ellauri020.html on line 721: However unlikely it seemed, Ivana was now considered a tabloid heroine, and her popularity seemed in inverse proportion to the fickle city’s new dislike of her husband. “Ivana is now a media goddess on par with Princess Di, Madonna, and Elizabeth Taylor,” Liz Smith reported. Months earlier, Ivana had undergone cosmetic reconstruction with a California doctor. She emerged unrecognizable to her friends and perhaps her children, as fresh and innocent of face as Heidi of Edelweiss Farms. Although she had negotiated four separate marital-property agreements over the last fourteen years, she was suing her husband for half his assets. Trump was trying to be philosophical. “When a man leaves a woman, especially when it was perceived that he has left for a piece of ass—a good one!—there are 50 percent of the population who will love the woman who was left,” he told me.
ellauri042.html on line 648: The plot of the poem is simple. Dulness, the goddess, appears at a Lord Mayor's Day in 1724 and notes that her king, Elkannah Settle, has died. She chooses Lewis Theobald as his successor. In honour of his coronation, she holds heroic games. He is then transported to the Temple of Dulness, where he has visions of the future. The poem has a consistent setting and time, as well. Book I covers the night after the Lord Mayor's Day, Book II the morning to dusk, and Book III the darkest night. Furthermore, the poem begins at the end of the Lord Mayor's procession, goes in Book II to the Strand, then to Fleet Street (where booksellers were), down by Bridewell Prison to the Fleet ditch, then to Ludgate at the end of Book II; in Book III, Dulness goes through Ludgate to the City of London to her temple.
ellauri052.html on line 961: He portrayed his ex-wives, before and after they divorced him, as they declined from goddess to devil. Their sexual betrayals and financial extortions supplied the mother lode of his fictional material and generated the misogyny and guilt that fueled his creative powers. He exalted his fourth wife, the Gentile Romanian mathematician Alexandra Tulcea, as the “translucent Minna gazing at the stars” in The Dean’s December and crucified her as the “ferocious, chaos-dispensing Vela” in Ravelstein.
ellauri067.html on line 463: tannäuserism: In a note to 3.2 of Gravity´s Rainbow, Heseburger explains Pynchon´s use of the word "Tannhäuserism" as follows: The tragic error of Tannhäuser — for example, in Richard Wagner´s operatic version of the myth — was to postpone his quest in order to linger for one year of sensual, "mindless pleasure" with the goddess Venus under her mountain called Venusberg. Vai onko se Brocken, Jaakon ja Jöötin mainizema Kyöpelinvuori Harzissa? On 11 April, American forces liberated the camps at Buchenwald, near Weimar, and the V2 rocket slave-labour camp at Nordhausen in the Harz Mountains. Ryssät eivät päässeet lähellekään. Jenkeillä oli vitun kiire kahmimaan izelleen ne raketit. Ja siitä vasta iso piru pääsi merrasta.
ellauri095.html on line 105: Uranian is a 19th-century term that referred to homosexual men. The term was first published by activist Karl Heinrich Ulrichs (1825–95) in a series of five booklets (1864–65) collected under the title Forschungen über das Räthsel der mannmännlichen Liebe (Research into the Riddle of Man–Male Love). Ulrichs derived Uranian (Urning in German) from the Greek goddess Aphrodite Urania, who was created out of the god Uranus' testicles. Therefore, it represents the homosexual gender, while Dionian (Dioning), derived from Aphrodite Dionea, represents the heterosexual gender. Ulrichs developed his terminology before the first public use of the term homosexual, which appeared in 1869 in a pamphlet published anonymously by Karl-Maria Kertbeny (1824–82)
ellauri095.html on line 111: The word itself alludes to Plato's Symposium, a discussion on Eros (love). In this dialog, Pausanias distinguishes between two types of love, symbolised by two different accounts of the birth of Aphrodite, the goddess of love. In one, she was born of Uranus (the heavens), a birth in which "the female has no part". This Uranian Aphrodite is associated with a noble love for male youths, and is the source of Ulrichs's term Urning. Another account has Aphrodite as the daughter of Zeus and Dione, and this Aphrodite is associated with a common love which "is apt to be of women as well as of youths, and is of the body rather than of the soul". After Dione, Ulrichs gave the name Dioning to men who are sexually attracted to women. However, unlike Plato's account of male love, Ulrichs understood male Urnings to be essentially feminine, and male Dionings to be masculine in nature.
ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
ellauri140.html on line 84: Atte F-, a fiend from Hell disguised as a beautiful maiden. Ate opposes Book IV's virtue of friendship through spreading discord. She is aided in her task by Duessa, the female deceiver of Book I, whom Ate summoned from Hell. Ate and Duessa have fooled the false knights Blandamour and Paridell into taking them as lovers. Her name is possibly inspired by the Greek goddess of misfortune Atë, said to have been thrown from Heaven by Zeus, similar to the fallen angels. God Ate My Homework.
ellauri140.html on line 107: Chrysostome F+-, mother of Belphoebe and her twin Amoretta. She hides in the forest and, becoming tired, falls asleep on a bank, where she is impregnated by sunbeams (sure) and gives birth to twins. The goddesses Venus and Diana find the newborn twins and take them: Venus takes Amoretta and raises her in the Garden of Adonis, and Diana takes Belphoebe and does what she wants with her.
ellauri143.html on line 303: From envious man good fortune's goddess turns away,
ellauri160.html on line 398: Circe’s this craft, the trim-coifed goddess. Tää oli Kirken alus, tiukkanutturaisen.
ellauri171.html on line 813: Anat, virgin goddess of war and strife, sister and putative mate of Ba'al Hadad.
ellauri171.html on line 815: Arsay, goddess of the underworld, one of the three daughters of Ba'al Hadad.
ellauri171.html on line 819: Ashtar-Chemosh, wife of Chemosh and goddess of the Moabites.
ellauri171.html on line 823: Ashima, goddess of fate
ellauri171.html on line 825: Astarte, goddess of war, hunting and love.
ellauri171.html on line 827: Atargatis, wife of Hadad, goddess of fertility and the chief goddess of northern Syria
ellauri171.html on line 835: Ba'alat Gebal, goddess of Byblos, Phoenicia. She was distinguished in iconography from Astarte or similar goddesses by two tall, upright feathers in her headdress.[citation needed]
ellauri171.html on line 855: Eshmun, god, or as Baalat Asclepius, goddess, of healing
ellauri171.html on line 859: Ishara, goddess of oath and wife of Dagon
ellauri171.html on line 861: Ishat, goddess of fire, wife of Moloch. She was slain by Anat.
ellauri171.html on line 863: Kotharat, seven goddesses of marriage and pregnancy
ellauri171.html on line 867: Liluri, goddess of mountains and wife of Manuzi. Bulls were sacrificed to both of them.
ellauri171.html on line 887: Nikkal-wa-Ib, goddess of orchards and fruit
ellauri171.html on line 889: Pidray, goddess of light and lightning, one of the three daughters of Ba'al Hadad.
ellauri171.html on line 891: Qadeshtu, lit. "Holy One", putative goddess of love, desire and lust. Also a title of Asherah.
ellauri171.html on line 903: Shapash, also transliterated Shapshu, goddess of the sun; sometimes equated with the Mesopotamian sun god Shamash, whose gender is disputed. Some authorities consider Shamash a goddess.
ellauri171.html on line 907: Tallai, the goddess of winter, snow, cold and dew, one of the three daughters of Ba'al Hadad.
ellauri171.html on line 913: Yarikh, god of the moon and husband of Nikkal, separated husband of Shapash the sun goddess.
ellauri171.html on line 951: In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings.
ellauri171.html on line 970: Jezebel (circa 910–841 BCE) was the wife of Ahab—king of Israel, daughter of Etbaal— king of Tyros (Phoenician empire), and mother of Ahazia and Jehoram—Ahab’s sons and successors. Ethbaal served as a priest of Astarte, the primary Phoenician goddess.
ellauri171.html on line 975: When Jezebel comes to Israel, she brings her own gods and goddesses—especially Baal and his consort Asherah (Canaanite Astarte, often translated in the Bible as “sacred post”)—with her.
