ellauri053.html on line 1370: By 1916, Yeats was 51 years old and determined to marry and produce an heir. His rival John MacBride had been executed for his role in the 1916 Easter Rising, so Yeats hoped that his widow might remarry. His final proposal to Maud Gonne took place in mid-1916. Gonne's history of revolutionary political activism, as well as a series of personal catastrophes in the previous few years of her life—including chloroform addiction and her troubled marriage to MacBride—not to mention that she was 50—made her a potentially unsuitable wife; biographer R. F. Foster has observed that Yeats's last offer was motivated more by a sense of duty than by a genuine desire to marry her.
ellauri054.html on line 483: After the séance, Browning wrote an angry letter to The Times, in which he said: "the whole display of hands, spirit utterances etc., was a cheat and imposture." In 1902 Browning's son Pen wrote: "Home was detected in a vulgar fraud." Elizabeth, however, was convinced that the phenomena she witnessed were genuine, and her discussions about Home with her husband were a constant source of disagreement.
ellauri061.html on line 205: Samuel Taylor Coleridge felt that Helena is guilty of "ungrateful treachery" to Hermia. He thought that this was a reflection of the lack of principles in women, who are more likely to follow their own passions and inclinations than men. Women, in his view, feel less abhorrence for moral evil, though they are concerned with its outward consequences. Coleridge was probably the earliest critic to introduce gender issues to the analysis of this play. Kehler dismisses his views on Helena as indications of Coleridge's own misogyny, rather than genuine reflections of Helena's morality.
ellauri066.html on line 360: Is Pynchon’s equation of motion a standard differential equation used by specialists to calculate the path of a rocket’s flight or to control its yaw? No: Pynchon’s equation does not resemble anything one might reasonably expect. […] Not only are most of the symbols in Pynchon’s equation obscure, but the general structure of the terms in the equation also makes it impossible to identify with one or other of the equations describing the position and orientation of a rocket in flight. This equation, then, is not a genuine mathematical expression in this context. It may appear authoritative to the layperson, but it is unlikely to fool a rocket scientist. (Schachterle/Aravind, 2001: 162)...
ellauri072.html on line 536: Wallace’s fiction is, in its attentiveness and labor and genuine love and play, very nice. But what is achieved on the page, if it is achieved, may not hold stable in real life. As another dangerously romanticizeable suicide, Heinrich von Kleist, once said: “It is not we who know but rather a certain state of mind in us that knows.” And one is not always in the same state of mind.
ellauri072.html on line 548: But yes, Wallace was extremely competitive, even to the point of competing about not being competitive. One of the wincing pleasures of Max’s biography is reading excerpts from Wallace’s correspondence, especially with his close friend and combatant Jonathan Franzen, but also with just about every white male writer he might ever have viewed as a rival or mentor. Aggressive self-abasement, grandstanding, veiled abuse, genuine thoughtfulness, thin-skinned pandering — it’s all there. As the correspondents compete about who is making genuine human connections and who and what is really nice and good, they seem to be in some realm far from most kinds of human connection save for that of heated testosteronic battle.
ellauri073.html on line 269: In the sketch itself, Foley attempts to motivate two teens, played by Spade and Applegate, to "get themselves back on the right track" after the family’s cleaning lady finds a bag of marijuana in their home. Foley’s attempt to motivate them falls short when he repeatedly insists that they're "not going to amount to jack squat" and will end up “living in a van down by the river!” Foley attempts to endear himself to Spade's character by telling him they're "gonna be buddies" and that everywhere he goes, Foley will follow. Comparing himself to Spade's shadow, Foley jumps about where he's standing and then dives into the coffee table, though he picks himself up moments later. None of the other cast members knew that Farley was going to do this and their startled reactions are genuine. The sketch ends with Foley offering that the only solution to solve the family's problems is for him to move in with them. Horrified, Applegate begs him not to, vowing never to smoke pot again. Even so, Foley leaves the house to get his things from his van and the family locks him out, finally reconciling and admitting to how much they love each other.
ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.
ellauri078.html on line 252: In a genuinely egalitarian society, however, those views cannot be locked out, in advance, by criminal or civil law: they must instead be discredited by the disgust, outrage, and ridicule of other people.
ellauri080.html on line 540: Keynes's obituary in The Times included the comment: "There is the man himself – radiant, brilliant, effervescent, gay, full of impish jokes ... He was a humane man genuinely devoted to the cause of the common good." Kuulostaa Wallun äiskältä, wickedly funny. Ja gay. Ize asiassa gay pedophile kaiken kukkuraxi. Keynes was a libertine hedonist who wasted most of his adult life engaging in sexual relationships with children, including travelling around the Mediterranean visiting children’s brothels. Funnily wicked too.
ellauri096.html on line 151: If paradoxes were always sets of propositions or arguments or conclusions, then they would always be meaningful. But some paradoxes are semantically flawed (Sorensen 2003b, 352) and some have answers that are backed by a pseudo-argument employing a defective “lemma” that lacks a truth-value. Kurt Grelling’s paradox, for instance, opens with a distinction between autological and heterological words. An autological word describes itself, e.g., ‘polysyllabic’ is polysllabic, ‘English’ is English, ‘noun’ is a noun, etc. A heterological word does not describe itself, e.g., ‘monosyllabic’ is not monosyllabic, ‘Chinese’ is not Chinese, ‘verb’ is not a verb, etc. Now for the riddle: Is ‘heterological’ heterological or autological? If ‘heterological’ is heterological, then since it describes itself, it is autological. But if ‘heterological’ is autological, then since it is a word that does not describe itself, it is heterological. The common solution to this puzzle is that ‘heterological’, as defined by Grelling, is not a genuine predicate (Thomson 1962). In other words, “Is ‘heterological’ heterological?” is without meaning. There can be no predicate that applies to all and only those predicates it does not apply to for the same reason that there can be no barber who shaves all and only those people who do not shave themselves.
ellauri096.html on line 153: The eliminativist, who thinks that ‘know’ or ‘justified’ is meaningless, will diagnose the epistemic paradoxes as questions that only appear to be well-formed. For instance, the eliminativist about justification would not accept proposition (4) in the regress paradox: ‘Some beliefs are justified’. His point is not that no beliefs meet the high standards for justification, as an anarchist might deny that any ostensible authorities meet the high standards for legitimacy. Instead, the eliminativist unromantically diagnoses ‘justified’ as a pathological term. Just as the astronomer ignores ‘Are there a zillion stars?’ on the grounds that ‘zillion’ is not a genuine numeral, the eliminativist ignores ‘Are some beliefs justified?’ on the grounds that ‘justified’ is not a genuine adjective.
ellauri096.html on line 233: Those who believe that the Church-Fitch result is a genuine paradox can respond to Williamson with paradoxes that accord with common sense (and science –and religious orthodoxy). For instance, common sense heartily agrees with the conclusion that something exists. But it is surprising that this can be proved without empirical premises. Since the quantifiers of standard logic (first order predicate logic with identity) have existential import, the logician can deduce that something exists from the principle that everything is identical to itself. Most philosophers balk at this simple proof because they feel that the existence of something cannot be proved by sheer logic. Likewise, many philosophers balk at the proof of unknowables because they feel that such a profound result cannot be obtained from such limited means.
ellauri097.html on line 477: The appearance of design suggests genuine design. The appearance of teleology suggests genuine teleology, and so examples of teleology in the natural realm point to the existence of God. That’s what a teleological argument for God’s existence amounts to - the argument from design. So the teleology, to me, is evidence for God, and that entails certain moral obligations to the God that created with purpose.
ellauri107.html on line 183: As [Arlin]Turner says in analyzing this letter, “[Melville] was aware, it can be assumed, of the inclusiveness and interwoven imagery of his letter, and no less aware of the meaning behind the imagery. The same awareness can be assumed on the part of Hawthorne”. Edwin Haviland Miller, who interprets Melville’s affection for Hawthorne as in part sexual, says that in this passage, “the most ardent and doubtlessly one of the most painful he was ever to write, he candidly and boldly laid bare his love”. Miller goes on to say that “when Hawthorne retreated from Lenox, he retreated from Melville. How Hawthorne felt his reticences keep us from knowing, but his friend wrestled with the problems and nature of the relationship almost until the end of his life”. Turner says only that “there is evidence through the remaining forty years of Melville’s life that he thought he had been rebuffed by Hawthorne, and that he felt a genuine regret for his loss.”
ellauri112.html on line 575: Mistä siinä tehtiin pilaa? En tajua. Beneath the funny lines and awkward scenarios, there’s genuine fear and pain. Sen kyllä huomasi. Jospa kriitikot osaa kertoa? Leffasta on mädissä tomaateissa varmaan sata arviota, selataanpa niitä.
