ellauri046.html on line 780: Give me the mild beam of the soul-breathing glance,
ellauri048.html on line 1518: And glance about the approaching sails, Ja kazoa lähestyvää purjepyykkiä,
ellauri051.html on line 808: 228 His glance is calm and commanding, he tosses the slouch of his hat away from his forehead, 228 Hänen katseensa on tyyni ja käskevä, hän heittää hattunsa pois otsaltaan,
ellauri051.html on line 1592: 986 They are wafted with the odor of his body or breath, they fly out of the glance of his eyes. 986 Heitä leijuu hänen ruumiinsa tai hengityksensä haju, ne lentävät hänen silmiensä katseesta.
ellauri051.html on line 1889: 1274 And to glance with an eye or show a bean in its pod confounds the learning of all times, 1274 Ja silmällä katsominen tai pavun näyttäminen palossaan hämmentää kaikkien aikojen oppimista,
ellauri080.html on line 532: Concerning John Maynard Keynes, an INTJ, it was said: “[He spoke] on a great range of topics, on some of which he was thoroughly an expert, but on others [he had] derived his views from the few pages of a book at which he had happened to glance. The air of authority was the same in both cases.” Meanwhile, Bertrand Russell famously said that “The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.” Coincidentally, history records a number of ENTPs and INTJs very much disliking each other.
ellauri132.html on line 483: she glanced up to the ceiling hiän vilkaisi kattoon
ellauri132.html on line 519: she glanced hiän vilkaisi
ellauri143.html on line 1457: Her love, by smiling side-long glance, betrayed.
ellauri143.html on line 1471: The furtive glance, that gleams one instant bright,

ellauri143.html on line 1474: Explanation : A single stolen glance of her eyes is more than half the pleasure of sexual embrace. Provided the other half follows suit anon. Oliskohan Elixirin aaria 'Una furtiva lacrima' tullut hakulistauxessa alempana? En jaxanut selata.
ellauri164.html on line 879: This interpretation is solidified by Moses’ words about this event in the Book of Deuteronomy. Three times in the first four chapters of Deuteronomy, Moses says that he is not able to enter the Promised Land because of Israel. At first glance, again, this might seem an unfair charge. Moses had caused his own exclusion, hadn’t he? Why is he accusing the generation after the event in Numbers 20 of being the cause of his failure? If we look at these three mentions, we see a few important facts. In the first instance, Deuteronomy 1:37, Moses is recounting the failure of Israel when they listened to the 10 spies’ negative report and how God forbade that generation from entering the Promised Land, and he then says “The Lord was angry with me also on your account, saying, ‘Not even you shall enter there.’” Moses associates his inability to enter the Promised Land with Israel’s rebellion and unfaithfulness, but he also seems to be lumping the people’s refusal to enter the land (Numbers 13-14) with his own sin in Numbers 20. This is not Moses forgetting the chronology of these two events, but rather indicating that they are closely associate with one another.
ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri203.html on line 447: His searching glance would discover nothing new in
ellauri241.html on line 182: By the love-glances of unlovely eyes, hyökkäämättömänä rumien silmien mulkaisuilta, Satyyrien,
ellauri241.html on line 741: 'Cross the broad table, to beseech a glance poikki leveän pöydän pyytääkseen katsetta
ellauri243.html on line 538: FBI bird on pitempi kuin Pat ja sen avonainen pusero korostaa nätisti sen tissejä. Se puristaa Pättiä (kädestä) hirmu kovasti. Her job was to bat her eyes and shake her ass at suspects, but sadly, old Pat had lost his sense of touch. But beefy Brad is casting glances at her cleavage. Brad's eyes follow Cassandra's fan as she waddles back across the hangar. He has his seed bags hitched up and his pink torpedo all armed up for rapid deployment. Musta leski Cassandra valmistautuu nielemään sen hook, line and sinker. "Dreamer" January Nelsonia lainataxemme (yllä): get ready for suck-starting the Harley, swallowing the baloney pony, taking her temp with a meat thermometer.
