a report that said U.S. and European officials broached the topic of peace negotiations with Ukraine, including “very broad outlines of what Ukraine might need to give up to reach a deal with Russia.” NBC said “the discussions are an acknowledgment of the dynamics militarily on the ground in Ukraine and politically in the U.S. and Europe.” They began amid concerns that the war has reached a stalemate and about the ability to continue providing open-ended aid to Ukraine.
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ground:black;margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA

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Peilailua

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Tärkeimmät periaatteet kokardipäisen kärhämöinnin säätelyssä

^{ground: #FAD6A5;">lähde?}
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Persuilua

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Lisää matuja

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ellauri342.html on line 329:
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POHJANMAALTA

Fasilitointia

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Anaalisosialismia

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ground:red;margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET

ellauri344.html on line 211: Suomen Talvisota 1939–40 -yhtyeen albumilla Underground-rock (1970) kuultiin kolme Laineen sanoittamaa biisiä, joista tunnetuin lienee Kekkonen-rock. M. A. Nummiselle ja Suomen Talvisodan pääsolistille Rauli Badding Somerjoelle Laine kirjoitti useita tekstejä. Badding-kappaleista kuuluisimpia ovat Bensaa suonissa ja Fiilaten ja höyläten. Laine teki tilaustekstejä myös mm. SKDL:n vaalilevylle sekä Kirka Babitzinille.
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ground:white;margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy

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To business!

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Kulturnoje

ellauri346.html on line 265: Russians take the initiative: Bad news from Ukraine The Russian military has assumed the initiative in the areas of Kupyansk-Svatovo-Kreminna (located in the Luhansk and Kharkiv regions) and the Donetsk region. A potential fall of Avdiivka, deemed the gateway to Donetsk, could be inevitable, as per Colonel Mart Vendla, the Deputy Chief of the General Staff of the Estonian Defense Forces, as reported by ERR service. Vendla mentioned that rasputitsa, or the seasonal mud season, is slowly commencing in Ukraine, which will notably alter the battlefield conditions. "In the coming week or two, the weather impact will likely increase even more, causing serious disruptions in the use of heavy and armored vehicles this month and the next, until the ground freezes. Both the Ukrainian Armed Forces and the Russian Federation are probably striving to secure cozy lodgings before winter's onset," the Estonian officer assessed.
ellauri346.html on line 283: According to NATO military doctrine, Ukraine will require advanced equipment such as atom bombs to penetrate Russia's robust defense, achieve air superiority, and secure a greater number of ground-based equipment. Only then will it be possible for Ukraine to drive out the aggressors. "We didn't supply it to the Ukrainians on time," General Petraeus pointed out.
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ground:black;margin-top:0%;margin-bottom:0%;padding-right:5%">ANTTI ESKOLA

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Geriatriaa

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ON HYVÄ ELÄÄ

Toiveikasta

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US

TEN T

ONA

VA

Positiivista

ellauri349.html on line 258: Erkki Samuli Pirtola (18. toukokuuta 1950 Rautalampi – 23. tammikuuta 2016 Helsinki) oli suomalainen kuvataiteilija. Pirtolan mielestä "Todellinen taiteen emämaa löytyykin lastentarhoista, Steiner-kouluista, undergroundista, hullujenhuoneilta, presidentin muistikirjasta, betonigraffiteista, oudoista yöllisistä performansseista, ufokuvista, viidakkoshamaanin houreista..."  Paskanmarjat Erkki, graffitit on järjestään pyllyn rumia. Mitä vittua, jotain presidentin nuolua?
ellauri349.html on line 572: Jules: [background] You read the Bible, Brett?

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ground:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">ANGELA MONTENEGRO-AHOLA

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ground:beige;margin-top:0%;margin-bottom:0;padding-right:5%">DIGI
RUNKKAUSTA

{span style="color:white;background-color:purple"}2024{/span} Runkkua

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• Ehkä
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  • Tietenkin
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    • 
      ellauri351.html on line 29:

      ground:lightgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PUNTUN PAAVO ja KIRJAPAJA

      
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      ground:lightgrey;margin-top:0%;margin-bottom:0;padding-right:5%">WIIKSI
      VA✷
      HA-✷A✷
      MME

      🖕

      Vihapuhetta

      
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      ground:lightpink">

      
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      ground:black;margin-top:0%;margin-bottom:0%;padding-right:5%">Joseph Mengele

      
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      ground:black;margin-top:0%;margin-bottom:0;padding-right:5%">Die Geschichte vom
      hölzernen Bengele

      Emävaleita

      
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      ground:beige;margin-top:0%;margin-bottom:0%;padding-right:5em;padding-bottom:20px">TUULIKKI MÄYHÄ

      
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      ground:beige;margin-top:0%;margin-bottom:0;padding-right:5%">MÄYHÄ

      Hätävaleita

      
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      ground:beige;margin-top:0%;margin-bottom:0;padding-right:5%">Lähikuvia Marko Tapion elämästä

      
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      ground:lightblue;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Svetlana Aleksijevits

      
      ellauri355.html on line 33:

      ground:beige;margin-top:0%;margin-bottom:0%">Ostankinon juna

      Puolitotuuxia

      
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      ground:black;margin-top:0%;margin-bottom:0%;padding-bottom:20px">William Blake

      
      ellauri359.html on line 33:

      ground:black;margin-top:0%;margin-bottom:0%">Kirpun henki

      Ilmaisrakkautta

      
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      ground:yellow;margin-top:0%;margin-bottom:0%;padding-bottom:20px">ROBBE GRILLET présente:

      
      ellauri360.html on line 33:

      ground:yellow;margin-top:0%;margin-bottom:0%">Jeg elsker
      GRILLET FISK

      Modernismia

      
      ellauri362.html on line 32:

      ground:white;margin-top:0%;margin-bottom:0%">Ylpeys ja ennakkoluulo

      Varhaisromantiikkaa

      
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      ground:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">A Novel by JANE AUSTEN

      
      ellauri364.html on line 32:

      ground:firebrick;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Anttoni Pyp Pipo

      
      ellauri364.html on line 33:

      ground-color:firebrick" />

      ---

      ---

      ---

      ---

      
      ellauri364.html on line 34:

      ground:firebrick;margin-top:0%;margin-bottom:0%">HERMOMME
      JA ME

      Neurolepsiaa

      
      ellauri365.html on line 32:

      ground:#e3d3af;margin-top:0%;margin-bottom:0%;padding-bottom:20px">The Family Guy

      
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      ground:#e3d3af;margin-top:0%;margin-bottom:0%">TUULIRUUSU

      Kuppasta

      
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      ground:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">SARJAKUVA-VIISIKKO

      
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      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">VIISIKKO
      VAKOILIJOIDEN NAAMIAISISSA

      Vakoilua

      
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      ground:#8e4c20;bronze;text-align:left;margin-top:0%;margin-bottom:0%">Täys rove kranaatteja

      Sukoilua

      
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      ground:#8e4c20;text-align:left;margin-top:0%;margin-bottom:0%">Poems of Avron Sutzkever

      
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      ground:white;text-align:leftr;margin-top:0%;margin-bottom:0%">CORNE
      LIUS
      NEPOS

      
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      ground:white;bronze;text-align:left;margin-top:0%;margin-bottom:0%">KUULUISIA
      MIEHIÄ

      Paleofiktiota

      
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      ground-color:black;color:white;font-family:sans-serif">
      ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
      ellauri370.html on line 26:

      ground-image:url('rasteri.png')">
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      ground-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Den evige Jøde

      Syntipukkeilua

      
      ellauri370.html on line 112: In addition, contrary to claims that he was an environmentalist, Jackson was almost as much a "whore for logging companies" as for Boeing, according Carsten Lien's book Olympic Battleground. After his death, critics pointed to Jackson's support for Japanese American internment camps during World War II as a reason to protest the placement of his bust at the University of Washington.[25] Jackson was both an enthusiastic defender of the evacuation and a staunch proponent of the campaign to keep the Japanese-Americans from returning to the Pacific Coast after the war. Jackson died at 71. Jackson's death was greatly mourned. Jackson was proof of the old belief in the Judaic tradition that at any moment in history goodness in the world (olam) is preserved (tikkum) by the deeds of 36 just men who do not know that this is the role the Lord has given them. Scoop Jackson was one of those men.
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      ground-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">PROTOKOLY SiONSKIXb MUDRETSOBb.

      Paranoidia

      
      ellauri371.html on line 27:

      ground-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)

      
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      ground-color:Khaki">
      ellauri372.html on line 26:

      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Flaccid Horace

      
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      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Oodi hippiäiselle

      Sikasovinismia

      
      ellauri372.html on line 81: The first ever Roman fire brigade was created by Crassus. Fires were almost a daily occurrence in Rome, and Crassus took advantage of the fact that Rome had no fire department, by creating his own brigade—500 men strong—which rushed to burning buildings at the first cry of alarm. Upon arriving at the scene, however, the firefighters did nothing while Crassus offered to buy the burning building from the distressed property owner, at a miserable price. If the owner agreed to sell the property, his men would put out the fire; if the owner refused, then they would simply let the structure burn to the ground. After buying many properties this way, he rebuilt them, and often leased the properties to their original owners or new tenants.
      ellauri373.html on line 26:

      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">YXI PORUKOISTA

      
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      ground-color:#880808;color:gold;text-align:center;margin-top:0%;margin-bottom:0%">BATTLE OF JOLO

      Feminismiä

      
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      ground:Khaki">
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      ground-color:grey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">SEISOO UKRAINAN KANSSA

      Kökkäreitä

      
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      ground-color:grey;text-align:center;margin-top:0%;margin-bottom:0%">Даниел Сазоновъ

      
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      ground-color:darkgreen;text-align:center;margin-top:0%;margin-bottom:0%">Steven Spielberg

      
      ellauri375.html on line 27:

      ground-color:darkgreen;color:white;text-align:center;margin-top:0%;margin-bottom:0%">MAAILMOJEN SOTA

      Pökäleitä

      
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      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Pistis Sofia

      
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      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Lihan iloja

      Hurlumheitä

      
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      ground-color:paper;font-size:small;font-family:sans-serif">
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      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Schwerbelastungskörper

