ellauri018.html on line 518: Mississippi goddam
ellauri018.html on line 523: The song captures Simone's response to the murder of Medgar Evers in Mississippi; and the 16th Street Baptist Church bombing in Birmingham, Alabama, killing four black children. On the recording she cynically announces the song as "a show tune, but the show hasn't been written for it yet." The song begins jauntily, with a show tune feel, but demonstrates its political focus early on with its refrain "Alabama's got me so upset, Tennessee's made me lose my rest, and everybody knows about Mississippi goddam." In the song she says: "Keep on sayin' 'go slow'...to do things gradually would bring more tragedy. Why don't you see it? Why don't you feel it? I don't know, I don't know. You don't have to live next to me, just give me my equality!"
ellauri018.html on line 526: Mississippi goddam
ellauri018.html on line 540: Tilanteessa noudatettiin käytäntöjä, joita noudatettiin muissakin paikoissa, niin raakoja kuin ne olivatkin. Jaakko Hintikka noudatti vain käskyjä. Teinipoika teki vielä kunniaa. Kunniaa mille? Missä siinä tilanteessa oli kunniaa? Kunniattomat tappoi kunnottomia. Yhdet apinat listi toisia. Toisilla ei ollut konepislareita. Muuten kenkä oisi ollut vasemmassa jalassa. Missisippi goddam.
ellauri028.html on line 202: Now he is on this kick about how man never thinks for himself. He is a chameleon conforming to whatever outside influences he puts himself in. This is pretty interesting stuff here. I apologize that these reviews have become rather flat. The amount of times I have used the word "interesting" to describe things in a vague manner is so blindly obvious and so boring, I can't believe I go on writing these things (and you keep reading them?!) Where is this going to get me, doing these shitty reviews? Does anyone care? Do I really care? I think I need a girlfriend (this is a cry for help)...Anyways, the book is psychological and philosophical or some shit... go read the goddamn thing yourself...I need a drink...
ellauri131.html on line 680: He rerevels in saying The "n" word. "'As long as someone calls you a nigger and gets that kind of response from you I've seen right now, where you're ready to explode, then what you've done is given that person absolute control of you. You have no control in your life. You are still a goddam nigger and a slave. Now go get me a smoothie boy."
ellauri161.html on line 590: Don’t Look Up wants to paint our inaction with regard to climate change as the result of denialism and being distracted by silly things like, say, a movie streaming on Netflix. But climate change isn’t a comet headed our way in less than a year — a lousy, faulty metaphor for where we’re at right now. Except that IT IS! It's probably too late already. Now get a big mouth fuck goddam Allison Willmore,
ellauri171.html on line 471: Dog's dinner. Serve her right, goddam immigrant!
ellauri236.html on line 412: “I tell you I don’t know, but Ma’s goddamn touchy when I mention the girl.”
ellauri236.html on line 413: “I’m going to talk to her,” Eddie said. “I’m not standing for Slim relieving his repressions on that girl. I got mine to relieve on her too. There’s a limit, and goddamn it, that would be the limit! Be nice now! Doucement!"
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri179.html on line 440: “Christ, I just wanted a goddamned minute.”
xxx/ellauri250.html on line 457: It's all well tied up and directed with a grooming handheld camera. The coda is the most surprising part, getting us out of the goddamn train and into actual civilization.
13