ellauri244.html on line 593: Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement (there is me, after all), it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. Paizi Whatman oli peräreikämiehiä.
ellauri267.html on line 1308: Passing she cast at him a side-long glance,

ellauri269.html on line 536: With all this in mind, the recent plot developments on AU Draenor might seem at first glance to be very problematic - depicting a Jewish-coded society becoming the oppressors in a manner that might seem like a poorly constructed and offensive commentary on modern Israel. However, the manner in which the AU Draenei become so zealous and militant is through their (implied) exposure to the words of Xe’ra. Their religion shifts from culturally tied tradition to an evangelistic dogmatic belief system. There is a clear intent of conversion behind their actions.
ellauri270.html on line 383: Mr. Summers asks if Bill Hutchinson is ready, and, with a glance at his family, Bill nods. Mr. Summers reminds the Hutchinsons that they should keep their slips folded until each person has one. He instructs Mr. Graves to help little Davy. Mr. Graves takes the boy’s hand and walks with him up to the black box. Davy laughs as he reaches into the box. Mr. Summers tells him to take just one paper, and then asks Mr. Graves to hold it for him.
ellauri302.html on line 335: Manke: Hush! Don't make any noise. We're going for some root beer, — and lemonade. (Hindel, Manke and Rifkele leave, followed by the amazed glances of Reizel and Basha.)
ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.)
xxx/ellauri149.html on line 450: Some of the looks exchanged between Munchin's Judas and Ben Forster's Jesus (or even just glances in the general direction of the other character) could easily be classed as 'longing'.
xxx/ellauri157.html on line 104: Jordaens’s large painting of The Wife of King Candaules displaying herself to Gyges is in the Nationalmuseum, in Stockholmii. In the large painting, the Queen is depicted lifesize, seen from behind, standing before a canopied bed. She is virtually naked, but for a string of pearls and a lace-trimmed cap. Just as she is about to step into her bed, she pauses and casts a backward glance, apparently addressing the viewer with a conspiratorial smile. On the far right of the picture, Gyges can be glimpsed craning his head through a gap in the curtain, with the King close behind him.
xxx/ellauri165.html on line 419: That Hamilton Woman" is an opulent movie that takes a decidedly sideways glance at history, almost turning an important point in history into an overheated soap opera.
xxx/ellauri166.html on line 421: The Tosafot do not constitute a continuous commentary, but rather (like the "Dissensiones" to the Roman Code of the first quarter of the twelfth century) deal only with difficult passages of the Talmud. Single sentences are explained by quotations which are taken from other Talmudic treatises and which seem at first glance to have no connection with the sentences in question. On the other hand, sentences which seem to be related and interdependent are separated and embodied in different treatises. The Tosafot can be understood only by those who are well advanced in the study of the Talmud, for the most entangled discussions are treated as though they were simple. Glosses explaining the meaning of a word or containing a grammatical observation are very rare.
xxx/ellauri179.html on line 518: The Americans paid their tab and stepped outside. Cobblestones ran through narrow alleys and slightly less narrow streets that led to the sea with buildings all along. Across from Harry's, a white building stood next to a red one. The Americans glanced at the spot the people had been killed. It was a few feet into the street and in line with the stark change in color between the buildings. Four children walked over the spot carelessly. They jumped and skipped happily to where the men couldn't see them.
xxx/ellauri187.html on line 125: But no--if, for Freedman, Rilke is a slick little engine of self-advancement, he is also "thin-skinned," "fragile," "depressed," "thwarted," "troubled," "distraught," "schizophrenic," and "almost suicidal," and he suffered from "hysteria," "anxiety," and "insecurity." This poet seems so tightly shackled to his inner condition that we wonder how he found the freedom to make his art. Freedman himself only occasionally glances at Rilke's art, and then with considerable lack of charm, not to say comprehension ("Still addressing the woman's genitals in confrontation with the man's, Rilke weighed in with his most devastating critique of death's dialectic").
xxx/ellauri380.html on line 372: At first glance the book looks to be a rather dated recounting
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