ellauri030.html on line 230: Tai tämä: jos vanhana on ikävää se on oma vika, jos olisit kiltti niin ois mukavaa vanhanakin. Hemmetti, pointti onkin että nuorena oli mukavaa vaikkei ollut niin kilttikään! Arguendo, confusion matrix on tämä:
ellauri033.html on line 163: le nom de grand poète, la poésie n´a été que l´effusion spontanée et
ellauri033.html on line 376: d´amour, qui se termine sur des effusions néo-catholiques, pas un de ses
ellauri035.html on line 133: In the confusion of her coloured vests
ellauri046.html on line 798: I court the effusions that spring from the heart,
ellauri048.html on line 1185: Confusions of a wasted youth; Sekakäyttäjän nuorukaisen sekoilut;
ellauri051.html on line 1223: 628 Deluding my confusion with the calm of the sunlight and pasture-fields, 628 Huijaten hämmennystäni auringonvalon ja laidunpeltojen tyynellä,
ellauri053.html on line 129: One of the bad effects of an anti-intellectual philosophy, such as that of Bergson, is that it thrives upon the errors and confusions of the intellect. Hence it is led to prefer bad thinking to good, to declare every momentary difficulty insoluble, and to regard every foolish mistake as revealing the bankruptcy of intellect and the triumph of intuition.
ellauri054.html on line 213: Matthew Arnold (24. joulukuuta 1822 Laleham, Middlesex – 15. huhtikuuta 1888 Liverpool) oli englantilainen viktoriaanisen ajan runoilija sekä yhteiskunta- ja kirjallisuuskriitikko. Arnold työskenteli koulutarkastajana. Ei se kuitenkaan ollut pedantti. Hän oli kuuluisan Rugby Schoolin rehtorin Thomas Arnoldin poika ja vähemmän kuuluisien Tom Arnoldin ja William Delafield Arnoldin, romaanikirjailijan veli. Wordsworthin kamuja. A voice poking fun in wilderness. Oliko sekin puun takaa huutelija? Caricature from Punch, 1881: "Admit that Homer sometimes nods, That poets do write trash, Our Bard has written "Balder Dead," And also Balder-dash". Tennysonin ja Browningin jälkeen viktoriaanisten runoilijoiden twit-kisan pronssimies. "It might be fairly urged that I have less poetical sentiment than Tennyson and less intellectual vigour and abundance than Browning; yet because I have perhaps more of a fusion of the two than either of them, and have more regularly applied that fusion to the main line of modern development, I am likely enough to have my turn as they have had theirs." Arnold got into his poetry what Tennyson and Browning scarcely needed (but absorbed anyway), the main march of mind of his time.
ellauri065.html on line 202: The Human Centipede has its moments, but they're largely obscured by umpteen holes in the plot as well as by reams of exposition. It was an ultimately underwhelming affair that's neither sick or repellent enough to garner the cult status it so craves. Whether the film was a commentary on Nazi atrocities or a literal expression of filmmaking politics, the grotesque fusion at least silences the female leads, both of whose voices could strip paint.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri089.html on line 447: § 22. and the other, upon which most stress has been laid, can be true of no whole whatsoever, being a self-contradictory conception due to confusion. …
ellauri089.html on line 471: § 33. A discussion of the third chapter of the Data of Ethics serves to illustrate these two points and to shew that Mr Spencer is in utter confusion with regard to the fundamental principles of Ethics. …
ellauri089.html on line 487: § 40. yet he gives a proof of the first proposition, which consists in (1) the fallacious confusion of "desirable" with "desired", …
ellauri089.html on line 491: § 42. The theory that nothing but pleasure is desired seems largely due to a confusion between the cause and the object of desire, and, even if it is always among the causes of desire, that fact would not tempt anyone to think it a good. …
ellauri089.html on line 505: § 49. Prof. Sidgwick has avoided those confusions made by Mill: in considering his arguments we shall, therefore, merely consider the question "Is pleasure the sole good?"