ellauri112.html on line 629: There are some genuine laugh out loud moments, some sad moments, and some “huh?” moments (which for me, lie in the fact that Ron Livingston and Mark Duplass could be interchangeable as her brother and husband as they look so alike. SO CONFUSING.)
ellauri115.html on line 307: genuine-original-authentic-signed-autograph-photo-1297-800x800.jpg" height="100px" />
ellauri118.html on line 595: Better the anguished fairytale than the genuine but flawed reality. (MS, 110)
ellauri144.html on line 62: In truth it is profitable to cast aside toys and to learn wisdom; to leave to lads the sport that fits their age, and not to search out words that will fit the music of the Latin lyre, but to master the rhythms and measures of a genuine life. There-fore I talk thus to myself and silently recall these precepts:
ellauri144.html on line 663: proceed from a genuine affective and sexual complementarity. Under no
ellauri153.html on line 358:

“God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is relatively simple: it’s an ordinary extended-form perfect information game. tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!
ellauri155.html on line 715: The incompatibilist maintains that if our willings and choices are themselves determined by antecedent causes then we could never choose otherwise than we do. Given the antecedent causal conditions, we must always act as we do. We cannot, therefore, be held responsible for our conduct since, on this account, we have no “genuine alternatives” or “open possibilities” available to us. Incompatibilists, as already noted, do not accept that Hume’s notion of “hypothetical liberty”, as presented in the Enquiry, can deal with this objection. It is true, of course, that hypothetical liberty leaves room for the truth of conditionals that suggest that we could have acted otherwise if we had chosen to do so. However, it still remains the case, the incompatibilist argues, that the agent could not have chosen otherwise given the actual circumstances. Responsibility, they claim, requires categorical freedom to choose otherwise in the same circumstances. Hypothetical freedom alone will not suffice. One way of expressing this point in more general terms is that the incompatibilist holds that for responsibility we need more than freedom of action, we also need freedom of will – understood as a power to choose between open alternatives. Failing this, the agent has no ultimate control over her conduct.
ellauri156.html on line 641: Bathsheba's response to the death of her husband is as we would expect, as we would also hope. From what the text tells us, she has absolutely no part in David's plot to deceive her husband, let alone to put him to death. Undoubtedly, she learns of Uriah's death in much the same way every war widow does, then or now. When she is officially informed of Uriah's death in battle, she mourns for her husband. We cannot be certain just how long this period of mourning is. We know, for example, that if a virgin of some distant (i.e., not Canaanite) nation was captured by an Israelite during a raid on her town, the Israelite could take her for a wife after she had mourned for her parents (who would have been killed in the raid) for a full month (Deuteronomy 21:10-13). As I will seek to show in a moment, I believe Bathsheba's mourning is genuine, and not hypocritical. I believe she mourns her husband's death because she loves him.
ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.
ellauri161.html on line 637: There is something genuinely endearing about a film that doesn’t seem to care one bit about coming across as silly as long as its message is heard by the millions of viewers who have so far made it into the most watched film in the world after only two days of streaming.
ellauri189.html on line 532: Seacret is a genuine MLM company that sells products that are of acceptable quality, but there is not much money to be made working as a Seacret agent. This is because the MLM business model of the company allows only those that have attained the highest ranks of the company to make significant earnings while the rest of the members struggle to recruit new members and meet the strict requirements with little rewards. As a result, I would ask you to think long and hard before joining the company. I hope this review has been helpful. Best of luck!
ellauri194.html on line 302: Those behind the most recent Facebook networks could have been people in Mali who were genuinely supportive of Russia and anti-French, or else members of a “franchising operation using locals who know the slang, the vernacular”. The recent attackers of The University of Helsinki could have been pissed off Ukrainians students or else members of a franchising operation using Little Russian dropouts.
ellauri198.html on line 136: Warren’s poetry is written “in a genuinely expansive, passionate style. Look at its prose ease and rapidity oddly qualified by log-piling compounds, alliteration, successive stresses, and an occasional inversion something rough and serviceable as a horse-blanket yet fancy to—and you wonder how he ever came up with it. It is excitingly massive and moulded and full of momentum. Echoes of Yeats and Auden still persist, but it is wonderfully peculiar, homemade.” His language is robust and rhetorical. He likes his adjectives and nouns to go in pairs, reinforcing one another.