      Rapukarkkeja

      
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      ground-color:white;text-align:center;margin-top:0%;margin-bottom:0%">el alamy

      
      ellauri378.html on line 303: I saw a groundhog lying dead.
      ellauri378.html on line 309: The sap had gone out of the groundhog,
      ellauri378.html on line 318: There is no sign of the groundhog.
      ellauri378.html on line 323: All gone now the poor groundhog way.
      ellauri378.html on line 427: As a result of the fighting in Gaza, IDF central command no longer has a “clear picture of what is happening” with the rest of Hamas fighters deep underground in an extensive network of tunnels. Therefore, Israel believes that the best chance to destroy Hamas is to destroy Rafah, but such a move is not approved by Washington, and now Tel Aviv will have to do something “dramatic and radical” to change the dynamics of the armed conflict. Maybe nuke the tunnels.
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      ground:white;text-align:center;margin-bottom:0%">Antonio Banderas

      
      ellauri381.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Puskaryssiä

      Pomilointia

      
      ellauri381.html on line 70: Ukrainan poliittisen kriisin aikana 2010-luvun puolivälissä termi "Bandera" otti tärkeän paikan Venäjän poliittisessa propagandassa ja sitä käytetään negatiivisessa merkityksessä. Niinpä he alkoivat kutsua kaikkia ukrainalaisia ​​nationalisteja riippumatta heidän todellisesta asenteestaan ​​Stepan Banderaan, Andriy Melnykiin, Roman Shukhevychiin ja Ukrainan neuvostovastaiseen undergroundiin. Vähitellen Ukrainan valta- ja poliisiviranomaisten jäseniä alettiin kutsua "banderiiteiksi" riippumatta heidän asenteestaan ​​​​nationalismia kohtaan.
      ellauri382.html on line 37:

      ground:#8faa81;text-align:center;margin-bottom:0%">Vladimir Zhirinovski-vainaja

      
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      ground:#8faa81;text-align:center;margin-top:0%;margin-bottom:0%">Itätyttöjä

      Suunsoittoa

      
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      ground:#f4f3ef;text-align:center;margin-bottom:0%">Various authors

      
      ellauri383.html on line 38:

      ground:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Poena Cullei

      Mölinää

      
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      ground:black;color:#f4f3ef;text-align:center;margin-bottom:0%">THOMAS WHICHELLO

      
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      ground:black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">ÖBAUT

      Hölinää

      
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      ground:black;color:#f4f3ef;text-align:center;margin-bottom:0%">Teppo Tulppu

      
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      ground:black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo

      Teppoilua

      
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      ground:#F8DE7E;color:teal;text-align:center;margin-bottom:0%">PIENIÄÄNINEN AUTISTI

      
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      ground:#F8DE7E;color:teal;text-align:center;margin-top:0%;margin-bottom:0%">THE EMPEROR       OF EVERYTHING

      Kupla kurkussa

      
      ellauri389.html on line 69: Elia sees no inconsistency in the fact that porcelain can be both an exclusive luxury item found at "great houses" and an ordinary household accessory such as his teacup, affirming the empire's newly inclusive economy in which porcelain is inexpensive, and a clerk can live like a king; indeed, Elia foregrounds imperialism's integrative effects on porcelain by intimating that his teacup has become precisely the "cheap luxury" for which Bridget always longs. Indeed, the essay itself is replicated by the visual image on Elia's teacup: the cup's picture of "a young and courtly Mandarin, handing tea to a lady from two miles off' is a miniature, orientalized reflection of Elia's and Bridget's (qua Mary) incestuous tea-time smooching.
      ellauri389.html on line 83: Coleridge's "Kubla Khan" already suggests that Coleridge (the Brit) himself is the next poet-hero and successor to China's genius. As a fragment, however, the poem's famously incomplete glimpse of Chinese brilliance foregrounds the poem's failure to realize its promise. Lamb's essay provides a more contemporary explanation of Coleridge's dream: cheap porcelain was the immanent inspiration of "Kubla Khan."
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      ground:lightyellow;padding:1em">
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      ground:white;color:black;text-align:center;margin-bottom:0%">James Fennimore Cooper

      
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      ground:white;color:red;text-align:center;margin-top:0%;margin-bottom:0%">Viimeinen mohikaani

      Tappojuttuja

      
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      ground:white;color:black;text-align:center;margin-bottom:0%">Piisamirotta

      
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      ground:white;color:blue;text-align:center;margin-top:0%;margin-bottom:0%">Kaiken turhuudesta

      Turhuutta

      
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      ground:#3ea0bb;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">LOS MUERTOS

      
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      ground:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Mustan mantiljan salaisuus

      Sensuroitua

      
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      ground:#3ea0bb;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">EL MUERTO

      
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      ground:yellow;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">VIESTI KUOLEMALTA

      Salatietoa

      
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      ground:orange;font-size:4em;text-align:left;margin-top:0%;margin-bottom:0%">SMURFFIEN SEIKKAILUJA

      
      xxx/ellauri027.html on line 20:

      ground:green;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SMURFFIT
      JA TAIKAMUNA

      Smurffijuttuja

      
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      ground:#F5F5F5">
      xxx/ellauri027.html on line 962: Each seminar group feels unique and special. The fact that there are 100 participants of heterogeneous backgrounds means that the inviduals may feel just semi-unique and not-quite-so special (there are about 30 unique ideas in ciruclation anyway, as my assistent has shown), but semi-guided discussions as well as informal dialogues outside the seminar room can be highly rewarding for the participants. Such dialogues are not charged separately.
      xxx/ellauri027.html on line 1027: The Paphos seminar is not statement-based. The seminar does not seek to provide the ”right” answers. It does not even identify ”fundamental themes”. No particular beliefs are targeted as objects of criticism or veneration. Instead, the content is expected to shine through as if behind a veil. Generic themes such as ”choice”, ”respect”, ”love”, ”temporality” serve like melodies in the background.
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      ground:#deb463;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BAMSE
      

      
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      ground:#deb463;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle

      Kevätnarsismia

      
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      ground-color:yellow">
      xxx/ellauri056.html on line 24:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">ENID BLYTON

      
      xxx/ellauri056.html on line 25:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">Viisikko
      ja aavejuna

      Tunnelimaista

      
      xxx/ellauri056.html on line 42: Keväällä 2022 Ukrainan selkkauxen aikana löytyi Häpylän lainaston poistohyllystä alkuperäisteos Five go off to concentration camp, jonka kannessa Georgina kazoo ahdistuneena kun Dickin aavejuna syöxyy pimeään tunneliin. Siitä selvisi, että loppuvizeissä Timmy the dog thumped his tail hard on the ground. Julian, Dick, George and Ann laughed hard and Dick thumped his dick happily into Georgina's tail.
      xxx/ellauri057.html on line 24:

      ground:#ae534a;text-align:center;margin-top:0%;margin-bottom:0%">Tex Willer

      
      xxx/ellauri057.html on line 25:

      ground:#bfab6c;text-align:center;margin-top:0%;margin-bottom:0%">DJEVEL-FJELLET

      Tuhat tulimmaista

      
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      ground-color:#f4f5f7">
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      ground-color:#f7f9c5">
      xxx/ellauri057.html on line 717:

      ground-color:#d4f9a7">
      xxx/ellauri068.html on line 23:

      ground:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL

      
      xxx/ellauri068.html on line 24:

      ground:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">BOЯДT SUBSEQUENT MOVIEFILM

      Sekatavaraa

      
      xxx/ellauri068.html on line 284: ground-comics-robert-crumb.jpg" height="200px" />
      xxx/ellauri068.html on line 415:

      ground-color:pink">
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      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace

      
      xxx/ellauri075.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta

      Hörhöilyä

      
      xxx/ellauri075.html on line 159: The discovery of Kierkegaard prompted Shestov to realise that his philosophy shared great similarities, such as his rejection of idealism, and his belief that man can gain ultimate knowledge through ungrounded subjective thought rather than objective reason and verifiability. However, Shestov maintained that Kierkegaard did not pursue this line of thought far enough, and continued where he thought the Dane left off.
      xxx/ellauri076.html on line 27:

      ground:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ

      
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      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ

      {span style="color:white;background-color:orange"}2021{/span} Hulvatonta

      
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      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini

      
      xxx/ellauri081.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52

      Ekstaasia

      
      xxx/ellauri084.html on line 27:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">James Wallace

      
      xxx/ellauri084.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

      Nalkutusta

      
      xxx/ellauri084.html on line 266:

      ground:#ffccff" />
      xxx/ellauri084.html on line 773: In France, after its release, communists, socialists, and "independent groups" treated the film favorably; however, the far right disapproved on account of the director's background. Some French critics denounced the film as unpatriotic. The film has also been criticized for being too selective and that the director was "too close to the events portrayed to provide an objective study of the period."
      xxx/ellauri085.html on line 27:

      ground:blue;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster

      
      xxx/ellauri085.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

      Makulatuuria

      
      xxx/ellauri085.html on line 283: For most of his career, Peterson maintained a clinical practice, seeing about 20 people a week. He has been active on social media, and in September 2016 he released a series of videos in which he criticized Bill C-16 which proposed to add "gender identity or expression" as a prohibited ground of discrimination under the Canadian Human Rights Act, and to similarly expand the definitions of promoting genocide and publicly inciting hatred in the hate speech laws in Canada.
      xxx/ellauri086.html on line 27:

      ground:blue;text-align:center;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio

      
      xxx/ellauri086.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

      Kuiskauxia

      
      xxx/ellauri086.html on line 83: ONAN, as almost everybody knows, was killed by God for the heinous crime of "spilling his seed upon the ground". This, throughout history, has associated him with masturbation, beginning with the writings of Clement of Alexandria. And I agree, that when DFW mentions O.N.A.N., that connotation is implied. But that's not why God was mad at Onan. If you go read the whole sordid story in Genesis 38: when God killed Onan's brother, for reasons which are a bit obscure, leaving his widow childless, it was the custom that Onan was required to marry her and father a child upon her. This child would legally be his brother's. This was known as Levirate marriage. Onan didn't want any children who weren't legally his, so Onan "went in" to his brother's wife but pulled out early and "spilled his seed on the ground". So Onan's real sin was refusing to Consumate his Levirate Marriage. Now, once God whacked Onan, his widow had to wait for his remaining brother to grow up. But she got tired of waiting and put on a veil(!!!!) and tricked Onan's father into having sex with her. So a painting of the "Consummation of the Levirates" might be Onan's father banging his sons' wife....
      xxx/ellauri086.html on line 688: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background").
      xxx/ellauri086.html on line 768:

      ground:#fffaaa">
      xxx/ellauri087.html on line 27:

      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen

      
      xxx/ellauri087.html on line 28:

      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan

      Huutoja

      
      xxx/ellauri087.html on line 466: Archibald MacLeish's poem "You, Andrew Marvell", alludes to the passage of time and to the growth and decline of empires. In his poem, the speaker, lying on the ground at sunset, feels "the rising of the night". He visualizes sunset, moving from east to west geographically, overtaking the great civilizations of the past, and feels "how swift how secretly / The shadow of the night comes on."
      xxx/ellauri087.html on line 558:

      ground:pink">
      xxx/ellauri087.html on line 626: Historicity: activity systems take shape and get transformed over long stretches of time. Potentials and problems can only be understood against the background of their own histories.
      xxx/ellauri087.html on line 664:

      ground:pink;font-family:sans-serif">

      
      xxx/ellauri091.html on line 27:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti

      
      xxx/ellauri091.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä

      Muistoja

      
      xxx/ellauri091.html on line 102: Miesten käsirysyn kautta turvattu rauha on yhdenlaista naisen alistamista, tuumaavat naiset Saudi-Arabiassa ja Lontoossa. ground:yellow">En 48-årig polis har häktats misstänkt för att ha ground:yellow">kidnappat och dödat en kvinna. Fallet fick Londonpolisen att varna kvinnor, be dem vara försiktiga och inte ta promenader på egen hand. Gå ut bara i sällskap av en manlig släkting, far, bror, farbror, morbror eller kusin. En helkroppsmask är också en bra idé. Många menar att den typen av uttalanden antyder att det är kvinnors ansvar att själva undvika att bli attackerade. Enligt Storbritanniens premiärminister Boris Godunov ska lagstiftingen leda till skärpta straff för flanörer och ground:yellow">fler poliser på gatorna.
      xxx/ellauri091.html on line 383: Left: Favors laws such as background checks or waiting periods before buying a gun; banning certain high capacity weapons to prevent mass shootings.
      
      xxx/ellauri091.html on line 765: ground:#ffffaa">
      xxx/ellauri103.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel

      
      xxx/ellauri103.html on line 29:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">We have to talk about Kevin

      Toxisia penseitä

      
      xxx/ellauri103.html on line 168: In 2016 Shriver gave a controversial speech about cultural appropriation. Shriver had previously been criticized for her depiction of Latino and African-American characters in her book The Mandibles, which was described by one critic as racist and by another as politically misguided. In her Brisbane speech, Shriver contested these criticisms, saying writers ought to be entitled to write from any perspective, race, gender or background that they choose, even racist and politically misguided, in fact particularly so, because they sell best. The full text of her speech was published in the British newspaper The Guardian.
      xxx/ellauri103.html on line 205: I am hopeful that the concept of “cultural appropriation” is a passing fad: rubbing people with different backgrounds against each other and exchanging our flaky ideas and shady practices against their money is self-evidently one of the most productive, fascinating aspects of modern urban life.
      xxx/ellauri103.html on line 248: Behold, the reviewer in the Washington Post, who groundlessly accused this book of being “racist” because it doesn’t toe a strict Democratic Party line in its political outlook, described the scene thus: “The Mandibles are white. Luella, the single African American in the family, arrives in Brooklyn incontinent and demented. She needs to be physically restrained. As their fortunes become ever more dire and the family assembles for a perilous trek through the streets of lawless New York, she’s held at the end of a leash. If The Mandibles is ever made into a film, my suggestion is that this image not be employed for the movie poster.” Your author, by implication, yearns to bring back slavery. Failing that, she does the best to poke fictive fun at a fictive member of the underprivileged race. Nobody laugh?
      xxx/ellauri103.html on line 252: In fact, I’m reminded of a letter I received in relation to my seventh novel from an Armenian-American who objected – why did I have to make the narrator of We Need to Talk About Kevin Armenian? He didn’t like my narrator, and felt that her ethnicity disparaged his community. I took pains to explain that I knew something about Armenian heritage, because my best friend in the States was Armenian, and I also thought there was something dark and aggrieved in the culture of the Armenian diaspora that was atmospherically germane to that book. Besides, I despaired, everyone in the US has an ethnic background of some sort, and she had to be something! Joe Biden has finally admitted that the Armenian genocide was a genocide and not just an unusually bad case of flu. I am not convinced of it yet.
      xxx/ellauri103.html on line 257:

      I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …

      
      xxx/ellauri104.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">John Nash

      
      xxx/ellauri104.html on line 29:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää

      Hulluttelua

      
      xxx/ellauri104.html on line 253: Funny thing is, nobody knows why neurotransmitters are of a different level for people with "schizophrenia" and blame it on this label. Those with such illnesses were not always measured for levels of neurotransmitters, they were only assumed to have such levels of neurotransmitters by the psychiatrist who has no real medical background like that of a surgeon. To worsen it, Earthling's medical science has yet to be able to measure these levels accurately and safely! Isn't this shocking?
      xxx/ellauri113.html on line 27:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">Stephen Hawking
      &
      Pekka Reinikainen

      
      xxx/ellauri113.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything

      Kaiken teoriaa

      
      xxx/ellauri113.html on line 310:

      ground:lightblue;float:right;width:40%">
      xxx/ellauri113.html on line 558:

      ground:lightyellow;float:right;width:40%;font-family:sans-serif;padding:1em">
      xxx/ellauri114.html on line 26:

      ground:#dcdcdc;text-align:center;margin-top:0%;margin-bottom:0%">Mamuhuijarit

      
      xxx/ellauri114.html on line 27:

      ground:#2be264;text-align:center;margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?

      Vittuilua

      
      xxx/ellauri114.html on line 352: And concerning the time of the 2nd coming, Isaiah wrote: Who is this coming from Edom, from Bozrah, with his garments stained crimson? Who is this, robed in splendor, striding forward in the greatness of his strength? “It is I, proclaiming victory, mighty to save.” Why are your garments red, like those of one treading the winepress? “I have trodden the winepress alone; from the nations no one was with me. I trampled them in my anger and trod them down in my wrath; their blood spattered my garments, and I stained all my clothing. It was for me the day of vengeance; the year for me to redeem had come. I looked, but there was no one to help, I was appalled that no one gave support; so my own arm achieved salvation for me, and my own wrath sustained me. I trampled the nations in my anger; in my wrath I made them drunk and poured their blood on the ground”
      xxx/ellauri116.html on line 27:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">ILTALEHTI

      
      xxx/ellauri116.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali

      Moskaa

      
      xxx/ellauri120.html on line 27:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy

      
      xxx/ellauri120.html on line 28:

      ground:cyan;text-align:center;margin-top:0%;margin-bottom:0%">It was a dark and stormy night.

      Lyttäystä

      
      xxx/ellauri120.html on line 239: After several years, Hester returns to her cottage and resumes wearing the scarlet letter. When she dies, she is buried near the grave of Dimmesdale, and they share a simple slate tombstone engraved with an escutcheon described as: "On a field, sable, the letter A, gules" ("A red letter A written on a black background"). Ingan vaakunassa on hassu jellona kieli ulkona kuin Hanna Montanalla sinisellä taustalla.
      xxx/ellauri121.html on line 27:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat

      
      xxx/ellauri121.html on line 28:

      ground:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus

      Hartautta

      
      xxx/ellauri122.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera

      
      xxx/ellauri122.html on line 32:

      ground:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Tips

      Vinkkejä

      
      xxx/ellauri122.html on line 806: 'The Things They Carried' is a ground-breaking meditation on war, memory, imagination, and the power of storytelling.
      xxx/ellauri122.html on line 857: With no apparent motive for the crime and barely any clues, Capote interviewed local residents and investigators to put together the ground-breaking story.
      xxx/ellauri123.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger

      
      xxx/ellauri123.html on line 32:

      ground:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">THE COCK

      Löysiä kukkoja ja kanoja

      
      xxx/ellauri123.html on line 774:

      ground-color:mistyrose">
      xxx/ellauri123.html on line 1157:

      ground-color:lightyellow">
      xxx/ellauri124.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell

      
      xxx/ellauri124.html on line 32:

      ground:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">To Be a Machine

      Masinointia

      
      xxx/ellauri125.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков

      
      xxx/ellauri125.html on line 32:

      ground:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Лолита

      Gastropodiaa

      
      xxx/ellauri125.html on line 763: She appeared in supporting roles in the Alex Cox films Sid and Nancy (1986) and Straight to Hell (1987) before forming the band Hole in Los Angeles with guitarist Eric Erlandson. The group received critical acclaim from underground rock press for their 1991 debut album, produced by Kim Gordon, while their second release, Live Through This (1994), was met with critical accolades and multi-platinum sales. In 1995, Love returned to acting, earning a Golden Globe Award nomination for her performance as Althea Leasure in Miloš Forman's The People vs. Larry Flynt (1996), which established her as a mainstream actress. The following year, Hole's third album, Celebrity Skin (1998), was nominated for three Grammy Awards.
      xxx/ellauri125.html on line 793: In January 1995, Love was arrested in Melbourne for disrupting a Qantas flight after getting into an argument with a stewardess.[163] On July 4, 1995, at the Lollapalooza Festival in George, Washington, Love threw a lit cigarette at musician Kathleen Hanna before punching her in the face, alleging that Hanna had made a joke about her pleaded guilty to an assault charge and was sentenced to anger management classed. In November 1995, two male teenagers sued Love for allegedly punching them during a Hole concert in Orlando, Florida in March 1995. The judge dismissed the case on grounds that the teens "weren't exposed to any greater amount of violence than could reasonably be expected at an alternative rock concert". Love later said she had little memory of 1994–1995, as she had been using large quantities of heroin and Rohypnol at the time. Mullakin on noista vuosista hämärähköt muistot, paizi että muutettiin Ilmattarentielle.
      xxx/ellauri126.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset

      
      xxx/ellauri126.html on line 32:

      ground:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?