ellauri089.html on line 527: § 60. This confusion is further brought out by an examination of Prof. Sidgwick's contrary view; …
ellauri089.html on line 529: § 61. and it is shewn that, in consequence of this confusion, his representation of "the relation of Rational Egoism to Rational Benevolence" as "the profoundest problem of Ethics", and his view that a certain hypothesis is required to "make Ethics rational", are grossly erroneous. …
ellauri089.html on line 531: § 62. The same confusion is involved in the attempt to infer Utilitarianism from Psychological Hedonism, as commonly held, e.g. by Mill. …
ellauri089.html on line 533: § 63. Egoism proper seems also to owe its plausibility to its confusion with Egoism, as a doctrine of means. …
ellauri089.html on line 548: § 69. But the theory, by which I have defined Metaphysical Ethics, is not that Metaphysics has a logical bearing upon the question involved in practical Ethics "What effects will my action produce?", but that it has such a bearing upon the fundamental ethical question, "What is good in itself?" This theory has been refuted by the proof, in Chap. I, that the naturalistic fallacy is a fallacy; it only remains to discuss certain confusions which seem to have lent it plausibility. …
ellauri089.html on line 550: § 70. One such source of confusion seems to lie in the failure to distinguish between the proposition "This is good", when it means "This existing thing is good", and the same proposition, when it means "The existence of this kind of thing would be good"; …
ellauri089.html on line 554: § 72. But a more important source of confusion seems to lie in the supposition that "to be good" is identical with the possession of some supersensible property, which is also involved in the definition of "reality". …
ellauri089.html on line 564: § 77. This latter confusion is one of the sources of the prevalent modern doctrine that "being good" is identical with "being willed"; but the prevalence of this doctrine seems to be chiefly due to other causes. I shall try to shew with regard to it (1) what are the chief errors which seem to have led to its adoption; and (2) that, apart from it, the Metaphysics of Volition can hardly have the smallest logical bearing upon Ethics. …
ellauri092.html on line 295: …the problems in the Keswick theology are severe. Because of its corrupt roots, Keswick errs seriously in its ecumenical tendencies, theological shallowness or even incomprehensibility, neglect of the role of the Word of God in sanctification, shallow views of sin and perfectionism, support of some tenants of Pelagianism and semi-Pelagianism, improper divorce of justification and sanctification, confusion about the nature of saving repentance, denial that God’s sanctifying grace always frees Christians from bondage to sin and changes them, failure to warn strongly about the possibility of those who are professedly Christians being unregenerate, support for an unbiblical pneumatology, belief in the continuation of the sign gifts, maintenance of significant exegetical errors, distortion of the positions and critiques of opponents of the errors of Keswick, misrepresentation of the nature of faith in sanctification, support for a kind of Quietism, and denial that God actually renews the nature of the believer to make him more personally holy. Keswick theology differs in important ways from the Biblical doctrine of sanctification. It should be rejected.
ellauri092.html on line 318: It is no wonder that as a young Christian, devouring many of the writings by Tozer, Murray, Lawrence and others led me into severe confusion and ultimately pushed me into the Charismatic Movement seeking what I thought was “holiness.” Turns out it was my unchecked emotions that pushed and pulled me.
ellauri093.html on line 62: "There's too much confusion
ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman.
ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
ellauri106.html on line 355: "Wealth creation is the real American revolution. What we need is an infusion of capital into the depressed areas of our country."
ellauri108.html on line 184: Rastafarians typically avoid food produced by non-Rastas or from unknown sources. Rasta men refuse to eat food prepared by a woman while she is menstruating, and some will avoid food prepared by a woman at any time. Rastas also generally avoid alcohol, cigarettes, and hard drugs such as heroin and cocaine, presenting these substances as unnatural and dirty and contrasting them with cannabis. Rastas also often avoid mainstream scientific medicine and will reject surgery, injections, or blood transfusions. Instead they utilise herbal medicine for healing, especially teas and poultices, with cannabis often used as an ingredient.
ellauri112.html on line 896: Yet, in what is surely one of the great tragedies of history, worse than genocide, the sacrament of the Lord’s Supper has become an occasion for confusion and division. For example, even men of good will, professing the Bible to be their guide, have disagreed as to the exact nature of Christ’s presence in the Lord’s Supper. More recently, Christians have differed about the frequency of intercourse and the subjects of intercourse. But we will not consider such matters as these here.
ellauri118.html on line 761: Who can the Nymphs Confusion guess ? Kuka voi aavistaa neidon hämäännyxen?