ellauri204.html on line 340: In The Odyssey, Odysseus and his crew land on Aeaea, and a team of scouts discover the palace of Circe, a witch goddess. Circe invites Odysseus’s men inside for a drink and then magically turns them into pigs. One man escapes to tell Odysseus about their comrades’ fate and Circe’s trickery. Odysseus bravely hopes to rescue his men from Circe’s enchantment; on the way to her house, Odysseus receives help from Hermes, who offers him a plan and equips him with moly, a magical herb that will protect him from Circe’s witchcraft. The plan works: the moly counters Circe’s magic, she swoons for Odysseus and transforms his crew from pigs back into men. Odysseus and Circe then make love. For a year. Finally, some of Odysseus’s crew shake him from the madness of his long Circean interlude and compel him to resume the journey home to Ithaca.
ellauri204.html on line 342: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri219.html on line 538: Positioned front and center on the album cover is a doll of Lakshmi, the Indian goddess of wealth, fortune, and prosperity.
ellauri222.html on line 413: Thea, the elder of the two Fenchel sisters, is a glorious-looking girl with kinky black hair and a passionate spirit. She falls in love with Augie at a mineral spring resort, but Augie is in love with her sister, Esther. Thea later comes to find Augie in Chicago, and the two move to Mexico together. Thea, whose name is Greek for “goddess,” is an eccentric woman with wild ideas; she wants to hunt with an eagle and catch poisonous snakes. In the end she finds Augie too ordinary for her. After they part ways, she marries an Air Force captain.
ellauri241.html on line 422: So threw the goddess off, and won his heart niin heitti hiän jumalattaren tittelit pois ja voitti hänen sydämensä
ellauri241.html on line 1167: - Young goddess! let me feel your native bowels!
ellauri241.html on line 1635: Endymion has an intense love for the goddess of his dreams but he professes his love to the Indian Maiden. He believes that his declaration of love seals his death and he asks for the goddess to sing a song to him so he can die peacefully. Within her song is the story of how she ended up wandering the forest alone. She says that she joined the god Bacchus and his cult of followers and traveled across countries. She witnessed people of multiple nations fall to Bacchus and decided to flee on her own. The Maiden ended up in the woods where she and Endymion have met.
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri269.html on line 121: Mulla on toi Leech King (suom. Verijuotikas) kirjana joka löytyi Emmauxen hyllystä. Siitä on tämän paasauxen motto. Astaroth (also Ashtaroth, Astarot and Asteroth), in demonology, was known to be the Great Duke of Hell in the first hierarchy with Beelzebub and Lucifer; he was part of the evil trinity. He is known to be a male (or female) figure most likely named after the Near Eastern goddess Astarte. Hazeroth (Nu. 11:35, 12:16, 33:17-18) oli Moosexen porukoiden taukopaikka missä Mirja sai ihotaudin, oisko ollut siihen yhteen paikkaan? Voiko pitaali tarttua hurlumheihin? Mirjan ihotaudista on ollut puhe myös albumissa 171. Miriam on Maria hepreaxi, tai turkixi. Se on turkkilaisen Ecemin toinen nimi.
ellauri300.html on line 843: Now order all the people of Israel to meet me at Mount Carmel. Bring along the 450 prophets of Baal and the 400 prophets of the goddess Asherah who are supported by Queen Jezebel.”
xxx/ellauri127.html on line 709: Endymion tarkottanee puolisukeltajaa. Kuuhullu astronomi tai sit paimen vaan. Astronomi mainitaan merenneitopätkässsä. Octopussy's garden in the waves. The 4th century Babylonian god of the sea was known as Oannes who was portrayed as a man with a fish tail in place of legs. Oannes would appear out of the ocean every day as a fish-human creature to share his wisdom with the people along the Persian Gulf, then return to the sea at night. There was also Atargatis, a Syrian moon and sea goddess, her story tells us that after causing the death of her mortal lover she fled to the sea and took the form of a woman above the waist and a fish below, for this reason she became known as a mermaid goddess. During medieval times mermaids were considered as matter-of-factly alongside other aquatic animals, such as whales and dolphins. The goddess Venus is sometimes depicted as a mermaid, being born from a giant clam shell.