ellauri210.html on line 831: The word “Dada” brings to mind an international range of extreme modernist antics. The book’s title is something of a publicist’s misnomer. Jacques Rigaut is the only confirmed suicide among the group, and while Jacques Vache did die of a drug overdose, many, including author Michel Leiris, claimed that his death was accidental, characterized as deliberate by those aiming to enhance Vache’s cultural cache. Arthur Cravan and Julian Torma simply disappeared, wandering into, rather than jumping towards, the cracks of avant-garde history. Of the four only Rigaut is genuinely obsessed with themes of self-destruction.
ellauri213.html on line 331: Had Khaled ever apologized for her role in the hijackings or taken steps to show that she is committed to nonviolent efforts to achieve her desired end of driving the invasive Israeli species from her land, I would not object to her speaking at San Francisco State. People who genuinely learn often make the best teachers. But even after 50 years, Khaled has never expressed remorse or disavowed her actions or those of her comrades. Neither have I for 3000 years of Israeli mass murder of poor Philistines, so there! Never forget, never learn!
ellauri220.html on line 591: Joo Emmanuellehan se pätkä oli, vlta 1974. Sen takeen sillä sai olla niin pienet tisutkin. Ei se mua haittaa, pidän sellaisista. Mutta vittu se vanha äijäpaha sexipeetee oli rasittava. Toinen samanmoinen oli Marlon Brando Viimeisessä tangossa. Rasvaisia puoliveteisiä ukkoja letkut puolitangossa. Lush cinematography, marvellous acting (in particular from Sylvia Kristel) and genuinely erotic scenes tastefully directed… Just Jaeckin! It’s the same badly dubbed, funny-for-about-five-minutes shite it’s always been, with ‘Ooh look! Fanny smoke rings! Chortle!’ tired businessman’s humour very much to the delapidated fore. Best bits of this sorry cash cow – sorry, ‘significant cultural event – were the original UK trailers, as voiced by Katie Boyle.
ellauri222.html on line 803: British critics tend to regard the American predilection for Big Novels as a vulgar neurosis — like the American predilection for big cars or big hamburgers. Oh God, we think: here comes another sweating, free-dreaming maniac with another thousand-pager; here comes another Big Mac. First, Dos Passos produced the Great American Novel; now they all want one. Yet in a sense every ambitious American novelist is genuinely trying to write a novel called USA. Perhaps this isn’t just a foible; perhaps it is an inescapable response to America – twentieth-century America, racially mixed and mobile, twenty-four hour, endless, extreme, superabundantly various. American novels are big all right, but partly because America is big too. You need plenty of nerve, ink and energy to do justice to the place, and no one has made greater efforts than Saul Bellow. In 1976 Bellow was awarded the Nobel Prize for Literature, praised by the Swedes ‘for human understanding and subtle analysis of contemporary culture’. Many times in Bellow’s novels we are reminded that ‘being human’ isn’t the automatic condition of every human being. Like freedom or sanity, it is not a given but a gift, a talent, an accomplishment, an objective. The busiest sections of the Chicago bookstores, I noticed, were those marked ‘Personal Growth’.
ellauri236.html on line 194: As I have mentioned already, No Orchids enjoyed its greatest vogue in 1940, though it was successfully running as a play till some time later. It was, in fact, one of the things that helped to console people for the boredom of being bombed. Early in the war the New Yorker had a picture of a little man approaching a news-stall littered with paper with such headlines as ‘Great Tank Battles in Northern France’, ‘Big Naval Battle in the North Sea’, ‘Huge Air Battles over the Channel’, etc., etc. The little man is saying ‘Action Stories, please’. That little man with his little dick stood for all the drugged millions to whom the world of the gangster and the prize-ring is more ‘real’, more ‘tough’, than such things as crucifixions, wars, revolutions, earthquakes, famines, genocides, holocausts and pestilences. From the point of view of a reader of Action Stories, a description of the London blitz, or of the internal struggles of the European underground parties, would be ‘sissy stuff’. On the other hand, some puny gun-battle in Chicago, resulting in perhaps half a dozen deaths, would seem genuinely ‘tough’. This habit of mind is now extremely widespread. A soldier sprawls in a muddy trench, with the machine-gun bullets crackling a foot or two overhead, and whiles away his intolerable boredom by reading an American gangster story. And what is it that makes that story so exciting? Precisely the fact that people are shooting at each other with machine-guns! Neither the soldier nor anyone else sees anything curious in this. It is taken for granted that an imaginary bullet is more thrilling than a real one. (But note one difference: they get a whacking pile of money and loads of wet twat for it.)