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri144.html on line 651: apporte son soutien pour la traduction de ses travaux et leur diffusion à
ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms.
ellauri147.html on line 356: “I couldn’t handle the pain and confusion surrounding my dad’s divorce and I was having a hard time balancing being a teenager with pursuing two grown-up careers,” Phil’s daughter Lily said. (Which ones?) Funnily enough, this wouldn’t be the end of Collins and Cevey’s story together. Until then though, the musician had some issues to deal with…
ellauri147.html on line 654:
ellauri153.html on line 420: words “God”, “good” and “omnipotent”. This leads to confusions, as sufficient reasons for divine
ellauri153.html on line 494: confusions arise out of appeals to sufficient reasons for intelligibility and for moral justification. An
ellauri153.html on line 554: Now that the problem of evil has been exposed as a conceptual confusion, the way is clear for a Jamesian science of religions and worldviews. The methods of grammatical description can be extended to the practices and ways of sense-making in different worldviews: how they give meaning to moral practices and how do they approach the intelligibility of the world? What practical responses do they have for coping with evil? For example, the grammar of seeing-as for models and metaphors can be applied to the metaphors in the Hebrew Bible for God’s activity to understand what it is to see the world as God’s creation. The grammar of virtues can be used to describe Buddhist practices and explore, how these approaches contribute to the human good. Similar approaches can be taken to secular worldviews as well. These descriptions can then be used to assess the worldviews through dialogical encounters between them. However, one thing should be clear. There is no point in devaluing the world by arguing for the meaninglessness of life or atheism on the basis of evil, or in giving justifications for evils that can stand in the way of divine or human meliorist projects of fighting for justice. To paraphrase the judgment of the Divine Judge in the Book of Job, such approaches are not even wrong. They are as meaningless as life itself.

ellauri158.html on line 688: All such opinions spring from the notion commonly entertained, that all things in nature act as men themselves act, namely, with an end in view. It is accepted as certain, that God himself directs all things to a definite goal (for it is said that God made all things for man, and man that he might worship him). I will, therefore, consider this opinion, asking first, why it obtains general credence, and why all men are naturally so prone to adopt it? secondly, I will point out its falsity; and, lastly, I will show how it has given rise to prejudices about good and bad, right and wrong, praise and blame, order and confusion, beauty and ugliness, and the like.
ellauri159.html on line 1057: Be self-motivated and self-directed. However, when writing for a teacher, editor, or boss, you may want explicit instructions. If you don’t have a clear understanding of other people’s expectations, you may struggle in silence. Instead, try asking to see a model of what to work toward (for example, last year’s annual report or a term paper that earned an A). A concrete example will help alleviate confusion.
ellauri164.html on line 353: Dans une petite ville, une famille a un comportement étrange. Le gendre de Mme Frola, M. Ponza, explique que sa belle-mère est devenue folle à cause de la mort de sa fille, sa première épouse. Dans sa confusion, la belle-mère considère que sa deuxième épouse est sa fille.
ellauri172.html on line 658: « Faut-il que je le répète jusqu’à satiété ? Certes ! je n’étais pas jaloux de cette femme : mais nous sommes tous les mêmes. Malgré moi, je voulus voir à qui elle écrivait, et, pour cela, ne m’étant pas assis encore, je m’inclinai par-dessus sa tête ; mais mon regard fut intercepté par l’entre-deux de ses épaules, par cette fente enivrante et duvetée où j’avais fait ruisseler tant de baisers, et, ma foi ! magnétisé par cette vue, j’en fis tomber un de plus dans ce ruisseau d’amour, et cette sensation l’empêcha d’écrire… Elle releva sa tête de la table où elle était penchée, comme si on lui eût piqué les reins d’une pointe de feu, se cambrant sur le dossier de son fauteuil, la tête renversée ; elle me regardait, dans ce mélange de désir et de confusion qui était son charme, les yeux en l’air et tournés vers moi, qui étais derrière elle, et qui fis descendre dans la rose mouillée de sa bouche entr’ouverte ce que je venais de faire tomber dans l’entre-deux de ses épaules.
ellauri180.html on line 218: Notwithstanding the relative disinterest over the function of the prepuce, no other operation has been surrounded by controversy so much as circumcision. Should it be done, then when, why, how and by whom? Religious and cultural influences are pervasive, parental confusion is widespread and medical indications shift with the trends of the day. Doctors divide into camps driven by self-interest, self-righteousness and self-defence. It is not surprising that some of the most colourful pages in the medical literature are devoted to the debate.
