ellauri002.html on line 276: And fear and grief and pain

ellauri042.html on line 684: In 1968, Atwood married Jim Polk, an American writer; they divorced in 1973 without issue. Maybe they ought to have bought a handmaid. She formed a relationship with fellow novelist Graeme Gibson soon afterward and moved to a farm near Alliston, Ontario, where their daughter, Eleanor Jess Atwood Gibson, was born in 1976. The family returned to Toronto in 1980. Atwood and Gibson were together until September 18, 2019, when Gibson died after suffering from dementia. She wrote about Gibson in the poem Dearly and in an accompanying essay on grief and poetry published in The Guardian in 2020.
ellauri048.html on line 1179: Forgive my grief for one removed, Anna ilmatteex mun suru laudalta poistetusta,
ellauri048.html on line 1266: That grief hath shaken into frost! Se suru on jäätynyt ihan köntäxi!
ellauri048.html on line 1275: To put in words the grief I feel; Sanoittaa mun tuntemaani murhetta;
ellauri048.html on line 1286: But that large grief which these enfold Se suuri suru joka näihin kätkeytyy
ellauri048.html on line 1446: Calm as to suit a calmer grief, Tyyni sopii tyynempään murheeseen,
ellauri048.html on line 1664: And hush'd my deepest grief of all,
ellauri048.html on line 1674: The lesser griefs that may be said,
ellauri048.html on line 1686: But there are other griefs within,
ellauri048.html on line 1803: And is it that the haze of grief
ellauri050.html on line 305: For earth with heavy griefs so overplussed. pitelemään näin ylistressaantunutta maata.
ellauri054.html on line 498: In my old griefs, and with my childhood's faith.
ellauri061.html on line 566: HAMLET [Advancing.] What is he whose grief HAMLET [Etenee.] Mikä se on jonka suru
ellauri077.html on line 234: A theory developed by psychiatrist Elisabeth Kübler-Ross suggests that we go through five distinct stages of grief after the loss of a loved one: Denial, anger, bargaining, depression, and finally acceptance.
ellauri077.html on line 259: Dr. Elizabeth Harper Neeld offers wisdom and practical insights born of personal experience to people rebuilding their lives after suffering grief and loss. As an internationally recognized and accomplished consultant, advisor, and author of more than twenty books - including Tough Transitions and Seven Choices: Finding Daylight After Loss Shatters Your World - she is committed to work that helps lift the human spirit.
ellauri094.html on line 560: In thy grief had we followed thee, in thy passion loved, Sun surussa me seurattiin sua, ja sun kiimassa,
ellauri097.html on line 816: Robert Frost's personal life was plagued by grief and loss. In 1885 when he was 11, his father died of tuberculosis, leaving the family with just eight dollars. Frost's mother died of cancer in 1900. In 1920, he had to commit his younger sister Jeanie to a mental hospital, where she died nine years later. Mental illness apparently ran in Frost's family, as both he and his mother suffered from depression, and his daughter Irma was committed to a mental hospital in 1947. Frost's wife, Elinor, also experienced bouts of depression.
ellauri106.html on line 635: In his baffled grief, Levov is taunted by a female confederate of his daughter’s who stridently berates him as a capitalist pig for a dozen pages, then tries to seduce him with corny porno lines like, “I bet you’ve got yourself quite a pillar in there ... the pillar of society.” When he resists, she shows him her vagina, and “rolling the labia lips outward with her fingers, [exposes] to him the membranous tissue veined and mottled and waxy with the moist tulip sheen of flayed flesh.”
ellauri109.html on line 441: Une première rupture avec Louise Colet en apporte la preuve. Dans sa lettre datée du dimanche 7 mars 1847, Flaubert ose enfin clamer à quel point il est allergique32 aux valeurs qu’elle véhicule, valeurs qui baignent et macèrent dans le discours ambiant du romantisme humanitaire33 : « tes idées de moralité, de patrie, de dévouement, tes goûts en littérature, tout cela était antipathique à mes idées, à mes goûts. »34 Ce qui vient immédiatement après est l’affirmation d’une esthétique, sur le mode de l’antithèse : « amoureux exclusif de la ligne pure, du galbe saillant, de la couleur criante, de la note sonore, je retrouvais toujours chez toi je ne sais quel ton noyé de sentiment qui atténuait tout, et altérait jusqu'à ton esprit ». Voilà les griefs d’un amant qui ne sépare pas l’art de la vie. Le lexique sentimental se trouve accaparé par le commentaire stylistique : « amoureux exclusif », écrit Flaubert, non pas d’une femme, comme Louise, elle, le voudrait, mais du tracé ferme, il lui reproche son « ton noyé de sentiment » qu’il interprète comme une déperdition de force et de précision. De même, les muscles relâchés, les lignes floues et les déliaisons trahissent le corps du texte féminin.