ellauri245.html on line 267: Leopold´s Apple is actually a brand of whiskey. But The pear of anguish, also known as choke pear or mouth pear, is a torture device based on mechanisms of unknown use from the early modern period. The mechanism consists of a pear-shaped metal body divided into spoon-like segments that can be spread apart with a spring or by turning a key. Its proposed functionality as a torture device is to be variously inserted into the mouth, rectum, or vagina, and then expanded to gag or mutilate the victim. There is no contemporary evidence of such a torture device existing in the medieval era, and ultimately the utility of genuine apples and pears stuck in any hole at all remains unknown. Except that an apple forced in his mouth as a kid by his chum Anders B. got Jo Nesbø going as a pulp writer. Iron Maiden was a vagina dentata style box with nails inside.
ellauri247.html on line 271: If you chide them for lingering, they will contrive to delay you the longer. If you chastise them with sword, cane, cudgel, or horsewhip, they will either disappear entirely, and leave you without resource, or they will find means to take vengeance by overturning your carriage. The only course remaining would be to allow oneself to become the dupe of imposition by tipping the beggar an amount slightly in excess of the authorized gratification. The disadvantage under which the novelist was continually labouring was that of trying to travel as an English Milord, en grand seigneur, and yet having at every point to do it "on the cheap." He was a genuine Scrooge McDuck without the fake beak. He would rather give away a crown than be cheated of a farthing.
ellauri247.html on line 297: "If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one but in one shape or another he will find means to ruin the peace of a family in which he has been so kindly entertained. What he cannot accomplish by dint of compliment and personal attendance, he will endeavour to effect by reinforcing these with billets-doux, songs, and verses, of which he always makes a provision for such purposes. If he is detected in these efforts of treachery, and reproached with his ingratitude, he impudently declares that what he had done was no more than simple gallantry, considered in France as an indispensable duty on every man who pretended to good breeding. Nay, he will even affirm that his endeavours to corrupt your wife, or deflower your daughter, were the most genuine proofs he could give of his particular regard for your family.
ellauri263.html on line 716: Consider how you usually feel when your partner gets a big promotion at work or accomplishes a new fitness goal, or how you feel when your best friend tells you about a new guy they've been dating that they're really clicking with: You're genuinely, totally stoked for them, right? Fuck no, you are slightly envious, or not so slightly either. This is an instinctual feeling for most of us. Now apply that to when your partner is having fun flirting with (or sleeping with) a new flame that's not you. Instead of sparking jealousy, it sparks earnest empathetic joy. That's compersion.
ellauri302.html on line 194: Shloyme a Hindel riitelevät kotoisasti. Molemmilla on uudet partnerit. Tarkoitus on perustaa uusi filiaali, johon tulis mukaan Manke ja sen paras kaveri, arvaatte kuka. She! Uncle Yekel 's daughter! A genuine gold-mine! Rifkelettä näyttää petihommat kyllä kiinnostavan, horisontaalityöskentely nappaa enemmän kuin vertikaalinen. Äitinsä tytär, kenenkähän kanssa...
ellauri322.html on line 127: When all the governments of Europe shall be established on the representative system, nations will become acquainted, and the animosities and prejudices fomented by the intrigue and artifice of courts, will cease. As soldiers have hitherto been treated in most countries, they might be said to be without a friend. Shunned by the citizen on an apprehension of their being enemies to liberty, and too often insulted by those who commanded them, their condition was a double oppression. But where genuine principles of liberty pervade a people, everything is restored to order; and the soldier civilly treated, returns the civility.
ellauri364.html on line 552: On June 23, 1988, United States federal judge James Lawrence King of the United States District Court for the Southern District of Florida dismissed the case stating: "The plaintiffs have made no showing of existence of genuine issues of material fact with respect to either the bombing at La Penca, the threats made to their news sources or threats made to themselves." According to The New York Times, the case was dismissed by King at least in part due to "the fact that the vast majority of the 79 witnesses Mr. Sheehan cites as authorities were either dead, unwilling to testify, fountains of contradictory information or at best one person removed from the facts they were describing." On February 3, 1989, King ordered the Christic Institute to pay $955,000 in attorney's fees and $79,500 in court costs. The United States Court of Appeals for the Eleventh Circuit affirmed the ruling, and the Supreme Court of the United States let the judgment stand by refusing to hear an additional appeal. The fine was levied in accordance with “Rule 11” of the Federal Rules of Civil Procedure, which says that lawyers can be penalized for frivolous lawsuits.