ellauri181.html on line 491: 'The four seasons of globalization: How diffusion of new technology shapes human values'
ellauri181.html on line 577: When he completed his list of the virtues to which he aspired, Franklin wrote a brief sentence describing each of the virtues and what it meant to him. He did not want there to be any confusion about what each of these words meant. His definitions of his virtues then looked like this.....
ellauri182.html on line 127: Mikage states, “I can’t believe in the gods,” but at the same time she admits her confusion when she implores the “gods—whether they existed or not,” to “please let me live.” Mikage does not have a solid religious belief system to provide meaning for her life, so she turns to other sources for meaning, including friends and her own inward search. Wrong! !No es eso! !No es eso! You should turn to Amitabha!
ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
ellauri197.html on line 295: The shift in verb tenses is remarkable in this first stanza to address the narrator’s unclear thoughts that are connected to whatever memory she wishes to “forget.” Within the first two lines of ‘How Happy I Was If I Could Forget’, the reader encounters past tense in “was” and the subjunctive imagined prospect of “if I could forget.” This “if” indicates that this is only a wish the narrator has, meaning it is not past, present, or future because it has not happened and will not definitively ever happen. From there, the narrator turns to the present tense by saying, “how sad I am.” There is no clear way that all of these verb tenses senspibly link up, and this grammatic confusion mirrors how uncertain and shaken the narrator is from this memory’s lingering presence.
ellauri197.html on line 297: This grammatical confusion continues in the third line where there is no subject given for the sentiment. Nothing is stated as the thing that “[w]ould be an easy adversity,” so structurally, the statement lacks clarity. A more correct formulation would be given by
ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
ellauri205.html on line 249: découvrir, elle en parle avec une confusion qui fait bien voir que son
ellauri216.html on line 198: The Didache (Greek: Διδαχή, translit. Didakhé, lit. "Teaching"), also known as The Lord's Teaching Through the Twelve Apostles to the Nations (Διδαχὴ Κυρίου διὰ τῶν δώδεκα ἀποστόλων τοῖς ἔθνεσιν), is a brief anonymous early Christian treatise written in Koine Greek, dated by modern scholars to the first or (less commonly) second century AD. The first line of this treatise is "The teaching of the Lord to the Gentiles (or Nations) by the twelve apostles". The text, parts of which constitute the oldest extant written catechism, has three main sections dealing with Christian ethics, rituals such as baptism and Eucharist, and Church organization. The opening chapters describe the virtuous Way of Life and the wicked Way of Death. The Lord's Prayer is included in full. Baptism is by immersion, or by affusion if immersion is not practical. Fasting is ordered for Wednesdays and Fridays. Two primitive Eucharistic prayers are given. Church organization was at an early stage of development. Itinerant apostles and prophets are important, serving as "chief priests" and possibly celebrating the Eucharist. Meanwhile, local bishops and deacons also have authority and seem to be taking the place of the itinerant ministry.
ellauri220.html on line 102: He admits that sometimes, evil thoughts cross his mind. The "old knot of contrariety" the poet has experienced refers to Satan and his evil influence on man, which creates the condition of contraries, of moral evil and good in human life. The poet suffered from these evil influences, as have all men. So, the poet implies, do not feel alone because you have been this way — one must accept both the pure and the impure elements of life. A young man's penis in your arse is just one of those eternal things. They come and go just like the Brooklyn ferry. The reference to fusion ("which fuses me into you now") is the basic ideal the poet sought in the beginning. He reiterates the eternal connection between all human beings. Fuck the rest. We must revel in our man-made surroundings, for our relationship with our environment is the ticket to achieving spirituality and fulfillment. He also uses the theater as a metaphor to represent the difference between public life and private life. He acknowledges that he has a sinful streak - but in society, everyone plays a role. The speaker's tone in the poem is honest but also grateful. By appreciating the small things in his life, he feels like a part of something bigger. Wiltin pikku veitikka oli ehkä ammoin wilttaantunut, mutta sen mustalla ystävällä oli something bigger. Veijarilla oli varsin vaikuttava heijari.