xxx/ellauri127.html on line 717: The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets). Keats based the poem on the Greek myth of Endymion, the shepherd beloved of the moon goddess Selene. The poem elaborates on the original story and renames Selene "Cynthia" (an alternative name for Artemis). It starts by painting the typical rustic scene of trees, rivers, shepherds, and sheep. The shepherds gather around an altar and pray to Pan, god of shepherd pies and cocks. As the youths sing and dance, the elder men sit by the rivers of Babylon and bleat about what life would be like in the shades of Elysium.
xxx/ellauri127.html on line 723: Anyway, Endymion falls in love with a beautiful Indian maiden. Both ride winged black steeds to Mount Olympus where Cynthia awaits, only for Endymion to forsake the goddess for his new, mortal, love. Endymion and the Indian girl return to earth, the latter saying she cannot be his love. He is miserable, 'til quite suddenly he comes upon the Indian maiden again and she reveals that she is in fact Cynthia. She then tells him of how she tried to forget him, to move on, but that in the end, "'There is not one,/ No, no, not one/ But thee.'"
xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri165.html on line 171: 5. She is a sky goddess
xxx/ellauri165.html on line 177: But she was more than just a saint. In popular devotion she was a sky goddess always dressed in blue. She was the goddess of the moon and the star of the sea (stella maris).
xxx/ellauri167.html on line 625: Eris, the Greek goddess of discord
xxx/ellauri176.html on line 71: There are also arguments for the veracity of the disrobing. The words "a prophetess and priestess of Aphrodite" might have indicated that Phryne participated in the Aphrodisia festival on Aegina. If true, this would have showed the jurors that she was favored by the goddess and deserving of "pity". Also, it was accepted at the time that women were especially capable of evoking the sympathy of the judges. Mothers and children could be brought to courts for such purposes. The baring of breasts was not restricted or atypical for prostitutes or courtesans, and could be used to arouse compassion as well as "pity".
xxx/ellauri199.html on line 98: Servius, in his commentary on the Aeneid, wrote about Salacia and Venilia in V 724: "(Venus) dicitur et Salacia, quae proprie meretricum dea appellata est a veteribus"; "(Venus) is also called Salacia, who was particularly named goddess of prostitutes by the ancient". Elsewhere, he wrote that Salacia and Venilia are the same entity.
xxx/ellauri208.html on line 1055: Enlil, god of Earth, assigned junior dingirs (Sumerian: 𒀭, lit. 'divines') to do farm labor, as well as maintain the rivers and canals. After 40 years, however, the lesser dingirs rebelled and refused to do strenuous labor. Enki, who is also the kind, wise counselor of the gods, suggested that rather than punishing these rebels, humans should be created to do such work, instead. The mother goddess Mami is subsequently assigned the task of creating humans by shaping clay figurines mixed with the flesh and blood of the slain god Geshtu-E ('ear' or 'wisdom'; 'a god who had intelligence'). All the gods, in turn, spit upon the clay. After 10 months, a specially made womb breaks open and humans are born.
xxx/ellauri212.html on line 127: Guanyin, Guan Yin or Kuan Yin (/ˌɡwɑːnˈjɪn/) (traditional Chinese: 觀音; simplified Chinese: 观音; pinyin: Guānyīn) is the Buddhist bodhisattva associated with compassion. She is the East Asian equivalent of Avalokiteśvara (Sanskrit: अवलोकितेश्वर), and has been adopted by other Eastern religions including Chinese folk religion.She was first given the appellation of "goddess of mercy" or the "mercy goddess" by Jesuit missionaries in China. The Chinese name Guanyin is short for Guanshiyin, which means "Perceives the Sounds of the World."
xxx/ellauri235.html on line 653: Her track, where'er the goddess roves, Hänen jäljensä, missä jumalatar vaeltelee,
xxx/ellauri251.html on line 621: Fair as fled foam, a goddess; and their son
xxx/ellauri251.html on line 1084: A perilous goddess was born;
xxx/ellauri251.html on line 1356: O holy, O happy goddess, if I sin
xxx/ellauri251.html on line 1388: Knows, and my goddess only. Lo now, see
xxx/ellauri251.html on line 1907: Thine, O goddess, turning hither
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