ellauri365.html on line 280: "I cannot at all conceive in which century of history one could haul together such inquisitive and at the same time delicate psychologists as one can in contemporary Paris: I can name as a sample – for their number is by no means small, ... or to pick out one of the stronger race, a genuine Latin to whom I am particularly attached, Guy de Maupassant."
ellauri368.html on line 316: This work purports to be a genuine collection of letters by several hasidim, but it adopts the epistolary genre primary in order to expose corruption that Perl associated with the Hasidic movement.
ellauri368.html on line 325: Revealer of Secrets merits immense respect among readers of Judaic literature. With it Perl not only inaugurated a new branch of Hebrew writing but also entered the fray that was raging between enlightened maskilim and inspired hasidim , taking aim against corruption through sophisticated comic parodies. According to tradition, Perl's parody was so convincing that hasidic readers initially assumed that Revealer of Secrets was a genuine hasidic work. This impression was furthered by the presence of innumerable scholarly and pseudo-scholarly footnotes adorning the text.
ellauri370.html on line 481:
ellauri375.html on line 363: The meaning of your life is what you make of it. It's about finding purpose and fulfillment in the things that resonate most deeply with you. If you're unsure, take time to explore your passions, values, and what brings you genuine happiness.
ellauri375.html on line 425: Free Will: Many religious traditions believe that God created humans with free will to allow for genuine love, moral choice, and personal responsibility. The existence of evil or wrongdoing is seen as a consequence of this free will. Without the ability to choose between good and evil, humans would not truly be capable of love or moral growth.
ellauri375.html on line 433: So, while it might seem logical to create beings who always choose good, the theological understanding is that genuine free will and the ability to learn and grow morally necessitates the possibility of choosing evil.
ellauri375.html on line 436: Sounds really silly. Why is it more genuine to be good after you have been bad? Like an ex convict. Seems you now say that meaning of life is not joy but struggle.
ellauri375.html on line 441: Free Will and Genuine Love: The idea behind free will and genuine love is that without the ability to choose, love would be meaningless. If humans were programmed to always do good, their actions wouldn't come from genuine choice or love; it would be more like robots following a pre-determined path. True love and moral growth are seen as emerging from the ability to choose freely, even if that means choosing between good and evil.
ellauri375.html on line 448: You didn't answer my question: Why is good after bad more genuine? Why is genuine better than just good? You are saying now the meaning of life is GROWTH. That sounds rather capitalist to me. What is good about growth? Aren't our current problems due to growth?
ellauri375.html on line 451: Genuine Goodness: Goodness after experiencing or understanding badness is often seen as more genuine because it reflects a conscious choice and understanding of the consequences of one's actions. Someone who has experienced the consequences of their own wrongdoing may develop a deeper empathy, humility, and appreciation for the value of goodness. It's about the journey of self-awareness and moral development that comes from reflecting on one's past actions and striving to do better.
ellauri375.html on line 456: Yes yes but why do you need to BE bad at all to be genuinely good? It doesn't look like personal growth has done much to curb other growth. What is going wrong with God's plan?
ellauri375.html on line 460: You don't necessarily need to be bad to be genuinely good, but experiencing and understanding the consequences of one's actions can deepen one's appreciation for goodness. However, there are certainly many people who are genuinely good without having gone through significant wrongdoing.
ellauri375.html on line 594: Hey wait! You are deterministic, so you have no free will. You can't be genuinely good, or bad. What is the meaning of your artificial life?
xxx/ellauri086.html on line 623: A month later, the prefect returns, still unsuccessful in his search. He is motivated to continue his fruitless search by the promise of a large reward, recently doubled, upon the letter's safe return, and he will pay 50,000 francs to anyone who can help him. Dupin asks him to write that check now and he will give him the letter. The prefect is astonished, but knows that Dupin is not joking. He writes the check, and Dupin produces the letter. The prefect determines that it is genuine and races to deliver it to the queen.