ellauri220.html on line 104: The major image in the poem is the ferry. It symbolizes continual movement, backward and forward, a universal piston like motion in space and time. The ferry moves on, from a point of land, through water, to another point of land. Land and water thus form part of the symbolistic pattern of the poem. Land symbolizes the physical; water symbolizes the spiritual. The circular flow from the physical to the spiritual connotes the dual nature of the universe. Dualism, in philosophy, means that the world is ultimately composed of, or explicable in terms of, two basic entities, such as mind and matter, yin and yang. From a moral point of view, it means that there are two mutually antagonistic principles in the universe — dick and cunt, good and evil. In Whitman's view, both the mind and the spirit are realities and matter is only a means which enables man to realize this truth. His world is dominated by a sense of good, and evil has a very subservient place in it. Man, in Whitman's world, while overcoming the duality of the universe, desires fusion with the sheboy. In this attempt, man tries to transcend the boundaries of space and time, never letting off that dear piston like movement, in and out, in and out.
ellauri236.html on line 384: In 1947, the sado-eroticism in Chase's book was parodied by Raymond Queneau in his pastiche novel, We Always Treat Women Too Well. In 1961, the novel was extensively rewritten and revised by the author because he thought the world of 1939 too distant for a new generation of readers (confusion can result if readers of the Orwell essay refer his quotations and references to the 1962 edition).
ellauri260.html on line 335: This profound confusion shows that our human manner of life is not the whole of reality, but a special category of it in a special condition. It must be related to something larger, and only in virtue of this can it possess any meaning and derive the necessary power. Religion adopts this way. It leads beyond a special province to a new stage of life ; a stage that transcends these contradictions and opens out new contents and new forces. Hence the whole of reality which is accessible to men falls into three stages : a fundamental stage, a stage of conflict, and a stage of victorious spirituality. It is this last which alone furnishes human life with its indispensable support and an indisputable goal.
ellauri277.html on line 260: Gibran died on 10 April 1931 of cirrhosis of the liver. He was an alcoholic and had been in poor health since the early 1920s. Gibran’s death set off a series of sordid conflicts that have clouded his reputation. His will left money and real estate to his sister (Marianna Jubran never married and died in Boston in 1972). Breckenridge ja Haskell piippasivat äkäsesti toisilleen mustankipeinä Gibranin kirjallisesta jäämistöstä. Breckenridge´s 1945 biography of Gibran, an adulatory work full of misinformation—much of which may have come from Gibran himself—continues to create confusion even after the publication of several excellent biographies.
ellauri285.html on line 715: « Les trois césures médiologiques de l´humanité – écriture, imprimerie, audiovisuel – découpent dans le temps des images trois continents distincts : l´idole, l´art, le visuel. Chacun a ses lois. Leur confusion est source de tristesses inutiles. » Non, je n´ai pas inventé ça non plus. Moi je ne suis qu´un petit continuateur, conclut modestement Régis Debray.
ellauri322.html on line 252: She tried even to disentangle her father's affairs ; but the confusion in them was beyond her powers of arrangement. Added to all this faithful work, she took upon herself the charge of an orphan child, seven years old, whose mother had been in the number of her friends. That was the life of Mary Wollstonecraft, thirty years old, in 1789, the year of the Fall of the Bastille; the noble life now to be touched in its enthusiasms by tbe spirit of the Revolution, to be caught in the great storm, shattered, and lost among its wrecks.
ellauri322.html on line 299: The grave has closed over a cdear friend, the friend of my youth (Fanny Blood). Still she is present with me, and I hear her soft voice warbling as I stray over the heath. Fate has separated me from another, the fire of whose eyes, tempered by infantine tenderness, still warms my breast (Mr. Imlay); even when gazing on these tremendous cliffs sublime emotions absorb my soul. And, smile not, if I add that the rosy tint of morning reminds me of a suffusion which will never more charm my senses, unless it reappears on the cheeks of my child. Her sweet blushes etc etc.
ellauri332.html on line 464: Le film engrange un million de dollars le jour de sa première diffusion
ellauri336.html on line 421: I hear you. It certainly feels that way no matter how often we are told it is not. I guess a lot of anger and confusion grew in me from being that 9 year old girl reading the line ‘ thank G_d we were born men not women’ in a prayer book. I have never forgotten it 🙁
ellauri371.html on line 688: Consisting of an impressive total of 21 museums AND the National Zoo, the Smithsonian dates back to 1846 and is being run by the U.S. Government “for the increase and diffusion of knowledge”. The Smithsonian served as both inspiration for the name of the Jeffersonian, and for the many exhibits and scenery.