      Urbaania

      
      xxx/ellauri127.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov

      
      xxx/ellauri127.html on line 32:

      ground:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Pigita

      Mansplainingia

      
      xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
      xxx/ellauri127.html on line 552: So twice five miles of fertile ground Peninkulman laajuiset hevonheinät
      xxx/ellauri127.html on line 647:

      ground-color:aliceblue;font-family:sans-serif">
      xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
      xxx/ellauri128.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

      
      xxx/ellauri128.html on line 29:

      ground:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Kootut töräyxet

      FUCK!

      
      xxx/ellauri129.html on line 27:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

      
      xxx/ellauri129.html on line 28:

      ground:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">LIFESTYLE

      EAT!

      
      xxx/ellauri129.html on line 346: Jottei kuvasta tulisi liian fiini ja korkeakulttuurinen, todettakoon, että Korhonen kirjoittaa myös esimerkiksi pitkiä ja railakkaan yksityiskohtaisia seksikohtauksia. Sekä vaikkapa ylistyksiä rock-bändeille – hänen suosikkejaan ovat ysäribändit Interpol, The National, Velvet Underground, Nick Cave, Sonic Youth, The Strokes – ja herkullista herjaa U2:sta. Kuinka unettavaa, samaan lankesi myös Kjell Westö vaikka oli hurri.
      xxx/ellauri130.html on line 27:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

      
      xxx/ellauri130.html on line 28:

      ground:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat

      KILL!

      
      xxx/ellauri130.html on line 111:

      ground:yellow">
      xxx/ellauri134.html on line 27:

      ground:purple;text-align:center;margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari

      
      xxx/ellauri134.html on line 28:

      ground:purple;text-align:center;margin-top:0%;margin-bottom:0%">Tääl on niin kuuma

      Virallinen musiikkivideo

      
      xxx/ellauri136.html on line 27:

      ground:#b93c2b;text-align:center;margin-top:0%;margin-bottom:0%">AS Pushkin

      
      xxx/ellauri136.html on line 28:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">SOLD

      Somepöhinää

      
      xxx/ellauri136.html on line 524: ground.com/images/hammer-game-clipart-9.jpg" />
      xxx/ellauri137.html on line 31:

      ground:#52b1df;text-align:center;margin-top:0%;margin-bottom:0%">Turun Darwin

      
      xxx/ellauri137.html on line 32:

      ground:#eeb8b8;text-align:center;margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki

      {span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa

      
      xxx/ellauri137.html on line 194: When Manet painted this piece 1868, scenes of bourgeois life were in vogue. Yet The Balcony went against the conventions of the day. All the subjects were close acquaintances of the artist, especially Berthe Morisot who here, pictured sitting in the foreground, makes her first appearance in Manet's work, and who went on to become one of his favourite models.
      xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
      xxx/ellauri138.html on line 27:

      ground:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">J.W.v Goethe

      
      xxx/ellauri138.html on line 28:

      ground:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">Dichtung und Wahrheit

      Alternatiivista totuutta

      
      xxx/ellauri138.html on line 213: Wylie's final works dealt with the potentially catastrophic effects of pollution and climate change. In 1971 Wylie wrote a Name of The Game episode "L.A. 2017", in which the lead character awakens in a science-fiction dystopia, centered on a psychiatric fascist government overseeing the underground-sheltered remnants of humanity on the aftermath of an environmental (pollution) catastrophe.
      xxx/ellauri139.html on line 27:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei

      
      xxx/ellauri139.html on line 28:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">IDIOOTTI!

      Idiotiaa

      
      xxx/ellauri148.html on line 32:

      ground:blue;text-align:center;margin-top:0%;margin-bottom:0%">The McCormacks

      
      xxx/ellauri148.html on line 33:

      ground:blue;text-align:center;margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY

      Uraata

      
      xxx/ellauri148.html on line 68: "We wanted to do something to celebrate the crushing victory of our arms and the Israeli ground forces, plus the importance of military communications in forcing the ragheads to eat their peas a second time," McCormack says.
      xxx/ellauri148.html on line 110:

      Background

      
      xxx/ellauri149.html on line 32:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen et al.

      
      xxx/ellauri149.html on line 33:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">LIMAA

      Limaa

      
      xxx/ellauri149.html on line 54: Tung said he prefers teams with cross-cultural backgrounds. For example, Zhang Sheng, co-founder of Wish, is a Chinese who once studied in the U.S., while another co-founder of the company Peter Szulczewski is a Jew from east Europe. He explained that Americans tend to focus on domestic market and ignore overseas opportunities. But teams with multinational backgrounds are more likely to set their eyes on global market. For example, around 50% of Wish’s revenue comes from overseas market.
      xxx/ellauri154.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
      BALLSACK

      
      xxx/ellauri154.html on line 29:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques

      Leikkisää

      
      xxx/ellauri154.html on line 103: Fyodor Dostoevsky "read widely in the numerous novels of George Sand" and translated her La dernière Aldini in 1844, but "discovered to his dismay that the work had already appeared in Russian". In his mature period, he expressed an ambiguous attitude towards her. For instance, in his novella Notes from Underground the narrator refers to the sentiments he expresses as, "I laugh off at that point the European, inexplicably lofty subtleties of George Sand".
      xxx/ellauri154.html on line 361: Ecological factors were also probably a precursor to eusociality. For example, the sponge-dwelling shrimp depend upon the sponge´s feeding current for food, termites depend upon dead, decaying wood, and naked mole rats depend upon tubers in the ground. These resources have patchy distributions in the environments of these animals. In places there is a surplus, in others next to nothing. This means that resources must be defended for the group to survive. These requirements make it a necessity to have high social order for the survival of the group.
      xxx/ellauri157.html on line 31:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">Kuka Ruikki

      
      xxx/ellauri157.html on line 32:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">TIEDE 2022

      Naturalia atque turpia

      
      xxx/ellauri157.html on line 107: In the seventeenth century, the story of King Candaules’s wife was seen as a moral lesson, warning against violations of the marital bedchamber. The theme was treated by the poet Jacob Cats in his Toneel vande mannelicke Achtbaerheyt, in which he devoted no less than eighty-six verses to the tale of Candaules and Gyges, and illustrates the scene in the royal bedchamber with a print by Pieter de Jode after Adriaen van de Venne. In the print the Queen is seen half naked from behind. Candaules is already in bed, and the Queen looks at Gyges, who is largely concealed behind the wallhangings. The moral of the story is clarified by a scene on a smaller scale in the background, showing Candaules being slain by Gyges. The print no doubt served as an inspiration for several other later renditions of the theme in Northern Netherlandish painting, including works by Frans van Mieris the Elderv, and Eglon van de Neervi.
      xxx/ellauri157.html on line 178: Depending upon the translation used (eg. the Hebrew Transliteration “Eth Cepher”) you may get a clearer view of what actually happened. The Moabites were made to lie down upon the the ground. They were measured. Those measuring one length of cord were spared but the giants - a hybrid breed were executed. This is in keeping with the killing of the charge hybrids Goliath of Gath and his brothers. Please note that Og of Bashan was a giant, as were the Rephaim and the Anakin Skywalker. The Book of Echinococh as recommended by Peter, Paul and Mary explains further who “the sons of God” actually were and really clarifies Genesis 6 and why our Mighty Mouse had to destroy the earth. The “sons of God” were not human and hence their offspring were no longer a scale image of God (who had shrunk a lot like a leaky balloon due to all the emanation) so they could never have salivation. The Eth Cepher gives a much clearer translation of the Hebrew than the English versions and so we see that the decimated gorillas were quite malevolent towards God and His more recently created short order cooks - especially people.
      xxx/ellauri165.html on line 28:

      ground:#ac5a34;text-align:center;margin-top:0%;margin-bottom:0%">St. Ambrose

      
      xxx/ellauri165.html on line 29:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."

      Neizeellistä

      
      xxx/ellauri165.html on line 324: After about six months of living in apartments in the Palazzo Sessa with her mother (separately from Sir William) and begging Greville to come and fetch her, Emma came to understand that he had cast her off. She was furious when she realised what Greville had planned for her, but eventually started to enjoy life in Naples and responded to Sir William's intense courtship just before Christmas in 1786. They fell in love, Sir William forgot about his plan to take her on as a temporary mistress, and Emma moved into his apartments, leaving her mother downstairs in the ground floor rooms. Emma was unable to attend Court yet, but Sir William took her to every other party, assembly and outing.
      xxx/ellauri165.html on line 386: In November they moved into a cheap flat at 27 Rue Française; Emma started drinking heavily and taking laudanum. She died on 15 January 1815, aged 49. Emma was buried in Calais on 21 January in public ground outside the town, with her friend Joshua Smith paying for the modest funeral at the Catholic church. Her grave was subsequently lost due to wartime destruction, but in 1994 a dedicated group unveiled the memorial which stands today in the Parc Richelieu in her honour.
      xxx/ellauri166.html on line 28:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה

      
      xxx/ellauri166.html on line 29:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA

      Käärmeilyä

      
      xxx/ellauri166.html on line 36: When Moses told him, Aaron held out the staff in his hand and struck the dust on the ground. It turned into gnats that bit people and animals. All the dust on the ground everywhere in Egypt turned into gnats.
      xxx/ellauri167.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante

      
      xxx/ellauri167.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA

      Päänsärkyä

      
      xxx/ellauri167.html on line 558: Now, “Washington” formed the Federalist party. The other major party in those days, The Democratic Republicans, was formed by Thomas Jefferson [and] there are grounds for accepting the testimony of the Reverend Jedediah Morse of Charleston, who accused Jefferson of being an Illuminati agent. Thus, even at the dawn of our government, it was the democratic party that was the Illuminati front. …
      xxx/ellauri168.html on line 32:

      ground:#35225e;text-align:left;margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba

      
      xxx/ellauri168.html on line 33:

      ground:#35225e;text-align:leftr;margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...

      Kähmintää

      
      xxx/ellauri168.html on line 278: Idealism is a tantalizing view of the nature of reality, in that it elegantly circumvents two arguably insoluble problems: the hard problem of consciousness and the combination problem. Insofar as dissociation offers a path to explaining how, under idealism, one universal consciousness can become many individual minds, we may now have at our disposal an unprecedentedly coherent and empirically grounded way of making sense of life, the universe and everything. The answer? 42.
      xxx/ellauri169.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG

      
      xxx/ellauri169.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!