ellauri118.html on line 372: As if no grief had ever been.- Aivan kuin surua ei olisi koskaan ollut. -
ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
ellauri140.html on line 510: His gall did grate for griefe° and high disdaine, Se syljeskeli sapensekaista refluxia,
ellauri140.html on line 924: That for my sake unknowne such griefe unto you grew. että mun tähden sulle on tullut tollasta surua.
ellauri146.html on line 338: On Klopsun keximiä hahmoja. Sammaa ei löydy minun raamatustani. Joel ja Benoni nimet on kyllä hyvästä kirjasta. Rachel died in childbirth. As she was dying she named her son Ben-Oni [son of my grief], but his father Jakob called him Ben-Yamin [son of the right hand, viz. son of the southhand]. Genesis 35:18. Just call me Ben.
ellauri156.html on line 78: In chapter 10, we find David and the men of Israel deliberately insulted by Hanun, the king of the Ammonites. David had become friends with Nahash, the former king. When he died, David sent a delegation of officials to express David's respect for Nahash and his grief over this king's death. The Ammonites do not seem to wish to continue this peaceful relationship with David and Israel, so they humiliate the men whom David sent. This is how it all happened (Bob omitted this):
ellauri156.html on line 568: These words of David are the frosting on the cake. They seem gracious and understanding, even sympathetic. In effect, David is saying, “Well, don't worry about it. After all, you win a few, and you lose a few. That's the way the cookie crumbles.” Uriah, a great warrior and a man of godly character (but not a Jew, mind you), has just died, and David does not express one word of grief, one expression of sorrow, not one word of tribute. Uriah dies, and David is unmoved. Contrast his response to the death of Uriah with his responses to the deaths of Saul and Jonathan (2 Samuel 1:11-27), and even of Abner (2 Samuel 3:28-39). This is not the David of a few chapters earlier. This is a hardened, callused David, callused by his own sin.
ellauri164.html on line 554: 2. The sins we are least inclined to may nevertheless be the sins which will bring us to the bitterest grief. Every man has his weak side. There are sins to which our natural disposition or the circumstances of our up-bringing lay us peculiarly open; and it is without doubt a good rule to be specially on our guard in relation to these sins. Yet the rule must not be applied too rigidly. When Dumbarton Rock was taken, it was not by assailing the fortifications thrown up to protect its one weak side, but by scaling it at a point where the precipitous height seemed to render defense or guard unnecessary. Job was the most patient of men, yet he sinned through impatience. Peter was courageous, yet he fell through cowardice. Moses was the meekest of men, yet he fell through bitterness of Spirit. We have need to guard well not our weak points only, but the points also at which we deem ourselves to be strong.
ellauri171.html on line 528: Years later, when his son Joseph is apparently killed by wild animals, Jacob’s grief is terrible: he tears his clothes, wails, refuses to be comforted.
ellauri171.html on line 531: When Dinah’s brothers heard what had happened, they were very angry. The verb used to describe their emotion is the same as the word used to describe God’s grief when he sees what humanity has become, before the Flood (Genesis 6:6)
ellauri185.html on line 781: In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his son. The Egyptian ruler’s son had died from one of the plagues sent by God to secure the Israelites’ release from Egypt. The gloom of the painting reflects the father’s intense grief.
ellauri197.html on line 315: Furthermore in ‘How Happy I Was If I Could Forget’, she claims to “[l]ose [her] way like a little Child [a]nd perish of the cold,” and this concept is loaded with possible meaning. For one thing, the capitalization of the word, “Child,” could indicate that perhaps she has lost a baby and is grieving that “Child.” This would clarify why she would treat the memory simultaneously as a pain and a beauty since she would treasure the “Child” itself, but abhor the pain attached to the grief. This, however, is the only speculation since it could mean that the helplessness she feels is significant enough, like a “Child” who needs care, to merit capitalization.
ellauri198.html on line 285: But not in grief.