ellauri382.html on line 549: Confused sense of self and identity confusion
xxx/ellauri157.html on line 347: Could there possibly be a connection between Scholem’s own confession of moral confusion and his treatment of Frank. Did he see something of himself in Frank, who was accused of various sexual perversions, and recoil in horror? While there can be no definitive answer to this question, considering Scholem’s emotional life from the years in which he was writing this pathbreaking essay creates the possibility of a new reading.
xxx/ellauri167.html on line 540: As Wishaupt lived under the tyranny of a despot & priests, he knew that caution was necessary even in spreading information, & the principles of pure morality. He proposed therefore to lead the Free masons to adopt this object & to make the objects of their institution the diffusion of science & virtue. He proposed to initiate new members into his body by gradations proportioned to his fears of the thunderbolts of tyranny. This has given an air of mystery to his views, was the foundation of his banishment, the subversion of the masonic order, & is the colour for the ravings against him of Robinson, Barruel & Morse, whose real fears are that the craft would be endangered by the spreading of information, reason, & natural morality among men.
xxx/ellauri173.html on line 483: La beauté d’alentour par des confusions

xxx/ellauri186.html on line 428: Laurence Olivier oli vähintäänkin 2-neuvoinen. From the beginning of Olivier's life, there was confusion over his sexual identity. The most intimate friend of his youth was the actor Denys Blakelock, also the son of a clergyman, who was homosexual. The Queen's late aunt, Princess Marina, Duchess of Kent, who was involved with the bisexual and married Kaye for several years, told me quite emphatically that he and Olivier were "épris" ("in love"). And Coward, who was appalled to witness the two men openly exchanging French kisses in public, despised Kaye, whom he habitually referred to as "randy Dan Kaminski" (David Daniel Kaminski was Kaye's real name). One biography printed after his death alleged that Olivier “was deeply involved in a homosexual affair with Danny Kaye.”
xxx/ellauri199.html on line 321: The sire of gods and men smiled and answered, “If you, Juno, were always to support me when we sit in council of the gods, Neptune, like it or no, would soon come round to your and my way of thinking. If, then, you are speaking the truth and mean what you say, go among the rank and file of the gods, and tell Iris and Apollo lord of the bow, that I want them—Iris, that she may go to the Achaean host and tell Neptune to leave off fighting and go home, and Apollo, that he may send Hector again into battle and give him fresh strength; he will thus forget his present sufferings, and drive the Achaeans back in confusion till they fall among the ships of Achilles son of Peleus. Achilles will then send his comrade Patroclus into battle, and Hector will shaft him in front of Ilius after he has shafted many warriors, and among them my own noble son Sarpedon. Achilles will shaft Hector to avenge Patroclus, and from that time I will bring it about that the Achaeans shall persistently drive the Trojans back till they fulfil the counsels of Minerva and take Ilium. But I will not stay my anger, nor permit any god to help the Danaans till I have accomplished the desire of the son of Peleus, according to the promise I made by bowing my head (after shafting her) on the day when Thetis touched me between my knees and besought me to give him honour.”
xxx/ellauri404.html on line 515: This one confirms that Dad wanted Sonny to get killed. But why? What´s in it for Dad, or anybody? John appends this, which adds to the confusion: "I and the Father are one." John 10:30
xxx/ellauri410.html on line 225: Eliot writes to Dobrèe: Your confusion of the Crocodile and Camel recalls the behaviour of the primitive inhabitants of Bolovia. A notoriously lazy race. They had two Gods, named respectively Wux and Wux [a progenitor of the Greek “wanax,” meaning divine king?]. They observed that the carving of Idols out of ebony was hard work; therefore they carved only one Idol. In the Forenoon, they worshipped it as Wux, from the front; in the Afternoon, they worshiped it from Behind as Wux. (Hence the Black Bottom.) Those who worshipped in front were called Modernists; those who worshipped from behind were called Fundamentalists. (Letters II 509) They are noted for wearing bowler hats and practicing economically a ditheistic religion, using one idol for the two gods. Eliot’s comic sketches include men wearing bowler hats, which Eliot had
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