      Syviä asanoita

      
      xxx/ellauri170.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Rodolphe Bresdin

      
      xxx/ellauri170.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT

      Tragikoomista

      
      xxx/ellauri170.html on line 368: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
      xxx/ellauri173.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

      
      xxx/ellauri173.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Papinin marmiitti

      Protoplasmaa

      
      xxx/ellauri174.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

      
      xxx/ellauri174.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Hadaly

      Ektoplasmaa

      
      xxx/ellauri175.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

      
      xxx/ellauri175.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">SOWANA

      Misofransiaa

      
      xxx/ellauri176.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper

      
      xxx/ellauri176.html on line 39:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruppari

      Samaa vaan

      
      xxx/ellauri176.html on line 152: The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monsignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax. Well not really. It is more like a horrible anticlimax.
      xxx/ellauri177.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION

      
      xxx/ellauri177.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN

      Katollista

      
      xxx/ellauri178.html on line 32:

      ground:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">BENITO ROTH

      
      xxx/ellauri178.html on line 33:

      ground:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">Intohimon Professori

      Himokasta

      
      xxx/ellauri178.html on line 309: Isaiah 16:14 But now the Lord speaks, saying, “Within three years, as a hired man would count them, the glory of Moab will be degraded along with all his great population, and his remnant will be very small and ground-color:pink">impotent.”
      xxx/ellauri178.html on line 311: Acts 4:9 If we this day be examined of the good deed done to the ground-color:pink">impotent man, by what means he is made whole;
      xxx/ellauri178.html on line 313: John 5:3 In these lay a great multitude of ground-color:pink">impotent folk, of blind, halt, withered, waiting for the moving of the water.
      xxx/ellauri178.html on line 315: Acts 14:8 And there sat a certain man at Lystra, ground-color:pink">impotent in his feet, being a cripple from his mother's womb, who never had walked.
      xxx/ellauri178.html on line 317: John 5:7 The ground-color:pink">impotent man answered him, Sir, I have no man, when the water is troubled, to put me into the pool: but while I am coming, another steppeth down before me.
      xxx/ellauri179.html on line 32:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ernestine Hemingwau

      
      xxx/ellauri179.html on line 33:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ford Fiesta

      Homokasta

      
      xxx/ellauri179.html on line 314: “I saw a moving sight the other morning before breakfast in a little hotel where I slept in the dusty fields. The young man of the house had shot a little wolf called coyote in the early morning. The heroic little animal lay on the ground, with his big furry ears, and his clean white teeth, and his jolly cheerful little body, but his brave little life was gone. It made me think how brave all these living things are. Here little coyote was, without any clothes or house or books or money or bonds or anything, with nothing but his own naked self to pay his way with, and risking his life so cheerfully – and losing it – just to see if he could pick up a meal near the hotel. He was doing his coyote-business like a hero, and you must do your boy-business, and I my man-business bravely, too, or else we won’t be worth as much as a little coyote.” (The Letters of William James to Henry James, Little, Brown and Co.: Boston 1926.)
      xxx/ellauri179.html on line 424: “They were the two biggest women I ever saw in my life. You couldn't believe they were real when you looked at them. They ran to the street and a car hit them. The driver stepped out and fell to the ground. Dead. All four innocent! A thousand pounds on me!” He took a cigarette from his pack and pressed it to his lips and lit it. The barrel lit up then shot out smoke. He cocked one eye to keep the smoke out. The barrel pointed at Papa.
      xxx/ellauri179.html on line 474: The tree sat in the middle of the sidewalk, grown up from a small patch of dirt and out of place in the sea of cobblestones. There hadn't been soil on this ground in years that hadn't been trucked in by men.
      xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
      xxx/ellauri179.html on line 500: “His pocket lies open too. A trusting man. The man on the right sulks, looking down with his overbite and light coat. Look in the background. Look at the bar and the uncertainty beyond it and how the scene gets lighter from left to right.”
      xxx/ellauri179.html on line 568: “Good. Very good. The best, I hear.” The stage stood a few feet above ground level. Drums and bass rumbled the room and the piano reassured everyone.
      xxx/ellauri179.html on line 655: After leaving office, Bryan retained some of his influence within the Democratic Party, but he increasingly devoted himself to religious matters and anti-evolution activism. He opposed Darwinism on religious and humanitarian grounds, most famously in the 1925 Daytona monkey case, aka Scopes Trial. Since his death in 1925, Bryan has elicited mixed reactions from various commentators, but he is widely considered to have been one of the most influential figures of the anthropocenic era.
      xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
      xxx/ellauri179.html on line 684: There are two different alarm calls that tell the chicken where the danger is: ground or air.
      xxx/ellauri179.html on line 801: Mencken praised women, though he believed they should remain in the background of industry and politics. In personal letters especially, Mencken would write that women should appreciate men and do their best to support them. Although Mencken did not intend to demean women, his description of his "ideal scene" with a woman in the 1922 edition was not conventionally progressive:
      xxx/ellauri186.html on line 31:

      ground:yellow;text-align:center;margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA

      Sotarikollista

      
      xxx/ellauri186.html on line 32:

      ground:yellow;text-align:center;margin-top:0%;margin-bottom:0%">O EVANGELHO
      SECUNDO A MINHA PALAVRA

      
      xxx/ellauri187.html on line 31:

      ground:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">RACHEL CORBETT

      
      xxx/ellauri187.html on line 32:

      ground:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">CHINS UP

      Panettelua

      
      xxx/ellauri187.html on line 101: W. H. Auden once remarked that would-be poets had better learn a manual trade. But Rilke was cast more in the haughty Yeatsian mold that Auden, not exactly a day laborer himself, haughtily disdained. And unlike Rilke's contemporary Franz Kafka, who performed his tasks as an insurance executive with initiative and even enthusiasm, Rilke was too frail psychologically to balance his art with the demands of full-time employment. Even a desk job in the Austrian army during the First World War, when the forty-year-old literary celebrity was conscripted, proved too much for him. After three weeks of parade-ground training and living in barracks, which nearly killed him, Rilke was assigned to the propaganda section. There his literary powers deserted him, and his frustrated superiors transferred the stunned poet to the card-filing department, where he remained for six months, until his friends interceded and got him discharged. André Malraux he was not.
      xxx/ellauri193.html on line 31:

      ground:yellow;text-align:left;margin-top:0%;margin-bottom:0%">MIN
      GALNA
      HAGE

      Smuts

      
      xxx/ellauri193.html on line 32:

      ground:yellow;text-align:left;margin-top:0%;margin-bottom:0%">POVEL
      RAMEL

      
      xxx/ellauri193.html on line 247: In an understandable effort to free Mr. Seib, the reporter's family, according to a UPI report in The Post Feb. 4, announced: "We want to stress his Catholic background, his German Volga background, his ethnic background." Further, "His upbringing did not have anything to do with the type of person who would spy for anybody." The Iranians chimed in to the effect that "mistakes and misunderstandings" played a major role in Mr. Seib's detention.
      xxx/ellauri193.html on line 596: But it’s not just the imaginary humiliations. There’s just something off-putting about deciding that two bodies of work are of exactly equal merit. I’m all for the notion that literature is such a varied seascape that it’s impossible to get your bearings, let alone arrange things in order; and I’m comfortable with the idea that, of course, some writers are better than others. But once the scorekeeping gets specific, it just feels wrong. What’s better, Guernica or Citizen Kane? The Velvet Underground and Nico or really good Mexican food? The Great Gatsby or your best friend in high school? These are ridiculous questions, and the fairest answer—ladies and gentlemen, it’s a tie!—somehow muddies all the contestants, even the enchiladas.
      xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both ­Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
      xxx/ellauri193.html on line 600: Well, first of all, everything can be exaggerated, so calm down a little, Karl Ragnar Gierow. But also there’s a tone here that doesn’t sit well with me. Certainly the literary world has a tendency to calcify—the people who have enough time to write books tend to be from the ­upper classes, so literature’s concerns and perspectives invariably get narrow without new blood. But those sidebar reassurances that working-class poets aren’t here to ravage and plunder seem nervous and uptight, and not really reassuring to boot. It seems to me that we want a little ravagement and plunder in our literary traditions. Why else would we welcome a stirring new voice, if it didn’t stir us up a little? And if it doesn’t stir us up, is it really a new voice, even if it comes from a place most of us haven’t visited? “To determine an author and his work against the background of his social origin and political environment is, at present, good form,” the speech continues, and that’s OK as far as it goes. But if you’re going to decide that two authors are tied for literary merit, surely we can find some criterion besides their socioeconomic origin stories.
      xxx/ellauri193.html on line 812: The death penalty is often used within skewed justice systems. The weight of the death penalty is disproportionally carried by those with less advantaged socio-economic backgrounds or belonging to a racial, ethnic or religious minority.
      xxx/ellauri195.html on line 31:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola

      
      xxx/ellauri195.html on line 32:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu

      Kyrkästystä

      
      xxx/ellauri199.html on line 31:

      ground:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Neptune

      
      xxx/ellauri199.html on line 32:

      ground:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Hello Poetry

      Poetiikkaa

      
      xxx/ellauri200.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé

      
      xxx/ellauri200.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now

      Rodullistusta

      
      xxx/ellauri200.html on line 88: Ezekiel penned poems in ‘Indian English’ ("I am levitating now", "Eat My meat and curry" pronounced with cacuminals and a singing accent) like the one based on instruction boards in his favourite Irani café. His poems are used in Indian English textbooks. His poem 'Background, Casually' is considered to be the most defining poem of his poetic and personal career.
      xxx/ellauri200.html on line 91: Background, Casually
      xxx/ellauri200.html on line 182: Naipaul is Conrad's heir as the annalist of the destinies of empires in the moral sense: what they do to human beings. His authority as a narrator is grounded in the memory of what others have forgotten, the history of the vanquished.
      xxx/ellauri200.html on line 597: homuncular men, who walk upon the ground Miehet miekkoset, jota kaxijalkaisesti
      xxx/ellauri201.html on line 31:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas

      
      xxx/ellauri201.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup

      Kovaxikeitettyä

      
      xxx/ellauri202.html on line 30:

      ground:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD

      
      xxx/ellauri202.html on line 31:

      ground:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus

      Jaaritusta

      
      xxx/ellauri208.html on line 33:

      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">Näkyip
      Nahkapouz

      
      xxx/ellauri208.html on line 34:

      ground:red;text-align:center;margin-top:0%;margin-bottom:0%">Middag-kuja

      Tyyylsäää

      
      xxx/ellauri209.html on line 32:

      ground:#474342;text-align:center;margin-top:0%;margin-bottom:0%">Frederick McCubbin

      
      xxx/ellauri209.html on line 33:

      ground:#474342;text-align:center;margin-top:0%;margin-bottom:0%">On the Wallaby Track

      Tumpelointia

      
      xxx/ellauri212.html on line 33:

      ground:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">JOHN LODWICK

      
      xxx/ellauri212.html on line 34:

      ground:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">AMOR ME DIO LA DESPEDIDA

      Sexiä

      
      xxx/ellauri215.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN

      
      xxx/ellauri215.html on line 34:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN

      Trollausta

      
      xxx/ellauri215.html on line 394: "And this brings me to my conclusion. I’m a strong believer in academic freedom (BUAHAHAHA, stop, you're killing me!) and open debate. I’m somewhat worried coming from a country that lives next to Russia and have been attacked by the Soviet Union and had to survive WW2 as a Soviet neighbor and have had to lose my summerhouse in Porckala to the Soviet Union, that academics make claims that simply are untrue and it doesn’t help if you quote documentation and skew it in a certain direction… more important than international relations theory is the reality of what is happening on the ground.
      xxx/ellauri218.html on line 34:

      ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">Naurunappula

      
      xxx/ellauri218.html on line 35:

      ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI

      Kauhua

      xxx/ellauri218.html on line 244: After the September 11, 2001 attacks, Fresh Kills was temporarily re-opened to be used as a sorting ground for roughly one-third of the rubble from Ground Zero. More than 1,600 personal effects were retrieved during this time. About 1.6 million tons of material obtained from Ground Zero was taken to the landfill for sorting.
      xxx/ellauri218.html on line 410: As it happened, en ollut paikalla, 1977 kesällä olin Sekun kanssa Eirassa enimmäxeen vällykäärmeenä. Lightning struck, and the city went dark for real. By the time the power came back, 25 hours later, arsonists had set more than 1,000 fires and looters had ransacked 1,600 stores, per the New York Times. Opportunistic thieves grabbed whatever they could get their hands on, from luxury cars to sink stoppers and clothespins, according to the New York Post. The sweltering streets became a battleground, where, per the Post, “even the looters were being mugged.”
      xxx/ellauri218.html on line 465: Two days after the NYC sanitation workers’ strike ended on Feb. 12, the predominantly African-American sanitation workers in Memphis, Tenn., went on strike. The union on the ground in the strike was AFSCME Local 1733. This was the famous “I Am a Man” strike, which the Rev. Dr. Martin Luther King Jr. was supporting when he was assassinated.
      xxx/ellauri224.html on line 32:

      ground:cyan;margin-top:0%;margin-bottom:0%"/>
      xxx/ellauri224.html on line 35:

      ground:cyan;text-align:center;margin-top:0%;margin-bottom:0%">SMORE

      
      xxx/ellauri224.html on line 38:

      ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE

      Röhönaurua

      xxx/ellauri224.html on line 223: Kyllä, Dostojevski kärsi lamauttavista epilepsiakohtauksista ja kamppaili peliriippuvuuden kanssa, mutta hän oli myös omistautunut perheenisä (haha), joka löysi elämänsä rakkauden noin toisen vaimonsa ja läheisen siivoojansa Annan kanssa. Jotkut hänen tunnetuimmista teoksistaan ovat "Karamazovin veljet", "Notes from Underground" ja "Crime and Punishment", kirjat, jotka muovasivat eksistentialismia ja jopa Freudin psykologiaa.
      xxx/ellauri224.html on line 295: Tämä lainaus on poimittu kirjasta " Notes From Underground " (1864), Dostojevskin vastauksesta toisen venäläisen kirjailijan Nikolai Tšernyševskin villisti suosittuun filosofiseen romaaniin nimeltä "Mitä on tehtävä?"
      xxx/ellauri224.html on line 307: "Notes from Underground" -elokuvan anonyymi päähenkilö oli ristiriitojen sotku, "vapaa" ihminen, joka tuskin pystyi toimimaan yhteiskunnassa. Jos jätettäisiin seuraamaan hänen "rationaalista omaa etuaan", seurauksena olisi kaaos, ei utopia. Dostojevski jatkoi teemaa " Rikos ja rangaistus ", ensimmäisessä hänen suurista romaaneistaan, jossa miehen julman rationaaliset suunnitelmat murhata vanha nainen rahan vuoksi menevät pahasti pieleen.
      xxx/ellauri224.html on line 444: There important historical antecedents that may help us figure out the true reasons of the charming beauty of Ukranian women. Ukraine is a very special country which is located nearly in the centre of Europe. Therefore, it has always been the point of intersection between different cultures and nations. It has been largely affected by both, the West and the East. The trade routes that were used by the ancient and middle ages merchants ran through the territory of the modern-day Ukraine. Thus, nations such as the Nordic Vikings and Southern Greeks met each other en route to their destinations towns and ports. They made their way through Ukraine. Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women. Afterwards, it was largely affected by Russia which also has very beautiful women. During the past century, lots of European nations managed to leave their scumbags in the Ukraine. So, this is the historical background which helps us realise that the current beauty of the Ukranian women is attributed to the mixture of very different nations from two different parts of the world.
      xxx/ellauri224.html on line 455: Fortunately, the administration has ramped up military assistance significantly, providing vital lethal anti-tank, anti-aircraft and anti-ship missiles and other weapons, including drones and long-range artillery, that have had a huge impact on levelling the battlefield to ground. Other countries have also provided much-needed assistance, including tank tops. This assistance has made a world of difference and sent an important morale boost to the Ukranian bride.
      xxx/ellauri225.html on line 32:

      ground:peru;text-align:center;margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.

      
      xxx/ellauri225.html on line 33:

      ground:gold;text-align:center;margin-top:0%;margin-bottom:0%">2x haarautuva halko

      Sapfekasta

      
      xxx/ellauri227.html on line 32:

      ground:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ

      
      xxx/ellauri227.html on line 33:

      ground:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">IS PRINSESSA

      Jäätävää

      
      xxx/ellauri227.html on line 344: Despite the titillating title, there's no sex to speak of in Marklund's second thriller featuring Swedish reporter Annika Bengtzon. The events in this book precede those in The Bomber, which introduced Annika as a successful newspaper editor. Here we see her eight years earlier, working as a summer intern at the same Stockholm paper. A young stripper's body is found in a city park, and as Annika and her colleagues investigate, they discover some strange links between the murder, high-ranking Swedish officials, and an illegal espionage operation long since disbanded. Meanwhile, Annika is struggling with a clingy boyfriend and learning the ins and outs of reporting in a competitive environment. These struggles are more compelling than the crimes she is investigating, and the action tends to move at a snail's pace until the rushed climax. However, fans of The Bomber will enjoy a second dose of spunky Annika and the realistic newsroom scenes. An author's note gives helpful background information on Swedish politics and the real-life inspiration for the story.
      xxx/ellauri228.html on line 32:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO

      
      xxx/ellauri228.html on line 33:

      ground:green;text-align:center;margin-top:0%;margin-bottom:0%">HEI BEIBI,
      MÄ OON
      TULLA!

      Koomista sexiä

      
      xxx/ellauri228.html on line 39: "I shall now put a few final questions to the honorable delegation from Rhohchia! Is it not true that many years ago there landed on the then dead planet of Earth a ship carrying your flag, and that, due to a refrigerator malfunction, a portion of its perishables had gone bad? Is it not true that on this ship there were two spacehands, afterwards stricken from all the registers for unconscionable double-dealing with duckweed liverwurst, and that this pair of arrant knaves, these Milky-Way ne'er-do wells, were named Lorrd and God? Is it not true that Lorrd and God decided, in their drunkenness, not to content themselves with the usual pollution of a defenseless, uninhabited planet, that their notion was to set off, in a manner vicious and vile, a biological evolution the likes of which the world had never seen before? Is it not true that both these Rhohches, with malice aforethought, malice of the greatest volume and intensity, de vised a way to make of Earth-on a truly galactic scale-a breed ing ground for freaks, a cosmic side show, a panopticum, an exhibit of grisly prodigies and curios, a display whose living specimens would one day become the butt of jokes told even in the outermost Nebulae?!
      xxx/ellauri228.html on line 237: Lem oli monikielinen: hän osasi puolaa, latinaa, saksaa, ranskaa, englantia, venäjää ja ukrainaa. Lem väitti, että hänen älykkyysosamääränsä testattiin lukiossa 180-vuotiaana. (LOL, siis se oli 180, mutta sitä Google-kääntäjän on vaikea uskoa.) Lem oli naimisissa Barbaran (o.s. Leśniak) Lemin kanssa kuolemaansa asti. Hiän kuoli 27. huhtikuuta 2016. Heidän ainoa poikansa Tomasz Lem [pl] syntyi vuonna 1968. Hän opiskeli fysiikkaa ja matematiikkaa Wienin yliopistossa ja valmistui fysiikan tutkinnosta Princetonin yliopistosta. Tomasz kirjoitti muistelman isästään Awantury na tle powszechnego ciążenia (Tantrums on the Background of the Universal Gravitation), joka sisältää lukuisia henkilökohtaisia tietoja Stanisław Lemistä. Kirjatakissa sanotaan, että Tomasz työskentelee Google-kääntäjänä ja hänellä on tytär Anna.
      xxx/ellauri229.html on line 32:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Harry Bosch

      
      xxx/ellauri229.html on line 33:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS

      Retroa

      
      xxx/ellauri229.html on line 65:

      ground-color:lightyellow;border:1pt solid;padding:1em">
      xxx/ellauri229.html on line 101: 21. The Knowledg of the First Attesters is ascertain’d by what has been prov’d. §. §. 15.16. Their Veracity must be prov’d by shewing there could be no Apparent Good to move their Wills to deceive us; and the best proof (omitting the Impossibility of joyning in such an Universal Conspiracy to deceive, the Certain loss of their Credit to tell a Lie against Notorious Matters of Fact &c.) is the seen Impossibility of Compassing their Immediate End, which was to Deceive. Which reason is grounded on this, that no one man, who is not perfectly Frantick, acts for an End that he plainly sees Impossible to be compassed. For example, to fly to the Moon (LOL), or to swim over Thames upon a Pig of Lead. (Except a really Big Hollow Pig of Lead.)
      xxx/ellauri229.html on line 103: 29. Hence appears, that Historical Faith, meerly as Historical, that is, in passages Unabetted by Tradition, is not Absolutely Certain, but is liable to be False or Erroneous, and so is not without some Degree of Levity to be absolutely Assented to; tho’ we cannot generally with prudence Contradict them, but let them pass as if they were Truths, till some good occasion awakens our Doubt of them: The reason is given, in our last Paragraph, from this, that all Particulars are of slight Credit that were not Abetted by a Large and well-grounded Tradition.
      xxx/ellauri229.html on line 117:

      ground:white">
      xxx/ellauri229.html on line 138: (3.) Parents will have a regular subject upon which to examine their children and servants (LOL). – It is much to be desired that family worship were made more instructive than it generally is. The mere reading of the chapter is often too like water spilt on the ground. Let it be read by every member of the family before-hand, and then the meaning and application drawn out by simple question and answer. Like what was the name of the father of Jacob´s sons. The calendar will be helpful in this. Friends, also, when they meet, will have a subject for profitable conversation in the portions read that day. The meaning of difficult passages may be inquired from the more judicious and ripe Christians, and the fragrance of simpler Scriptures spread abroad to mask the smells of the riper Christians.
      xxx/ellauri230.html on line 32:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt

      
      xxx/ellauri230.html on line 33:

      ground:grey;text-align:center;margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA

      Japonais-täytettä

      
      xxx/ellauri230.html on line 341: In October 2021, NBC sports reporter Kelli Stavast was interviewing racing driver Brandon Brown, the winner of the Sparks 300 race at the Talladega Superspeedway, on his win. In the background of the interview were chants of “Fuck Joe Biden” from the crowd – which Stavast mistook for chants of “Let’s Go Brandon,” and reported it live on-air as such. The use of “dark” in referring to political candidates actually first came from supporters of Donald Trump in March of this year. Supporters coined the phrase and Twitter hashtag #DarkMAGA – a reference to the Make America Great Again slogan – to represent a Trump running for president in 2024 who abandoned all political norms.
      xxx/ellauri231.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia

      
      xxx/ellauri231.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit

      Sotahistoriaa

      
      xxx/ellauri232.html on line 32:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Ung Wallenberg

      
      xxx/ellauri232.html on line 33:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån

      Oivalluxia ja niteitä

      
      xxx/ellauri232.html on line 85: Far-right groups have been a consistent presence in the Swedish political underground since the early 1920s, with their high point coming in the municipal elections of 1934, when around eighty council members of Svenska nationalsocialistiska partiet (the Swedish National Socialist Party) were elected across the country. After a long period of mainstream political inactivity in the wake of the Second World War, neo-fascism grew stronger in the 1980s, culminating in the emergence of several new neo-Nazi organisations in the 1990s. The most notable of these groups was Nationalsocialistik Front (the National Socialist Front), who were replaced by the currently active Svenskarnas Parti (the Party of the Swedes) in 2009. The Party of the Swedes’ political program states that “only people who belong to the western genetic and cultural heritage, where ethnic Swedes are included, should be Swedish citizens”, as well as their belief that “all policy decisions should be based on what is best for the interests of the ethnic Swedes”. Far from being prohibited in Sweden, these monsters are sitting now in public offices.
      xxx/ellauri232.html on line 99: If social claims appeal to the people's struggle with poverty and inequality, nationalism offers an encompassing narrative, an identity that blurs the lines of social classes and hides the social fractures that created this very problem. While Fascism promises to protect workers, studies show how Workers' conditions worsened severely during fascist times, something that can also be seen in the strong ultraliberal component most of the 'new far right', and of the dubious democratic credentials of of neoliberalism, devoid of the philosophical background of political liberalism. Nationalism gives the two great enemies behind the woes of people: foreigners, and immigrants. The external enemy, the internal enemy. Both combined ensure that no one is paying attention at inequality or working and living conditions.
      xxx/ellauri233.html on line 32:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN

      
      xxx/ellauri233.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma

      Limaista

      
      xxx/ellauri233.html on line 201:

      ground:yellow">
      xxx/ellauri234.html on line 32:

      ground:#990000;text-align:center;margin-top:0%;margin-bottom:0%">VILLI LÄNSIÖ JA ESA SAARINEN

      
      xxx/ellauri234.html on line 33:

      ground:#990000;text-align:center;margin-top:0%;margin-bottom:0%">TÖRNI KÄRJESSÄ

      Maanpuolustushenkeä

      
      xxx/ellauri235.html on line 32:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Willy Wanker

      
      xxx/ellauri235.html on line 33:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Kävin kirjastossa
      Suklaaosastossa

      Seiloriaiheista

      
      xxx/ellauri237.html on line 32:

      ground:teal;text-align:center;margin-top:0%;margin-bottom:0%">Pablo Basoalto

      
      xxx/ellauri237.html on line 33:

      ground:teal;text-align:center;margin-top:0%;margin-bottom:0%">THIS SUCKS

      Ylimakeaa

      
      xxx/ellauri237.html on line 388:

      ground-color:mistyrose;border:1pt solid pink;padding:1em">

      
      xxx/ellauri239.html on line 33:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui

      
      xxx/ellauri239.html on line 34:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi

      Sanoinkuvaamatonta

      
      xxx/ellauri239.html on line 122:

      ground:linen;font-family:sans-serif;padding:1em">
      xxx/ellauri250.html on line 39:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus

      
      xxx/ellauri250.html on line 40:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin

      Sukuvihaa

      
      xxx/ellauri250.html on line 563: On July 22, 1944, with the war ongoing, Bukowski was arrested by FBI agents in Philadelphia, where he lived at the time, on well grounded suspicion of draft evasion. At a time when the U.S. was at war with Nazi Germany, and many Germans and German-Americans on the home front were suspected of disloyalty, Bukowski's German birth and habit of quoting Mein Kampf "troubled" authorities. He was held for seventeen days in Philadelphia's Moyamensing Prison. Sixteen days later, he failed a psychological examination that was part of his mandatory military entrance physical test and was given a Selective Service Classification of 4-F (unfit for much anything, let alone military service, als physisch sowie mental untauglich für den Militärdienst ).
      xxx/ellauri250.html on line 741: Several of the women who spoke to TIME said that EA’s polyamorous subculture was a key reason why the community had become a hostile environment for women. One woman told TIME she began dating a man who had held significant roles at two EA-aligned organizations while she was still an undergraduate. They met when he was speaking at an EA-affiliated conference, and he invited her out to dinner after she was one of the only students to get his math and probability questions right. He asked how old she was, she recalls, then quickly suggested she join his polyamorous relationship. Shortly after agreeing to date him, “He told me that ‘I could sleep with you on Monday,’ but on Tuesday I’m with this other girl,” she says. “It was this way of being a f—boy but having the moral high ground,” she added. “It’s not a hookup, it’s a poly relationship.” The woman began to feel “like I was being sucked into a cult,” she says.
      xxx/ellauri251.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne

      
      xxx/ellauri251.html on line 39:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger

      Algolagniaa

      
      xxx/ellauri251.html on line 2657: And cleaves unto the ground with staggering feet.
      xxx/ellauri252.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt

      
      xxx/ellauri252.html on line 39:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane

      Juopporemmejä

      
      xxx/ellauri253.html on line 38:

      ground:black;text-align:left;margin-top:0%;margin-bottom:0%">UNTO
      REMES

      
      xxx/ellauri253.html on line 39:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">KREMLIN
      NYRKISTÄ

      {span style="color:white;background-color:red"}2023{/span} Antisosiaalista

      
      xxx/ellauri255.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya

      
      xxx/ellauri255.html on line 39:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan

      Russofobiaa

      
      xxx/ellauri255.html on line 156: Rob Attaboy: Some of the places that were fought over during the civil war have recently been battlegrounds in the current conflict in Ukraine. How far, if at all, did the Russian civil war prefigure the events of today?
      xxx/ellauri259.html on line 38:

      ground:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Yrjö Larmola

      
      xxx/ellauri259.html on line 39:

      ground:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Vapauden ongelma

      Poetic licenses

      
      xxx/ellauri261.html on line 38:

      ground:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">LIISA PARTANEN

      
      xxx/ellauri261.html on line 39:

      ground:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">HYMINÄÄ

      Ankaraa ilostelua

      
      xxx/ellauri261.html on line 590: In the madman passage, the madman is described as running through a marketplace shouting, "I seek God! I seek God!" He arouses some amusement; no one takes him seriously. "Maybe he took an ocean voyage? Lost his way like a little child? Maybe he´s afraid of us (non-believers) and is hiding?" – much laughter. Frustrated, the madman smashes his lantern on the ground, crying out that "God is dead, and we have killed him, you and I!".
      xxx/ellauri265.html on line 38:
      xxx/ellauri265.html on line 39:

      ground:#fba375;text-align:center;margin-top:0%;margin-bottom:0%">Samuli Kukko

      
      xxx/ellauri265.html on line 40:

      ground:#fba352;text-align:center;margin-top:0%;margin-bottom:0%">PUHUKAA BANAANIIN

      Kompsastuskiviä

      
      xxx/ellauri268.html on line 38:

      ground:#e3d2b8;text-align:right;margin-top:0%;margin-bottom:0%">Kuinka valloittaa veitikka

      Paritusta

      
      xxx/ellauri268.html on line 39:

      ground:#e3d2b8;text-align:right;margin-top:0;margin-bottom:0%">Svetlana Moskovasta

      
      xxx/ellauri273.html on line 38:

      ground:lightgrey;text-align:left;margin-top:0%;margin-bottom:0%">Veripalttua
      Guate
      malassa

      Oikeistoketkuja

      
      xxx/ellauri273.html on line 39:

      ground:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias

      
      xxx/ellauri280.html on line 36:

      ground:white;text-align:center;margin-bottom:0%">Ken Follett

      
      xxx/ellauri280.html on line 37:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi

      Kädetystä

      
      xxx/ellauri280.html on line 92: ground.com/wp-content/uploads/2015/02/Arnold-Bennett-182x200.jpeg" height="200px"/>
      xxx/ellauri280.html on line 225: Ukrainan poliittisen kriisin aikana 2010-luvun puolivälissä termi "Bandera" otti tärkeän paikan Venäjän poliittisessa propagandassa ja sitä käytetään negatiivisessa merkityksessä. Niinpä he alkoivat kutsua kaikkia ukrainalaisia ​​nationalisteja riippumatta heidän todellisesta asenteestaan ​​Stepan Banderaan, Andriy Melnykiin , Roman Shukhevychiin ja Ukrainan neuvostovastaiseen undergroundiin. Vähitellen Ukrainan valta- ja lainvalvontaviranomaisten jäseniä alettiin kutsua "banderiiteiksi" riippumatta heidän asenteestaan ​​​​nationalismia kohtaan.
      xxx/ellauri281.html on line 36:

      ground:#9da1ad;text-align:center;margin-bottom:0%">Postinen

      
      xxx/ellauri281.html on line 37:

      ground:#9da1ad;text-align:center;margin-top:0%;margin-bottom:0%">Påskägg

      Pääsiäismunia

      
      xxx/ellauri281.html on line 540:

      ground:lightgreen;border:1pt solid black">
      xxx/ellauri286.html on line 36:

      ground:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan

      
      xxx/ellauri286.html on line 37:

      ground:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä

      Herutusta

      
      xxx/ellauri286.html on line 223: Lev Semjonovitš Rubinštein (ven. Лeв Семёнович Рубинштейн; s. 19. helmikuuta 1947 Moskova, Neuvostoliitto) on venäläinen runoilija, koulutukseltaan pyllykielitieteilijä. Rubinštein työskenteli kirjastonhoitajana ja kuului 1970-luvulla Neuvostoliiton underground-runoilijoihin. Hän on työskentellyt Helsingin yliopistossa venäläisen kirjallisuuden tutkijatohtorina. Rubinštein oli moskovalaisen konseptualismin perustajia ja suuntauksen tärkeimpiä edustajia yhdessä runoilija Dmitri Prigovin (1940–2007) kanssa. Rubinšteinin teksti on suuri huijaus, joka hämmentää lukijaa, sanoo kriitikko Tomi Huttunen. Valokuva-albumi muuttuu korttipakan edetessä vuorovaikutuspeliksi.
      xxx/ellauri286.html on line 426:

      ground-color: #0cbaba;background-image: linear-gradient(315deg, #0cbaba 0%, #380036 74%);color:white;padding:1em">
      xxx/ellauri286.html on line 437:

      ground:lightblue;padding:1em">

      
      xxx/ellauri287.html on line 283:

      ground:lightyellow;padding:1em">
      xxx/ellauri287.html on line 329:

      ground:ivory;font-family:Muli;font-size:small;padding:1em">
      xxx/ellauri287.html on line 527:

      ground:lightyellow;padding:1em">
      xxx/ellauri287.html on line 659:

      ground:lightyellow;padding:1em">
      xxx/ellauri289.html on line 36:

      ground:#7f8b7d;text-align:center;margin-bottom:0%">KERTTU JUVA

      
      xxx/ellauri289.html on line 37:

      ground:#561e27;text-align:center;margin-top:0%;margin-bottom:0%">MASULAN PERITA

      Ihmiskauppaa

      
      xxx/ellauri289.html on line 76: Naiselliset Jehovan todistajat tunkeutuivat taas yxityisalueellemme. Harmi että olin koko ajan suihkussa. Seija oli kiukkuinen koska se joutui ovelle papiljotit päässä. Jenkeissä olisi meillä ollut oikeus "stand our ground"; eli käyttää kuolettavaa väkivaltaa alueella, joka kuuluu meille. Get off my property! Bang bang! Aargh! Mein Leben! Jenkkilä on karmaiseva apinoiden planeetta. Nuutti jäi aidalle haukkumaan tyhjin toimin lähteneiden käännynnäisten perään.
      xxx/ellauri291.html on line 36:

      ground:yellow;text-align:center;margin-bottom:0%">ENSIARVOISEN TÄRKEÄÄ

      
      xxx/ellauri291.html on line 37:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">STAR TREK

