ellauri014.html on line 1700: Succeeds the keen and frosty night. pakkasyön jälkeisenä aamuna.
ellauri014.html on line 1707: And frosts and shortening days portend yöpakkaset ja pimenevät päivät
ellauri048.html on line 1266: That grief hath shaken into frost! Se suru on jäätynyt ihan köntäxi!
ellauri051.html on line 1163: 571 Waiting in gloom, protected by frost, 571 Odotan synkässä, pakkasen suojassa,
ellauri094.html on line 550: As a water in January the frost confines, Kuten jää jäykistää veden tammikuuussa,
ellauri097.html on line 821: frost.jpg" height="200px" />
ellauri107.html on line 516: Company sends out to China, and you live in a compound and don't have to do any work, and you get to see the world and pagodas and the ocean and everything! And then I could take up correspondence-courses. That's the real stuff! You don't have to recite to some frosty-faced old dame that's trying to show off to the principal, and you can study any subject you want to. Just listen to these! I clipped out the ads of some swell courses.”
ellauri156.html on line 568: These words of David are the frosting on the cake. They seem gracious and understanding, even sympathetic. In effect, David is saying, “Well, don't worry about it. After all, you win a few, and you lose a few. That's the way the cookie crumbles.” Uriah, a great warrior and a man of godly character (but not a Jew, mind you), has just died, and David does not express one word of grief, one expression of sorrow, not one word of tribute. Uriah dies, and David is unmoved. Contrast his response to the death of Uriah with his responses to the deaths of Saul and Jonathan (2 Samuel 1:11-27), and even of Abner (2 Samuel 3:28-39). This is not the David of a few chapters earlier. This is a hardened, callused David, callused by his own sin.
ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!
ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
ellauri270.html on line 270: Ans my two babes also, 'All so dreary wi frost and snow?'
ellauri351.html on line 76: Odin ja hänen veljensä Ve ja Vili loivat ensimmäisen miehen ja naisen ollessaan kävelyllä rannalla. He löysivät vierekkäin kasvavan saarnen ja jalavan. Toisessa versiossa tarinasta he löysivät kaksi ajopuuta rannalta. Puut he muotoilivat ihmisiksi, miehen nimeksi tuli Askr (Saarni) ja naisen nimeksi Embla (Jalava). Odin antoi heille elämän ja sielun, Ve ymmärryksen ja Vili ruumiin ja aistit. Jumalat loivat myös ihmisille paikan, jossa asua – Midgårdin (Keskimaa), jonka ympärille he rakensivat muurin, joka suojasi heitä jättiläisiltä. Midgårdin ja Asgårdin he yhdistivät sateenkaarisillalla, jonka nimi oli Bifrost.
xxx/ellauri139.html on line 353: His rosary, and while his frosted breath, Kun se laskee rukousnauhan helmiä,
xxx/ellauri139.html on line 738: Solution sweet: meantime the frost-wind blows Ja kaikki paitsi bylsintä on turhaa, nääs.
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri251.html on line 231: And frosts are slain and flowers begotten, Kuurat on päihitetty ja kukat siittyneet,
xxx/ellauri251.html on line 1381: Me the utmost pine and footless frost of woods
xxx/ellauri387.html on line 382: Heavy as frost, and deep almost as life! Jääkuorman kaa oot avannossa syvällä!
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