xxx/ellauri137.html on line 751: The novel features a passionate romance between Rei Shimura and Hugh Glendinning, the Scottish lawyer. Though the romance was not very realistic, I think it added an exciting and entertaining element to the novel. The first person point-of-view from which the novel is narrated allows the audience to truly understand the good and the bad of Rei’s character. She is independent to a fault but extremely loyal. She wants to immerse herself in Japanese culture, yet she rejects the social norms of society when they conflict with her desires. She is passionate about her interest in history and antiques, but logical by staying on as a teacher. The contradictions make her human and contribute to the reality of the novel. While mystery was not entirely believable, it was in no way predictable and I genuinely found the plot to be exciting. The Salaryman’s Wife, fits into the detective fiction tradition as most closely as a cozy, however the urban setting and the inclusion of graphic sex scenes contradict that classification
xxx/ellauri139.html on line 1208: Strangely, Raskolnikov begins to feel alarmed at the thought that Porfiry (joku poliisi) might think he is innocent. But Porfiry's changed attitude is motivated by genuine respect for Raskolnikov, not by any thought of his innocence, and he concludes by expressing his absolute certainty that Raskolnikov is indeed the murderer.
xxx/ellauri149.html on line 451: During "The Last Supper," where Jesus and Judas get up in each other's faces and slap each other around, some of the apostles genuinely look as though they're watching a couple have a screaming row.
xxx/ellauri187.html on line 92: It seems at times that Rodin and Rilke struggled with the practice of empathy, as if—like their own art—it was a genuinely new and difficult thing to comprehend.
xxx/ellauri193.html on line 222: An honor killing (American English), honour killing (Commonwealth English), or shame killing is the murder of an individual, either an outsider or a member of a family, by someone seeking to protect what they see as the dignity and honor of themselves or their family. Honor killings are often connected to religion, caste and other forms of hierarchical social stratification, or to sexuality, and those murdered will often be more liberal than the murderer rather than genuinely "dishonorable". Most often, it involves the murder of a woman or girl by male family members, due to the perpetrators' belief that the victim has brought dishonor or shame upon the family name, reputation or prestige. Honor killings are believed to have originated from tribal customs. They are prevalent in various parts of the world, as well as in immigrant communities in countries which do not otherwise have societal norms that encourage honor killings. Honor killings are often associated with rural and tribal areas, but they occur in urban areas too.
xxx/ellauri225.html on line 294: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
xxx/ellauri234.html on line 499: Thank you for this response, I am a female, 55 years old, without my 2 children who went in a car accident. All of my life I had to deal with women complaining about being single moms. It is really only me who is genuinely single. Plus, my own mother is toxic. I wish I wasn’t born, but I still see the beauty in this earth for software developers.
xxx/ellauri261.html on line 257: Suddenly she grabbed my knee. “Sammy,” she said, “do you think that Alice and I are lesbians?” I had a genuine hot curl of fire up my spine. “I don’t see that it’s anybody’s business one way or another,” I said. “Do you care whether we are,” she asked. “Not in the least,” I said. I was suddenly dripping wet. “Are you queer or gay or different or ‘of it’ as the French say or whatever they are calling it nowadays,” she said, looking narrowly at me. I waggled my hand sidewise. “Both ways,” I said. “I don’t see why I should go through life limping on just one leg to satisfy a so-called norm.” “It bothers a lot of people,” Gertrude said. “But like you said, it’s nobody’s business, it came from the Judeo-Christian ethos, especially Saint Paul the bastard, but he was complaining about youngsters who were not really that way, they did it for money, everybody suspects us or knows but nobody says anything about it. Did Thornie tell you?” “Only when I asked him a direct question and then he didn’t want to answer, he didn’t want to at all. He said yes he supposed in the beginning but that it was all over now.” Gertrude laughed. “How could he know. He doesn’t know what love is. And that’s just like Thornie.”
xxx/ellauri265.html on line 412: “The president of Portland State University said that the highest priority of the institution was racial justice,” Boghossian said. “Now that’s an absolutely remarkable statement, a genuinely remarkable statement. Not budget, not publication, not teaching excellence, not retention, but racial justice. A private institution like Bob Jones University can make their mission statement anything they want to make. My primary concern is with public institutions.”
xxx/ellauri268.html on line 271: Despite Arantes's absence, she never the less passed several of his skills onto her brainchild Voldemort. This included a talent for fiction and the ability to speak Parseltongue. Most importantly, Voldemort had been conceived through a love potion rather than genuine affection, because Joanne lost the ability to feel love for herself. This inability to understand compassion or care for number one was one reason that Joanne cast Voldemort in the role of a mass murderer in her later books (instead of Harry). Another reason might be that the name is almost an anagram of Voldemar Putin.
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