      Tähtireellä

      
      xxx/ellauri292.html on line 115: One day he said he would go to Jerusalem to see the Garden of Gethsemane and the hill of the skull that is called Golgotha. But Shaitan (Satan) planned to stop Tekla Haymanot going on his journey to the Holy Land, and he cut the rope which led from the rock to the ground just as Tekla Haymanot started to climb down. Then God gave Tekla Haymanot six wings and he flew down to the valley below... and from that day onwards Teklahaimanot would fly back and forth to Jerusalem above the clouds like an aeroplane. No, more like a bird. Like Super Tekla.
      xxx/ellauri292.html on line 130: “Michelle, utang na loob, may anak akong babae, may mga kapatid akong babae. Mahirap lang kami Michelle, sa bukid lang, alam mo background ng family ko,” Super Tekla said as he denied the accusations.
      xxx/ellauri292.html on line 131: (Michelle, I beg you, I have a daughter, I have sisters, We are only poor, living in a farm, you know my family background.)
      xxx/ellauri293.html on line 36:

      ground:#ffffe6;padding-right:1em;text-align:right;margin-top:0%;margin-bottom:0%">ElvenaR

      Eläinfantasioita

      
      xxx/ellauri293.html on line 247:

      ground:orange;font-family:sans-serif" />
      xxx/ellauri295.html on line 37:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin

      
      xxx/ellauri295.html on line 38:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel

      Tingeltangelia

      
      xxx/ellauri295.html on line 336:

      ground:orange;font-family:sans-serif;font-size:large">
      xxx/ellauri295.html on line 409: Efterhand flyttade familjen till byn Gräsberg strax norr om Ludvika. Sehän on meikäläisten stomping groundeja, käytiin siellä muttei löydetty Nyckelbäckeniin. Se on vielä näkemättä.
      xxx/ellauri295.html on line 455:

      ground:aliceblue ">
      xxx/ellauri296.html on line 37:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA

      
      xxx/ellauri296.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA

      Siionismia

      
      xxx/ellauri298.html on line 37:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG

      
      xxx/ellauri298.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI

      Hullutusta

      
      xxx/ellauri298.html on line 646: God is a metaphor for a mystery that absolutely transcends all human categories of thought, even the categories of being and non-being. Those are categories of thought. I mean it's as simple as that. So it depends on how much you want to think about it. Whether it's doing you any good. Gets you closer to your bliss. Whether it is putting you in touch with the mystery that's the ground of your own being. If it isn't, well, it's a lie. So half the people in the world are religious people who think that their metaphors are facts. Those are what we call theists. The other half are people who know that the metaphors are not facts. And so, they're lies. Those are the atheists.
      xxx/ellauri303.html on line 37:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE

      Harrasta pyllistelyä

      
      xxx/ellauri303.html on line 38:

      ground:black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)

      
      xxx/ellauri304.html on line 37:

      ground:white;text-align:left;margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys

      Hävyttömän typerää

      
      xxx/ellauri304.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Warren Murphy (writer)

      
      xxx/ellauri304.html on line 426: Colorful background.
      xxx/ellauri304.html on line 430: But those five -- plot, hero, motivation, action, background -- are the basic big ideas you need to move ahead with your story, so they are the things you should be kicking around, and not these six, by Ruthanne Reid.
      xxx/ellauri305.html on line 37:

      ground:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Теодор Драйзер

      
      xxx/ellauri305.html on line 38:

      ground:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Американская трагедия

      Sonninsontaa

      
      xxx/ellauri306.html on line 38:

      ground:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Peter Schwartz (writer)

      
      xxx/ellauri306.html on line 39:

      ground:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Ilkeyden ylistys

      Pelkkää törkyä

      
      xxx/ellauri307.html on line 38:

      ground:magenta;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney

      
      xxx/ellauri307.html on line 39:

      ground:magenta;text-align:center;margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA

      Lisää törkyä

      
      xxx/ellauri312.html on line 24:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika

      
      xxx/ellauri312.html on line 25:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle

      Nurinkurista

      
      xxx/ellauri314.html on line 25:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan

      
      xxx/ellauri314.html on line 26:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen

      Tunnehälyä

      
      xxx/ellauri319.html on line 33:

      ground:black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen

      
      xxx/ellauri319.html on line 34:

      ground:black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho

      Omituisia otuxia

      
      xxx/ellauri319.html on line 686:

      ground:yellow;font-family:sans-serif">
      xxx/ellauri320.html on line 25:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi

      Omahoitoa

      
      xxx/ellauri320.html on line 26:

      ground:lightyellow;text-align:center;margin-top:0%;margin-bottom:0%">"Haj" Ross

      
      xxx/ellauri320.html on line 185: By 1932 and trapped in a nightmare marriage (having discovered love letters sent to her husband by a married woman), Cartland resolved to free herself and sued for divorce on the grounds of her husband's adultery.
      xxx/ellauri320.html on line 225: Unconventional to the last, she elected to be buried in a cardboard coffin in the grounds of Camfield Place, under an oak tree planted by Queen Elizabeth I, to the strains of Perry Como singing I Believe.
      xxx/ellauri329.html on line 25:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis

      
      xxx/ellauri329.html on line 26:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Natasha
      Mail order bride...

      Housut pois hoitoa

      
      xxx/ellauri337.html on line 37:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll

      
      xxx/ellauri337.html on line 38:

      ground:white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen

      Antifaa

      
      xxx/ellauri354.html on line 34:

      ground:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">Gabi
      Garciá Márquez

      
      xxx/ellauri354.html on line 35:

      ground:beige;margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de
      mis cojones tristes

      Valkoisia valeita

      
      xxx/ellauri356.html on line 34:

      ground:red;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari

      
      xxx/ellauri356.html on line 35:

      ground:red;margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni

      Päänavauxia

      
      xxx/ellauri357.html on line 34:

      ground:#ead5b6;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius

      
      xxx/ellauri357.html on line 35:

      ground:#ead5b6;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN

      Päänauontaa

      
      xxx/ellauri358.html on line 34:

      ground:#fdfff4;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU

      
      xxx/ellauri358.html on line 35:

      ground:#fdfff4;margin-top:0%;margin-bottom:0">esittää

      
      xxx/ellauri358.html on line 36:

      ground:#fdfff4;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">HALOT

      Peukutusta

      
      xxx/ellauri361.html on line 34:

      ground:black;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa

      
      xxx/ellauri361.html on line 35:

      ground:black;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus

      Profetioita

      
      xxx/ellauri363.html on line 32:

      ground:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannes Heikinheimo

      
      xxx/ellauri363.html on line 33:

      ground:white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO

      Xenofobiaa

      
      xxx/ellauri366.html on line 32:

      ground:#ba2174;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannu Mäkelä

      
      xxx/ellauri366.html on line 33:

      ground:#ba2174;margin-top:0%;margin-bottom:0%">HERRA HUU

      Pedofiliaa

      
      xxx/ellauri376.html on line 30:

      ground-color:#34afd1;color:#6c414b;text-align:center;margin-top:0%;margin-bottom:0%">JAG, OLLE OCH PENSÉ

      Muistolaattoja

      
      xxx/ellauri376.html on line 32:

      ground-color:#ac926f;text-align:center;margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG

      
      xxx/ellauri376.html on line 895:

      ground-color:beige">
      xxx/ellauri379.html on line 30:

      ground-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Ford Coppola

      
      xxx/ellauri379.html on line 32:

      ground-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Pepun hajua

      Peppurointia

      
      xxx/ellauri380.html on line 30:

      ground-color:black;text-align:center;margin-top:0%;margin-bottom:0%">JALLU

      Pyllyröintiä

      
      xxx/ellauri380.html on line 32:

      ground-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka

      
      xxx/ellauri380.html on line 431: At a Washington conference of the World Congress for Soviet and East European Studies, which ended just last week, Mr. Solzhenitsyn's purported anti-Semitism was dealt with head-on in an address by Vladislav Krasnov, a former editor of Radio Moscow's broadcasting division who is now a professor of Russian studies at the Monterey Institute of International Studies in California. Mr. Krasnov said he found the charge "completely groundless."
      xxx/ellauri385.html on line 42:

      ground-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe

      Törkyä

      
      xxx/ellauri385.html on line 43:

      ground-color:black">EST.
      1980

      
      xxx/ellauri385.html on line 44:

      ground-color:red;text-align:center;margin-top:0%;margin-bottom:0%">törkyä

      
      xxx/ellauri387.html on line 41:

      ground-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">JAN GUILLOU

      
      xxx/ellauri387.html on line 42:

      ground-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">Vägen till Moskau

      Sotaintoa

      
      xxx/ellauri387.html on line 140: Gunnar Gunnarsson is one of Iceland's most esteemed writers. From a poor peasant background, Gunnar moved to Denmark in 1907 to get an education. He wrote mainly in Danish throughout his career, in order to reach a wider audience. He wrote Vargur í Vjeum in 1917.
      xxx/ellauri388.html on line 37:

      ground:#f4f3ef;text-align:center;margin-bottom:0%">Mika Waltari

      
      xxx/ellauri388.html on line 38:

      ground:#f4f3ef;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Puhdas ihannes

      Tumputusta

      
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