ellauri223.html on line 98: No one is killed or stoned unless by the hands of the people, the accuser and the witnesses beginning first. For they have no executioners and lictors, lest the State should sink into ruin. The choice of death is given to the rest of the people, who enclose the lifeless remains in little bags and burn them by the application of fire, while exhorters are present for the purpose of advising concerning a good death. Nevertheless, the whole nation laments and beseeches God that his anger may be appeased, being in grief that it should, as it were, have to cut off a rotten member of the State. Certain officers talk to and convince the accused man by means of arguments until he himself acquiesces in the sentence of death passed upon him, or else... But if a crime has been committed against the liberty of the republic, or against God, or against the supreme magistrates, there is immediate censure without pity. These motherfuckers are punished with death.
ellauri241.html on line 47: Fanny's flirtatious personality contrasts with Keats' notably more aloof nature. She begins to pursue him after her siblings Samuel and Toots obtain his book of poetry, "Endymion". Her efforts to interact with the poet are fruitless until he witnesses her grief for the loss of his brother, Tom. Keats begins to open up to her advances while spending Christmas with the Brawne family. He begins giving her poetry lessons, and it becomes apparent that their attraction is mutual. Fanny is nevertheless troubled by his reluctance to pursue her, on which her mother (Kerry Fox) surmises, "Mr. Keats knows he cannot like you, he has no living and no income."
ellauri241.html on line 1116: O sovereign power of love! Goog grief! O damn!

ellauri241.html on line 1128: Alas! 'tis his old grief, nothing new:

ellauri241.html on line 1297: Woe! woe! is grief contain'd

ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri264.html on line 382: He was despised and rejected by men, a man of sorrows, acquainted with grief. Like one from whom men hide their faces, he was despised, and we esteemed him not.
ellauri276.html on line 452: And I said, let grief be a fallen leaf at the dawning of the day.
ellauri333.html on line 130: The king confesses that the Kalinga war was the turningpoint in his religious career, and that his grief at the enormous loss of human life made him repent of his conquest and aspire henceforth to the conquest by moraliity. Before, he had been known as Chandasoka (i. e. the fierce Asoka) on account of his evil deeds; afterwards he became known as Dharmasoka (i.e. the pious Asoka) on account of his virtuous deeds.
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri352.html on line 261: grief.svg/800px-K%C3%BCbler_Ross%27s_stages_of_grief.svg.png" />
ellauri362.html on line 251: Turha surra, sivuloikkaa salata; Unavailing thy grief, thy repentance will be:
ellauri368.html on line 291: "In those days no lamentation is heard, sorrow and grief take to flight. No one asks for anything but plenty of wine and food. No sound is heard but that of stringed instrument and pipes, timbels, harps and psalteries .... The wise man is sought in those days, but he is not there; the prudent
ellauri386.html on line 356: As moisture lend to every grief that grows;

ellauri386.html on line 365: A goal of grief for which the wisest run.
xxx/ellauri013.html on line 1063: Brown was a latter-day buccaneer, sorry enough, like his more celebrated prototypes...They never failed to let you know, too, that he was supposed to be a son of a baronet. The others were merrely vulgar and greedy brutes, but he seemed by some more complex intention. He would rob a man as if only to demonstrate his poor opinion of the creature...Later on he ran off - it was reported - with the wife of a missionary, a very young girl from Clapham way, who had married the mild, flat-footed fellow in a moment of enthusiasm, and suddenly transplanted to Melanesia, lost her bearings somehow. It was a dark story. She was ill at the time he carried her off, and died on board his ship. It is said - as the most wonderful part of the tale - that over her body he gave way to an outburst of sombre and violent grief...till at last, he sails into Jim's history, a blind accomplice of the dark powers.
xxx/ellauri103.html on line 268: Regarding identity politics, what’s especially saddened me in my recent career is a trend toward rejecting the advocacy of anyone who does not belong to the group. In 2013, I published Big Brother, a novel that grew out of my loss of my own older brother, who in 2009 died from the complications of morbid obesity. I was moved to write the book not only from grief, but also sympathy of morbid obesity: in the years before his death, as my brother grew heavier, I saw how dreadfully other people treated him – how he would be seated off in a corner of a restaurant, how the staff would roll their eyes at each other after he’d ordered, though he hadn’t requested more food than anyone else. Just a little wafer, is all.
xxx/ellauri121.html on line 344: Sullivan rightly traces Atwood’s notable self-confidence to those early years, but she also ignores the hints in her own narrative that Atwood’s family, like any other, had its neurotic tics—and that Atwood certainly carried her own share of psychic stress into adulthood. Where else does the buried grief, anger and sense of calamity in her writing come from?
xxx/ellauri125.html on line 436: crash, his grief was less than crippling. (The damaged, vengeful protagonist of
xxx/ellauri136.html on line 534: Because -- We are the most in-debt ... obese ... addicted and medicated adult cohort in U.S. history. Goodbye vulnerability, farewell grief, byebye shame, so long fear, see ya later disappointment. I don't want to feel you up. I'm going to have a couple of beers and a banana nut muffin. Move fat from my cheek to my butt.
xxx/ellauri165.html on line 358: She was desperately lonely, preoccupied with attempting to turn Merton Place into the grand home Nelson desired, suffering from several ailments and frantic for his return. The child, a girl (reportedly named Emma), died about 6 weeks after her birth in early 1804, and Horatia also fell ill at her home with Mrs Gibson on Titchfield Street. Emma kept the infant's death a secret from the press (her burial is unrecorded), kept her deep grief from Nelson's family and found it increasingly difficult to cope alone. She reportedly distracted herself by gambling, and succumbed to binges of heavy drinking and eating and spending lavishly.
xxx/ellauri165.html on line 368: Emma lay in bed prostrate with grief for many weeks, often receiving visitors in tears. It was some weeks before she heard that Nelson's last words were of her and that he had begged the nation to take care of her and Horatia. After William and Sarah distanced themselves from her (William being elated upon hearing that Nelson had not changed his will), she relied on Nelson's sisters (Kitty Matcham and Susanna Bolton) for moral support and company. Like her, the Boltons and Matchams had spent lavishly in expectation of Nelson's victorious return, and Emma gave them and other of his friends and relations money.
xxx/ellauri170.html on line 105: To me alone there came a thought of grief: Mulle tulee suru puseroon.
xxx/ellauri170.html on line 109: No more shall grief of mine the season wrong; Mitäs näin hyvällä säällä suotta murehtia.
xxx/ellauri179.html on line 111: The novel tells the story of Richard Lamb, a young Englishman who marries a teenage Argentinian girl, Paquita, without asking her father's permission, and is forced to flee to Montevideo, Uruguay with his bride. Lamb leaves his young wife with a relative while he sets off for eastern Uruguay to find work for himself. He soon becomes embroiled in adventures with the Uruguayan gauchos and romances with local women. Toivottavasti se oli ympärileikattu ettei gonorrhea turvottanut nuppia. After the events of the story he was captured by Paquita's father and thrown into prison for three years, during which time Paquita herself died of grief.
xxx/ellauri230.html on line 658: In some European countries (e.g., France, Belgium, Italy, Spain, Poland, Hungary, Croatia), incurve chrysanthemums symbolize death and are used only for funerals or on graves, while other types carry no such symbolism; similarly, in China, Japan, and Korea of East Asia, white chrysanthemums symbolize adversity, lamentation, and/or grief. In some other countries, they represent honesty. In the United States, the flower is usually regarded as positive and cheerful, with New Orleans as a notable exception.
xxx/ellauri251.html on line 230: And time remembered is grief forgotten, Muistettu aika on unohdettu vaiva,
xxx/ellauri251.html on line 412: And in the end shall no joy come, but grief, Eikä siitä lopultakaan tule iloa vaan pelkkää harmia,
xxx/ellauri251.html on line 1033: Compels with grief mine eyes and labouring breath;
xxx/ellauri251.html on line 1155: ⁠A tumult of infinite griefs;
xxx/ellauri251.html on line 1395: For is it a grief to you that I have part,
xxx/ellauri251.html on line 1504: ⁠We labour, and are clad and fed with grief
xxx/ellauri251.html on line 1928: ⁠Joy with grief ye great gods give,
xxx/ellauri251.html on line 2297: A grief among all women in the world,
xxx/ellauri251.html on line 2357: Worse than this grief. Yet how to atone at all
xxx/ellauri251.html on line 2431: Between two joys a grief grows unaware.
xxx/ellauri251.html on line 2440: What shall be said? for words are thorns to grief.
xxx/ellauri251.html on line 2534: And the veil of thine head shall be grief; and the crown shall be pain.
xxx/ellauri251.html on line 2868: ⁠O the grief, O the grace,
xxx/ellauri251.html on line 3225: Love me not less, thy first-born: though grief come,
xxx/ellauri385.html on line 355: As moisture lend to every grief that grows;

xxx/ellauri385.html on line 364: A goal of grief for which the wisest run.
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